Enter one of Yayoi Kusama's infinity rooms, including the Japanese icon's brand-new Infinity Mirrored Room–My Heart is Filled to the Brim with Sparkling Light at the National Gallery of Victoria, and it appears as if the artist's work goes on forever. A great exhibition dedicated to Kusama evokes the same sensation. Accordingly, when you're not staring at a seemingly endless celestial universe while enjoying a world-premiere piece from the talent that's been unveiled for the first time ever in Melbourne, you'll still feel as if Kusama's touches are everywhere around you. Simply titled Yayoi Kusama, NGV International's big summer 2024–25 showcase features 200 works, so there really is enough Kusama art to envelop attendees in dots, mirrors, balls, tentacles, pumpkins, flowers, rainbow hues and her other beloved flourishes. With ten immersive installations, the exhibition breaks the world record for the number of such pieces by the artist assembled in one spot. The showcase is also the largest-ever Kusama retrospective that Australia has ever seen. Open since Sunday, December 15, 2024 and running until Monday, April 21, 2025, Yayoi Kusama has taken over the St Kilda Road gallery's entire ground floor with a childhood-to-now survey of its subject's creative output. With the artist reaching 95 years of age in September 2024, there's eight decades of art on display. Some pieces have never been seen Down Under until now. Some are sourced from private collections, and others from Kusama's own personal stash. In advance of the exhibition's launch, Melbourne welcomed Kusama's five-metre-tall dot-covered Dancing Pumpkin sculpture in NGV International's Federation Court. Outside the gallery, Kusama's Ascension of Polka Dots on the Trees wrapped the trunks of more than 60 trees in pink-and-white polka-dotted material before Yayoi Kusama opened its doors, too. Now comes the chance to explore the complete showcase, which is also one of the most-comprehensive retrospectives devoted to the artist to be staged globally. Forget booking in a trip to Kusama's Tokyo museum for the next few months, then — all that Melburnians need to do is stay local, and Australians elsewhere just need to head to the Victorian capital. Other highlights include NGV International's glass waterwall going pink, but with black rather than white dots; Kusama's new version of Narcissus Garden, which dates back to 1966 and features 1400 30-centimetre-diameter silver balls this time around, sitting in front of the waterwall and in parts of Federation Court; and the yellow-and-black spheres of Dots Obsession hanging over the Great Hall. Then there's the artist's sticker-fuelled, all-ages-friendly The Obliteration Room, where audiences young and old pop coloured dots everywhere — 'obliterating', as Kusama calls it — to cover an apartment interior that's completely white otherwise. Flower Obsession is another participatory piece, returning from the 2017 NGV Triennial. Again, you're asked to add to the work. Here, red flowers are applied to a domestic space — and again, obliterating it is the mission. If you adore the artist's way with mirrors, you'll want to see 2016's Chandelier of Grief, which features baroque-style chandelier spinning within a hexagon of mirrors; 2013's Love Is Calling, where tentacles in different colours spring from both the floor and the ceiling; and 2017's The Spirits of the Pumpkins Descended into the Heavens, which gets viewers peering at glowing pumpkins as far as the eye can see through a small peephole. In Invisible Life, convex mirrors line a twisting and multi-hued corridor. With its six-metre-tall tendrils — which are covered in polka dots, naturally — the yellow-and-black The Hope of the Polka Dots Buried in Infinity Will Eternally Cover the Universe from 2019 is striking without using a looking glass (or several), and makes its Australian premiere. Prefer flowers instead? Set within a dotted space, All My Love for the Tulips, I Pray Forever from 2013 sees a trio of giant tulips loom over audiences. Overall, Yayoi Kusama steps through the artist's 80-plus years of making art via a thematic chronology. While a number of pieces hail from her childhood, others are far more recent. Her output in her hometown of Matsumoto from the late 30s–50s; the results of relocating to America in 1957; archival materials covering her performances and activities in her studios, especially with a political charge, in the 60s and 70s; plenty from the past four decades: they all appear. Any chance to see Yayoi Kusama's work in Australia is huge news, and reason to make a date — including travel plans, if needed. Here's another drawcard: the NGV has also added Friday-night parties to the mix, kicking off on Friday, December 20, 2024 for some pre-Christmas fun, then running for 18 weeks until Friday, April 18, 2025. Yayoi Kusama displays at NGV International, St Kilda Road, Melbourne until Monday, April 21, 2025 — and NGV Friday Nights: Yayoi Kusama runs each Friday night from 6–10pm between Friday, December 20, 2024–Friday, April 18, 2025. Head to the NGV website for more details and tickets. Images: Visitors and artworks in the Yayoi Kusama exhibition at NGV International, Melbourne until 21 April 2025. © YAYOI KUSAMA. Photos: Danielle Castano, Sean Fennessy, Tobias Titz and Kate Shannassy.