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        <title>Concrete Playground - Sydney - Feed</title>
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        <link>https://concreteplayground.com/sydney</link>
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                    <item>
                <title>Marc Hundley</title>
                <link>https://concreteplayground.com/sydney/event/marc-hundley</link>
                <guid>https://concreteplayground.com/sydney/event/marc-hundley</guid>

                <dc:creator><![CDATA[Joel Draper]]></dc:creator>
                <pubDate>Mon, 07 Mar 2011 02:39:34 +0000</pubDate>
                		<category><![CDATA[Arts & Entertainment]]></category>

                                    <description><![CDATA[<p>This Brooklyn based artist has created a niche aesthetic that is all his own in this stylised exhibition that looks and feels great. </p>
]]></description>
                                        <content:encoded><![CDATA[<p>This Brooklyn based artist has created a niche aesthetic that is all his own in this stylised exhibition that looks and feels great. </p>
]]></content:encoded>
                                                                <media:content medium="image" url="https://media.concreteplayground.com/content/uploads/2011/03/Installtion11-300x300.jpg" width="300" height="300"/>
                    
                
                
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                    <item>
                <title>Tracey Emin In Conversation</title>
                <link>https://concreteplayground.com/sydney/event/tracey-emin-in-conversation</link>
                <guid>https://concreteplayground.com/sydney/event/tracey-emin-in-conversation</guid>

                <dc:creator><![CDATA[Joel Draper]]></dc:creator>
                <pubDate>Sun, 31 Oct 2010 09:10:39 +0000</pubDate>
                		<category><![CDATA[Arts & Entertainment]]></category>

                                    <description><![CDATA[<p>Once described as an honest realist, her work is not always easy to look at, nor is it pleasant to think about where it came from. But much of the best art is like that, no? </p>
]]></description>
                                        <content:encoded><![CDATA[<p>Once described as an honest realist, her work is not always easy to look at, nor is it pleasant to think about where it came from. But much of the best art is like that, no? </p>
]]></content:encoded>
                                                                <media:content medium="image" url="https://media.concreteplayground.com/content/uploads/2010/10/20080808_tracey_emin-300x300.jpg" width="300" height="300"/>
                    
                
                
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                    <item>
                <title>The Beautiful Brinks: Your Pictures Suck But I Like You</title>
                <link>https://concreteplayground.com/sydney/event/the-beautiful-brinks-your-pictures-suck-but-i-like-you</link>
                <guid>https://concreteplayground.com/sydney/event/the-beautiful-brinks-your-pictures-suck-but-i-like-you</guid>

                <dc:creator><![CDATA[Joel Draper]]></dc:creator>
                <pubDate>Thu, 21 Oct 2010 09:53:29 +0000</pubDate>
                		<category><![CDATA[Arts & Entertainment]]></category>

                                    <description><![CDATA[<p>Benedict once told me about how she stumbled upon photography. It was fortuitous for the rest of us I suppose, and for her friends who are often the subject of her work. Her objective is not to preserve the sense of these peoples lives, but rather to share common experiences, sights and scenes. Nothing remarkable [&hellip;]</p>
]]></description>
                                        <content:encoded><![CDATA[<p>Benedict once told me about how she stumbled upon photography. It was fortuitous for the rest of us I suppose, and for her friends who are often the subject of her work. Her objective is not to preserve the sense of these peoples lives, but rather to share common experiences, sights and scenes. Nothing remarkable [&hellip;]</p>
]]></content:encoded>
                                                                <media:content medium="image" url="https://media.concreteplayground.com/content/uploads/2010/10/med_B2_5-300x300.jpg" width="300" height="300"/>
                    
                
                
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                    <item>
                <title>Sydney Underground Film Festival</title>
                <link>https://concreteplayground.com/sydney/event/sydney-underground-film-festival-3</link>
                <guid>https://concreteplayground.com/sydney/event/sydney-underground-film-festival-3</guid>

                <dc:creator><![CDATA[Joel Draper]]></dc:creator>
                <pubDate>Mon, 30 Aug 2010 11:59:09 +0000</pubDate>
                		<category><![CDATA[Arts & Entertainment]]></category>

                                    <description><![CDATA[<p>Congratulations to whoever in the organisation of this event managed to schedule 89 films over a 54-hour period. Kudos, friend. Kudos. Catch Dali's [i]Un Chien Andalou[/i] and Harmony Korine's [i]Trash Humpers[/i].</p>
]]></description>
                                        <content:encoded><![CDATA[<p>Congratulations to whoever in the organisation of this event managed to schedule 89 films over a 54-hour period. Kudos, friend. Kudos. Catch Dali's [i]Un Chien Andalou[/i] and Harmony Korine's [i]Trash Humpers[/i].</p>
]]></content:encoded>
                                                                <media:content medium="image" url="https://media.concreteplayground.com/content/uploads/2010/08/unchienandalou-300x300.jpg" width="300" height="300"/>
                    
                
                
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                    <item>
                <title>Rene Vaile: Just Treasure</title>
                <link>https://concreteplayground.com/sydney/event/rene-vaile-just-treasure</link>
                <guid>https://concreteplayground.com/sydney/event/rene-vaile-just-treasure</guid>

                <dc:creator><![CDATA[Joel Draper]]></dc:creator>
                <pubDate>Mon, 30 Aug 2010 00:11:46 +0000</pubDate>
                		<category><![CDATA[Arts & Entertainment]]></category>

                                    <description><![CDATA[<p>If those in a century were to develop an understanding of the aesthetic of our time I would like them to do this with the help of Rene Vaile's photography. Death metal album covers, street brawls, constellations of stars - Vaile's taste for content is inspired. </p>
]]></description>
                                        <content:encoded><![CDATA[<p>If those in a century were to develop an understanding of the aesthetic of our time I would like them to do this with the help of Rene Vaile's photography. Death metal album covers, street brawls, constellations of stars - Vaile's taste for content is inspired. </p>
]]></content:encoded>
                                                                <media:content medium="image" url="https://media.concreteplayground.com/content/uploads/2010/08/Screen-shot-2010-08-21-at-3.31.20-PM-300x300.png" width="300" height="300"/>
                    
                
                
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                    <item>
                <title>Fixed Up</title>
                <link>https://concreteplayground.com/sydney/event/fixed-up</link>
                <guid>https://concreteplayground.com/sydney/event/fixed-up</guid>

                <dc:creator><![CDATA[Joel Draper]]></dc:creator>
                <pubDate>Fri, 16 Jul 2010 00:19:28 +0000</pubDate>
                		<category><![CDATA[Arts & Entertainment]]></category>

                                    <description><![CDATA[<p>Fixed geared bikes are hella fun, and they are proving to be a great tool to bring people together. This exhibition catalogues the main protagonists in the growing Sydney fixie scene - how they got started and even what is so unique about their machines. </p>
]]></description>
                                        <content:encoded><![CDATA[<p>Fixed geared bikes are hella fun, and they are proving to be a great tool to bring people together. This exhibition catalogues the main protagonists in the growing Sydney fixie scene - how they got started and even what is so unique about their machines. </p>
]]></content:encoded>
                                                                <media:content medium="image" url="https://media.concreteplayground.com/content/uploads/2010/07/fixed-up-1-608x405-300x300.jpg" width="300" height="300"/>
                    
                
                
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                    <item>
                <title>Isaac Julien: Ten Thousand Waves</title>
                <link>https://concreteplayground.com/sydney/event/isaac-julien-ten-thousand-waves</link>
                <guid>https://concreteplayground.com/sydney/event/isaac-julien-ten-thousand-waves</guid>

                <dc:creator><![CDATA[Joel Draper]]></dc:creator>
                <pubDate>Mon, 14 Jun 2010 01:28:37 +0000</pubDate>
                		<category><![CDATA[Arts & Entertainment]]></category>

                                    <description><![CDATA[<p>It seems that in the context of art, and especially Julien's multidisciplinary practice, this photographic series is the "sideshow" to his nine-channel video installation being shown at the Biennale.</p>
]]></description>
                                        <content:encoded><![CDATA[<p>It seems that in the context of art, and especially Julien's multidisciplinary practice, this photographic series is the "sideshow" to his nine-channel video installation being shown at the Biennale.</p>
]]></content:encoded>
                                                                <media:content medium="image" url="https://media.concreteplayground.com/content/uploads/2010/06/002-608x456-300x300.jpg" width="300" height="300"/>
                    
                
                
                            </item>
                    <item>
                <title>Alfred Stieglitz Film Series</title>
                <link>https://concreteplayground.com/sydney/event/alfred-stieglitz-film-series</link>
                <guid>https://concreteplayground.com/sydney/event/alfred-stieglitz-film-series</guid>

                <dc:creator><![CDATA[Joel Draper]]></dc:creator>
                <pubDate>Sun, 13 Jun 2010 11:46:42 +0000</pubDate>
                		<category><![CDATA[Arts & Entertainment]]></category>

                                    <description><![CDATA[<p>These films are centered on male protagonists about whom we cannot help but feel ambiguous. Perhaps a metaphor for politics of the time (and relevant for now, too?).</p>
]]></description>
                                        <content:encoded><![CDATA[<p>These films are centered on male protagonists about whom we cannot help but feel ambiguous. Perhaps a metaphor for politics of the time (and relevant for now, too?).</p>
]]></content:encoded>
                                                                <media:content medium="image" url="https://media.concreteplayground.com/content/uploads/2010/06/rear_window-608x413-300x300.jpg" width="300" height="300"/>
                    
                
                
                            </item>
                    <item>
                <title>Antony Gormley: Firmament IV</title>
                <link>https://concreteplayground.com/sydney/event/antony-gormley-firmament-iv</link>
                <guid>https://concreteplayground.com/sydney/event/antony-gormley-firmament-iv</guid>

                <dc:creator><![CDATA[Joel Draper]]></dc:creator>
                <pubDate>Mon, 10 May 2010 03:23:15 +0000</pubDate>
                		<category><![CDATA[Arts & Entertainment]]></category>

                                    <description><![CDATA[<p>In games of &ldquo;would you rather?&rdquo;, I was often asked &ldquo;would you rather be blind of deaf?&rdquo;; after seeing Antony Gormley&rsquo;s Firmament IV, I wonder why the game never included &ldquo;&hellip; or forego the ability to perceive space?&rdquo; First installed in the below-ground gallery of White Cube Mason&rsquo;s Yard in March 2008, this is the [&hellip;]</p>
]]></description>
                                        <content:encoded><![CDATA[<p>In games of &ldquo;would you rather?&rdquo;, I was often asked &ldquo;would you rather be blind of deaf?&rdquo;; after seeing Antony Gormley&rsquo;s Firmament IV, I wonder why the game never included &ldquo;&hellip; or forego the ability to perceive space?&rdquo; First installed in the below-ground gallery of White Cube Mason&rsquo;s Yard in March 2008, this is the [&hellip;]</p>
]]></content:encoded>
                                                                <media:content medium="image" url="https://media.concreteplayground.com/content/uploads/2010/05/gormley_firmament-iv-m-300x300.jpg" width="300" height="300"/>
                    
                
                
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                    <item>
                <title>Shaun Gladwell: Interior Linework/ Interceptor Intersection</title>
                <link>https://concreteplayground.com/sydney/event/shaun-gladwell-interior-linework-interceptor-intersection</link>
                <guid>https://concreteplayground.com/sydney/event/shaun-gladwell-interior-linework-interceptor-intersection</guid>

                <dc:creator><![CDATA[Joel Draper]]></dc:creator>
                <pubDate>Tue, 06 Apr 2010 13:04:24 +0000</pubDate>
                		<category><![CDATA[Arts & Entertainment]]></category>

                                    <description><![CDATA[<p>Friday, March 26, saw Shaun Gladwell&rsquo;s new exhibition Interior Linework/ Interceptor Intersection open at Campbelltown Arts Centre. Gladwell has become a ubiquitous presence in discussions of contemporary Australian art and may now also appear in conversations relating to that $64,000 question: &lsquo;what is our national identity?&rsquo; After studying at COFA, Gladwell began exhibiting at significant [&hellip;]</p>
]]></description>
                                        <content:encoded><![CDATA[<p>Friday, March 26, saw Shaun Gladwell&rsquo;s new exhibition Interior Linework/ Interceptor Intersection open at Campbelltown Arts Centre. Gladwell has become a ubiquitous presence in discussions of contemporary Australian art and may now also appear in conversations relating to that $64,000 question: &lsquo;what is our national identity?&rsquo; After studying at COFA, Gladwell began exhibiting at significant [&hellip;]</p>
]]></content:encoded>
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