Overview
What helps a formerly active person who has lost both their legs find the will to keep on living? It's rarely a guy like Ali (Matthias Schoenaerts), who fights in illegal bouts, hits his kid, kicks dogs, disrespects women, does dodgy things for cash and is all-round one of the least likeable characters to ever appear on screen. And yet the journey Stephanie (Marion Cotillard) goes on through him makes just enough sense to be believable — powerful, actually — in Jacques Audiard's feature film Rust and Bone.
The film is quite a big departure from the source material, Canadian writer Craig Davidson's collection of short stories by the same name, and is in some ways even more brutal. Stephanie is an orca trainer at a Cote d'Azur equivalent of Sea World. One day, to the poetically dissonant backing of Katy Perry's 'Firework', a public performance goes wrong and Stephanie wakes in hospital to find her legs amputated. After weeks of depression, she calls Ali, a nightclub bouncer she met briefly before the accident and thought little of at the time. His company turns out to be relaxed and matter of fact; he does not handle her with kid gloves, and it's just what she needs to begin to figure out her new sense of self. When he starts out on his underground boxing career, she finds herself unexpectedly drawn in.
Rust and Bone is an unsentimentally lyrical triumph, unexpected in every way from its narrative to its mise en scene. Cotillard is a sensation. Need it be said? This film about fighters packs a punch.
We have 10 double passes to give away to see Rust and Bone. To be in the running, subscribe to Concrete Playground (if you haven't already) then email us with your name and postal address at hello@concreteplayground.com.au. Read our full review of Rust and Bone here.
