Bedroom Producers: Inside Melbourne Artist Adnate's Colourful Studio
Talking sound, street art, and the inspiration behind his work.
In partnership with 
Melbourne-based artist Adnate was just a kid when his obsession with graffiti took over. "I had my first tag when I was eight years old," he says. "So, it's something I've always been into."
Since then, his obsession has grown into a full-time occupation. He spends his days on the road, painting mural after mural around Australia and overseas, and has become famous for his enormous, realistic portraits, which are influenced by the great Renaissance artists, like Caravaggio. Just outside Sydney's Chinese Gardens, on Harbour and Goulburn Streets, you'll find his epic impression of Jenny Munro, who founded Redfern's Aboriginal Tent Embassy. In partnership with Sonos, we visited Adnate's colourful North Melbourne studio to find out a little more about his work. Explore the multi-room space where he finds inspiration and gets in the zone by playing his music loud and clear.
GRAFFITI, STREET ART, WHAT'S THE DIFFERENCE?
"Once I was a teenager and started visiting friend's houses, I saw the huge amount of amazing work being done on Melbourne's train lines, especially the Hurstbridge line. I discovered people like WCA [Wild Child Artists]," he said.
Ten years of feverish graffiti art followed, until Adnate reached a point where "he wasn't feeling stimulated anymore". So, he thought he'd try his hand at portraiture. As it turned out, it wasn't as far removed from graffiti as you might think.
"With lettering, you try and put a lot of expression, style and subconscious emotions into what you do. It wasn't too hard to transition to portraiture because, in some ways, it's easier to put expression into a face than into letters."
In 2012, he painted his first Indigenous portrait in Fitzroy. And the public reaction was a "big turning point". "I wasn't sure about it, but as soon as I painted it, it created a massive dialogue," Adnate says. "I started seeing it on the Internet, people were coming down and taking photos, and it was creating excitement and pride in Indigenous communities in Victoria. It was then I realised I'd done something really powerful."
ON PAINTING INDIGENOUS CULTURE RESPECTFULLY
Today, you'll find Adnate's portraits as far afield as the Frog Hollow in the East Kimberley, Singapore and New York City. Among his subjects have been Adam Goodes and the 14th Dalai Lama.
"Every year, I have more incredible experiences, make stronger connections and travel to more amazing places. Half the fun of my work is getting to meet the people I paint … It has been a really powerful journey and I feel very much inspired by it."
Along the way, Adnate is learning more and more about Indigenous history and culture. "You don't learn much at school, so when I started out, I didn't have much knowledge … I met a cultural advisor in Melbourne, Kimba Thompson, and she quickly and strongly told me what was right and wrong … It's important to be culturally sensitive, follow protocols and be respectful to local communities. Many people think that Indigenous culture is very similar – from Melbourne to the Top End – but it's massively different. We're talking about a distance that's as far as from Spain to Germany."
THE MUSIC THAT INSPIRES HIM
Right now, Adnate is in Dubbo, working on a 15-metre by 8-metre high mural. Even though he works both outdoors and indoors, he has long favoured painting in the streets, with the sun on his back and music blaring in his ears.
"I can't paint without music," he says. "It puts me in the zone — in a meditative state — and helps me block out everything else. My music tastes are very eclectic. I grew up listening to all forms of electronic music and hip hop." At the moment, he's listening to Kiasmos, a minimal, experimental techno duo based in Iceland.
When he's at home in his studio, music is even more important. His Sonos speakers tune themselves to the environment of his spacious studio, so whether he's painting in his garage or sitting at his desk doing admin, the sound is loud and clear. He plays his music loudly for inspiration — it's integral to his artistic work.
WHEN HE'S OUTSIDE THE STUDIO
Adnate's next stop is Townsville and then Tahiti. Even though he occasionally misses having "his own space", having spent just three weeks in Melbourne since June, he is living the dream. He said, "It's always been a great dream of mine, to travel and paint."
And for anyone who aspires to the same, here's his advice. "Don't stop. Keep painting. Everything's worth doing – whether you're painting a chicken for a chicken shop or graffiti letters for yourself. Everything teaches you something different. Nothing's not going to benefit you, as long as you have a pencil or paint brush in your hand … Eventually, it all starts making sense, though, at the same time, it doesn't always make sense to me. I'm still learning."
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Images: Olga Rozenbajgier.
