The 10th Asia Pacific Triennial of Contemporary Art
Queensland Art Gallery and the Gallery of Modern Art's three-yearly survey of Asia Pacific art is back — this time with a participatory shrine installation and a ten-metre-long loom of human hair.
Filling your summer with overseas travel mightn't quite be on your agenda yet, but packing it with artworks from around the Asia Pacific can be at the Queensland Art Gallery and the Gallery of Modern Art. As the two Brisbane galleries do every three years, they're turning their attention to the Asia-Pacific region — to take stock of Brissie's place in this part of the globe, and to celebrate the exceptional work being created by the area's talented artists.
Displaying across the two South Bank sites from Saturday, December 4–Monday, April 25, this Asia Pacific Triennial of Contemporary Art marks the tenth hosted by either QAG, GOMA or both — and has been its flagship series since first gracing Queensland Art Gallery's walls almost three decades ago. To celebrate, APT10 is showcasing 69 artworks from more than 150 Asia-Pacific creatives, covering more than 30 countries.
Among both newly commissioned and recent pieces, one key highlight is participatory shrine installation Shrine of Life/ Benjapakee Shrine by Vipoo Srivilas. It'll feature five hand-crafted ceramic deities decked out with gold and floral embellishments, with the quintet signifying identity, love equality, creativity, security and spirituality.
Or, there's also the striking Hairloom by Rocky Cajigan, which does indeed possess a descriptive title. The Filipino artist has made a ten-metre-long loom of human hair, which is designed to comment on the Cordillera region of the Philippines.
Also on the bill: a cave-like environment made out of found materials, as crafted by Balinese artist I Made Djirna; huge sculptural vessels fashioned out of fibreglass and synthetic resin by Kuwait City- and San Juan, Puerto Rico-based artist Alia Farid; and Indonesian Australian artist Jumaadi's large-scale painted stories on cloth prepared by Indonesian artisans. Plus, Chong Kim Chiew will provide an installation that paints maps directly onto tarpaulin, and comments on reorientiation — geographically and politically — in Malaysia and throughout southeast Asia.
The full roster of APT10 participants also spans artists from Australia, New Zealand, Japan, Myanmar, Iran, India, Singapore, China, Papua New Guinea, Taiwan and Vietnam — and yes, the list goes on.
Images: Installation views, Asia Pacific Triennial of Contemporary Art 10, Gallery of Modern Art and Queensland Art Gallery, J Ruckli and C Callistemon
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