The lineup for everyone's favourite New Year's Eve party has just landed, and it's a doozy. Way back in 1993, a tiny one-day concert was held in Lorne, a beautiful coastal town on Victoria's Great Ocean Road. Over 10,000 people showed up, far more than were expected, and a great Australian tradition was borne. In 2003 the festival (now known as Falls) celebrated hitting the big 1-0 by spreading its wings and setting up across the Bass Strait in Marion Bay; and now, to celebrate their 20th instalment, the Falls team are bringing the New Year party to Byron Bay for the first time. And they will be celebrating in style with the greatest house band in the world, The Roots, who haven't played in Australia since the Great Escape festival (RIP) in Sydney in 2007. They always bring the party, and we should thank Jimmy Fallon for lending them to us even if just for the weekend. The other headliners include festival favourites The Wombats, the always-interesting Grizzly Bear, 2013 Album of the Year contenders Vampire Weekend, R&B star Solange and The Violent Femmes. And there's an excellent contingent of local acts, too, including Hermitude, Pond, Chet Faker and Big Scary. Tickets will be allocated via a ballot, which is currently open via the Falls website. Registrations close on midday, August 26. Ballot-winners will be able to purchase up to four tickets from August 29, 9am. There will also be an allocation of tickets set aside for general sales starting on September 4, 9am. Prices will be released soon. Falls Festival first announce line-up: !! (Chk Chk Chk)AstaBig ScaryBombinoBonoboThe Cat EmpireChet FakerCrystal FightersCyril HahnFlight FacilitiesGosslingGrizzly BearHanni El KhatibHermitudeJames Vincent McmorrowLondon GrammarMGMTNeil FinnPondThe Preatures The RootsRüfüsSolangeTom Odell Vampire WeekendViolent FemmesWhite DenimThe Wombats Event dates: Lorne, Victoria (18-plus): December 28–January 1Marion Bay, TAS (all-ages): December 29-January 1Byron Bay, NSW (18-plus): December 31–Jan 3
There were short-lived rumours that Melbourne's art and hospitality scene had reached peak saturation, but the city quickly put those to bed when its cultural ecosystem grew and flourished once again. It was a year of innovative new restaurants and bars — bigger and taller than ever before — forward-thinking events and bold spaces, pubs and cafes. And they're not all from the big players — independent ventures are flourishing. Venues have spent more time on their appearances, collaborating with local designers, architects and street artists to create stunning spaces. This prompted the creation of our new category, Best New Space. We've searched far and wide to find our favourite, visually stunning, innovative and sustainable spaces that are accessible to you — including shops, hotels, co-working hubs and public spaces. At Concrete Playground we encourage exploration and showcase innovation in our city every day, so we thought it fitting to reward those most talented whippersnappers pushing Sydney to be a better, braver city. And so, these six new spaces, opened in 2017, have been nominated for Best New Spaces in Concrete Playground's Best of 2017 Awards. Vote for your favourite.
If your first binge-watch of 2023 was the debut season Black Snow, you might've pressed play to start the year with a new Australian mystery series, then found yourself digging into the thriller's weight as much as its twists and turns. Starring Travis Fimmel (Dune: Prophecy), the homegrown Stan hit follows a Brisbane-based Cold Case Unit detective dispatched across the state to attempt to close disappearances left unsolved for decades. In season one, the Sunshine State's cane fields in its north beckoned, as did an interrogation of the nation's colonial history and the nation's treatment of the Australian South Sea Islander community while Fimmel's James Cormack searched for a 17-year-old girl last seen in 1994. If the end result hadn't proven gripping must-see viewing, season two Black Snow wouldn't have begun its run to kick off 2025. This time around, with episodes dropping weekly rather than arriving in a single batch, the Glass House Mountains backdrop the latest case to cross Cormack's desk. In 2003, Zoe Jacobs (Jana McKinnon, Silver and the Book of Dreams) left her 21st birthday party in the Sunshine Coast hinterland town of Moorevale and hasn't been seen since, but her backpack has just been found locally. Black Snow splits its time between its absent figure and Cormack — not merely jumping between then and now, but giving the former as much of a voice in the show as the latter. This isn't just another missing- or dead-woman show, the type that the first season of Deadloch satirised, then; it's as interested in the character that might simply be a face on a flyer in other series, alongside the social issues that played a part in their disappearance. Setting its action in picturesque Queensland surroundings, the current season also dives into the housing crisis. Before playing the plucky, idealistic Zoe — a twentysomething with big dreams to get out of the only home that she's ever known, to make a difference and to live a life far removed from the existence that her real-estate developer father Leo (Dan Spielman, The Newsreader) has planned for her — McKinnon watched Black Snow's first season as a fan. "To be honest, I was living in Cairns at the time and I saw the first season with my housemates, just as a random audience member, pretty much. And I was so excited about seeing the landscape of Far North Queensland on screen, because I personally hadn't really seen it that much before," she tells Concrete Playground. "And so I just felt really moved by those images of the cane fields — and because they were right in front of my house as well, so it really tied in beautifully with my life that I had there, which was very based in Queensland. I just thought that was really special. And also the representation it gave to Australian South Pacific Islander peoples. I just was a fan of the show. Then I got an audition for the second season and I got really excited about it, and I thought 'I have to be a part of this'." Now, McKinnon is Black Snow's second lead in its second go-around. The Austrian Australian actor was last seen on Aussie screens in fellow Stan series Bad Behaviour (also alongside Spielman), and stars again as a young woman endeavouring to find for her place in the world. McKinnon is drawn to "complex and nuanced characters, and characters that are searching for purpose in life, or for their place in life," she advises. "Because I think as a young woman in the world, it's so interesting how we all navigate the world and society. And I guess I can relate to that in a sense on a personal level. I find it quite interesting." While Fimmel remains its constant, surrounding the Boy Swallows Universe, Raised by Wolves and Vikings alum with other impressive talents has never been a struggle for Black Snow. In addition to McKinnon and Spielman, season two enlists a cast that includes Megan Smart (Class of '07), Alana Mansour (Erotic Stories) and Victoria Haralabidou (Exposure). Adding to a resume that seems to feature almost every Aussie show made in the last few decades — think: Underbelly, of course ("it stands up really well and I'm so proud of it; it was a great experience," Stewart notes), plus Offspring, and also The Secret Life of Us, Blue Heelers, Stingers, City Homicide, Miss Fisher's Murder Mysteries, Newstopia, Tangle, No Activity, Get Krack!n, Five Bedrooms and One Night, too — Kat Stewart also joins the series as politician Julie Cosgrove. One of the few characters seen both in the 2000s and 2020s, she's initially the pro-development Moorevale mayor, then a senator and the Minister for Infrastructure and Planning. Cosgrove's son is also Zoe's ex-boyfriend. Stewart was "really, really thrilled to be a part of it," she shares with Concrete Playground, especially as Black Snow stood out among her past roles. "It's a character unlike anyone I've played before. I've tended to play characters that have no filters or are a bit highly-strung or neurotic, and Julie is completely grounded, completely focused, completely composed and quite ruthless — and that was great fun," she continues. Also a highlight: balancing Julie's very distinctive professional and personal guises. "I think that was a key interest for me, because that was a conflict for much Julie's storyline. She's got to balance her impulses and fierce protective instincts for her son with her ethical concerns and her professional concerns. So, that was a big appeal. And I think that's something that's universal. That's something that lots of parents can understand. I think of Joe Biden right now and what he's done — you want to do anything for your kids, but can you? Should you?" Then there's the fact that this is a topical series — with Julie directly tied to the season's examination of housing insecurity and homelessness, the factors behind both, and the clash between ensuring that people can afford to live in their own communities and attempting to create wealth through development — but "it's not a documentary. First and foremost, it's going to be entertaining. I think it's really smart," Stewart notes. We also chatted with McKinnon and Stewart about playing strong-minded figures, heading back in time, getting energy from the rest of the show's cast, bringing different visions of the Australian landscape to the world and plenty more. On How McKinnon Approached Playing a Character Who's Pondering What It Means (and Takes) to Be Her Own Person Jana: "I think Zoe's a very strong-minded person, and she really knows what she wants to do in life. And she's just trying to find a way, as in how to sell that to her family in the long run — and compromising here and there to wiggle her way through that, through those expectations, I guess. I thought that was really interesting. And showing someone who is so focused on also changing the world and making it a better place, and being so invested in that — and then being thrown by all these other things that that life forces onto her, like grief and just everything that comes with that. I found that a very interesting aspect of Zoe's journey, how she deals with the grief of losing her friend and what that does to her life and the trajectory that she's on." On Stewart's Initial Read on Julie, and What Got Her Excited About the Part Kat: "First and foremost, you look at great writing and a great story. Is this something I would watch? That's kind of my litmus test, and it was a big yes. And I thought 'okay, this is something I can have fun with. This is something a bit different for me'. And I hasten to add it's a fantastic ensemble. So I'm one of a brilliant ensemble. I'm in and out of the two timeframes, 20 years ago and currently. I liked that she's a grown-up character. I play her in her 40s and her 60s, and I love that she's so centred. That just appealed to me. I thought 'there's a stillness here that I can really explore'. And also the fact given the right set of circumstances, we're capable of really surprising actions. And she's a mother as well as a politician, and those roles butted up against each other. So I thought 'yeah, this is interesting'. I thought it'd be good fun — and it was." On What McKinnon First Saw That She Could Bring to Zoe — and How She Prepared to Jump Back to the Early 00s Jana: "I like that she was a bit edgy and had this really strong interest in music, and did the community radio show. And it was all about the bands and the music with her friends. I just thought that was so cool. It was so nice to research all the music myself, because I didn't know all of the bands that she was into, and dig into that aspect of the period. I mean it's 2003, but it's technically period now. It's kind of strange when it's sort of still the time that you're living in, but sort of not. It's uncanny sometimes, like suddenly you're thinking about 'oh, did you have computers at the cash system at the shop or did you not? How did that work?'. And also all the tech at the community radio station, we had to learn all that because it was old tech that we didn't grow up with anymore. So it was really interesting and fun to explore." On How Stewart Got Into the Mindset of a Politician Kat: "I think subliminally we all probably research a bit. We just look at our politicians and how they hold themselves. I went in with a central idea that Julie has — I'm someone who, I don't go into the into a room thinking I'm the most important person in the room. But Julie does, and I put that in my head. I was like 'yep, everyone's looking at me, everyone's interested in me'. That's Julie, I hasten to clarify. And that was a really interesting idea to take on because that's not how I carry myself in my own life. It was just a different head space to be in. It's such a fun job. I love acting. This is a great job." On McKinnon's Balancing Act Charting Zoe's Journey Towards Stark Realisations About Her Community Jana: "Even though she has that very ambitious sense — and she really wants to change the world for a better place — she also can be very righteous, and she can also have blind spots to what's going on in front of her. So for me that was a balancing act. So balancing these really noble ideas and ambitions with what's actually going on in her community around her and what she's blind to, even when it's right in front of her nose — and the injustice that she's unable to see in her own community. I think it's something that a lot of people can relate to. A lot of people want to be good people out in the world, but they forget to do it on their own doorstep. So I thought that was a very complex aspect of the character that I enjoyed exploring." On the New Season Not Only Chronicling a Missing-Person Mystery, But Examining Housing Uncertainty and Insecurity Kat: "That's the beauty of Lucas Taylor's writing, and he did it in the first season, too. He'll give you a ripping yawn with really engrossing characters and plot twists, but he'll sort of Trojan horse in bigger issues as well. But you don't feel like you're eating vegetables. It's done in a really organic, sophisticated way, where you're not really aware of it, but you come away thinking about the larger issues — in this case, it's homelessness, particularly for older women. So I think that's one of the great things about this show and it was the case in the first series. Julie's part in it is interesting, too, because from her point of view, she's bringing wealth to area and she's bringing a lot of people with her. But, we're seeing an exploration of the more personal aspects and implications of that trajectory, and who's been left behind. It's not preachy, but it's a really interesting examination of the issue. It feels like it's a part of the world, but it's not the point of the show. So I think for people who want to see the show, they're going to be grabbed by a great mystery, and great characters, and that's something that is just at the backdrop of it. In a way, it's something that's almost subliminal, but it's there and I think that's sometimes the best way to explore issues, because no one wants to be told what to think." On Joining Black Snow as a New Cast Member for Season Two Jana: "When I came in, I really just felt the love that the Heads of Departments and the crew members that were already on season one — and quite a lot of them were — had for the show. It was really beautiful to come in and start something fresh, but with people that already had that experience of season one, and they were also fond of that experience and also the final product, the show. So it felt really special. I remember that pre-production time where I went in and we had all our costume fittings and everyone was just excited to be back on at the production office. It was really, really nice, honestly." Kat: "It gives you a sense of the parameters and the tone. I think it's really helpful. And I haven't had this situation much. I suppose if you come in as a guest actor in an established show, it's like that, too. It's a good idea to watch a couple of episodes to get a sense of the tone. So I guess I have had that situation before. I think it was really helpful, because I'm very much a character that's one of the ensemble, and so we're in and out. So having that blueprint, even though it's its own show, just in terms of the style of the show and what it is, was actually really, really useful. I had a good sense of what I was stepping into in advance, which is great." On Drawing Energy From the Rest of Show's Impressive Cast Jana: "The beautiful thing was that everyone was so excited to be on the show. No matter where they came from, if that was their first acting job ever or if they were well and truly established actors, everyone was excited to be on the show. I think that really creates a beautiful spirit on set, and was very family-like. And it's just such a gift when you work with people like that, because it elevates the experience, but also elevates your own performance if you're acting opposite people who are really good actors opposite you. So it's just the best thing that can happen to you, really." Kat: "I actually only have one scene with Travis, and it was really interesting, because that one scene was quite an intense, big scene — and he was directing it. That was full on, because it was like 'hello'. I was really excited to work with him because I think he's terrific. I loved him in Boy Swallows Universe, the first series of this, obviously he's in Vikings. But it was a very unusual situation to be in. But I think I had the benefit of watching the first series, so I knew what the character was, and that certainly anchors it. So having seen the series, it gave me an idea of the tone of the show and the parameters and the way it would be shot. But yeah, that was just headfirst. I haven't seen it. I can't wait to see how it turned out." On the Importance of Black Snow Giving Its Missing People as Much Attention as the Search for Them Jana: "It's funny because going into it, for me it was all about creating her life and what that was like. And it wasn't for me to create anything beyond that, really. So to me, it was almost like whatever happens outside of that is not part of my storytelling, because I can't — knowing what happens to her, I can't bring that into my performance as the Zoe before anything happens. So it's kind of like, in that sense as an actor, pretty much like any other character — because it's all about doing justice to the person that they are and bringing them to life. I think it's really special that Black Snow does that, because you also get really invested as an audience member and you really want to know what happens to that person. So I can only hope that that's the same for Zoe and that people are invested in what happened to her." On Season Two Being Set in Queensland's Glass House Mountains Jana: "I think the producers are doing a really good job at picking out these beautiful, very striking pieces of landscape that you know to be Australian, but you don't see them so much. I think that's really special. The biggest block of shooting we did on the Gold Coast. We only had a few bits and bobs that we did at the Sunshine Coast. It was all pieced together. But I remember being there, seeing the Glass House Mountains for the first time, and I was just stunned. I loved it so much. They're very powerful." Kat: "I love being on location, and most of my work's been done in Victoria, Melbourne, which is just luck — and it's worked out well because I've got a young family — but this was great. It's so beautiful, the climate is completely different and the way they've shot it, they've really showcased that part of the world so beautifully. I think it's like a character, really. People say that all the time, but it really is. It's really beautiful. And I can't think of a production that's looked at this particular part of Australia like this." On Whether the Balance of Projects and Diversity of Roles That Stewart Has Enjoyed Is What She Hoped for When She Was Starting Out On-Screen a Quarter-Century Ago Kat: "I don't think I'd ever thought that far ahead. And it's all very strange, you saying 25 years, because I don't look back, either. You're always looking ahead. I know I've been very fortunate. I've been very lucky to work consistently and to work with such great people. And some long-running roles, too, where I really had a chance to develop the life of a character over a long time. That's a special — that's a really great experience to have. So I have been lucky. But having said that, I hope I'll be working for a very long time yet." On What Black Snow's Second Season Taught Its New Stars Jana: "It was just incredible to watch everyone bring their skills to the table on this show, because all the crew and the cast and all the directors were so incredibly skilled and beautiful at their jobs, and it was just such an enriching experience to get to watch them and just be present in that really concentrated and really skilled type of work. And also for me on a personal level, I think I always take inspiration from the characters that I play, and Zoe, with the fire that she has for the world, was definitely a very big inspiration for me as well on a personal level." Kat: "I just want to work on — it's the stuff you hear, but it's true — I just want to work on great scripts with great people. And each time you're building a character from the ground up, each time you sort of start with nothing, and each time you think 'oh god'. You always have to think 'oh, gee, how am I going to do this?'. You just learn things along the way just through doing it. And honestly, I love what I do. It's the coolest thing." Black Snow streams via Stan. Read our review of season one.
In the eyes of many, it's already among Abbotsford's top-tier drinking destinations. But this spring, Lulie Tavern is stepping things up a level — quite literally. The team has been hard at work transforming the space above its Johnston Street digs into the suburb's newest rooftop bar. On track to launch in November, the upstairs space will go by the name of Full Moon Fever — a tribute to music legend Tom Petty who, as you might have noticed from the photos and music programming downstairs, is an absolute Lulie idol. The all-weather rooftop will feature both a retractable roof and outdoor wood fire, kitted out with lounge seats and plenty of roomy booths. Beams and bricks from the former factory's original roof have been repurposed, and the space will be rocking a similar laidback, rock 'n' roll, memorabilia-filled aesthetic to its downstairs counterpart. Expect a warm, lively spot for after-work bevs, weekend hangs and everything in between. Full Moon Fever's menu is still being finalised, though we're told you can look forward to staple sips, done well and at locals' prices. Get set for summery sessions settled in over chilled tinnies, top-notch margaritas and peach iced teas — with some cracking tunes on the speakers to match, of course. Lulie Tavern has been an Abbotsford mainstay even since before it opened the doors to this current address in 2018. Prior to that, it was slinging cold tins and good vibes out of its previous home around the corner on Lulie Street. Find Full Moon Fever upstairs at 225 Johnston Street, Abbotsford, from November. We'll share more updates as they drop. Images: Jake Roden
There are few culinary pleasures quite as satisfying as a really, truly great burger. The perfect cutlery-free handful, sandwiched between a couple of soft buns (carbs, glorious carbs), and stacked so that every bite represents a fortuitous meeting of meat, salad and sauce. Happily enough, when it comes to burgers, Melbourne's home to some absolute doozies. Whether your go-to order is a classic cheeseburger that champions the simple union of beef, cheese and pickle, or perhaps a fried chicken sambo finished with some slaw and fancy extras, this city has a boss-level burger with your name written all over it. Check out Melbourne's 14 best burger joints next time you get a hankering for comfort food. Oh, and you'd best stock up on serviettes — this is going to get messy. Recommended reads: The Best Restaurants in Melbourne The Best Steaks in Melbourne The Best Pizza in Melbourne The Best Pubs in Melbourne
The Sporting Globe Richmond, one of the suburb's oldest pubs, has needed a little TLC for quite a few years. And it finally got what it deserved this year: a huge $3 million renovation that centred around making this one of the best sports bars in Melbourne. And the team seems to have done a pretty bang-up job. The bar reopened on Tuesday, July 23, and has immediately filled up with sports fans watching the Olympics on some of the 60-plus screens dotted about the venue — be they inside or out on the rooftop that now boasts a fully retractable awning. Once the Olympics is over, the team will play stacks of local and international matches on the small teles and the huge stadium-style screen located in the main bar. Some of the booths even have their own screens, which you can switch to whatever match you'd like to watch with your mates. Games are also played with the volume turned up, so you're sure to hear all the commentary — unless everyone is cheering for a sports match or fighting over a game of pool. But The Sporting Globe is more than just a spot for watching games on the tele. Now, you can also play digital darts at the new high-tech darts lanes found across both floors. It's set up for dart pros and casual players alike, as the screens will teach you how to play each of the seven different games available. For a midweek treat, the team is even running a special darts and draught deal every Tuesday. This sees punters get an hour of bottomless Carlton Draught (or house wine) and darts for $39 per person. Other deals include half-price wings and ribs on Mondays, half-priced steaks on Tuesdays, $18.90 parmas on Wednesdays, $16.90 burgers on Thursdays, parma and pint deals on footy Fridays, discounted cocktail towers on Saturdays and $34.90 beer towers on Sundays. With specials like these, you can expect the clientele to get a bit rowdy. But that's the vibe most of us are after when heading to a sports bar. If you prefer something a little more low-key, a smaller local Melbourne pub might be your thing. You'll find The Sporting Globe Richmond at 288 Bridge Road, Richmond, open 11.30am–late every day of the week. For more details, visit the venue's website.
Earlier in the year, when Victorians were asked to stay at home and the city's venues were forced to close, the State Government launched a digital entertainment portal to both help support local creatives and keep everyone connected. Now, with the state in the midst of its second lockdown — including stage-four restrictions in Melbourne — that online hub is getting a big boost. As announced today, Saturday, August 15 by Premier Daniel Andrews, Victoria Together will score a new range of virtual experiences, such as streamed comedy performances and live music. If you've already worked your way through your Netflix queue and played every board game in your house, this will be welcome news. If you're eager to do whatever you can to help Australia's arts industry, which has suffered greatly during the country's fight against COVID-19, it's fantastic news as well. Once again, the Victoria Together platform is hosting everything from cute animal videos from Melbourne Zoo to ACMI's film screenings, wellbeing resources, workout routines, recipes, digital art exhibitions and theatre shows — you get the idea. Basically, where all of the above is concerned, it's a one-stop-shop for the state's already exisiting online content. Best of all, it's completely free. Looking for something completely new? The hub also features freshly made content, with more coming in its rebooted form. The state government has once again partnered up with independent music and entertainment company Mushroom Group to continue the popular The State of Music weekly live-stream music series, which'll support and champion Victoria's developing artists this time around. This iteration is called The State of Music — Introducing, and will feature four episodes kicking off from 7.30pm on Friday, August 21. Expect to see Paul Kelly introducing Jess Hitchcock, The Chats' Eamon Sandwith introducing Clamm and The Teskey Brothers' Josh Teskey introducing Gena Rose Bruce, for instance. [caption id="attachment_737415" align="aligncenter" width="1920"] Cybele Malinowski[/caption] Also coming soon: an eight-part stand-up comedy series which'll be hosted by Nazeem Hussein, and boast the likes of Frank Woodley, Em Rusciano, Rhys Nicholson and Geraldine Hickey behind the microphone; the second season of cooking series Big Night In; and, in partnership ACMI, a new 'Victoria on Film' series that'll showcase locally made movies such as Ride Like a Girl, Miss Fisher and the Crypt of Tears, The Dressmaker, The Australian Dream, and Romulus My Father. As proved the case the first time, the aim isn't just to give Victorians something new to watch, but to keep a sense of connection going between artist and audience, and venue and punter. And, as Premier Andrews explained, to support "our musicians, filmmakers and others in the creative industries who are doing it tough". To visit Victoria Together, head to the online hub. The State of Music — Introducing will kick off at 7.30pm on Friday, August 21 and will run every Friday for four weeks — and for details on the rest of the online platform's content, keep an eye on its website.
Disney has its own. Apple has one too. And so does Drive director Nicolas Winding Refn. If you're fond of documentaries, you have not one but two local choices. The same applies if you're eager to get viewing for free, especially if you can handle retro flicks and titles that you've never heard of before. And if you're eager to support Australian content, there's one for that as well. We're talking about streaming platforms, of course. Throw in Netflix, Stan, Amazon Prime Video, SBS On Demand and ABC iView, and Aussies can't say there isn't anything to watch. That's not an exhaustive list either, because this space just keeps growing — with a new service dedicated to British television now joining the fold as well. Britbox was already operational in the USA, Canada and, of course, the United Kingdom, but it only launched in Australia on Monday, November 23 — after announcing it was coming to our shores earlier this year. It's a joint collaboration between two English TV networks: the BBC and ITV. They both have a hefty stable of programs up their sleeves, and you can expect retro and recent series. Think Doctor Who, Absolutely Fabulous, The Office, Blackadder, Pride and Prejudice, Prime Suspect, The Vicar of Dibley and Mr Bean, for instance. There's also Luther, A Confession, and David Attenborough's Blue Planet and Planet Earth. And yes, the list goes on. https://www.youtube.com/watch?v=G2DCExerOsA Britbox focuses on box sets of UK shows, which means full seasons all there at once ready for audiences to stream. You can do to do so via mobile devices, tablets, connected TVs and Chromecast — and via the online site. And price-wise, it's offering a seven-day trial, with subscriptions costing $8.99 per month or $89.99 for a year. Britbox is now available to stream in Australia via the service's website.
When your nine-to-five plays out like a well-oiled machine, it can sometimes feel like each week is a little same-same. But Melbourne is brimming with a fine bounty of things to experience and explore each and every day. So aside from casual laziness and a little lack of inspiration, there's really nothing stopping you from squeezing some adventure and spontaneity into your schedule. We've teamed up with Mazda3 to help you celebrate the little things that bring a sense of adventure to life. Shake things up, as we give you seven different detours to take each week in Melbourne. From Monday to Sunday, enrich your everyday with one completely achievable activity that inspires you to take the scenic route as you go about your daily routine. This week, sip a vegemite milkshake (if you dare), learn to navigate around without sight and eat burgers in a train in the sky. Plus, we've got your future detours sorted for the new few weeks here. All require no more effort than a tiny break from the norm — what's your excuse for not trying them all?
Some pretty big changes are afoot in Bligh Place. Two and a half years after launching, modern Middle Eastern diner Souk has had a full refit, jumping into its next phase with a flashy fresh look and a brand-new bar offering. Off the back of hefty renovations, Souk 2.0 has opened its doors, showing off a new space that conjures up some futuristic Arabian marketplace vibes. Much of the venue's signature neon remains, though it's now matched with an even more dramatic fitout. While the upstairs and rear of the site house the restaurant, the front space is being transformed into the all-new Handsome Bar, which is slated to launch mid-August. Entered through a separate door, Souk's new watering hole is contemporary, luxe, and heroes playful cocktails and drinking snacks. Serving up an entirely plant-based menu, the food range features eight tapas-style bites, including the likes of Jatz and French onion dip with harissa oil, and faux 'bone marrow' toast with parsley. They're matched by an offering of retro-inspired cocktails and French wine. Meanwhile, Souk has debuted a new menu of its own, while still sticking to its trademark fusion of classic Ottoman flavours and modern technique. Among a lineup primed for sharing, you'll find plates like fenugreek chicken wings teamed with dried pickled chillies, crispy spiced lamb ribs starring toasted garlic and mint vinegar, and a truffled cheese borek stuffed with black truffle mayo and three types of cheese. Charred flatbreads come with a choice of dip, including an appetising blend of dried tomato, lemon oil, black chilli and sumac. Meanwhile larger dishes span the likes of a barbecue spiced-chicken with buttered rice and currant pine nut sauce, and a contemporary riff on the mixed meat kebab. Plus, at $55 and $75, the two different sized chef's choice menus are solid options for the feasting-inclined. Find Souk Melbourne and Handsome Bar at 13 Bligh Place, Melbourne. Souk is open now, while Handsome Bar launches in mid-August — and they both trade Tuesday–Saturday.
When the new Hilton hotel opened in Melbourne's heritage 1930s Equity Chambers last year, it needed a swanky destination eatery to seal the deal. You can't open a luxury hotel these days without a big-name chef downstairs cooking eggs. That restaurant turned out to be Luci: a contemporary Australian fine diner with an Italian-Euro twist, named after the Roman leader and famous gourmet, Lucias Lucullus. The chef is Sam Moore (Pier in Rose Bay, Becasse, No.35 at Sofitel Melbourne), who has just released a sharp new menu across three services – brekkie, lunch and dinner. [caption id="attachment_845602" align="alignnone" width="1920"] Kristoffer Paulsen[/caption] "Striking a balance between classic and modern sensibilities, my produce-driven food highlights quality ingredients prepared with an elegant simplicity at the fore. From ocean-fresh seafood, or vegetables just out of the soil, I am proud to deliver this menu to our diners," says Moore. Luci isn't really trying to appeal to the W Melbourne or QT crowd. This isn't where you come for DJs and pool parties. Set inside the vaulted ceilings of the Equity Chambers, and positioned in the heart of Melbourne's legal district, it's a deliberately old-world set-up. Think, original wood panelling, restored heritage elevators, timber banisters and stonework galore. The menu is upscale too. There's a wicked crab benedict for breakfast, topped with umami-packed bonito hollandaise; Hiramasa kingfish crudo for lunch, with celery, horseradish and orchard apples; or maybe Wimmera duck breast for dinner, served with radicchio and creamy celeriac. The wine list is fully stocked, as you'd expect, with a broad mix of local Victorian drops and low-intervention stuff. Plenty of options to keep things interesting. [caption id="attachment_845598" align="alignnone" width="1920"] Kristoffer Paulsen[/caption] Speaking of drinks, if you want a cocktail before dinner, check out the 1930s-style Douglas Club bar, just next door to Luci. It's in the fully-restored front bit of the Equity Building, and Hilton have even snagged bar manager Gee Shanmugam (from Windsor's Galah Bar and Mya Tiger at The Espy). Our tip: try the mini parmesan donuts from the bar menu. As part of their takeover-refurbishment of the Equity Chambers, Hilton has also installed some pretty eye-catching new suites upstairs. The entire building has had a massive glow-up. If you're looking for a romantic night away in the CBD, with killer food and a 1930s cocktail bar downstairs, the Hilton on Little Queen Street is now a serious contender. Find Luci within the Hilton Melbourne Little Queen Street (entry via 472 Bourke Street, Melbourne). Images: Food and interiors by Kristoffer Paulsen; Hilton entrance by Paul Gosney
Get your fill of hawker-style cuisine over five massive nights this autumn as the Hawker 88 Night Market returns for its 2025 edition. Taking over the Queen Victoria Market every Wednesday from April 9 to May 7, the vibrant market showcases a hugely diverse lineup of cuisines from across Asia, ensuring there's no shortage of opportunities to feast on flavours from Indonesia, Japan, India and beyond. To keep vibes high, each week will feature a stellar program of themed cultural encounters, from dance performances and live music to costume parties and eating contests. So, you've got more than enough reasons to return for each night of this five-week-long extravaganza. Launching this year's market on April 9 is Pan-Asian Night, where a K-pop dance crew, lion dancers and an Asian fusion band will keep the atmosphere pumping. The next week, Bali to Bangkok Night will see Southeast Asian cuisine paired with expert martial artists, traditional dancers and a live Thai band. April 23 is Rising Sun Night, where Japanese and Korean stalls dish out extraordinary food as taiko drummers, roving geishas and a Korean costume parade take things up a notch. Then it's time for Bollywood Night on April 30, as live dance-offs, henna mural-making and curry-eating competitions complement the vibrant cuisine. Before it's time to say goodbye to the event for another year, the closing event on May 7 is Yin and Yang Night. Get down for an incredible feast alongside Chinese and K-pop dancing, a Squid Game-inspired DJ set and a traditional Chinese costume parade.
Maxibon are teaming up with lunch legends Hugo's Deli to celebrate the triumphant return of the much-loved Maxibon Peanut Jams with Butter. Loyal fans can snag one of 10,000 free ice creams when they drop in to the Richmond sandwich store between 10am–5pm on Saturday, April 27 and Sunday, April 28. If you can't get enough of the iconic peanut butter and jelly flavour combination, a limited-edition sandwich will also be available at Hugo's Deli for the weekend. This stacked PBJ Sanga features Southern fried chicken with peanut butter and a cherry and pepper berry glaze. "It really is a tale of two sandwich legends coming together, and we can't wait to see thousands of Aussies turn out to share the experience with us," said Maxibon Brand Manager Stephanie Chosich. Make sure you grab one of these delicious treats before they run out. Beyond the event, PBJ Bons are available in single serves and four-packs at various retailers.
When SXSW Sydney first started revealing details of its 2025 lineup, it promised more free programming on this year's bill. If you're keen to head along to the event's third year — after making its Harbour City debut in 2023, then returning in 2024 — without spending a cent, you'll want to make a date with Tumbalong Park, then. Again, the spot is playing host to the fest's budget-friendly activities, including everything from live music to movies, as well as DJ sets, talks, fashion showcases, pop-ups and more. Free sessions have always been a component of SXSW Sydney, but adding more was never not going to be a welcome move. Accordingly, after outlining that there'd be a significant expansion of its free programming, the festival has upped its Tumbalong Park lineup to 85-plus hours of events. At SXSW Sydney Unlocked, as the hub has been dubbed, there'll be more than 200 options to engage in the fest between Monday, October 13–Sunday, October 19. This part of the lineup runs every day, but will feature extended hours from Thursday–Sunday. Weekday lunch breaks are a particular focus, spanning programming from 12–1.30pm Monday–Friday, as are happy-hour sessions from 4.30pm Tuesday–Friday. So, SXSW Sydney clearly wants the city to join in whenever suits everyone's daily schedules — and via everything from guest appearances to surprise hosts, too. Highlights include the return of FOMA: Fabrics of Modern Australia on the runway; gigs by Indonesian hip hop stars Tenxi, Filipino folk-pop singer Angela Ken, J-Pop boy band Psychic Fever and Chinese Tencent singer Tia Ray; and Blak to the Future: A Celebration of First Nations Creatives' celebration of Indigenous filmmaking. Or, hit up twilight gigs in the Seymour Centre courtyard, get line-dancing lessons and see a range of country talent — Max Jackson, The Washboard Union, Lewis Love and Big Wheels — at Tumbalong Honky Tonk, and explore the Australian Space Agency's space-themed hub. There's also Small Fry Rock for families, with Grinspoon's Phil Jamieson and Little Birdy's Katy Steele taking to the stage. The Rubens are set to celebrate ten years of 'Hoops', while K-pop is also getting a moment. On the Saturday, if you fancy attending the Games Showcase and Innovation Expo without bothering your wallet, that's also on the agenda. "SXSW Sydney Unlocked represents the very heart of what SXSW Sydney is all about: access, discovery and connection. We're incredibly proud to offer a dynamic, free program that invites everyone, from families and students to workers on their lunch break, to experience the energy and ideas that define this global event," said SXSW Sydney Co-Managing Director Simon Cahill. "Whether you're watching a runway show, getting hands-on with future tech at our expo, or dancing with your kids in the park, this is a celebration of ideas and imagination, and everyone's invited." SXSW Sydney 2025 will run from Monday, October 13–Sunday, October 19 at various Sydney venues, including Tumbalong Park. Head to the SXSW Sydney website for further details. Images: Jess Gleeson, Paul McMillan and Ben Gibson.
Pencil in this one for a future getaway: a sprawling 100-acre spot in the Yarra Valley that's home to a 300-bed hotel, an outdoor concert venue, three restaurants, lakes and gardens to roam around, and an arts and craft village. Come 2024, that's set to become a new place to add to your holiday itineraries, all on the Maroondah Highway just over an hour's drive from Melbourne. Here, you'll be able to see a gig, then not only bunker down for the night but truly make a weekend of it. It's envisaged that the new site will play host to big names, spanning both local and international acts — and also showcase local growers, artisans, winemakers, distillers and brewers. Specifics such as who'll run the hotel and what the restaurants will offer haven't yet been revealed, however, and development plans are still to be lodged. That said, helping boost the state's tourism and live entertainment industries after the past couple of tough years is one of the project's big aims. The just-announced $200-million precinct springs from Cedar Mill Group, which is owned by Newcastle-based property development firm Winarch Capital, and has just snapped up the land to bring this plan to fruition. It's the company's third such development in the works, and the first in Victoria — following Cedar Mill Lake Macquarie, which is revamping a golf course and adding a 30,000-person concert venue, cafes, restaurants, accommodation and a huge aquatic park; and Cedar Mill Hunter Valley, a 40-hectare spot in in Pokolbin that's set to open in late 2023 with a 22,000-person amphitheatre, a 100-room hotel and a wine museum. Cedar Mill Group is also still looking for other sites around Australia — so that list might grow in the near future. And, yes, adding new spots for Aussies holidays to your getaway bucket list is becoming easy of late. There's also the in-the-works new hotel in the Barossa, smack bang in the middle of a vineyard; the about-to-open QT Newcastle, which includes a rooftop bar and a suite in a clock tower; and Sydney's Porter House Hotel, which'll launch in July with a five-story restaurant and bar hub next door. And, there's the just-opened first Down Under outpost for Ace Hotels, the soon-to-open The Langham on the Gold Coast, design-driven Marriott chain AC Hotels' first Aussie site and the 2025 local debut of The Waldorf Astoria, too. The Cedar Mill Group's Yarra Valley site is expected to open in 2024. For more information about its plans, head to the company's website.
He's one of the most critically acclaimed and successful hip hop artists of our generation. He has 14 Grammys to his name, plus an Academy Award nomination for one of his contributions to the Black Panther soundtrack. He won the 2017 Triple J Hottest 100, and also became the first ever artist to take out the prestigious Pulitzer Prize for contemporary music in 2018. His last stadium shows Down Under, back in that same year, sold out ridiculously quickly, too — and he's coming back to Australia and New Zealand to play five huge gigs before 2022 is out. We're talking about Kendrick Lamar, of course, who has just announced a huge 'The Big Steppers' world tour in support of his just-dropped fifth solo studio album Mr. Morale & the Big Steppers — his first since 2017's DAMN., and also his first full-length release since 2018's Black Panther soundtrack. The Compton rapper will be heading to Perth, Melbourne, Sydney, Brisbane and Auckland in December, to close out a global jaunt that starts in the US in July, then ventures through Europe before coming our way. The word you're looking for: alright. While fans can expect plenty of tracks from Mr. Morale & the Big Steppers, Lamar's extensive catalogue is sure to get a whirl — including tracks from 2011's Section.80, 2012's good kid, m.A.A.d city, 2015's To Pimp A Butterfly and, obviously, DAMN.. Lamar won't be taking to the stage solo, with Las Vegas rapper Baby Keem, aka Lamar's cousin, in support on all dates. Just like his last trip Down Under — when he also headlined Splendour in the Grass — expect tickets to get snapped up quicker than Lamar can bust out lyrics when they go on sale at 12pm local time on Friday, May 20. Mr. Morale & the Big Steppers literally just dropped yesterday, Friday, May 13, too, so there's your soundtrack sorted while you celebrate the tour news. KENDRICK LAMAR'S 'THE BIG STEPPERS' 2022 TOUR AUSTRALIA AND NZ DATES: Thursday, December 1 — RAC Arena, Perth Sunday, December 4 — Rod Laver Arena, Melbourne Thursday, December 8 — Qudos Bank Arena, Sydney Monday, December 12 — Brisbane Entertainment Centre, Brisbane Friday, December 16 — Spark Arena, Auckland Kendrick Lamar's 'The Big Steppers' tour will hit Australia and New Zealand in December. Tickets go onsale online at 12pm local time on Friday, May 20. Top image: Renell Medrano (@renellaice).
What's creepy, kooky, mysterious and spooky, has been around for 84 years now, and just keeps scampering around screens big and small like a mischievous severed limb? The Addams Family, of course. What's finally in the hands of Tim Burton, aka the director who could easily be one of the altogether-ooky crew's long-lost relatives, and has spent his entire career channelling their gothic aesthetic? Yep, that'd be The Addams Family again. It's time to get a witch's shawl on and a broomstick you can crawl on, because Netflix — and Burton — are gonna pay a call on popular culture's most famous supernatural brood. The show in question: Wednesday, starring Jenna Ortega as the titular figure. Indeed, it's turning out to be quite the year for the actor, especially when it comes to horror, with this new take on The Addams Family following her roles in Scream, Studio 666 and X already in 2022. Wednesday will clearly focus on its namesake, aka the Addams' eldest child, who plenty of teenage girls with long black hair have been compared to for decades. Wednesday is indeed a teen in the new series — a high schooler, in fact. As seen in the just-dropped first trailer for the show, she has been terrorising her way through schools, hopping through eight of them in five years. The sneak peek starts with the plait-wearing figure getting the boot from another, too, with some help from a couple of bags of piranhas, then ending up at Nevermore Academy. Her father Gomez (Luis Guzmán, Hightown) and mother Morticia (Catherine Zeta-Jones, Prodigal Son) met at Nevermore, and think that she'll love it — but clearly Wednesday's storyline isn't going to be that straightforward. While she's there, she'll have a monstrous killing spree to stop, and a supernatural mystery linked to her parents a quarter-century ago to solve. Sleuthing, high school antics and all things Addams Family: that's the spell that Wednesday plans to cast when it arrives this spring Down Under (Netflix hasn't announced an exact release date, but you could put money on it dropping in October for obvious reasons). The trailer looks like Burton is filtering his Frankenweenie, Beetlejuice and Edward Scissorhands vibes through Miss Peregrine's Home for Peculiar Children — so, it looks exactly like a Tim Burton-directed version of The Addams Family was always going to. Wednesday treads in huge footsteps, though, given that this isn't the first time that The Addams Family has made the leap from a beloved cartoon in The New Yorker to the screen. The 1960s TV series is a gem of the era, and 1991's live-action film The Addams Family and its 1993 sequel Addams Family Values are two of the best movies of that decade. (The less said about the recent animated flick and its own follow-up, however, the better.) Netflix's eight-part series also stars Isaac Ordonez (A Wrinkle in Time) as Pugsley and George Burcea (Comrade Detective) as Lurch, while Game of Thrones' Gwendoline Christie is also set to pop up. And, although exactly who she'll be playing hasn't been revealed, the 90s Wednesday Addams, aka Yellowjackets' Christina Ricci, is also on the cast list. Check out the first teaser trailer for Wednesday below: Wednesday will start streaming via Netflix sometime in spring Down Under — we'll update you with an exact release date when one is announced. Images: Matthias Clamer / Vlad Cioplea / Netflix © 2022.
Balmy summer afternoons are prime time for sipping gin — especially now that Brogan's Way has added a slew of new dates to its Bottomless Gin Sessions. Across five Saturday sessions from January 21–April 22, the Richmond distillery is your go-to for an arvo of free-flowing sips and picnic fare. Choose between the 1pm or 4pm sitting and you'll settle in to enjoy a Blue Frozen Gin Margarita, followed by two hours of bottomless G&Ts. There's a swag of options to take your fancy too, from Brogan's Way's Everyday Salvation Gin, to its Strawberries & Cream number. While you're enjoying the drinks, you'll also be tucking into a picnic box (standard and vegetarian available) full of good stuff — think, lamb fillet crostini with wild mushroom pâté, lemon za'atar chook served with harissa yoghurt and flatbread, and dainty passionfruit curd tartlets for dessert. Sessions are $72 per person and bookings are essential — though if you book before January 31 with the code BLUESUMMER23 you'll score a $5 discount.
When it comes to picnics, as with all al fresco gatherings involving great food, company and libations: sharing is caring. Joining your besties for a communal feast of cheese, snacks and cocktails is one of life's simple pleasures we've been missing out on lately — and we're keen to make up for the lost time. So, if you've been put in charge of drinks for your next get-together, it's time to think big. Luckily, there's a stack of local bars and labels whipping up supersized liquid creations you'll be proud to share with your mates. To prep you for the season ahead, we've rounded up some of the best locally-made large-format cocktails going around from fruity spritzes made on native botanicals, to blockbuster-sized bloody marys. All are ready-to-pour with minimal packaging taking up precious room in your esky. After all, not all good things come in small packages. HOME GROWN'S SPRITZ COCKTAILS Spritz season is upon us, but before you reach for the Aperol, you might want to check out the crafty renditions made by local hospitality incubator Worksmith. The Home Grown label currently features three Aussie-inspired, ready-to-pour spritzed cocktails, served in 750-millilitre glass wine bottles ($45). There's the Creamy Soda Highball boasting hints of sarsaparilla and a touch of whisky, a Ginger & Mango Spritz starring Anther Gin, and the Strawberry & River Mint Spritz — a dry, yet fruity fusion of Grainshaker Rye Vodka, Økar Island Bitters and aromatic berries. Coming in at around the 9 percent ABV mark, they're ideal served over ice for sunny afternoon sips on the grass. Stock up: Solo bottles and three-packs are available online for regular shipping. You'll also find them at select local independent bottle shops. ZONZO ESTATE'S BELLINI DI CRISTINA The bellini is the ultimate boozy brunch sip, but thanks to all these lockdowns, the two of you are probably disastrously overdue for a catch-up. So make up for lost time with a generous shared serve of this classic Italian peach-infused aperitif, hand-crafted by a Yarra Valley winemaker. Zonzo Estate's new Bellini di Cristina is a fruity, refreshing blend of prosecco and peach nectar, starring chardonnay grapes grown in the Murray Darling. Full of bright peachy aromas and boasting a gentle fizz, it's a treat that's perfect for the picnic hamper, served in a classic 750-millilitre wine bottle ($25). Stock up: Order online to get a bottle — or a box of six or twelve — shipped to your door. Otherwise, find it at select boutique bottle shops around Melbourne. MR WEST'S BAGNUMS If you're a booze connoisseur located in the west, chances are you're already acquainted with Mr West's foray into the large-format drinks market. The bottle shop and bar earned itself plenty of new fans with the release of its 1.5-litre 'bagnums' ($99), featuring pre-batched house cocktails served in easy-pour bladder packs. Containing 12 serves, the espresso martini version is crafted on Mr Black coffee liqueur, cold drip coffee, stout and vodka. Or, if aperitivo hour's on the cards, there's the signature negroni made with Poor Toms gin, which packs enough for between 16 and 20 serves. Oh, and with no glass or cardboard to worry about, these are the perfect esky choice. Stock up: Jump onto Mr West's online store to order one of these bad boys for delivery or click-and-collect. ZSA'S MEGA MARY If you prefer your cocktails to be full of tomato and with a bit of a fiery kick, we'd like to inform you that Zsa's is currently whipping up your ultimate share-friendly park sip. Behold, the Mega Mary — a one-litre pop-top bottle of rich, truffle-infused bloody mary. A recent release from the Northcote bar and bistro, this feisty cocktail already has something of a cult following among northside spice fiends. It's made to a secret house recipe, with lashings of Truff hot sauce elevating it well beyond your basic bloody mary situation. One of the giant serves will set you back $60, though there's also a combo pack featuring twelve freshly-shucked oysters for $96. Stock up: The Mega Mary is available for pick up — order online. MR MIYAGI'S COCKY BOXES Fun-loving modern Japanese restaurant Mr Miyagi has put a cheeky, new-school spin on the humble goon box, starring blended house cocktails instead of cheap wine. Each of the $55 Cocky Boxes comes filled with six serves of drink (750 millilitres), with a tap for easy pouring and Mr Miyagi's signature black-and-pink branding signalling good times ahead. You can choose between the Charlie Does Tokyo — a blend of gin, umeshu, yuzu and lime — or the Sanchez Does Kyoto, featuring a gutsy fusion of tequila, yuzu and agave. All boxed up in easy-to-transport cardboard, ready to take from fridge to park. Stock up: The Cocky Boxes are available to pre-order for pick up and delivery from the Windsor restaurant. CAPITANO'S NEGRONUS MAXIMUS The drinks maestros at Italian bar and restaurant Capitano have created a supersized negroni pour with a beefed-up name to match: the Negronus Maximus ($90). Only serious cocktail-sippers need apply. Clocking in at a hefty 750 millilitres, this bottle of goodness features seven and a half serves of the venue's signature negroni blend, ready to infuse your picnic with all the Italian aperitivo vibes you could want. Just add one of the kitchen's pizzas or vodka pastas for full effect. If you're looking to downsize, the bar's also serving smaller pre-batched sips, including an olive oil martini and the Tiramisu Milk Punch. Stock up: A selection of Capitano cocktails are available for click-and-collect and local delivery — order here. Top Image: Mr Miyagi Cocky Box
Next time you pour yourself a gin and tonic or start sipping a martini, you can say cheers to one of Australia's best-known architectural wonders in the process. With its latest release, Archie Rose Distilling Co is paying tribute to a building that's become an international symbol not only for its city, but for the whole country: the Sydney Opera House. There's plenty to celebrate when it comes to the Jørn Utzon-designed structure, so Archie Rose has whipped up two gins — or, in terms that suit its inspiration, two acts. Outside Gin nods to the Sydney Opera House's design, coastal location and the contrast of its man-made elements with nature, while Inside Gin is an ode to the acts and all-round creativity that've graced the venue's stages since 1973. Launching this month to mark the building's 46th birthday, the two tipples hero distinctive flavours. If you're keen on a heavy juniper taste with a mix of salty, sweet and citrus notes (aided by lemon-scented gum, South Australian yuzu, finger limes, white grapefruit, seablite and native seaweed), then you'll find it in the Outside Gin. For those who like their drinks fruity and summery — and with botanicals such as native thyme, Australian apricot, raspberry and strawberry gum — Inside Gin has you covered. Both are on sale now, individually for $99 each or as a gift-boxed pair for $179. And while their names don't mention the Sydney Opera House, their labels certainly do, with a stylised representation of the structure featuring on each 700ml bottle — against a sea-toned background for the Outside Gin, and contrasting against a dark mix of purple, red and black with the Inside Gin. Naturally, you'll also be able to sip the two spirits at the Sydney Opera House, with the venue's Opera Kitchen, Portside Sydney and theatre bars all slinging curated seasonal cocktails using both gins. Bennelong Restaurant is also stocking the duo, as are a selection of other bars and restaurants around Circular Quay. Archie Rose x Sydney Opera House Outside and Inside Gins are currently on sale.
The end of winter means warming temperatures, blooming flowers and summer inching closer. In 2023, it also means looking up. To close out August, a super blue moon will take to the sky — or a blue supermoon, if you prefer. Both terms fit, because the Earth's only natural satellite will serve up both a supermoon and a blue moon. The date to point your eyes to the heavens: Thursday, August 31. Stare upwards with your own two eyes and you'll see a noteworthy sight — but it'll actually be at its peak that morning. Heading outdoors at 11.35 AEST is recommended; however, if you train your peepers towards the sky the evening before or afterwards, you'll still be in for a glowing show. While super full moons aren't particularly rare — several usually happen each year — blue moons only happen every few years. Wondering why else you should check this one out? We've run through the details below. [caption id="attachment_769713" align="alignnone" width="1920"] NASA/Joel Kowsky[/caption] WHAT IS IT? If you're more familiar with The Mighty Boosh's take on the moon than actual lunar terms, here's what you need to know. As we all learned back in November 2016, a supermoon is a new moon or full moon that occurs when the moon reaches the closest point to Earth in its elliptical orbit, making it particularly bright. Again, they're not all that uncommon — and because the supermoon on Thursday, August 31 is a full moon (and not a new moon), it's called a super full moon. A blue moon refers to the second full moon occurring in a calendar month. Despite the name, it isn't blue in colour. Also, despite the saying, they happen more often than you might think, but still only ever few years. The next monthly blue moon after this is set to occur at the end of May in 2026. Normally, the August moon is also a sturgeon moon, too — and while that's the case in 2023 as always, that moon has already been and gone. That's what happens when there's two months in a month, with this year's sturgeon moon happening on Wednesday, August 2. The name, doesn't refer to its shape or any other physical characteristics, but to the time of year. In the northern hemisphere, August is around the time that sturgeon fish start to show up in big numbers in North America's lakes. Of course, that doesn't apply in the southern hemisphere, but the name still sticks. WHEN CAN I SEE IT? As mentioned above, the super blue moon will officially be at its peak at 11.35am AEST on Thursday, August 31, Down Under — but thankfully it will be visible from Wednesday night Australia and New Zealand time. The moon does usually appear full for a few days each month, so you should find the night sky looking a little brighter this week anyway. That 11.35am AEST time applies in Sydney, Melbourne and Brisbane, with folks in Perth needing to look at 9.35am local time and people in Adelaide at 11.05am local time. In New Zealand, get peering at 1.35pm NZST. WHERE CAN I SEE IT? You can take a gander from your backyard or balcony, but the standard advice regarding looking at glowing sights in the sky always applies — so city-dwellers will want to get as far away from light pollution as possible to get the absolute best view. Fancy checking it out online? The Virtual Telescope Project is set to stream the view from Rome at 1.30pm AEST on Thursday, August 31, too. For more information about the super blue moon on Thursday, August 31, head to timeanddate.com.
If an exceptional lattes are all you want in life, Assembly almost certainly ranks as one of the best places to be in Melbourne. But if it's pour-over, Aeropresses and filter coffee that makes you tick, well, you've reached heaven on earth. Inside the pastel pink walls of this simple light-filled Carlton set up, patrons are encouraged to get familiar with different filter coffees from all over the world — try the nutty drop from Anderacha, Ethiopia — or to explore the unique flavours of single estate espressos (no blends allowed). You can even enjoy a perfectly steamed gui fei tea from Taiwan, not to mention the other varieties from China and Japan. No matter what you decide to drink, it's safe to say that it'll be brewed perfectly. The small coffee shop also doubles as a retail store, selling beans and all the pro gear — like Chemexs, kettles and fancy tea pots — you need to make a great cup at home.
It was back in 2000 that the Gold Coast gained its own Versace-branded hotel, letting cashed-up guests and plenty of celebrities enjoy a five-star stay surrounded by the fashion house's aesthetic. Beyoncé and Jay Z, Paris Hilton and The Rolling Stones have all stayed there. Everyone in Australia has heard of it. But the Palazzo Versace is no more — instead, it's now the Imperial Hotel. In April, it was announced that Versace wouldn't be renewing its agreement with the hotel, which has been put up for sale multiple times during its existence. Now, since Tuesday, August 1, the site has unveiled a new name, plus plans for a refurbishment. That star rating remains, as does the venue's exterior and famed antique entryway chandelier, plus its lobby furniture and bespoke tableware. But the Imperial Hotel's 200 rooms will get a makeover as part of the rebrand — still surrounding guests with luxury, of course. "The Imperial Hotel will retain the essence of Palazzo Versace's grand legacy, and will continue to offer the highest standard of luxury and impeccable service, to ensure an unforgettable stay for our guests", said Imperial Hotel General Manager Richard Clarke. "With the dawn of the Imperial Hotel, we are committed to exceeding expectations and redefining the boundaries of luxury hospitality. We are thrilled to welcome our first guests, and we extend our heartfelt appreciation for their support." Also changing: the menus at Imperial Hotel's restaurants. Exactly what signature eatery Vanitas, the seafood-focused Il Barocco and high tea-slinging spot Le Jardin will soon be serving is yet to be revealed. Obviously, the Pacific Ocean and Gold Coast Broadwater views aren't going anywhere, nor the option to stay in multi-bedroom condominiums including on the rooftop and with private plunge pools. And yes, as it has been for more than two decades under its past moniker, Imperial Hotel is still firmly a treat yo'self kind of getaway spot. Find Imperial Hotel at 94 Seaworld Drive, Main Beach on the Gold Coast — and head to the hotel's website for bookings and further details. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
That's right — Kabir Singh and GJ's love letter to Fitzroy is trading in its humble abode for a bigger (and better) venue. Following its wildly successful run at its current locale for the past three years, the dynamic duo have jointly reached the decision that it is time for Mukka to move on. Just a few strides away from its original location will be the much-loved Indian eatery's brand-new spot, still residing in the familiar surrounds of Brunswick Street – and this shiny new outpost is decked out to impress. Mukka will reopen in its new home on Saturday, December 2, with a grand unveiling followed by a party worthy of the Bollywood big screen. And the celebrations won't end there — the restaurant will also be doing a week-long deal offering 50 percent off of your bill when dining in. But what can you expect from the new-and-improved Mukka? Following its relaunch, the now 100-seat venue will feature more vibrant decor, a sleek charcoal grill for Mukka's newest menu item — chargrilled kebabs, a five-metre-long feasting table, a dedicated function space and Melbourne's first-ever Bollywood-themed bar. The returning restaurant will don (not to be confused with Don, the popular Shah Rukh Khan-starring Bollywood film) a colourful fit-out starring 1300 kilograms of carefully selected decor from India, as well as a mural dedicated to honouring the iconic Bollywood film, Sholay, attached to its extravagant bar. As for its menu, you'll find all of the punch-packing dishes that Mukka is known for — including its hearty curries and enticing street eats — alongside inventive spiced cocktails and some new chargrilled specials. Plus, there will be an additional slow-cooked champaran meat curry available only for pre-orders, as well as two individual lunchbox-style tiffin boxes (a Tradies Tiffin and Sheila's Tiffin) reminiscent of the ones popular across India. You'll find the new-and-improved Mukka at 366 Brunswick Street in Fitzroy, open from 5:30pm to 9:30pm every Monday to Thursday and 5:30pm to 10:30pm on Fridays, Saturdays and Sundays, with a lunch service from 12pm to 3:30pm on weekends.
There's a difference between embracing the fantastical and making fantasy. As a book since 2018, then a stage production and now a seven-part Netflix series, Boy Swallows Universe knows how to fly in the first direction without becoming the second. Author and journalist Trent Dalton spins a semi-autobiographical 80s-set story, which surveys his childhood and its challenges with clear eyes, but also brims with hope and zero judgement. That's protagonist Eli Bell's (Felix Cameron, Penguin Bloom) approach to everything, including his recovering addict mother Frankie (Phoebe Tonkin, Babylon), his heroin-dealing stepfather Lyle Orlik (Travis Fimmel, Black Snow), his alcoholic and agoraphobic dad Robert (Simon Baker, Limbo), and his elder brother Gus (Lee Tiger Halley, The Heights), who hasn't spoken since a traumatic incident in the siblings' past. It's also how he sees family friend, babysitter, father figure, and no-nonsense but supportive source of wisdom Slim Halliday, as played by Australian acting icon Bryan Brown in Boy Swallows Universe's leap to the screen. The character is one of Dalton's great inclusions and, as with much in the novel, doesn't merely stem from Dalton's imagination. The name, that he spent decades in the Queensland capital's Boggo Road Gaol for the death of a taxi driver, his multiple escapes from the notorious prison: they're all 100-percent real. So is the fact that the young Dalton knew the convicted murderer when he was a boy growing up in Brisbane's west. Casting Brown is like most talent choices in Boy Swallows Universe: a dream pick. Chatting with Concrete Playground about the part and the Brisbane-made series, he's full of praise about Cameron as 12-year-old force-of-nature Eli. "He's a fabulous young kid and he's done a fabulous job," he advises. But Brown's own inclusion, like Tonkin, Fimmel, Baker, Halley, Totally Completely Fine's Zac Burgess as the older Eli, Talk to Me's Sophie Wilde's as Caitlyn Spies and more, is just as pitch-perfect. To Eli, Slim is a man with answers, encouragement and no sugarcoating — someone who believes in him, wants the best for him, but won't skip over life's realities. Try to picture an Aussie actor who'd nail the role and Brown is alone in springing to mind. Boy Swallows Universe joins his almost five-decade-long resume, at a time when Brown jokes that "someone asking me to do a job now is quite a good thing". In the past five months, he's been on-screen almost constantly — in fellow streaming series C*A*U*G*H*T, the recut of Baz Luhrmann's Australia as miniseries Faraway Downs and in US-produced but Sydney-shot rom-com Anyone But You. His career has followed the same path since the mid-70s, and reads like a history of Aussie film and television. For both 1980's Breaker Morant and 1999's Two Hands, he has Best Supporting Actor Australian Film Institute Awards. In the latter as with Boy Swallows Universe, he was paired with up-and-comer: there, it was Heath Ledger. [caption id="attachment_935699" align="alignnone" width="1920"] Jono Searle/Getty Images for Netflix[/caption] Brown's credits also span The Chant of Jimmy Blacksmith, Newsfront, The Shiralee, Dirty Deeds, Beautiful Kate, Red Dog: True Blue and Sweet Country. The list goes on. Over in Hollywood in the 80s, after TV's A Town Like Alice was a hit overseas as well as at home, he earned Golden Globe and Emmy nominations for The Thorn Birds, led action-thriller F/X, famously mixed drinks with Tom Cruise (Mission: Impossible — Dead Reckoning Part One) in Cocktail and starred opposite Sigourney Weaver (The Lost Flowers of Alice Hart) in Gorillas in the Mist. In 2004, he featured in the Ben Stiller (Locked Down)-led Along Came Polly as well. With Boy Swallows Universe, Brown was drawn in as everyone who has come across it in any form has been: by the story. Initially introduced via screenwriter John Collee's (Hotel Mumbai) scripts, he found it as astonishing as readers, theatre patrons and viewers keep doing. The series that results is now streaming — and we spoke with Brown about his first responses to Dalton's tale, his eagerness to play Slim, taking on someone with layers both on the page and in reality, mentoring Cameron, why everyone loves Boy Swallows Universe and more. ON BROWN'S FIRST EXPERIENCE WITH THE BOY SWALLOWS UNIVERSE STORY "The scripts. I hadn't read the book, and the producer Troy Lum (Palm Beach) sent me John Collee's — at that stage — eight one-hour scripts, and I thought they were quite wonderful, the scripts. That then led me to go get the book and read the book, and to thoroughly enjoy it and go 'this is a remarkable story this', given it was basically true. And so to be able to be a part of it, I was only too willing." ON WHAT APPEALED TO BROWN ABOUT PLAYING SLIM HALLIDAY "I think the fact that he was a crim, but we don't meet him doing anything criminal. We hear about what a crim he was, and how he'd been in jail for 30 years and how he'd escaped, but we see him as someone that really wants to help the boys not go the way that he did. So I think it's the fact that he's not as you would expect him to be. When someone says 'I've got a part for you to play, it's a crim, love you to do it' — [but] basically I'm babysitter in this." ON HOW TO PREPARE FOR A PART THAT ISN'T JUST A CHARACTER IN TRENT DALTON'S BOOK, BUT A REAL-LIFE PERSON "Basically I can only play the scripts. So if there's something missing in the scripts, then I go 'this conflicts with something else, I need to know more about it'. But the scripts were so well done, the character was so well-outlined, the relationship with the boy was so clear and it felt quite instinctive to be able to play — I didn't have to research his criminal activity. None of that came into the playing of this piece. So it was about trying to understand why he wanted to be with the boy and behave as he did, and pretty well the scenes answered that for me." ON PLAYING SLIM AS NO-NONSENSE BUT SUPPORTIVE, AND A FATHER FIGURE FOR ELI "Once again, I come back to how well something's written. If a character is written well, you're just pulling the glove on and getting on with it. It's where something comes into conflict or it doesn't make sense that you're at sixes and sevens in trying to play something. But this was so well-written on the page that I was able to play it pretty easily. It was a part that was enjoyable to play." ON HOW BROWN SEEES THE RELATIONSHIP BETWEEN SLIM AND ELI "I guess it is a bit father-son, but it's better than that. It's like he doesn't have to be the parent and exercise certain disciplines — he just has to be there as someone that appreciates and would always be there for the boy. And just that knowledge that he gives to the boy, there is someone solid here that believes in me, that's the relationship that I think that Slim brings." ON HOW THAT MENTORING RELATIONSHIP TRANSLATED WITH FELIX CAMERON OFF-SCREEN "People would probably say it did. We got on very well. We had a lot of fun together. He's a cheeky little bugger, and I really enjoyed mucking around with him. But behind all that there's a very bright young fella — and there's a fella who, obviously he's got wonderful parents. There's a boy that appreciates pretty well everything that's going on here. He appreciated doing this. It never went to his head in any way. I'm sure there were areas of confusion for him, but he never brought that to the table." ON WHY BOY SWALLOWS UNIVERSE CONTINUES TO STRIKE SUCH A CHORD "I think it is a story of hope. The boys want and hope that their life will be better, and do everything — they don't judge their parents, there's no judgement in this show about people, but there is the boys who just see that there's a life out there, and hope that they can have a life that's different to the ones that their parents are experiencing. I think that there's a joy in that. It's not a dour story. It's not a dark story. There's darkness in things that happen with the characters, but it's not a dark story. It's a story of hope and desire from the boys to have a real life, and I think you can't help but get affected by it." [caption id="attachment_935703" align="alignnone" width="1920"] Chris Hyde/Getty Images for Netflix[/caption] ON WHAT BROWN LOOKS FOR A ROLE "It's pretty easy. I read it. I go 'do I like the story?'. If I don't like the story, there's no point even thinking about the part. And if I do like the story, then I look at the character and I go 'how does this character contribute to the story?' and 'can I do something of value with that character that makes that story live?'. It's pretty straightforward. I know pretty well straight away if I don't want to something. But if I'm a bit intrigued, then I have to ask myself more questions as I go through it. Once again, it's instinct. I look at it and I go: 'am I there? Can I be there?'. And if I can, the other side of it is, I like to know who else is doing it, and I like to know who the production company is and who the director will be to make me feel confident about that it can be done well." Boy Swallows Universe streams via Netflix, arriving on Thursday, January 11, 2024. Read our review. Images: courtesy of Netflix © 2023.
You'd be forgiven for assuming your best bet for vinyl records was somewhere in Fitzroy or St Kilda, where live music venues and record stores have been heavily influencing Melbourne's music scene for decades. Stay with us when we tell you to get out of the city and give Discrepancy Records in Mont Albert North a shot. The store proudly boasts more than 15,000 LPs in stock, and is happy to order in anything you can't find. Sure, there's an online shop, but that can't replace the fun of flicking through dozens of record sleeves in person to find your next cheeky purchase. You'll also find a growing range of turntables, equipment and accessories that will help you on your journey towards an epic vinyl collection. Images: Tracey Ah-kee.
Nestled behind a service station, down some cobblestone alleys, past a greasy mechanic and hidden snugly behind huge red stable doors is arguably one of the most secret and unique cafes in Carlton. Named after a 1960's handbill advertising the medicinal and therapeutic properties for coffee, Vertue of the Coffee Drink is all about the black brew. It's no surprise then that founder, Mike Cracknell, and his team of passionate (and highly caffeinated) staff are putting the coffee first. Operating as an in-house micro roaster, cafe and coffee paraphernalia retail outlet, the space is full of sunlight and warmth. Natural timbers, copper light fittings, high ceilings and a leafy green wall garden enrich the place with a relaxed and inviting feel, perfect for large groups and solo coffee drinkers alike. The open kitchen window allows a glimpse of what's to come to your table with an all-day breakfast offering of the usual favourites, and a few surprises. For something a little more adventurous, order the chickpea chips with charred asparagus, preserved cherry tomato with poached egg ($18), or the scotch eggs with onion marmalade, crispy pig skin and brioche ($21). And with the kitchen open until 3pm daily, the lunch offerings are just as tempting; eight hour lamb shoulder with dukkah, baby broccoli and tabbouleh ($22) and a heirloom tomato and stone fruit salad with feta-stuffed zucchini flowers and hazelnut vinaigrette ($18) take the top spots. As well as the exceptional pour overs, batch brews and espresso there are some stronger adult drinks available with a neat selection of beers, cider and wine. For those looking to get away from bustling Lygon Street for a great coffee and bite to eat, Vertue is well worth hunting down and checking out. Image credit: Tomas Zagoda & Greg Curio via Instagram
Reading-list inspiration, sorted: even if you've devoured plenty of books by the authors on the just-announced 2025 Sydney Writers' Festival program, there's still much more to discover and explore. Whether you're keen to start leafing through pages now or plan to finish the fest with a stacked pile of new material by your bed, get excited — more than 200 events are on the lineup, featuring 40-plus international guests and over 100 Australian talents, and showcasing 34 authors among that group that are releasing new books this year. Sydney Writers' Festival's latest roster isn't just great news for Harbour City literary fans. When it runs from Monday, May 19–Tuesday, May 27, it'll also livestream some sessions around the country, so joining in isn't only about being there in-person in Sydney. Either way, there's something on the program for all reading tastes, fans of a wealth of genres, and attendees looking to hear from beloved scribes and discover their next favourites alike. Taking over Carriageworks, Sydney Town Hall, State Library of New South Wales and other venues around the city, SWF 2025 is also budget-friendly with more than 50 events costing nothing to attend — and 30 of those free sessions are at Carriageworks alone. What opens with Torres Strait Islander writer and activist Thomas Mayo, Yuwaalaraay writer and performer Nardi Simpson, plus poet Lemn Sissay and Oranges Are Not The Only Fruit writer Jeanette Winterson, all responding to the theme 'in this together'? This festival. What closes with Anna Funder examining writing in artificial intelligence-heavy times? This fest again. What includes 2024 Booker Prize-winner Samantha Harvey, Brooklyn author Colm Tóibín and Australian Big Little Lies wordsmith Liane Moriarty as well? Yes, this program. [caption id="attachment_994837" align="alignnone" width="1920"] Sam Churchill[/caption] Harvey will chat about the International Space Station-set Orbital, while Tóibín has Long Island, the sequel to Brooklyn, to dig into. Also the creative force behind Nine Perfect Strangers and Apples Never Fall on the page, Moriarty will discuss everyday life stories becoming smash hits with David Nicholls, as well as careers and having a literary family with her sisters Jaclyn and Nicola. Plus, Winterson isn't just part of opening night, but will celebrate 40 years since her debut novel and also explore the impact of AI. Similarly on the SWF 2025 bill: Torrey Peters, the first openly trans woman nominated for the Women's Prize for Fiction; Ian Rankin speaking about the 25th instalment in the Inspector Rebus series; plus everyone from The Ministry of Time's Kaliane Bradley and The Safekeep's Yael van der Wouden through to Vanishing World's Sayaka Murata and After You'd Gone and Hamnet's Maggie O'Farrell. You've likely seen actor Harriet Walter in Succession, Silo and Ted Lasso — and This Is Going to Hurt, Killing Eve and Rocketman in the past few years as well — and now you can add this fest to that list, where she'll be unpacking Shakespeare's female characters. Other highlights span Entitlement's Rumaan Alam, Discriminations' AC Grayling on cancel culture, stepping into the world of espionage stories and getting a hankering for pastries — the latter with Flour and Stone's Nadine Ingram, Beatrix Bakes' Natalie Paull and Lune's Kate Reid. The return of the Great Debate is a starry event, featuring Annabel Crabb, David Marr, Nicholson, Matilda Boseley, Justine Rogers, Jennifer Wong and Yumi Stynes. And from there, other topics on the SWF lineup also include the situations in Gaza and Ukraine, sleep, First Nations storytelling, life in exile, queer culture, dwindling workers' rights, Robodebt and Miles Franklin. "Sydney Writers' Festival is a place for brilliant writing and urgent conversations. Under the theme "in this together", the 2025 festival highlights extraordinary novels, poetry and writing of all kinds — and thought-provoking discussions," said Artistic Director Ann Mossop, announcing the program. "Writing remains one of the most powerful tools to make sense of the world, to spark change and foster understanding. The 2025 festival presents great writers discussing a range of important topics: from the future of artificial intelligence to feminism's next battleground; from monumental global power shifts to First Nations truth-telling. The SWF program brings readers and writers together and challenges us to think, feel and imagine what lies ahead." [caption id="attachment_994839" align="alignnone" width="1920"] David A Land[/caption] [caption id="attachment_994840" align="alignnone" width="1920"] Bungeishunju Ltd[/caption] [caption id="attachment_994841" align="alignnone" width="1920"] uber photography[/caption] [caption id="attachment_994842" align="alignnone" width="1920"] Sim Canetty-Clarke[/caption] [caption id="attachment_994843" align="alignnone" width="1920"] Reynaldo Rivera[/caption] [caption id="attachment_994844" align="alignnone" width="1920"] Monica Pronk[/caption] Sydney Writers' Festival 2025 runs at various venues across Sydney, and streams online, from Monday, May 19–Tuesday, May 27. Tickets go on sale at 10am on Saturday, March 15 via the festival's website. Sydney Writers' Festival images: Jacquie Manning.
When it comes to two-wheeling, Victoria's picturesque High Country offers incredible diversity. And with autumn's mild weather and gold-tinted scenery, there's no better time to do it. Whether you're an easy-going peddler who likes to take things slow and rest often for wine tastings, or a hardcore cyclist unwilling to stop for anybody or anything and gearing up to conquer the Tour de France, there's a trail for you. At one end, Milawa Gourmet Ride and the Rutherglen Pedal to Produce Ride give you 10–12.5 kilometres of gentle, bucolic riding, dotted with wineries and farm gates. At the other, the Great Victorian Rail Trail, at 134 kilometres, is the longest continuous rail trail in Australia. MILAWA GOURMET RIDE Length: 10 kilometres return Difficulty: Easy An adventure that's ideal for leisurely two-wheelers who like to graze as they go is the Milawa Gourmet Ride. Get started at the famous Brown Brothers Cellar Door, not only to sample a drop or two, but also to borrow a bike — for free. Your ultimate destination, Sam Miranda Winery, is five blissfully flat kilometres away, but there's an abundance of tasting and snacking to do before then. Indulge in handmade goodness at Milawa Cheese, get your condiment fix at Milawa Mustards and swing by Blue Ox Berries farm gate for a punnet of just-picked fruit. If you're up for a longer ride, extend it by adding a section of the Murray to Mountains Rail Trail. PEDAL TO PRODUCE RUTHERGLEN Length: 12.5 kilometres Difficulty: Easy Cycling through the High Country – or perhaps any country – doesn't get any easier or more decadent than this. The 12.5-kilometre Pedal to Produce Rutherglen trail carries you through wineries, olive groves, gold-rush architecture and idyllic picnic spots. Start at Rutherglen Wine Experience, where you can grab a free map and, if necessary, hire a bike. Stops along the way include Anderson, where ex-Seppelt winemaker Howard Anderson and his daughter Christobelle make a great sparkling shiraz; Wicked Virgin Olives, where you can sample oils and tapenade; and pretty Lake King. BEECHWORTH TOWN RIDE Length: 11–17 kilometres Difficulty: Easy Beechworth packs a lot of punch for a town of just 3000 or so people. Built mostly during the 1850s, when the gold rush was at its height, it's home to some of the best-preserved 19th-century architecture in Australia. There are pubs, wine bars, cafes and restaurants galore, including two-hatted Provenance and craft brewery Bridge Road. So whatever your budget, you can count on being amply rewarded for your pedalling efforts. If you're keen to stay outdoors, fill your basket with local cheeses, olives, breads, wines, craft beers and baked treats, and go picnicking in parks crowded with glorious elms and oaks. Cycling takes place on a mix of rail trail and roads, across ever-so-slightly undulating terrain. BUCKLAND VALLEY Length: 45 kilometres return Difficulty: A few harder bits This stunning, 45-kilometre, there-and-back road ride begins among Bright's colourful autumn scenes. It's recommended for cyclists of intermediate ability, but to make it suitable for beginners, get started at Porepunkah. From there, the traffic drops away quickly, so even though you're on the road, you'll often feel like you're in the middle of nowhere. This sensation is intensified by the jaw-dropping scenery: think apple orchards, nut groves, alpaca farms and vineyards (Ringer Reef Winery makes a great stop on the way), backdropped by rugged Mount Buffalo. It's possible to stay the night in Buckland Valley, either by pitching a tent by the Buckland River or sinking into some luxury at the Buckland Studio Retreat. HIGH COUNTRY RAIL TRAIL Length: 64 kilometres return Difficulty: Intermediate Victoria's many rail trails give you hundreds of kilometres of car-free cycle paths. This one, which stretches for 35 kilometres from Wodonga to Old Tallangatta (with sections around Koetong and Corryong), spends half its time on the shores of shimmering Lake Hume. To add some history to your ride, visit Bonegilla Migrant Experience, a camp where more than 300,000 migrants lived between 1949 and 1971. There are plenty of waterfront picnic spots along the way, and in Tallangatta don't miss the scenic views at the Lookout or Tallangatta Old Lookout. MURRAY TO MOUNTAINS RAIL TRAIL Length: 100 kilometres Difficulty: Intermediate with easy sections Starting in Wangaratta and winding its way to Bright, this spectacular trail is a 100-kilometre escapade through lush farmland, unspoiled bushland and epic mountain ranges. In between, it passes through several of Victoria's prettiest and most interesting towns, including Beechworth (on an old branch-line route), Bright and Myrtleford. Wineries, breweries, farm gates, cafes and restaurants abound. If you have the time and inclination, then conquer the entire distance in one go. Alternatively, choose a section that appeals to you. For example, the 16 kilometres between Bright and Everton are all downhill, making them popular with coasters and locals. GREAT VICTORIAN RAIL TRAIL Length: 134 kilometres Difficulty: Hard to do in a day; otherwise easy. This mighty trail, at 134 kilometres, is the longest continuous rail trail in the whole country, but it's easy to do just a small section. It kicks off in Tallarook, just an hour's drive from Melbourne, but once you're on two wheels, it feels like you're a million miles away from the big smoke. Your final destination is Mansfield, but you'll visit loads of settlements before then, including the gold mining town of Yea and Bonnie Doon, of The Castle fame, on the shores of Lake Eildon. Swing by Howes Creek Farm to eat an ethically created pork pie beneath a 130-year-old oak tree, Killingworth Hill Whisky Bar for a quick side-trip to Scotland and Sedona Estate to sample excellent cool-climate wines. For a short, highlights-filled ride, do the 44-kilometre stretch from Kerrisdale to Molesworth, through the Goulburn Valley. Autumn scenery and produce won't last — plan your full itinerary in the High Country or explore more of regional Victoria at the Wander Victoria website.
If you're a fan of musical theatre, then you know the name Jonathan Larson, the creator and composer behind smash-hit production Rent. And, you likely know his story, too, with the playwright and lyricist passing away at the age of 35 on the day that that now-huge show premiered its first off-Broadway preview performance, and never seeing the Tony Award- and Pulitzer Prize-winning phenomenon that it would become. Before that, Larson also created another musical called tick, tick…BOOM!; however, it didn't chart the same path. Instead, the semi-autobiographical piece was performed as a solo work before his death, following a character called Jon who worried that he'd made the wrong decision by chasing his dream of becoming a composer. After Larson died, tick, tick…BOOM! was reimagined as a three-actor show, then made its way from off-Broadway to off-West End, as well as West End itself. And, in 2021, it took the leap to the screen, too, courtesy of Netflix — in a film directed by Lin-Manuel Miranda and starring Andrew Garfield, the latter turning in an Oscar-nominated performance as Larson. That's a whole lot of history behind the latest big musical announcement Down Under: that tick, tick…BOOM! will make its Australian mainstage debut in 2023. It'll run two seasons, kicking off at Melbourne's Comedy Theatre from Wednesday, February 1–Sunday, February 5, 2023, then hitting Brisbane's QPAC Playhouse on Saturday, March 4–Sunday, March 5. If you're wondering about tick, tick…BOOM!'s narrative, the rock musical is set in 1990, with promising young composer Jon as its focus. He's almost 30, living in New York City, and life as an artist isn't turning out as he planned — so he has to decide what to do next. The production is an ode to theatre and a tribute to New York, too, and has kept proving popular since it premiered in its current format off-Broadway in 2001. While exactly who'll take to the stage in Australia is yet to be revealed, tick, tick…BOOM!'s upcoming Aussie seasons will be produced by Adrian Storey from StoreyBoard Entertainment (Chess the Musical, Barnum, Follies, One Flew Over the Cuckoo's Nest) and directed by Tyran Parke (Chess the Musical, Barnum, Follies, Sunday in the Park with George). The Australian production doesn't yet have any footage, either, but you can check out the trailer for the Netflix film below: tick, tick…BOOM! will play Melbourne's Comedy Theatre in February 2023, then Brisbane's QPAC Playhouse in March. For further details and tickets, head to the musical's Australian website. Top image: Macall Polay / Netflix.
Gelato Messina is bringing gourmet to the freezer aisle this month. The gelato mega brand has teamed up with Peters Drumstick to go mainstream — bringing its beloved gelato to supermarkets and convenience stores all over the country. Sure, you've eaten many-a-Drumstick in your day, with the brand launching in Australia all the way back in 1963 — whether it was a childhood favourite or now your late-night go-to, it's a long-standing ice cream staple. But now with the Sydney-based gelateria on board, the humble Drumstick cone of your youth has been spruced up — the Messina way. The new cones feature four classic Messina flavour combos, which were initially created in its Rosebery HQ, before being mass produced in Peters' Drumstick factory. Flavours include mango and salted coconut, made with Aussie produce and topped with mango sauce and coconut flakes; vanilla bean and peanut praline, topped with dark chocolate; roasted hazelnut gelato, made using imported Italian nuts; and, of course, dulce de leche, topped with caramel sauce and chocolate-coated biscuits. All four flavours are available at Coles, Woolworths and independent groceries across Australia. Each comes in pop art-style boxes of four, priced at $9.99 per box. As far as convenience stores and petrol stations go, only the mango and salted coconut and roasted hazelnut flavours are up for grabs as single cones for $4.90 a pop. The collab is limited though, so if you want 'em, come and get 'em. Gelato Messina X Peters Drumstick collaboration ice creams are available at supermarkets, petrol stations and convenience stores for a limited time.
With summer on the horizon, we'll soon have another excuse to get out there and hit the water, as GoBoat finally splashes into Geelong. Since 2014, the Denmark-born company has been busy launching its eco-friendly picnic boats all over Europe, as well as in Canberra, Melbourne, the Gold Coast, Brisbane and Sydney's Parramatta River. And now, from Monday, November 21, it's sailing along the Geelong waterfront as well. Aimed at making the whole boating caper more accessible for everyday folk, the Scandinavian-designed vessels are slow-moving, a breeze to operate and don't require a boating licence, making for some fun, fuss-free sailing sessions. In a win for the planet, they also run on silent, pollution-free, electric engines, and are crafted from a mix of reclaimed timber and recycled PET bottles. Each of the contemporary GoBoats clocks in at 18-feet long, boasting a central picnic table with room for eight people (and all the necessary snacks and booze). And despite what you might be thinking, they're even affordable enough to fit your budget — simply BYO food and drinks, find enough eager sailors to jump aboard and a GoBoat session will you less than $13 per person, per hour. A one-hour session starts from $99, with a five-hour sail setting your crew back $329–409. GoBoat's Geelong fleet will be setting sail from Wangim Walk in conjunction with the Royal Geelong Yacht Club — and before you hit the water, you'll receive a safety briefing and demonstration. All boats are speed-limited, too, and obviously decked out with safety equipment including life jackets. The vessels are family-friendly and, in even more exciting news, they're also pet-friendly. Surely you've got a very good boy who deserves a river jaunt this summer. [caption id="attachment_826123" align="alignnone" width="1920"] Lean Timms[/caption] Find GoBoat Geelong at Wangim Walk on the Geelong waterfront, from Monday, November 21. For more information or to make a booking, visit the service's website.
Just in time for summer, a much-loved Prahran pub has soared back into our lives following a major revamp courtesy of its new owners. It's been a long time between pints, but backstreet gem The Flying Duck Hotel is reopen once more, this time sporting a fresh look, with the crew from Rustica and Hobsons Bay Hotel in the driver's seat. You'll be happy to know the pub's famed beer garden and atrium have stuck around and are sporting a makeover of their own, ready and raring for those impending summer afternoons. That's complemented by a modern public bar, an open-plan main dining space and a private dining room seating up to 40. A fitout by local architect practice Fiona Drago has seen the 150-plus-year-old building's internal spaces completely opened up, re-energised with earthy hues, brass accents and a generous splash of olive green. Head Chef Ben Pigott (Hobsons Bay Hotel, Supernormal, Cumulus Inc) is behind the all-new gastropub offering, featuring brasserie-style fare brought to life via the kitchen's new wood grill. Wood-fired flatbread is matched with black garlic toum and smoked salmon caviar, wood-grilled Shark Bay scallops are elevated with herb butter, and smoky hose-made aioli graces a prawn po boy slider. You'll find many nods to the classic counter meal in plates like the local fish and chips, a cheeseburger and the dukkah-roasted cauliflower steak with smoked hummus. Deeper in, wood-fired barramundi is paired with warrigal greens and a seaweed butter sauce; a slow-cooked whole lamb shoulder feeds two or three people; and there's a couple of hefty grass-fed options for the steak-lovers. A stack of weekly specials runs from a weekday happy hour slinging $7 schooners and $8 wines (4–6pm), to Monday's steak night, to half-priced oysters and prosecco bumping up the mood each Thursday. Find The Flying Duck Hotel at 67 Bendigo Street, Prahran. It's open daily from 12pm–late. Images: Parker Blain
If you like new wave R&B, Souled Out is your next must-attend festival — especially if you're keen on seeing Summer Walker, PartyNextDoor and Tinashe live. This event's 2024 lineup also includes Bryson Tiller, Majid Jordan, Smino, Lucky Daye, Libianca and more, as part of a roster that balances well-known names, up-and-coming talent and local acts. As you might've spotted, variety is a big focus among its tunes, with the fest's array of talent not just playing the same styles of R&B. As they hit the stage, they'll be playing tracks that span subgenres such as neo soul, trap soul and Afrobeats. Walker's place on the bill is big news, given that it will be her first trip to Australia. As for PartyNextDoor, aka Jahron Anthony Brathwaite, his resume includes writing 'Work' for Rihanna. Along with the rest of the lineup, Walker and PartyNextDoor will get behind the microphone on Friday, March 29 at Caribbean Gardens in Melbourne. Also on the bill: DJs Joe Kay, Andre Power and Sasha Marie, who'll be spinning tracks away from the fest's main stage that work in 90s R&B favourites. Souled Out 2024 Lineup: Summer Walker PartyNextDoor Bryson Tiller Majid Jordan Smino Tinashe Lucky Daye Libianca Umi Thuy Will Singe Lara Andallo Joe Kay Sasha Marie Mistah Cee Andre Power
In great news for cat-loving cinephiles, 2019 is shaping up to be a huge year for felines on film. Photorealistic big cats prowled around the remake of The Lion King, and they'll soon be joined by a bunch of singing, scurrying street mousers in the silver-screen adaptation of stage musical Cats. For nearly four decades, Andrew Lloyd Webber's acclaimed production has pranced across stages everywhere, turning a tale inspired by poems from T.S. Eliot's Old Possum's Book of Practical Cats into an award-winning theatre hit. But, while plenty of other popular musicals have made the leap to cinemas, this one hasn't until now. The trailers for the new flick might just explain why. The first trailer dropped back in July and inspired much talk about its strange CGI decision to combine cats with human faces. Terrifying? Maybe. Entertaining? Definitely. If you've recovered from the first 2.23 mins of Cats madness, you'll be happy to know a second, equally bizarre, trailer has just dropped. [caption id="attachment_751620" align="alignnone" width="1920"] Judi Dench as a cat[/caption] Ever wanted to see Taylor Swift pouring cat nip on a crowd of cats from a suspended gold moon? Keen to soothe your disappointment over the fact that Idris Elba isn't James Bond by spotting him with whiskers, fur and a tail? Perhaps you've always dreamed of watching accomplished actors such as Judi Dench and Ian McKellen channel their inner feline? Have you ever hoped for all of the above, and for the actors to all play cat-sized cats? That's what's on offer in the just-dropped second trailer, as well as a heap of dancing and singing. In terms of story, Cats zaps Swift, Elba and company down to feline height to spin a narrative about the Jellicle cat tribe, who spend a night deciding just which four-legged moggy will get to leave their group, ascend to the Heaviside Layer and come back to a new life. The movie comes with a significant pedigree, with Les Miserables' Tom Hooper in the director's chair, Webber on music duties, Hamilton's Andy Blankenbuehler doing the choreography, and the cast also spanning James Cordon, Jennifer Hudson, Jason Derulo, Ray Winstone and Rebel Wilson. And yet, it all looks a little odd. But we'll let you decide for yourself. You check out the second Cats trailer below: https://www.youtube.com/watch?v=gNTDoOmc1OQ Cats opens in Australian cinemas on December 26.
If you're a fan of caramelised white chocolate, then you're a fan of all the different types of food that've sprung up featuring Caramilk. You've sipped the cocktails. You've eaten the ice creams. You've had the dessert jaffles. If it features the famed Cadbury flavour, you've tried it. And now, you have something new to add to that list: Caramilk Krispy Kreme doughnuts. Krispy Kreme is still in the process of letting Australians catch all the Pokémon-themed doughnuts; however, it has also just dropped another new limited-edition special. Teaming up with Cadbury, the doughnut franchise has whipped up two new must-try sweet treats — and yes, they both come dipped in Caramilk. If you opt for the Caramilk Shell, you'll be munching into a full doughnut — sans that centre hole — that comes filled with crème, then covered in the coveted type of chocolate and sprinkled with Caramilk flakes. Or, if you need that gap in the middle, the Caramilk Ring takes one of Krispy Kreme's original glazed doughnuts, dips it in Caramilk, adds the Caramilk flakes and then splashes some white truffle drizzle over the top. You'll find the two Caramilk doughnuts at 7-Eleven stores only from Tuesday, September 28, but there's more than 700 spots to choose from — and they're also available via 7-Eleven Delivery where it's on offer. Krispy Kreme's Caramilk range is available from Tuesday, September 28 for $3.75 each at 7-Eleven stores and via 7-Eleven Delivery.
Netflix's algorithm has clearly figured out one of the most obvious facts about humankind: we all really love dogs. That was obviously the idea behind the streaming platform's 2018 canine-centric documentary series — and the show sent viewers so barking mad that it's coming back for another season. Called Dogs, the thoroughly feel-good series follows different puppers in different places around the world, as well as the two-legged folks who care for, groom, dress and even fish with them. Of course, the adorable balls of fluff are the real drawcards. The six-episode first season dedicated its frames to canines in Syria, Japan, Costa Rica, Italy and the US, each with their own stories to tell. One episode explores life in a dog sanctuary in the Costa Rican rainforest, and another relays the tale of a Siberian Husky trapped in Syria after his owner was able to flee to German. Yet another jumps into Japan's love of cute pooches — dog strollers are a common sight on the streets of Tokyo, after all. In a statement provided to Variety about the show's renewal, executive producers Amy Berg (Deliver Us From Evil) and Glen Zipper (The Bill Murray Stories: Life Lessons Learned from a Mythical Man) championed Dogs' human impact — especially "the ability to explore some of the most important human stories through relationships with our best friends". They continued: "it's been amazing to see how much these episodes have touched audiences and critics across the globe. Most importantly, our fans have become part of our extended family and we are honoured to bring them a fresh set of stories that will allow us to connect with them yet again." Check out the first season trailer below: https://www.youtube.com/watch?v=5pLCmLgjiJ8 If you can't get enough when it comes to cute canines, you won't be complaining about the show's impending return — although when it'll drop, and how many episodes the second season will span, hasn't yet been revealed. And if you have your own pooch who deserves some Netflix attention, the series is also on the lookout for canine talent. Just hit up the show via Twitter or Instagram. Australia and New Zealand didn't feature the first time around, after all. Dogs' first season is now available on Netflix. Via Variety. Images: Netflix.
Take a number of similar events, link them together, then get everyone turning hitting them all up into an event itself. To paraphrase the late, great Carl Weathers in Arrested Development: baby, you've then got a crawl or tour going. Pub and bar crawls do it, as do wine walks. Now, so is Australia's first Art Grand Tour, which is popping up to celebrate a heap of exhibitions and art events taking place in Sydney, Melbourne and Adelaide across the first half of 2024. This is the first time that the Biennale of Sydney, Adelaide Biennale of Australian Art and PHOTO 2024 International Festival of Photography in Melbourne, all three of which are free to attend, have teamed up in such a way. The idea is encourage not only folks in each event's own city to attend, but to spark multi-stop getaways based on seeing the trio. [caption id="attachment_927824" align="alignnone" width="1920"] Felicity Jenkins[/caption] A range of fellow exhibitions and events have also joined in, so the full tour includes Melbourne Art Fair, NGV Triennial and MPavilion 10 by Tadao Ando in Melbourne; Adelaide Festival in South Australia; and the Louise Bourgeois exhibition at Art Gallery New South Wales, plus projections on the Sydney Opera House. Think of it as your go-to itinerary for exploring the best art that's on show across Australia's southeast, whether you want to check out famous towering spider sculptures, architectural installations or a room-sized ode to plants. The three key events are reason enough to head to Sydney, Melbourne or Adelaide anyway — or to play tourist in your own town if you live there. The Biennale of Sydney is celebrating its 50th-anniversary year, embracing the theme "ten thousand suns" and featuring pieces by 88 artists and collectives from 47 countries. And, it's opening White Bay Power Station to the public for the first time in over a century as part of the event, which runs from Saturday, March 9–Monday, June 10. In SA, the 18th Adelaide Biennial of Australian Art is focusing on the human condition, complete with 24 artists and poets featured. You can head along from Friday, March 1–Sunday, June 2. PHOTO 2024 marks its third edition from Friday, March 1–Sunday, March 24, with "the future is shaped by those who can see it" the theme tying together 100 free installations and exhibitions, including work by 150-plus artists. [caption id="attachment_940260" align="alignnone" width="1920"] Installation view: Troy-Anthony Baylis: Nomenclatures by Troy-Anthony Baylis, Art Gallery of South Australia, Adelaide; photo: Saul Steed.[/caption] Announcing the Grand Art Tour, Biennale of Sydney Chief Executive Officer Barbara Moore dubbed it "an exciting celebration of the power of art to connect, share and bring joy". Art Gallery of South Australia's Director Rhana Devenport described it as "an extraordinary art adventure" and "a rare opportunity to experience these exemplary gatherings of art that push boundaries, and alter your perceptions, and create new memories". [caption id="attachment_940262" align="alignnone" width="1920"] J Forsyth[/caption] For PHOTO Australia Founder/Artistic Director Elias Redstone, it's set to "inspire audiences with immersive art experiences that celebrate human connection as society faces uncertain futures". While the Art Grand Tour has tour right there in its name, there's nothing formal about it — so there's no ticketing packages and the like. Instead, it's a self-guided affair, so make your own schedule and travel plans accordingly. [caption id="attachment_938006" align="alignnone" width="1920"] Marie-Luise Skibbe[/caption] Art Grand Tour 2024 Events: Sydney Until Sunday, April 28 — Louise Bourgeois: Has the Day Invaded the Night or Has the Night Invaded the Day?, Art Gallery of New South Wales Saturday, March 9–Monday, June 10 — Biennale of Sydney, various venues Ongoing — Badu Gili: Celestial, Sydney Opera House Bennelong Sails Adelaide Friday, March 1–Sunday, June 2 — Adelaide Biennale of Australian Art, Art Gallery of South Australia Friday, March 1–Sunday, March 17 — Adelaide Festival, various venues Melbourne Until Tuesday, April 7 — NGV Triennial, NGV International Until Monday, March 29 — MPavilion 10 by Tadao Ando, Queen Victoria Gardens Thursday, February 22–Sunday, February 25 — Melbourne Art Fair, Melbourne Convention and Exhibition Centre Friday, March 1–Sunday, March 24 — PHOTO 2024 International Festival of Photography, various venues [caption id="attachment_936840" align="alignnone" width="1920"] Lillie Thompson[/caption] Australia's first Art Grand Tour encompasses events in Sydney and Adelaide until June, Melbourne until March. Head to the tour's website for more information. Top image: PHOTO 2022, Will Hamilton-Coates.
Spring Street Grocer is a jack of all trades. Known for its cheeses, gelato, cold pressed juices, takeaway sandwiches and, of course, its impressive food store, this grocer is a one-stop shop for all your Italian inspired recipes. While you're shopping, pop through Australia's first underground cheese maturation cellars downstairs, and afterwards their Gelateria Primavera out front (who doesn't snack while shopping?). We suggest snagging yourself a perfectly aged brie with crackers out back while you ponder what to cook your guests with all the goodies in your basket. Image: Visit Victoria/Paul Philipson.
With borders closed and overseas family reunions still on hold, many of us are craving the taste of home. That's largely what spawned the arrival of Barry Susanto and Erwin Chandra's new Indo-inspired sandwich joint Warkop, which opened its doors in Richmond last month. The two Indonesian mates met working together at Duke's Coffee Roasters in Windsor, sparking initial plans to open their own establishment. Fuelled by a touch of homesickness, some lockdown experimentation and a desire to offer locals a broader, more authentic taste of the duo's homeland — that plan is now a reality. Named after the classic streetside coffee stalls you'll find dotted throughout Indonesia, the 15-seat venue embraces the 'casual, but done well' mentality. The sandwich menu is short and sweet, but has already earned some big ticks of approval — Susanto first road-tested many of his creations on some very discerning fellow staff during his time as sous chef at Julian Hills' Navi. In line with the overall theme of the venue, the $15 sandos are simple but well-executed, with plenty of subtle nods to Susanto's fine dining experience. "It's a bit radical to put our (Indo) food into sandwiches," he explains. "I tried to do things that haven't been done before." Bread styles have been carefully chosen to best complement the flavours sandwiched within — beef pastrami comes teamed with cheese, pickled cucumber and a rich rendang sauce on light rye; while sourdough's been used to house the chicken sandwich, its meat marinated in classic Taliwang spices. Another option reworks the familiar flavours of gado gado into a turkish roll, marrying tofu, tempeh, bean sprouts, lettuce and a peanut sauce, and there's a daily rotating salad to match. The sandwich lineup has been selling out most days, so don't put that lunchbreak on hold for too long. Given Chandra's background working with the likes of Duke's and Market Lane, coffee here is also set to impress — expect a Duke's blend on the roster, with both espresso and filter options available. There's a selection of pastries and cakes from Ned's Bakery in South Yarra (all $5.50), but for a true taste of the guys' homeland, you'll want to try their version of kaya toast ($6) — a much-loved sweet breakfast starring a rich coconut jam. Warkop's kaya uses a long-held family recipe from Chandra's own mother, who taught the pair to make it via video chat from Indonesia. Susanto's jazzed it up a little using puffed rice and plump, buttery brioche rolls, though the dish still heartily embraces its roots. "I'm doing this because I always miss home and I always miss home food," explains Susanto. "When I first moved here, I couldn't speak English and the Indo food I ate here really helped me, to heal me from missing home. So I've always wanted to do this."
Poor Things is still screening in cinemas Down Under, and its swag of Oscars — including for Emma Stone for Best Actress — is mere weeks old, but you can already start getting excited about Yorgos Lanthimos' next film. The Greek director is reteaming with Stone (The Curse) for their third feature, after The Favourite as well, on Kinds of Kindness. Movie lovers will see the end result soon, with the feature due to start hitting cinemas around the world from midyear. For now, it has just dropped its first teaser trailer. This time, Lanthimos and Stone have made a triptych featuring three fable-like tales. One is about a man who doesn't have choice as he attempts to seize control of his existence. Another follows a policeman whose wife goes missing at sea, then returns but doesn't seem like herself. And the last charts a woman trying to find a person with a unique ability that's meant to become a spiritual leader. That's all the narrative detail that's been revealed about Kinds of Kindness so far. The initial glimpse at the movie spans speeding cars, dragged bodies, slaps, dancing, dogs, licking and Stone talking about the moment of truth, all soundtracked by the Eurythmics' 'Sweet Dreams'. If you're thinking "isn't it wonderful" about this combination of elements, the movie understands — they're Stone's last words in the footage. On-screen, Stone — who also worked with Lanthimos on short film Bleat — has her Poor Things co-stars Willem Dafoe (Asteroid City) and Margaret Qualley (Drive-Away Dolls) for company. Joining them: Jesse Plemons (Killers of the Flower Moon), Hong Chau (The Menu), Joe Alwyn (Stars at Noon), Mamoudou Athie (The Burial) and Hunter Schafer (The Hunger Games: The Ballad of Songbirds & Snakes). Lanthimos helms, co-writing the script with Efthimis Filippou (who penned the filmmaker's Dogtooth, Alps, The Lobster and The Killing of a Sacred Deer, too), on a flick that'll release in the US in June (likely after premiering at the Cannes Film Festival the month earlier, given the timing) and Down Under on Thursday, July 11. Check out the first trailer for Kinds of Kindness below: Kinds of Kindness will release in cinemas Down Under on Thursday, July 11, 2024.
Now, this is a story all about how a 90s sitcom favourite got flipped-turned upside down. And we'd like to take a minute, just sit right there, to tell you how the show that gave Will Smith his big acting break became a new gritty reboot called Bel-Air. Yes, just by reading that last paragraph, you now have the theme tune to The Fresh Prince of Bel-Air stuck in your head. But let's be honest: if you've ever watched an episode of the 1990–96 series, even if it was decades back, you've had the ridiculously catchy song immersed in your brain ever since. Whether that track will pop up in Bel-Air is yet to be seen — but the show itself will drop on Monday, February 14. In Australia, Stan will be streaming the series, which turns Smith's earliest acting claim to fame into a drama, updates it to modern-day America, but otherwise sticks to the same basic premise. Once again, a West Philadelphia-born and -raised teenager by the name of Will Smith — this time played by first-timer Jabari Banks — will make the move to the titular Los Angeles neighbourhood. Lavish gated mansions and disparate worlds colliding awaits, as do the Banks family, with Adrian Holmes (Arrow) as Will's uncle Phillip, Cassandra Freeman (The Last OG) as his aunt Vivian, and Olly Sholotan (Run Hide Fight), Coco Jones (Vampires vs the Bronx) and Akira Akbar (Captain Marvel) as his cousins Carlton, Hilary and Ashley. Also featuring: Will's pal Jazz, this time played by Jordan L Jones (Rel). As that storyline and character list shows — and the just-dropped trailer for Bel-Air, too — there's plenty that's familiar about the series, which has been developed by the IRL Smith with filmmaker Morgan Cooper based on the latter's 2019 short fan film of the same name. But the tone firmly takes a swerve to the serious, so don't expect to be giggling along with the latest classic series to resurface after years (see also: Gossip Girl, Saved by the Bell, Sex and the City sequel series And Just Like That..., just to name a few). Check out the Bel-Air trailer below: Bel-Air will start streaming in Australia on Monday, February 14 via Stan.
Call this 'The One with Familiar But Still Exciting News': Friends! The Musical Parody is bringing its comedic, song-filled take on a certain 90s sitcom to Melbourne in 2022. Yes, this announcement has been made before, and more than once. The show has even opened its umbrellas in some parts of the country already. But we all know how the past two years have turned out — so the fact that the production is doing the rounds again should still make your day, week, month and even this year. This time around, Friends! The Musical Parody will be there for audiences at the Athenaeum Theatre from Wednesday, November 23–Saturday, December 17. So, get ready to spend time with the show's versions of Ross, Rachel, Chandler, Monica, Joey and Phoebe — hanging out at their beloved Central Perk, of course, and sitting on an orange couch, no doubt. The musical starts with caffeinated catch-ups, but then a runaway bride shakes up the gang's day. From there, you'll get to giggle through a loving, laugh-filled lampoon that both makes good-natured fun of and celebrates the iconic sitcom. Yes, no one told you that being obsessed with the Courteney Cox, Jennifer Aniston, Matthew Perry, Matt LeBlanc, Lisa Kudrow and David Schwimmer-starring show about six New Yorkers would turn out this way — with on-stage skits and gags, recreations of some of the series' best-known moments, and songs with titles such as 'How you Doin?' and 'We'll Always Be There For You'. And no, no one told us that being a Friends aficionado would continue to serve up so many chances to indulge our fandom 17 years after it finished airing, either.
We've seen some cool ideas for putting solar cells in novel places, and everyone agrees that being able to better harness the sun's energy would go a long way to solving our energy problems. But perhaps it's time we thought a bit bigger than solar-charging furniture... a lot bigger. Like, evil-scientist scheme big. It just so happens that scientists at Japan's Shimizu construction corporation (who aren't evil — probably) have been thinking big for us. They are proposing that we use the moon as a giant solar farm, laying the surface with a ring of photo-voltaic cells to capture some of the 13,000 terawatts of solar energy that hits the moon each day, then beaming it back to earth via laser or microwave. Although LUNA RING sounds like something out of a sci-fi novel, the technology required for such a project already exists. What keeps the project from becoming a reality immediately is the, pardon the pun, astronomical cost. Such a massive venture would have an incalculable benefit for the entire world, and would probably require the co-operation and support of the entire world. Given that the world can't organise a football tournament without a few problems, this might be one world-saving project that never gets off the ground. Which would be a great shame. [via geeksaresexy]
The gift-buying season is about to ramp up. But with cost-of-living concerns putting the pinch on many households, not to mention the environmental cost of buying a bucketload of brand-new presents, taking a different approach might not be such a bad thing. That's where the secondhand superstore Vinnies comes in as we get ever-closer to Christmas. On now until Wednesday, December 24, the team is hosting the curated Good Gift Pop-Up Market from its Fitzroy digs. Featuring pre-loved collections across a huge range of categories, including ceramics, vintage books and retro glassware, there's every chance you'll discover a top-quality gift that's more thoughtful than most. "The rise of conscious gifting points to a new mindset, consumers are actively seeking ways to make their giving simpler, kinder and more sustainable," says Neil Harvey, General Manager, Retail at Vinnies Victoria. "It's a way to save money, find something thoughtful, and support vital community services at the same time." The value for shoppers is also off the charts, with customers who spend $40 in-store scoring a Vinnies Christmas Vault Card featuring $54 worth of credit for your next shop. With research from Vinnies Victoria revealing that nine out of ten people are open to receiving a pre-loved pressie, perhaps doing your wallet and the earth a favour is the way to go this festive season.
If you're hunting for a new staycation spot in Melbourne, here's good news: Victoria's first Hotel Indigo has just landed in Flinders Lane, following a sleek $20 million renovation. The global hotel chain originally launched in Australia last year with the opening of its design-led Brisbane outpost. Bringing the brand's signature focus on art and design to Melbourne, Hotel Indigo on Flinders will nod to its namesake location. Specifically, the hotel takes inspiration from internationally-acclaimed and controversial fashion photographer Helmut Newton across a sprawling 216-room property. The space is decked out with Newton's work and a wealth of commissioned pieces from local artists to pay tribute to fashion, art and runway photography in all its forms. "We're confident our intriguing Flinders Lane neighbourhood, the Helmut Newton inspired styling and stories of the city artfully weaved into everything we do will fascinate and inspire our guests to discover Melbourne in new ways," General Manager of Hotel Indigo Melbourne on Flinders, Joseph Simmons says. Amenities run to the likes of Biology haircare, soft bathrobes courtesy of Seed & Sprout and spacious work areas. Breakfast and coffee are served in the lounge daily, while Spanish restaurant and bar BESO offers a contemporary take on traditional Spanish tapas. "After a multi-million-dollar transformation this exceptional property brings Hotel Indigo to life in Melbourne — the brand inspires creative design and unique guest experiences which our passionate team will embody for each and every guest," CEO of Asia Pacific of Pro-invest Group Jan Smits says. Hotel Indigo on Flinders is now open for bookings at 575 Flinders Lane, Melbourne. Rates start from $225 per night.
If you've been wondering about the story behind today's rainbow Google doodle, here's the low-down. With the Winter Olympics opening ceremony to be held tonight in Sochi, the online giant has put its weight behind the protest against Russia's discriminatory laws. Six stylised athletes are depicted participating in various winter sports, from ice hockey to figure skating to bobsledding. Underneath, a quotation from the Olympic Charter reads, "The practice of sport is a human right. Every individual must have the possibility of practicing sport, without discrimination of any kind and in the Olympic spirit, which requires mutual understanding with a spirit of friendship, solidarity and fair play." Activists all over the world have spoken out against the International Olympic Committee's decision to hold the Games in Russia, where the law bans the promotion of non-traditional sexuality and prevents under-18-year-olds from having access to information about homosexuality. On Wednesday, February 5, protests were held in 19 different cities. Yesterday, UN Secretary-General Ban-Ki Moon acknowledged the issue in his speech to the IOC, stating, "Many professional athletes, gay and straight, are speaking out against prejudice. We must all raise our voices against attacks on lesbian, gay, bisexual, transgender or intersex people. We must oppose the arrests, imprisonments and discriminatory restrictions they face."
Rustica Sourdough, the Melbourne institution and baker of all things sour and delicious, has opened a new bakery and cafe in Melbourne's west. It's the bakery's fifth location — with its original cafe in Fitzroy, shops on Hawthorn's Power Street and in Rialto Towers, and one opening in Melbourne Central earlier this year — and the first out west. It's opened inside Highpoint Shopping Centre, so next time you're out getting groceries — or braving the pre-Christmas crowd — you can snag something sourdough-y. Located on level three of the shopping precinct, the new Rustica is — like its siblings — a cafe-bakery hybrid, with options for those who are looking for a leisurely brunch, a quick bite for lunch, or just a comforting cronut while you navigate the masses. This time, however, they've called in ex-Chin Chin chef Sam Mills to oversee the menu — and dishes have a noticeable mod-Asian lean. Highlights include the okonomiyaki, a savoury Japanese pancake made with cabbage, kewpie mayo, sesame and fried eggs; baba ghanoush with haloumi and poached eggs; and chilli-spiked scrambled eggs on pumpkin seed toast. For something sweet, look to the coconut tapioca with peanut praline and puffed black rice.
For those of us who bemoan the destructive tendencies of music's digital revolution — making such endearingly humble (and ubiquitous) devices as vinyls and walkman permanently redundant — the newly released Sharetapes are giving modern music a decidedly old-school twist. Sharetapes, the product of an Australian start-up, are the iPhone and Spotify era equivalent of a casette mix-tape. The credit card-sized tape allows you to make a playlist using such online services as YouTube, 8tracks and Spotify and then writing it to one of your blank tapes by hitting record at sharetapes.com. Then, simply tap your tape on an NFC-enabled smartphone (recent Android, Windows or Blackberry devices) or scan it using any QR code application (all your other iPhones and smartphones) and you can easily share your favourite playlists with your friends. These transportable, shareable and fashionably retro cards are awesome for bands or DJs hoping to connect their music with fans. And in the spirit of the mix-tape heyday of the '80s and '90s, these cards are the perfect companion for the modern lover. While once upon a time, teenage romantics would use their casette mix-tapes of MC Hammer and Barry White to woo their high-school crush, the modern lover simply has to swipe their card across their prospective other's iPhone and get ready for the romance to get a-flowing. We're giving away five packs of Sharetapes, with each packet including five individual tapes. To be in the running, simply subscribe to Concrete Playground (if you haven't already) then email us with your name and postal address at hello@concreteplayground.com.au.
Trying not to think about Leonardo DiCaprio and Kate Winslet is about to become impossible in Australia. So will getting Celine Dion's 'My Heart Will Go On' out of your head, where it's dwelled for most people since the Oscar-winning track was released in 1997. The reason: a new Titanic exhibition is dropping anchor Down Under, making Melbourne Museum its berth for four months. From Saturday, December 16, 2023–Sunday, April 14, 2024 Titanic: The Artefact Exhibition will bring 200-plus items from the ship to the Victorian capital, in its Aussie trip after selling out its Paris season and also proving a hit in the US. The pieces on display are legitimately from the vessel's wreck site, too, after the RMS Titanic's ill-fated voyage in April 1912 — aka the events that James Cameron (Avatar: The Way of Water) turned into the DiCaprio (Killers of the Flower Moon)- and Winslet (Ammonite)-starring Titanic more than a quarter-century ago. For everyone bound to exclaim "I'm the king of the world" while walking through Titanic: The Artefact Exhibition's Australian-exclusive stop, this is the king of all Titanic exhibitions. In fact, it's the most extensive in the world. As well seeing the genuine objects from the ship, attendees will wander through full-scale recreations of the vessel's interiors, such as the veranda cafe, first-class parlour suite and grand staircase. "Tragedy, heroism, sacrifice, survival and loss — these are themes the evokes which continue to resonate today, with people of all ages across the globe," said Museums Victoria CEO & Director Lynley Crosswell, announcing the exhibition. In addition to the recovered items and recreations of the Titanic's spaces, the exhibition will tell tales about those who were onboard the ship that launched its maiden voyage on April 10, 1912, only to sink five days later on April 15 after hitting an iceberg. This exploration of a tragic chapter in history will focus on passengers and crew alike, while also stepping through the vessel's class divisions and pondering the boat's legacy. Titanic: The Artefact Exhibition will display at Melbourne Museum, 11 Nicholson Street, Carlton from Saturday, December 16, 2023–Sunday, April 14, 2024 — head to the venue's website for further details and tickets. Images: EMG / Alexandre Schoelcher / Museums Victoria.
