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By Tom Clift
February 29, 2016
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By Tom Clift
February 29, 2016
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A few years back, Casey Jenkins spent 28 days sitting in an art gallery in Darwin, knitting using wool loomed from her vagina. The video of the performance (NSFW, by the way) went viral online, generating thousands of horrified reactions. In Programmed to Reproduce for the Festival of Live Art 2016, the Melbourne-based artist responds to her attackers, creating a brand new knitted work, using wool soaked in her menstrual blood that reflects how people — and particularly women — are treated on the web. Audiences will also be invited to share their own experiences with online harassment, as Jenkins unravels complex notions of identity and judgement in the modern age.

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