Five Must-See Films at the 2016 British Film Festival

See the film that won this year's Cannes Palme d'Or (and revisit a Bowie classic).
Sarah Ward
October 22, 2016

It's only been running since 2013, but the British Film Festival has achieved something most other fests can only dream of. In four short years, it has become the must-attend movie event brightening up cinema screens as the year comes to an end — and if you've been to one of the previous festivals, you'll know that it's always busy.

Kicking off in Melbourne on October 26 and making its way around the country, the 2016 instalment promises another jam-packed year of Old Blighty's movie delights. From opening night's real-life love story A United Kingdom to the spirit-soaked comedy hijinks of Whisky Galore — and including a doco about a man determined to swipe Banksy's street art, the latest film from the director of the glorious Sunset Song, and a chance to see the likes of Goldfinger, Highlander and Oliver! on a big screen as well — the 2016 fest has it all. We recommend grabbing a Pimm's cup, munching on some jam-smothered scones, and adding these five must-see flicks to your viewing list.

I, DANIEL BLAKE

Only eight filmmakers have won Cannes Film Festival's coveted Palme d'Or more than once — and after nearly fifty years of making movies, the now-80-year-old director Ken Loach has become one of them. His latest feature, I, Daniel Blake, showcases just what the veteran does best: craft social realist dramas that get to the heart of British life. Starring English comedian Dave Johns alongside A Royal Night Out actress Hayley Squires, the film follows the titular character's attempts to obtain government support following a spate of health troubles, as well as the similar situation faced by a young single mother. Loach dissects the bureaucracy that comes with their predicament, resulting in an effort that's been called his angriest to date. It's must-see viewing.

A MONSTER CALLS

Things have been pretty hectic for Felicity Jones of late. She's currently running around Europe with Tom Hanks in Inferno, and will soon travel to a galaxy far, far away as the lead in forthcoming Star Wars side-story Rogue One. And, playing a mother with terminal cancer, she's also the reason that a young boy befriends a tree-shaped, Liam Neeson-voiced giant in A Monster Calls. Directed by The Orphanage and The Impossible's J.A. Bayona, the film adaptation of the beloved book promises to be that other kind of creature feature — you know, the heart-warming, spell-binding, moving and magical kind.

OASIS: SUPERSONIC

This one will have music doco lovers — and fans of the bad boy Britpop rockers who catapulted to fame, said they were bigger than The Beatles, and got into a top-of-the-charts tussle with Blur — rejoicing. Yep, Oasis made us wonder about champagne supernovas in the sky, asked "what's the story, morning glory?", and probably inspired you to call someone your wonderwall — however, they haven't received the comprehensive documentary treatment until now. Trust Amy filmmaker Asif Kapadia to be involved (though he's just an executive producer this time), with Sex & Drugs & Rock & Roll's Mat Whitecross actually in the director's chair. You'll also spot the Gallagher brothers' names among the EP list, but that doesn't mean the doco presents a sanitised version of the band's tumultuous career. Noel and Liam have well and truly proven that they like a bit of drama, after all.

TRESPASS AGAINST US

In Trespass Against Us, Michael Fassbender plays a caravan-dwelling father and small-time crim who can't find his way away from his own not-so-positive paternal influence, who's played by Brendan Gleeson. Yep, the movie clearly delivers in terms of both casting and an intriguing tale — and then there's the behind-the-scenes talent. Filmmaker Adam Smith hasn't actually made a feature before, but the Skins veteran is known for his work with the Chemical Brothers — in fact, he has designed the visual elements for their gigs since their first show back in 1994, and also directed their stellar concert flick Don't Think. That's obviously why the electronic music legends are involved as well, lending their distinctive sonic stylings to the film's score. And yes, their first such effort since 2011's Hanna sounds amazing as expected.

THE MAN WHO FELL TO EARTH

Has ever a film's title described its star so perfectly? Has a performer ever been so accurately cast in a movie? We can only be talking about one feature and one musician-turned-actor, of course — and with David Bowie's passing in January, the British Film Festival is giving everyone the opportunity to see one of the big-screen highlights of his career. Playing the literally otherworldly Thomas Jerome Newton, Bowie really is a starman in this gorgeously restored version of the sci-fi classic. It's the role he was born to play, in a movie that's as astonishing today as it was when it was first released 40 years ago.

The 2016 BBC First British Film Festival will be screening at Melbourne's Palace Cinema Como, Palace Balwyn, Palace Brighton Bay and The Astor from Wednesday, October 26 to Wednesday, November 16. For more information and the full program, visit britishfilmfestival.com.au.

Published on October 22, 2016 by Sarah Ward
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