Fantastic Film Festival Australia
Finn Wolfhard's new slasher flick, nude 'Austin Powers', a Lynne Ramsay retrospective: 2025's FFFA has them all.
Overview
Before Stranger Things returns for its fifth and final season sometime in 2025, Finn Wolfhard has some slasher things to deal with. Movie lovers in Sydney can see how that pans out at Fantastic Film Festival Australia's 2025 run. With Hell of a Summer, the actor also turns co-director and co-writer with his Ghostbusters: Afterlife, When You Finish Saving the World and Saturday Night co-star Billy Bryk, with the pair giving the summer-camp masked-killer horror subgenre their own spin. Helping out on-screen: Gladiator II and The White Lotus' Fred Hechinger, plus Reservation Dogs' D'Pharaoh Woon-A-Tai.
That's how Fantastic Film Festival Australia is opening this year, with a meta horror-comedy. From there, this celebration of boundary-pushing pictures has 26 more features on its lineup, 16 of the rest brand-new and then ten others must-see classics. Melburnians can get their fix at Lido Cinemas, Hawthorn across Thursday, April 24–Thursday, May 15, plus at Thornbury Picture House from Tuesday, April 29–Monday, May 5.
If you haven't been to FFFA before, the event is marking its fifth iteration in 2025 — and one of its hallmarks, the nude screening, is back for the occasion. Get ready to say "yeah, baby" to watching a movie sans clothes, with Austin Powers: International Man of Mystery this year's flick to watch while wearing nix (following on from past sessions of nudist camp-set comedy Patrick, The Full Monty, Zoolander and The Naked Gun).
Another highlight of 2025's program: the retrospective dedicated to Scottish writer/director Lynne Ramsay. Her filmography might only span four features since 1999, all of which are showing at FFFA, but it's a resume that any fellow helmer should envy. For audiences, getting the chance to see Ratcatcher, Morvern Callar, We Need to Talk About Kevin and You Were Never Really Here on the big screen — whether for the first time or as a revisit — is a cinephile's dream.
Among the fest's new fare, The Second Act hits the lineup after opening the 2024 Cannes Film Festival, with Rubber and Deerskin's Quentin Dupieux enlisting Léa Seydoux (Dune: Part Two), Louis Garrel (Saint-Exupéry) and Vincent Lindon (The Quiet Son) for his latest absurdist satire. Or, catch Tár's Noémie Merlant in The Balconettes, which she co-wrote with her Portrait of a Lady on Fire director Céline Sciamma; see what happens when The Wild Boys and After Blue's Bertrand Mandico combines two film essays in one split-screen presentation in Dragon Dilatation; and head back to 1999 while journeying into teen antics 3000 light years away in Escape From the 21st Century. Viewers can get a dose of eerie puppetry via Monkey's Magic Merry Go Round, too, then watch Crispin Glover (Guillermo del Toro's Cabinet of Curiosities) as a magician in Mr. K and undergo a unique animated musical-comedy experience with Spermageddon.
Back with FFFA's 2025 blasts from the past, John Woo's (The Killer) gun-fu great Hard Boiled is the festival's closing-night pick, including screening in 35mm in Sydney. If you're keen on a movie marathon, Umbrella-Palooza will get you watching three films about technological nightmares, all courtesy of Australian distributor Umbrella Entertainment — starting with 2002's Cypher, then heading back to 1990's vision of cyberpunk in Hardware, before the OG Japanese Pulse unleashes its presence.
Supporting homegrown efforts, the fest has 1977 psychological thriller Summerfield among its retro component, alongside four newcomers: the Super 8-shot A Grand Mockery; the Pedro Almodóvar (The Room Next Door)-inspired Salt Along the Tongue; Pure Scum, which is set amid Melbourne's private-school culture; and Sword of Silence, as shot completely under a full moon. Aussie talents are also in focus in the Melbourne Shorts screening.
