GTA 5 Spawns Contemplative Fine Art Photography

Ah, the poignancy of Grand Theft Auto V.

Shirin Borthwick
Published on October 17, 2013

Ah, the poignancy of Grand Theft Auto V. We're not even kidding. There's no denying that the naturalistic light effects of GTA 5 are astoundingly realistic, and really quite beautiful to behold. Hazy daylight, golden sunsets and atmospheric nightscapes are equally convincing in the world of the game, which has been the talk of the town since its recent launch.

GTA 5's aesthetic appeal has not escaped the notice of 20-year-old Brazilian SVA art student Fernando Pereira Gomes, an avid street photographer and gamer who recognised certain parallels between his two passions. He's been taking artistic stills using a character's in-game camera phone in GTA 5, composing shots just as though he were turning a camera lens on the real world, and the results are both sensitive and pretty dope.

In-game photography is not new, as seen here. Gomes, who's one of those hardcore fans that stood in line to grab a copy of the game at midnight when it first launched, got the idea for his ongoing series Street Photography V when he began simply driving around GTA 5's various pixelated Los Santos landscapes and realised how the movement of the characters through digital vistas resembled scenes he'd try to capture IRL every day — not least because of the unpredictability of the scenes unfolding, and their fleeting nature.

As he told The Independent, "It was very similar to photographing on actual streets — with me having to run across the road, pulling out my camera in time, framing the shot, and taking it at the right moment.” On his site he says: "The game is so realistic that it felt like being in the streets outside ... anticipating passersby’s movements and reactions. In a way, it was also incredibly frightening that these algorithms could look so real, or is it that we ourselves are becoming ever more algorithmic?"

The pictures reveal what attracts Gomes's eye: frequently the images are wide angle shots with an isolated figure turned away from us, a shadow cutting the frame in half or a perfectly flat and symmetrical view of a figure or two against a wall. Be sure to check them out.

Published on October 17, 2013 by Shirin Borthwick
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