Why All This Mayhem Is So Much More Than a Movie About Skateboarding

The best documentaries have a way of transcending their subject matter, of using particular stories to explore significant human themes. Such is the case with All This Mayhem, the first theatrical effort from director Eddie Martin. Although ostensibly set in the world of professional skateboarding, the film is in fact a deeply personal portrait of brothers Tas and Ben Pappas — the Melbourne-born siblings who helped reinvigorate the sport, only to fall victims to the perils of their spectacular rise to fame.

"This is the challenge, getting people [to] realise that it's not just a skate film," Martin told us. "For us, it's a story about brothers that just happens to be set in the world of skating. They're Greek boys, and it is like a Greek tragedy in a sense."

The film begins with the siblings as teenagers, and chronicles their journey from a skate ramp in Prahran, Melbourne to becoming the two highest ranked skateboarders in the world. But with the success came money, and drugs, and soon the two brothers began throwing their good fortune away. Martin intercuts archival footage with a series of interviews with Tas, who speaks with devastating candour about the duo's fall from grace — one that culminated in his younger brother's tragic suicide in 2007 and his own incarceration for drug smuggling the following year.

Now, after successful screenings at local film festivals, along with a recent UK premiere at the prestigious Sheffield Doc/Fest, All This Mayhem has hit Australian cinema screens.

Just getting on camera was a huge act of trust

"As a teenager I used to skate at Prahran Skate Park, and that's where I first met the boys," remembers Martin. "Then I stopped skating and we parted ways, but I still saw Ben around socially … then when he passed, that was obviously a huge shock for everyone. No one saw that coming."

After Ben's death, the Pappas family was approached by a group of documentary filmmakers, but Tas wasn't happy with the direction they wanted to take the film. "They had approached Tas, who had said no, but they were still moving forward, and it just felt really exploitative," says Martin. "So we got ourselves motivated to go and talk to Tas, to try and do it properly."

"Tas and Ben are incredible characters," Martin continues. "They've got a lot of heart and a lot of humour, and I knew Tas had the presence to carry the film. Obviously he had trust issues because of what had happened with that project … so it was just a process of making sure that everyone felt comfortable and that we were all on the same page and doing it for the right reasons."

They don't shy away from rock bottom

Since his release from prison, Pappas has slowly returned to skating, while steering clear of the temptations of his former life. As he tells it, part of his reason for wanting to do the documentary was as a way of reaching out to his estranged children in the United States. "I had to bear my soul, so my kids could see who I truly am … hopefully they'll see it one day and want to come find me," Pappas says. "Eddie's been a godsend. He's very understanding. He knows how sensitive the material is."

Despite their friendship, Martin doesn't pull any punches when depicting the depths the brothers fell to. "We lived like pirates," says Pappas, looking back. "I didn't think about tomorrow. I didn't think about it [as a] career, or that my days were numbered … once I became number one, it was the best time in the world, but I remember thinking 'now what?' So then I really got right stuck into the drugs. I tried for years to get off them, but then I'd end up back on them even harder every time I relapsed."

"It's like ripping open old wounds," he continues. "Sometimes I can watch the doco and it means nothing. And then other times I'll watch it and I'll find I'm depressed for days afterwards. Watching my little brother go all gaunt and then die … it wasn't really my brother, in the end."

Mercy is the message

"We've been blown away by people's response to the film," says Martin. "The response from the exhibitors has been so strong in the UK that they're going to bring it out on 30 screens, which is huge for an Australian film, let alone a doco."

When asked about the positive response, Pappas says it feels "undeserved." At the same time, he's pleased by the prospect that his story might help others. "I've got a lot of regret, and I don't really esteem myself too highly with a lot of the stuff that I've done," he says. "But people seem to be forgiving. God is merciful, I've started learning that. If I've been shown this much mercy, I sort of have to try and help some kids who are going the wrong way."

All This Mayhem opens on July 10 exclusive to Cinema Nova in Melbourne and Dendy Newtown in Sydney. Read our review here.