Rima Sabina Aouf
Rima is the editor-in-chief of Concrete Playground.
Thu, 4 Apr - Wed, 8 May 2013
Various cinemas in Sydney
What did you expect Danny Boyle to do next? Probably not this hypno-heist thriller.
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What helps a despairing person keep on living? It's not usually a brute like Ali.
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Thu, 28 Feb - Wed, 27 Mar 2013
Select cinemas in Sydney, Various locations
Truth may generally be stranger than fiction, but this truth is the very strangest.
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Thu, 28 Feb - Sun, 3 Mar 2013
Various cinemas in Sydney
The Wachowskis and Tom Tykwer tackle one of the world's most thrillingly unfilmable books.
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Wed, 13 Feb, 2013
Kino Cinemas, Melbourne
Australia's only Academy-accredited short film competition tours the nation with its 'best of'.
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Thu, 14 Feb - Wed, 27 Mar 2013
Various venues, Various locations
If you've seen Atonement and Pride and Prejudice, you might think you know what you're in for. And you could not be more wrong.
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Enjoy the film fest to its fullest with luxury pre-drinks, red-carpet tickets and stylish hotel accommodation.
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The dandy is a hipster in Simon Greiner's version of the iconic Eustace Tilley image.
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Thu, 31 Jan - Wed, 13 Mar 2013
Various cinemas in Sydney
Win tickets to see the film that everyone has an opinion on.
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Thu, 31 Jan - Wed, 13 Mar 2013
Various cinemas in Sydney
It may be January, but this will have to be one of the films of the year.
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Get ready for six-second videos as your next social network.
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One family's extraordinary story from the 2004 Boxing Day tsunami.
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XKCD has us talking in only the 1000 most common words.
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Universe Architecture puts the new technology to monumental use.
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An inspired collaboration from the Sydney Dance Company.
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Who knew the weekend supplements were so tense?
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His new animation A Cautionary Tale has made an impression on Kickstarter and Flickerfest.
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The short-film guru lets us in on her favourites.
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Some of 2012's biggest titles duke it out on this special day of the year.
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Thu, 13 Dec 2012 - Wed, 9 Jan 2013
Various cinemas in Melbourne
Why your uni days were the best days - and why you can't have them back.
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