Ten All-Baring Exhibitions to See in Melbourne This Spring
Explore everything from nature photography to Australia's best portraiture to skeletons (both real and artist-made).
Ten All-Baring Exhibitions to See in Melbourne This Spring
Explore everything from nature photography to Australia's best portraiture to skeletons (both real and artist-made).
The arrival of spring might have you wanting to get out among nature and baby animals — and you can do just that at Melbourne Zoo this month as it hosts National Geographic's 50 greatest wildlife photos. The outdoor installation is now on display in the zoo's Carousel ParkCarousel Park, and also includes an augmented reality experience that will transport you to a watering hole in Africa. This is its world premiere, so don't miss it.
But even if you do, there's still lots of art to get amongst. NGV Australia's new Ken Unsworth exhibition features skeletons and murderous pianos, RMIT Gallery is exploring the representation of air and Melbourne Museum is hosting a huge Nelson Mandela tribute. On top of that, you can also catch works by some of Australia's best artworks if you're willing to travel to Ballarat or Geelong.
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Internationally renowned sculptor Ken Unsworth was born in Melbourne, but, during his 50-year career, he’s not had a major exhibition in the city. Until now, that is. This spring, he’ll be bringing skeletons, crying babies and a grand piano to the National Gallery of Victoria, for Ken Unsworth: Truly, Madly.
The free show will feature key works spanning Unsworth’s past. Among them are When the angel of the lord came down, a tribute to his late wife, Elisabeth Unsworth, who was a concert pianist, and Mind games, in which two skeletons face one another across a table. Look out, too, for brand new pieces, including When snowflakes turn to stone, an oversized skeleton encircled with stones, and Alphaville, which immerses you in five-metre high buildings and their sounds – from barking dogs to prayer rituals.
Now 87, Unsworth worked as a high school art teacher before becoming a full-time artist. He exhibited at the 1976 Sydney Biennale; numerous Australian Sculptural Triennials; Biennales in Paris, Venice and Istanbul; and several other major international shows, including Magiciens de la Terre, curated by Jean-Hubert Martin at The Pompidou Centre in 1989.
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Widely touted as Australia’s most prestigious portraiture prize, the Archibald Prize is a curated collection of the year’s best portrait paintings. This year, the lineup includes 58 talented finalists who were selected from a whopping 794 entries. After an obligatory stint at the Art Gallery of New South Wales, the exhibition will move to Geelong Gallery. All the winning portraits and finalists will be on display from September 22 to November 18.
The works depict an eclectic mix of subjects, from celebrities and politicians to artists and authors. Melbourne-born artist Yvette Coppersmith nabbed the 97th annual Archibald Prize — and $100,000 cash along with it — for her work Self-portrait, after George Lambert. No stranger to portraits or the comp, Coppersmith has been an Archibald finalist five times, finally nabbing the well-deserved win. And, being only the tenth female artist in history to have taken out the top prize, it’s a win to celebrate. In addition to this piece, be sure to check out the portrait of actor Guy Pearce by Anne Middleton — it won the People’s Choice 2018 and is eerily realistic.
Pop-up bars and cafes, talks and weekly events will also take place throughout the exhibition. We recommend dropping in on the Little Creatures After Dark event because, beer and art, need we say more?
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Flick through the pages of any issue of National Geographic and the planet comes to life in all of its natural glory, particularly the colour, movement and all-round splendour of the animal world. Indeed, the magazine has been taking eye-catching wildlife photographs since 1888, and first featured one such image — a snap of a reindeer — on its cover back in 1903. From that huge 130-year history, the publication has picked out the absolute best photos in its archive for a brand new exhibition, which will make its world premiere at the Melbourne Zoo from September 8 to November 30.
50 Greatest Wildlife Photographs will showcase exactly what it sounds like: 50 breathtaking snaps of the earth’s animal inhabitants, as curated by famous nature picture editor Kathy Moran, and featuring the work of iconic National Geographic photographers such as Michael ‘Nick’ Nichols, Steve Winter, Paul Nicklen, Beverly Joubert and David Doubilet. If last year’s Photo Ark exhibition has you staring in wonder, then this promises that and more as patrons not only view the stunning sights captured, but the way that photography has evolved over the course of more than a century. Displaying as an outdoor gallery in Melbourne Zoo’s Carousel Park, 50 Greatest Wildlife Photographs will be accompanied by augmented reality experience Air, Land & Sea. The interactive installation transports viewers to a watering hole where animals — hailing from Africa, the Arctic and more — graze, drink and interact with the environment around them.
As well as giving patrons a glimpse at wildlife photography at its finest, Melbourne Zoo hopes the exhibition will bring attention to the plight of animals around the world. To see the exhibition, you’ll need to pay for entry into the zoo, which is $37 for adults.
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The largest-ever showcase of living Australian artists will casually drop by Ballarat this spring, with the inaugural Biennale of Australian Art (BOAA) in town from September 21 until November 6. It’s big news for the small city, with the six-week event set to be a major drawcard for the Central Highlands region of Victoria. There’ll be 150 artists coming from all reaches of Australia, making up 65 solo exhibitions, as the Biennale aims to have equal representation of artists from every state and territory.
Taking place in over 14 different venues across Ballarat, its art points will certainly be amped up several notches by the array of visual arts and live music set to take over the town. With the event boasting a strong focus on Indigenous talent, art from the Numina sisters, Abdul Abdullah, Kim Anderson, David Jensz and Peggy Griffiths will be on display, among work from over a hundred others. Music-wise, the BOAA Band Wagon will be doing the rounds: a specially built music truck that’ll provide the sound staging for the event’s outdoor gigs at Lake Wendouree and St Andrews Grounds, as well as concerts held at Ballarat’s other music venues.
In special events, there’ll be a living sculpture fashion parade, an evening program called BOAA Dark and a lake sculpture walk, which turns Lake Wendouree into an outdoor gallery featuring 26 sculptures. Free mini buses, bikes and rickshaws will transport attendees around the art path, pausing at pit stops providing food and local beers and wines for your hungry, thirsty and very well-arted selves. With the Biennale expected to draw tens of thousands of visitors, Ballarat looks set to be a pretty busy little place over the six weeks. Two-day or six-week (festival) passes are available at $25 and $100 respectively, so start planning your road trips.
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The National Gallery of Victoria International is putting a spotlight on female artists with its latest large-scale exhibition. Designing Women will open on level three from September 28, 2018 to March 24, 2019. The exhibit showcases nearly 40 years of work from 1980–2018 and focuses on the ongoing role of women in contemporary design culture.
It will collate the NGV International collection to highlight over 50 pieces that span multi-disciplinary creative fields — including fashion, jewellery, product design, architecture and digital breakthroughs. Works from groundbreaking designers Zaha Hadid and Neri Oxman will be joined by those by local heavy-hitters Elliat Rich and Helen Kontouris. An NGV commission will also be showcased as part of the exhibition — Lee Darroch, a Yorta Yorta, Mutti Mutti, Boon Wurrung artist from Gippsland, has designed a 25-pelt possum skin cloak that depicts the enthralling history of her family and the region.
Accompanying the exhibition is a discussion titled Curator’s Perspective: Modern Day Trailblazers, which will take place at 12pm on Sunday, October 14. The talk will be hosted by Simone LeAmon (NGV’s curator of contemporary design and architecture) and discuss how the female artists on display have succeeded in this male-dominated industry.
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In what would have been his 100th year, the late Nelson Mandela will be honoured in a travelling exhibition set to make its world debut in Victoria next September. Hosted by Melbourne Museum, Mandela My Life is expected to be the most comprehensive collection of the human rights icon’s memorabilia ever to be shown outside South Africa.
Alongside a huge assortment of artefacts, including warrants of committal for Mandela’s 27-year stint in prison, the exhibit will explore the Nobel Peace Prize laureate’s life through a series of film and audio archives. Some of the other confirmed artefacts that will be featured in the exhibit include a boxing glove signed and gifted by Muhammad Ali, Mandela’s shoes, walking cane and some of his vibrant Madiba shirts.
Alongside these, there will also be images, sound and film footage of one of Mandela’s earliest interviews — which took place during the ‘Treason Trail’ of the late 1950s. MANDELA My Life is supported by the Nelson Mandela Foundation, which is the custodian of most of the revolutionary’s personal photographs, documents and memorabilia. After premiering in Melbourne, the exhibition will embark on a five-year world tour of up to 20 international cities, expected to be seen by as many as 2.7 million visitors globally.
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With over 45 million visitors globally, Body Worlds is one of the world’s most visited health and wellness exhibitions. It’s also frequently described as a “life changing experience” — visitors can expect to leave with an understanding of the marvel that is the human body. Now, the original exhibition of real human bodies is coming to Australia for the first time this August. The Body Worlds Vital exhibition, on display at the Melbourne Showgrounds from until November 18, takes attendees on an intricate journey of the workings of the human body, through an authentic, visual display of over 150 donated specimens.
The human bodies and body parts, donated for the benefit of public education, have gone through a meticulous process of plastination, and demonstrate the complexity, resilience and vulnerability of the human body in distress, disease and optimal health. The exhibitions were founded by anatomist and scientist Dr Gunther von Hagens and physician and conceptual designer Dr Angelina Whalley. And all the specimens displayed at the exhibitions are from an established body donation program with consenting donors — so far 17,000 bodies from around the world have been donated to Dr von Hagens’ Institute for Plastination.
The Australian tour specifically focuses on contemporary diseases and ailments and how everyday lifestyle choices can improve health and wellness, to live with vitality. The 150 specimens on display stem are preserved through a scientific process that replaces body fluids with polymers. Interactive elements include the Anatomical Mirror, where visitors will see how organs are positioned in their own body, a photo display that showcases longevity and healthy ageing, and healthy organs shown in direct comparison with diseased organs.
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Air. As the planet warms, there’s likely to be less of it — or, at any rate, less of the healthy, breathable, life-giving kind. This is just one of the issues that RMIT Gallery’s latest exhibition, Dynamics of Air, takes into its hands. Comprised of works by 25 designers, artists and researchers, the show immerses you in climate change, explores the possibility of sharing air in over-crowded cities and delves into cutting-edge research.
Both Australian and international artists are involved. Look out for the four-metre-high Gradierwerk (salt breathing tower) by Austria’s Breathe Earth Collective, and prepare to be carried through constantly changing microclimates via Outside In, a piece by German climate engineer Thomas Auer and Wagenfeld. Meanwhile, New York-based Natasha Johns-Messenger, has joined forces with Melbourne’s Leslie Eastman to create a viewing room, where you’ll experience optical illusions caused by a mechanism similar to an aeroplane propeller. To really get a literal experience of it all, Berlin’s Edith Kollath will invite you to share air with fellow gallery-goers inside a glass vessel.
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George Baldessin and Brett Whiteley had a lot in common — their birth year of 1939, their status as preeminent Australian artists of the 1960s and 70s, and the fact they both died tragically young. From August 31, 2018, to January 28, 2019, NGV Australia will combine the work of these two iconic Australian artists for the landmark exhibition, Baldessin/Whiteley: Parallel Visions.
Born in Italy, Baldessin’s surrealist art practice frequently portrayed Australia’s emerging migrant populations. Often working with silver and gold leaf, his enigmatic prints and sculptures drew inspiration from far and wide, including Japan, France and Italy. His contemporary, Brett Whiteley, was perhaps for a time Australia’s most renowned artist. Emerging out of the Sydney art scene, Whiteley spent time living in London and New York City, with the latter having a profound impact on his art practice. Here, he became involved with the Vietnam War protests and was close with the likes of Bob Dylan and Janis Joplin.
Featuring over 120 works, Baldessin/Whiteley: Parallel Visions showcases many of the artists’ most iconic works — with hints of pop culture, expressionist forms and the avant-garde shared in their works. At the NGV you’ll see Whiteley’s acclaimed work, The American Dream (1968–69), a 20-metre long painting in response to his time in New York City. There’s also Baldessin’s renowned MM of Rue St Denis series (1976), portraying the Christian figure of Mary Magdalene on the streets of Paris, alongside his large-scale pear sculptures from 1971–72. Also, don’t miss Whiteley’s Christie series (1965), which explores the psyche of convicted British murderer John Christie in provocative style. There’s also some never-seen-before works, so head along to NGV Australia to catch this once in a lifetime collaborative exhibition.
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If you haven’t got to this one yet, make sure you do it before October 8 — that’s when the NGV’s exclusive exhibition showcasing works from New York’s prestigious Museum of Modern Art will finish up. MoMA at NGV: 130 Years of Modern and Contemporary Art features over 200 modern and contemporary masterpieces, many on their first ever visit to Australia.
Taking over the entire ground floor of NGV International, it’s certifiably huge. The exhibition presents pieces from all six of MoMA’s curatorial departments, meaning the works will span Photography, Film, Architecture and Design, Painting and Sculpture, Drawings and Prints, and Media and Performance Art. You’ll catch works from all of the big names of the 19th and 20th century art world, including Pablo Picasso, Vincent van Gogh, Henri Matisse, Frida Kahlo, Jackson Pollock, Georgia O’Keeffe, Diane Arbus and Andy Warhol. Capturing the spirit of more recent times, will be pieces from the likes of Jeff Koons, Cindy Sherman, Kara Walker, Olafur Eliasson, Rineke Dijkstra and Camille Henrot.
Plus, as MoMA at NGV gets closer to wrapping up, the NGV has announced that it will extend opening hours so you have a few more chances to see the exhibition (if not for the first, for the second or third time). The gallery will move its regular 10am opening time up to 8.30am from September 22 until October 7, and, in the final week, it will stay open until 10pm from Thursday, October 4 until Sunday, October 7.
Top image: Mind Games (2014), Ken Unsworth, shot by Eugene Hyland.
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