The Boxing Day Movie Smackdown 2013
Who dares to go up against the might of The Hobbit trilogy? These guys.
New movies always come out on Thursday. Except for one special week of the year, where they come out on Boxing Day, whatever day that might be. It's just another one of those baffling Christmas traditions of which we're terribly fond.
In 2013 distributors will be releasing some of their biggest titles — as well as some oddball underdogs — to duke it out on Australia's mass movie-going day. We've seen them all and can report back that some will ease your festive hangover, indigestion and sunstroke more pleasantly than others.
Short Term 12
(Sydney and Melbourne only)
For when you're with: people who take an expansive view of 'Christmas cheer'
It scores: five stars
This SXSW Film Festival winner was number one on Buzzfeed's list of 'movies you probably missed in 2013 but definitely need to see', so if you get in quick, you can make it the no.1 movie you outsmarted Buzzfeed on instead. Short Term 12 is the kind of film that feels like a well-edited version of real life — though probably not a life that is familiar to you, if you grew up in safe, loving circumstances. Compulsively watchable and super emotional, it revolves around the kids and their barely adult supervisors at a temporary foster care facility.
https://youtube.com/watch?v=ksrkKXoEJbM
The Railway Man
For when you're with: people with an even more expansive view of 'Christmas cheer'
It scores: four stars
Based on true events, The Railway Man tells the story of Eric Lomax — a WWII British signalman forced to work upon the infamous Burma line after the Japanese overran his base. Lomax (Colin Firth) was subjected to extraordinary brutality and torture by his captors, the effects of which continued to torment him decades after the war's end; one conflict over, another unceasing. Events finally came to a head in 1980 when Lomax discovered his chief tormenter was still alive and working as a tour guide in the very complex in which he had dispensed his horrors. For a film that covers some terrifically dark elements in excruciating detail, The Railway Man remains an overwhelmingly tender offering that won't feel at all out of place for the post-Christmas period.
Philomena
For when you're with: more than just your mum
It scores: four stars
Be not fooled by the marketing materials, which make the film look like an aged-up version of The Trip with Judi Dench in place of Rob Brydon. (Although, thinking about it, that would be brilliant.) Philomena is a terrifically made, entertaining work that stands head and shoulders above many of the films being forced upon us this Christmas. Based on a true story, Philomena follows ex-political spin doctor Martin Sixsmith (Steve Coogan), who, in an attempt to revive his journalism career, chases the "human interest story" of Philomena (Judi Dench) an elderly woman searching for her long-lost son, who was taken from her by Catholic nuns. As the pair investigates, the truth behind the forced adoption becomes all the more shocking.
The Secret Life of Walter Mitty
For when you're with: anybody who can silence their inner cynic
It scores: three and a half stars
Funny, optimistic, life-affirming and full of pretty pictures and massive special effects, The Secret Life of Walter Mitty is the ultimate Hollywood product and is something of a passion project for Ben Stiller, who directed, produced and stars in it. The film follows a quiet Life magazine staffer as he learns to seize the day. When Walter can't find a hyped photo negative, which the photographer has described as capturing the "quintessence of life" and which is wanted for the final magazine cover, he sets off on a worldwide hunt, using the few clues he has.
The Hobbit: The Desolation of Smaug
For when you're with: the same people with whom you've seen everything Peter Jackson
It scores: three stars
The Hobbit: The Desolation of Smaug is a marked improvement on last year's An Unexpected Journey. For one thing, it doesn't take an hour for something to happen. Instead, after a brief yet engaging flashback to the first encounter between Gandalf (Ian McKellen) and Thorin (Richard Armitage), the film explodes into life with a pursuit of the Dwarf Dozen et al, and remains — by and large — a pursuit to the end. This is a film with enough action to entertain and enough Tolkien to satisfy; however, it ultimately feels more 'distraction' than 'attraction'.
Frozen
For when you're with: children, animation geeks and winter-weather fanatics
It scores: three stars
When Disney finally bought Pixar in 2006, the deal essentially saw Pixar's creative team taking control of Disney's animated output. Given the strong quality control Pixar has over its products, this was no bad thing. Based loosely on Hans Christian Andersen's The Snow Queen — a story Disney has been trying to adapt since the 1940s — the film follows two princesses, one of whom accidentally creates a permanent winter, and the other of whom has to save them from it. It's a far cry from the insufferable toy-selling, pop-culture spewing, catchphrase-ridden films churned out during at the beginning every school holiday period, but nor does it hit the heights of Disney's best output.
By Rima Sabina Aouf, Tom Glasson and Lee Zachariah.
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