Netflix's Next Surprise Project Is a Short Music Film From Thom Yorke and Paul Thomas Anderson
Called 'Anima', the trippy work drops this week.
They've changed the home entertainment landscape and monopolise our couch time, but streaming platforms still like to keep everyone guessing. Surprise drops have become the latest trend, especially when it comes to blending movies and music — such as Beyonce's Homecoming documentary and The Lonely Island's Unauthorised Bash Brothers Experience on Netflix, and Donald Glover's Guava Island on Amazon Prime. And that's just this year.
Announced this week and hitting your queue in mere days — on Thursday, June 27 — add Anima to the list. It too has a significant pedigree. Sharing the same name as Thom Yorke's third solo album, which'll drop on the same day, it's scored by the Radiohead frontman and directed by Boogie Nights, There Will Be Blood and Phantom Thread filmmaker Paul Thomas Anderson.
Netflix is calling Anima "a short musical film" and a "mind-bending visual piece" which is "best played loud" — and considering it also stars Yorke, it's safe to consider it a 12-minute music video. In the just-released teaser, the film is dubbed a "one-reeler", which the clip then goes on to define as "a motion picture, especially a cartoon or comedy, of 10–12 minutes duration and contained on one reel of film; popular especially in the era of silent film".
Check out the trailer below:
This isn't Anderson's first Radiohead-linked collaboration, with his films There Will Be Blood, The Master, Inherent Vice and Phantom Thread all featuring scores composed by the band's lead guitarist Jonny Greenwood. He also helmed 2015 documentary Junjun, about the making of Greenwood's album of the same name, and directed Radiohead's 'Daydreaming', 'Present Tense' and 'The Numbers' videos.
Yorke has also been working in film lately — on the score for last year's Luca Guadagnino's 2018 remake of Suspiria.
Anima drops on Netflix on Thursday, June 27.
Images: Netflix / Darius Khondji.
Published on June 22, 2019 by Sarah Ward