Is There an Australian Aesthetic in Interior Design?

Sibella Court, Russel Koskela, Alice Blackwood and Rachel Castle share how Australian design is doing its own thing.

Rima Sabina Aouf
May 23, 2014

Last week's Australian Interior Design Awards had us fawning over the most majestic new spaces and mentally redecorating our own little corner of the world. But they also seemed to capture something else — a more confident, unique sense of Australian style, all earth and light, outdoorsy and unfussy.

The nature of the Australian aesthetic is fodder for an exciting mini-conference at this year's Vivid Ideas. In Australian Interiors, prominent voices in Australian design such as Sibella Court, Russel Koskela, Alice Blackwood and Rachel Castle will speak on their own practice, current style and future trends. Ahead of that, they talk to us about that big question, Australianness, and how it finds expression in design.

Sibella Court

Sibella Court is an interior stylist, product designer, historian, globetrotter and creative director who's designed some of our favourite Sydney spaces, such as Mr Wong, Palmer ? Co and The Fish Shop (pictured above).

Do you think there is such a thing as a contemporary Australian aesthetic in interior design?

Contemporary Australian design doesn't follow a trend; it is eclectic and a great mix of history and creation. Geographically, we are a shipping nightmare! Our lack of product access makes Australians more creative, resourceful and awesome. There’s an embracing of collaboration and a celebration of new and upcoming designers and artisans. Australian style is laidback, and our outdoors and surrounds are already so beautiful, we are a product of our landscape.

What is the future for ‘contemporary Australian' interior design? What new trends do you see emerging?

Australians have their finger on the (global and local) pulse when it comes to design. Perhaps due to our distance from the rest of the world we have a slight dose of FOMO! The lifestyle of Australia influences our design: a casualness and comfort to our style, as well as creatively experimenting with all sorts of different trends, without ever actually following a trend. Social media is a huge influencer of this, especially Instagram. It is a virtual portfolio, and everyone is watching. It’s a fantastic means of discovery of artists, designers and makers, and it lends itself to being the base of exciting collaborations.

Russel Koskela

Russel Koskela founded Koskela with his partner Sasha Titchkosky in 2000. They've become a fixture for minimal, sustainable, unique furnishings and Russel last year won both an Idea Award and Eat Drink Design Award for his designs.

Do you think there is a contemporary Australian aesthetic in interior design?

Yes I do, although I don’t think it’s completely definable. I think there is a relaxed casualness and playfulness to Australian interiors that reflects our climate and attitude.

What is the future for ‘contemporary Australian' interior design?

It’s very difficult to pick any trends as it’s almost like ‘anything goes’ at the moment. We really noticed this when we were in Milan earlier this year — there was something there for everyone. Even with colours it was almost impossible to pick trends.

Alice Blackwood

Alice Blackwood is Melbourne editor at Indesign Media, having last year completed a five-year stint as Editor of DQ (Design Quarterly) magazine.

Do you think there is a contemporary Australian aesthetic in interior design?

Absolutely there is. The way we live and the built environments in which we live directly reference Australia's unique natural environment, our climate, lighting, lifestyle, cultural habits and more. Our love for the outdoors, for example, is hugely influential on our approach to interior design, that creation of a seamless transition between indoors and out being a common element among most contemporary Australian spaces.

If I had to apply a general descriptor to the Australian aesthetic, I would say, natural, honest materials; open spaces that allow for lots of natural light; clean, uninterrupted lines (moving away from poky, old Victorian spaces), and open-plan spaces that integrate kitchen and living into one.

What is the future for ‘contemporary Australian' interior design?

I tend to question, are we capitalising on our local vernacular properly? I've seen a real push-pull among furniture and interior designers — some are keen to 'own' the Australian vernacular, while some feel pigeonholed by it (we are, after all, constantly fighting our 'tyranny of distance') ... In terms of emerging trends, having just come back from the Milan Furniture Fair, I saw a profusion of mixed material use, as well as natural material use, which I think resonates very strongly with our Australian aesthetic. Marble was hugely popular, the cold, beautiful, elemental 'feel' of it resonating strongly with Aussie designers already.

Do you have a personal favourite bar or restaurant interior that nails ‘contemporary Australian'?

At Indesign Media, we're loving Mocan and Green Grout in Canberra, which we covered recently on Habitusliving.com. It’s located on Capital Hill, and does coffee and bicycles, (how cool!). The interior fit-out features lots of beautiful timber joinery, it receives lots of natural light during the day. The fact that it also specialises in bicycles resonates strongly, I think, with our love for health and wellbeing, and being active outdoors! As well, there’s no denying the growing popularity for cycling and bike culture in Australia.

Rachel Castle

Rachel Castle of CASTLE designs and manufactures her own bedlinen and homeware range that is full of colour, life and non-boringness.

Do you think there is a contemporary Australian aesthetic in interior design?

I think these days its really hard to pinpoint a definitive Australian aesthetic. Its like asking us to define our Australian fashion; it's so varied. I think the explosion of interiors blogs and online imagery banks such as Pinterest have allowed anyone and everyone to evolve their own unique aesthetic. I think in general though, we all try to keep it quite relaxed and uncontrived. I think people now are as interested in what they put in their homes as what they put on their bodies, so its wonderful to see such an engaged audience. It's no longer necessary to pick and look and stick to it. You can read the mags, the books, go online, and start to really hone your own aesthetic and source it online, from anywhere in the world. If I had to define a style I would say its a very personal mix of natural materials and products, lots of handmade product, with pops of colour and tons of white for backdrop, and am loving seeing a resurgence for indoor plants! My personal favourite.

What is the future for ‘contemporary Australian' interior design?

I think we're going to see everything start to pare back a bit. There has been a trend for pattern and pattern and more pattern, which I personally love, but I think it can become a little overwhelming, so am seeing a lot more recently, in the mags especially, a simplistic, cleaner look. Metallics and blush are everywhere, which hello we love, and a softer colour palette with the neutrals and greys and pastels starting to emerge.

Do you have a personal favourite bar or restaurant interior that nails ‘contemporary Australian'?

I would have to say Kitchen By Mike [designed by and sharing space with Koskela]. Utilitarian, communal, friendly, warm and earthly. Yummy food too.

Sibella Court, Russel Koskela, Alice Blackwood and Rachel Castle are all speaking as part of Vivid Ideas' Australian Interiors: Objects, Furnitures, Textiles from 10am - 2pm on Saturday, May 24, at the Vivid Ideas Exchange on Level 6 of the MCA. It's one of our picks of the top ten events to see at Vivid Ideas — check out the rest here.

Published on May 23, 2014 by Rima Sabina Aouf
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