Melbourne Festival 2013

The program for the new-look Melbourne Festival, in its first year under new artistic director Josephine Ridge, has been announced for 2013.
Nick Spunde
Published on August 14, 2013

Overview

A Noel Coward play, a series of Haydn string quartets, a concert by Clannad – wait , is this Melbourne Festival?  It is but it’s the new look Melbourne Festival, now in its first year under new artistic director Josephine Ridge.

Ridge’s goal with her first program has been to broaden the festival’s appeal.  While there will as always be a range of offerings on the weirder side of wonderful, from an epic dramatisation of a verbatim phone conversation (Nature Theater of Oklahoma’s Life and Times), to an artist who makes playable musical instruments out of disarmed assault weapons (Pedro Reyes), the 2013 program is also aiming to draw in audiences who may normally have seen Melbourne Festival as not their thing.

An expanded music program is a big part of that, bringing an eclectic range of acts from pop bands such as British India and Polyphonic Spree, to a celebration of ska, a classical program put together with the help of the Australian Chamber Orchestra’s Richard Tognetti and a concert in the dark by blind artists Amadou and Mariam.

This year also sees a greater focus on commissioned works, both from local artists such as Eddie Perfect and Daniel Schlusser and from big international names such as British choreographer Hofesh Shechter.  Other guests of note include much-loved Indigenous singer Archie Roach, who will be playing in a grand welcome to country to kick the festival off, Hollywood legend John Landis and celebrated French ballerina Sylvie Guillem.  There’s plenty for free and even if you can’t get yourself to a single film screening, gallery exhibit, concert or performance the art will be coming to you anyway, via a series of decorative “art trams”.

Ridge has just come from nine years working on the Sydney Festival, an event which she says seems to draw more emotional engagement from its audience, compared to the intellectualised response typical of Melbourne.  She’s hoping this year to bring a bit of that passion south, with a program that truly gets into Melbourne’s heart.

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