The Space Between

Overview

When life gives you an Italian husband, an intriguing tale about more than meeting-cute, and a scenic backdrop, what do you do? If you're first-time Australian filmmaker Ruth Borgobello, you don't just enjoy your good fortune — you make a movie out of it. The first ever Italian-Australian co-production, The Space Between proves every bit as personal and picturesque as turning your overseas love story into a motion picture should. And while the premise might seem tried and tested, don't discount the way that sincere emotions ripped from reality can cast fresh light on even the most familiar-sounding story.

Indeed, if there's one thing that Borgobello understands in drawing upon her own experiences, it's that similar events can and do happen to plenty of people. It's not the boy-meets-girl narrative that stands out here, or the globe-trotting soul searching, or the idea of two lost folks finding something they're missing. Instead, it's the honesty that The Space Between thrusts to the fore — including about the fact that life isn't always clear-cut. Avoiding the urge to sugar-coat or throw in a Hollywood ending, Borgobello embraces the messiness of heading abroad and connecting with someone new.

When Italian chef Marco (Flavio Parenti) and wannabe Australian designer Olivia (Maeve Dermody) first cross paths in Udine in Northern Italy, he's working in a factory and overseeing a bookstore, and she's searching for her Italian heritage as well as her true sense of self. Sparks fly, though theirs is more a gentle journey than a whirlwind romance. He has an ailing father to worry about, as well as his own squandered culinary career. She has taken a break from her routine existence back home, but doesn't know if she has the courage to follow her heart.

Thanks to first-rate casting, as well as astute writing by Borgobello and co-scribe Mario Mucciarelli, The Space Between paints Marco and Olivia as the uncertain figures they should be — and what a difference authentic characters can make. Clunky dialogue can't dampen Parenti and Dermody's ability to convey the lived-in woes and worries felt by their protagonists. Nor can a few obvious plot developments erase the central duo's chemistry.

If Parenti and Dermody help ensure that The Space Between doesn't simply feel like another lovey-dovey finding-yourself travelogue, then Aussie cinematographer Katie Milwright guarantees that it doesn't look like one either. Whether it's strolling down tree-lined paths or spying gorgeous vistas, this is an eye-catching film to be sure, although there's a certain moodiness to its visuals that you wouldn't find on a postcard. Clear yet soft, the movie seems as if it is caught between a memory and real life. In fact, that's probably an appropriate description of just what Borgobello is bringing to the screen.