Despite having a smorgasbord of activities and events at your fingertips, it's surprisingly easy to find yourself stuck in an after-hours rut with you and your mates kicking back at the same old after-work haunts, week in and week out. Enjoyable, though it won't exactly win you huge points for a sense of adventure. Luckily, if you are looking to shake up your after-work routine, you don't have to hunt very hard at all. To get you off to a cracking start, we've teamed up with Hahn to scout out a bunch of non-boring, new ideas for your next group activities. [caption id="attachment_631811" align="alignnone" width="1620"] Katje Ford.[/caption] SELF-GUIDED STREET ART TOUR No matter how long you've called yourself a local, we bet there's a truckload of corners and laneways you're yet to discover. So, round up the squad for some intrepid exploration, and gain a fresh perspective on that concrete jungle as you set off on a self-guided street art tour. The internet's chock full of printable tour maps curated by urban experts and art-lovers alike, directing you towards all the best art-focused walks in your area. Shake off the work day as you cruise the city at your own pace, unearthing public art gems left, right and centre. And once you've had your fill of art, head to the pub for a beer and a chat about the best, worst and most unusual sights you've seen. Where? Search 'street art' on Concrete Playground and find some of the works you should be seeing in your city, and if you're in Sydney, you can book into one of Culture Scouts tours if you need a bit more guidance. PASTA-MAKING WORKSHOP This gloomy stretch of winter will feel like way more of success if you come out at the end of it with something useful — you know, some visible gym results, a decent love life or, the most impressive of all, the knowledge of how to make a killer bowl of handmade pasta. Luckily from Brisbane to Sydney to Melbourne, we've been gifted with a delicious array of classes on making the best comfort food out there. So, if you really want to set yourself up for culinary success and a whole lot of praise, book the crew in for a post-work pasta-making class where you'll learn to create pure magic with just three simple ingredients: flour, eggs and water. And once you've learned how to make pasta, you can then study up on how to pair some beers with your creations. Just think of all those future dinner parties. Where? Learn to craft some epic noodles at Pasta Emilia in Sydney, The Craft & Co. in Melbourne and at The Pasta Company in Brisbane. LAWN BOWLS For the ultimate group bonding exercise, you can't go past the joy of kicking another team's butt in some form of organised sport. But who really wants to run the risk of a bung ankle, wrist or hammy going into summer? This year, hone your teamwork skills and sharpen that competitive edge while keeping the big hits to a minimum — join the lawn bowls revolution. Outside of the summer season, a session at most bowling clubs will cost you mere pocket change, including access to all the proper gear, a guide to get you started off on the right foot and maybe a couple post-work pitchers. What's more, after a few weeks of practice, just imagine how you and your mates will dominate against all those less practiced suckers during summer's social barefoot bowls sessions. Where? Practice your bowl at one of these greens in Sydney, at the City of Melbourne Bowls Club and one of these lawns in Brisbane. YOGA WITH A TWIST A regular ol' vinyasa may not be everyone's cup of tea. So if you want to up the ante, throw in a twist to make things a bit more intriguing. Studios across the country are taking the concept of yoga to some rather wild territory, with classes that offer the ultimate mash-up of exercise and fun. Prefer your workout tunes to have some oomph? Head along to a hip hop yoga class and get bendy to a soundtrack of fresh beats. Or, if you fancy making some new feline friends, team that stretch session with a few kitty cuddles at cat yoga. There's even a variety of aerial yoga styles which'll find you nailing those poses while suspended gracefully in mid-air. Where? Stretch it out with some kitties at Catmosphere's cat yoga in Sydney, groove into your downward dog at hip hop yoga in Melbourne and defy gravity at Brissie's aerial yoga. THEMED TRIVIA Got a swag of random knowledge just waiting to be put to good use? Round up your post-work posse for some fun of the cerebral variety: showing off your pop cultural prowess with a rousing session of themed trivia. A more focused version of the classic pub quiz, these events provide the perfect opportunity to unleash your random stash of Harry Potter facts and, if we're honest, a brilliant excuse to go back and 'revise' your favourite TV shows, cult movies and long-forgotten pop music. What's more, on any given week, there's usually a plethora of themed trivia sessions to choose from. Gather your crew and bond over not-so useless facts, a few beers and a good ol' pub parma. Where? Test your music knowledge at The Toxteth's Tuesday Night Music Trivia in Glebe, dig up some old memories at Throwback Thursdays trivia at Island Somewhere in Melbourne and dive head first into Simpsons, Seinfeld or Harry Potter trivia at Man vs Bear's trivia nights held at various bars around Brisbane. Round up the troops and head out for a new after-work activity this week, topped off with a cheeky Hahn or two.
The dusty expanse of a post-apocalyptic world. Life before everything changed forever. Bunker existence. Giant robotic suits. All of the above are set to feature in Fallout season two — as they did in the show's first season — and Prime Video has just dropped a series of first-look images to give viewers a glimpse at what's in store. After premiering in 2024 and becoming one of the platform's top-three most-watched shows ever, notching up more than 100-million viewers globally, the game-to-screen hit is returning for its second season in December 2025. There's no exact release date yet, and there isn't a trailer so far either, but you can get a peek via the new pictures from upcoming episodes. Yes, this is a blast — as was the news earlier in 2025 that Fallout has already been renewed for a third season. Clearly, if you bring a massively beloved video game to TV in the right way, as season one did, then viewers will come flocking. We all know that that worked for The Last of Us as well, with its second season already airing this year and a third also in the works. For season two of Fallout, audiences can look forward not only to picking up where season one's finale left off, but to venturing through the Mojave wasteland to New Vegas — and to more time spent with stars Ella Purnell (Yellowjackets), Walton Goggins (The White Lotus) and Aaron Moten (Emancipation) as Lucy, The Ghoul and Maximus, respectively. When it dropped its initial eight episodes in 2024, Fallout took its cues from the games that first debuted on computers back in 1997, with three released sequels, a fourth on the way and seven spinoffs all following. The live-action television iteration follows Lucy, a lifelong vault-dweller, who leaves her cosy underground digs to navigate the irradiated wasteland that earth has remained for two centuries after the nuclear apocalypse. Crossing her path: bounty hunter The Ghoul, who has ties to life before the devastation; and Maximus, an aspiring soldier with the Brotherhood of Steel, who don those huge mechanical outfits. In this nightmarish future, a hellscape filled with mutants, wild west vibes and plenty of violence awaits beyond the bunker that the optimistic Lucy, daughter of Hank (Kyle MacLachlan, Overcompensating), who oversees Vault 33, has always called home. Bringing the chaos to life is a behind-the-scenes team featuring Westworld creators Jonathan Nolan and Lisa Joy, as well as Geneva Robertson-Dworet (Captain Marvel) and Graham Wagner (Silicon Valley) as writers and co-showrunners. And yes, Bethesda Game Studios has a hand in it as well. There's no trailer for Fallout season two yet, but you can check out the trailer for season one below: Fallout streams via Prime Video. Season two will arrive in December 2025 — we'll update you with an exact release date when one is announced. Read our review of season one, and our interview with Walton Goggins, Ella Purnell and Aaron Moten. Images: courtesy of Prime Video.
After bringing Harry Potter and the Philosopher's Stone, Harry Potter and the Chamber of Secrets and Harry Potter and the Prisoner of Azkaban back to the big screen with a live orchestra soundtrack, the Melbourne Symphony Orchestra is giving the fourth film in the franchise the same movie-and-music showcase. Across four sessions from Thursday, January 31 to Sunday, February 3, Hamer Hall will come to life with the sights and sounds of the Yule Ball, the Triwizard Tournament and the return of He-Who-Must-Not-Be-Named, because JK Rowling's boy-who-lived and his pals are never far away from a theatre — or a concert hall. This time around, viewers can expect something a little different. While the event will run as usual, it's the score itself that'll stand out. After doing the honours on the first three HP flicks, veteran composer John Williams stood aside for the fourth film, with two-time Oscar nominee Patrick Doyle (Hamlet, Sense and Sensibility) in charge of whipping up a wondrous wizarding soundtrack. Tickets start at $99 for C Reserve seats, with restricted view and music-only options available from just $29. To purchase tickets, visit the website.
Acclaimed local label Kuwaii continues to play the slow and steady game, last month opening the doors to its third boutique, in the heart of Fitzroy's Smith Street. The new store comes a whole seven years after the first, with the original Kuwaii boutique landing in Brunswick back in 2011, and a second opening in the CBD's Cathedral Arcade in 2014. This time around, expect a pastel-hued wonderland, as imagined by Drawing Room Architecture's Imogen Pullar. An assembly of salmon pink, pale blush and deep red tones capture the mood of the pieces themselves, and, might we add, make for some pretty dashing fitting rooms. Just as Kuwaii the label champions Melbourne-made slow fashion, the new space also gives a big nod to locality and sustainability. You'll spy fittings crafted by the likes of Angelucci, Douglas & Bec, Thomas Coward and Rowsan, rugs made locally using fine renewable wool, and lovingly restored mannequins and display plinths showing off those covetable threads. Kuwaii's latest offering is located at 291 Smith Street, Fitzroy. You can peruse the AW18 collection and find out more at kuwaii.com.au. Image credit: Nicholas Wilkins.
A vibrant new cafe has opened in the heart of Fitzroy, and it's doing dairy differently. St David Dairy is Melbourne's only micro-dairy, which harvests its raw dairy in a more humane process than typical dairy farms and produces all St David Dairy products. At the cafe, you can take a look behind the scenes at the process, putting a whole new spin on the delicious ice creams and coffee you can enjoy onsite. While the dairy industry sometimes cops some backlash, St David turns this narrative on its head – striving to produce dairy products the way they should be, bringing small, local dairy back to the streets of inner Melbourne. "At St David Dairy, our primary goal is to create a community-focused space that celebrates local dairy production while fostering connections between our customers and the source of their food," says Kristian Thanas, General Manager at St David Dairy. "We aim to provide an experience that not only highlights the quality and sustainability of our products but also educates our visitors about the importance of traceability in food sourcing." And at the cafe, you can see it for yourself. Sit back and sip on coffee while you watch the team make the products from scratch. Handcrafted on sight, every product is hand poured and quality assured. Everything here is local, with dairy sourced from the green rolling hills of Gippsland straight to Fitzroy. Now you can have a little bit of the Victorian countryside during the middle of the day in the inner city – the best of both worlds. "We chose Fitzroy for its vibrant community and strong sense of local identity. This area is known for its appreciation of artisanal and sustainable food practices, making it the perfect fit for St David Dairy," says Thanas. Local and fresh milk is sourced daily, and each batch is tested every single morning by 'stretching' to ensure each next drop is fit for your coffee. It's ethical and sustainable, leveraging smaller supply chains, both in size and proximity. Can't make it to the farmers market this weekend? No worries, you can buy farm-to-table products straight from the cafe. Tick off shopping while you sip on your coffee, finishing two jobs in one. The cafe sells St David Dairy's milk, award-winning butter, cream, cheese and yoghurt. Plus, they now even have an ice creamery in the cafe. Going forward, the cafe will also host workshops, including a butter master class, coffee cupping, ice cream pairing, and events that educate people about sustainable practices, artisanal practices and the importance of sourcing locally. "What sets St David Dairy's cafe apart from other offerings in Fitzroy is our unique integration of the dairy experience within the cafe environment. Our cafe menu features innovative dairy-based dishes and beverages (including the customer refill station – glass bottling milk) that highlight our artisanal products, all crafted with an emphasis on freshness and quality," notes Thanas. Fitzroy's newest cafe offers a vibrant injection into the dynamic neighbourhood, playing a new role in education and community involvement. You'll simply have to go and check it out for yourself. Visit the website or the store at 16-18 St David St Fitzroy. Images: Supplied.
If a cinema date was on your agenda in the later months of 2024 or has been since 2025 began, then you might've seen an Oscar-nominee. When it comes to accolade-worthy flicks hitting screens, the films celebrated by the Academy of Motion Picture Arts and Sciences usually release closer to awards season and during it — and, in Australia, even once the year's official Oscar contenders have been named. Dune: Part Two, the first of duelling Timothée Chalamet movies vying for glory, is an exception among 2025's Academy-anointed picks, as audiences have had over a year to catch up with the spicy sci-fi sequel. A Complete Unknown, with Timmy as Bob Dylan, demonstrates the normal trend perfectly, though — and you'll need to get cosy in your local cinema right now to enjoy it. They're just two of 2025's Oscar-contending features and documentaries that Australians can enjoy this very instant. In total, if you're eager to give nominated flicks the Pokémon catch-them-all approach — whether they will, could or should win — there's 33 currently available in the lead up to Hollywood's night of nights. Ahead of the recipients being revealed on Monday, March 3, here's where to see them. Watching epic dramas on big screen, diving into powerful and haunting docos at home, deciding whether to defy gravity in a crowd or on your own couch: they're all options. On the Big Screen: A Complete Unknown Nominations: Best Picture, Best Director (James Mangold), Best Actor (Timothée Chalamet), Best Supporting Actor (Edward Norton), Best Supporting Actress (Monica Barbaro), Best Adapted Screenplay, Best Costume Design Our thoughts: This Timothée Chalamet (Dune: Part Two) passion project took more than half a decade to come to fruition. With its 60s setting, focusing on the period from Bob Dylan's arrival in New York City to going electric at the Newport Folk Festival, a sense of time is always visible A Complete Unknown; however, that also applies to the years that its star has had to perfect his lead part. Benefiting from such a hefty preparation block, this is as committed a performance as Chalamet has given — and one that director James Mangold (Indiana Jones and the Dial of Destiny) always lets shine as the film explores an icon's talents, ambitions and quest to remain himself. Where to watch: In Australian cinemas. Read our interviews with Timothée Chalamet, Elle Fanning, Monica Barbaro, James Mangold and Boyd Holbrook. The Brutalist Nominations: Best Picture, Best Director (Brady Corbet), Best Actor (Adrien Brody), Best Supporting Actor (Guy Pearce), Best Supporting Actress (Felicity Jones), Best Original Screenplay, Best Cinematography, Best Film Editing, Best Original Score, Best Production Design Our thoughts: Since switching from acting to writing and directing, Brady Corbet hasn't lacked in ambition for a second — but as excellent as both Childhood of a Leader and Vox Lux are, his third feature towers above them. With Adrien Brody (Winning Time: The Rise of the Lakers Dynasty) as Hungarian Jewish architect László Toth, The Brutalist is as epic as a three-and-a-half-hour drama about trying to escape life's horrors, including those of the Holocaust, by chasing the American dream can be. The buildings designed by its protagonist aren't the only things that are monumental here, career-best turns by Guy Pearce and Felicity Jones among them. Where to watch: In Australian cinemas. Read our interview with Adrien Brody, Guy Pearce, Felicity Jones and Brady Corbet. Emilia Pérez Nominations: Best Picture, Best Director (Jacques Audiard), Best Actress (Karla Sofía Gascón), Best Supporting Actress (Zoe Saldaña), Best International Feature Film, Best Adapted Screenplay, Best Cinematography, Best Film Editing, Best Makeup and Hairstyling, Best Original Score, Best Sound, Best Original Song — 'Mi Camino' by Camille and Clément Ducol, Best Original Song — 'El Mal' by Clément Ducol, Camille and Jacques Audiard Our thoughts: As it follows its namesake character's (Karla Sofía Gascón, Harina) journey from cartel leader to trying to live her authentic life, Emilia Pérez isn't just a musical and a crime drama rolled into one. It's also a melodrama — and French filmmaker Jacques Audiard (Paris, 13th District) goes bold in leaning in, and in embracing the juxtapositions of the movie's three main genres as they jostle against each other. That audacity, that willingness to be both spectacular and messy, and the feature's three key performances, including from Zoe Saldaña (Special Ops: Lioness) and Selena Gomez (Only Murders in the Building): they all assist in making this vivid viewing. Where to watch: In Australian cinemas. I'm Still Here Nominations: Best Picture, Best Actress (Fernanda Torres), Best International Feature Film Our thoughts: It came as no surprise when Fernanda Torres (Fim) won a Golden Globe for her portrayal of Eunice Paiva in Walter Salles' (On the Road) deeply moving political and personal drama. Her understated yet also expressive performance as the real-life wife of Rubens Paiva (Selton Mello, Bury Your Dead), who was taken away by Brazil's military dictatorship in 1971 and never seen again, is that powerful. I'm Still Here poignantly charts the task of trying to endure under such heartbreaking circumstances — under oppressive rule, when your existence crumbles, when your family is fraying courtesy of the trauma and when fighting back is the only choice, too. Where to watch: In Australian cinemas. Maria Nominations: Best Cinematography Our thoughts: Chilean filmmaker Pablo Larraín (El Conde). Pivotal women from the 20th century. Phenomenal actors giving their utmost to their parts. That's proven a winning combination three times now, with Maria following Jackie and Spencer. Unlike Natalie Portman (Lady in the Lake) as Jacqueline Kennedy and Kristen Stewart (Love Lies Bleeding) as Princess Diana, Angelina Jolie (Eternals) mightn't have earned a Best Actress Oscar nomination, but she's captivating in every second — in diva mode, but also both soulful and yearning — as opera singer Maria Callas, as the exquisitely shot film (by El Conde's Edward Lachman) charts the week before her death in 1977. Where to watch: In Australian cinemas. The Seed of the Sacred Fig Nominations: Best International Feature Film Our thoughts: Making movies isn't easy; however, there's regular challenges and there's the situation that Mohammad Rasoulof faces. For his art, for documenting the reality of life in Iran today and for showing it to the world, prison sentences and filmmaking bans have come his way. The Seed of the Sacred Fig isn't pivotal viewing just because of what it took to create — in secret, with Rasoulof directing remotely — and how its guiding force is treated by the Iranian regime, though. Observing how a family unravels when an investigating judge's wife and daughters push back amid the country's 2022–23 protests, this is another statement of film from the There Is No Evil helmer. Where to watch: In Australian cinemas. Read our interview with Mohammad Rasoulof. September 5 Nominations: Best Original Screenplay Our thoughts: Before First Cow, Past Lives, The Agency and plenty more, among John Magaro's first on-screen jobs was playing an extra in Munich. Two decades later, he turns in one of September 5's many compelling performances (see also: Presumed Innocent's Peter Sarsgaard, Mrs Davis' Ben Chaplin and The Teachers' Lounge's Leonie Benesch) in another potent drama about the terrorist attack at the 1972 Olympics. Filmmaker Tim Fehlbaum (The Colony) views this chapter of history through the efforts of the ABC Sports crew, whose coverage pivoted and made history — and his tense procedural journalism thriller is both stirring and gripping. Where to watch: In Australian cinemas. Sing Sing Nominations: Best Actor (Colman Domingo), Best Adapted Screenplay, Best Original Song — 'Like a Bird' by Abraham Alexander and Adrian Quesada Our thoughts: In the maximum-security prison that gives Greg Kwedar's (Transpecos) affecting and inspiring second feature its title, the aim of the Rehabilitation Through the Arts program is right there in its own moniker. For the real-life scheme to inspire a new cinema masterpiece, an on-screen masterclass in empathy and a tribute to being moved by art, surely wasn't an initial goal. As Divine G, one of the incarcerated man finding purpose through staging theatre productions with his fellow inmates, Colman Domingo (The Madness) is astonishing — as is Clarence Maclin, a former detainee at the NYC facility who plays himself as the movie mixes actors with amateurs. Where to watch: In Australian cinemas. In Cinemas or at Home: Anora Nominations: Best Picture, Best Director (Sean Baker), Best Actress (Mikey Madison), Best Supporting Actor (Yura Borisov), Best Original Screenplay, Best Editing Our thoughts: Along with playfulness, empathy, and an eagerness to look beyond the usual characters and pockets of America that tend to grace narrative cinema, tenderness is one Sean Baker's special skills, as splashed across his filmography. It's in Tangerine, The Florida Project and Red Rocket, and now Anora. Spotting Cinderella elements and riffs on Pretty Woman aren't hard with this movie about a Brooklyn erotic dancer (Mikey Madison, Lady in the Lake) who liaises with and is soon wed to the son (Mark Eydelshteyn, Zhar-ptitsa) of a Russian oligarch (Aleksey Serebryakov, Lotereya) — but just as Ani is always her own person, the magnificent Anora is always a Baker film. Where to watch: In Australian cinemas, and via Apple TV and Prime Video. A Real Pain Nominations: Best Supporting Actor (Kieran Culkin), Best Original Screenplay Our thoughts: He didn't feature on-screen in his first film as a writer/director, but 2022's When You Finish Saving the World couldn't have sprung from anyone but Jesse Eisenberg. Neither could've 2024's A Real Pain. Both explore the fact that experiencing our own pain, big or small, world-shattering or seemingly trivial, or personal or existential, is never a minor matter. In the latter, the Fleishman Is in Trouble actor plays the anxious part, and literally. His character is a bundle of nerves about and during his pilgrimage to Poland with his cousin (Kieran Culkin, Succession) to honour of their grandmother, who survived the Second World War, then started a new life in the US. Where to watch: In Australian cinemas, and via Disney+, Apple TV and Prime Video. Read our full review and our interview with Jesse Eisenberg. Better Man Nominations: Best Visual Effects Our thoughts: Most music biopics want the figure in its spotlight to remain front and centre. Better Man doesn't stray from the formula there. The bulk of films in the genre also want audiences to always recognise the star in focus, which is where this Australian-made look at Robbie Williams' career makes a huge departure. It's the spirit of the former Take That member that shines through in Jonno Davies' motion-capture performance, as Williams is rendered on-screen as a chimpanzee. For The Greatest Showman director Michael Gracey, it works, so much so that it's now impossible to imagine a feature about the singer done any other way. Let me entertain you indeed. Where to watch: In Australian cinemas, and via Apple TV and Prime Video. Read our interview with Jonno Davies and Michael Gracey. Conclave Nominations: Best Picture, Best Actor (Ralph Fiennes), Best Supporting Actress (Isabella Rossellini), Best Adapted Screenplay, Best Costume Design, Best Film Editing, Best Original Score, Best Production Design Our thoughts: Cardinals, they're just like everyone else seeking power — bickering, gossiping, scheming, fighting and trying to find their way to the top by any means possible, that is. Aided by a stellar cast (including The Return's Ralph Fiennes, Citadel's Stanley Tucci, The Old Man's John Lithgow and Spaceman's Isabella Rossellini) answering viewers' prayers, filmmaker Edward Berger swaps World War I's horrors in All Quiet on the Western Front for a pulpy and twisty but smart page-to-screen papal thriller about electing a new pope. He hasn't completely switched thematically, though: how tradition and modernity butt against each other also remains the director's focus. Where to watch: In Australian cinemas, and via Apple TV and Prime Video. Gladiator II Nominations: Best Costume Design Our thoughts: Swords, sandals, spectacle, scale, sharks in more ways than one — including literally — and Denzel Washington (The Equalizer 3) having a scenery-chewing ball: welcome to Ridley Scott's 24-years-later follow-up to Gladiator. Helming his fourth feature of the 2020s after The Last Duel, House of Gucci and Napoleon, the veteran filmmaker has taken the sequel-as-remake approach with Gladiator II, but sports the style and stars to largely pull it off, with Paul Mescal (All of Us Strangers), Pedro Pascal (The Wild Robot), Connie Nielsen (Origin), Fred Hechinger (Kraven the Hunter) and Joseph Quinn (A Quiet Place: Day One) also great among the latter. Where to watch: In Australian cinemas, and via Apple TV and Prime Video. Read our interview with Paul Mescal, Connie Nielsen and Fred Hechinger. Nosferatu Nominations: Best Cinematography, Best Costume Design, Best Makeup and Hairstyling, Best Production Design Our thoughts: The Witch, The Lighthouse and The Northman filmmaker Robert Eggers turned Nosferatu into a play as a teen. Consider his big-screen remake of FW Murnau's 1922 classic a second bite, then. His fastidious fixation with detail and recreating past eras with painstaking precision is on full and glorious display, as is his way with unnerving eerieness. As Count Orlok in a tale that began as an unauthorised Dracula adaptation a century ago, Bill Skarsgård (Boy Kills World) is commanding, while Renfield's Nicholas Hoult and Shadow of the Vampire's Willem Dafoe make welcome bloodsucker returns, but it's Lily-Rose Depp (The Idol) who truly haunts. Where to watch: In Australian cinemas, and via Apple TV and Prime Video. Read our interview with Willem Dafoe, Emma Corrin, Aaron Taylor-Johnson and Robert Eggers. Wicked Nominations: Best Picture, Best Actress (Cynthia Erivo), Best Supporting Actress (Ariana Grande), Best Costume Design, Best Film Editing, Best Makeup and Hairstyling, Best Original Score, Best Production Design, Best Sound, Best Visual Effects Our thoughts: As a theatre-kid obsession for decades, it was long likely that the big-screen adaptation of Wicked — a movie based on a musical springing from a book that offered a prequel to a film that walked the celluloid road 85 years prior, itself jumping from the page to the screen — would have big theatre-kid energy as it attempted to ensure that its magic enchants across mediums. No one would ever want a muted version, after all. It was true of his take on In the Heights and it's accurate again here: Jon M Chu has a knack as a filmmaker of stage hits reaching cinemas, matching the vibe of the show that he's taking on expertly. Where to watch: In Australian cinemas, and via Apple TV and Prime Video. Read our full review and our interview with Nathan Crowley. Via Streaming: A Different Man Nominations: Best Makeup and Hairstyling Our thoughts: 2024 was the year that Sebastian Stan (Dumb Money) played men chasing a dream that turns out to be a nightmare — and that musing on what it takes to accept yourself and ignore the world's feedback, and whether external change can bring about an internal transformation, was gripping movie viewing more than once. Hailing from writer/director Aaron Schimberg (Chained for Life), A Different Man is an exceptional example of both. When Stan's Edward Lemuel undertakes an experimental treatment for neurofibromatosis, his disfigurement disappears; however, his hopes for stardom and love can't be grasped that easily. Where to watch: Via Binge, Apple TV and Prime Video. Read our full review. Alien: Romulus Nominations: Best Visual Effects Our thoughts: Don't trust your employer. While that isn't the sole takeaway message from 45 years of Alien movies, it's a biting aspect of the sci-fi/horror saga nonetheless. In space, Weylan-Yutani Corp workers keep screaming and the company doesn't simply refuse to hear them; in the battle between killer extra-terrestrial creatures and the outfit's employees, it puts the former first. Under Fede Álvarez's (The Girl in the Spider's Web) direction, watching how that plays out in Alien: Romulus for Rain Carradine (Cailee Spaeny, Civil War), the latest to glean that she doesn't mean anything beyond labour to the source of her paycheque, isn't quite the perfect organism — but it's engaging. Where to watch: Via Disney+, Apple TV and Prime Video. The Apprentice Nominations: Best Actor (Sebastian Stan), Best Supporting Actor (Jeremy Strong) Our thoughts: The Apprentice was always going to be a horror movie. The world already knows its subject, and is familiar with where his path has taken him since the 70s- and 80s-era chapters of his life that are covered by Ali Abbasi's (Holy Spider) compelling film. Sebastian Stan (Dumb Money) and Jeremy Strong (in his first post-Succession role) proving phenomenal in a movie that's unshakeable: that too feels inevitable. The fact that this is a Frankenstein's monster story, too, was perhaps less expected — but by focusing on Donald Trump's (Stan) mentorship by New York City attorney and political fixer Roy Cohn (Strong) when the former was an aspiring real-estate tycoon, it fits. Where to watch: Via Apple TV and Prime Video. Read our interview with Ali Abbasi. Black Box Diaries Nominations: Best Documentary Feature Our thoughts: It's easy to wish for a world where Black Box Diaries didn't need to exist — where its director and subject, journalist Shiori Itō, wasn't sexually assaulted, then forced to investigate the attack herself because the Japanese police declined to pursue the high-profile culprit. The reality, though, is that in a country where only four percent of sexual assaults end up going through the justice system, many women are in the same situation, even if they can't and/or don't pick up a camera. Itō knows that fact as she courageously shares her story, and attempts to ensure that what she went through isn't buried. Filled with vulnerability and determination, this is devastating viewing. Where to watch: Via DocPlay. Dune: Part Two Nominations: Best Picture, Best, Cinematography, Best Production Design, Best Sound, Best Visual Effects Our thoughts: Revenge is a dish best served sandy in Dune: Part Two. On the desert planet of Arrakis, where golden hills as far as the eye can see are shaped from the most-coveted and -psychedelic substance in author Frank Herbert's estimation, there's no other way. Vengeance is just one course on Paul Atreides' (Timothée Chalamet, Wonka) menu, however. Pop culture's supreme spice boy, heir to the stewardship of his adopted realm, has a prophecy to fulfil whether he likes it or not; propaganda to navigate, especially about him being the messiah; and an Indigenous population, the Fremen, to prove himself to. So mines Denis Villeneuve's soaring sequel to 2021's Dune. Where to watch: Via Netflix, Binge, Apple TV and Prime Video. Read our full review and our interview with Greig Fraser. Elton John: Never Too Late Nominations: Best Original Song — 'Never Too Late' by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin Our thoughts: It started in 2018. It finished in 2023. Across that five-year period, it came to Australia twice. Elton John's Farewell Yellow Brick Road tour, his final string of live shows around the world, saw him say goodbye to hitting the stage after five decades — a decision that documentary Elton John: Never Too Late digs into. This is a celebratory film rather than a deep dive, and somehow not as intimate as viewers should expect of a movie co-directed by the music icon's husband David Furnish (who also helmed 1997's Elton John: Tantrums & Tiaras, and works with Martha and Billie Eilish: The World's a Little Blurry filmmaker RJ Cutler hear), but the music is still a treat. Where to watch: Via Disney+. Inside Out 2 Nominations: Best Animated Feature Film Our thoughts: They're basic: joy, sadness, fear, disgust and anger, that is, the five emotions that swirled inside human heads in Pixar's 2015 hit Inside Out. In Inside Out 2, that quintet of feelings isn't enough to cope with being a teenager, which is where anxiety, envy, ennui and embarrassment come in. The newcomers arrive with the onset of puberty. They have no time for simple happiness; they've levelled up some of the emotions adjacent to sorrow, fright, dismay and fury, too. Inside Out was always an all-ages ode to mindfulness, as is its sequel — and discovering how to accept and acknowledge apprehension, unease and nerves is here, like in life, a complicated balancing act. Where to watch: Via Disney+, Apple TV and Prime Video. Read our full review. Kingdom of the Planet of the Apes Nominations: Best Visual Effects Our thoughts: Since day one, every Planet of the Apes tale has been a mirror. Gazing into the sci-fi series means seeing the power structures and societal struggles of our reality staring back — discrimination, authoritarianism and even the impact of a world-ravaging virus should ring a bell — but with humans no longer atop the pecking order. These are allegorical stories and, at their best, thoughtful ones, probing the responsibilities of being the planet's dominant force and the ramifications of taking that mantle for granted. Not every instalment has handled the task as well as it should've, but those, that do like Kingdom of the Planet of the Apes, leave a paw print. Where to watch: Via Disney+, Apple TV and Prime Video. Read our full review. Memoir of a Snail Nominations: Best Animated Feature Film Our thoughts: Fifteen years is a long time between features. Films by Australian stop-motion animator Adam Elliot — movies that he calls "clayographies" — also aren't quick to make. But Memoir of a Snail rewards the wait, with the Mary and Max writer/director again using his preferred medium to process life's heartbreaks, struggles, joys and delights in stunning fashion. Sarah Snook (Succession) voices Grace Pudel, twin to Gilbert (Kodi Smit-McPhee, Disclaimer) and later friend to the elderly Pinky (Jacki Weaver, Hello Tomorrow!). Grace reflects upon her existence from childhood onwards, and her journey towards living for herself, to share this immensely affecting story. Where to watch: Via Apple TV and Prime Video. Read our interview with Adam Elliot. Nickel Boys Nominations: Best Picture, Best Adapted Screenplay Our thoughts: Cinema's function as an empathy machine places viewers into someone else's shoes for 90 or so minutes at a time. Adapting Colson Whitehead's Pulitzer Prize-winning novel, director RaMell Ross (Hale County This Morning, This Evening) doesn't leave that sensation to chance in this impressionistic standout. As shot by Jomo Fray (All Dirt Roads Taste of Salt), Nickel Boys' extraordinary cinematography adopts a first-person perspective, ensuring that the audience sees and hears the world as Elwood (Ethan Herisse, The American Society of Magical Negroes) and Turner (Brandon Wilson, Murmur) do when they're sent to an abusive reform school. Where to watch: Via Prime Video. No Other Land Nominations: Best Documentary Feature Our thoughts: In No Other Land, Basel Adra films what he knows but wishes that he doesn't — and what he knows that the world needs to see. Co-directing with Israeli investigative journalist Yuval Abraham, plus farmer and photographer Hamdan Ballal and cinematographer Rachel Szor, the Palestinian activist chronicles the takeover of the West Bank region of Masafer Yatta for an Israeli military base. As a result, families with centuries of ties to the land are forced to live in caves, battle soldiers and fight to survive. Making this documentary is an act of bravery of the highest order. Watching it, and bearing witness as Adra demands, couldn't be more essential. Where to watch: Via DocPlay. Porcelain War Nominations: Best Documentary Feature Our thoughts: Art can be a radical act — a fight, a show of defiance, a countering to oppression and devastation — and this truth can be baked into a documentary's very existence (see: Black Box Diaries and No Other Land for just two recent examples). The moving and powerful Porcelain War also shows this idea in action in Ukraine, against the backdrop of its devastated landscape under the current Russian occupation. In this Sundance 2024 US Documentary Grand Jury Prize-winner, filmmakers Brendan Bellomo and Slava Leontyev capture the latter's efforts with Anya Stasenko to craft porcelain figurines while they're part of the Ukrainian defense. Where to watch: Via DocPlay. The Six Triple Eight Nominations: Best Original Song — 'The Journey' by Diane Warren Our thoughts: The ever-prolific Tyler Perry directed not one, not two, but three films in 2024: thrillers Mea Culpa and Divorce in the Black, plus the World War II-set The Six Triple Eight. The last of the otherwise-unrelated trio brings the story of the 6888th Central Postal Directory Battalion to the screen — the only all-Black US Women's Army Corps dispatched overseas during the conflict. In the lead, Kerry Washington (Unprisoned) is a highlight. Perry helms with great intentions, honouring women who history shouldn't be permitted to forget. But none of that translates to an impressive feature, even with Oprah Winfrey (A Wrinkle in Time) adding to her acting resume. Where to watch: Via Netflix. Soundtrack to a Coup d'Etat Nominations: Best Documentary Feature Our thoughts: The Cold War. Jazz greats, including Louis Armstrong, Nina Simone, Duke Ellington, Dizzy Gillespie and Melba Liston. America's operations through the CIA in the Democratic Republic of the Congo when it was newly independent from Belgium. Across two-and-a-half hours in essay style, Belgian filmmaker Johan Grimonprez's (Blue Orchids) inventive and engaging — and thorough and dense — documentary Soundtrack to a Coup d'Etat explains how they're all connected, plus the 1961 murder of Patrice Lumumba and much more as well. It has the soundtrack, of course, as well as smarts, pace, thrills and a probing look both backwards and forward. Where to watch: Via DocPlay. The Substance Nominations: Best Picture, Best Director (Coralie Fargeat), Best Actress (Demi Moore), Best Original Screenplay, Best Makeup and Hairstyling Our thoughts: If you suddenly looked like society's ideal, how would it change your life? The Substance asks this. With Revenge's Coralie Fargeat leading the charge on her long-awaited sophomore feature and earning Cannes' Best Screenplay Award for her troubles, the result is a new body-horror masterpiece. Pump it up: the sci-fi concept; the stunning command of sound, vision and tone; the savagery and smarts; the gonzo willingness to keep pushing and parodying; the gore (and there's gore); and the career-reviving performance from Demi Moore (Landman), who'll now always be remembered as newly 50-year-old actor and TV host Elisabeth Sparkle. Where to watch: Via Stan, Apple TV and Prime Video. Read our full review. Sugarcane Nominations: Best Documentary Feature Our thoughts: In 1981, more than a century after it was founded, the Catholic Church-run St Joseph's Mission residential school in British Columbia, Canada closed its doors. Reports of abuse swirled long before its shuttering, in some cases backed up by investigations and trials. Four decades afterwards, unmarked graves were discovered — and more distressing stories emerged, including of pregnancies resulting from sexual assaults and covered up. This is personal for Julian Brave NoiseCat, who co-directs the sensitively, potently, astutely and movingly told Sugarcane with fellow feature-length first-timer Emily Kassie: his father and grandmother are both part of this tale. Where to watch: Via Disney+. Wallace & Gromit: Vengeance Most Fowl Nominations: Best Animated Feature Film Our thoughts: Break out the Wensleydale cheese: Wallace & Gromit is back. The first film, short or feature-length, about the kind-hearted inventor (Ben Whitehead) and his beagle since 2008's A Matter of Loaf and Death — TV's Wallace & Gromit's World of Invention did pop up for six episodes in 2010, though — sees its namesakes targeted by penguin Feather McGraw on a quest for revenge. Despite the long break between screen outings, Aardman Animation's main duo have lost none of their charm. A delight of an all-ages flick, it's both humorous and heartfelt, nails its slapstick silliness, and even makes clever use of a robotic garden gnome. Where to watch: Via Netflix. The Wild Robot Nominations: Best Animated Feature Film, Best Original Score, Best Sound Our thoughts: A favourite on the page first, The Wild Robot is now an all-time gem on the screen. Boasting extraordinarily emotive voicework from Lupita Nyong'o (A Quiet Place: Day One), beautiful hand-painted forest imagery inspired by Studio Ghibli, assured direction from How to Train Your Dragon and The Croods' Chris Sanders, and a rousing score by Kris Bowers (Bridgerton) will do that. Story-wise, it spends time with Roz, aka ROZZUM unit 7134, after the android ends up on an animal-filled island and learns that there's more to existence than following your programming — and, in the process, The Wild Robot proves tender, warm and enchanting. Where to watch: Via Apple TV and Prime Video. Read our interview with Lupita Nyong'o and Chris Sanders. The winners of the 2025 Oscars will be announced on Monday, March 3, Australian time. For further details, head to the awards' website. Wondering what will, should and could win? Check out our predictions in 11 key categories.
Since it premiered at the 2024 Venice International Film Festival, earning Nicole Kidman the event's Best Actress prize in the process, two scenes from Babygirl have received the internet's ample and avid attention. In one, intern Samuel (Harris Dickinson, The Iron Claw) orders CEO Romy Mathis (Kidman, The Perfect Couple) a glass of milk, unprompted on her part, in a public bar at after-work drinks with their colleagues, keeping his eyes affixed in her direction from across the room as she sips it. In another, George Michael's 'Father Figure' soundtracks a slinky hotel-suite dance — a romp that's equal parts seductive and awkward — that's given by Samuel as Romy watches on. As it charts the duo's heated affair, and the yearning for satisfaction that's driving it so deeply, Babygirl is filled with moments that linger. It's teeming with sequences that other movies to follow are bound to nod to, remake, covet and wish that they had conjured up first, too. It starts with one, with Romy and her theatre-director husband Jacob (Antonio Banderas, Paddington in Peru) getting intimate at home in bed, then Romy rushing to another room to finish the job alone. Another pivotal scene arrives early, as the picture's central pair initially meet on a New York City street. They're both headed to the same place — it's Samuel's first day at Romy's robotics automation company, in fact — but before she knows who he is or that he's working for her, she's spellbound by how he calms down a dog that lunges her way. With her third feature behind the lens — her debut, 2019 Dutch drama Instinct, inspired Kidman to get in touch; 2022's Bodies Bodies Bodies, her second, saw the filmmaker give horror-comedy a delightfully entertaining spin — writer/director Halina Reijn clearly knows how to get viewers to submit. Watching Babygirl means surrendering swiftly to a smart and savvy exploration of desire, identity, control and vulnerability. It means being plunged into Romy and Samuel's thorny relationship, and all of the emotions that it swirls up, as Kidman and Dickinson turn in magnetic, raw and fearless performances. It also means being taken in by a reimagining of the erotic thriller with an unyielding female gaze. And yes, Reijn is well-aware, as viewers also should be, that a film like this, that addresses the orgasm gap and follows a woman seeking sexual fulfilment, mightn't feel so bold and rare in a perfect world where more such movies existed. Part of Babygirl's complexity is the dynamic of submission and domination between Romy and Samuel. Often daring, confident, assertive and brazen, he's largely in the latter role, but he can also be vulnerable and uncertain. At the office, in their professional realm, at the business that she founded and now leads, she has the power. One thing is certain chatting with Reijn and Dickinson, however: making a picture that's not just an erotic thriller, but a comedy of manners in its own way, a clear fantasy, a relationship drama, a kinky romance and a workplace thriller as well, they both happily submit to Kidman worship. When he chats with Concrete Playground, Dickinson has his pile of discs from the Criterion Closet, aka every cinephile's dream location, within reach. Taking us through his picks, he holds each DVD up: "one of them is our dearest Nicole," he beams with To Die For in his hand. Reijn's admiration for Kidman started as an actor herself, with her performing career dating back to the 90s. For challenging theatre parts, the Black Book and Valkyrie star would think about the Aussie talent, and attempt to channel her bravery. "She's god," Reijn tells us. Dickinson's role in Babygirl joins a resume that features one of the all-time great big-screen debuts, with his also-hypnotic turn in 2017's Beach Rats instantly marking him as a certain star. His filmography since constantly proves that true; after parts in TV's Trust and as a Disney prince in Maleficent: Mistress of Evil, the 2020s have kept him busy. See: everything from franchise entry The King's Man and the page-to-screen Where the Crawdads Sing to whodunnit See How They Run, Palme d'Or-winner Triangle of Sadness, Emma Corrin (Nosferatu)-led TV must-see A Murder at the End of the World and the World War II-set Blitz. With Beach Rats, The Souvenir: Part II, Scrapper and now Babygirl, he's also enjoyed a stellar run working with female filmmakers. "I've always been really lucky with the films that have come my way and the directors that have come my way, and a lot of them being women, and I've just been grateful for that," Dickinson advises. "Whether it's coincidence or not, I think that a lot of these women you're talking about have a deep access to a certain sensitivity, and an understanding and a humour, that maybe other people don't have. I guess I'll go where they go — and I'll go where they lead me." A couple of trends pop up with Babygirl for Reijn as well. Kidman sits at the heart of them. Casting her female lead in a New York-set, and Christmas-set, erotic thriller about a complicated marriage, Reijn sees the film as a female-skewed response to Eyes Wide Shut, which ticks all of the same boxes. As Australian viewers can't avoid noticing, there's more than just one Aussie touch to Babygirl, too, with Talk to Me's Sophie Wilde playing Romy's assistant Esme and 'Never Tear Us Apart' by INXS on the movie's soundtrack. "It is coincidental, but I don't think it is coincidental," Reijn notes. How did the writer/director shape Babygirl from hearing from a story about another woman from a friend? How did she purposely invert the status quo of 80s and 90s erotic thrillers — and also approach juggling her movie's eager mix of tones? Why was Dickinson initially a little reluctant to sign on, and what did he tap into as Samuel? What goes into a great dance scene for him? We also spoke with Reijn and Dickinson about all of the above, plus much more. On How Babygirl Evolved From Reijn Hearing From a Friend About a Woman Who Had Been Married for 25 Years Without Orgasming with Her Husband Halina: "Honestly, what happened was my response to it. Which was 'what, that's insane!' — something like that. And I went home and I was like 'wait, why did I react like that?'. It was almost like I was judging it. I was like 'no, that can't be true'. Then I started to think about my own experiences that I often had thought about in the past, that it took too long for me to orgasm at the hands of a man — and that I was very insecure, and that I had faked it on occasion just to make him feel better or to just get it over with, or because I was so ashamed and I didn't dare to really ask for him to change the way he was doing it or whatever. Then I started to talk to other women. I was losing it because I was so afraid to do it, but I just forced myself to talk to my girlfriends, to ask them like this, like 'can I ask you something?'. And then it turned out that a lot of my friends had similar stories. Then I started going online to research it, and then I just found out there's a huge orgasm gap. And we're not talking about it. Not enough, not in Hollywood movies. And part of the problem is that the stories that we see, for all the pornography that we see, but also the Hollywood movies — TV is a little bit ahead of us — Hollywood movies are letting women have orgasms in ways that are not possible physically. Even movies that are arthouse, even movies that are supposed to be half produced by women. So I felt it was time to really talk about that — and as a symbol for women in general, for women not orgasming or women not daring to ask for what they want on a deeper existential level, and women not having space enough to even explore themselves." On the Run of Projects That's Led Dickinson to Babygirl — and What It Means to Enjoy Such a Diverse Range of Work Harris: "It's been just a dream, and I've been so lucky that people have let me do this as a job still. I pinch myself every day with the realisation that I get to act and play all these different people, and get to do it with people that I admire. Triangle of Sadness was a huge thing for me. Being part of that was a real turning point. And same with Scrapper and The Iron Claw — all of those things you mentioned are just all in such different worlds. That's the goal for me, is to step into really different, unusual worlds that challenge me as a performer and force me into new versions of myself as well — new skins. Not to sound pretentious, but that's all I ever wished for, is just to have a versatile set of experiences and roles. And I've really been able to, I've been offered that, so I'm grateful." On How Reijn Fleshed Out Babygirl's Narrative Around a Woman in a Sexually Unfulfilling Long-Term Marriage Halina: "I think it all came from the question that I had, because I felt as women, we are so conditioned to become what others — or what we think others — want, and want us to be. So what society expects of us: that we should be perfect mothers and perfect career women and perfect daughters and perfect lovers, and have a perfect vagina and a perfect face. And look young. I felt that all of that, and the idea that we're playing all these different roles and that we're performing all of these different roles and forget to be our authentic self, that made me ask the question: is it possible to love all the different layers of myself? Because if I would accept the darker sides of myself, I would maybe be able to be more my authentic self and let go of all these ideas of perfection. So that is where all the ideas came from. I just thought 'what is the best profession, then, for her to have?'. It's all about chaos and control, really, and so I thought it would be very appropriate for her to be a CEO of a robotics company. Because she's a product of the sexual revolution, she grew up in cults and communes, she was named by a guru — and her whole life is an answer to that, which is the white picket fence, total control. And I thought it's kind of like the beast against machine, if you want to exaggerate it. And the whole movie is informed by that contradiction between control, surrender — the beasts, the civilised layer of ourselves." On What Dickinson Drew Upon to Play a Character Swinging Between Control and Surrender Harris: "Everything. Insecurity and pain and anger and love, it's all part of it, isn't it. It all boils down to what it means to be a human — and I think just normal everyday stuff as well. But the stakes for them, the stakes for them were higher. The stakes of the relationship and the affair, they were high. Confusion as well. Navigating something that you don't understand. Navigating feelings of your own that you don't understand." On How Reijn Knew That Dickinson Was Babygirl's Samuel Halina: "The moment that Nicole said 'I want to do this', first I couldn't sleep for joy and I was overexcited and full of adrenaline. But the next thing is, of course, who's going to play that young man opposite her? Who's going to be able to not only be challenging her as an actor, but be dominating her in these scenes? Someone like her, a total icon and one of the best actors on the planet, how are you going to find a young person to be able to match that? And then, weirdly, during that time I saw Triangle of Sadness. And I had never seen him before. I was so intrigued. And then I went home, and that night I saw Beach Rats, and I was mesmerised. Already Triangle of Sadness had me completely intrigued. But Beach Rats — and then I just saw all of his work, anything he did, the shortest movies, the old movies, everything. I a) got obsessed — and then I also found out that he was very tall, which might sound weird, but it is very important me. As an actress, I've had so many scene partners where I didn't feel that I could show my full strength because I was afraid that they couldn't hold it, not only physically but also emotionally. And so I felt 'this is just a perfect guy, he is the perfect age'. I was lucky enough to get a Zoom with him after he read the script, and and that only made me more confident that I had to have him. But it took me a couple of conversations with him because he was quite — he's very British, he's a very strong-willed person, and I really had to convince him that my movie would be an exploration of consent and power and surrendering control in a layered, complex way, and it was not going to be 50 Shades of Grey. And then he said 'yes', and both me and Nicole knew, even without — she didn't even meet him — we both knew it was going to work out. They met at the most-crazy place, they met at the Met Gala, because they were both there. I texted them both, I was like 'try to find each other'. And I was like a mother sitting here in my apartment — 'aaah, I hope it's going to work out'. Then they both texted me that they felt the other person was amazing, and then we were off to the races." On What Convinced Dickinson After His Initial Reluctance — and What He Was Keen to Explore Harris: "I think it was that initial fear that made me want to do it. And Halina, Halina, I trusted Halina, talking to her and understanding her vision for it and her approach. It made me trust her. It made me intrigued. I wanted to be in her world. I think the character itself was really complex. The opportunity to play someone that was kind of unreliable in their approach, they share information that is unreliable, I liked that. I liked that there was unanswered questions around who he was and where he came from and how he got there. I enjoyed those ambiguities. Also his manner and his directness, and his chameleon-like capabilities. They were all qualities that intrigued me about him. And getting to have fun within those scenes, play the humour and play the embarrassment, I thought it was all very nuanced and human stuff — so always exciting for an actor to jump into." On Reijn Casting Her Long-Held Source of Inspiration in Kidman Halina: "She contacted me after my first movie and that was, of course, a moment of total insanity for me. I thought I was having a psychosis when she contacted me, because I literally carried her around in my heart for so long as a torch against fear. Because I was part of a theatre group that made very, very radical theatre, so I had to do very scary things and I would always channel her. So it was insane to me when she called me. And then we just immediately hit it off, because I think what really connects us — and I mean, for me she's god, so I would never compare myself to her — but what is similar is that we both, however, in life we all have ego, we all have fear, we all have vanity, we all have all these worries about small things, but when she starts to act, or when she embarks on a creative journey, her vanity and ego is at the door; I think that is for me exactly the same. So whatever I am in my daily life, which is a totally a flawed, weird clown, when I start to be creative, there's ego death. There's complete ego death. And that is what connects us and makes — it's almost like a twin soulmate feeling. She calls it sometimes that we communicate through telepathy. And so working together became this really strange, almost-spiritual experience, in which we both just felt such an urgency to tell this story, and such dedication — and also to the humour of it and the playfulness of it and the lightness of it. And to bring warmth to this story, and to hopefully inspire women to liberate themselves a little bit more. That's what I think connects us." On What Excited Dickinson About Collaborating with Kidman Harris: "She's just got such an incredible body of work. She's so impressive. And everything that she's done, she's worked with some of our finest directors. I just was massively excited to get to watch her work, but also work alongside her and really get a chance to be close to that as a performer. But separate to that, she's just a lovely person. She makes everyone around her feel very encouraged and collaborative and creative, and that's just all you could ever ask for in this scenario. It's a difficult subject and it's some vulnerable stuff, and you want someone that's going to go there all the way with you." On Reijn's Embrace of the Eyes Wide Shut Connection, Knowing That Audiences Would Bring Their Knowledge of Kidman's Filmography to the Movie Halina: "When she came onboard, when she said 'I want to play this character' — and what also happened, so first of all, that, of course that it was going to be her, but then the strike happened. And I wrote the whole movie for summer, so I wrote that the second home is going be in The Hamptons, and they were going to be swimming in the ocean. It was completely, in that sense, a very different energy field. Then, because of the strike, we had to reschedule to Christmas. And A24 called me and said 'after the strike, the moment the strike ends, you need to rewrite, you need to rewrite the whole thing. It needs to be Christmas'. And then, of course, I thought Eyes Wide Shut, because it's the best Christmas movie ever. [caption id="attachment_652177" align="alignnone" width="1920"] Eyes Wide Shut[/caption] But I also thought about Eyes Wide Shut that it was funny that, if you look at Eyes Wide Shut, of course it has a lot of similar themes about midlife crisis, about sexual exploration, about monogamy versus polygamy, and all of these things — but she only tells him her fantasy, then we go on the whole journey with him, almost as a revenge, as a kind of Pandora's box is opened and now he has to go on this journey. It's an amazing journey but what is her journey? We don't know. We don't go there. We just hear her talk about it. We get some flashes. So I thought it is actually an answer in a way, but I only thought this after the fact, to be honest with you — it's an answer to Eyes Wide Shut. It is a female's journey into what is sexuality, what is monogamy, what do I really want and how hard is it to talk about that in an intimate, very long-term relationship, and how easy, weirdly, is it to be with a stranger and to reinvent myself with this young, strange man? That paradox is amazing to me. I am very grateful that there is some sort of strange magical connection between those movies." On How Dickinson and Kidman Brought Both Chemistry and Awkwardness — and Attraction and Uncertainty — to Romy and Samuel Harris: "Well, we didn't do loads of work. We had some rehearsals, but we really tried to focus on just getting the reality there and finding the nuance. But mostly it just came from not discussing stuff and just trying it. And we didn't talk a bunch. We didn't get to know each other loads. We just did it and tried it and didn't get in the way of ourselves too much, and I think that ended up working out for the best." On the Babygirl's Tonal Balancing Act Harris: "It's always tricky figuring out the tone, what kind of thing you're in. But it starts to fall into place, especially when you have a very strong, assertive voice with a director like Halina — you end up just trusting them and trusting their vision for it, and you fall into place. And it becomes the film it's supposed to be. All of that stuff that you try, it gets mixed up into the pot and then the dish gets made. You throw it all in, you throw the ingredients and you see which ones come out the other side." Halina: "I thought it was incredibly hard to — I really, as an actress, I'm retired now, but I got so many scripts in my life that I didn't understand the tone. It was like 'what do they want?'. So I felt it was my duty to make it very clear, especially because I take this challenge of 'oh, I'm going to make my own genre' —well, then you better know what you put on the page. So I really try to capture the tone in my writing — and on purpose, because this is how I feel. This is where we stand, I feel, as women. We just got the right to vote. Until 1987, we had to have a male guardian with us to get a business loan. It's still proven that if we lose ten pounds of weight, that we get a promotion in our work easier than if we get a master's degree. We're nowhere. So I wanted to show that in how I use genres. So I start out with these very masculine sexual thriller references,of the 90s. And then I venture into a world where everybody turns out to be ambiguous, and it's way more relatable and human and complex and nuanced. I'm using, on purpose, I'm swapping gender — like the scene in 9 1/2 Weeks where Kim Basinger is stripping to a Joe Cocker song and Mickey Rourke is sitting there watching her, I wanted to really copy that scene, but then reverse the gender, swap the gender, where Nicole is sitting there and he's dancing to 'Father Figure'. And all these little Easter eggs, so that you can continually be confused about who has the power, who's chasing who, who's blackmailing who — and is the woman in control, or is she the mascochist, or is her masochism super dominant? And that is where the comedy of manners element steps in and it becomes more of a fable and a fairy tale. And yes, what was hard about it is that I wanted it to be funny. And sex and humour is not always easy to connect, just like horror and humor in Bodies Bodies Bodies was a hard balancing act. But I just love that kind of challenge. Not everybody gets it, because some people feel that when people are laughing in the audience at Babygirl, they feel they don't want that. They want people to not laugh about it because they take it so seriously. But it's meant to make you laugh. It's meant to show you how we're all helpless as humans. We're just trying to control the chaos, but we can't. And that's what my movie is about, it's about pure vulnerability. So it was a balancing act, but I really enjoyed it." On What Goes Into a Memorable Dance Scene, Such as Babygirl's Seductive-Yet-Awkward Hotel Moment, for Dickinson Harris: "Well, I think you said it: seductive, awkward. You don't want it to be too rehearsed. You want it to be silly. You want it to be meaningful. You want it to be awkward. You don't want to be like some Magic Mike planned thing — it's got to feel authentic to the character. But also, I think in that particular scene – well, there's the two dance scenes. There's the rave, which is something different, that's just total hedonism. And then in the hotel, it's almost like a little mating call. He's feeling it out. He's performing to her a little. He's embarrassed. But he's also kind of enjoying the freedom of it. It's like a little bit of liberation for him as well. So there was a lot a lot going on in that scene." Babygirl opened in cinemas Down Under on Thursday, January 30, 2025.
Jimmy Chin is no stranger to peering at the world from angles that most folks don't see. He's also familiar with hitting peaks. As a mountain athlete, scaling great heights has been his job; however, the above descriptions also apply to his work as a filmmaker. With his partner Elizabeth Chai Vasarhelyi, he won the Best Documentary Feature Oscar for Free Solo. Before that, the pair took home an audience award at Sundance for the also climbing-focused Meru. The Rescue, their doco about the efforts to free 12 Thai schoolboys and their soccer coach from the Tham Luang Nang Non cave system, earned them more acclaim — and both Annette Bening (Apples Never Fall) and Jodie Foster (True Detective: Night Country) scored Academy Award noms for starring in the duo's feature debut Nyad. Get Chin talking, then, and he'll clearly have much to discuss — about his work as a director and a mountaineer alike. On his first appearance in Australia, he'll be doing just that at Sydney Film Festival and Vivid Sydney. The two events are co-hosting Beyond the Summit with Jimmy Chin, where the Oscar-winner, National Geographic photographer and author will be behind the microphone for one night only. [caption id="attachment_706085" align="alignnone" width="1920"] National Geographic/Jimmy Chin[/caption] How does someone who clambers up mountains then become a celebrated documentarian? How did skills in the former help with the latter — not just when climbing is the focus on-screen, as was clearly the case with Meru, and also with Free Solo's chronicle of Alex Honnold's El Capitan ascent sans ropes, but in general? Why do extraordinary feats, including Diana Nyad's 110-mile ocean swim, appeal to Chin as a filmmaker? They're just some of the threads that this in-conversation session, which is taking place on Friday, June 13, 2025 at Sydney Town Hall, might cover. Chin will dig into shooting in extreme conditions, too, alongside how being a professional adventurer influences the way he sees the natural world on film. [caption id="attachment_833518" align="alignnone" width="1920"] National Geographic[/caption] "I'm excited to be a part of Vivid Sydney and the Sydney Film Festival this year. It's a great way to celebrate storytelling and creative risk-taking, which have both shaped my life in the mountains and behind the camera. To share my experiences in one of the world's most iconic cities is an incredible opportunity," said Chin about his upcoming trip Down Under. "Vivid Sydney's collaboration with Sydney Film Festival this year helps bolster the calibre of both festivals and this event is testament to that. Jimmy Chin is a captivating creative with an equally impressive resume, and this conversation promises to be one to remember," added Vivid Sydney Festival Director Gill Minervini. "Jimmy Chin's work sits at the intersection of art, athleticism and ambition. His films are as exhilarating as they are emotionally resonant, and we're honoured to welcome him to Sydney for this one-of-a-kind conversation," noted SFF Festival Director Nashen Moodley. [caption id="attachment_945212" align="alignnone" width="1920"] Kimberley French/Netflix ©2023[/caption] Sydney Film Festival and Vivid Sydney have a number of collaborations on their 2025 slates, including a screening of Justin Kurzel (The Narrow Road to the Deep North)-directed documentary Ellis Park, about iconic musician Warren Ellis establishing an animal sanctuary to protect endangered species in Sumatra, plus An Evening with Warren Ellis at City Recital Hall. At the first, at the State Theatre, audiences will obviously see the film. Afterwards, its subject — a Nick Cave & The Bad Seeds collaborator and Dirty Three founder, as well as a pivotal force in movie scores, including on The Proposition, The Road, Far From Men, Mustang, Hell or High Water, The Velvet Queen, The New Boy, Back to Black, Kid Snow and newly minted Oscar-winner I'm Still Here — will chat about the doco, and also put on a short musical performance. Then there's Planet City: Live. Courtesy of designer and director Liam Young, the speculative fiction experience takes attendees to a different future — one where humanity has responded to the environmental destruction of the planet in a decisive fashion. Young's film is set at a time where there's just one city, which is where everyone on earth resides, with the rest of the globe left to rewild. At SFF, Young will provide live narration for the film, while Forest Swords will play its score live as Planet City screens. All of the above are just a taste of Sydney Film Festival's program, which has unveiled a few other sneak peeks so far — a batch of other initial titles, a Jafar Panahi retrospective and Together as the opening-night flick, for starters — in advance of the full lineup releasing on Wednesday, May 7. Check out the trailers for Meru, Free Solo, The Rescue and Nyad below: Beyond the Summit with Jimmy Chin takes place on Friday, June 13, 2025 at Sydney Town Hall — head to the Sydney Film Festival website for tickets. Sydney Film Festival 2025 runs from Wednesday, June 4–Sunday, June 15 at cinemas across Sydney. Hit up the festival website for further information and tickets — and check back in with Concrete Playground on Wednesday, May 7 for the full lineup. Vivid Sydney 2025 runs from Friday, May 23–Saturday, June 14 across Sydney. Head to the festival website for further information.
The Wire isn't an anthology series in the traditional sense. It focuses on the same Baltimore police detectives each season — as led by Dominic West and Wendell Pierce — but sees their investigations overlap with a different element of the city's daily life. In the first season, it peers into illegal drugs. In the second, sea freight and the ports are in the spotlight. Across subsequent seasons, the focus falls on city government, the education system and newspapers. Dense, intricate, devastatingly smart and oh-so-involving, the result is one of the best shows that HBO has ever made — and a series on par with The Sopranos in terms of its influence. It was created and primarily written by former Baltimore police reporter David Simon, so it knows its stuff. Also, among its A+ cast, keep an eye out for particularly exceptional work by Idris Elba and a very young Michael B Jordan (and for Isiah Whitlock Jr's over-extended pronunciation of "sheeeeeeeee-it".
With interstate borders now almost all reopened, it's not like you need much of an excuse to get out of town and scratch that travel itch. But if you've got your newly broadened sights set on the Mornington Peninsula, you will find a pretty strong reason to lock in a visit to the renowned Pt Leo Estate. The property's ever-evolving sculpture park has just scored a very high-profile new addition: a 5.5-metre-tall work by acclaimed New York artist KAWS. Not too long after the much-hyped KAWS: Companionship in the Age of Loneliness exhibition wrapped up at the NGV earlier this year, KAWS has unveiled a new bronze-cast figure gracing the manicured grounds of Pt Leo Estate. Titled SHARE 2020, the artwork features a towering figure imagined in the Brooklyn-based artist's distinctive style, though this time he's used a muted colour palette of grey and brown that's contrasted by the backdrop of verdant lawn and blue ocean. The main figure holds a smaller, bright blue character or BFF, dangling by one hand. [caption id="attachment_641337" align="alignnone" width="1920"] Pt Leo Estate by Anson Smart[/caption] Making its home in the foyer, overseeing the route to the cellar door, is a second new acquisition for the estate, titled Shrive II. This one's a new piece by Turner Prize-winning UK sculptor Antony Gormley, whose renowned works pull inspiration from the human form. Of course, there's plenty more to keep you busy on a visit to this 134-hectare estate, including the Pt Leo Estate Restaurant, the cellar door and wine shop, and the full sculpture park. The site's Wine Terrace and fine diner Laura currently remain closed, but are expected to reopen their doors soon. Find Pt Leo Estate and its new sculpture works at 3649 Frankston-Flinders Road, Merricks.
The residents of Box Hill should be very pleased with themselves. Not only do they have some of Melbourne's best Cantonese food (among other cuisines) on their doorstop, but they've also just landed a brand new, insanely cute café — and we're already planning a pilgrimage to try it out. After operating as a takeaway coffee pop-up in the area, The Penny Drop last week opened a permanent 100-seat cafe-restaurant in the newly refurbished ATO building on Whitehorse Road. And hot damn is it good looking. We can't decide which part we like more — the experimental menu or the Pinterest-worthy interior, which has been seriously decked out by interior designers We Are Huntly. It manages to find a balance between minimalism and warmth (with the help of some pastel pink tones) and has a large circle feature that reminds us of The Kettle Black. But let's talk about the menu. At first glance it may look like your standard offering, but that's the charm — the menu puts an Asian-inspired take on your favourite staples. Breakfast dishes like plain old pancakes sound like heaven (buttermilk pancakes with coconut foam, black sesame and pistachio dukkah, raspberry compote and palm sugar caramel), and don't even get us started on the potato and garlic chive waffle with poached eggs, ham, hollandaise and wakame. Some dishes don't fit any breakfast stereotype but still make our mouths water, like the tea-smoked salmon with spring onion pancake, bean shoot salad, avocado and son-in-law eggs. The lunch menu (available from 11.30am till 3pm) is sparser, but burgers are prominent — the soft shell crab burger with Kewpie tartare, coriander, cucumber and lime takes our fancy — but the dinner menu (available after 5.30pm) really sparkles. Try the fried chicken wings with mandarin sauce and sesame ($13) or the coconut beef short rib with sweet fish sauce, pomelo and soft herbs ($39) and drift away to dream land. The Penny Drop is open for brekkie, lunch and dinner all week as well as servicing all your takeaway coffee needs. Another cute, tasty reason to spend more time in the 'burbs. The Penny Drop is located at 913 Whitehorse Road, Box Hill and is open 7am till 10pm Monday to Saturday and 7am till 3pm on Sunday. For more info, visit thepennydrop.com.au.
Arts House in North Melbourne Town Hall is a venue mostly associated with the hectic weeks in spring when it becomes the Fringe Festival hub, but it's worth a visit at other times of the year too. If you had any questions on that score, take a look over the freshly released program for the second season for 2013. There'll be dance, from the fury of Whelping Box, in which theatricalised aggression takes place in a boxed off arena, to the elegant intricacy of A Small Prometheus, a work from Chunky Move regulars Stephanie Lake and Robin Fox, in which dancers perform alongside fire-driven kinetic sculptures. There'll be song, too, with a musical dedicated to murderess Jean Lee, the last woman hanged in Australia, featuring a former member of the Bad Seeds (who better for a murder ballad?) and '90s indie pop star Max Sharam as Lee. The limits of theatrical form will be challenged. The Confidence Man invites audiences to take part in the performance, wearing masks and receiving directions by headset, while in PROMPTER, a semi science fictional take on the world of online journalism, onstage actors interact with performers online, beaming in from Argentina, Britain, France and the USA. Closer to reality, indeed as close to reality as theatre gets, two compelling documentary theatre pieces from Belvoir's 2012 season will be having their Melbourne debuts. Beautiful One Day tackles the issue of Aboriginal deaths in custody through interviews with members of the Palm Island community, performed verbatim by actors. The verbatim theatre approach is also used to delve into the hidden side of competitive boxing in the exhaustively researched I'm Your Man. So don't wait til Fringe time to get down to Arts House. The cutting-edge theatre is already there.
International cocktail royalty is dropping into Melbourne this month — and you're invited for a taste. The renowned Bar Termini is transporting itself from London's Soho to Collins Street for an indulgent two-night appearance, taking over The Lounge at Society from Sunday, April 23–Monday, April 24. A love letter to the drinks and bar culture of 1950s Europe, this award-winning cocktail haunt boasts a serious rep, as you'll quickly discover when bartenders Maros Potucek and Leonardo Filipponi stop in for this exclusive residency. Running from 5–8pm each night, it's a no-bookings affair — simply walk in, nab a seat and settle in for some standout drinks. The duo will be whipping up five of their signature gin-and Campari-based cocktails for the occasion; including the pink peppercorn-infused Negroni Superiore, the Termini Spritz crafted with rhubarb and prosecco, and a Marsala Martini featuring pickled almond and vermouth. Drink prices range from $15 to $24, while the kitchen's serving a special snack menu to match starring bites like caviar, freshly shucked oysters and lobster. [caption id="attachment_896791" align="alignnone" width="1920"] Tom Blachford[/caption]
He's quick, he's nimble and he has what you need to get through lockdown. Jimmy Brings is a booze delivery service that'll bring wine, beer and spirits to your doorstep in an unbeatable 30 minutes or less — from that bottle of champagne for an unexpected iso engagement celebration to a Couch Cuddle Pack of shiraz and Toblerone to spice up iso movie nights. Old-mate Jimmy has been delivering the goods since long before COVID-19, starting out as a late-night service in Sydney in 2011, dropping off extra drinks, snacks and even ciggies for your out-of-hand house parties. Those were the days. Now Jimmy is all grown up, with not only a long-serving history in Sydney but also a suite of drivers in Melbourne, Brisbane, Gold Coast and further afield. He's still peddling alcohol on demand, but things have stepped up a notch and you can now add in a bottle of hand sanitiser, ice and a pack of Jonny Condoms for those wild nights at home. The booze offering is a small-but-mighty range that's taste-tested by the Jimmy Brings team, and wine descriptions will make you smile. Those after organic wines can find low-preservative, punchy wines from Speak No Evil, Il Villagio and Farm Hand. There's also whites, reds and sparkling from Jolly Trotter, Heritage House and Covielle. And if you're stocking up for the long haul, there are wine bundles starting from $49.99 for six — around $8 a bottle. On the spirits and mixers front, you can make things super easy with Cheeky G&Ts, Skinny Soda and Moscow Mule packages that scoop up all the necessary ingredients for you, including soda, ice and limes, so you can add to cart without having to think too much about the logistics. A Dirty Daiquiri starter pack is $49.99 and an Aperol Spritz pack, just $42.99. Your beer, wine and bubbles are delivered cold and, as always, you can order seven days a week until 11.59pm in Sydney, and until 11pm in Brisbane and Melbourne — orders must be placed 30 minutes before closing time. Though they can't leave alcohol unattended, Jimmy Brings drivers are operating low-contact deliveries during COVID-19 times, including leaving bags on the ground and sighting your ID without handling it directly, so everyone's kept safe and happy. Never used Jimmy Brings before? Download the Jimmy Brings app and use the code 'CONCRETE' to get $10 off your first go. That's two packets of Nobby's mixed salted nuts, right there. Lucky you. Check out what Jimmy Brings can offer in your suburb. Offer expires on July 30, 2020.
Since emerging out of Byron Bay in 2006, Afends has made a name for itself through its creative and eco-friendly blends of street- and surfwear. Founded by Declan Wise and Jonathan Salfield as a way of producing merch for local punk and hardcore bands, the brand now boasts stores across NSW and VIC, as well as shipping its inventive range of products worldwide. Collaborations have always been a big part of the Afends brand and the latest is possibly its most fun yet. The northern NSW brand is coming together with female-led cannabis-loving media agency Broccoli for a trippy new summer collection. Broccoli runs a thrice-yearly magazine, podcast and twice-weekly newsletter all based on content related to weed and weed-adjacent topics. The marriage of the two brands is a match made in heaven with Afends making use of marijuana's non-psychedelic sibling hemp in their clothes in order to make them more environmentally sustainable. The Afends x Broccoli collab prominently features an optical illusion by Byron Bay artist Josh Galletly. The psychedelic pattern is sure to be a real treat for those that might engage with Broccoli's favourite subject. Highlights from the collection include a huge beach-ready tote, the hemp-based wide-leg pants and unisex collared shirt, and a one-piece bathing suit made from recycled nylon. To explore the full slate of clothes, head to the Afends website, and to stay up to date with all of Broccoli's weed-based conversations, head to the Broccoli Mag Instagram page. The Afends x Broccoli collection is now available from the Afends website and offers worldwide shipping.
Although 'art' and 'extreme trek' don't often go together, Mountain to Mouth is revising that for you this weekend. Unfolding its 80-kilometre self over two days, it'll be an extreme arts walk for those brave enough to partake the full distance. Mountain to Mouth (M~M) is a biennial event that takes walkers on a hefty 80-kilometre journey of discovery from Geelong to Queenscliff, creating a songline across the regions it travels, echoing the Wadawurrung traditional landowners. Starting at Big Rock at the You Yangs mountain range, you'll walk to Geelong and, come nightfall, M~M will arrive in the city centre to coincide with Geelong After Dark. Then, at dawn the next day, the walk will continue along Bellarine farmland before finishing up at Barwon Heads. There will be artworks installed at the 12 stations along the way, and different ceremonies will punctuate the journey from beginning to end, along with a ceremonial sculptural 'canoe' journeying along with walkers. You don't have to commit to the whole 80 kilometres, either. You're able to jump in and out of the walk as you please — you can buy a 'visa' to walk one stage of the journey, a pass for one day or a pass for the whole two days. You can also book a bus to take you from Geelong to the starting point, or from the end point back to town. It's a choose your own adventure-type event, but the celebration of art and land will be standard for everyone involved.
It's that time again: Jungle Collective is opening its Abbotsford warehouse for yet another huge event. The bohemian plant sale will welcome the public on Saturday, August 11 from 9am, offering hundreds of indoor plants from over 60 species. Greenery that thrives in low-light conditions will be in the spotlight, aka the kinds of plants that are perfect for winter. In addition, patrons can expect the usual array of hanging plants and ferns, along with rare finds like giant Birds of Paradise and east Asian-native rubber fig trees. For those who have a hard time keeping their new friends alive, the on-site horticulturist will again be in attendance to help answer all of your plant-based woes. As usual, they'll have jungle tunes and vibes going, along with themed dress-up specials — including five-bucks off if you wear a winter beanie No ticket rego is required for this sale, but takeaway boxes will be limited, so plan ahead and bring your own.
When pink guards approach, little that's good happens. In the first teaser trailer for Squid Game season three, that proves true again. The just-dropped sneak peek at the Netflix hit's third and final season starts with its red-adorned figures carrying a black box — the type used as coffins for players who haven't made it in this life-or-death game. Naturally, everyone decked out in a green tracksuit is curious, as well as apprehensive. It's time to play one last time — or it will be come Friday, June 27, 2025. Seong Gi-hun (Lee Jung-jae, The Acolyte) is back in the game. A huge gumball machine is part of the next round, complete with red and blue balls. The Front Man (Lee Byung-hun, The Magnificent Seven) also makes a return. Expect to hear a baby crying as well. That the deadly contest at the heart of Squid Game just keeps going, continuing to pit new batches of 456 players against each other in a battle to the death to win 45.6 billion won, sits at the heart of the award-winning Netflix series — but will that remain the case now that the show itself is wrapping up? What happens next in Gi-hun's quest to bring down those responsible for the killer competition? If you've watched season two, which dropped on Boxing Day 2024, then these are probably some of your questions already. Fans will also know that Player 456 went back in the game with new fellow competitors for company, then found himself closer to the person pulling the strings than he knew. However his efforts pan out this time around, the show's last run will feature a finale written and directed by series creator Hwang Dong-hyuk. In Squid Game's second season, Gong Yoo (Train to Busan) also returned as the man in the suit, aka the person who got Gi-hun into the game in the first place — and so did Wi Ha-joon (Little Women) as detective Hwang Jun-ho. That said, a series about a deadly contest comes with a hefty bodycount, so new faces were always going to be essential. That's where Yim Si-wan (Emergency Declaration), Kang Ha-neul (Insider), Park Sung-hoon (The Glory) and Yang Dong-geun (Yaksha: Ruthless Operations) all came in. If you've somehow missed all things Squid Game until now, even after it became bigger than everything from Stranger Things to Bridgerton, the Golden Globe- and Emmy-winning series serves up a puzzle-like storyline and unflinching savagery, which unsurprisingly makes quite the combination. It also steps into societal divides within South Korea, a topic that wasn't invented by Parasite, Bong Joon-ho's excellent Oscar-winning 2019 thriller, but has been given a boost after that stellar flick's success. As a result, it's easy to see thematic and narrative parallels between Parasite and Squid Game, although Netflix's highly addictive series goes with a Battle Royale and Hunger Games-style setup. Netflix turned the show's whole premise into an IRL competition series as well, which debuted in 2023 — without any murders, of course. Squid Game: The Challenge has already been picked up for a second season. Check out the first trailer for Squid Game season three below: Squid Game season three streams via Netflix from Friday, June 27, 2025. Season one and two are available to stream now. Images: Netflix.
Which Australian city has the best steak joints? Which boasts the top restaurants in general? Which is considered the ideal place to live? May 2024 has delivered new answers to all of these questions (more fuel for interstate rivalries, too), and it has just dropped another handy tidbit: the home of Australia's best bartender for this year. Global bartending competition Diageo World Class shows Aussie talents some love in a couple of ways, including via its Bartender of the Year Australia award — and, after a fierce contest showcasing exceptional mixology, we have a winner. Earning the coveted title this year is Sydney bartender Jake Down from Pleasure Club, one of three Harbour City folks competing in the showdown. In the pool of six bartenders, Perth and Hobart were each represented, too (sorry other Australian cities). Down, Merivale's James Irvine and The Waratah's Tom Opie faced off against each other, and also against Matt Bodycote from State Buildings in Perth, Shirley Yeung from Foxtrot Hospitality Group in Perth and Rohan Massie from Rude Boy in Hobart. Held in Sydney on Monday, May 27, the final stage of the annual drinks competition saw the six Aussie finalists battle it out behind the bar, showing off their skills across three challenges. One had them coming up with new options for traditional whisky serves, working with Johnnie Walker, Talisker and The Singleton. The next involved taking inspiration from their favourite bars while heroing Johnnie Walker Black Ruby. Then, a speed task involving making six classic cocktail serves in six minutes rounded out the contest. Down, whose resume locally and internationally also includes This Must Be the Place, Scout London, Re and Housemade Hospitality, now has a chance to score some more kudos at the global finals in September. He'll shake and stir up a storm alongside 50-plus other international hopefuls in a bid to be named World Class Global Bartender of the Year. "The competition has exposed me to some of the best bartenders in the industry, allowing me to learn and grow alongside incredible talent," said Down about his win. "I'm honoured to be part of our incredible hospitality community and I can't wait to represent Australia in September at the global finals." [caption id="attachment_942593" align="alignnone" width="1920"] Pleasure Club, Parker Blain.[/caption] [caption id="attachment_929495" align="alignnone" width="1920"] The Waratah, Jason Loucas.[/caption] For more information about the Diageo World Class Australian Bartender competition and Diageo World Class in general, head to the Diageo Bar Academy website.
Chronicling encroaching maturity: it's the ambit of so many coming-of-age features that the idea has become its own cliche. With Boyhood, writer/director Richard Linklater takes the concept a step further — and though his method isn't unique, even to his own work courtesy of his Before trilogy, the film that results is. His portrait of growing up charts twelve years, shooting over the same period. Mason (Ellar Coltrane) is introduced staring at the sky, a six-year-old bundle of daydream-fuelled introversion and mischievous curiosity. He spars with his older sister Samantha (Lorelei Linklater), traverses the life dictated by the choices of his mother (Patricia Arquette) and wishes for more time with his father (Ethan Hawke). The years pass, and over the movie's 165 minutes, Mason evolves from a child into a man. Most movies mark the process of becoming an adult through major milestones, but Boyhood reflects upon quieter moments. Linklater doesn't follow an overarching narrative, apart from Mason's ageing and his mother's romantic and career changes. The big developments are largely inconsequential, excised in favour of everyday ephemera. It is in the spaces between — as Mason tests boundaries and forms his own identity, whether playing in the park, camping with his dad, passing notes with a pretty girl, having his first drink or finding an affinity for photography — that the film lingers. That's the key to Boyhood — the minutiae of getting older, by virtue of avoiding the usual contrivances of impending adulthood, always feels authentic and relatable. Mason's tale isn't just his own but belongs to everyone who was once a child navigating difficulties mundane in their ordinariness but influential in their individual impact, whether recently or remembered in a wave of nostalgia. In keeping with his layered storytelling, Linklater's filmmaking is unobtrusive, stitching together the familiar with finesse — pop culture references and all. His camera is enamoured with Mason, and though divorcing the time-conscious technique from the story is impossible, every image does more than capture a character ambling towards the age of 18. The intimate and unembellished slices of a young life each visual offers appear aesthetically and narratively drawn from reality, even as the constructed nature of the film remains apparent. Coltrane, of course, is the centerpiece of Boyhood, the figure upon which everything hangs. Calling his performance naturalistic states the obvious, but his ability to convey Mason's blossoming into a smart, sensitive young adult cements the film as truly special. Linklater took a risk on an ambitious way to relate an oft-told tale, and in his newcomer lead and career-best turns from Arquette and Hawke, he succeeds. And then there's another feat that can't be overlooked — starting a film with Coldplay's 'Yellow' and still making a masterpiece. https://youtube.com/watch?v=b70esOwsOf4
After bringing hobbits, dwarves and walking trees to life in The Lord of the Rings and Hobbit films, New Zealand's Weta Workshop has their sights set on something smaller for their next project: bugs. Forget sending creepy crawlies scurrying across cinema screens, however. A creative collaboration between the five-time Academy Award-winning special effects wizards and the Museum of New Zealand Te Papa Tongarewa in Wellington, Bug Lab: Little Bugs, Super Powers will be scampering through the Melbourne Museum. With its Australian premiere season due to infest the Nicholson Street institution between 23 June and 15 October, the immersive exhibition gives little critters a big stage — and a boost in size as well. Visitors can get up close and personal via ultra-detailed large-scale models that look like a cross between colourful bug art and everyone's giant bug nightmares, with six particular specimens in the spotlight: the orchid mantis, bombardier beetle, jewel wasp, dragonfly, Japanese honeybees and katipō, aka New Zealand's most dangerous native spider. If you're easily spooked by insects, you might want to stop reading. Or, perhaps going along and getting a bug's-eye view of the world will help? Physical and digital adaptive stations will allow attendees to explore bugs' abilities in detail, test their own against them, and probably inspire a few folks to pretend to be Spider-Man. Elsewhere, bug chambers will showcase their adaptive skills, delving into camouflage, mind control, super speed, swarm intelligence and deadly venom. A section dedicated to the ways in which the creatures in question are influencing new technologies — think fly-like collision-tolerant drones, nanotechnology based on butterfly wings and 3D printed objects created from silk — will also be included, in what promises to be much, much more interesting than any bug-related science lessons you took at school. And if you just can't get enough, the attached IMAX theatre will be screening Bugs: Mighty Micro Monsters 3D during the exhibition's run. Bug Lab: Little Bugs, Super Powers comes to the Melbourne Museum from 23 June and 15 October, 2017. For more information or to buy tickets, head to their website.
Talk about dreams coming true, or ideas that you've probably fantasised about over a few glasses of vino actually becoming a reality. A town in Italy has installed what's certain to become a tourist attraction, at least with those fond of a grape-centric boozy beverage: a free, 24-hour wine fountain. Because you're probably already booking a trip to the European country, then Abruzzo is the place you want to head to. There, designed to provide refreshments to folks following the Cammino di San Tommaso pilgrimage from Rome to Ortona, inspired by a similar setup on the Camino de Santiago route in Spain, located at the Dora Sarchese vineyard and open to anyone who walks by, you'll find the fontana del vino dripping with the good stuff. Red wine that is, not white. Yes, this is a real thing. No, we'd never joke about something like this. It's better than anything Art vs Science could ever sing about, and up there with the cascade of youth-giving liquid spoken about in legends and nodded to in Darren Aronofsky's Hugh Jackman and Rachel Weisz-starring 2006 film. Forget bubblers spurting H20 — this is the true holy grail of public drink dispensers. You might recall similar concepts popping up around Italy in the past; however they were once-off affairs. This is permanent: no gimmicks, no time limit, just an all-day-round spring of vino that you can enjoy for zilch. The vineyard does warn that it's not for drunkards, though, so behave yourselves. Via Travel and Leisure.
Some bands are born from skill, passion and a garage strewn with beer cans, but others are born from the shrewd minds of television producers (or at least a combination of the two). Flight of the Conchords might be the one of the biggest players in guitar-based digi-bongo a cappella-rap-funk-comedy folk spheres, but they're not the first great band to have emerged from behind a television screen (via stage and radio, to be fair). To celebrate the Conchords' upcoming tour, here are ten made-for-TV bands that have rocked the tube in decades gone by. https://youtube.com/watch?v=ehJNw-T3gpo 1. THE MONKEES Three No. 1 singles, six Top 10s, 12 Top 40s and a total of 20 Hot 100 singles. The Monkees weren't just made for television — they were made for world domination. Commanding the charts during one rock 'n' roll's most significant periods and staging a showdown against the producers who banned them from actually playing any instruments on early records, The Monkees helped define authenticity in rock. R.I.P. Davy Jones. https://youtube.com/watch?v=kFohA6mKFjc 2. MISSION CONTROL (FREAKS & GEEKS) Before James Franco was a multi-talented actor/director/writer/grad student he was a small-time guitarist (and a bit of an asshole) on NBC's Freaks and Geeks. The short-lived cult TV show was excellent for many reasons, one of the best being the quote "Rock 'n' Roll don't come from your brain! It come from your crotch!" https://youtube.com/watch?v=27EVNiKDR4k 3. ZACK ATTACK (SAVED BY THE BELL) Saved by the Bell's Zack Morris was involved in a range of extra-curricular activities, but none were so memorable as his role as lead singer and lead guitarist in Zack Attack. The band never achieved the success that it did in Zack's dreams, but it definitely made the show that much more awesome. https://youtube.com/watch?v=B7-IoFyp_68 4. DINGOES ATE MY BABY (BUFFY THE VAMPIRE SLAYER) Can't think of a name for your band? Why not turn to notorious stories involving the death of small children for inspiration? Pushing past the awkward name, Dingoes Ate My Baby weren't actually that bad for a post-grunge, pre-emo rock band. Probably because the more tastefully named Four Star Mary provided all their music. https://youtube.com/watch?v=8ti8-vEM3U8 5. JESSE AND THE RIPPERS (FULL HOUSE) It's not every made-for-television band that still has a frequently updated Facebook page 17 years after the demise of the television show, but it's not every made-for-television band member who had hair like Jesse Katsopolis. Hit songs included "Forever", and several hundred Beach Boys cover songs. https://youtube.com/watch?v=qCIKg3YREHY 6. FROZEN EMBRYOS (MY SO-CALLED LIFE) Also living on through Facebook are Frozen Embryos from ABC's My So-Called Life. The lead singer is the elusive Tino, who isn't actually seen in any episode. He is, however, mentioned in Juno when Ellen Page's character says her band should be ready to rock "once Tino gets a new drumhead". Rock lives! https://youtube.com/watch?v=IXMFKmiNyvk 7. DR TEETH AND THE ELECTRIC MAYHEM (THE MUPPETS) You know you've struck the right chord when your band inspires the name of a hipster dive in San Francisco's Mission district. Dr. Teeth and the Electric Mayhem mostly stick to rock music, but it's arguable that they do a better rendition of Chopin than Chopin. https://youtube.com/watch?v=0B9wJ7EwcN4 8. SCRANTONICITY (THE OFFICE) A Police cover band with Kevin as the drummer and lead singer. This has "magnificently awkward" written all over it. https://youtube.com/watch?v=8sITlZo5r84 9. MYSTIK SPIRAL (DARIA) The fictional grunge rock band from Daria helped confirm one of lyricisms irrefutable truths: coherence is no way near as important as a good rhyme. Okay so that might not always be true, but Mystik Sprial were way cool and totally would have scored the big break they deserved had they only managed to agree upon the perfect band name. https://youtube.com/watch?v=rXWaVz4yogI 10. DETHKLOK (METALOCALYPSE) Say what you will about virtual melodic death metal as a whole, but you have to hand it to Dethklok for achieving such widespread commercial success that they were ranked as the world's seventh largest economy by the end of Metalocalypse's second season. And while the real-life version of the band hasn't achieved quite this level of success, they do still play regular shows.
Melburnians now have another excuse to hit the water, with GoBoat splashing into town. The Denmark-born company has been busy launching its eco-friendly picnic boats in cities all over Europe and, in our patch of the world, it's now up and running in Melbourne, giving punters a fun new way to cruise the Yarra. Aimed at making the whole boating caper more accessible for everyday folk, the Scandinavian-designed vessels are slow-moving, a breeze to operate and don't require a boating licence, making for some fun, fuss-free sailing sessions. In a win for the planet, they also run on silent, pollution-free, electric engines, and are crafted from a mix of reclaimed timber and recycled PET bottles. Each of the contemporary GoBoats clocks in at 18-feet long, boasting a central picnic table with room for eight people (and all the necessary snacks and booze). And despite what you might be thinking, they're even affordable enough to fit your post-holiday budget — simply BYO food and drinks, find enough eager sailors to jump aboard and a GoBoat session will cost you less than $15 per person, per hour. That's $109 hourly in total, or $189 for two hours, $279 for three hours, $349 for four hours, $429 for five hours and $509 for six hours. Yes, you can really make a whole day of it. Bookings are available for the service's first stint until the end of May, with timeslots available in 15-minute increments from 9am. The boats required to be returned by sunset (8pm at present, 7.30pm until mid-March, and then decreasing down to 6pm at the end of the season). GoBoats' fleet of four Melbourne vessels is now setting sail out of Docklands, with six more to come. Oh, and did we mention they're pet-friendly? Surely you've got a very good boy who deserves a river jaunt. For more information about GoBoat, or to make a booking, visit the service's website. Images: Lean Timms.
As support acts go, Amyl and The Sniffers are a perfect pairing with AC/DC, a union made real with the Power Up tour that's kicking off in Melbourne tonight at the MCG. If you wanna rock n' roll, but missed out on tickets to the big gig, Amyl and The Sniffers have just announced the show for you. It's free, it's Fed Square, and it's this Friday. Best get to clearing your calendar. Your average Friday plans can wait when you can instead bask in the breakneck riffs and unfiltered rock energy that's made these local legends soar to stardom in recent years. And you don't have to drop as much as a dime. The band originally formed back in 2016, with frontwoman Amy Taylor providing vocals (and no small amount of stage presence), Bryce Wilson on the drums, Dec Mehrtens on the guitar and bassist Gus Romer joining in 2017. Their first EP, Giddy Up, was released twelve hours after they started writing it, and now the band has sold out headline tours, played the world's biggest festival stages and won big at awards throughout the music industry. It's a story of all-time Aussie rock greatness that's still unfolding. Like any good concert headliner though, they won't be alone — the supporting opener comes from another Melbourne local band, Public Figures. The passion project of Evie Vlah and Gigi Argiro, they'll open up the night with a set mixing AC/DC hits with their original works. The whole evening is titled High Voltage, and it's presented by Fed Square, City of Melbourne and Double J, in celebration of Australian rock legends old and new. Katrina Sedgwick OAM, Director & CEO of MAP Co said the event and its lineup continue Fed Square's mission to bring great live music to Melbourne for free. "Amyl and The Sniffers are one of Australia's most explosive live acts. Fearless, magnetic, and completely unmissable. High Voltage continues Fed Square's commitment to bringing iconic artists to the heart of Melbourne, celebrating the city's proud music heritage with events that are free, open and welcoming to all." High Voltage Presented by Amyl and The Sniffers will take over Federation Square's main stage from 7.30 to 9.30pm on Friday, November 14. Entry is free.
Calling all Amy Poehler fans — the beautiful tropical fish, powerful musk ox and noble land mermaid of Netflix flicks is here. The Saturday Night Live and Parks and Recreation star has directed her first film, a comedy that'll hit the streaming platform in May. Here's hoping it'll earn all of the unusual compliments that Leslie Knope has showered upon Ann Perkins. Turning a vino lover's dream weekend getaway with the gang into a movie, Wine Country follows a group of friends who head to Napa to celebrate Rebecca (Rachel Dratch)'s 50th birthday. Poehler plays Abby, the organiser of the gang; Maya Rudolph co-stars as a worn out mother desperate for a break; and fellow Saturday Night Live on-screen alum Ana Gasteyer, plus ex-SNL writers Paula Pell and Emily Spivey, all round out the besties. Also featuring: Tina Fey (of course) and Jason Schwartzman. If you've had a Parks and Recreation-shaped hole in your life since the acclaimed sitcom ended, adored Sisters or just can't get enough of these funny ladies in general, prepare to chuckle and celebrate as the film shows just what happens when a boozy break, lifelong friends and facing a huge milestone all mix. The first trailer has just dropped, and it comes with plenty of laughs: https://www.youtube.com/watch?v=aW_0MO-XKog Wine Country releases on Netflix on Friday, May 10. Image: Colleen Hayes.
It's been 17 years since Hae Min Lee was tragically killed. And 16 since Adnan Syed went to jail for her murder. But now, almost two decades later, a Baltimore judge has granted Syed a re-trial. His lawyer, Justin Brown, tweeted the news earlier this morning, which was around 4.30pm on Thursday, June 30, Baltimore time. WE WON A NEW TRIAL FOR ADNAN SYED!!! #FreeAdnan — Justin Brown (@CJBrownLaw) June 30, 2016 Syed was, of course, the subject of Sarah Koenig's true crime podcast Serial, which had every man and his dog weighing in on complex legal evidence when it aired back in late 2014. Since the podcast's circulation, Syed — who has always maintained his innocence — has been able to push his case for post-conviction relief. In February he was granted a post-conviction hearing, in which it was argued that his original defence lawyer, Cristina Gutierrez, was negligent in the way she conducted the case. And on Thursday, Judge Martin Welch granted Syed a new trial on his defence counsel's failure to cross-examine a cell tower expert about the reliability of the data that placed him near the burial site. Anyone who's listened to the podcast knows that the cell tower data was one of the most complicated (and bloody confusing) pieces of evidence in the trial. This is Judge Welch's order, as posted by Serial about an hour ago: So what does this mean? Well, it means Syed's defence counsel have a lot of evidence to gather before an undoubtedly lengthy trial, which hasn't been given a date yet. And, surely, it means another season of Serial? Via The New York Times.
Back in 2017, a new kind of glamping experience arrived on the scene about 2.5 hours from Sydney. That'd be Bubbletent Australia: three off-grid, inflatable and transparent domes overlooking the picture-perfect Capertee Valley by day and offering boundless stargazing by night. Now the company has returned, adding two new celestial-inspired tents, Pisces and Ophiuchus. Set on a ridge opposite the original trio, this slightly more remote expansion faces east, meaning unbeatable sunrise views. Beyond your bubble retreat, Pisces and Ophiuchus both come with extra hideaways, with the former featuring a netted bed strung between trees and the latter an elevated treehouse that captures the last sunrays of the day. After the light is long gone, it's the perfect time to peer through the provided telescopes to see what kind of interstellar formations you recognise. However, there are plenty more surprises in store. While Pisces and Ophiuchus are noticeably larger than their predecessors, both are equipped with rotating queen-size beds that make for the ultimate star-gazing experience. With two speeds available, you can drift off to sleep with a gentle spin or send the sky into a swirl as you ramp up the tempo. Once you wake up, you can convert your bed into a ping-pong table (yes, really) or even open up a hidden nook to reveal a pull-out dining table and a built-in wine cellar. What will they think of next? Outside, you've got a separate rain shower and eco-friendly Japanese toilet, set in recycled concrete pipes. But don't think you have to miss a second of the sky-show – each features a transparent roof so you can stargaze on the loo. Though this remote parcel of countryside can get a little chilly at night, a Swedish-style wood-fired hot tub surrounded by native trees ensures you keep the cold at bay. Plus, cosying up on your outdoor sofa won't hurt either. When it's time to hit the hay, your room is adorned with organic cotton linens, woollen blankets and natural bathroom amenities, as well as cosy slippers, outdoor shoes, lanterns, speakers and even an in-room iPad to set the soundtrack. As for dining, the facilities don't miss a beat. Both tents are equipped with all-weather outdoor Bushbuck kitchen stations, with bar fridges, gas burners, pizza stones and a rotisserie. Then you've got a popcorn maker, a sandwich press, and marshmallows for roasting on the fire. This being such a pristine spot, you'll be happy to know that sustainability is factored into just about every aspect of Bubbletent's setup. From solar power and cutting-edge geothermal-powered air conditioning to the elimination of single-use plastics, admiring the night sky and – surprise, surprise – the world's second-largest canyon is made possible without harming the earth. Bubbletent Australia is located in the Capertee Valley. Head to the website for more information.
If escaping into Australia's great outdoors, putting one foot in front of the other, and combining a leisurely walk — or an energetic hike — with soaking in the scenery is your idea of bliss, the past few weeks keep delivering welcome news. Firstly, the Snowy Mountains became home to a new nine-kilometre section of its Snowies Alpine Walk, complete with Australia's highest suspension bridge. Then, the New South Wales Government announced a massive 91-kilometre waterfront walking track from the Sydney Opera House to Parramatta. Now, still in NSW, the Gondwana Rainforests have been earmarked for a new excuse to get moseying, too. As part of NSW's 2022-23 budget, Treasurer Matt Kean has added the new Dorrigo Escarpment Great Walk to the list of upcoming projects that the state's residents and travellers alike can look forward to. Scoring $56.4-million in budget funding, it'll span 46 kilometres, all through stunning rainforest surroundings on the state's mid-north coast. And, there'll be two- and four-day route options. Your starting point: a new Arc Rainforest Centre, which'll come complete with a stunning-looking hanging boardwalk that'll overlook the World Heritage spot. From there, as you roam along the trail, you'll wander over three suspension bridges. There'll also be four low-impact walkers' hut precincts, as well as new camping areas — because if you're committing to taking the full multi-day trek, you'll need somewhere to slumber along the route. That budget cash will also go towards the Arc Rainforest Centre, which is designed to be an attraction in itself thanks to its viewing platform. It'll also include a new treetop skywalk, which'll feature an upper and lower deck so you can still make the most of it when it's raining — and spiralling walkways that'll take you down into the rainforest, to the existing six-kilometre Wonga Walk as well as the new Dorrigo Escarpment Great Walk. Back on the Dorrigo Escarpment Great Walk itself, it'll meander through the Dorrigo and Bindarri National Parks, with about half of the 46-kilometre stretch charting existing tracks and trails. Hikers won't be short on spectacular sights; expect to see waterfalls, giant old growth trees and wild rivers along the way. If you're excited about the huts and camping sites, they'll be operated, run and booked through NSW's National Parks and Wildlife Services. And, the walk will have another big aim: becoming a place for folks to learn about and connect with the culture of the Gumbaynggirr people, the area's Traditional Custodians. Exactly when the centre and walk will welcome in visitors hasn't been revealed as yet, however — so add this one to your future must-visit list, rather than packing your bags and popping on your comfiest walking shoes now. "Through the NSW Budget, we're investing $56.4 million to offer a new way for people to enjoy the ancient World Heritage environment," said Kean. "This project will drive increased nature-based tourism in NSW, further bolstering the contribution that national parks make to the state economy. For more information about the Dorrigo Escarpment Great Walk, head to the NSW Government website.
Never a brand to do things like anyone else, Melbourne-based skincare label Aesop has just launched their first collection of room sprays as a multi-sensory experience. With fragrance said to evoke some of the strongest emotional responses (it's the sense most associated with memory), the modern-day alchemists asked composer and musician Jesse Paris Smith (daughter of Patti and Fred 'Sonic' Smith) to create three unique tracks to 'narrate the journey' of each scent. It's pretty poetic. As with Aesop's fragrances, each track has been deconstructed, with top notes (ones that are perceived immediately), heart notes (the ones that emerge just before the top notes dissipate) and base notes (the lingering finale). Smith's three compositions are ambient and perfectly calming — and available to download for free off the Aesop website. It's like being at a health spa in the comfort of your own home. Each scent is named after an ancient Greek city and is distinct without being overpowering — there's no sickeningly sweet vanilla here. Rather, Aesop has developed three characteristically sophisticated scents. Istros combines pink pepper, lavender and tobacco, while Cythera embraces geranium, patchouli and Myrrh, and Olous is a citrusy burst of botanicals, cedar and cardamom. Aesop's aromatic room sprays retail for $60 each and and can be bought here. [embed]https://vimeo.com/224417380[/embed]
Whether you're the kind of fan who has a lightsaber on your shelf and a Jedi robe in your cupboard, or you prefer simply watching and rewatching every last second of the space-themed science fiction franchise, it has never been easier to indulge your love for Star Wars. We've just seen five new films hit big screens over the latter half of the past decade, The Mandalorian keeps bringing new tales to streaming and, pre-pandemic, an event devoted to the series was never too far away no matter where Down Under you reside. When 2021 rolls around, though, you'll be able to live, breathe and sleep the saga by staying not only in a themed hotel, but onboard a Star Wars spaceship. Yes, in the very near future, in this very galaxy, you can set your sights on Walt Disney World's immersive 360 vacation concept in Orlando. Disney first announced this addition to its growing theme park realm back in 2017, and dropped specific details for all those wannabe Jedis clamouring for a unique holiday back in 2019 — but now it has released a sneak peek of what its new hotel, called Star Wars: Galactic Starcruiser, will look like. When you're getting some shuteye, expect grey and orange tones combined with white surfaces, and an industrial look and feel as well. Fancy climbing up a ladder to kick back in a space built into an alcove — yes, as seen in oh-so-many space-set flicks? Well, based on the initial mockup imagery, that's in store. To answer the obvious question: no, you won't actually be going into space (although that idea isn't as out-of-this-world as it may sound). You will have a blast pretending that you're headed to a galaxy far, far, away, though. We're happy to report that the resort is taking the immersive part very seriously, with Star Wars: Galactic Starcruiser allowing patrons to embark upon a two-day, two-night adventure on the starcruiser Halycon. First step: leave your real life at the door. Upon check-in, guests become a citizen of the galaxy — which means that, every minute of every day of your stay, you're a part of the Star Wars story happening around you. You'll hang out in the Atrium, where crew and passengers gather; operate the Halycon's navigation and defence systems, with plenty of guidance; and learn how to use a lightsaber, because an interactive Star Wars-themed stay wouldn't be complete without wielding a glowing weapon. You'll also sleep in the aforementioned spaceship cabins, drink in the passenger lounge and try to sneak into the crew-only engineering rooms. https://www.youtube.com/watch?v=iOGH5fpqStE&feature=emb_logo Star Wars: Galactic Starcruiser will form part of Star Wars: Galaxy's Edge, Walt Disney World's new sprawling zone dedicated to the space-set franchise — which opened at the Orlando site, and at Disneyland in California as well, in 2019. For now, the hotel doesn't have an exact 2021 opening date given the current state of the world at the moment; however, you can sign up to register your interest. If you're keen to give it a whirl once it opens (and once international travel gets back to normal, too), you'll have to be committed to the experience. The "every minute of every day" comment may well include sleeping hours — the dark side never sleeps, after all. For more information about Star Wars: Galactic Starcruiser, which is due to open sometime in 2021, head to Walt Disney World's website. Image: Disney/Lucasfilm via Disney Parks Blog.
For diehard fans of the Harry Potter and Fantastic Beasts films, one type of movie magic stands out above the rest. That'd be the kind that's had viewers flocking to Wizarding World flicks for over two decades now, and also inspired plenty of "accio April 2022!" chants over the past few months — if only in your head — as Fantastic Beasts: The Secrets of Dumbledore gets closer to reaching cinemas. The third film in the Fantastic Beasts series and 11th in the broader Wizarding World franchise — aka the full on-screen world that's sprung up around The Boy Who Lived — The Secrets of Dumbledore arrives four years after 2018's Fantastic Beasts: The Crimes of Grindelwald. That's a hefty wait, and while the movie's release is still over a month away, a new trailer has just dropped to help fill the gap. Following on from The Secrets of Dumbledore's first sneak peek back in December 2021, the latest trailer gives viewers what they want: Jude Law's (The Third Day) young Albus Dumbledore facing off against Mads Mikkelsen's (Riders of Justice) evil Gellert Grindelwald, as the franchise has been working towards since 2016's Fantastic Beasts and Where to Find Them. Of course, it wasn't always Mikkelsen playing the sinister dark wizard who just keeps trying to control all things magical, and wreak havoc on everything in general, with both Colin Farrell (Voyagers) and Johnny Depp (Minamata) previously doing the honours in past instalments. Regardless of who's playing him, Grindelwald still wants to start a war. Yes, he's solemnly up to no good, and his devoted following is only growing. So, as both trailers for The Secrets of Dumbledore have shown, it's up to future Hogwarts headmaster Dumbledore, magizoologist Newt Scamander (Eddie Redmayne, The Trial of the Chicago 7), and his pals Tina Goldstein (Katherine Waterston, The Third Day), Queenie Goldstein (Alison Sudol, Between Us) and Jacob Kowalski (Dan Fogler, The Walking Dead) to try to save the day. Ezra Miller (Zack Snyder's Justice League) also returns as Credence/Aurelius Dumbledore, while Jessica Williams (Love Life) follows up her brief appearance in The Crimes of Grindelwald by return as Ilvermorny professor Eulalie 'Lally' Hicks. And making the magic happen behind the lens is David Yates, who has directed every Wizarding World film — Harry Potter and Fantastic Beasts alike — since 2007's Harry Potter and the Order of the Phoenix. Obviously, when Harry Potter and the Deathly Hallows — Part 2 reached cinemas 11 years back, it was never going to be the end of the on-screen story, which is why the Fantastic Beasts series — which took an illustrated guide book about magical creatures, spun a story about its author Scamander and turned it into a Harry Potter prequel saga — exists. Still, conjuring up more enchantment hasn't been quite so straightforward this time around, and how you feel about the two Fantastic Beasts flicks so far might just depend on how spellbound you are with everything HP. But this franchise-within-a-franchise was always going to go on, with The Secrets of Dumbledore the third entry in the planned five-film series. Check out the trailer for The Secrets of Dumbledore below: Fantastic Beasts: The Secrets of Dumbledore opens in cinemas Down Under on April 7, 2022.
When you've won over one of television's most cynical characters with a serenade, what comes next? Taking the tunes on the road. During his time on beloved and hilarious Emmy-winning sitcom Schitt's Creek, Noah Reid did far more than sing Tina Turner's 'The Best' to Dan Levy's David Rose, of course. When he joined the show from season three onwards as Patrick Brewer, he helped bring balance to the Rose family's fish-out-of-water antics, and became one half of its big love story. But the series kept finding ways to get Reid singing, including having Patrick star in the comedy's version of Cabaret — and now he'll be taking to the microphone Down Under. Off-screen, Reid is indeed a musician, releasing his first album Songs From a Broken Chair back in 2016 before joining Schitt's Creek. Since then, he's dropped two follow-ups: 2020's Gemini and 2022's Adjustments. Next, he's bringing his live gigs to Australia for the first time ever. Yes, 'The Best' usually features on his setlists overseas. Beyond that, the Canadian actor and musician will be playing tracks from across all three of his records when he heads Down Under this spring. Reid will kick off his tour in Sydney, before hitting Brisbane and Melbourne on the east coast, then venturing west for a show in Perth. "Music has always been a space where I get to control my creative output in a way that I don't in my acting career. Acting is really creative and there's definitely artistry to it but I don't thank that just because you're an actor, you're automatically an artist. I've worked really hard for years to create these records," said Reid, announcing his Australian tour. "People might know me more widely as an actor, but music is a space where I've loved working for years, and I'm really excited to finally be able to share my music with people in Australia. It feels like a long time coming!" Reid continued. Since Schitt's Creek, Reid has popped up on sci-fi western Outer Range — and also has past appearances on Degrassi: The Next Generation, Alphas and House of Lies on his pre-Schitt's Creek resume. NOAH REID EVERYTHING IS FINE 2023 AUSTRALIAN TOUR: Friday, September 29 — The Enmore, Sydney Saturday, September 30 — Eatons Hill Hotel, Brisbane Monday, October 2 — The Forum, Melbourne Tuesday, October 3 — The Astor, Perth Noah Reid tours Australia in September and October 2023. For more information, and for tickets from 10am on Monday, May 1, head to the tour website.
When a franchise has spent more than a decade intertwining 20-plus films and multiple TV shows, watching along often becomes a game of 'spot the other superheroes'. Yes, we're talking about the never-ending, always-expanding Marvel Cinematic Universe, which loves popping as many caped crusaders as it can into its flicks and shows — and serving up surprises, too, beyond the usually sizeable list of main spandex-wearing players that any of its movies or series have already announced. The next film set to do just that: Doctor Strange in the Multiverse of Madness, the 28th big-screen chapter in the MCU, the followup to huge 2021 hit Spider-Man: No Way Home and the direct sequel to 2016's Doctor Strange. It first dropped a trailer last December, back when No Way Home arrived. In fact, that trailer was tacked onto the end of the Spidey flick if you sat through it till the very end of the credits. But now Marvel has released a second sneak peek at Doctor Strange's next adventures — Super Bowl day is always a big trailer day in the US, which is why it's dropping now — and it comes with quite the tease. Already, fans knew that The Power of the Dog Oscar-nominee Benedict Cumberbatch is popping his Doctor Strange cloak back on, as he did in No Way Home. We were also already that this new dive into the mystic arts would include a post-WandaVision Scarlet Witch (Elizabeth Olsen) — plus Benedict Wong (Nine Days) as Wong, Rachel McAdams (Game Night) as Strange's ex Dr Christine Palmer and Chiwetel Ejiofor (Locked Down) as fellow Master of the Mystic Arts Mordo, too. The new trailer seems to add to the film's cast in a huge way, however, which is exceptional news for anyone that's loved movies based on Marvel comics since other superhero teams were doing big things in the early 2000s pre-Iron Man. The surprise is best discovered by watching, could signal the arrival of a whole heap of other familiar characters into the MCU, and arrives in a trailer that sees Doctor Strange forced to face the consequences of breaking the rules for Peter Parker. Indeed, Wanda points out that the repercussions for his actions appear to have been rather different than the fallout for hers post-WandaVision, and she's really not thrilled about it. Expect Doctor Strange in the Multiverse of Madness to serve up will trippy Inception-style imagery, Strange's brooding demeanour and Marvel's usual world-in-peril shenanigans as well, all in a flick that also boasts a nice piece of symmetry. The movie marks the MCU filmmaking debut of acclaimed Evil Dead franchise director Sam Raimi, the man who helmed the original three Spider-Man movies in the 00s, way back before the Marvel Cinematic Universe was even a glimmer in the comic book company's eye, and obviously long before Doctor Strange and Tom Holland's Spider-Man became pals. Check out the latest Doctor Strange in the Multiverse of Madness trailer below: Doctor Strange in the Multiverse of Madness releases in cinemas Down Under on May 5, 2022. Images: Photos courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.
Dig out those once-a-year novelty gumboots, Groovin the Moo has unveiled its 2018 lineup. Taking the large-scale music festival out of the city and into regional centres for another year, GTM will kick things off on Friday, April 27 in South Australia and travel through Maitland, Townsville, Bendigo and Canberra before finishing up in Bunbury on May 12. This year sees local talent new and established taking the stage, with the lineup spanning up-and-comers like Alex Lahey, Baker Boy and Winston Surfshirt right through to favourites Flight Facilities and Australian legend Paul Kelly. International talent like Portugal. The Man, Royal Blood and Duke Dumont will make their way to the Moo too. Here's the full lineup. GROOVIN THE MOO 2018 LINEUP Alex Lahey Aminé (USA) The Amity Affliction Baker Boy Ball Park Music Claptone (Ger) Confidence Man Cosmo's Midnight Dean Lewis Duke Dumont (UK) Flight Facilities Grinspoon Lady Leshurr (UK) Mallrat Ocean Alley Paul Kelly Portugal. The Man (USA) Public Service Broadcasting (UK) Royal Blood (UK) Sampa The Great Skegss Superduperkyle (USA) Tkay Maidza Vera Blue Winston Surfshirt Image: Jack Toohey.
Back in 1976, author Anne Rice asked a simple question: if a vampire agreed to an interview about their bloodsucking life, what would they share? The answer to that query sparked a bestselling novel — the late writer's debut tome, in fact — and helped thrust her to fame. It also started a literary franchise, The Vampire Chronicles; was turned into a comic; hit the big screen in the 90s; and, soon, will play out as a streaming series as well. That book/comic/film/upcoming show: Interview with the Vampire. And yes, in its current leap from cinemas to the small screen, it follows in the footsteps of fellow undead fare Buffy the Vampire Slayer and What We Do in the Shadows. It also hops on a second trend that shows no signs of dying: reviving 90s movies as a series, as the new TV version of A League of Their Own also has recently (without the vampires, of course). Even if you haven't enjoyed Interview with the Vampire on the page or seen the 1994 flick, the concept is right there in the name — as both the initial teaser trailer back in July and the just-dropped full sneak peek make plain. "So, how long have you been dead?" probing interviewer Daniel Molloy (Eric Bogosian, Succession) asks Louis de Pointe du Lac (Jacob Anderson, aka Game of Thrones' Grey Worm), the New Orleans resident who can't resist the offer to live forever. Then, quite the tale unfurls. Naturally, if you're a vampire being interviewed, that's the kind of opening enquiry that's bound to come your way. More follow, but it's a helluva ice-breaker. Louis' story includes fellow vamp Lestat de Lioncourt (Australian actor Sam Reid, The Drover's Wife The Legend of Molly Johnson), who he describes as "my murderer, my mentor, my lover and my maker" — and child vamp Claudia (Bailey Bass, Psycho Sweet 16), who joins their bloodthirsty family. How this new take on Interview with the Vampire will turn out will be revealed in October — in Australia via AMC+ from Sunday, October 2, with New Zealand details still to be announced. If you remember the movie — the film that helped push Dunst to fame as a child, well before she was an Oscar-nominee for The Power of the Dog — you'll know that it steps through its key undead trio's not-quite-lives (being eternally undead might be the better way to describe it), with tension oozing after Louis decides he doesn't want to kill. Check out the full Interview with the Vampire trailer below: Interview with the Vampire will start streaming in Australia via AMC+ from Sunday, October 2. We'll update you with New Zealand details when they become available. Images: Alfonso Bresciani/AMC.
First, the great news: come July, beef sandwiches will be back on the menu. Watching season two of one of the best new shows of 2022, and a Golden Globe-winner at that, will be as well. On Wednesday, July 19, The Bear is set to return Down Under with its latest episodes, taking viewers back to Carmen 'Carmy' Berzatto's (Jeremy Allen White, Shameless) Chicago sandwich shop — one that, based on the teasers and trailers for this new serving, is undergoing plenty of change. Disney+ will drop all ten episodes of season two at the same time, ready for prime mid-July binge sessions. Obviously, you know what you should be eating while you watch. But, if you don't want to know what happens in advance, you might want to avoid the internet until then. This Thursday, June 22, American audiences will get the full season, saying "yes chef!" to The Bear's return a month before Australian and New Zealand viewers. Of course, more of The Bear is still more of The Bear, no matter it arrives. Also, Australia and NZ experienced a delay when season one premiered in 2022 as well. Then, however, the show was new and untested — now, it's one of the most-anticipated streaming meals of 2023. From its sneak peeks so far — and from where season one left off — season two sees Carmy take a new path with the family eatery that he returned to run after his brother's (Jon Bernthal, We Own This City) death. This new round of intense kitchen and interpersonal chaos will see its head chef keep dreaming of levelling up the humble beef-slinging business. Trying to bring a fine-diner's level of meticulous to The Original Beef of Chicagoland didn't go smoothly in season one, though, and endeavouring to completely transform the restaurant was always going to be peppered with mayhem in season two. Get ready to devour requests for cash, tight timelines, constant construction noise, cooking experiments, visits to culinary school, awkward interviews and t-shirt typos. And, of course, an array of dishes being whipped up and instantly whetting appetites off-screen. The show's full season two trailer also adds Shiva Baby and Booksmart's Molly Gordon to the cast — and, although he hasn't been seen in an early glimpses, Breaking Bad and Better Call Saul great Bob Odenkirk will also be guest starring. Gordon and Odenkirk join not only the exceptional White, but the rest of The Bear's impressive roster of talent, such as Ebon Moss-Bachrach (The Dropout) as Richie, aka Cousin, aka Carmy's brother's best friend; Ayo Edebiri (I Think You Should Leave with Tim Robinson) as sous chef Sydney; Abby Elliott (Indebted) as Carmy's sister Natalie, aka Sugar; and Lionel Boyce (Hap and Leonard), Liza Colón-Zayas (In Treatment) and Edwin Lee Gibson (Fargo) among the other Original Beef staff. If you missed the first season, it jumped into the mayhem after Carmy took over the diner. Before returning home, the chef's resume spanned Noma and The French Laundry, as well as awards and acclaim. That's just the beginning of the story, in a series that truly conveyed what it's like to work in the hospitality industry — including navigating a restaurant kitchen's non-stop pressures. Yes, the mood is anxious from the outset, with The Bear's creator Christopher Storer (who also has Ramy, Dickinson and Bo Burnham: Make Happy on his resume) starting the series as he definitely meant to go on, but still expertly managing to balance drama and comedy. Check out the US trailer for The Bear season two below: The Bear season two will stream via Disney+ Down Under from on Wednesday, July 19. Read our full review of season one.
When it comes to father figures, Darth Vader probably isn't winning any Dad of the Year awards. But that doesn't mean the iconic villain can't help take your Father's Day experience up a notch this year, thanks to an interactive encounter designed to mark the occasion. Taking over the immersive Star Wars Galactic Cafe at Melbourne Museum — running alongside Lego Star Wars: The Exhibition — I Am Your Father's Day is a chance for guests to meet and greet the Sith lord, snapping photos with the cinematic icon. Held across Saturday, September 6–Sunday, September 7, the leader of the Galactic Empire will be available for pics at 11am, 12pm, 2pm and 3pm on a first-come, first-served basis. Dress to impress and match his menace. As for the Galactic Cafe, now is the perfect chance to experience it. Designed to look like a Corellian Star Cruiser, this official Star Wars pop-up is serving food inspired by the space opera, from bright green burgers to Chewbacca cookies and dessert space stations.
There's always something new in the works from Josh Niland. There's always another restaurant on the way, someone throwing the Sydney seafood chef some love or a reason to try his nose-to-tail approach to the ocean's finest. In the past year or so alone, he's opened his second iteration of seafood butchery and takeaway shop Fish Butchery in Waterloo, announced plans to take over The Grand National Hotel and move restaurant Saint Peter into it, and launched restaurant and bar Petermen in St Leonards. Oh, and he was the only Australian to make the top 100 best chefs in the world list for 2022, and scored the Game Changer Award from France's prestigious La Liste with his wife Julie. Next on the list: slipping back into home kitchens everywhere. As much of a delight as it would be to have Niland drop by your door and whip you up at meal, that sadly isn't on the menu — but helping you learn his tricks of the trade, and make his recipes, is. Already, Niland has released two cookbooks: The Whole Fish Cookbook in 2019 and its sequel Take One Fish. Next comes a tome with a familiar name, aka Fish Butchery. [caption id="attachment_855330" align="alignnone" width="1920"] Rob Palmer[/caption] For his third foray into print, the chef will share his expert techniques, and also some of his pioneering recipes. In the process, as his cuisine always does whether you're eating at his restaurants or working through his tips at home, he'll be advocating for culinary sustainability. Readers will peruse the manual's three sections — entitled 'Catch', 'Cut' and 'Craft' — for detailed instructions on how to prepare fish, plus 40-plus dishes to make. So, get ready to learn the reverse-butterfly and double-saddle methods, then cook up fish sticks, fish pies, fish sausages and fish chorizo. [caption id="attachment_870811" align="alignnone" width="1920"] Josh Niland at the Talisker and Saint Peter pop-up.[/caption] Debuting in hard cover and spanning 272 pages, Fish Butchery will hit bookstores on Wednesday, August 30. If you're a seafood fiend, you'll want to make space on your kitchen shelves ASAP — next to The Whole Fish Cookbook andTake One Fish, of course. The former nabbed Niland the James Beard Book of the Year Award back in 2020, becoming the first Australian do win the acclaimed prize. And the latter focused on 15 global varieties of fish, giving readers 60-plus ways to cook them up. [caption id="attachment_826359" align="alignnone" width="1920"] Josh Niland at Charcoal Fish.[/caption] Fish Butchery: Mastering The Catch, Cut And Craft will release on Wednesday, August 30. Top image: Rob Palmer, The Whole Fish Cookbook.
For close to three decades, Falls Festival's Victorian leg saw punters make the annual pilgrimage out to Lorne, to revel in live music at the event's original home on the Surf Coast. But bushfires cancelled Lorne's 2019 festival, and the pandemic squashed plans for both the 2020 and 2021 instalments, before organisers announced in November last year that the Victorian fest would be relocating permanently to Pennyroyal Plains in Murroon. Now, there's been a big ol' twist and the festival will instead be heading to the city for the first time, with the newly minted Falls Downtown set to descend on Sidney Myer Music Bowl from December 29–31. [caption id="attachment_752128" align="alignnone" width="1920"] Piknic Electronik, by Wade Malligan[/caption] The new digs will ensure the show goes on for local music-lovers, after previous relocation plans were faced with permit hiccups. Falls Downtown Melbourne 2022 will feature all of the artists already announced, and run alongside its sibling fests Falls Byron (December 31–January 2) and the new Falls Downtown Fremantle (January 7–8, 2023). Across two stages, the Melbourne event is set to ring in the new year with sounds from big-name acts like Arctic Monkeys, Lil Nas X, Chvrches, Peggy Gou and Jamie xx, as well as the OG Wiggles. Also making appearances: Genesis Owusu, Ocean Alley, Young Franco and Spacey Jane, plus DMA's, G Flip, Amyl and the Sniffers, King Stingray, Mall Grab and Ben Böhmer. And yes, that's just a tiny taster of the huge lineup. [caption id="attachment_650001" align="alignnone" width="1920"] Falls Festival Lorne[/caption] While the new site obviously doesn't allow for camping like its predecessor did, it will indeed be dishing up a suite of off-stage fun to keep you grooving through the three days, including stacks of pop-up bars, food trucks, lifestyle precinct Rancho Relaxo and the VIP sanctuary that is Club Falls. A fresh batch of tickets to Falls Downtown Melbourne will be on sale from 9am, Wednesday, September 14. Existing Falls Victoria 2022 ticket-holders can apply for a refund if they don't wish to transfer tickets to the new location. All camping passes will be automatically refunded, though if you're keen for a road trip, you've also got the option to exchange yours for camping passes to the fests' Byron leg. Falls Downtown Melbourne 2022 hits Sidney Myer Music Bowl from December 29–31. Grab tickets online from 9am, September 14. Top Image: Piknic Electronik at Sidney Myer Music Bowl, by Wade Malligan
2024 marks two decades since one of the best blends of romance, comedy, drama and sci-fi of the 21st century reached screens in the form of Michel Gondry's Eternal Sunshine of the Spotless Mind. How should you celebrate that fact? Rewatching the movie always, and also checking out the French filmmaker's latest feature at Australia's annual Alliance Française French Film Festival. In his first movie since 2015, the director draws from his own experience in semi-autobiographical comedy The Book of Solutions — one of the just-announced full AFFFF program's clear must-sees. French film fans, rejoice — the lineup goes on from there, with 41 titles on offer overall. The festival will run across March and April in its 35th year, giving most of its stops a month of Gallic movies. So, in Brisbane, Sydney, Melbourne, Perth, Adelaide and Canberra, get ready to see plenty of France from your cinema seat. Byron Bay's season is shorter, but still lasts for three weeks. At the end of 2023, AFFFF unveiled its first eight flicks for 2024, so audiences already had opening night's The Three Musketeers: D'Artagnan to look forward to, alongside its second part The Three Musketeers: Milady. And, the Catherine Deneuve (The Truth)-led The President's Wife, Juliette Binoche (The Staircase)-starring The Taste of Things, futuristic The Animal Kingdom, regal scandal-focused Jeanne Du Barry, legal drama All Your Faces and Laure Calamy (The Origin of Evil) in Iris and the Men as well. Joining them are plenty of new highlights, such as Last Summer, the latest from iconic director Catherine Breillat (Abuse of Weakness), about a woman and her teenage stepson. Not one but two movies starring the great Isabelle Huppert (The Crime Is Mine) are on the roster, with The Sitting Duck casting her as IRL whistleblower Maureen Kearney and Sidonie in Japan about a love triangle that includes a ghost. And Second Round gets the closing-night spot, hailing from Albert Duponte (Bye Bye Morons), and taking aim at politics and the media. Attendees can also check out A Difficult Year, from The Intouchables' Éric Toledano and Olivier Nakache, and with Noémie Merlant (The Innocent) and Mathieu Amalric (The French Dispatch) among the cast — plus rom-com Mr Blake at Your Service!, with author Gilles Legardinier turning director to adapt his own book, and John Malkovich (Billions) and Fanny Ardant (Well Done!) starring. Historical drama Bonnard, Pierre & Marthe is about the painter (Vincent Macaigne, Irma Vep) and his wife (Cécile de France, The Swarm), while Out of Season has Guillaume Canet (Breaking Point) and Alba Rohrwacher (La Chimera) play ex-lovers. Like The Book of Solutions, The Taste of Things, The Animal Kingdom and romantic drama Along Came Love, both Àma Gloria and Rosalie grace the program after debuting at Cannes 2023. The first focuses on a girl and her nanny, while the second tells of a real historical figure who was born with hair covering her face and body. Other options include Take a Chance on Me, as starring French pop singer Louane Emera; fellow comedy A Chance to Win, where two rival villages face off in rugby; the swashbuckling The Edge of the Blade; the world premiere of King of My Castle, from the writers of Welcome to the Sticks; and the animated Nina and the Secret of the Hedgehog, with Audrey Tautou (The Jesus Rolls) among the voices. The fest is also giving classic Children of Paradise from 1945 a new big-screen celebration, taking viewers back to the 1800s with its storyline, as well as into Paris' theatre scene — because looking at France's great films from year gone by is another way to showcase the country's cinema industry and its impact. Alliance Française French Film Festival 2024 Dates: Tuesday, March 5–Tuesday, April 2 — Palace James St and Palace Barracks, Brisbane Tuesday, March 5–Tuesday, April 9 — Palace Central, Palace Norton Street, The Chauvel, Roseville Cinema and Cinema Orpheum Cremorne, Sydney Wednesday, March 6–Tuesday, April 2 — Palace Como, Kino Cinema, Palace Balwyn, Palace Brighton Bay, Palace Westgarth, Pentridge Cinema, The Astor Theatre and Palace Penny Lane, Melbourne Wednesday, March 6–Tuesday, April 2 — Palace Raine Square, Luna on SX, Luna Leedeerville and Windsor Cinema, Perth Thursday, March 7–Wednesday, March 27 — Palace Byron Bay, Byron Bay Thursday, March 7–Tuesday, April 2 — Palace Electric, Canberra Thursday, March 21–Tuesday, April 16 — Nova Prospect and Palace Nova Eastend, Adelaide The Alliance Française French Film Festival tours Australia in March and April 2024. For more information and tickets, visit the AFFFF website.
Laughter seems quite essential to life, but keeping a comedy club's doors open is no easy feat, especially when it has a pandemic to overcome. That's what makes Melbourne's Comedy Republic such a local success story, with the purpose-built theatre and bar now on the eve of its fifth birthday and considered a vital part of Melbourne's creative scene. Founded by comedians Kyran Nicholson, Rhys Nicholson, and Alex Dyson during the 2020 lockdowns, just 25 guests passed through the doors on opening night. Now this laugh lounge welcomes over 42,000 guests annually, while championing the best Australian talent. To mark this impressive milestone, the joint is hosting a serious birthday bash featuring some of the best comedians in the game. Taking to The Capitol Theatre stage on Thursday, July 3, Comedy Republic's 5th Birthday All-Star ExtravaGala will feature much-loved acts like Wil Anderson, Celia Pacquola, Tom Ballard, Geraldine Hickey and many more. For what's bound to be Comedy Republic's biggest show to date, guests can expect surprise appearances and chaotic energy throughout the night. "I know it's tradition to say nice things when it's someone's birthday, but even if Comedy Republic wasn't turning five, I would say that quite simply, it is the best," says Celia Pacquola, Host of Thank God You're Here. "It has the wonderful feel of a venue run by comedy kids for comedy kids, but everyone is an adult because it's also a licensed bar." Emerging from what was an old internet cafe, Comedy Republic's survival against all odds didn't happen by chance. Designed to be intimate enough for guests and comedians to connect, the venue's wide stage and winged audience is the perfect fit for standups working the crowd. The theatre is also large enough to suit everything from sketch comedy and improv shows to live podcasts and cabaret. Plus, because Comedy Republic is independently operated by its founding trio, it's one of the only places owned and run by comedians for comedians. Join them for this one-night-only celebration, as they ring in Comedy Republic's success alongside big names and regular guests, with more than enough laughs and late-night beers to go around. Tickets are available from $69. Comedy Republic's 5th Birthday All-Star ExtravaGala is happening from 7pm on Thursday, July 3, at The Capitol Theatre. Head to the website for tickets and more information.
By this point, chances are you've had your fair share of tasty packages delivered to your door. But probably none quite like the signature parcels from Melbourne's new Mexican food business, Más Tamales. As the name suggests, these guys are specialising in traditional tamales — a classic dish featuring corn dough and fillings folded neatly into a little corn husk pocket. The delivery service is the brainchild of Etai Alves, who moved to Australia from the USA seven years ago. Here, he's out to recreate the kind of Mexican eats so readily available in his homeland: food that's tasty, authentic and affordable. Alves is sticking firmly to tradition every step of the way, from the 24-hour process involved in soaking and grinding the corn to making the 'masa' (maize dough) and hand-wrapping each individual corn husk parcel. As far as fillings go, it's sweet and simple, with a choice of either slow-cooked pork shoulder 'carnitas', or a vegan-friendly mushroom edition. The tamales are sent out frozen to ensure maximum fluffiness whenever you're ready to heat and eat. Simply slather on some of the house-made pico de gallo and salsa roja included with each order, and you've got yourself some solid at-home Mexican feasting. Alves has been whipping up batches of his signature snacks for a growing crowd of fans, delivering to a bunch of inner-north suburbs every Friday afternoon. Just out of reach? Order over $60 worth of food and the team can probably be persuaded to expand that delivery radius to fit you in. Más Tamales is delivering to select inner-north suburbs between 12–5pm Fridays. Order by midnight on Thursday by heading to the website.
Even if politics isn't your favourite topic, there's been no avoiding a certain name since the mid 2010s, ever since Donald Trump announced that he was running for US President. Over that time, he's been voted into America's top office, then voted out. Saying that he didn't take the latter well is an understatement. He got kicked off Twitter, too, and announced another bid for the gig in 2024. Much, much, much more has happened, of course — and much, much, much more again — but everyone has seen the constant stream of headlines already. One person who's been forced to observe all of the above from a unique position is Mary Trump, the former US President's only niece, as well as an outspoken critic of him and their family. You might've heard of or read the trained clinical psychologist's 2020 book Too Much and Never Enough: How My Family Created the World's Most Dangerous Man, which explores the obvious. Now, in winter 2023, you can see Mary chat about her thoughts and clearly chaotic life live onstage in Australia. That tome sold almost a million copies in a single day. Plus, with the next US elections two years away, that T word — Trump — isn't fading from view anytime soon. Accordingly, Mary will head to Brisbane, Melbourne and Sydney to talk about it with Ray Martin, dishing the details from her firsthand experiences. [caption id="attachment_880176" align="alignnone" width="1920"] Matt Wade Photography via Wikimedia Commons[/caption] Attendees can expect to hear about her uncle's impact upon the world's health and economic security, plus society in general. And, about the ideas and American history — the American Civil War, slavery and the Founding Fathers all included — that've helped lead to his position of influence. Mary will also give an insider's view into how the US works, the rise of the MAGA movement and what a future with Donald Trump in power, or even out of it, could hold. Taking to the stage at the Brisbane Convention and Exhibition Centre, Melbourne's Hamer Hall and Sydney's State Theatre, she'll add insights into her childhood and family dynamic in detail as well. Clearly, this won't be the kind of in-conversation session that anyone gets to see everyday. And, if you're a US politics junkie, it'd make quite the double — albeit spaced out by a few months — with Barack Obama's 2023 Aussie speaking tour. MARY TRUMP: LIVE ON STAGE — AUSTRALIAN 2023 TOUR: Saturday, June 17: Great Hall, Brisbane Convention and Exhibition Centre, Brisbane Tuesday, June 20: Hamer Hall, Arts Centre Melbourne, Melbourne Thursday, June 22: State Theatre, Sydney Mary Trump's Australian speaking tour will take place in June 2023. To join the waitlist for tickets — which will go on sale in February — head to the tour's website.
It was the follow-up that had to happen. The sequel we crossed everything for. After gaining viral status and worldwide applause for her 2013 book Shake, photographer Carli Davidson is back with a brand new series to follow her comical, high-speed images of dogs mid-shakedown. Yep, you guessed it. This time, it's cats. Shake Cats is the brand new book from Davidson, who actually took the photos of cats shaking themselves dry back in 2011, at the same time as taking the Shake dog photos. "I had originally thought I would do cats and dogs in the same book, but looking back I think it was best to give each animal its own book so their unique features could be highlighted," says Davidson. Shooting with Nikon D4s at a very rapid frame rate, this animal-loving photographer shot close to 100 cats for the series, including her own cat Yushi and hectic cat celeb Lil' Bub. Almost all of the cat models are local Portlandians, or from rescue shelters. In addition to the shake shoot, Davidson would get a pretty headshot of the kitty for the rescue shelter to post on their website — and most of these cats were adopted almost immediately as a result. "Taking a good photo of an animal in a shelter can go a long way to help that cat or dog find a home. So much of rescue is done online; people pick out a pet before they even get to the shelter. They fall in love online with an expression, so capturing that personality in a photo is really important." So how exactly did Davidson get those money shots? How do you make a cat shake itself clean (we're pretty sure you're asking yourself this question daily)? Simple, you pamper them like crazy. "Getting the cats to shake was actually more of a grooming process than a waiting game. We basically treated the shoot like a mini grooming session with lots of treats and cat cuddles... Ear cleanings are what generally caused the shake to happen, I just had to be ready." Apparently the cats weren't too hard to wrangle either — apparently they couldn't get enough of the warm studio lights. Cuuuute. It goes without saying that Davidson's tapped into social media's favourite thing, cats and dogs. But this animal-lover sees more in internet kitties than a grumpy face. "Cats are popular because they are awesome, independent thinkers and humans love to worship them. We have been worshipping them as spiritual icons for 10,000 years," she says. "The rise of the cat back into worship status on the Internet seems natural if you look at their historic significance... Cats combat internet negativity with their sheer visual presence." Shake Cats is out now via Harper Design, available to purchase from Booktopia. All images courtesy Carli Davidson with permission.
When the first motion pictures flickered across the big screen 120-plus years ago, audiences were reportedly scared. The line between truth, embellishment and fiction has become muddled over time, but the idea viewers were astonished and startled when they watched the Lumière brothers' famous The Arrival of a Train at La Ciotat Station makes one hell of an urban legend. That was back in 1896. As we know all these years later, cinema hasn't stopped causing bumps and jumps since. The world's first horror film is thought to have released the same year — Georges Méliès' three-minute short called The House of the Devil — and plenty of folks have taken his lead afterwards. Today, that means horror's on-screen cup truly runneth over. Thanks to streaming, a wealth of unnerving flicks linger at everyone's fingertips. If you prefer celebrating Halloween by dimming the lights, popping some corn and getting cosy on the couch for a marathon of unsettling movies, we've put together ten classic recommendations — from creepy vampire films that are almost a century old to more modern must-sees. https://www.youtube.com/watch?v=4hQ40cI5C0E NEAR DARK Before she took Keanu Reeves surfing in Point Break, tasked Jeremy Renner with defusing bombs in The Hurt Locker and dramatised the international manhunt for Osama bin Laden in Zero Dark Thirty — and before she became the first woman to win the Best Director Oscar, too — Kathryn Bigelow sunk her teeth into the vampire genre. Near Dark, her 1987 sophomore film, takes elements of the western genre, throws in a clan of roving bloodsuckers and lets atmospheric horror thrills ensue. Bigelow's work has always been lean but weighty, and her dance with the fanged undead is no different. In fact, it's a flat-out vamp classic. Near Dark is available to stream on SBS On Demand. https://www.youtube.com/watch?v=pX5SG_2n4sM TWIN PEAKS: FIRE WALK WITH ME As 2017's Twin Peaks revival proved, no one conjures up unsettling imagery quite like David Lynch. He's been thrusting eerie visuals out into the world since 1977's Eraserhead — but if you like your Lynchian unease with some damn fine coffee and a slice of cherry pie, there's nothing better than 1992's Twin Peaks: Fire Walk With Me. Set in the lead-up to Laura Palmer's (Sheryl Lee) death, the prequel flick burrows deep into the sinister forces at play. It's a movie of sheer dread, even though viewers know what's going to happen. As only he can, Lynch steeps every frame in the pain, terror and suffering of his doomed protagonist, all while baking in his usual surrealist touches. No wonder it lingers long after watching, like the two seasons of Twin Peaks before it and the belated third season that followed 25 years later. Twin Peaks: Fire Walk With Me is available to stream on Stan. https://www.youtube.com/watch?v=jyW5YXDcIGs THE EXORCIST Back in 1973, the horror genre was possessed — and it has never truly recovered. That's not a criticism; The Exorcist is a landmark piece of spine-tingling cinema, with William Friedkin's film leaving a heavy imprint on everything that's followed. It even became the first horror flick to score an Oscar nomination for Best Picture, a feat that's still much more rare than it should be. When a movie spends the bulk of its time with a 12-year-old girl (Linda Blair) whose body has been overtaken by a demon, as well as with the two priests (Max von Sydow and Jason Miller) trying to cast the devil out and save her soul, it's going to make an impact. The fact that the film was based on a William Peter Blatty novel inspired by real-life exorcisms also helped, as did Friedkin's handling of Blatty's script, which gives the supernatural details a raw, visceral feel. The Exorcist is available to stream on Netflix. https://www.youtube.com/watch?v=V-daIHTY4NQ BUFFY THE VAMPIRE SLAYER How funky is your chicken? How loose is your goose? And, to keep the questions going, how well do you remember the original Buffy? Before Sarah Michelle Gellar stepped into her shoes in the cult TV show, everyone's favourite vampire slayer shouted the above cheers, took guidance from Donald Sutherland, battled Rutger Hauer and romanced Luke Perry in the 1992 big-screen comedy. The Joss Whedon-scripted flick still takes its premise seriously, but there's a looser vibe to the movie than the television series. And a thoroughly early 90s vibe, as well. While you're enjoying the undead-killing antics, keep an eye out for everyone from Hilary Swank to Thomas Jane and Ben Affleck among the cast, too. Buffy the Vampire Slayer is available to stream on Foxtel Now. https://www.youtube.com/watch?v=NmvQ_ii42mc HALLOWEEN This time last year, the latest Halloween film hit cinemas. In 2020 and 2021, sequels Halloween Kills and then Halloween Ends will reach the big-screen in late October. But, when it comes to the absolutely best franchise for this time of year, 2019 is unfortunately an anomaly. While Michael Myers isn't terrorising a theatre near you at this very moment, John Carpenter's original 1979 flick is always worth revisiting — in the slasher-thriller realm, it's an utter masterclass. From Jamie Lee Curtis' pitch-perfect performance as formidable babysitter Laurie Strode, to the pervasive air of unease looming over suburbia and Carpenter's own exceptionally unnerving score, the original Halloween is both supremely scary and sublime. Halloween is available to stream from the Apple Store. https://www.youtube.com/watch?v=TJew_11l6n8 HOUSEBOUND Scaring cinemagoers while simultaneously making them laugh isn't as easy as it might sound. Plenty of films call themselves horror-comedies, but they're usually just comedies with horror theming — and they're about as sinister as clown without makeup. While 2014 New Zealand picture Housebound falls into the tried-and-tested sub-genre that is haunted house flicks, writer/director Gerard Johnstone finds the ideal balance between spooks and giggles, all by following a small-time criminal placed on house arrest. Kylie (Morgana O'Reilly) would rather be anywhere but stuck at home for eight months with her mother (Rima Te Wiata); however she soon discovers that they have company in a movie that serves up jumps and chuckles in tandem. Housebound is available to stream on SBS On Demand and Tubi. https://www.youtube.com/watch?v=4NOipA99GxY NOSFERATU It's the best Dracula film that doesn't actually mention the word "Dracula". In fact, when FW Murnau adapted Bram Stoker's gothic classic in 1922 without getting permission to do so, a court ordered that the movie be destroyed. Thankfully, a few prints survived, which is how we can still soak in the wonders of Nosferatu. Even with a few changes (the famed bloodsucker is now called Count Orlock, for example) the story lures viewers in, but it's not just the plot that's captivating. As proves the case with all German Expressionist cinema from the 1920s, it's how the tale is told in a visual sense that makes an enormous impact. Also significant today, almost a century later, is how free Nosferatu is from everything that's since become a vampire cliche — with the film cutting to the heart of Stoker's disquieting narrative instead. Nosferatu is available to stream on Tubi. https://www.youtube.com/watch?v=pyWuHv2-Abk TRAIN TO BUSAN Forget Snakes on a Plane — if you want to see what happens when something scary is let loose in a confined space, but you don't want to cringe the whole time, opt for zombies on a train instead. Yeon Sang-ho's instant classic doesn't use the obvious moniker; however this frenetic thrill ride definitely fits the description. It's far, far better than that simplistic outline might seem to suggest, though. As well as forcing a father (Gong Yoo) and daughter (Kim Su-an) to fend off the shuffling hordes while they're in mid-transit, and fleshing its protagonists out more than most zombie flicks manage, Train to Busan also paints a probing picture of modern-day South Korean society. It's part of a franchise, too, with animated prequel Seoul Station exploring another aspect of the outbreak, and a sequel is also in the works. Train to Busan is available to stream on Netflix. https://www.youtube.com/watch?v=kWin2LZkvrA THE CRAFT Is a horror classic really a horror classic if it hasn't spawned a remake? In The Craft's case, no one will need to ponder this question for much longer. A new version is currently in the works, but that doesn't mean that the 90s original is going anywhere — and if you like your retro horror fun packaged with teen goth witches, then you'll always want to go back to where it all began. Starring Neve Campbell, Robin Tunney, Fairuza Balk and Rachel True, the 1996 hit charts the fallout when a group of high-schoolers start messing around with the occult and using it to rule the school. It owes a significant debt to Heathers, just with added witches, but The Craft still casts its own enjoyable spell. The Craft is available to stream on on Google Play. https://www.youtube.com/watch?v=g7hLdktC_jY THE STUFF If you ever come across a gooey substance on the ground, don't eat it. Things don't turn out well when this exact scenario happens in 1985 satirical horror/sci-fi The Stuff — especially after the titular substance is sold in supermarkets, marketed as being calorie-free and starts a huge food craze. Where it goes from there is best discovered by watching, but don't expect anything in the way of subtlety or realism. Larry Cohen sits in the director's chair, and this is the kind of playful horror fun that the prolific B-movie filmmaker was known for. Everyone needs their spooks with a dose of silliness now and then, after all. The Stuff is available to stream on Amazon Prime Video.
