2023's Vibrant Fleet of First Peoples-Designed Art Trams Has Started Rolling Around Melbourne

Melbourne's trams aren't just a handy way to get from A to B. Each year, six of the city's public-transport carriages also become mobile artworks. Melbourne Art Trams gives the vehicles a vibrant revamp — and, since 2021, the designs gracing each one have hailed from Victorian-based First Nations artists. The initiative has fallen into winter arts festival RISING's remit since then, too, with the end results for 2023 now rolling around the Victorian capital.

The theme for this year's Melbourne Art Trams series: Blak futurism. As well as celebrating and exploring history, Country, community and connection, that's what the latest round of artists has responded to, as curated by visual artist Jarra Karalinar Steel (Boonwurrung/Wemba Wemba) — an alumni of the 2021 trams.

"This year's First Peoples Melbourne Art Trams truly embody the transformative narratives of First Peoples Artists' creative expression, and the diversity that is often overlooked when it comes to Aboriginal Art in Australia. For me, the theme this year — 'Blak futurism' — is about reclaiming and taking back space, and breaking the status quo while maintaining culture and connection to country. It' also about learning from our past and those who came before," said Steel.

"Blak futurism plays with nostalgia, pop culture and the desire to see ourselves represented in a world where we feel unseen and heard. Changing the way we are seen and the way we see ourselves."

"I was looking for works that truthfully spoke to how these artists saw a Blak bright future for their community, families and country. This year's Art Trams will provide a world of colour to our grey city streets, exploring themes of community, togetherness, intergenerational collaboration, protection and care for country and our animals, future folklore, nostalgia, representation, and pay tribute to our beloved city."

The first art tram to start doing the rounds boasts work by Amina Briggs (Boonwurrung/Erub). It hit the streets on Tuesday, June 13, featuring a portrayal of Bunjil the creator and Waa the protector, key figures in Boonwurrung culture. Also included, in a piece that's about reclaiming land: the Australian raven and the wedge-tailed eagle, the symbolic animals for both figures, plus a diamond, which is the traditional Boonwurrung symbol.

By Friday, June 23, the remaining five trams will also get zooming, giving Melbourne a moving exhibition. Rubii Red's (Lama Lama) contribution is an ode to Naarm, including its protests, music and nightlife; Charlotte Allingham (Wiradjuri and Ngiyampaa) has created a piece envisioning a future that values Blak freedom, self-expression, sustainability and innovation; and Jay Van Nus (Pibelman Noongar, and a Chilean Australian brotherboy) celebrates Indigenous knowledge and community, including diverse skills and ideologies coming together.

For their tram, Lyn Thorpe (Yorta Yorta/Wurundjeri/Wamba Wemba/Wadi Wadi) and her son Coree Thorpe (Yorta Yorta/Wurundjeri/Gunnai/Gunditjmara) hone in on the Aboriginal continuum, which spans connections to ancestors and being caretakers for knowledge. And Peter Waples-Crowe's (Ngarigu) work focuses on the alpine dingo, using it as a symbol of ecosystem restoration, while contemplating restoring Indigenous knowledge.

Melbourne Art Trams is a collaboration between RISING, Creative Victoria, Department of Transport and Planning and Yarra Trams, allowing local First Nations artists submit their own original tram-inspired designs — and ran as part of the Melbourne International Arts Festival before RISING's arrival.

The first of Melbourne's 2023 art trams hits the tracks on Tuesday, June 13, with the rest of the fleet joining them by Friday, June 23. For further details, head to the RISING website.

Images: James Morgan.