Five Films From Cannes We Really Want to Come to Australia

Every year in May, the biggest names in cinema descend upon the French Riviera for the Festival de Cannes. The glitziest and most prestigious film festival on the face of the planet, the 12-day event is a maddening mix of art, commerce and fantasy, where auteurs rub shoulders with A-list celebrities and masterworks light up the screen.

This year's Cannes Film Festival featured a number of notable titles, including new efforts by some of the most fascinating filmmakers working in the medium today. Below, we've assembled a list of five exciting features we hope to see in Australian cinemas before too long. It's an eclectic mix, ranging from social realist dramas to violent thrillers set in the world of high fashion. And no, there's not a single superhero in sight.

I, DANIEL BLAKE

When making a list of must see movies out of Cannes, the winner of the Palm d'Or seems like a pretty good place to start. The award for the best film in competition this year went to I, Daniel Blake, an unaffected drama about working class people caught in the dysfunctional British welfare system that reportedly reduced much of Cannes to tears. Of course, even if it hadn't won, the fact that was directed by master filmmaker Ken Loach would be enough to earn it a spot on this list. The 79-year-old's movies are notoriously depressing, so consider yourself forewarned.

THE NEON DEMON

Nobody shoots violence with quite the same lurid style as Danish director Nicolas Winding Refn. The man behind Drive and Only God Forgives, his latest film is being sold as a similarly bloody thriller about an aspiring model caught up in the cutthroat world of LA fashion. The cast is absolutely stupendous, with Elle Fanning supported by Jena Malone, Christina Hendricks, Bella Heathcote and Keanu Reeves. The trailers and promotional images, meanwhile, make the whole thing look utterly insane. Basically we're expecting either a work of genius or a hot mess. Either way, we can pretty much guarantee it won't be dull.

IT'S ONLY THE END OF THE WORLD

Anyone who saw Mommy knows that a new movie from Xavier Dolan is definitely worth getting excited about. It's Only the End of the World follows a terminally ill young writer as attempts to reconnect his family before he dies. The reviews out of Cannes have not been particularly strong. Actually, they've been kind savage. Still, after a run of great films that also includes Laurence Anyways and Tom at the Farm, we're willing to give the 27-year-old director the benefit of the doubt. Plus with a cast that includes Vincent Cassel, Lea Seydoux and Marion Cotillard, how bad could it possibly be?

THE HANDMAIDEN

The Handmaiden is the new film from South Korea's Park Chan-wook, the genre-bending genius behind Oldboy, Joint Security Area and Thirst. After making his English-language debut with Stoker, Park returns to his native tongue with this stylish sapphic thriller set in 1930s Korea, about a pickpocket posing as an heiress' maid in order to steal her fortune. As with Neon Demon, the film's trailer is both gorgeous and nuts, which of course just makes us want to see it more. Here's hoping we'll get the chance before too long.

THE SALESMAN

The final film on our list shapes up as rather more subdued, but that doesn't mean we're looking forward to it any less. The Salesman is the latest effort from Iranian filmmaker Asghar Farhadi, who won an Oscar for A Separation before travelling to Paris to shoot the similarly exquisite The Past. His new film sees him return to Tehran, and follows a couple whose lives are thrown into chaos after a seemingly random assault. Capable of weaving unbearable suspense from the simplest and most relatable of domestic situations – while at the same time shining a critical eye on issues of social inequality in modern day Iran – Farhadi is for our money one of the most gifted directors alive. Keep your eyes peeled for an Australian release date.