The Top 5 Tracks to Hear This Weekend

It's winter. The nights are getting longer, the cold is getting colder, and there you are with two perfectly good ears and nothing to do. But we've got you covered with some Scottish hip hop and four excellent Aussie acts: Big Scary, back with their second album; Ash Grunwald, who has teamed up with two-thirds of The Living End for some huge, riff-heavy blues-rock; OXBLVD, who kinda sound like if Boy & Bear had shot a man in Reno; and some dark, angular, multiple-guitar-having rock from Sydney's Service Bells.

So snuggle in with that special someone – you're in for a wild ride.

1. OXBLVD - Gotta Get Away

First off, it's pronounced 'ox blood'. Second, I almost didn't include this when I couldn't find a Soundcloud or YouTube clip to embed, but I figure you're all smart enough to find your way over to the band's Unearthed page. And besides, this is way too cool to ignore.

There's a serious spaghetti Western vibe to the new single, and you can almost see the band as outlaws, riding across the deserts of the Wild West. There's a real swagger to the guitars, and singer Ed Worland sounds like a man possessed as he wails 'run away' over and over on the coda. These boys can play, and I have no doubt they will be playing stadiums before too long. And when they do, you'll be kicking yourself if you don't catch their residency at Sydney's Oxford Art Factory this Friday, June 14, as well as June 28.

2. Young Fathers - 'Rumbling'

When you think of Edinburgh, hip hop groups aren't usually the first things that spring to mind. But Young Fathers are going to change all that. With three distinct, unique MCs, Young Fathers take the influences from their African homelands (Nigeria and Liberia), the grime of the housing projects of their adopted Scotland and all manner of hip hop and electronica influences to end up with something quite striking. 'Rumbling' comes from their first mixtape — imaginatively titled Tape One — but they've also just dropped Tape Two for free on Soundcloud. If there were any justice in the world, these guys would be huge. As it is, it's probably a question of when, not if.

3. Ash Grunwald – The Last Stand

Ash Grunwald is one of those 'best-kept secret' kinda guys. He's been around for a decade, playing thousands of shows all over the country and leaving audiences totally enraptured wherever he goes. But he's done all this on independent labels and off his own bat, and he's never reached been able to reach as big an audience as he should. He's an extraordinary guitar player, with (at least) a four-octave voice, and to hear him in full flight is a real treat. On his new album he has joined forces with two more of Australia's greatest musicians — Scott Owen and Andy Strachan, better known as The Living End's rhythm section. And they just cut loose, with huge, crunching riffs and incredible musicianship.

4. Big Scary - Luck Now

Big Scary are one of the great success stories of Australian music in the last couple of years, proving once again that even a two-piece can make it big with great songs and a little bit of luck. Their piano ballad 'Falling Away' was a huge smash, and the heavy piano chords that open 'Luck Now' remind you immediately of their earlier hit. But this one has a halting, skipping backbeat and noises swirling all around it, and the production on singer Tom Iansek's voice sounds almost exactly like Bon Iver. It's a really interesting direction for the band to take, and proves that Iansek and drummer Jo Syme are just as versatile, creative and talented as bands with five times the members. Their new album, Not Art, is out at the end of June (pre-order here), and I can't wait to hear what the rest of it sounds like.

5. Service Bells – Prospector's Waltz

Queens of the Stone Age have just released an excellent new album, but where do you go after that if you want some pure, unfiltered rock and roll swagger? Sydney's Service Bells, that's where. Rising from the ashes of the criminally under-appreciated Cameras (RIP), Service Bells are all about thick riffs, good times and dark clothing, like all the best parts of QOTSA and Interpol combined, but with David Bowie singing.

Yeah, I thought that would get you to hit 'play'.