Between an immersive dinner experience in a historic house, performances by The Flaming Lips and Kamasi Washington and a swag of captivating theatre experiences inviting audiences into parallel worlds, this year's Melbourne International Arts Festival (MIAF) will be tough to ignore. Unveiled yesterday, the festival's 2019 program is set to deliver a diverse, vibrant celebration of dance, music, theatre, visual arts and architecture from October 2–20, with the entire city as its stage. For one of 12 Australian premieres, famous illusionist Scott Silven will host multi-sensory dinners for 24 people inside Chapter House, combining magic and storytelling (and, hopefully, some food). Another Australian premiere that'll be equally captivating is Yang Liping's contemporary dance masterpiece Rite of Spring. Tokyo-based art collective teamLab — made up of mathematicians, architects, animators and engineers — will take over Tolarno Galleries with sculptures of light and "cascades of shimmering luminescence", which will make you feel as though you're standing on a floating wave of light. If you've been lucky enough to visit Tokyo's Digital Art Museum or Shanghai's pop-up digital waterfall you'll know what to expect — they're both works by teamLab. Over at the Arts Centre, Black Mirror actor Maxine Peake will lead 15 musicians in a captivating exploration of enigmatic artist Nico and her 1968 masterpiece The Marble Index, in an Australian exclusive. [caption id="attachment_724480" align="alignnone" width="1920"] The Flaming Lips[/caption] In terms of music, there are some big names heading Down Under for the two-week festival. Psychedelic rock legends The Flaming Lips will perform their ninth, and most celebrated, record The Soft Bulletin in full to celebrate its 20th anniversary. The band's performances are never run-of-the-mill either — so, expect confetti cannons, elaborate costumes and neon unicorns. Jazz king Kamasi Washington — who has collaborated with everyone from Herbie Hancock to Kendrick Lamar and St Vincent — will be performing his latest album Heaven and Earth, as well as other top hits. Grammy Award-winning string quartet Kronos Quartet will be heading to Melbourne, too, and if the name doesn't immediately sound familiar, you'll most definitely recognise their Requiem for a Dream soundtrack. Elsewhere on the program — which, yes, continues – will see the return of Melbourne's beloved art trams, Nakkiah Lui's new show Black is the New White, a thought-provoking look at (and questioning of) 2019 Melbourne in Anthem and a world premiere of Chunky Move's new contemporary show Token Armies. This will be the last MIAF in its current format, too. Starting from 2020, MIAF will also form part of a new and bigger winter festival, in conjunction with White Night. Melbourne International Arts Festival runs from October 2-20, 2019, at venues across the city. Tickets are available here, from Monday, July 22. Images: Borderless Tokyo Digital Art Museum by Sarah Ward; Yang Liping's Rite of Spring; Kamasi Washington.
It's Groundhog Day The Musical — and it's finally making its way to the Australian stages ten years after it was first announced. Back in 2014, Australian comedian, musician, actor and writer Tim Minchin (Upright) revealed that he was making a song-filled onstage version of the Bill Murray-starring classic comedy. Then, the end result premiered in London in 2016. Next came Broadway in 2017, with 2024 marking Australia's turn. Prepare for plenty of déjà vu in Melbourne from January. Feeling like you've been there and seen this comes with the territory with this production, of course, given that that's what the story is all about. Obviously, you've probably seen the film. In fact, you've likely done so more than once. Still, when Groundhog Day The Musical hits Princess Theatre from Wednesday, January 24–Sunday, April 21, 2024, this'll be Aussie theatregoers' first chance to catch the stage show on home soil. The tale remains the same, with Pittsburgh TV weatherman Phil Connors tasked with travelling to Punxsutawney, Pennsylvania to cover the annual Groundhog Day event — and none too happy about it, oozing cynicism as everyone else around him embraces the occasion. After a cantankerous day, he wakes up the next morning to find that everything is repeating again. And, that's how every day continues, no matter what he does or how he tries to tinker with the cycling routine. On the big screen (and on VHS and streaming queues since), the result proved hilarious, and also one of Murray's best-ever roles. For the stage iteration, Minchin teamed up with screenwriter Danny Rubin — who originally co-wrote Groundhog Day's movie script and won a BAFTA in the process — plus Minchin's Matilda The Musical director Matthew Warchus. Their theatre efforts earned Groundhog Day The Musical Tony Award nominations, as well Olivier Award wins for Best New Musical and Best Actor. Yes, Groundhog Day The Musical's Australian-premiere season runs across Groundhog Day itself, aka February 2. Yes, you can listen to Sonny and Cher's 'I Got You Babe' on repeat now to celebrate. And yes, like the musical version of Matilda, this'll likely return to the big screen at some point — but after the Melbourne season. Groundhog Day The Musical comes Down Under exclusive to the Victorian capital — and if you're wondering who'll step into Murray's (Ant-Man and the Wasp: Quantumania) shoes, and Andie MacDowell's (Maid) as Phil's producer Rita Hanson, too, the cast for the show's Australian run hasn't yet been announced. "I have waited seven years for this moment! Groundhog Day The Musical, like Matilda The Musical, has a unique mixture of darkness and light, of head and heart, and of complexity and joy, and I've been convinced since its first iteration that Australians will love it!" said Minchin, announcing the Aussie premiere. "I'm so excited that the run is going to be in Melbourne, the city I lived in when I wrote my breakout comedy shows, and the place where — when things weren't going so well — I learned how important it is to find the beauty and hope in the day to day." "Following its celebrated run at London's Old Vic Theatre, where it broke all box office records, I couldn't be happier to be bringing Tim Minchin and Danny Rubin's musical masterpiece to the Princess Theatre in Melbourne (coincidentally, the very venue which was home to Matilda back in 2016)," added Warchus. "Groundhog Day The Musical, I know, will surprise many people. Perhaps the most joy-filled show I have ever directed, this magical tale of redemption somehow manages to be both a truly hilarious romantic comedy and a profoundly moving and inspiring message of hope. I love the original movie and I love this adaptation. It inspires us to be the best possible versions of ourselves, to break free of our repetitive gloom and to learn how to love life. All that plus a rodent who predicts the weather... what more could you ask for?" Check out the trailer for Groundhog Day The Musical below: Groundhog Day The Musical will premiere at Princess Theatre, 163 Spring Street, Melbourne from Wednesday, January 24–Sunday, April 21, 2024, with tickets on sale from 9am on Friday, October 6 — head to the production's website for further details and to join the ticket waitlist.
These days, having actual cash in your wallet is a real rarity. But it's probably not something you'll need to worry about when picking up your next copy of The Big Issue, with many of the charity magazine's street vendors accepting cashless payments from today. This move into the digital economy means customers can now purchase an edition of the magazine using a debit or credit card. Two cashless options are being rolled out by vendors across the country, including regular tap-and-go, and via mobile payment app Beem It, which can receive instant payments. The Big Issue street vendors are able to choose whether they'll offer one or both of the card options, or simply stick with the previous cash system. The fortnightly magazine, which provides work opportunities for homeless or disadvantaged people, without access to mainstream jobs, has been operating in Australia since 1996. It's hoped the new digital payment offering will boost sales of the magazine, reaching more customers and helping those selling it to increase their profits, putting more money back into the pockets of disadvantaged Aussies. As always, each of the fortnightly editions will sell for $7, with half of that kept by the vendor. The newest edition — aptly titled 'Cashless Revolution' — hits the streets today. Vendor images: Nicole Reed.
When Sydney's new International Convention Centre opened its doors at Darling Harbour at the end of 2016, it was just one part of the area's ongoing revamp. Welcoming patrons from October 6, Sofitel Sydney Darling Harbour is another — a lush 590-room hotel that marks the city's first new internationally branded luxury accommodation since the 2000 Olympics. While most hotels like to think they're offering creature comforts that you won't find at home, SSDH isn't inflating its luxe claims. As designed by award-winning Sydney architect Richard Francis-Jones, and costing a cool $500 million, the 35-storey building features floor-to-ceiling views of the city and Darling Harbour, a French-inspired rotisserie and grill, a dedicated Champagne bar and a decadent pool drinking and hangout space. Those staying the night can pick between standard rooms or 35 suites, with the latter coming complete with in-bathroom TVs, soaking tubs, private check-in and their own sky-high guest lounge. Meanwhile, anyone just looking for a beverage or meal can pick from the site's signature restaurant and three bars, as well as between the likes of deconstructed bouillabaisse, cocktails in the lobby or by the 20-metre infinity pool, and over 20 types of champers. A 450-person ballroom, 6000 external LEDs that will be used for eye-catching light displays, and other design touches that nod to the indigenous clans of the Eora nation who lived in the area — think sail-like triangular accents, and colours of red ochre and blue — are also part of SSDH's package, as is a link with Marseilles. French-theming is part of Sofitel's general approach worldwide, so they've picked the southern port city as this hotel's inspiration. As well as the look and feel, that means patrons can expect Sofitel Wine Days, aka a month of celebrating French wine and living. Find Sofitel Sydney Darling Harbour at 12 Darling Drive, Sydney. Head to the hotel's website for further details.
Very serious media outlet The Betoota Advocate will hit the road this summer, spreading its particular brand of satire and wit throughout the country. Hitting all capital cities (as well as Townsville, Toowoomba, Gold Coast, Newcastle and Wollongong), The Betoota Advocate's travelling show will partly be in response to big lay-offs from the major players in Australian media, and the merging of media brands. How have they managed to keep a media outlet in business in the current day and age of readership decrease and draining funds? How did they gain such a cult-like following? Where exactly is "Betoota"? All these questions will be answered and more, when The Betoota Advocate founders Clancy Overell and Errol Parker (and a special guest) take to the stage for a 90-minute satirical presentation about how they've ended up where they are, and how they run on a daily basis. With millions of hits online per month, the Advocate is certainly doing something right — even if that something is turning the zeitgeist completely on its head. If you're reading this wondering who they are and what they write about — well, best get acquainted. Past headlines include "Australia Enjoys Another Peaceful Day Under Oppressive Gun Control Regime", and "21-Year-Old Disappointed To Learn He's Too Old And Out-Of-Touch To Be A SoundCloud Rapper". It's a riot. Since the website has birthed endless confused texts from parents — asking, for example, whether the Australian Citizen Test really includes a question on how to mix cordial properly — we suggest you bring them along. Get your tickets from 12pm Wednesday, August 1, here. THE BETOOTA ADVOCATE ROADSHOW Townsville — Saturday, November 3 Darwin — Sunday, November 4 Toowoomba — Tuesday, November 6 Brisbane — Thursday, November 8 Gold Coast — Friday, November 9 Wollongong — Sunday, November 11 Newcastle — Tuesday, November 13 Perth — Friday, November 16 Melbourne — Saturday, November 17 Hobart — Sunday, November 18 Adelaide — Thursday, November 22 Canberra — Friday, November 30 Sydney — Saturday, December 1
Throw those GoPros, bubble bottles and novelty gumboots in your rucksack, Splendour in the Grass is returning to North Byron Parklands for another year of festival merriment. As usual, rumours have run wild in anticipation of the lineup announce, but the details for Splendour 2017 are finally here. And we're happy to report that some of the rumours were true. As announced by triple j, there's no Lorde or Frank Ocean, but LCD bloody Soundsystem will be Splendouring — it will be the reunited band's first return to Australia since they played Big Day Out back in 2011. The lineup also doesn't state that Splendour is their only show, so stay tuned for news of a national tour (hopefully). It also seems that, happily, the predictions for The xx and Queens of the Stone Age were correct too. Joining them is one heck of a lineup that includes HAIM, RL Grime, Banks and Two Door Cinema Club, along with Future Islands and LA hip hip artist Schoolboy Q, who will be doing one-off Australian shows at the festival. Australian artists on the bill include Tash Sultana, King Gizzard, D.D Dumbo, Dune Rats, A.B Original, Big Scary and more. Anyway, we know what you're here for. We'll cut to the chase. SPLENDOUR IN THE GRASS 2017 LINEUP The xx Queens of the Stone Age LCD Soundsystem Royal Blood HAIM Sigur Rós ScHoolboy Q (only Aus show) Vance Joy Two Door Cinema Club Peking Duk RL Grime Bonobo Father John Misty Catfish and the Bottlemen Tash Sultana Paul Kelly Stormzy King Gizzard and The Lizard Wizard George Ezra Future Islands (only Aus show) Banks Bernard Fanning Dune Rats Cut Copy Ásgeir Allday Meg Mac Rag 'N' Bone Man Thundamentals Lil' Yachty San Cisco Client Liaison Real Estate Dan Sultan Vallis Alps D.D Dumbo Maggie Rogers Tove Lo POND Big Scary The Smith Street Band Oh Wonder A.B. Original Dope Lemon The Kite String Tangle Young Franco Julia Jacklin Kingswood Amy Shark Luca Brasi The Lemon Twigs Vera Blue Slumberjack Bad//Dreems Bag Raiders Topaz Jones Middle Kids Ocean Grove Confidence Man Bishop Briggs Late Nite Tuff Guy Julien Baker Kilter Lany Hockey Dad Kirin J Callinan Airling Cosmo's Midnight Gretta Ray Moonbase The Peep Tempel Tornado Wallace The Murlocs Mallrat Luke Million The Wilson Pickers Romare Jarrow Good Boy Kuren Oneman Winston Surfshirt Set Mo HWLS Harvey Sutherland and Bermuda CC:Disco! Enschway DJHMC Nite Fleit Alice Ivy Willow Beats Willaris. K Mookhi Plus... Swindail Dena Amy Andy Garvey Planète Sam Weston Super Cruel Christopher Port Lewis Cancut Kinder plus triple j Unearthed winners Splendour will return to North Byron Parklands on Friday 21, Saturday 22 and Sunday 23 July. Onsite camping will once again be available from Wednesday, July 19. Tickets go on sale Thursday, April 6 at 9am sharp AEST. More info will soon be available at the official Splendour In The Grass site. Image: Bianca Holderness.
For every great story there exists, somewhere, a pornographic adaptation of it. However, it is rare for the adaptation process to go the other way and for pornography to be turned into art. This is just one of the things that makes The Rabble's Story of O such a remarkable work. As a choice for source material, 1950s French titillater Histoire d’O is certainly an outré choice. The novel tells the story of a beautiful Parisienne who is induced by her lover to become a sex slave for a bondage club, who operate as a kind of secret society in a country chateau. The slide into depravity is framed as a romance — the heroine, known only as O, consents willingly to all manner of indignities, driven by the desire to please her lover — and the book was doubly scandalous because the author was a woman. The Rabble’s interpretation is not so much a straight telling of the story as an evocation of its mood and an exploration of the broader social issues it raises. And what issues, with a questioning eye turned to the meanings of eroticism, power, free will and identity. As a piece of theatre, it’s a scorcher. The cast, a striking assemblage from the moment they appear posing louchely on carousel horses, deliver powerhouse performances, with Mary Helen Sassman giving raw intensity to the role of O. With a script incorporating snippets from De Sade and symbolist poet Renée Vivien, as well as ideas from essayist Susan Sontag, it is a far more artful text than the notoriously clunkily written original. The intellectualisation of its subject matter is openly and powerfully expressed at the same time as the show virtually redefines viscerality in its ingenious theatrical depictions of graphic sex. The gender blurring of some key roles — most notably Sir Stephen, the master of the sadomasochistic circle, being played by a woman (Jane Montgomery Griffiths, who delivers the role with a double serving of panache) — enables power to be examined as a symbolic entity, potentially if not entirely free of the scenario’s patriarchal overtones. Sex is by turns shown as garishly carnivalian, coldly clinical or, at times, downright harrowing. It makes for frequently confronting viewing but far from being relentless, the play is expertly timed, shock points spaced among moments of gentleness and humour. It is as if the play itself acts as dominus to the audience, with a fire and ice approach, alternating warmth and brutality, each heightening the other, dragging you ever deeper under its influence. Some may find it too shocking and I did see one walk out. It was telling though that half way through the act of leaving, the departing lady paused, transfixed by a development on stage, her decision to go made but the power of the piece not releasing her. I couldn’t have looked away for a second. Story of O is theatre that absolutely commands attention.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest through to old and recent favourites, here are our picks for your streaming queue from June's haul. BRAND NEW STUFF YOU CAN WATCH IN FULL NOW I'M A VIRGO No one makes social satires like Boots Riley. Late in I'm a Virgo, when a character proclaims that "all art is propaganda", these words may as well be coming from The Coup frontman-turned-filmmaker's very own lips. In only his second screen project after the equally impassioned, intelligent, energetic, anarchic and exceptional 2018 film Sorry to Bother You, Riley doesn't have his latest struggling and striving hero utter this sentiment, however. Rather, it springs from the billionaire technology mogul also known as The Hero (Walton Goggins, George & Tammy), who's gleefully made himself the nemesis of 13-foot-tall series protagonist Cootie (Jharrel Jerome, Spider-Man: Across the Spider-Verse). Knowing that all stories make a statement isn't just the domain of activists fighting for better futures for the masses, as Riley is, and he wants to ensure that his audience knows it. Indeed, I'm a Virgo is a show with something to say, and forcefully. Its creator is angry again, too, and wants everyone giving him their time to be bothered — and he still isn't sorry for a second. With Jerome as well-cast a lead as Atlanta's Lakeith Stanfield was, I'm a Virgo also hinges upon a surreal central detail: instead of a Black telemarketer discovering the impact of his "white voice", it hones in on the oversized Cootie. When it comes to assimilation, consider this series Sorry to Bother You's flipside, because there's no way that a young Black man that's more than double the tallest average height is passing for anyone but himself. Riley knows that Black men are too often seen as threats and targets regardless of their stature anyway. He's read the research showing that white folks can perceive Black boys as older and less innocent. As Cootie wades through these experiences himself, there isn't a single aspect of I'm a Virgo that doesn't convey Riley's ire at the state of the world — that doesn't virtually scream about it, actually — with this series going big and bold over and over. I'm a Virgo streams via Prime Video. Read our full review. BLACK MIRROR When Ron Swanson discovered digital music, the tech-phobic Parks and Recreation favourite was uncharacteristically full of praise. Played by Nick Offerman (The Last of Us) at his most giddily exuberant, he badged the iPod filled with his favourite records an "excellent rectangle". In Black Mirror, the same shape is everywhere. The Netflix series' moniker even stems from the screens and gadgets that we all now filter life through daily and unthinkingly. In Charlie Brooker's (Cunk on Earth) eyes since 2011, however, those ever-present boxes and the technology behind them are far from ace. Instead, befitting a dystopian anthology show that has dripped with existential dread from episode one, and continues to do so in its long-awaited sixth season, those rectangles keep reflecting humanity at its bleakest. Black Mirror as a title has always been devastatingly astute: when we stare at a TV, smartphone, computer or tablet, we access the world yet also reveal ourselves. It might've taken four years to return after 2019's season five, but Brooker's hit still smartly and sharply focuses on the same concern. Indeed, this new must-binge batch of nightmares begins with exactly the satirical hellscape that today's times were bound to inspire. Opening chapter Joan Is Awful, with its AI- and deepfake-fuelled mining of everyday existence for content, almost feels too prescient — a charge a show that's dived into digital resurrections, social scoring systems, killer VR and constant surveillance knows well. Brooker isn't afraid to think bigger and probe deeper in season six, though; to eschew obvious targets like ChatGPT and the pandemic; and to see clearly and unflinchingly that our worst impulses aren't tied to the latest widgets. Black Mirror streams via Netflix. Read our full review. GUY RITCHIE'S THE COVENANT Announcing his cinematic arrival with a pair of slick, witty, twisty and fast-paced British heist flicks, Guy Ritchie achieved at the beginning of his career something that many filmmakers strive for their whole lives: he cemented exactly what his features are in the minds of audiences. Lock, Stock and Two Smoking Barrels and Snatch made "Guy Ritchie movie" an instantly understood term, in fact, as the writer/director has attempted to capitalise on since with differing results (see: Revolver, RocknRolla, The Gentlemen and Operation Fortune: Ruse de Guerre). Ritchie's third film, the Madonna-starring Swept Away, has also proven just as emblematic of his career, however. He loves pumping out stereotypical Guy Ritchie movies — he even adores making them Sherlock Holmes and King Arthur flicks, with mixed fortunes — but he also likes leaving his own conventions behind in The Man From UNCLE, Aladdin, Wrath of Man and now Guy Ritchie's The Covenant. Perhaps Ritchie's name is in the title of this Afghanistan-set action-thriller to remind viewers that the film does indeed boast him behind the lens, and as a cowriter; unlike with fellow 2023 release Operation Fortune: Ruse de Guerre, they wouldn't guess otherwise. Clunky moniker aside, Guy Ritchie's The Covenant is pared down, gripping and intense, and home to two excellent performances by Jake Gyllenhaal (Strange World) as Master Sergeant John Kinley and Dar Salim (Tatort) as his interpreter Ahmed. As the former leads a team that's looking for IED factories, the pair's collaboration is tentative at first. Then a raid goes wrong, Ahmed saves Kinley's life, but the recognition and support that'd be afforded an American solider in the same situation doesn't go the local's way. Where Afghan interpreters who aid US troops are left after their task is complete is a weighty subject, and treated as such in this grounded and moving film. Guy Ritchie's The Covenant streams via Prime Video. FLAMIN' HOT How? In pop culture's current true-crime and murder-mystery trends, that's a key question, with audiences keen to discover how killers are caught — or sometimes aren't. It's also the query at the heart of another on-screen obsession of late: product films. These aren't the movies that turn every favourite character and premise possible into never-ending franchises, as seen in the many various caped-crusader universes. Rather, they're origin stories behind everything from games (Tetris) to shoes (Air) and mobile phones (BlackBerry), and they just keep arriving in 2023. Marking the feature directorial debut of Desperate Housewives actor Eva Longoria, Flamin' Hot is firmly a product film, as Cheetos fans will instantly know. If you've ever wondered how the Frito-Lay-owned brand's spiciest variety came about in the 90s — and became so popular — this likeable, energetically made movie provides the answer while itself rolling out a crowd-pleasing formula. Eating the titular snack while you watch is optional, but expect the hankering to arise either way. This story belongs to Richard Montañez — and it's also an underdog tale, and an account of chasing the American dream, especially when it seems out of reach. Flamin' Hot's pivotal figure (Jesse Garcia, Ambulance) started working at Frito-Lay to support his family, after living the gang life since high school to rebel against his dad, but he wants to be more than a janitor. His attempts to work his way up the company ladder falter not through his lack of trying or willingness to learn everything there is about making junk food, but due to a stratified hierarchy that doesn't reward his efforts. But, as he takes cues about the factory's operation from engineer Clarence (Dennis Haysbert, Lucifer), who also struggles to get promoted, he realises that chilli-flavoured Cheetos would be a smash within the Latino community. His ever-supportive wife Judy (Annie Gonzalez, Vida) is committed to helping, as are his family and friends in general — but if getting Frito-Lay CEO Roger Enrico (Tony Shalhoub, The Marvelous Mrs Maisel) onboard was easy or straightforward, there wouldn't be a film. Flamin' Hot streams via Disney+. BASED ON A TRUE STORY Murder-mystery comedies: everyone's making them, and on screens big (Knives Out and its sequel, See How They Run) and small (Only Murders in the Building, The Afterparty, Dead to Me). In fact, Based on a True Story star Kaley Cuoco has been in one lately thanks to two seasons of dark comedy-slash-whodunnit thriller The Flight Attendant. But the difference with the genre's latest streaming example is befriending a serial killer, which is the choice that Cuoco's pregnant real-estate agent Ava Bartlett and her just-fired tennis-coach husband Nathan (Chris Messina, The Boogeyman) make to chase a lucrative payday. How does palling around with the Westside Ripper, who has been terrorising Los Angeles, benefit the financially struggling couple? By making a podcast with them, as Australian-born creator and writer Craig Rosenberg (The Boys) finds his own way to riff on the Serial-sparked true-crime audio obsession. Ava is a devotee of folks talking about grisly deeds; if Only Murders in the Building existed in the Based on a True Story universe, she'd be its number-one fan. And, after working out that she and Nathan know the killer, it's her idea to hustle that information into what she hopes will be the next big podcast, all by enlisting said criminal to natter on with them. Based on a True Story clearly skews more darkly satirical than the fellow streaming series it most closely resembles — well, that and The Flight Attendant and also country-club comedy Red Oaks. It's messier as well, sometimes feeling like it's throwing in everything it can, and Cuoco could've easily walked out of her last series and straight into this. Still, with its love of twists, willingness to call out how the world's murder fixation is so rarely about the victims, and a well-cast lineup of talent that also includes Tom Bateman (Death on the Nile) and Liana Liberato (Scream VI), it's quickly addictive — yes, like the podcasts it's parodying. Based on a True Story streams via Binge. NEW SHOWS TO CHECK OUT WEEK BY WEEK DEADLOCH Trust Kate McCartney and Kate McLennan, Australia's favourite Kates and funniest double act, to make a killer TV show about chasing a killer that's the perfect sum of two excellent halves. Given their individual and shared backgrounds, including creating and starring in cooking show sendup The Katering Show and morning television spoof Get Krack!n, the pair unsurprisingly add another reason to get chuckling to their resumes; however, with Deadloch, they also turn their attention to crime procedurals. The Kates already know how to make viewers laugh. They've established their talents as brilliant satirists and lovers of the absurd in the process. Now, splashing around those skills in Deadloch's exceptional eight-episode first season lead by Kate Box (Stateless) and Madeleine Sami (The Breaker Upperers), they've also crafted a dead-set stellar murder-mystery series. Taking place in a sleepy small town, commencing with a body on a beach, and following both the local cop trying to solve the case and the gung-ho blow-in from a big city leading the enquiries, Deadloch has all the crime genre basics covered from the get-go. The spot scandalised by the death is a sitcom-esque quirky community, another television staple that McCartney and McLennan nail. Parody requires deep knowledge and understanding; you can't comically rip into and riff on something if you aren't familiar with its every in and out. That said, Deadloch isn't in the business of simply mining well-worn TV setups and their myriad of conventions for giggles, although it does that expertly. With whip-smart writing, the Australian series is intelligent, hilarious, and all-round cracking as a whodunnit-style noir drama and as a comedy alike — and one of the streaming highlights of the year. Deadloch streams via Prime Video. Read our full review. HIJACK Whether Idris Elba will ever get to play James Bond is still yet to be seen, but he resourcefully endeavours to save lives and bring down nefarious folks in Hijack, and adds another prime example of why he'd be excellent as 007 to his resume. This new series is also basically Idris Elba on a Plane, sans slithering snakes — or Idris Elba Cancels the London-Bound Apocalypse. Die Hard with Idris Elba, 24: Idris Elba: they fit as well. Fresh from battling lions in Beast, the Luther star plays Sam Nelson, a seasoned negotiator on his way home to the UK from Dubai, and a man who just wants to try to patch things up with his estranged wife Marsha (Christine Adams, The Mandalorian) and spend time with his teenage son Kai (Jude Cudjoe, Halo). Then fellow Brit Stuart (Neil Maskell, Small Axe) and his gun-toting team take over the aircraft before the first of the journey's seven hours is out, forcing Sam to play hero to try to keep himself and his fellow passengers alive. Unfurling in seven episodes, Hijack gets its audience experiencing the tension, chaos and life-or-death stakes in tandem with Sam, the rest of the flight's hostages, and the people on the ground across several countries that are attempting to work out what's going on. Creators George Kay (Lupin) and Jim Field Smith (Litvinenko) prove masterful with suspense, and at keeping viewers hooked — and, pivotally, at knowing exactly the kind of series this wants to be, the conventions and cliches it's leaning into, what's soared there before, and how to do it well. It can't be underestimated how crucial Elba is, though. Cast the wrong person as Sam, and the ability to get everyone from pilots and crew to agitated flyers, wannabe saviours and air traffic control on his side would seem ludicrous — and, at times, the hijackers as well. Hijack streams via Apple TV+. SECRET INVASION "I've had it with these Marvel tales without Nick Fury as the lead" isn't something that Samuel L Jackson has publicly uttered, with or without expletives — yes, more than a few things have Snakes on a Plane vibes this month (see also: Hijack above) — but viewers might've thought it over the past 15 years. The character that masterminded the Avengers Initiative initially appeared in 2008's very-first Marvel Cinematic Universe movie. When Guardians of the Galaxy Vol. 3 reached cinemas earlier in 2023, the franchise hit 32 cinema outings to-date, many with Fury playing a part. And yet, none have had his name in their moniker. That remains the case now, and on the small screen as well, where the MCU has also been spreading its exploits. Secret Invasion is still exactly what Marvel has needed for over a decade, however: a Fury-centric story. Perhaps Disney realises that, too; as well as bringing back Talos (Ben Mendelsohn, Cyrano), and introducing MI6's Sonya Falsworth (Olivia Colman, Empire of Light), insurrectionist leader Gravik (Kingsley Ben-Adir, One Night in Miami) and fellow revolutionary G'iah (Emilia Clarke, Last Christmas), Secret Invasion's first two episodes feature laments aplenty about Fury's absence. Within the ever-sprawling MCU's interconnected narrative, he's been AWOL lately for two reasons: The Blip, aka Avengers: Infinity War's consequential finger-snapping; and a stint since working in space, which'll get more attention when The Marvels drops on the silver screen in November 2023. Extraterrestrial race the Skrulls has noticed Fury's departure keenly, after he promised to help them find their own planet in Captain Marvel but hasn't followed through so far. Cue two factions of the shapeshifting refugees in Secret Invasion: those still waiting and others now willing to fight to take earth as their own instead. Cue far more Skrulls on Marvel's main base than humans, including Fury, know about as well. Secret Invasion streams via Disney+. Read our full review. THE CROWDED ROOM Since 2016, Tom Holland has been so busy doing whatever a spider can that stints away from his Marvel Cinematic Universe web-slinging have been few and far between. And varied, including the long-delayed (and terrible) Chaos Walking and the entertaining-enough Uncharted movie adaptation, plus straight-to-streaming flicks The Devil All the Time and Cherry. The Crowded Room boasts his best performance yet in his Spider-Man era, and provides a reminder that the star of The Impossible and The Lost City of Z, plus lover of dancing to Rihanna's 'Umbrella', will be absolutely fine when he stops pondering how great power begets great responsibility. His new ten-part series doesn't always meet its hefty ambitions, but it's always thoughtful in its attempts as it heads back to the 70s, spends time with a young man being interrogated about his past, explores mental health and, like most things of late, revels in being a mystery. Holland plays Danny Sullivan, who starts the serious jittering with nerves at New York City's Rockefeller Center. He's with Ariana (Sasha Lane, Conversations with Friends), they have a gun, and opening fire is their aim — but, although Danny doesn't want to shoot, he's swiftly in police custody. Lead cop Matty (Thomas Sadoski, Devotion) thinks that the public incident might just be the latest in a series of incidents. Enter Rya (Amanda Seyfried, The Dropout), who spends lengthy sessions interrogating Danny about his past as he awaits trial. The Crowded Room always remains a crime drama but, as it pieces together its protagonist's complicated story complete with glimpses of his doting mother Candy (Emmy Rossum, Angelyne) and abusive stepfather Marlin (Will Chase, Dopesick), it has much more on its mind. The twist in the premise is teased out, hardly difficult to guess, yet gives Holland ample room to turn in a compellingly pliable performance — in a series the brings 1981 non-fiction novel The Minds of Billy Milligan to the screen, albeit using it as inspiration rather than straight-out adapting it, a task that's been attempted since the 90s. The Crowded Room streams via AppleTV+. RECENT CINEMA RELEASES YOU NEED TO CATCH UP WITH ASAP ALL THE BEAUTY AND THE BLOODSHED With photographer Nan Goldin at its centre, the latest documentary by Citizenfour Oscar-winner Laura Poitras is a film about many things, to deeply stunning and moving effect. In this Oscar-nominated movie's compilation of Goldin's acclaimed snaps, archival footage, current interviews, and past and present activism, a world of stories flicker — all linked to Goldin, but all also linking universally. The artist's bold work, especially chronicling LGBTQIA+ subcultures and the 80s HIV/AIDS crisis, frequently and naturally gets the spotlight. Her complicated family history, which spans heartbreaking loss, haunts the doco as it haunts its subject. The rollercoaster ride that Goldin's life has taken, including in forging her career, supporting her photos, understanding who she is and navigating an array of personal relationships, cascades through, too. And, so do her efforts to counter the opioid epidemic by bringing one of the forces behind it to public justice. Revealing state secrets doesn't sit at the core of the tale here, unlike Citizenfour and Poitras' 2016 film Risk — one about Edward Snowden, the other Julian Assange — but everything leads to the documentary's titular six words: All the Beauty and the Bloodshed. They gain meaning in a report spied late about the mental health of Goldin's older sister Barbara, who committed suicide at the age of 18 when Goldin was 11, and who Goldin contends was just an "angry and sexual" young woman in the 60s with repressed parents. A psychiatrist uses the eponymous phrase to describe what Barbara sees and, tellingly, it could be used to do the same with anyone. All the Beauty and the Bloodshed is, in part, a rebuke of the idea that a teenager with desires and emotions is a problem, and also a statement that that's who we all are, just to varying levels of societal acceptance. The film is also a testament that, for better and for worse, all the beauty and the bloodshed we all witness and endure is what shapes us. All the Beauty and the Bloodshed streams via Docplay. Read our full review. BLAZE In the name of its protagonist, and the pain and fury that threatens to parch her 12-year-old existence, Del Kathryn Barton's first feature scorches and sears. It burns in its own moniker, too, and in the blistering alarm it sounds against an appalling status quo: that experiencing, witnessing and living with the aftermath of violence against women is all too common, heartbreakingly so, including in Australia where one woman a week on average is killed by her current or former partner. Blaze has a perfect title, with the two-time Archibald Prize-winning artist behind it crafting a movie that's alight with anger, that flares with sorrow, and that's so astutely and empathetically observed, styled and acted that it chars. Indeed, it's frequently hard to pick which aspect of the film singes more: the story about surviving what should be unknown horrors for a girl who isn't even yet a teen, the wondrously tactile and immersive way in which Blaze brings its namesake's inner world to the screen, or the stunning performance by young actor Julia Savage (Mr Inbetween) in its central part. There are imagined dragons in Blaze, but Game of Thrones or House of the Dragon, this isn't — although Jake (Josh Lawson, Mortal Kombat), who Blaze spots in an alleyway with Hannah (Yael Stone, Blacklight), has his lawyer (Heather Mitchell, Bosch & Rockit) claim that his accuser knows nothing. With the attack occurring mere minutes into the movie, Barton dedicates the feature's bulk to how her lead character copes, or doesn't. Being questioned about what she saw in court is just one way that the world tries to reduce her to ashes, but the embers of her hurt and determination don't and won't die. Blaze's father Luke (Simon Baker, Limbo), a single parent, understandably worries about the impact of everything blasting his daughter's way. As she retreats then acts out, cycling between both and bobbing in-between, those fears are well-founded. Blaze is a coming-age-film — a robbing-of-innocence movie as well — but it's also a firm message that there's no easy or ideal response to something as awful as its titular figure observes. Blaze streams via Stan and Binge. Read our full review. SHE SAID Questions flow freely in She Said, the powerful and methodical All the President's Men and Spotlight-style newspaper drama from director Maria Schrader (I'm Your Man) and screenwriter Rebecca Lenkiewicz (Small Axe) that tells the story behind the past decade's biggest entertainment story. On-screen, Zoe Kazan (Clickbait) and Carey Mulligan (The Dig) tend to be doing the asking, playing now Pulitzer Prize-winning New York Times journalists Jodi Kantor and Megan Twohey. They query Harvey Weinstein's actions, including his treatment of women. They gently and respectfully press actors and Miramax employees about their traumatic dealings with the Hollywood honcho, and they politely see if some — if any — will go on the record about their experiences. And, they question Weinstein and others at his studio about accusations that'll lead to this famous headline: "Harvey Weinstein Paid Off Sexual Harassment Accusers for Decades". As the entire world read at the time, those nine words were published on October 5, 2017, along with the distressing article that detailed some — but definitely not all — of Weinstein's behaviour. Everyone has witnessed the fallout, too, with Kantor and Twohey's story helping spark the #MeToo movement, electrifying the ongoing fight against sexual assault and gender inequality in the entertainment industry, and shining a spotlight on the gross misuses of authority that have long plagued Tinseltown. The piece also brought about Weinstein's swift downfall. As well as being sentenced to 23 years in prison in New York in 2020, he's currently standing trial for further charges in Los Angeles. Watching She Said, however, more questions spring for the audience. Here's the biggest heartbreaker: how easily could Kantor and Twohey's article never have come to fruition at all, leaving Weinstein free to continue his predatory harassment? She Said streams via Netflix and Binge. Read our full review. Need a few more streaming recommendations? Check out our picks from January, February, March, April and May this year. You can also check out our list of standout must-stream 2022 shows as well — and our best 15 new shows of last year, top 15 returning shows over the same period, 15 shows you might've missed and best 15 straight-to-streaming movies of 2022.
Writing a prescient tale is the science-fiction holy grail, and a feat that Philip K Dick firmly achieved. Making a movie that becomes the prevailing vision of what the future might look like in the entire world's minds? That's a stunning filmmaking feat, and one that Ridley Scott notched up as well. The reason for both? On the page, 1968's Do Androids Dream of Electric Sheep?. In cinemas, 1982's Blade Runner. And if you need reminding of how stunning a story that the iconic sci-fi author penned, or how spectacular a film that the legendary director then turned it into, look no further than Blade Runner's return to the big screen — with a live score. When Dick pondered the difference between humans and artificial intelligence more than half a century back, he peered forward with revelatory foresight. When Scott followed fresh from Alien, he did the same. Now, in 2023, with the clash between the organic and the digital a daily part of our lives in this ChatGPT-heavy reality, of course it's time for Blade Runner to flicker again. Film lovers, get ready for another dream movie-and-music pairing. Get ready for synths, too. Vangelis' stunning score will echo as Scott's feature screens at Melbourne's Hamer Hall, in the only Australian stop announced so far for Blade Runner Live — an event that premiered in London in 2019, made its way around the UK, then hit Japan earlier in 2023. The Victorian capital will host two sessions, on Saturday, November 4–Sunday, November 5, and show the Final Cut version of the movie. Wondering how it differs from the OG release, and also the House of Gucci, The Last Duel and Napoleon filmmaker's Director's Cut? First unveiled in 2007 for the feature's 25th anniversary, it's the only version that Scott truly had full artistic control over. Blade Runner's narrative, if you're new to the franchise — which also includes exceptional 2017 sequel Blade Runner 2049 and recent animated series Blade Runner: Black Lotus, with a new Blade Runner TV series also on the way — focuses on the one and only Harrison Ford (Indiana Jones and the Dial of Destiny) as cop Rick Deckard. His task: finding replicants, aka androids, which turns into quite the existential journey. It's almost impossible to name a movie or TV series in sci-fi that's popped up over the four decades since Blade Runner first arrived that hasn't owed Scott's film a massive debt — and any synthesiser-fuelled score that hasn't done the same with Vangelis. And yes, add Blade Runner to the list of favourites getting another silver-screen run that celebrates their tunes heartily, alongside everything from Star Wars: Into the Spider-Verse to The Lion King to Star Wars and Harry Potter, plus The Princess Bride, Home Alone and Toy Story. Check out the trailer for Blade Runner below: Blade Runner Live will play Melbourne's Hamer Hall, Arts Centre Melbourne, on Saturday, November 4–Sunday, November 5. Head to the event website for further details, and tickets from 10am AEST on Friday, August 11.
We don't recommend taking regularly life advice from cartoon characters, but ever since an animated crab sang about the joys of living under the sea, it's an idea that's been lodged in everyone's minds. Nearly three decades after The Little Mermaid told us "darling it's better down where it's wetter", you can now experience the underwater life for yourself. If you've ever wanted to make like Ariel and slumber surrounded by sea life, Conrad Maldives Rangali Island has made that dream a reality by building a lavish underwater hotel suite. Now open and welcoming guests, the US$15 million space is being called the world's "first undersea residence" — and while a series of submerged villas in Dubai and a room at an African hotel might beg to differ, this still looks and sounds mighty impressive. Named The Muraka, which means coral in Dhivehi, the Maldives' local language, it's a two-level apartment that comes complete with sleeping and living quarters both above and five metres below the waterline. While the top floor boasts two bedrooms and bathrooms, including one with an ocean-facing tub; a powder room, gym, living room, kitchen, bar and dining area; two separate decks facing directly towards the sunrise and sunset; an infinity pool; and even butler's and private security quarters (with staff on hand 24 hours a day), it's the lower level that's the main attraction. Let's face it — you know that's exactly where everyone will head first. Down a spiral staircase, guests will find a king size bedroom, living area and bathroom, all surrounded by 180-degree panoramic views of the Indian Ocean's marine inhabitants. In total, the suite sleeps nine, making it a luxe destination for travelling groups with plenty of cash. And we do mean plenty, with Architectural Digest reporting that a stay costs around US$50,000 per night. That's not the only underwater experience on offer at the Conrad Maldives Rangali Island — for the past 13 years, the resort has also been home to an undersea restaurant, so you can eat beneath the ocean's surface as well. Images: Justin Nicholas. 2018 Hilton.
Martin Scorsese has given the world many things. He made Robert De Niro's film career, and also made sure Leonardo DiCaprio isn't just that guy from Growing Pains, Romeo + Juliet and Titanic. He's crafted some of the most influential movies of the last five decades, chronicled music over the same timespan and championed the history of cinema, too. There's a reason that you only need to refer to him by his last name. He's a creative force to be reckoned with — and, though many have tried, there's no one quite like him. In addition to all of the above — or, more accurately, because of it — he's the focus of the Australian Centre for the Moving Image's latest showcase, SCORSESE. For four months, ACMI will be decking its halls with a celebration of his cinematic impact, lining its shelves with hundreds of Scorsese trinkets, and filling its screens with his tales of wolves, bulls, butchers and taxi drivers. Of course, that's not all there is to the Scorsese experience — and no, we're not just talking about watching his movies. Before you visit the SCORSESE exhibition, we have a few pieces of Scorsese homework to get you well and truly prepared. Visiting New York and becoming besties with De Niro and DiCaprio isn't on our list, but if you want to try and make that happen, we're not going to stop you. LISTEN TO A SCORSESE PLAYLIST Scorsese has been quote as saying: "Music and film are inseparable. They always have been and always will be." And his career is a testament to that statement. From the moment 'Jumpin' Jack Flash' starts playing in Mean Streets to the way 'I'm Shipping Up to Boston' is used in The Departed, the soundtracks to Scorsese's movies have always proven as important as the narratives. The list goes on — and that's not even including references to his films in songs, as heard in the Arctic Monkeys' 'Knee Socks', for example. If you don't know where to start, try working through the back catalogues of The Band, Bob Dylan, The Rolling Stones and George Harrison, all of whom have featured in Scorsese-directed documentaries and concert films. You'll also find more than one Scorsese playlist on Spotify. DISCOVER THE MOVIES THAT SHAPED HIS TASTES Filmmakers don't just make films — they watch them, too. They've grown up watching them, as Scorsese did, starting as an asthma-afflicted child who would go to the cinema because he couldn't take part in more active pursuits. That could be why he has always been so eager to rattle off his favourite flicks, with the internet overflowing with lists of his horror, must-see and all-time picks. Working your way through his selections is a good way to brush up on your movie history in general, but why not take it a step further? Scorsese has also directed and hosted two documentaries — A Personal Journey with Martin Scorsese Through American Movies and My Voyage to Italy — that step through his thoughts and feelings about the cinema both hailing from his US homeland and linked to his Italian heritage. COOK HIS MOTHER'S RECIPES Back in 1974, Scorsese made a 49-minute documentary called Italianamerican. His parents, Charles and Catherine, feature heavily, chatting about their experiences as Italian migrants living in New York as they eat dinner. Catherine — who also pops up in Mean Streets, The King of Comedy, After Hours, Goodfellas, Cape Fear, The Age of Innocence and Casino — also talks through her meatballs recipe, which Scorsese then listed in the credits of the film. If you can't track down a copy of the movie, you can buy Italiamerican: The Scorsese Family Cookbook and then make it and 250 other Scorsese family dishes for yourself. Back in 1990, Catherine also shared the recipe for the pasta she cooks up in Goodfellas, where she played the mother of Joe Pesci's character. BINGE-WATCH HIS TELEVISION SHOWS Maybe Boardwalk Empire was your favourite TV show during its five-season run. Or perhaps you were counting down the days until Vinyl premiered back in February 2016, and then proceeded to devour every second of its '70s-set sex, drugs and rock 'n' roll fun, gratuitous name-checking and sometimes badly-cast nods to icons of the period. Whether you're an existing fan of either show, or you've been meaning to catch up with both, here's your chance to enjoy every single minute of each. Scorsese not only executive produced both series, but directed their first episodes (which explains why the Boardwalk Empire pilot reportedly cost $18 million). Yep, that's two extra pieces of Scorsese-made fare you mightn't have realised that you needed to watch. CHECK OUT HIS FILM CRITICISM Scorsese doesn't just make films, set up organisations to restore them and make lengthy programs dedicated to classics of years gone by, though he's done plenty of that. Once, back in 2000, he also guest hosted Roger Ebert & the Movies, the review television show Ebert made after the death of his former on-air partner Gene Siskel. The topic of conversation was the best movies of the '90s — and while we won't spoil Scorsese's picks, we will mention that Ebert chose Goodfellas as his number three film of the decade. Of course, Ebert and Scorsese weren't just linked on screen, with the film critic also writing Scorsese by Ebert, a book filled with essays about and interviews with the director. SCORSESE runs from May 28 to September 18 at the Australian Centre for the Moving Image in Melbourne. See the full program of exhibition-related events at the ACMI website.
Brisbane's BlackMilk Clothing is well known for its pop culture-themed attire, releasing everything from Star Wars outfits to Harry Potter activewear in the past. Unsurprisingly, anything designed around the Boy Who Lived always proves popular — so much so that the company is launching another collection, this time specifically inspired by Hogwarts' houses. Whether you're keen to deck yourself out in red Gryffindor tartan pants, don a Slytherin letterman jacket with a snake embroidered on the back or pop on some blue Ravenclaw leggings, you'll be able to do just that. You'll be able to opt for some gold-hued Hufflepuff pieces, too, of course. Spanning trousers, dresses, leggings, crop tops and coats — including pants for both men and women, sports jersey-style shirts and hoodies as well, and overalls adorned with Harry Potter-themed patterns — it's a fresh treasure trove of items for wizarding fans to spend their galleons on. It's the real, official deal, with the School's Out range also featuring other pieces that won't make you feel like you're in training for the Triwizard Tournament, such as sheer and skater tunics in appropriately enchanting prints. A full preview of the collection is available on the BlackMilk website, with the magical selection going on sale at 7am on Tuesday, August 20. Items are available until sold out — and, yes, that often happens quickly. For more information about BlackMilk Clothing's Harry Potter School's Out range, head to their website.
Thinking about work-life balance when January hits is an annual tradition. The Christmas break has been and gone, everyone is making resolutions for the new year, and better dividing your time between your professional and personal realms becomes a goal for most. Come January 2025, the subject will get a bigger push via a hugely anticipated TV returns — and so will how work-life balance can weigh on your mind, or not. Capitalising on perfect timing, Apple TV+ will finally end the wait for more Severance, the sci-fi mindbender where disconnecting from your job come quittin' time — and giving your gig 100-percent of your focus during your daily grind — has become literal in a nightmarish way. At Lumon Industries, employees agree to undertake the titular procedure, which splits their memories between work and home. That tale will continue from Friday, January 17, 2025, a date that no one will want surgically removed from their head between now and then. This news calls for a waffle party, an egg bar or a melon bar. In the upcoming second season of the series — which was one of the best new shows of 2022 — more celebrations must be on the way based on the first sneak peek at new footage from back in June. Apple TV+ has now added to that initial glimpse with a first proper teaser trailer for Severance's second season. It's still brief, putting most of its emphasis on the elevator that Lumon's workers take to its labyrinthine workspace, as well as the verbal agreement that the show's key characters gave to having their recollections severed. If you missed season one, its dive into the kind of scenario that Black Mirror might've dreamed up, and technology that could've been used if Eternal Sunshine of the Spotless Mind was about punching the clock instead of romance, pushed Macrodata Refinement division employee Mark S (Adam Scott, Loot) to the fore. He willingly signed up for severance, all to help process his grief over the death of his wife. And he's happy with the situation until his work BFF Petey (Yul Vazquez, The Outsider) leaves suddenly without saying goodbye, then new staff member Helly (Britt Lower, American Horror Stories) comes in to replace him — and instantly starts questioning the insidious setup, the rules and restrictions needed to keep it in place, and why on earth her "outie" (as the outside versions of Lumon employees are known) agreed to this in the first place. In season two, Mark and his work pals will attempt to dig deeper into the consequences of the severance procedure, and trying to escape it. There isn't much more detail in the trailer, but the mood is disquieting — in typical Severance fashion. Tramell Tillman (Hunters), Zach Cherry (Fallout), Jen Tullock (Perry Mason), Michael Chernus (Carol & the End of the World), Dichen Lachman (Kingdom of the Planet of the Apes), John Turturro (Mr & Mrs Smith), Christopher Walken (Dune: Part Two) and Patricia Arquette (High Desert) also star — and season two newcomer Gwendoline Christie (Wednesday) also pops up in the sneak peek. Ben Stiller (Escape at Dannemora) is back as a director on five episodes, and executive producer across the whole season, with ten episodes on the way. Apple TV+ will drop instalments through until Friday, March 21, 2025. Check out the first trailer for Severance season two below: Severance returns for season two on Friday, January 17, 2025 via Apple TV+.
What would you do if you were a little less freaked out by consequences? Would you talk to more new people, fear a bit less, dance a little more like FKA Twigs, quit your desk job and start that independent photography career? Some sparkling young Australians are already flinging their inhibitions into a ziplock bag and seizing this little ol' life with both hands. Concrete Playground has teamed up with the Jameson crew to give you a sneak peek into the lives of some bold characters who took a big chance on themselves. They've gone out on a limb and rewritten their path, encapsulating 'Sine Metu', the Jameson family motto which translates to 'without fear' — getting outside your comfort zone and trying something new. After all, we only get one shot at this. Take notes. From a very young age, we're all asked the question "What do you want to be when you grow up?" We're told to pick one path, one profession, to neatly label the rest of your life. Our responses change as we grow up, from astronaut to engineer, princess to PR, and for Sydney-based Cole Bennetts, from Penguin Boy to renowned photographer taking the Prime Minister's portrait. Now he's shot the likes of Sticky Fingers, Hermitude, Horrorshow, One Day and more, and you can find his work published in TIME, The Wall Street Journal, The Guardian, The Irish Times and Rolling Stone to name a few. Not bad for a Penguin Boy. WHEN LIFE GIVES YOU PENGUINS, BECOME THEIR KING Cole's origin story reads like a Mark Twain book, a tale from a time before life happened on the screen and people went out to seek their fortunes. Initially for Cole, the end goal was never photography. His start in the industry came from a pretty unlikely place — as a way to weasel out of participating in the swimming carnival. "I'd never been the most athletic of people but I discovered that if I had a camera in my hand I didn't have to swim in the swimming carnival. I was like 'there's something to this'." A self-proclaimed science nerd, Cole's formative years were spent studying biology at university and eventually found him monitoring the behavioural patterns of seagulls and penguins in Bass Strait. The documentation process again stirred his interest in photography and, strangely, penguin care. "When that wound up [at Bass Strait] I found myself in Canberra with the zoo there. I spent about 18 months within the zoo as a penguin keeper. I managed to get the nickname 'Penguin Boy'. I can't believe I'm saying this." SOMETIMES YOU'VE GOT TO SPEND SIX MONTHS IN THE WILD The antics of Penguin Boy became an attraction at the zoo, from lining up the penguins for feeding time to putting them to bed. Eventually, the prestigious title wore thin and Cole stumbled across an opportunity that would make most of us hurtle in the opposite direction. "I got offered a job on a really remote island… There was no water, there was nothing. We'd have to have supplies brought in by shark fishermen. It was a six-month stint living like a wild man." Just after quitting his role as Penguin Boy, Cole found out funding for the project had been cut and he was without a job. After a series of fortunate events, he founded a music business in Canberra and set about promoting. But Cole didn't have the budget for a photographer, someone you're kind of going to need for promo. So, having 'made do' in those six-months on the island, he improvised. "I bought a cheap camera set up and quit my job and told people I was a photographer. And I was awful. I was so bad. Within four weeks of doing it, I had $2.20 and half a loaf of bread to my name. "If you're going to do something, you throw yourself into it. I'm a big believer in sink or swim. And fake it till you make it. There's no better situation to learn than when you have no option; it's do or die." FAKE IT TILL YOU TAKE THE PRIME MINISTER'S PORTRAIT There's not a lot to do in Canberra outside of politics and partying, so Cole had a lot of fodder to snap. A crash course in how to work a camera when there's no natural light and your subjects are swaying was just what he needed to get a start in the world of photography. Fast forward a few years, he's made a name for himself as a portrait photographer and has jacked a gig taking the PM's portrait. "It's a fine line when you're shooting... Your subjects may be celebrities, they may be artists but you've got to stand in front of them with a camera […] and do them right," he says. "So I was down on my knees in front of Julia Gillard's desk and I was having trouble getting the right feel and I was starting to panic and I was like 'OK, Prime Minister, what I need you to do is close your eyes and I want you to go to your happy place'. That was crazy." He got the shot in the end though and, true to form, bossing the PM around becomes just one of his weird work stories to tell. CHANGE THE GAME — NOT EVERY HIP HOP ARTIST NEEDS TO RAP SQUAT Cole soon moved from Canberra to Sydney, the land of creative opportunity, to try and break into music photography. One day while working in his Camperdown studio, he left to pick up some lunch and walked smack bang into Omar Musa, his friend and collaborator, and Morgan Jones of the Thundamentals. "A couple of weeks later I bumped into Morgs in the cafe and he had this new group called Jones Jnr. I said I'll do your pictures, I'll do them for free but if you go anywhere and you become successful, then I'm your guy," he says. It was a smart gamble, as Morgan was in the process of writing Step On Sleep, Jones Jnr's successful debut album. From this handshake agreement, Cole has built a career photographing Australian musicians including Sticky Fingers, Hermitude, Horrorshow, Hilltop Hoods, One Day, Spit Syndicate, Tuka, Jackie Onassis, The Rubens, Angus Stone, Left and more, alongside international stars like The 1975. His proclivity for shooting hip hop royalty has changed the game and shifted music portraiture away from the cheesy and the cliché. "These guys are super intelligent, they've got good stories to tell," he says. "It's not doing rap squats in front of graffiti walls." And who better to tell someone else's tale than a guy with a killer story to tell? When you wake up a Penguin Boy one day, unemployed the next, Kirribilli House soon after, you stop fearing change and start to embrace a Sine Metu mindset because it might lead to the best shot of your life. "It doesn't matter if I'm shooting the biggest name in Australian music or I'm shooting someone having a dance, if I get the frame that captures that moment… I get just as excited. It's about storytelling." Want to experience a little bit of 'Sine Metu' yourself? Thanks to Jameson and The Rewriters, one extremely fortunate Concrete Playground reader (and their even more fortunate mate) will get the chance to 'fear less' and go on a big ol' adventure to Ireland. In addition to two return flights departing from your choice of Sydney, Melbourne or Brisbane, this epic giveaway comes with five night's accommodation and $500 spending money you can use to paint the Emerald Isle red. ENTER HERE. For more about how 'Sine Metu' influenced John Jameson's journey visit Jameson's website.
“Have you skied before?” This is the question I am asked — repeatedly — on the way to Thredbo: at reception when checking in at the Thredbo Alpine Hotel, at a five-course champagne brunch in an inflatable igloo on the ski slopes (a combination of words I never thought I'd say), while dancing and chatting to strangers during a poolside party started by French phenomenon La Folie Douce and, of course, when collecting gear and being assigned to a ski lesson on the final day of this weekend celebrating the Thredbo Top2Bottom race. The answer is sort of, once, when I was in high school and spent a day tumbling down Friday Flats. But if you think Thredbo isn’t for you, it’s time to think again. There’s a lot more than just skiing on offer in this alpine village getaway. ARRIVE AT THE HOTEL; DON'T LEAVE THE HOTEL From outside, the Thredbo Alpine Hotel (Friday Drive, Thredbo Village Resort, +61 2 6459 4200) looks austere — with a grey timber exterior capped by an aggressively sloping roof. But inside, it’s warm and wood-panelled, the staff are chilled out and friendly and there is a roaring log fire in the middle of the lobby lounge. The setting is pretty spectacular too. From the hotel room window, I can see a snow-covered mountain that reflects the pink morning light, and a pristine landscape of sky and trees. The rooms are small and haven’t been refurbished since the ‘80s, but this adds a rustic charm and comfort. The hotel breakfast is deliciously comprehensive, and the restaurant windows look out onto the slopes. Whether you’re into the bircher muesli or hash browns (or both), you can sit in your warm smugness and watch early morning skiers tear down the Supertrail at their own peril. The hotel also has an outdoor spa, an in-house massage therapist and sauna. So you basically have no reason to leave. OPEN CHAMPAGNE THE RIGHT WAY: WITH A SWORD On the first morning, I am whisked away to Crackenback Drive and treated by Mumm Champagne to a five-course champagne degustation with chef ambassador Josh Lopez (from Brisbane’s GOMA restaurant). The pop up restaurant is set on the snow in an inflatable igloo by the ski slopes. Mumm ambassador Chris Sheehy introduces the champagne at the beginning of each course, followed by Josh Lopez, who explains his approach to each dish. I learn how to open a bottle of champagne with a saber (the essential trick is to chill the neck of the bottle for a couple of hours to get a clean break), eat black rose caviar off the back of my hand and appreciate how truffle coated in 24 carat gold goes marvellously with a cordon rouge (that’s a type of champagne). The dessert is the highlight (or perhaps my head is rather light by this point), an architectural feat with macadamia, berries, vanilla and rose petals, matched with a light rosé. An evening champagne and caviar masterclass with Sheehy and Lopez was also available to Thredbo visitors at the Segreto Restaurant back at the Alpine Lodge Hotel. PARTY LIKE IT'S -5ºC (IT IS) Thredbo Alpine Hotel is known for its afternoon après-ski parties, and from 3-6pm international party-starters La Folie Douce took to the poolside stage, pumped up the beats and got the crowd going. It’s hard to explain the magic of La Folie Douce and exactly what happens up there on stage, but they charmed us with what essentially is a glorified karaoke-cross-Rihanna-inspired dance routine, hollering and grinding to a set of pumping music, encouraging the audience to follow suit. And before long, half the audience was up on stage, a squish-friendly party of ski jackets and champagne-fuelled shenanigans. And amazingly, it was finished in time for dinner. CELEBRATE OTHER PEOPLE'S ATHLETIC VICTORIES Upon assignment to this story I had a momentary freak-out where I thought I might have to actually ski in the 25th Anniversary Top2Bottom race — a kind of City2Surf for the slopes. Each year, a slew of skiers, snowboarders and even a select few fatbike racers (literally people riding fat bicycles down the slope) compete on Australia’s longest run (3.2km) for a $1200 prize pack. Luckily, all I had to do was hang out at the finish line by the Mumm Champagne pop-up bar and cheer them on. There were dramatic crashes, narrow finishes and plenty of champagne-popping to start the day. ATTEMPT TO SKI, DECIDE TO INVEST IN A TOBOGGAN The opportunity to ski came on the last morning of the trip. I quickly realised that the preparation for this sport takes more energy than the sport itself. I wore way too many layers of clothing, struggled to get my ski boots on and then walk in them (skis in tow) to the shuttle bus. But once on the magic carpet at the bottom of Friday Flats, under the friendly guidance of Albert our ski instructor, the snowplough position came rushing back to me and I went rushing down Friday Flats. It was exhilarating! But next time I think I'll invest in a toboggan. LET'S DO THIS; GIVE ME THE DETAILS Thredbo is open 365 days a year, though the ski season runs from the June long weekend to the October long weekend. By air: Qantas and Virgin Australia service Canberra Airport from major Australian cities. Canberra Airport is a 2.5 hour drive from Thredbo and shuttle transfers to and from the airport can be arranged. Several major car hire companies also hire from Canberra. By bus: Greyhound Australia run daily services from Canberra and Sydney, Murrays run daily services from Canberra during July and August and other service operators also offer transport and packages. By car: Thredbo is approximately 500km, or 6 hours' drive, from both Sydney and Melbourne. If you’re cruising to the mountains from Sydney, once you’re on the Eastern Distributor there are only a few sets of traffic lights to Thredbo. From Melbourne, the fully sealed Kosciuszko Alpine Way is your scenic window as you wind through the spectacular Kosciuszko National Park. The National Parks and Wildlife Service collect park use fees upon entry to the park. You can purchase your pass from the Entrance Station 13km before you get to Thredbo, the Snowy Region Visitors Centre in Jindabyne, the National Parks Visitors Centre in Khancoban, or the Thredbo Information Centre. Check out some tips for safe snow driving before you leave home. Roslyn travelled to Thredbo as a guest of Mumm champagne.
If you're looking to set the tone for some top-notch eating in 2025, we've found the ultimate place to start. Through January and February, social enterprise Free to Feed is dishing up a multicultural bounty of goodness as part of its latest dining series. The not-for-profit hosts food experiences aimed at helping refugees and people seeking asylum overcome social and economic barriers. And, working with talented cooks from all corners of the globe, it's delivered some pretty special dining events — and delicious cultural exchanges — during its time. Next up, the summertime feasts will take over Free to Feed's North Fitzroy events space for a program of intimate home-style dinners starting at just $55 per person. Each event will see one of the organisation's culinarily-gifted participants share the flavours and stories of their culture via a generous shared feast. Take your tastebuds on an international adventure via Nada and Aziza's Egyptian and Eritrean feast (January 25 and 25), featuring beloved recipes passed down through generations. Or perhaps Daniel and Verena's Colombian and Venezuelan spread (February 20 and 21), starring cassava bread, fresh seafood and flan. You can even drop by on Sunday, February 2 for a special Palestinian cooking workshop, or join the Story Table Series (January 6 and 7), which consists of a big dinner paired with conversations led by Bahaa, Rana and Somaya — some of Free to Feed's cooks — as they share their lived experiences of displacement and navigating new beginnings. You can even drop by the Free to Mingle evening on Thursday, February 13 to enjoy a really chill friend-making evening filled with canapes and craft workshops. [caption id="attachment_883689" align="alignnone" width="1920"] One of Free to Feed's cooking classes, by Hugh Davison[/caption] Top Images: Emily Weaving
For all of us down here in the southern hemisphere, Christmas has never really aligned with the classic ‘snowy tree, Christmas jumpers, roast dinner and egg nog’ style of celebration enjoyed by the north. Frankly, the thought of eating a hot, greasy wad of ham on a 35-degree day is kind of gross — give us a tinnie and a prawn skewer anytime. But that doesn’t mean we don’t like to pretend, and the Hotham Street Ladies have just the thing. These cheeky Melbourne artists have created a sweet, sweet installation for the iconic Hotel Windsor that features a massive, traditional Christmas spread. There's a fat roast chicken, glazed ham, juicy lobster, baked whole fish (man, we sure eat a lot of meat at Christmas, Gaviscon must rake it in) and not to mention the succulent desserts and sides. This piece of art looks better than any Christmas meal you’ve ever made (hell it looks better than most things) and the kicker? It’s made entirely from icing sugar. The Christmas at The Windsor exhibit (which is on display from December 1 to January 5) took over a month to create and the gals used an incredible range of modelling and piping techniques to work in so much detail. Aren't across these bold, culinary artists? The Hotham Street Ladies are an artist collective of five women — Cassandra Chilton, Molly O’Shaughnessy, Sarah Parkes, Caroline Price and Lyndal Walker — who derive their name from the days when they lived together in a share house in Collingwood. Their mutal passion for cakes, baking, feminism and craft has since informed their work and it’s pretty damned cute (with a big streak of feminist badassery). Check out some of their other work, including a puppy cake covered in iced flowers, candy beards, a table setting designed around leftovers and this gloriously graphic iced period stain installation in the men’s toilets at the Victorian College of the Arts. Christmas at The Windsor is on display at the Hotel Windsor, 111 Spring Street from December 1 to the January 5.
It's a self-described road trip across Europe. A celebration of the unusual and unexpected in cuisine, technique and style. On paper, everything about executive chef Ashley Davis' Seddon restaurant Copper Pot shouldn't work. Instead, the chef — who's previously been awarded two Michelin stars while heading the kitchen at London's Hélène Darroze — proves again why he, his team and menu are worthy of award. The road trip menu ($65) at Copper Pot is, as Davis describes, his European 'best of'. But this is no slapstick compilation. Each dish is transportive and shows respect for the recipe in its native form. The medley opens with a serving of sourdough and schmaltz, a traditional spread made from the rendered fat of both pork and duck. Davis ad-libs with fresh herbs, dill and parsley, and a little pork crackling for texture — a small tweak to cater for an Australian palate. It is a surprisingly light combination, and an unusual alternative to a buttered bread roll. Positively, it catches the diner off-guard. The Copper Pot team show a real dedication and belief in their cause. If the produce is not ready to come out of the ground, then they will not use it. You should expect the menu to be malleable as a result. There is also an emphasis on local and gathered ingredients. A wing of kingfish is paired with fried saltbush, foraged from local Melbourne beaches by the chefs themselves. The effect is exquisite — you can't help but feel a sudden pop in your lizard brain, placing you on the beach, salt in your hair and surf lapping at your ankles. The techniques used to prepare the dishes — originating from France to Spain to Italy, and occasionally the more obscure — are all applied with absolute precision. It doesn't seem unusual, nor out of place, to enjoy a Catalonian-style pig's head croquette, followed by wild mushrooms and ricotta gnudi dumplings. The real litmus test though was dessert: crème brûlée. A recipe that Davis has been cooking for 17 years, and one that leaves nowhere to hide mistakes. That first satisfying crack of your spoon against the hardened caramel has to be as pleasurable as anything one could experience in this world. Copper Pot Seddon is delightfully unpretentious. The feeling throughout is cosy, and their passionate staff only help to complete the experience. A knowledgeable sommelier makes the road trip wine pairing essential ($50 extra). If you do require an after-dinner caffeine hit, you'll be pleased to know that they're serving Market Lane espresso (from $3.40), brewed exclusively using the French press method. In all, Copper Pot is memorable experience that will keep you coming back.
Our city's urban landscape has inspired some pretty nifty haunts over the years, from rooftop Airstream hotels to bars inside disused trams. But it feels like we're about to reach peak Melbourne with the arrival of Whitehart, a double-decker container bar that's hidden down a CBD laneway and sporting a very healthy dose of street art. The brainchild of husband and wife duo Stephen Johnson and Sabrina Santucci, the bar's set to breathe new life into a former carpark just off Little Bourke Street, with the pair drawing inspiration from the most memorable drinking spots they've encountered on their overseas jaunts. The bar, which opens today — Friday, March 3 — is an urban oasis with a mix of indoor and openair spaces, plus multi-storey art installations and striking wall projections courtesy of local design studio Daisylegs. Throw in a considered lineup of craft brews, boutique wines and signature cocktails, and eats from a selection of the city's food vendors, and we're in for one hell of a new CBD watering hole. Whitehart opens today at 22 Whitehart Lane, Melbourne, and will be open daily. For more info, visit whitehart.com.au.
Whether you watch television programs on your laptop, phone or TV set (or a combination of the above, depending on your mood and situation), the small screens in your house got quite the workout in 2020. That's a definite side effect of this strange year, with everyone spending more time on the couch than normal. You don't need us to tell us that, of course — but, thankfully, there was no shortage of things to watch. Checking out the latest seasons of your favourite shows probably helped while away some of the hours. More than a few, we're guessing. Restreaming classics likely did the same as well, because everyone likes some comfort viewing in tough times. But if you were looking for something new and exciting to fill your time in 2020, the various networks and streaming platforms all did their part. Stunning new dramas, savage historical comedies, engaging miniseries — they all made their debut over the past 12 months, and we've picked the ten best of the year that you should check out if you haven't already. https://www.youtube.com/watch?v=DTjlurdbNnw I MAY DESTROY YOU Newly returned from a working trip to Italy, struggling to write her second novel after her first struck a sizeable chord and pushing up against a draft deadline just hours away, Arabella (Michaela Coel) takes some time out from an all-nighter to procrastinate with friends over a few drinks in a couple of London bars. The next morning, the Twitter-famous scribe is shaky, hazy and feels far from her normal self — and across the next 11 episodes of this instantly blistering 12-part series, I May Destroy You delves into the aftermath, as Arabella realises that she was raped that evening. Not only created and written by the unflinching and captivating Coel, but inspired by her own real-life experience with sexual assault, the result is as bold, raw and frank as it is sensitive and affecting. It also feels personal at every single moment. An immensely powerful series that intimately interrogates power on multiple levels and features an unsurprisingly potent performance by Coel, I May Destroy You is easily this year's number-one must-see show — and its absolute best. I May Destroy You is available to stream via Binge. https://www.youtube.com/watch?v=ODYjA9H4qcw NORMAL PEOPLE When Sally Rooney's Normal People first hit bookshelves in 2018, it thrust readers into a disarmingly relatable love story, following the amorous ups and downs of an on-again, off-again couple from Sligo, Ireland. Teenagers Marianne and Connell have known each other for years, as tends to happen in small towns. And although she's aloof, intense and considered an acerbic loner, while he's outgoing and popular, a torrid and tumultuous secret romance blooms. That's just the beginning of the Irish author's novel, and of the both tender and perceptive TV series that brings the book to the screen. As it dives deep into a complex chronicle of first love, it not only charts Marianne (Daisy Edgar-Jones, Cold Feet) and Connell's (newcomer Paul Mescal) feelings for each other, but details the recognisable and realistic minutiae of being a high schooler and then a uni student. This is first and foremost a romance, and a passionate and intimate one at that; however, the series can't tell this complicated couple's story without touching upon everything else that pops up along the way. Normal People is available to stream via Stan. Read our full review. https://www.youtube.com/watch?v=ZI0q-jFWx-s LOVECRAFT COUNTRY Viewing US race relations and the nation's treatment of its black residents through a horror lens has long been Jordan Peele's jam, dating back to his Key & Peele days. Anyone who has seen Get Out and Us, the two films he has directed thus far, also knows this — and it is evident in Hunters, the TV series he executive produced earlier this year, as well. So Lovecraft Country, HBO's new horror drama based on the 2016 of the same name, was always going to be in Peele's wheelhouse. He's an executive producer again, and he's firmly in his element. Set in the 50s in America's south, this extremely well-executed series follows returned soldier Tic Freeman (Da 5 Bloods' Jonathan Majors), his uncle George (Project Power's Courtney B Vance) and his friend Leti Lewis (Birds of Prey's Jurnee Smollett) as they set off on a road trip to both find Tic's missing dad and locate African American-friendly places for George's Green Book-style guide. Their journey takes them to a part of the country where famed real-life sci-fi and horror writer HP Lovecraft found inspiration for his tales, too — and the results are smart and unnerving on multiple levels. Lovecraft Country is available to stream via Binge. Read our full review. https://www.youtube.com/watch?v=1htuNZp82Ck&feature=youtu.be TALES FROM THE LOOP If Black Mirror set all of its bleak futuristic tales in one small town, followed interconnected characters and sported a low-fi, retro sheen, the result would be Tales From the Loop. This patient, beautiful, poignant and incredibly moving sci-fi series is actually based on a series of paintings by Swedish artist Simon Stålenhag — and even if you didn't already know that fact while you were watching, you'd notice the show's distinctive aesthetic. The title refers to a mysterious underground machine, called The Loop, that's designed to explore and unravel the mysteries of the universe. For the folks living above it, their lives soon take strange turns. Anchoring jumps and pauses in time, body swaps, giant robots and more in everyday situations and emotions (such as being envious of a friend, falling in love, betraying your nearest and dearest, and trying to connect with your parents), Tales From the Loop is as perceptive as it is immersive and engaging. And, its eight episodes are helmed by an exceptional array of fantastic filmmakers, including Never Let Me Go's Mark Romanek, WALL-E's Andrew Stanton, The House of the Devil's Ti West and actor-turned-director Jodie Foster. Tales From the Loop is available to stream via Amazon Prime Video. https://www.youtube.com/watch?v=t8klax373ds DEVS Radiating unease from its very first moments, yet sporting both a mood and a futuristic look that prove simultaneously unsettlingly and alluring, Devs is unmistakably the work of author-turned-filmmaker Alex Garland. His first jump to the small screen, it instantly slots in nicely beside Ex Machina and Annihilation on his resume — and it's just as intriguing and involving as each of those excellent movies. The setting: Amaya, a US technology company that's massive in size yet secretive in its focus. When Sergei (Karl Glusman) is promoted to its coveted, extra clandestine Devs division, his girlfriend and fellow Amaya employee Lily (Sonoya Mizuno) is thrilled for him. But when Sergei doesn't come home from his first day, Lily starts looking for answers — including from the company's guru-like leader Forest (a long-haired, very un-Ron Swanson-like Nick Offerman). Devs is the kind of series with twists and turns that are best discovered by watching; however, as each second passes by, the stranger and more sinister it all appears. Expect conspiracies, tech thrills and big questions, in a series that does what all the very best sci-fi stories do: tackle big existential queries and intimate everyday emotions in tandem, all while asking 'what if?'. Devs is available to stream via Binge. Read our full review. https://www.youtube.com/watch?v=8BVoYKwTc4E AUNTY DONNA'S BIG OL' HOUSE OF FUN 2019's I Think You Should Leave with Tim Robinson was the best sketch comedy of that year. In 2020, the equivalent title goes to Aunty Donna's Big Ol' House of Fun. If you're familiar with Australian comedy troupe Aunty Donna, then you'll know what to expect. Writers and performers Mark Samual Bonanno, Broden Kelly and Zachary Ruane, director and writer Sam Lingham, filmmaker Max Miller and composer Tom Armstrong have been treating audiences to absurdist gags, satire, wordplay and songs since forming in 2011 — but now the group has channelled all of its silliness and surreal gags, and its astute ability to make fun of daily life in a smart yet ridiculous way, into a six-part Netflix series. Bonanno, Kelly and Ruane star as themselves, and housemates. Each episode revolves around a theme, starting with the search for a fourth member of their household when they decide to turf their annoying talking dishwasher (voiced by Flight of the Conchords' Kristen Schaal). There's nothing too over-the-top for Aunty Donna, or too trivial, including treasure hunts, an out-there recreation of Ellen DeGeneres' talk show, a pitch-perfect takedown of trendy barber shops to a parody of male posturing when the guys turn their house into a bar. And there's little on offer in the extremely binge-able show that doesn't deliver just the dose of side-splitting absurdity that this hectic year needs. Aunty Donna's Big Ol' House of Fun is available to stream via Netflix. Read our full review. https://www.youtube.com/watch?v=G5vLgpdXz0g THE GREAT It takes its title from its central figure, Russian empress Catherine the Great. It's filled with lavish period-appropriate costumes, wigs, sets and decor. And, it explores an immensely famous time during the 18th century that had a significant impact upon the world. Normally, that'd all smack of a certain kind of drama; however The Great is firmly a comedy as well. As starring Elle Fanning as the eponymous ruler, Nicholas Hoult as her husband Peter III and Bohemian Rhapsody's Gwilym Lee as a fellow member of the royal court, that means witty, laugh-out-loud lines, an irreverent and often cheeky mood, and having ample fun with real-life details — much in the way that Oscar-winner The Favourite did with British royalty on the big screen. Of course, the comparison couldn't be more fitting, with that film's BAFTA-winning screenwriter, Australian Tony McNamara, using his savagely hilarious satirical skills to pen The Great as well. The Great is available to stream via Stan. Read our full review. https://www.youtube.com/watch?v=qaMIcuVH83M&feature=emb_logo THE BEACH Whenever Warwick Thornton makes a new project, it demands attention — and the Indigenous Australian filmmaker has never made anything quite like The Beach. The director of Samson & Delilah and Sweet Country turns the camera on himself, chronicling his quest to escape his busy life for an extended soul-searching getaway. With only chickens and wildlife for company, Thornton bunkers down in an electricity-free tin shed in Jilirr, on the Dampier Peninsula on the northwest coast of Western Australia. He fishes, cooks, chats to the chooks, wanders along the shoreline and reflects upon everything that's led him to this point, with this six-part documentary series capturing the ups, downs, sublime sights and epiphany-inspiring moments. Unfurling quietly and patiently in the slow-TV tradition, Thornton's internal journey of discovery makes for both moving and absorbing viewing. Indeed, combined with stunning cinematography (as shot by Thornton's son and Robbie Hood director Dylan River), it just might be the best piece of Australian television you see this year. The Beach is available to stream via SBS On Demand. https://www.youtube.com/watch?v=-zVhRId0BTw UNORTHODOX Deborah Feldman's best-selling 2012 autobiography Unorthodox: The Scandalous Rejection of My Hasidic Roots makes the leap to Netflix as a four-part mini-series. And, as the book's title makes plain, both explore her decision to leave her ultra-Orthodox Jewish community in Williamsburg, New York, flee her arranged marriage and everyone she's ever known, and escape to Berlin to start a brand new life. Names and details have been changed, as tends to be the case with dramas based on real-life stories; however Unorthodox still follows the same overall path. In a tense but instantly commanding opening to the show's first episode, 19-year-old Esther 'Esty' Shapiro (Shira Haas) slips out of the apartment she shares with her husband Yanky (Amit Rahav), picks up a passport from her piano teacher and nervously heads to the airport. The end result proves a unique and intriguing coming-of-age tale, a thoughtful thriller, and an eye-opening but always careful and respectful look at a culture that's rarely depicted on-screen in such depth. Israeli actress Haas (The Zookeeper's Wife, Foxtrot, Mary Magdalene) turns in a nuanced, weighty and gripping performance as Esty, too — which is absolutely pivotal in making Unorthodox so compelling to watch. Unorthodox is available to stream via Netflix. Read our full review. https://www.youtube.com/watch?v=Vv-Mb4vTxj0 WE ARE WHO WE ARE Two on-screen tales about American teenagers in Italy. Two floppy-haired male leads oozing with uncertainty and yearning. One filmmaker. After Call Me By Your Name, Luca Guadagnino returns to familiar territory with HBO miniseries We Are Who We Are — and if its star Jack Dylan Grazer reminds you of the now ultra-famous Timothée Chalamet, that's completely unsurprising; in 2018's Beautiful Boy (not directed by Guadagnino), the former even played a younger version of the latter's character. But don't go mistaking Guadagnino's eight-part TV show for a mere or lazy rehash of the director's past work. Following two neighbouring 14-year-olds who live on a US army base with their enlisted parents, including Grazer's newly arrived loner, We Are Who We Are once again taps into universal themes about finding one's own identity and place in the world, and navigating affairs of the heart as well, but it definitely has its own story to tell. Also starring first-timer Jordan Kristine Seamón, plus Chloë Sevigny (Queen & Slim), Alice Braga (The New Mutants), Scott Mescudi (aka Bill & Ted Face the Music's Kid Cudi), Francesca Scorsese (daughter of iconic filmmaker Martin Scorsese) and Tom Mercier (Synonyms), this patient yet involving series once again boasts Guadagnino's eye for gorgeous and revealing imagery, though, with every intoxicating shot (and every camera angle and placement used for each shot) luring viewers in. We Are Who We Are is available to stream via SBS On Demand. Looking for more viewing highlights? Check out our list of film and TV streaming recommendations, which is updated monthly. We also picked 12 standout new 2020 series in the middle of the year, too.
Meredith is a festival where you're guaranteed to have a good time, no matter what. But whatever your reasons for heading to the three-day December festival in central Victoria, you won't be disappointed with the acts Aunty Meredith has just announced for this year's lineup. Indigenous 'bush band' Mumbali will be making the trip from Numbulwar in regional NT, and local musician Laura Jean (who recently got the seal of approval from Lorde via Twitter before she deleted all her social posts) will be making her first appearance at The Sup. Aussie acts including Sampa The Great, Pond, Mildlife and The Presets will complement international talent, like Zanzibar-born Mim Suleiman, who will bring a collision of afrobeats disco, deep house and soul to Meredith from the UK. This year's also full of throwbacks. The Pixies' Kim Deal will bring twin sister Kelley and her band The Breeders to play from the band's new album (and hopefully some oldies from Pod, too).Ed Kuepper will resurrect the energy of his 70s Brissie band The Saints with his new group The Aints, and Mental As Anything — which also had its heyday in the 70s — will take to the stage on Saturday afternoon. Aunty has really covered all bases here. You're wondering how you can get tickets to this aren't you? Meredith tickets are only available by entering the ballot. You can still do so at here up until 10.28pm on Tuesday, August 14. Fingers crossed that we can all hang out in The Sup on December 7, 8 and 9. But we know what you're really here for. We'll cut to the chase. Here's the lineup — and we're promised a few more are still to be announced. MEREDITH MUSIC FESTIVAL 2018 LINEUP The Breeders Billy Bragg The Presets Yaeji Sampa The Great Panda Bear The Founding Father of House Lil Louis Laura Jean Pond DJ Jnett Mambali Montero Nadia Rose The Aints! The Pharcyde Mildlife Mental As Anything Roza Terenzi The Native Cats Mim Suleiman Tourist Kid Time For Dreams Zeitgeist Freedom Energy Exchange DJ Lady Erica Scott & Charlene's Wedding The Seven Ups (more to be announced) Meredith Music Festival will return to Meredith on December 7–9, 2018. Onsite camping will once again be available from Friday. To put your name in the ballot to get your hands on tickets, go to 2018.mmf.com.au. Image: Steve Benn.
We all love tea. But we all don't want to carry it around with us in a dinky travel mug or the thermos-equivalent of a velour tracksuit. Enter ChaBottle, the bottle making tea a pleasure to port. Australian company Life of Cha is pretty new on the scene, but their ChaBottle is already making waves on Instagram. The bottle is specially designed to allow anyone to brew loose leaf tea anywhere and not cramp their style in the process. It's not just for tea, either; the 2-in-1 infuser lets you brew coffee and fruit infusions as well. You can also forget about burning your hands, thanks to the double glass walls of the bottle. It's a great example of simple yet functional design. If you couldn't already tell, Life of Cha is passionate about tea and the #tealife. Founder Natalie Choprasert was inspired to set up Life of Cha after being disappointed by the teas available in the market. The goal of the company is to "bring excitement and innovation to the industry by creating new ways to enjoy tea" while not losing sight of what's "simple, healthy and great tasting", according to Natalie. A perfect example is Crystal: their natural blue tea made from pandan, lemongrass and butterfly pea that turns from blue to purple when lemon is added. Its high antioxidant levels are linked with all sorts of health benefits, such as improved circulation to the eyes and healthy hair. Not only that, we've also heard that it tastes like fruit loops. Sign us up now. Now here's a girl who knows how to enjoy her afternoon!! @megand3veg is chilling at the park with her 2 x #chabottles ??? Filled with #spiced tea, coconut and almond milk with a dash of raw honey. The other filled with iced water, fresh mint and lime!! Voilà!! Perfection ? What's in your chabottle today?? #monday #freshstart #winter #sydney #drinks A photo posted by Life of Cha (@life.of.cha) on Aug 16, 2015 at 11:02pm PDT Another tea of note is Up; each tea leaf is hand rolled into little pearls and infused with jasmine. It's a favourite of Natalie's, who describes it as "the champagne of all green teas". The array of products available in their online store isn't limited to tea though. There's the stylish ChaBottle and the soon-to-be-released ChaPot. We've all been guilty of letting tea brew for a lot longer than necessary, and this is why we need the ChaPot. "[It] allows you to lift the tea infuser back into the lid to prevent over brewing," says Natalie. The ChaPot will be available in mid/late September 2015. If that wasn't enough work on their plates, they've also started dabbling in tea-infused cocktails like sangria with the Hydrate Sparkler Syrup (a hibiscus flower tea). There's a lot of wellbeing products on the market these days, but Life of Cha's is helping to deliver the message that living healthy doesn't have to be hard. It can be as simple as enjoying a cup of tea that tastes great, does you good and turns purple while you watch. Find out more and shop for Life of Cha products at their website.
All things are relative. If you think you know the meaning of hospitality, a visit to Epocha may force you to reconsider. You probably weren't aware that a weeknight restaurant reservation could leave you with such elation; a feeling of having been hugged by the walls, filled with liquid gold and gently guided through a journey of passion and indulgence isn't a regular occurrence. It's special stuff. When I first walked into Epocha I had no idea what it was. I hadn't read any reviews; I hadn't looked at the menu online and semi-decided what to order. I had no expectations, which is perhaps what made the whole experience glimmer in the way that it did. Epocha — located on the city fringe on Carlton's garden-facing Rathdowne Street — is unassuming and brilliant. From the Victorian terrace facade to the dim and demure dining room, there's something stately about this restaurant. Its high, homely ceilings, the elegantly mismatched glassware and cosy capacity has sentiments in European dinner parties, but, from both the service and the offering, this is no novice operation. First, the service. Both owners, Angie Giannakodakis (ex Press Club) and Guy Holder, are hospo old hands, bringing with them years of experience to Epocha. And it shows. Both Angie and Guy are fixtures of the dining room — offering a back-story to any dish, divulging the preparation process and effortlessly flitting between conversation and a service so personal it's a rarity even in fine dining. Mention you're driving home and Angie will remember to fill your wine glass sparingly; ask how to fillet a fish and Guy will possibly do it at your table. Along with sommelier Danny Gibson, you're in bona fide hospitality hands. Like all good European meals, everything at Epocha is made to share. Mini crumpets with honeycomb ($7.50) come fresh out of the oven, as does the moreish dark rye bread that is plonked on your table in a cloth bag next to a hunk of butter. The paper-thin swordfish carpaccio is right on and the chicken liver pate ($10) is outstanding — you'll be hard-pressed not to lick your fingers of every purple smear. The light-as-air sliced Scotch fillet with bone marrow sauce will melt in your mouth like nothing else ($80 for 1kg), while the whole baked fish with lemon and dill is perfect for a table of seafood fiends (in fact, these two work best together). Sides are ordered separately; ergo, the duck fat roast potatoes must be ordered. Wine is available by the glass and on recommendation; you're best to trust the experts and let them choose. Maybe you want a liqueur? All you have to do is mention ouzo and Angie will be pouring you a glass before you can hesitate. Oh, and the dessert trolley will be rolling around — just try and resist the rotating sweet selections when they are practically on your plate. Even without the dessert trolley clouding my judgement, Epocha is an anomaly in hospitality. Exceeding the norm in both excellent service and incredible cuisine, the personification of the restaurant in Angie and Guy make this a place you won't fleetingly forget. It's one to cherish.
Talking seesaws, live hypnosis and a water ballet about the menstrual cycle. Yup, Melbourne Fringe is well and truly upon us, and there's a hell of a lot to take in. Running from September 14 through to October 1 at venues all around Melbourne, this year's festival program is packed to the brim with a mix of cabaret, comedy, circus, dance, installation, music and more. Cassandra-Elli Yiannacou's play The Last Journalist on Earth explores the madness of the modern day news industry, while punters after something a little more outrageous need look no further than Betty Grumble's latest burlesque show, titled Sex Clown Saves the World. Further highlights include Completely Improvised Potter, an improv show set in the wizarding world of J.K. Rowling, and The Children's Party, a participatory art project featuring aspiring pollies between the ages of eight and 12. There'll also be a number of works from emerging Indigenous artists courtesy of the Deadly Fringe Artist Development program. For the full Melbourne Fringe program visit melbournefringe.com.au.
Finding it hard to meet new people? 90% of new people probably feel the same way. That's why Fitzroy's La Vineria runs 'Dine With a New Friend': a recurring weeknight event built around good food and even better company. Dine With a New Friend is the brainchild of Vineria's Italian-born owner and chef, Stefano Maffei, who migrated to Melbourne eight years ago and opened Noi Pizzeria in the middle of COVID. Bold move. After noticing a dire need for connection and community during the pandemic, Stefano started Dine With a New Friend on Wednesday nights at his new restaurant, La Vineria. The event was a hit from the beginning, with over 60 people in attendance. The event has grown over the years, and now features a DJ and dance floor, to give people a better chance to mingle. La Vineria is also giving away a ticket to Italy as part of Dine With a New Friend. Everyone who attends the event goes into the draw. Bookings are essential for this one. $40 bucks gets you an Italian prosecco on arrival, main meal and a glass of wine. You can come with friends, or by yourself. Either way, you'll be seated next to new friends at random. No swiping required. Images: Giorgia Maselli
Find out what's new in the world of digital technology when Pause Fest returns for its sixth consecutive year. Setting up once again at Federation Square, this homegrown festival brings together some of the country's brightest minds for an entire week of talks, workshops, networking events, screenings and installations. With more than 60 free and ticketed events on the docket, you shouldn't have any trouble finding something that grabs your interest. Among the speakers at this year's conference will be representatives from Google, Telstra, Crumpler, VICE Media and Hyperloop Transportation Technologies, discussing the future of everything from telecommunications to transport. Other highlights include the Startup Expo, a virtual reality activation on the Federation Square screen, an audio walk along the banks of the Yarra, and a presentation by Adriana Gascoigne, founder of Girls in Tech. For the complete Pause Fest program, as well as information on ticketing, visit pausefest.com.au.
With locations across Sydney and Melbourne and all over the USA, you know The Boiling Crab must be doing something right to be able to expand so much. The story here is a fun tongue-in-cheek idea that while other fishermen were off boozing and telling tall stories in bars, the honest and hardworking fishermen of The Boiling Crab were toiling through sleepless nights, trying to concoct the perfect spices and recipes for their restaurant. Whether this is true or not (it isn't) isn't the point; the point is this is a place that, despite having seriously good food, doesn't take itself too seriously. And you don't have to take it too seriously, either. They actively encourage diners to get sauce all over their bib and beer all over the table — just don't tell the waitstaff we said so. The Melbourne CBD venue features an interior that looks like some kind of acid trip along the San Francisco wharves, which you never quite came down from. It's all nets from the ceilings, life buoys on the walls and fake fish singing at you. In a word — subtle. If you're here for the food, though, and not interior design tips, then you're well and truly in luck. It's delicious. The Boiling Crab menu goes like this — step one: choose your catch, step two: add your sauce, step three: pick your spice level. The catch includes everything from king crab legs, live mud crab, Boston lobster, baby octopus, crawfish and abalone. The sauces feature options such as Rajun Cajun, lemon pepper, garlic sauce and the mysteriously titled Extra Juicy. Spice levels start at non-spicy for the kids to XXX (I can't feel my mouth!) for those who don't like the taste of food, just chilli. Pair it up with a cocktail such as the Blue Margarita (think a margarita, but blue) and you have yourself a wild night on the town.
While there are plenty of bottomless brunch spots to choose from across Melbourne, Bluestone BBQ's latest lunch offer may take the cake for the best value all-you-can-eat deal in Melbourne. Running every weekend from 12pm-3pm, for just $59 per person, you can sit down to enjoy bottomless slow-cooked BBQ along with free-flowing drinks. Leave all abandon at the door and tuck into smokey chicken chops rubbed with paprika and finished with bbq sauce; Cuban pork marinated in oregano and lime; and pork and cheddar sausages served with house sauce and fire-roasted red peppers. Unlimited sides on the bottomless set menu runs to pickles, fries and a red cabbage and mustard seed creole slaw. Free-flowing drinks include Bluestone's signature cocktails, from the apple pie which pairs Old Forester bourbon with poached apple, lemon, brown sugar and cinnamon rim; to the Caribbean Queen, which spikes Havana Cub Anejo with lime, coconut cream, goji berries and shaved coconut. Prosecco, wine, beer and soft drinks are also available across each two-hour sitting.
As enjoyable as perusing fridges full of boutique beer may be, sometimes we just don't have the time to deliberate over the perfect pale ale. Or sometimes, we might schlep our way down to the bottle shop, only to find the brew we have a hankering for is nowhere to be seen. Or worse yet, you might have confused the closing time of your local bottle-o, leaving you stranded and more than a little thirsty. Instead of sending out a distress signal, jump on the interwebs and check out Melbourne's online craft beer bottle shops. Whatever craft beer you're craving, you'll find it with one of these online beer havens. LIQUORUN Established in 2013, Liquorun all started when three teammates coming home from an interstate match wanted to throw a party but were out of luck when it came to supplying the goods. Liquorun delivers alcohol, food and cigarettes to the inner suburbs of Melbourne. To check if that includes your share house, visit their website. Once your address is registered, you can select beers from several different bottle shops in your area, therefore if at first you don't succeed in finding your one true brew, try and try again. Orders can be delivered up until 11pm and should arrive in 30-60 minutes, so if you want some late-night brewskis, you could be in luck. Liquorun is now set up in Brisbane and Sydney, because our fellow East Coasters shouldn't miss out on the fun. HOPS AND CRAFT These guys are dedicated to enhancing your boutique beer experience, and are all about the craft that goes into your, um, craft beer. While you can freely pick and choose from a serious range of Australian craft beers, if it's value for money you're after, subscribe to their beer club. You will receive a box of 12 carefully curated beers (and the occasional cider) every month, as well as a micro magazine they produce in house on all things craft beer related. For most orders, delivery takes between 3–7 days, so if there is something specific your heart desires, you best be organised. BEER BUD For those who know what they want when they want it, you can search beers by their type, by brewery, or by Australian region at Beer Bud. If in doubt, you can go directly to their Craft Beer and Craft Cider pages, but we really do recommend having a snoop around; their selection is insane. Beer Bud also has access to rare and limited releases that are often a little experimental and packed with flavour, including brews from Doctors Orders and KAIJU!. Low prices and fast delivery are all part of the deal at Beer Bud. CRAFTY BREW It's all about supporting independent Australian breweries at Crafty Brew. The greatest thing to do on Crafty Brew is to play on their Build a Box page. Select the quantity of beers you're after, the style (or styles) you like, the ideal beer strength and the price range. They will bring you a selection of possibilities to match your wish list and you can either skip over them or add them to your cart. It's like a personality quiz, but with beer. BEER DAYS If you're curious about craft beer from across the globe as well as local brews, we suggest ordering yourself a Beer Box today. Beer Days began as a company that hosted boutique beer events in Sydney. Now they have become equally well renowned for their bundles of joy – the Beer Boxes delivered straight to your door. You can choose between a box of 8, 12 or 16 beers and the frequency that you receive them. A few of this month's crafties include Brookes American Pale Ale and Sierra Nevada Kellerweis. For something a little stronger, you can upgrade to a Sixpoint Resin Double IPA, which will knock your damn socks off.
The seasons are changing, beer lovers. And true to form, the brewers at James Squire’s Malt Shovel Brewery are changing with them. Mixing up their methodology yet again, the craft beer company have just announced the latest iteration of their mercurial American-style Pale Ale, with the uniquely flavoured Hop Thief 7. Described by James Squire senior brewer Rob Freshwater as "probably the number one beer of choice amongst the brewers," the Hop Thief variety began as something of an experiment, but has quickly evolved into one of the company's best loved beers. What makes the beer stand out is its constantly changing recipe; each Hop Thief instalment is made with a different combination of hops, allowing the brewers to essentially reinvent the beer each time. This most recent iteration combines Galaxy and Mosaic hops. According to head brewer Chris Sheehan, the first strain adds "a vibrant citrus and passionfruit aroma," while the second adds "pine notes and a strong, earthy undertone." "Our last Hop Thief release was incredibly popular, so we needed to make sure we came up with a unique and equally flavoursome successor," says Sheehan. "We've worked hard on this brew and believe we've created a beer adult Australians will love." Certainly, Hop Thief 6 will prove a tough act to follow. Not only was it a hit with the general public, but it also took home Bronze at the 2014 Australian International Beer Awards. Still, no one at James Squire seems too worried. Hop Thief 7 will available in-pack and on-tap nationwide in March.
Sick of the winter weather? Then escape from the chill to a warm, dark cinema, where you can watch movies from places even colder than here. Returning to Palace Cinemas in Sydney, Melbourne and Brisbane, the Volvo Scandinavian Film Festival will once again showcase the best of Swedish, Danish, Finnish, Norwegian and Icelandic cinema, from award-winning dramas to esoteric comedies and the very best of Nordic Noir. One of the big highlights on this year's program is the Golden Globe-nominated The Fencer, a Finnish-German-Estonian co-production — dubbed by Finland Today as "the best Finnish film in a decade" — about a fencing instructor hiding from Soviet forces in Estonia in the years after the war. It's one of a number of critically-acclaimed titles in the program this year, alongside oddball Icelandic rom-com The Together Project which took home a screenplay prize at Cannes, and the excruciatingly tense Danish drama Land of Mine, which played in competition at the Sydney Film Festival earlier this year. Check out our list of the five must-see films at this year's Scandinavian Film Festival, below. https://vimeo.com/166024818 WELCOME TO NORWAY The opening night film at this year's festival is the fittingly titled Welcome to Norway, a jet black comedy about the current European migrant crisis and the attempts of one intrepid businessman to cash in. Anders Baasmo Christiansen plays a casually racist Norwegian hotel owner who, due to mounting debt, is forced to turn his establishment into refugee housing. With a supporting cast made up of actual Syrian refugees, director Rune Denstad Langlo has created a timely piece of social satire that promises to be both funny and outrageous. https://www.youtube.com/watch?v=ShMAkhyC6bY THE FENCER One of two post-war dramas to feature on this list, The Fencer first caught our attention at the Golden Globes earlier this year, when it competed as Finland's nominee for Best Foreign Language Film. Directed by Klaus Härö, the film tells the story of a world class swordsman turned reluctant German soldier, who in the years following WWII finds himself hiding from the Soviets in a small Estonian village, where he finds work as a school P.E. teacher and fencing instructor. Critically acclaimed in Finland, The Fencer was described by one media outlet as "the best Finnish film in a decade". Good luck finding a more glowing recommendation than that. https://www.youtube.com/watch?v=-CLtk5NewrM LAND OF MINE In the aftermath of WWII, German POWs under the command of Allied forces were put to work clearing Denmark's western coast of more than two million German landmines. This gripping Danish drama follows one such group of prisoners, with director Martin Zandvliet drawing on historical events to craft a film that combines the stomach-churning tension of The Hurt Locker with the anti-war sentiment of Joyeux Noel. With the lives and limbs of frightened young soldiers hanging in the balance for much of its running time, Land of Mine is certainly not for the faint of heart. For anyone who can handle the anxiety, however, the film is an absolute must-see. https://www.youtube.com/watch?v=7XKM2zqzoMw THE TOGETHER PROJECT In a desperate attempt to get closer to a beautiful swimming instructor (Florence Loiret-Caille), a lonely crane driver (Samir Guesmi) signs up for lessons with her at the local pool — despite the fact he already knows how to swim. A sure-fire charmer, The Together Project is the final film from French-Icelandic filmmaker Sólveig Anspach, who passed away last year after a battle with cancer. The breezy, off-beat rom-com premiered posthumously at Cannes, where it scored strong reviews from critics and won the Directors' Fortnight SACD Prize for Best Screenplay. https://www.youtube.com/watch?v=X6m9B-xk3sk THE PUSHER TRILOGY Long before anyone in the English-speaking world had heard of him, director Nicolas Winding Refn broke onto the scene in Denmark with this violent, kinetic crime saga set on the mean streets of Copenhagen. Crisscrossing the lives of various unseemly characters, the Pusher films, with their stylish aesthetic and searing central performances, are unmistakably the work of the same auteur who would go on to direct Ryan Gosling in Drive and Only God Forgives. Each film in the trilogy will screen just once over the course of the festival, in late night time slots befitting their underground status. Special discounted ticket prices are available to patrons who decide to see all three. The Scandinavian Film Festival runs July 5-27 in Sydney, July 6-27 in Melbourne and July 13-27 in Brisbane. For the full program, visit scandinavianfilmfestival.com.
It's the society wedding of the year, and you're invited. Melbourne socialites Jasper and Jasmine are going to tie the knot at St Kilda's West Beach Bathers Pavilion this May; trotting down the aisle, barking their vows and sniffing each other's butts. Yep, they're pugs. It's a pug wedding. A real life pug wedding. Seems there's a Leslie Knope living in Melbourne. Raising much-needed funds for Pug Rescue and Adoption Victoria Inc. (a volunteer-run, foster care-based animal welfare charity with a focus on pugs), this wedding doesn't have the happiest Disney backstory. Jasmine and Jasper came into the care of Pug Rescue in April 2013, after they were found to be so morbidly obese they could hardly breathe. They were taken from their former home by the rescue team and apparently were turning blue on the car ride, poor little things. But just one year later, Pug Rescue have nursed the pair back to health so they can enjoy a newfound pug life with each other and their new family — together. Take a hike, The Notebook; this is a true love story for the ages. Now, let's get these pugs married already. On Sunday, May 17, Pug Rescue are putting on the works for these pups. Get ready for this; Jasmine will wear an exclusive couture bridal gown designed by renowned Australian designer and Project Runway runner-up Craig Braybrook. A pug in couture. As if you're not locking this in already. Jasper's outfit is yet to be confirmed, but we're predicting mini bowtie at the very least. The whole event will be styled by Christian Wagstaff of Melbourne’s famed Creative Production and the venue will be decked out with flowers by Virginia Chorley of The Bouquets of Ascha Jolie. Tickets to the Wedding of the Year are $60, which we reckon is a straight-up bargain considering all funds raised go to Pug Rescue; helping to fund future pug psychological and physical rehabilitation along with the vet care and specialty surgery. And apparently they're selling fast, so get on it. If you can't make it, make sure you raise a water bowl to Jasper and Jasmine next Sunday; overcoming terrible odds and living a brand new #puglyf together. Jasper and Jasmine's pug wedding ceremony is happening from 1pm on Sunday, May 17, West Beach Bathers Pavilion, 330A Beaconsville Parade, St Kilda. Tickets are $60 per person from jasperandjasmine.com, or 'virtual tickets' are $19.95 — an invitation-only live video stream of the wedding online. Video of the wedding will also be available online for two weeks post-event for virtual ticket holders. Images: Ragamuffin.
Beers with ramen. Beers with music. Beer with burgers and board games and bowls. Yes, Good Beer Week is upon us, and, as always, our stein runneth over. Bookended by free parties on opening and closing night, this year's boozy brouhaha features more 270 events at venues all over town. Hope your boss doesn't mind you coming into work with a hangover. Foodies will be enamoured with an array of gastronomic options, including dinners and degustations at such culinary institutions as Le Bon Ton, Fancy Hanks, Babu Ji and Milk the Cow. As it turns out, there isn't much that doesn't go well with an ice-cold beer. Or, preferably, several ice-cold beers. You'll also find plenty of ways to keep yourself entertained, from trivia nights to block parties to a circus show at Hawkers Brewery. We just hope the acrobats stay off the piss. Image: Simon Shiff.
After ten years of operation in Brisbane and some fire damage to its Melbourne outpost, Japanese restaurant Shinbashi Yakiniku has been up and running again in Carlton since 2018. Its obsessions are indicated in the name: yakiniku means 'Japanese barbecue', while Shinbashi is a district in Tokyo where locals love their barbecue and eateries bustling with ravenous white collar workers abound. Shinbashi Yakiniku specialises in wagyu sourced from well-known locals, such as David Blackmore and Sher Wagyu. Among the most popular dishes are the wagyu deluxe trio (oyster blade, short rib and marbled beef), the M7+ Wagyu Dice and the M9+ Wagyu Striploin. There's also plenty of lamb, pork, chicken, seafood and sides, as well as a selection of vegetarian dishes — all of which will be cooked at your table, either by you or a member of staff. And, in excellent news for big appetites, the restaurant is serving up all-you-can-eat Japanese barbecue three nights a week. Drop by on a Monday, Tuesday or Wednesday evening to tuck into bottomless barbecued delights. There are more than 50 dishes on the menu and you're welcome to make your way through all of them for 60 bucks. On other nights, you'll be feasting a la carte. If you're a sake master, conquer the Daiginjo, a 1.8-litre bottle, or take your pick of the many other sakes on the drinks list. Alternatively, go for umeshu or a Japanese beer. With designers Amy Pierce and Nat Widera having taken care of the interior with cool greys and clean lines, Shinbashi Yakiniku offers a tranquil, Zen-inspired refuge from Melbourne's busy streets.
A drama released in 1989 that saw its premiere cut short because of the fall of the Berlin Wall. A tale of corruption in the sporting arena. A documentary about perhaps the greatest German director that ever lived. A lengthy father-daughter comedy that no one can stop talking about (us included). Yes, they're all part of the 2016 German Film Fest's 36-title lineup, which roams around Australia from November 15 to 30. In a nutshell, it's a great year to get your fix of the country's cinematic offerings. In fact, there's so much packed into the festival's heaving program that the aforementioned movies haven't even made our must-see list, which is a great indication of the wealth of choices available. So, just what should you ensure you get in front of your eyeballs? Here's our top tips, spanning everything from beloved filmmakers to movies made by ordinary people. EVERY THING WILL BE FINE We've said it before, and we'll say it again: James Franco really will pop up everywhere he can, even when you least expect it. Like in a German film. This time, he's starring in the latest one from iconic director Wim Wenders, alongside Rachel McAdams and Charlotte Gainsbourg. Every Thing Will Be Fine tells the tale of a writer faced with a life-changing experience; transformation is a common theme in the filmmaker's works. And don't go thinking Wenders' trademark fondness for breathtaking visuals will be sidelined in his first dramatic film in seven years; here, the Buena Vista Social Club, Pina and The Salt of the Earth helmer explores both the heartbreaking tragedy at the centre of the story and the aftermath via 3D visuals. DER NACHTMAHR It takes confidence to call your film Der Nachtmahr, or The Nightmare in English. Other horror movies have boasted about their terrifying dream-like status in their names to mixed results, aka the entire Nightmare on Elm Street franchise. Director and visual artist Achim Bornhak aims for a more consistent scare rate in an effort ten years in the making. Given that the feature explores a teenager blighted with visions of a grotesque creature, here's hoping it hits the mark. GERMANY IN A DAY Back in 2011, Touching the Void and The Last King of Scotland filmmaker Kevin Macdonald took on another ambitious project. Life in a Day endeavoured to capture just what everyday existence is like by crowdsourcing its footage, accruing more than 80,000 clips submitted via YouTube. Five years later, Germany in a Day is the Deutschland-focused equivalent, as overseen by director Sönke Wortmann. If you've ever wondered what life was like for residents of the European nation on June 20, 2015, as captured by ordinary folks, this is your chance to find out. GOODBYE BERLIN In Goodbye Berlin, Turkish-German filmmaker Fatih Akin says hello to the road. Adapting Wolfgang Herrndorf's coming-of-age story Tschick (or Why We Took the Car in Australia), it's a feature filled with friendship, discovery, scenic sights and striking revelations after two unlikely pals steal a car one summer. And if it sounds like you've seen this before, Akin's previous filmography should convince you otherwise. Head On twisted the usual mid-life malaise drama, Soul Kitchen did more than cook up delicious-looking food and The Cut found insights in a portrait of resilience and endurance. VARIETÉ Step back in time thanks to 1925 film Varieté. Not only is it a circus fairytale of the kind that isn't often made these days, but it reportedly features the first documentation of unicycle hockey. Other claims to fame come thick and fast for the '20s film, partly due to its enchanting tale of a trapeze artist, the dancer he leaves his wife for, and the artist his lover then has an affair with — and partly due to the fact that the silent feature's score was lost long ago. In its place, The Tiger Lillies have a new soundtrack in their very own style to accompany the new digitised restoration. The German Film Fest Australia tours the country from November 15, screening at Sydney's Chauvel Cinema and Palace Norton Street from November 15 to 29, Melbourne's Palace Cinema Como, Kino Cinemas and Palace Westgarth from November 17 to 30, and Brisbane's Palace Barracks from November 25 to 30. For more information, visit the festival website.
A magical feast awaits the foodies of London, inspired by the writings of C.S. Lewis. For two weeks starting in late January, fiction-inspired supper club The Literary Hour is hosting a five course Narnia-themed banquet — and yes, you have to step though a wardrobe to attend. Just don't forget to bring your winter furs. Set to take place in a secret location somewhere near Tottenham Hale station in north London, Feast in Narnia is but the latest literary supper club hosted by the group. Previous dinners took their cues from the Brothers Grimm and Roald Dahl, and featured dishes such as Cinderella's pumpkin arancini and Willy Wonka's whipple-scrumptious fudgemellow delight. They've also run a not-so-fairytale dinner inspired by Hannibal Lecter, featuring blood soup, brain fritters and Silence of the (Ten Hour Slow Roasted) Lamb. What exactly you'll find on the menu in Narnia is currently being kept under wraps, although the organisers are promising "traitors' tea with Mr Tumnus" and "a fine fishy time with Mrs Beaver". We figure that it's not too much of a stretch to assume that Turkish delight will feature prominently as well. Londoners can book themselves a spot at the table via Grub Club. The rest of us might have to find our own enchanted wardrobe to transport us there first. Via Londonist.
Italy is teeming with tourist attractions and delicious food – so it's hard for any one Italian city to stand out from the pack. But if you ask the residents of Florence (Firenze, to the locals), they are unanimous – the jewel in the Italian crown is the city they call home. Florence is one of the most visited cities in Europe — often a stopover between visiting Rome and Venice — and there's a whole other world behind the famous galleries and churches you'll inevitably visit first. Here's where you should spend your time in Florence to ensure an unforgettable experience. If you've been thinking about booking that European holiday, do it now. Swapping your Australian winter for a European summer is a great way to make your 2017 something to look forward to. In partnership with Topdeck, here is the first instalment of our Less Obvious city guides. Episode three: Florence. [caption id="attachment_592962" align="alignnone" width="1280"] Image: Ciao Down Bella.[/caption] VISIT THE SECRET BAKERY AT MIDNIGHT Have you ever walked past shop after shop selling pastries and sweet delicacies and wondered where they were made? Well, here's your answer. The Secret Bakery bakes pastries through the night which are bought by cafes and sold on. The bakery isn't meant to sell direct to the public, but they do anyway. You can find it on Via delle Brache, it's about 100m up on the corner of the first street on your left. It's unmarked and unsigned but there is a big frosted glass window and a white van is usually parked out the front. Go there about 1am (when the city is really coming to life) and knock on the window (you might need to do it a few times — be brave). You can buy delicious chocolate croissants and whatever else they're making that night — just ask them what they have. Each pastry costs only one Euro. EAT TRADITIONALLY AMONG THE TOURIST TRAPS Florence is renowned for its cuisine, but like any other Italian city it has its fair share of overpriced and underwhelming restaurants designed to get tourists to spend their hard-earned Euros. Separating the wheat from the chaff is the hard part – luckily, we have done the leg work for you. Try Trattoria Cesarino or Trattoria Osteria Da Que' Ganzi to get a taste of authentic Florentine cuisine at extremely reasonable prices - the free limoncello and biscotti at the end of the meal make it even sweeter. For Florentine steak – a must have – Francesco Vini is one of the city's best. PICNIC IN THE BOBOLI GARDENS The Boboli Gardens lie behind the Pitti Palace in the Oltrano, south of the river. There is an entrance fee to the gardens (although there is an often-unguarded side entrance to the Gardens at the back of Museum of Natural History, don't tell anyone we told you) but once inside, you'll soon agree they are worth the price of admission. Think of them as a medieval botanical gardens, built on an enormous scale to satisfy the whims of a succession of Renaissance rulers. Grab some fresh bread, olive oil and meats from a market and head to the high ground – you'll find grassy lawns aplenty where you can picnic with a fantastic view back over the city. INDULGE IN APERITIVO AT SOUL KITCHEN Aperitivo is a Florentine staple, and a great concept for any traveller on a budget. It involves going to select bars and buying a drink, whereupon that drink then gives you access to a buffet dinner FOR FREE. This idea may or may not have directly contributed to the Italian economy's downturn but it is an absolute goldmine for everyone else. There are plenty of bars which offer aperitivo but Soul Kitchen, on Via de' Benci, is one of the city's best – the food is fresh, the drinks inexpensive and generous and the vibe trendy. Get there any time from 7pm onwards and eat (and drink) to your heart's content. PEOPLE WATCH IN PIAZZA SANTO SPIRITO Piazza Santo Spirito is a typical Italian square and is almost a Florence micro-city in itself – beautiful cobblestones spanning the gap between palatial Renaissance buildings, flanked by a church on one side and a row of restaurants on the other. At night the Piazza comes to life, but not with tourists – the late-night crowd is almost exclusively comprised of locals and students. Gusta Pizza sits in one corner and is the city's best pizzeria – eat it on the stone steps of the church – and Osteria Santo Spirito, a local favourite, sits in the other. There is even an antique market held there on the second Sunday of every month. EAT (MAYBE) THE WORLD'S BEST SANDWICH A big call, but one which in this case is possibly justified. All'Antico Vinaio on Via dei Neri is a Florentine institution and you can expect to find long queues as lunch hour approaches. That the Italians, who view lining up for food as the closest thing to madness, will happily do so just for a sandwich should tell you all you need to know about how good they are. The premise is basic – tell them what meat you would like and they will make the rest with filling and condiments to complement the meat. WATCH THE SUNSET FROM PIAZZA MICHELANGELO The best view of the city is from Piazza Michelangelo, a short but steep walk from the city centre. During the day you will find it teeming with tourists and street vendors but, as the sun slowly fades from the sky, the Piazza really comes to life. The Piazza looks west over the city so the view of the sunset from there is unparalleled – grab yourself a bottle of red wine, some glasses and head on up to enjoy the show. You'll often find a busker up there to serenade the people seated on the steps. Romance, beauty and wine – a quintessentially Italian combination. EAT AN ITALIAN LUNCH AT TRATTORIA MARIO Trattoria Mario, near Mercato Centrale on Via Rosina, is your stop for an authentic Florentine lunch without the tourist prices. It is a hive of noise, shouting waiters and laughing chefs – exactly the way the Italians like it. The food is inexpensive and deliciously simple, as if it had been plated up by your Nonna on a Sunday night. There is no set menu as it changes every day, but the beef stew or the pasta ragu are ever-present. Fridays is fish day, where the meat on the menu is replaced by an all-seafood fare. You'll be in and out so quickly you might wonder if it was all a dream. And your tastebuds would agree. WALK THROUGH THE OLTRANO AND SAN MINIATO The central area of Florence is the most heavily congested as it has the majority of tourist attractions. For that reason, the Oltrarno is much quieter but no less worthy of your time. Its narrow streets are filled with artisans' studios, antiques stores, bars, and small restaurants full of locals who are seemingly unaware of the tourist wave overcrowding their cousins north of the river. However, at the same time it features plenty of historic sights, not least the art-filled Palazzo Pitti and the church of San Miniato al Monte. A leisurely stroll through this area can help you uncover the 'real' Florence. EAT YOUR WAY THROUGH VIA DEI NERI The street that houses All'Antico Vinaio also contains the city's finest gelataria (the imaginatively-named Gelataria dei Neri) and it's most famous salumeria (the only slightly more-imaginatively named La Prosciutteria). Both are extremely delicious and no trip to Florence would be complete without a visit to them both. In particular, La Prosciutteria is not to be missed — it's not for the faint-hearted or vegetarian but, for lovers of meat, cheese and wine, it should not be missed. DAY TRIP TO THE TUSCAN COUNTRYSIDE Florence is the capital of the Tuscany region, which is famous for its gorgeous countryside — why not take the chance to explore it while you're there? Within easy reach of Florence are many small Tuscan towns and wineries, though most day trippers will make for the hill-town of San Gimignano or to Siena (Florence's younger sibling). Some lesser-traversed sights are no less worthy — the towns of Montalcino and Montepulciano are both beautiful and famous for their wine, whilst Fiesole (a short 20 minute bus ride from Florence) has vibrant markets and a spectacular view back over Florence. A day trip is nice way to finish off a stay in Florence, as well as something to brag about — not many people make it past the tourist traps. Visit Europe (including Florence) with a Topdeck trip and make 2017 a year to remember. Book early (that means now) and save up to $999. Images: Ayrton-Eldridge.
Over the span of the universe, ten years is the blink of an eye. In a human lifetime, a decade can zip by unnoticed. In the realm of public works (a realm so dense that all previous laws governing time and space break down around it) ten years is, in practice, a millisecond. Projects can drag on for eternity before we see a single blade of grass (hell, in six seasons of Parks and Rec they only managed to fund one weeny little park). So you can understand why people may secretly believe Leslie Koch, president and CEO of The Trust of Governors Island in New York City, to be some kind of time-travelling magician. Since her instatement in 2006, she's worked with city government and private sector alike to transform a flat, derelict military island off Manhattan into a thriving public space with nearly half a million visitors each summer. Under Leslie's guidance, the first phase of the master plan, including 12 hectares of parkland, was opened to the public in May 2014. The second phase (named The Hills for the rolling Teletubbyland-esque vista and 360 degree panoramic views of New York City) is slated to open in July, a year ahead of schedule. And the next phase for Governors Island is even more ambitious: a 13.4 hectare innovation incubator and public campus to service the growing startup culture in New York. Leslie's flying in to Sydney to appear as one of the keynote speakers for REMIX Sydney 2016, so we found a tiny window in Leslie's obviously jam-packed schedule to sit down and talk big. [caption id="attachment_572737" align="alignnone" width="1280"] The Hills, Governors Island.[/caption] THE PESKY PROBLEM OF HAVING MORE IDEAS THAN EMPLOYEES Revamping Governors Island as a startup haven is a superhuman feat in itself, but let's backtrack for a moment. America is in a bind: the age of manufacturing has passed and technological innovation is now the hot economic commodity to sink graduates into. Tech startups are bread-and-butter for the emerging generation of computer scientists. However, there's a gaping crevasse between practice and education theory. The tech industry waits for no one, particularly not one who spends four years and a small fortune on a tertiary education only to emerge and find the skills they've learned are not the skills employers want — nor, often, are they even relevant anymore. "I was meeting with a very successful serial entrepreneur the other day and he said, 'Look we actually can't hire enough people for the ideas that we have'," Leslie Koch muses "There's no shortage of ideas, there's a shortage of people." The solution, she believes, begins with physically merging private sector components into the education model, eliminating the lag between industry practice and educational canon. It's an inevitable direction, considering our career path structure is changing — everyone's a freelancer, untethered by company loyalty, each in possession of a long resume dotted with short tenures. If you want to stay employable in a competitive marketplace rocked to and fro by the all-powerful internet and all her resplendent memes, you've got to freshen up your skills every now and then. ON BUILDING THE SILICON VALLEY OF THE EAST COAST Governors Island represents more than a green lung to New York City's concrete playground. In its second phase it will become an incubator for innovation, the Silicon Valley of the east coast and, as Jack Donaghy would say, 'innoventually' develop a solution to the human capital crisis in the tech industry in NYC. But just what is so magical about Silicon Valley that's worth mimicking? Does innovation bubble up from the very ground water? General consensus is the Valley works for two reasons. First, early in the game, big companies collaborated with educational institutions (to mould their chickens before they hatched). Second, a close physical proximity, as well as a focus on innovation, encouraged knowledge convergence and cross-fertilisation between tech startups. The underlying lesson here? Physical space organisation is incredibly important for knowledge sharing (there's a reason why open-plan offices are everywhere, and it's not just to keep you off Facebook during work hours). ON CREATING AN 'INNOVATION INCUBATOR' ON THE ISLAND The next stage for Governors Island is to build an 'innovation incubator'. It may sound like jargon, but the articulation of an 'incubator' draws on those ideas that people, and young startups in particular, hugely benefit when they physically share space with their contemporaries. "[A technology incubator] gives companies flexibility in leasing and acts as a social space, a cross-fertilisation space, that you wouldn't have in a conventional 'I'm going to rent my office, hire my people and I'm never going to interact with the other companies in my building' model," says Leslie. The needs of early stage technology startups go beyond infrastructure and financial support — expertise and knowledge must be shared freely to the benefit of all. WHY NEW YORK CITY GENERATES A DIFFERENT KIND OF STARTUP TO CALIFORNIA The Silicon Valley of New York (coming soon to Governors Island!) won't actually be all that similar to the Californian model. The startups coming out of New York (such as Tumblr, Kickstarter, Etsy) are an intrinsically different breed than the West Coast startups (Facebook, Google, Apple) — they're flavoured by the city. Leslie is very aware of this. "The second chapter of my career was in technology on the West Coast. I worked at Microsoft and, like its analogist companies in the Valley, it started in the suburbs and there were a few of us who commuted out to Redmond, Washington. What you're now seeing is companies recognising that to innovate, there's something about being in a city rather than isolated. When you create campuses with an urban flavour, that really makes sense for innovation." A city, unlike the 'burbs, is a cluster model in itself. The Governors Island incubator model will perhaps not be a scaled down version of Silicon Valley but of NYC itself, with educational institutions and private sector components physically merged instead of adjacent. "High-tech companies move to the city because of the messiness of the city and the interactions you have with all kinds of people and different kinds of industries… I personally believe that cities are the place where innovation takes place," she says "What I couldn't have planned for was the amount of emotion that New Yorkers have for Governors Island. We made a place people have embraced, have come to love, even though it's a place no-one has ever spent the night and it's never been open for more than 120 days a year." Australia has only 10 percent the urban density of America so notions of space can be a tricky to wrap your head around; space is a nuisance most of the time. But the cluster model is starting to take hold in Sydney and it works, no doubt in part, thanks to the mapping done on the front lines in the US. [caption id="attachment_572738" align="alignnone" width="1280"] The Hills, Governors Island.[/caption] WHAT'S NEXT? Sadly, Leslie recently announced she'll be stepping down as CEO after the Hills opens to the public. "This is a natural inflection point and when you run a seasonal recreation destination, you're on-duty every weekend so the thought of having my first summer off in 11 summers was just too good to pass up." And what a hard-earned summer it'll be. You can catch Leslie speaking at REMIX Sydney from June 2-3 at Sydney Town Hall. Your mates Concrete Playground will be there too, introducing you to Sydney's most successful entrepreneurs — the businesses we couldn't write fast enough about — with a special curated session on 'How Long Does It Take to Become an Overnight Success?'. More info right here. Top image: Iwan Baan/Governors Island.
As 2017 continues to fly by, Melbourne's galleries have got your much-needed creative fix covered with a fantastic selection of contemporary art exhibitions featuring some international greats and local legends. This month, head to the Art Gallery of Ballarat to catch the photographs of fashion icon David LaChapelle, tickle your senses as sound and visuals clash in unexpected ways at the Ian Potter Museum of Art and find the best small-scale works across loads of different creative mediums for the Small Works 2017 annual event. With heaps more to choose from, August is bound to keep your creative needs topped-up and ready for the rest of the year.
Having smashed it on Uber-EATS in late 2016, Mahalo Poké has set up permanent digs in Richmond. Stroll on down to 77 Swan Street at brekkie, lunch or dinner for a cornucopia of Hawaiian-Japanese flavours. The hospitality legends behind the operation are the folks from Botherambo, who serve up cracking Thai dishes just next door. "The demand on UberEATS surpassed all our expectations which spurred on the demand for a permanent venue," said owner Nathan Peck. "With this new venue we can now offer a larger menu, which can still be ordered via UberEATS, or enjoyed in our fresh and breezy interior which is fresh and fun." For brekkie, you'll be hooking into Hula Waffle, which comes loaded with pure maple, bacon, house ice-cream and macadamia crumble, or Aloha Smashed Avocado, featuring togarashi and jalapeno tomato salsa on sourdough. Meanwhile, the dinner menu offers Spicy Salmon with pickled ginger, corn, edamame, ka'ukama, carrot, purple cabbage, volcano ponzu and soy tahini sauce, as well as The Big Kahuna Burger. That's buttermilk fried chicken, pineapple, bacon, apple cabbage and wasabi slaw on a Hawaiian sweet bun, among many, many other in-your-face combinations. Match your choice with a beer, wine, kombucha, cold brew coffee courtesy of Niccolo or the amazing Coco Dragon — a marvellous concoction of dragonfruit, mango chai, coconut, cashew, honey and coconut milk. Find Mahalo Poké at 77 Swan St, Richmond. Opening hours are 7:30am-10pm Monday-Friday and 8am-10pm Saturday and Sunday.
A nirvana of live music and creative thinking nestled smack bang in the middle of one of America’s most conservative states, Austin, Texas is amongst the most hypeworthy cities in the world. Never is this truer than during South by Southwest, a ten day festival of hugely talked-about movies, must-hear new music and groundbreaking, interactive tech. From flying cars to talks by Edward Snowden, this year’s event has once again got us turning green with envy. To help us cope with hardcore FOMO, we’ve come up with seven things happening at SXSW 2015 we wish we were bragging about experiencing firsthand. MEERKAT IS TAKING OVER With a tech-head on every corner, SXSW has become a premiere destination for developers looking to launch their latest app. Twitter and Foursquare both got their start in Austin, but this year the buzz has coalesced around Meerkat, an app that lets you live stream video from your phone to Twitter. Interesting idea, although whether it has staying power remains to be seen. VIRTUAL REALITY IS PUTTING PEOPLE IN THE AUDIENCE AT SNL40 Right now it feels like we’re right on the cusp of virtual reality actually being a thing. The team at Saturday Night Live certainly think so, teaming up with Sony to capture the filming of their recent 40th anniversary show. Just think: now you’ll be able to experience Eddie Murphy’s awkward guest spot like you were squirming in the audience firsthand. THERE'S A KWIK-E-MART FOOD TRUCK HANDING OUT FREE SQUISHEES Celebrating 25 years since the Kwik-E-Mart first opened its sliding doors on The Simpsons, Fox have created a food truck for SXSW that's serving up free squishees to lucky, lucky jerks for the duration of the festival. The flavours? 'Not So Very Cherry' and 'Give 'em the Razz'. The whole thing's a publicity stunt of course, and coincides with the announcement of the first ever 1100-piece Lego Kwik-E-Mart set. JIMMY KIMMEL TAPED A COMMERCIAL FOR A LOCAL AUSTIN VIDEO STORE For the second year in a row, late night host Jimmy Kimmel made the trip to Texas for a week’s worth of shows, with guests including Bill Murray, Willie Nelson and Kanye West. But the highlight might be the trio of TV ads he recorded for Austin’s Vulcan Video, where he and a self-effacing Matthew McConaughey pay tribute to Leonard Nimoy and extol the virtue of VHS. Alright, alright... alright? THERE'S BEEN SWORD FIGHTING AT SXSWESTEROS Well of course there was a Game of Thrones thing. HBO’s SXSW installation, teasing the launch of the show’s fifth season, has been one of the biggest drawcards of the festival, with lines stretching around the block. Fans got the chance to practice their swordsmanship, snap a pic in the Iron Throne and get a taste of the show’s latest branded beer, Three-Eyed Raven Ale. As of yet, no one appears to have been betrayed and brutally murdered, but we’ll be sure to keep you posted. TINDER'S BEING USED IN A CREEPY BUT MOVING MARKETING CAMPAIGN Okay, so we’re not exactly sure we’d actually want to experience this one. Like any popular social networking app, Tinder has got its fair share of bots, but none of them are quite like Ava. While she appears to be a pretty 25-year-old, she’s actually part of a viral marketing campaign for sci-fi thriller Ex Machina, which premiered at the festival over the weekend. It’s a clever stunt, although we can’t help but feel a little bad for the guys who swiped right. PEOPLE ARE VOLUNTARILY STAYING AT BATES MOTEL We all go a little crazy sometimes. Some of us are even crazy enough to want to stay in a pop-up Bates Motel, publicising the A&E thriller television show with a terrifying stay. An exact replica built with the help of the show's set designers for the third season of Bates Motel, the pop-up fully functioning hotel accommodates guests in three rooms from March 13-21. You're only able to check-in by winning a daily sweepstakes in the motel office. Lucky winners have found a fake blood spatter in the shower in their room, along with poor ol' Norma's bathrobe on the bed. Freaky. PEOPLE ARE GENUINELY RALLYING AGAINST ROBOTS Perhaps a few of Ava’s disgruntled victims were amongst the protestors at the Rally Against Robots, a protest march attempting to warn festivalgoers about the dangers of artificial intelligence. Or at least, that’s what it looked like. Turns out this was actually another marketing stunt, for a dating app called Quiver. That said, we’ve seen The Terminator enough times to think they might actually be on to something. PUNTERS ARE TAKING INTERSTELLAR VR TOURS Speaking of virtual reality, a VR tie-in with Christopher Nolan’s Interstellar put attendees 'inside' the film’s Endurance space craft — letting them explore the ship in zero gravity and get a glimpse of a time-warping black hole. No word on whether this experience actually helps you understand the plot of the movie, but either way it sounds pretty cool.
In the latest "hello young people" example of giant fast food chains desperately attempting to be cool, McDonalds has announced that a dedicated French fry 'concept store' will open tomorrow in Sydney and it's called, wait for it, Fries With That. You can probably hear us sighing from here. Located on Glebe Point Road in Glebe, Fries With That will throw its doors wide to the insatiably curious masses at 11am tomorrow and the menu is (as you may have guessed) dedicated solely to fries. It's a big trend-sucking gimmick to promote their new loaded fries menu, and they'll be test running six new varieties of toppings. The most popular topping will get the honour of becoming a permanent member of the illustrious Maccas menu. As is tradition in a democratic country, you vote by smashing down your fave French fry flavour. After Camperdown's new eatery The Corner turned out to be a Maccas in disguise last year, this is just some more casual bandwagon-jumping for Maccas. Just look at this on-trend interior, blonde wood, white tiles, exposed light bulbs — someone's been paying attention: It's only open for three days and will close up at 6pm on Sunday, giving you only three days to try all the new flavours — which are, quite honestly, boring as batshit. The six options include sour cream and sweet chilli, Caesar, curry, pesto and parmesan, chipotle cheese sauce and peri-peri cheese sauce. Yawn. They'll also be serving gravy loaded fries which launched nationally yesterday. Eh, we'll probably inhale some. Stop looking at us like that. Find Fries With That at 166 Glebe Point Road, Glebe. Opening hours Friday, May 27 to Sunday, May 29 11am-6pm.
Your mates at Concrete Playground know how much you guys love Nutella. Sydney lost its collective shit (and rightfully so) over those damn Tella Ball milkshakes, and Melbourne eats so much of the stuff they caused a temporary nation-wide shortage. As addictions go, we suppose it could be worse. Point is, when we heard there was going to be a toaster-shaped Nutella food truck rolling around the country, we figured you'd want to hear about it. Especially since all the goodies on board will be free. The food truck menu has been devised by Alistair Fogg, the man behind Sydney's Nighthawk Diner. Think stewed winter berries with Nutella and toasted coconut, raisin toast with Nutella and berries, and a crepe stack with Nutella and crispy bacon. It's only one item per customer per day, unfortunately. Let's just say at this stage, we're not ruling out the possibility of trailing the truck from town to town like the insatiable groupies we so clearly are. The road trip begins in Sydney's Wynyard Park on Wednesday, June 15. Other stops in the Harbour City include Centenary Park (June 16), Sydney Uni (June 17) and Glebe Markets (June 18), before the long haul down the Hume Highway via Lithgow (June 19), Goulburn (June 20), Wagga Wagga (June 21), Albury (June 22), Bendigo (June 23) and Ballarat (June 24). In Melbourne they'll hit St Kilda (June 25-26) and Southbank (June 27), before wrapping up their journey in Geelong (June 28). As for Brisbane, we've got our fingers crossed you might be added to the itinerary. If not, we'll send you a Nutella-smeared postcard. Find the complete list of dates, times and locations for the Nutella Road Trip at the official Facebook page.
The best of the best of local interior design has been announced by the judges at this year's Australian Interior Design Awards. Held in Sydney on Friday June 10, the 2016 ceremony – co-presented by the Design Institute of Australia and Artichoke Magazine – once again celebrated the most innovative new design projects in the country, from a waterfront apartment in Sydney to a boutique hotel in WA. Regardless of where they're located, however, all of this year's winners have one thing in common: we want to go to there. Taking home the Premier Award for Australian Interior Design was Darling Point Apartment (pictured below), a wood-panelled apartment overlooking the Sydney Harbour that was described by the jury as "an inspirational piece of interior design." The apartment also won an award for Residential Design, along with the Fitzroy Loft in Melbourne. The gong for Sustainability Advancement went to the North Shore Office fit out by Nielsen Workshop and Morgan Jenkins Architecture; the offices also won for Workplace Design. The award for Public Design, meanwhile, went to Our Lady of Assumption Primary School in Sydney, with the space having found new life from its original use as a Telstra training centre. Among the remaining winners were Sydney butcher shop 1888 Certified for Retail Design, and Perth's Alex Hotel for Hospitality Design. For the full list of Australian Interior Design Award winners, go here. Header Image: Alex Hotel, WA.
Simply hearing the phrase 'taco Tuesday' should fill you with joy — it does for us, at least. Because even though tacos can be consumed on any day of the week, this alliterative ritual has led to stacks of Melbourne Mexican restaurants creating pocket-friendly weekly taco deals. Mesa Verde is the latest to join the club. Every Tuesday, from 4pm–late, the Curtin House venue is pumping out $5 full-size tacos (which are usually priced $18–19 for two) for those looking for a cheap midweek feed in the CBD. [caption id="attachment_888767" align="alignnone" width="1920"] Natalie Jurrjens[/caption] Every taco on the menu is included in this taco Tuesday deal, from the braised ox tongue and goat barbacoa numbers to tortillas packed with the likes of beer-battered fish, fried okra or portobello mushrooms. There's no limit to how many you can order, plus, if you time it right, you can pair the taco Tuesday deal with the restaurant's regular happy hour special — every night Mesa Verde is open (Tuesday–Saturday), you can drop by between 4–6pm to score $10 margaritas. Combining these deals, you can drink and eat to your heart's delight without breaking the bank. Be sure to add this one to your group text and start planning a big midweek night out. [caption id="attachment_761984" align="alignnone" width="1920"] Image: Brook James[/caption]
You've seen the TV series, following an incredibly relatable tale of trying to balance work, life, love and the like. Now, see the play that inspired the show. Before Fleabag was winning TV awards all over the UK, including a BAFTA for best female performance in a comedy for writer/creator/star Phoebe Waller-Bridge, it was a similarly applauded one-woman stage piece. And it's headed to Melbourne. Actress Maddie Rice takes on the lead role as Fleabag hits Malthouse Theatre from March 28 until April 22, stepping through the story of its titular character. Fleabag's existence is perhaps best described as chaotic. Friends, family, job interviews, keeping a guinea pig-themed café afloat...they're just the beginning. The idea behind it came at one of Waller-Bridge's pal's storytelling nights, as a challenge to create a character for a ten-minute slot. If you're a fan, you'll want to see where it all began — and fill in the gap until the TV show's second season, which is expected in 2019. If you've just heard everyone talking about Fleabag, and haven't watched it yet, here's your chance to jump on board.
Get crafty, grab a frosty and toast yourselves silly at Melbourne's Good Beer Week. This year's festival once again features a stellar line-up of events including food pairings, master brew classes and some ingeniously creative sorts, showing Australia is at the top of its beer making and celebrating game. Running from May 16-24, the festival covers a lot of ground. With over 250 events to choose from, we've hand-selected our ten favourites to make it easier for you.
Steel your livers, drinking buddies — the booziest week (and a bit) of the year is upon us once again. Running from May 11–20, Good Beer Week celebrates everything you can pour into a pint glass, and this year's lineup looks as thirst-quenching as ever. From brewery tours to workshops to mouth-watering dinners – not to mention an alcohol-fuelled mini golf tournament – the Good Beer Week 2018 program is packed to the brim with highlights. Gastronomers will be licking their lips at the Foodie section, too, which features events from some of the city's top eateries. Meanwhile, the Beer Geek and Beer School streams are perfect for anyone hoping to better understand their booze. You can even pick up some tips on how to brew your own. To help you sort the Tecate from the trub, we've rounded up our top seven hop-filled events happening during the ten days.
Melbourne's other gin festival is back. Back in 2016, Melbourne was faced with the happy problem of having not one, but two gin festivals on the cards. You might know the hugely successful Juniperlooza, a locally-organised festival. Well, this different festival — confusingly called Junipalooza (yes, that's an 'a' instead of an 'er') — came to Melbourne by way of the UK, and was unsurprisingly be dedicated entirely to gin. And it's back again for another year. The Melbourne version of the festival (the first to be held outside of the UK) is a twin event to Junipalooza London, which started back in 2013. The event will be held over two days this October at North Melbourne's Meat Market. It'll be hosted by founders of the UK's Gin Foundry, Olivier and Emile Ward — so you know you're in good gin-pouring hands. The award-winning brothers live, breathe and drink gin, compiling all their knowledge onto their comprehensive online gin directory. It makes sense then that the pair have teamed up with local gin expert, The Gin Queen (aka Caroline Childerley) to celebrate the noble spirit in Melbourne. Junipalooza will feature sampling stations, cocktails and gin masterclasses with some of the world's best distillers. Distillers from around the globe will be in attendance, giving punters the chance to take a bottle or two of their favourite gin home. The festival will take place over the weekend of October 21-22, and early bird tickets are on sale for $35 now. We see a lot of gin drinking in your future. Image: Steven Woodburn.
Melbourne's craft beer scene is a global contender, well deserving of a craft brewery dedicated to its culture. Stomping Ground Brewing Co. is just that, and the next great venture by craft beer heroes Guy Greenstone and Steve Jeffares. The duo are well known in the beer scene as two of the originators of craft in Australia — they're the minds behind The Local Taphouses in Melbourne and Sydney, as well as the GABS festival which is now considered one of the best beer festivals in the world. "This brewery is an opportunity to distil down what we love about the city that we live in and what we love about independent beer and hospitality in our city," says Greenstone. "We're brewing all of that love into a bottle," he adds. The two are going full steam ahead with Stomping Ground, their flagship APA aptly named after their new Gipps Street location. "It's a logical progression for us to move into the brewing space," says Greenstone. "We're passionate about craft beer and hospitality, so it made sense to make an independent beer brand." The team will be joined by long-time Taphouse manager Justin Joiner and head brewer Ashur Hall, who hails from Illawarra Brewing Company, where he worked closely with Wayward's head brewer Shaun Blissett. The massive brewery will house a twenty four-tap bar, a 2000 litre brewhouse and a beer garden with retractable roof. "We want to create an all-inclusive space where our guests can be social," says Greenstone. "We love being a catalyst for people's craft beer awakening and providing them with an awesome experience that they'll remember." While the brewery won't officially open for some months, the brewers are hosting a celebratory event for Good Beer Week on Sunday, May 15. The Breaking Ground with Friends event will act as an unofficial 'groundbreaking' of the brewery's cellar bar. The team's own core range will sit alongside collaboration beers from Stone & Wood, Burleigh Brewing, BentSpoke, Mash Brewing, Big Shed Willie Smith's and Garage Project. Stomping Ground Brewing Co. will open by July 2016 at 100 Gipps Street, Collingwood.
