Win Tickets to See Wadjda

Tiny acts of gender subversion are celebrated in the first movie filmed entirely in Saudi Arabia.

Rima Sabina Aouf
Published on March 17, 2014

Wadjda (Waad Mohammed) resides within a system of oppression, yet refuses to accept her restrictions. On the cusp of adolescence, the ten-year-old rallies against her surroundings in Saudi Arabian capital Riyadh, be it the strictness of her schooling or the expectations of her gender — appropriate interests, friends and public behaviour included.

She desires a green bicycle, but is told no. She wants to cycle in the street, but is strongly discouraged. She yearns to enjoy the same freedoms as her male counterparts, such as her neighbour, Abdullah (Abdullrahman Al Gohani).

The feature's missive of female empowerment is evident in its protagonist, though its message is never bluntly handled. Of course, Wadjda's on-screen statement and subversion bears the weight of its revolutionary off-screen status, as the first feature shot entirely in Saudi Arabia, and the first full-length film made by a female Saudi director. Writer/director Haifaa Al-Mansour (who studied at the University of Sydney) remains subtle in her debut fictional effort. Lightness, rather than solemnity, is her pervasive tone.

Read our full review of Wadjda here. Wadjda is in cinemas on Thursday, March 20, and thanks to eOne Films, we have ten double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address.

Sydney: [email protected]
Melbourne: [email protected]
Brisbane: [email protected]

Published on March 17, 2014 by Rima Sabina Aouf
Tap and select Add to Home Screen to access Concrete Playground easily next time. x