Boris
The genre-defying (and adjective-exhausting) Japanese noisemakers are back.
Overview
Prolific Japanese sludge-psychedelic noisemakers Boris are well acquainted with sounds of every type. They've released 19 albums full of them in the past 20 years — spanning from doom-laden metal to feedback-heavy acid rock — culminating in last year's release, with the you-can’t-say-they-didn’t-warn-you of a title Noise.
It's a far cry from J-pop (though the trio have been known to dabble in it), but still a sound inspired by Japan. "Every street in every city is flooded with massive noise, from people talking, the constant playing of uncomfortable commercial music, so many conflicting sounds in one space," bassist/guitarist/vocalist Takeshi told the SMH.
Last time Boris made it to Australia they played their 2002 cult classic record Flood in its entirety. If you manage to bag a ticket to their Corner show this month, come prepared for eardrum-popping experimental soundscapes as dense as their discography is in releases. Don't forget your earplugs.
Supported by White Walls + Hotel Wrecking City Traders.
Information
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