These days Twitter is known as two things: a medium on which to stalk Katy Perry and Justin Bieber, and a platform for #QandA Twitterati to descend into madness. With all the white noise out there it's easy to forget its true function — Twitter is a place for discussion. Thankfully this is a notion not lost on those fine folks at The Wheeler Centre. In their most recent project #discuss they're dragging Twitter philosophy into the real world, printing it on our city walls and starting important conversations nationwide. Thankfully it goes a lot deeper than catty #QandA tweets about Christopher Pyne's lizard face. The week-long project — which comes to an end tomorrow — has been launched in an effort to reignite a quality public discussion. From June 2, participants on Twitter were urged to put forward opinions or interesting thoughts on whatever topic they please. Paired with the hashtag #discuss, the initial thought was then open for exploration, disagreement, or extrapolation from the wider Twitter community. The best ten thoughts from each day have been printed on plaques and placed in fitting locations around Melbourne's CBD and inner suburbs. Right now Estelle Tang's culturally-weighted declaration that "Australians don't know how lucky they really are" lies knowingly outside Crown Casino. In what must be another blow for employees at The Age, a bleak assertion from writer Clementine Ford is currently plastered right out front of their city offices: "The old guard can fight as much as they like, but they can't stop the youth from one day taking over." Within a week of opening, Chris Lucas' latest venture Kong has already been hit with some Twitter truth: "Thanks to social media, place-dropping has become worse than name-dropping." It's a powerful concept, and one which gives abstract notions or debates an all-important physical weight. Arguments about boat people are no longer throwaway comments in cyberspace; they're staring you in the face on your way past the Immigration Department. An unsettling philosophical statement gives you some mind fodder on your way into Coles. Once again, this valued cultural institution is proving its intellectual importance. Disagree? Discuss! The project ends Sunday, June 8 so there's still a chance to get your words plastered on a city street. Even if you miss the deadline, don't worry, the discussion never really stops. @waouwwaouw at Crown Casino, Southbank. @clementine_ford at The Age offices on Spencer Street. @mattfitzy at Chris Lucas' new restaurant Kong on Church Street, Richmond. @uptosquat at Hosier Lane. @SophieMcAulay at Hungry Jacks on Russell Street. @MIFFofficial at The Classic Cinema in Elsternwick. @hamlwat at the Immigration Department. @Melbfoodandwine at Cumulus Inc. @tesslawley at Coles Glenferrie Road, Hawthorn. @AsherTreleaven at The Melbourne Club. Lead photo: @elissebaitz at Northside Records. All photos via The Wheeler Centre.
When you lick a scoop of gelato, do you take a moment to let the flavour settle onto your tastebuds? Do you stop to contemplate the creaminess, and ponder how it feels on your tongue? Perhaps you spend too long thinking not only about how your dessert tastes, but how it smells — or maybe you're obsessed with how it looks, because a good ice cream is a truly glorious sight. If we've just described your usual thought processes every time you step inside a gelato joint, then you might want to throw your name in the ring for Gelatissimo's newest gig. As part of a four-hour, once-off deal, the dessert chain will pay one ice cream-loving person $500 to taste-test its newest gelato flavours. Over the past year, Gelatissimo has been responsible for frosé sorbet, ginger beer gelato and even a gelato for dogs, so you won't be tasting your way through plain ol' vanilla or the usual mint choc-chip combination (not that there's anything wrong with those two stone cold classics). Just what flavours you'll be munching on hasn't yet been revealed, but you'll play a crucial part in evaluating them. As well as being delicious, this is serious business, requiring the utmost focus on the task at hand. That means first assessing the gelato's appearance, then enjoying a couple of scoops to get a feel for the flavour and texture. Then, after cleansing your palate with water, you'll do it all over again (and then again). If you're keen, as most people with tastebuds will be, just head to Airtasker to explain why you're the ideal candidate for the job. While the competition is open nationally, the winner will be required to get themselves to Gelatissimo's Sydney office in Rydalmere on Friday, September 27. For more information, or to apply for the Gelatissimo gelato-tasting gig, visit the Airtasker listing.
The COVID-19 situation in Australia is changing every day, with the federal government first implementing a ban on non-essential events with more than 500 people and then mandating that everyone arriving from overseas self-isolate for 14 days. In response to the first restriction, events and venues around the country are cancelling and postponing their 2020 plans. This is having devastating impacts on the local hospitality, arts and music industries, with I Lost My Gig Australia reporting that, as of midday on Monday, March 16, 20,000 events have been cancelled, which has impacted 190,000 Australians and equated to $47 million in lost income. And those numbers are continuing to climb. While going out might not be at the top of your to-do list right now, you can continue to support these industries and businesses by buying from artists who've had their shows cancelled, ordering gift cards and merch from venues that are struggling or just booking in a dinner for that birthday a few months away. To keep you abreast of what's been cancelled, postponed and suspended, here's our live list, updated as it happens. [caption id="attachment_710789" align="alignnone" width="1920"] Sydney Royal Easter Show.[/caption] SYDNEY All ANZAC Day commemoration services across NSW (April 25): cancelled All City of Sydney aquatic and fitness centres: closed until at least April 3 All non-essential indoor venues, including casinos, gyms, cinemas, places of worship, clubs, pubs, bars, restaurants and cafes (can offer takeaway and delivery only): temporarily closed Alliance Francaise Film Festival (March 10–April 8): postponed from March 19 Art Gallery of NSW: temporarily closed Biennale of Sydney: cancelled Bluesfest (April 9–14): cancelled Carriageworks: temporarily closed (Saturday farmers markets will proceed) Comedy Steps Up for Bushfire Relief (March 16): cancelled Download Festival (March 21): cancelled Festival of Dangerous Ideas (April 3–5): cancelled Handa Opera (March 27–April 26): cancelled Happy Place (until May 3): postponed Momo Fest (April 18): postponed No Coal Zone (March 14): postponed Opera Australia's Carmen, Atilla and Great Opera Hits: cancelled until March 28 Palace Cinemas: all locations closed from March 19 Royal Easter Show (April 3–14): cancelled So Pop 2020 (April 25): cancelled Spanish Film Festival (April–May): postponed until August, with new dates TBC Splendour in the Grass (July 24–26): postponed until October 23–25 Sydney Film Festival (June 3–14): cancelled Sydney Writers' Festival (April 27–May 3): cancelled Sydney Opera House: all performances cancelled until June 17 Taronga Zoo: temporarily closed The Other Air Fair (March 20–23): postponed Vivid Sydney (May 22–June 13): cancelled [caption id="attachment_710610" align="alignnone" width="1920"] Ability Fest by Alex Drewniak[/caption] MELBOURNE Ability Fest (April 4): cancelled All ANZAC Day Commemorative services across Victoria (April 25): public cannot attend All City of Melbourne libraries, recreation centres and cultural and arts centres: temporarily closed All non-essential indoor venues, including casinos, gyms, cinemas, places of worship, clubs, pubs, bars, restaurants and cafes (can offer takeaway and delivery only): temporarily closed Alliance Francaise Film Festival (March 11–April 8): postponed from March 19 Arts Centre Melbourne: closed until April 13 Cirque du Soleil Kurios: suspended until further notice Download Festival (March 21): cancelled Fromage a Trois (March 22): cancelled Harry Potter and the Cursed Child: suspended until April 12 Melbourne Food and Wine Festival (March 19–29): postponed until spring Melbourne International Comedy Festival (March 25–April 19): cancelled Melbourne Queer Film Festival (March 12–23): postponed Melbourne Museum: closed until further notice Melbourne Symphony Orchestra: postponed until April 13 (but it is live-streaming select shows) Momo Fest (April 4–5): postponed National Gallery of Victoria: closed until April 13 Open Weekend (March 21–22): cancelled Palace Cinemas: all locations closed from March 19 So Pop 2020 (May 1): cancelled Spanish Film Festival (April–May): postponed until August, with new dates TBC State Library Victoria: closed until further notice Sweetstock (March 28–29): cancelled The Other Art Fair (May 21–24): postponed Wine Machine (March 28): postponed until October 31 World Tour Bushfire Relief (March 13): cancelled Wall to Wall Festival (April 3–5): postponed [caption id="attachment_764598" align="alignnone" width="1920"] Westpac OpenAir[/caption] BRISBANE All non-essential indoor venues, including casinos, gyms, cinemas, places of worship, clubs, pubs, bars, restaurants and cafes (can offer takeaway and delivery only): closed All ANZAC Day commemoration services across Qld (April 25): cancelled Alliance Francaise Film Festival (March 18–April 14): postponed The Big Pineapple Music Festival (May 30): postponed until early October — new date TBC Boho Luxe Market (April 17–19): postponed until September 25–27 Brisbane Comedy Festival: cancelled from March 16 onwards Brisbane Gin Festival (April 4): postponed until September 19 Brisbane Night Market (weekly on Fridays): closed until further notice, with all events cancelled Buddha Birthday Festival (May 1–3): cancelled Burgers and Beers (March 21+27): cancelled Cat Cuddle Twilight Market (March 27): postponed — new date TBC Charlie and the Chocolate Factory (March 18–April 19): cancelled Curiocity Brisbane (March 20–April 5): cancelled The Drop Festival Coolangatta (March 28): cancelled Eat Street Northshore: closed until further notice Fish Lane Festival (May 9): postponed until September 5 The Foundry: closed until further notice, with all events cancelled Gigs & Picnics (March 28, April 25, May 30): monthly events postponed until June 27 Gold Coast Film Festival (April 15–26): cancelled Greener Pastures (May 3): cancelled Green Jam Sessions (weekly on Fridays): all sessions cancelled until at least April 30 HOTA, Home of the Arts: closed until March 31 James St Up Late (March 26): cancelled Momo Fest (April 12): postponed — new date TBC Mould: A Cheese Festival (March 20–21): postponed — new date TBC Mov'In Bed Cinema (March 27–May 17): postponed until the last quarter of 2020 — new dates TBC Netherworld: closed from Wednesday, March 18 until at least the end of March, with all events cancelled Noosa Eat & Drink Festival (May 14–17): cancelled Not On Your Rider (March 26 and April 30): cancelled, with events likely to restart in October Palace Cinemas: all locations closed from March 19 The Planting Festival (May 1–3): cancelled The Plant Market (March 29): postponed — new date TBC Puppies and Pints (April 5): cancelled Queensland Art Gallery and Gallery of Modern Art: both galleries remain open, including GOMA's Australian Cinemathque, but all public programs, events and tours have been cancelled Queensland Performing Arts Centre: all theatres closed until at least April 30 Queensland Symphony Orchestra: all performances cancelled until April 30 Stones Corner Festival (May 3): cancelled Water Up Late (March 20–21): cancelled So Pop 2020 (April 24): cancelled Spanish Film Festival (April–May): postponed until August, with new dates TBC Westpac OpenAir (April 5–26): postponed — new date TBC World Science Festival Brisbane (March 25–29): cancelled The Village Markets Stones Corner (March 27): cancelled for March, with a decision about future markets due by March 27 Young Henrys Rock N Roll Circus (March 19): postponed — new date TBC To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: Vivid
In the next chapter of Australia's plastic bag saga, Coles has paused its ban. Six days after the supermarket giant implemented its nationwide single-use plastic bag ban, it has announced it will be giving out free reusable plastic bags until the close of business on Sunday, July 8. This brings the supermarket chain into line with Woolworths who, after implementing a nationwide ban on June 20, also reneged on the ban and announced it would be giving them out for free until July 8. The reusable bags that are currently being given out for free would usually cost shoppers 15c in both Coles and Woolworths. They're thicker, more durable and are made from 80 percent recycled plastic — and were meant to encourage shoppers to bring them back, again and again, rather than buying a new one each time. The temporary, complimentary bag offer for both supermarket giants is only valid in NSW, Vic, WA and Qld, as the other states and territories have already had single-use plastic bag bans in place for several years (SA leading the pack, introducing it back in 2009). Both moves came after backlash to the bans on social media and in store, with reports of some shoppers becoming aggressive, others stealing plastic baskets instead of paying for reusable bags, and many accusing the chains of using the ban as a profit making scheme. Both supermarkets are also offering cloth bag alternatives, with Woolworths' 99c Bag for Good, which the supermarket chain will replace for free if it gets damaged, and Coles' $1 Community Bags, which are designed by Australian school children and ten percent of sales are donated to charities. Both bags are designed to be used repeatedly. On a national level, NSW and Victoria are now the only states that haven't implemented state-wide bans, with Queensland introducing its ban earlier this month on July 1. Victoria is set to do so next year, but NSW is yet to announce whether it will join suit.
Wednesday, June 26, 2013 will go down as one of the most exhausting and absurd days in Australian parliament's history. There were retirements, there were bills proposed, and hijacking headlines and Twitter feeds across the country was the Labor Party's leadership spill, where the caucus sharpened their knives again to farewell Julia Gillard and give Kevin Rudd another chance to shake his sauce bottle all the way to election glory. The whole process played out like an elaborate film or TV plot, so we decided to take a look at the top five leadership battles the screen has offered and see how they compare. 1. Game of Thrones When the excellent #RuddWedding began trending, there was no way to look past the most popular show on television and its parallels with Australian politics. Whilst Red Wedding meme manipulators are casting Kevin as the murderous Lord Bolton, perhaps it would be more appropriate to stick Bill Shorten's head on his shoulders. Either way, we are down to a two-horse race for Australia's iron throne. 2. Rocky Whilst Rocky may have lost his first battle, professional fight against Apollo Creed, the Italian Stallion refused to go down, weathering the blows before rising to deliver a knockout blow and regain the prime ministership. Here is hoping that the plots continue to overlap and we witness a montage of Gillard training Rudd before they treat us to a Rocky III freeze frame ending. 3. Ron Burgundy vs. Veronica Corningstone Whilst Kevin Rudd may not sport Ron Burgundy's glorious moustache, he still held the leadership of his news team until Veronica Corningstone ambitiously took it from him. Ron fought to claim it back though, and whilst there will be no co-anchorship between Rudd and Gillard, we can still look forward to Anchorman 2. 4. Harry Potter vs. Lord Voldemort When ABC reporter Mark Simkin dipped into the pages of Harry Potter to cover the spill — stating "neither can live whilst the other survives" — he wasn't wrong. Gillard has remained true to her word and retired, making Kevin Potter the boy who lived, ready to take on his next nemesis. Whilst we wait for the battle, let us ponder on how much more enjoyable Question Time would be if everyone was wearing robes, clutching wands and shouting 'expelliarmus' at each other. 5. Sideshow Bob vs. Mayor Quimby In Springfield's political showdown of the century, Sideshow Bob rides to victory over Mayor Quimby on a wave of charisma and popularity. Rudd has the charisma and popularity; here's hoping he hasn't masterminded a rigged vote like Sideshow Bob did that would plunge Australian politics into an even larger comedic hole of errors. Bonus: Star Wars Filibuster Yesterday also saw a busy day on the international politics scene, as Democratic state senator Wendy Davis filibustered a package of laws that would restrict access to abortion in Texas. She was controversially cut short at ten hours on a technicality for speaking off topic, which earned her a third strike — at least we can say that the rules of baseball don't dictate Australian politics. Whilst her filibustering was far more topical than this offering, Patton Oswald's rant on Parks and Recreation certainly lightens the mood of defeat.
Now in its eight year, the Qantas Spirit of Youth Awards is looking to inspire passionate creatives across Australia by inviting them to submit their work for the chance to win the prize of a lifetime. In 2011, the SOYAs has expanded the categories of entry, with the roster now including fashion, interactive content and gaming, written word, visual design and communications, film and video, photography, visual arts, craft and object design, music, architecture and interior design, and animation. Australians under the age of 30 are encouraged to present their work in one of these categories, with the closing date of one category occurring each month until October 2012. Each winner will receive a handy $5000 cash prize. Furthermore, each category has a different one-year mentorship program which will allow the winner to work with some of the leading figures within their chosen industry. These include fashion icons Nicky and Simone Zimmermann, Legally Blonde director Robert Luketic, and music producer Lee Groves, whose portoflio includes the likes of Gwen Stefani, Marilyn Manson and Craig David. This will provide newcomers with invaluable experience from industry experts. If that wasn't enough, Qantas will also send the winners on a trip to an exclusive event within their field. These events are scattered all over the world, but are united by their prestige and widespread recognition. These include London Fashion Week, the Edinburgh Film Festival and Cannes Lions. Previous winners of the Spirit of Youth Awards have soared to new heights, such as fashion designers Romance Was Born (pictured), musicians Wolf & Cub and photographer Penny Lane. With the competition's expansion into unprecedented categories, there are now more opportunities for Australia's finest creative minds to showcase their work to the world. Furthermore, winners will be financially assisted and treated to experiences that will allow their talents to flourish.
Across nine initial seasons between 1993–2002, an additional two seasons that aired in 2016 and 2018, and two big-screen movies as well, FBI Special Agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) investigated all manner of weird and wonderful cases. They all involved the paranormal, supernatural and conspiracies, of course, spanning everything from aliens and psychic abilities to sewer-dwelling man-worm creatures and teenagers who could channel lightning — and they made The X-Files both a sci-fi hit while it was airing and a sci-fi classic ever since. Sometime in the near future, The X-Files will serve up a range of new cases. This time, though, expect them to be silly, funny and particularly preposterous. As reported by Variety, the show is coming back again, but as an all-new animated comedy spinoff that'll focus on a team covering investigations considered too ridiculous for Mulder and Scully. As fans of The X-Files will know, there's nothing too out-there for Mulder and Scully. The former's nickname was 'Spooky', after all. And, even though the latter was often highly skeptical of her partner's theories, she was also known to suggest some creative ideas of her own. But 'too wacky for Mulder and Scully' is the premise that 20th Television and Fox Entertainment seem to be sticking with for the new show — which sounds more than a bit like The X-Files meets Scooby-Doo. While few other specifics have been revealed as yet, the series will be called The X-Files: Albuquerque, and will focus on "an office full of misfit agents... they're basically the X-Files' B-team", as Variety notes. There's no word on when it'll reach screens, but neither Anderson nor Duchovny are currently involved — so don't go getting your hopes up for an animated Mulder and Scully (well, another one, after their appearance on The Simpsons back in 1997). Behind the lens, The X-Files creator Chris Carter is an executive producer, while Movie 43's Rocky Russo and Jeremy Sosenko will be writing the series. The X-Files: Albuquerque will mark The X-Files' franchise's fourth TV series, following the original; 1996–9's Lance Henriksen-starring Millennium, which was set in the same universe; and 2001's The Lone Gunmen, about three conspiracy-obsessed characters initially seen helping Mulder and Scully. If you need a reminder of what made The X-Files so great, check out the below trailer for the 2008 movie The X-Files: I Want to Believe. You can also stream all 11 series of The X-Files in Australia on Amazon Prime Video. https://www.youtube.com/watch?v=_9KV4ESQ8HU Via Variety.
Cinematic conversation densely populates a significant proportion of the internet, and finding a site that addresses your interests can be exhausting. But brand-new website The Dissolve looks to provide a comprehensive and accessible online complex for discussion that cinephiles can enjoy liberally. The Dissolve is the newest cultural offspring of the team behind Pitchfork and is ready to talk anything and everything film related, in a way that is appealing to all film aficionados. "There's a lot of great film writing on the Internet," says Keith Phipps, editorial director of The Dissolve, in an interview with Mashable, "but there really wasn't anyone doing what Pitchfork has done for music, which is smart, opinion-driven, critic-driven, review-driven, and written for an audience that was passionate about film but not necessarily coming at it from an academic view." With the jargon out of the way, The Dissolve facilitates cinematic conversation between cinephiles — a discussion simplified by the broadcasting of their net. Not only will they discuss the latest films, but they will also explore where cinema has come from as well as the endless ephemera generated by the craft, right down to film-inspired board games. Where The Dissolve stands out from the crowd, though, is its appreciation of modern cinematic digestion. "With moviegoing changing (and continuing to change) in the 21st century, The Dissolve wants to account for the many different ways our readers experience movies, whether they’re at the multiplex, in their favorite New York City arthouse, or watching a new indie On Demand at home in Des Moines," says site editor Scott Tobias. The introspective and retrospective site is ambitious in its comprehensiveness, so whether you want to talk about the newest blockbuster or your favourite monster from that Japanese romance-horror, The Dissolve has got you covered. The feature we are anticipating most is their 'Short Cuts', a weekly selection of lunch-hour friendly films to fill the time whilst eating that chicken salad.
It’s been 50 years since “I have a dream”, but Martin Luther King Jr’s legacy lives on in the Australian premiere of The Mountaintop. Katori Hall’s award-winning play blew away London and New York, with Samuel L. Jackson making his Broadway debut. Hall’s play is a vision of King’s last night before his assassination, set in a claustrophobic Memphis hotel room, where Camae — the bold young woman who brings his room service — forces him to confront his own fears and desires. King might be one of the most famous figures of the past century, but the work offers a rare, if imagined, insight into the private character behind his martyrdom and soaring rhetoric. In the Melbourne Theatre Company’s production Bert La Bonte and Zarah Newman take on this taut two-hander under the direction of Alkinos Tsilimidos, best known for his work in indie Australian cinema.
Things are looking a little bit queer in Federation Square, with the return of the Melbourne Queer Film Festival to ACMI. The largest event of its kind anywhere in Australia, this year's festival features over 100 different features, documentaries and shorts, from searing dramas to crowd-pleasing comedies and everything in-between. Throw in special events ranging from speed dating to a virtual reality drag show, and film lovers will have their work cut out for them. Standout films on this year's program include the highly anticipated Australian documentary Remembering the Man, a retrospective screening of Rainer Werner Fassbinder's The Bitter Tears of Petra Von Kant, and the local premiere of low key indie drama Boulevard featuring one of the final performances by the great Robin Williams. There's also a stellar selection of documentary, animated, gay and lesbian short films, plus industry workshops, public panels and more.
Maybe you like to slather it all over everything you're about to eat. Perhaps you like to get your doses in more restrained dips and dollops. Either way, if you're a mayonnaise fan, Japan's latest food trend has you covered. At a mayo cafe, two things are on offer: the condiment in the spotlight, of course, and the ability to indulge in its creamy goodness in your ideal fashion. Here's hoping that your preferences include mayo on pasta, salad, seafood dishes, with hot and cold eggs, turned into a custard pudding, and served as a variety of dips, because you'll find all of the above on the menu — and more. Don't just expect any old egg-and-vinegar concoction, though. The cult favourite that is kewpie is not only the variety everyone will be gorging on, but also the company behind the dedicated eateries. The first Kewpie mayo cafe opened its doors in Tokyo's busy Shibuya district on March 1 to mark NationalMayonnaise Day (yes, it's a thing), with a second due to follow in Nagoya in central Honshu from April 1. Both will shower eager customers with all the kewpie they could dream of (not literally, of course) for a full month; however, we're guessing this won't be the last time mayo-centric establishments pop up. Via Munchies. Image: Takeaway / Creative Commons.
When Percy Fawcett gazes upon the Amazon in The Lost City of Z, he does so with wonder blazing in his eyes. A real-life geographer, soldier and explorer played here by Charlie Hunnam, Fawcett is dispatched from Britain to South America to survey the border between Bolivia and Brazil, only to become beguiled by his new rainforest surroundings. Many movies would explain his reaction through dialogue alone, but James Gray's latest effort works in more than just words. The filmmaker behind The Immigrant and We Own The Night, Gray is known for crafting precise, painterly visuals. It's little wonder that his excursion through tropical greenery shares Fawcett's fondness in each and every frame. To watch The Lost City of Z is to stare deep into the splendour of untamed nature, and to appreciate the mystery and allure that comes simply from looking. The colour and movement; the locals and the wildlife; the sense of how different it is to early 20th century England — it's all there, in cinematographer Darius Khondji's striking images. It's an essential touch, given that examining the mindset that inspired Fawcett's repeated treks into the jungle is one of the movie's main aims. If there were ever any doubts that Gray would be able to jump from his urban-set back catalogue to the grandness of the Amazonian wilds, they're quickly dispelled. When we first meet Fawcett, he's a young army officer hunting stag for sport. He's considered talented, yet a shadow hangs over his family name thanks to his drunken father. Asked to do the Royal Geographic Society's bidding on the other side of the world, he soon leaves his wife Nina (Sienna Miller) and infant son for trampling through luscious growth, with Corporal Henry Costin (Robert Pattinson) and on-site guides for company. If he hadn't fallen for the Amazon's magnetism, as well as a story about a lost city teeming with gold, his jaunt might've ended with a happy return home. But Fawcett is haunted by his desire to find the fabled locale — and prove that advanced civilisation exists beyond western society — even if it costs him his life. As the film's existential adventures continue, Pattinson gets grimy, Tom Holland pops up, as does Italian acting legend Franco Nero. Ultimately though, The Lost City of Z belongs to Hunnam, who wipes King Arthur from our memory. Poised, passionate and persistent, with ample charm thrown in, he plays his protagonist as an imperfect but still decent man driven by a multitude of motivators. The character is also surprisingly progressive, breaking from the racist, sexist, classist, jingoistic and colonialist attitudes of his peers. In short, he's the sort of person you'd be willing to follow through dense foliage. Just as seeing is believing when it comes to Gray's mesmerising sights, Hunnam ensures viewers feel the calling coursing through Fawcett's veins. Accordingly, The Lost City of Z becomes more than just a dazzling account of a real-life trek through uncharted terrain. That's not to say that it doesn't impress as an intimate adventure flick, an exploration of fevered obsession, or as a textured and thoughtful biopic — in fact, it succeeds as all three. But what lingers most of all is an understanding of why people chase even the most challenging and unlikely of dreams, what they hope to find, and how such mysteries leave their mark on history. https://www.youtube.com/watch?v=_2RYbGgBQeM
Hearing Gurrumul perform live is one of those haunting yet rejuvenating experiences that will last with you for days. His surreal melodies and powerful voice have captivated audiences for years, and this one-off show at Sidney Myer Music Bowl is sure to show off all his highly-acclaimed talents. From his time with Yothu Yindi right up to his most recent album, Rrakala, Geoffrey Gurrumul Yunupingu has pioneered a unique style of indigenous Australian storytelling, and his solo work — all sung in his native Yolngu — is always heavy with the burdens of his people and his land. His performance at the Melbourne Festival is the first in a three-year series, and this year he will be accompanied by Philharmonia Australia and a filmed narration of his stories made by the musician's fellow clan members. In a surprising, but welcome move, Gurrumul will also be supported by indie songstress Sarah Blasko. Though their styles are undoubtedly different, it will be interesting to see how they complement one another on the night — one Australian voice to another. Gurrumul will be performing at the Sidney Myer Music Bowl as part of the Melbourne Festival on Saturday October 12. We have a double pass to give away for this one-off show. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email win.melbourne@concreteplayground.com.au with your name and address.
Everyone should see Henry Rollins on a stage. Luckily, audiences have had ample opportunities for more than four decades. The musician first came to fame singing behind the microphone in punk-rock band Black Flag and then Rollins Band, but is now just as renowned for his spoken-word shows, where he waxes lyrical (and candid and amusing) about his life, fame and the state of the world. Australians are no stranger to Rollins getting chatty; however, thanks to the pandemic, he hasn't taken to stages Down Under since 2016. That's about to change come winter, with the icon, actor, author and radio host heading around the country on an 18-show, 17-city tour. The place scoring a double dose of Rollins? Brisbane. Rollins' spoken-word gigs always sell out, and they're always an entertaining — and unflinchingly honest — night spent listening to the Sons of Anarchy, Lost Highway and Heat star. This time, he's visiting both capitals and regional centres, and notching up every Aussie state and territory, on a tour dubbed 'Good to See You'. Attendees can look forward to Rollins looking back over the past seven years since he last visited Australia, stepping through his life from 2016 until COVID-19 hit — and, of course, exploring what's happened since. Fingers crossed for more mullet insights, too. Rollins makes his way around Australia after a massive leg in Europe, where he's currently flitting from Croatia, Poland and Finland to Sweden, Germany, France and the United Kingdom — and more. And, his latest tour comes after he added two more books to his name in 2022: Sic, which draws upon the frustration of not knowing if his touring life would ever return; and Stay Fanatic!!! Vol. 3. [caption id="attachment_888225" align="alignnone" width="1920"] Morten Jensen via Wikimedia Commons[/caption] HENRY ROLLINS 'GOOD TO SEE YOU' TOUR 2023: Monday, June 5 — Perth Concert Hall, Perth Tuesday, June 6 — Margaret River HEART, Margaret River Thursday, June 8 — Thebarton Theatre, Adelaide Friday, June 9 — Araluen Arts Centre, Alice Springs Saturday, June 10 — Darwin Entertainment Centre, Darwin Tuesday, June 13 — Cairns Performing Arts Centre, Cairns Thursday, June 15–Friday, June 16 — The Tivoli, Brisbane Saturday, June 17 — The Events Centre Caloundra, Sunshine Coast Tuesday, June 20 — Llewellyn Hall ANU, Canberra Wednesday, June 21 — Ulumbarra Theatre, Bendigo Thursday, June 22 — Civic Hall, Ballarat Saturday, June 24 — Hamer Hall, Melbourne Tuesday, June 27 — Anita's Theatre, Thirroul Wednesday, June 28 — State Theatre, Sydney Friday, June 30 — Newcastle City Hall, Newcastle Sunday, July 2 — Princess Theatre, Launceston Monday, July 3 — Odeon Theatre, Hobart Henry Rollins tours Australia in June and July 2023, with ticket pre sales from 11am local time on Monday, February 13 and general sales from 11am local time on Wednesday, February 15. Head to the tour website for further information.
Each year the Melbourne Theatre Company presents a series of semi-staged readings of new plays by Australian writers — an opportunity for a fresh crop of five playwrights to develop their work, and a great chance for local audiences to experience new performance writing on the cheap (a mere $10, or $5 for under 30s). 2014 is no exception. As 'semi-staged readings' the actors often have scripts in hand, and the focus is on refining the writing in front of a live audience rather than expecting a perfect, polished performance. Make sure to check out Declan Greene’s thoroughly un-Googleable 8GB of Hardcore Pornography – it’s receiving its premiere in Sydney later this year but its Cybec outing will have to tide Melbourne audiences over for now. There are also plays by Kylie Trounson, S. Shakthidaran, Sue Smith, and Jane Harrison, whose work The Visitors is appearing as part of the Melbourne Indigenous Arts Festival. For more details on each play check out the MTC website.
Handpicking some of the globe's best new artists for yet another glorious year (their sixth, to be exact), Sugar Mountain has revealed one heck of a 2017 lineup, with Dev Hynes/Blood Orange, homegrown duo Big Scary and British boss Little Simz headlining. Returning to Melbourne's Victorian College of the Arts on Saturday, January 21, Sugar Mountain has again balanced international drawcards with local talent this year, from Perth avant-electronic bedroom producer KUČKA to German producer Pantha Du Prince. Other Aussies converging on Mebourne for the fest include Methyl Ethel, Dro Carey and The Belligerents. The Boiler Room stage will also return, live streaming around the world with a yet-to-be-announced lineup. As always though, music isn't the only thing on the menu for Sugar Mountain. There'll also be a load artists on the bill, including Chairlift vocalist Caroline Polacheck, Melbourne-based, Novocastrian sculptor Caleb Shea and New Orleans-based public space artist MOMO. Nosh-wise, don't just expect your regular festival fare — Sugar Mountain's immersive on-site restaurant Sensory will be back. Last year, it was a collaboration between Bomba, Tin & Ed and Cut Copy, so we can't wait to see what they put together this year. Enough chatskies, here's that lineup you're after. SUGAR MOUNTAIN 2017 LINEUP: ALTA Baba Stiltz (Sweden) Beppe Loda (Italy) Big Scary Black Cab Blood Orange (UK) CC:DISCO! Daydreams Dro Carey Jaala Jack River Jessy Lanza (Canada) Kelsey Lu (USA) Kornel Kovacs (Sweden) KUČKA Little Simz (UK) Methyl Ethel Mood II Swing (USA) Moses Sumney (USA) My Disco Palms Trax (UK) Pantha Du Prince (Germany) Rolling Blackouts Coastal Fever Slum Sociable Sui Zhen Suzanne Ciani x Kaityn Aurelia Smith (USA) The Belligerents Tornado Wallace Weyes Blood (USA) ARTISTS Caleb Shea Elliot Routledge Karan Singh (Japan) March Studio MOMO (USA) Myriam Bleau (Canada) Robyn Moody x Caroline Polacheck (USA) Supergroup London - Morag Myerscough x Luke Morgan (UK) Sugar Mountain Festival is happening at Victorian College Of The Arts, Melbourne on Saturday, January 21, 2017. Tickets are $99 each and are on sale now at sugarmountain.com. By Shannon Connellan and Lauren Vadnjal.
Getting your mind around the carbon statistics involved in keeping London warm is like trying to make sense of the figures that astronomers toss about when they’re talking about the size of the universe — pretty much impossible to do. According to a 2006 climate change report, the average Briton uses 1.49 tonnes of carbon every year in preventing death-by-freezing. Multiplying that by London’s population — 8.3 million — gives the staggering figure of 12.3 million. The good news is that Mayor Boris Johnson wants to do something about it. He's planning to reduce London's annual carbon usage by 3.5 million tonnes by 2025, through the increased use of secondary heat sources and decentralisation. So, in the search for solutions, renewable energy experts are getting creative. In May 2013, construction began on a 'fat plant', which will see the transformation of the fat balls, grease and oils found in London's sewers into heat. And as of late last year, the Underground is getting ready to do its bit. Johnson, the Islington Council, UK Power Networks and Transport for London have hatched a plan to transfer the heat generated by the tube and a local substation into at least 500 homes. The project, the first of its kind in Europe, will not only decrease the city's carbon footprint, it'll also reduce power bills for the households involved. At the same time, New York's Department of Sanitation is set to expand a pilot program that has seen 5,000 homes heated with the energy generated from food waste. The organic matter is collected from homes and schools and taken to the Newtown Wastewater Treatment Plant, where it is mixed with waste water and transformed into biogas. Via Springwise. Image by smaedli via photopin cc.
If your new year's resolution involved dancing as often as possible, the pandemic has just delivered bad news. With Victoria's COVID-19 case numbers continuing to rise again, the state's government has just announced the return of a familiar restriction: the closing of all indoor dance floors in hospitality and entertainment venues. The Footloose-style change was announced by Health Minister Martin Foley today, Monday, January 10, at Victoria's daily COVID-19 press conference, and will come into effect from 11.59pm on Wednesday, January 12. The only exception to the rule: indoor dance floors at weddings, although folks are asked to relocate them outdoors if possible. Indoor hospitality and entertainment venues are still able to remain open, however — they just have to shut their dance floors. And, the current one person per two-square-metre density requirement that kicked in back on Thursday, January 6 remains in place and unchanged as well. Victoria's mask rules are still in effect as well, with the government making masks mandatory again indoors just before Christmas. The state is also strongly recommending that people work from home if possible, as it has been since late last year as well. Victoria currently has 161,065 active COVID-19 cases, including 34,808 new cases reported today, Monday, January 10. For more information about the status of COVID-19 and the current restrictions, head over to the Department of Health and Human Services website. Top image: Jake Roden, Visit Victoria.
Imagine you only see one film this year (because of e.g. extreme electricity rationing, extreme ADHD, etc). You'd want to make it one that would blow your freaking mind. So take some advice from sad parallel universe you and, in a year where you'll probably see many films, make one of them Upstream Color, the dreamy feature that emphatically puts paid to the idea that there are only seven (or nine, or twelve) stories in fiction. Upstream Color is only the second movie from writer/director Shane Carruth, whose indie time travel headspin Primer won the Grand Jury Prize at Sundance in 2004 and a cult following soon after. The many fans of that film have since been hankering for another dose of Carruth's signature style. (If it seems unlikely a one-film wonder could have a 'signature style', you have not seen Primer.) However, it turns out festival success does not a Hollywood career ensure, and after some upsets (his much-talked-about feature A Topiary never came to fruition), Upstream Color finally exists in the world, having been written, directed, produced, shot, scored, edited and acted in by Carruth himself. The guy is a lesson in self-sufficiency. This gorgeous, unknowable, deeply affecting film makes Primer look almost conventional, given time travel is a genre filmgoers know a little something of. If Upstream Color had a genre, it'd be something like 'biological art sci-fi'. It starts with a worm. A worm found in the roots of a rare orchid stocked at an ordinary nursery. One of the nursery's customers (Thiago Martins) distills the worm into a drug, which we see, taken recreationally, allows its users to connect telepathically. This man, however, uses it to drug young professional Kris (Amy Seimetz) at a club, and through a complex process of manipulation lasting a week, rob her of her tangible assets. When Kris comes to, the worm is still in her body, wriggling about. Soon enough, a man (Andrew Sensenig) using infrasound lures her to a field, where he removes the worm from her body — and transfers it into a pig. In this world, or any other, a person does not bounce back from the experience lightly. Years later and convinced she's suffering a mental illness, Kris is still trying to piece her life back together. A man she connects with on the train, Jeff (Carruth), might be her shot at a real relationship. Meanwhile, Kris's pig goes back to life in its sty under the watch of the infrasound/surgery man, who also seems to indulge a sideline in field recording. Upstream Color is all this, but it's also not this. The effect is all in the way the story is layered, the way it cuts between these seemingly separate ecosystems, and the sensuous, organic cinematography throughout. It's not abstract — it is meticulously, concretely plotted — and yet the telling of it is open-ended and deliberately foggy as remnants of a dream. It moves like poetry but has the shape of quantum physics, conveying the beauty and pain of fate, as shaped by chance. It's a film you desperately want to piece together, and yet you know that piecing it together is not the point. (Though Carruth will spell it out for you if you want, and it won't disappoint a la Richard Kelly on Donnie Darko.) Sam Adams of the AV Club argues that we're mistaken in holding up puzzle-box movies with that perfect twist, like Memento or The Usual Suspects, as a cinematic holy grail when the rewards of a film like Upstream Color are greater, and he's right. You might solve the puzzle but it will open to reveal another. You might solve the puzzle but find the value was in the pieces. https://youtube.com/watch?v=SilYsr_3vrA
For the third time in seven days, the Australian Government has introduced new restrictions on non-essential mass gatherings. On Friday, March 13, a ban on outdoor mass gatherings over 500 people was introduced, and was followed by a ban on non-essential indoor events of over 100 people on Wednesday, March 18. The latest, announced this afternoon, Friday, March 20, by Prime Minister Scott Morrison concerns non-essential indoor events of less than 100 people. A limit of one person per four square metres has been recommended by the Australian Government and Chief Health Minister. Airports, public transport, age care, correctional facilities, law courts, parliaments, food markets, supermarkets, office buildings, factories, mining sites, hotels, motels, schools, universities and transit spots — such as Bourke Street Mall, Martin Place — are considered 'essential', but cafes, pubs, nightclubs, restaurants, bars and cinemas (ones that are not already closed) will need to adhere to the new limits, the Prime Minister has today revealed. It's not clear how and if these limits will be enforced, but it's likely many venues will need to introduce new limits on capacity. With hospitality venues across the country closing and becoming takeaway-only already, it's also likely these new restrictions will lead to even more closing their doors, at least temporarily. The Prime Minister has also encouraged essential gatherings to adhere to the new guidelines, saying if it's done so more broadly we have a greater chance of "flattening the curve" (the term adapted for reducing the exponential spread of COVID-19, as shown by this graph). He has also, once again, pressed Australians to practise social distancing. It's predicted the above measures will be in place for "at least the next six months". For now, the bans on non-essential gatherings are in place indefinitely. A limit on one person per four square metres is now recommended for all non-essential indoor gatherings of fewer than 100 people. The Australia-wide bans on non-essential indoor gatherings of more than 100 people on non-essential outdoor events of more than 500 people are still in place. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: Kitti Gould
We all know that fast fashion is gross. And yet, with the hectic holiday season just passed, we're all familiar with the need to buy cute stocking stuffers in a time crunch — often overwhelming our need to not pollute the planet beyond repair. We really don't do well by Mother Earth here in Australia. According to the Australian Bureau of Statistics, every year 500,000 tonnes of fashion ends up in landfill and each Aussie consumes 27 kilograms of textiles. Rhianna Knight believes we can do better, so the 26-year-old started an apparel business that won't leave you feeling shamefaced. The result is Mister Timbuktu, and it's in the early stages of kicking ass. Mister Timbuktu's outdoor apparel is made from recycled plastics. The first round is being crowdfunded now through Indiegogo, reaching more than half of its target with 16 days left to go (at the time of writing). At the moment, the range is all about quality leggings, raincoats and sports bras, but they'll soon branch into all things outdoorsy, including tents, sleeping bags and puffer jackets. The designs are gorgeous and bright because outdoor activities don't have to be completed in drab natural colours (apologies, Kathmandu, you serve a purpose but there's a new queen on the block). According to Knight, eleven plastic bottles are recycled in each pair of leggings they create. How in the name of activewear is that possible? Well, recycled plastics are collected, shredded into chips, washed, melted into liquid form and then spun into thread that goes on to become your new favourite comfy pants. Science, bitches! The company has also pledged to put 20 percent of profits back into helping the planet in other ways: by partnering with both a mental health charity (Waves of Wellness) and the Foundation for National Parks and Wildlife. But wait, there's more. Okay, we probably shouldn't get so excited about this part because the rest of the initiative is so phenomenal, but check out the leggings: they have a pocket in the waistband which is the best and most practical thing ever. Thank you for listening to our secret wishes and delivering. For more information, visit Mister Timbuktu's campaign.
Up-and-coming craft brewery Fury & Son is getting ready to launch its latest creation, opening the doors to its onsite taproom next Friday, February 2. It's a much-anticipated move for the label, which set up shop in Keilor Park back in 2016, and has been winning fans and busting onto beer lists ever since. Now, punters will be able to get an insight into the team behind the brews, as they sample beers like the pale ale and the IPA fresh from the source. From next week, the brewery will be open every Friday, the eight-strong tap list featuring six house creations alongside a couple of rotating guest beers. It'll also be the number one spot for fans to get their hands on Fury & Son's special-edition releases, with the first keg of any new seasonal beer pouring here for free. Taking care of the food side of things will be the team from Houston's BBQ, armed with a rotating menu of treats cooked low 'n' slow. To kick things off, there'll be proper US-style hot dogs, chicken wings and pulled pork burgers, plus veggie dishes like smoked cauliflower and capsicum. Working to the motto of "welcome to the family", it's the kind of joint that'll feel like coming home. Find Fury & Son's brewery and taproom at 46 Concorde Drive, Keilor Park. Visit their website and Facebook page for further details.
It seems a pretty hard task to follow Hannah Gadsby's international smash-hit show, Nanette. After all, the one-woman stand-up performance copped serious praise on its 18-month travels across Australia and the UK, even scooping the top honours at both the Melbourne International Comedy Festival and Edinburgh Festival Fringe. It also spawned its very own Netflix special. And when Gadsby used the show to announce she was quitting comedy for good, we thought that was it. But the beloved Aussie comedian gave following up that hit a red hot crack when she returned to the stand-up stage with her latest work, Douglas, which is named after her own pet pooch. While Nanette pulled apart the concept of comedy itself, dishing up an insight into Gadsby's past, Douglas takes you on a "tour from the dog park to the renaissance and back". Gadsby took Douglas to stages across Australia and New Zealand in late 2019 and early 2020, and now, to the delight of comedy fans people across the world, is bringing it to Netflix this month. Available to stream globally from Tuesday, May 26, the show will bring us all some much-needed comic relief. As Gadsby says: "mark it in your socially-distant calendars...then wash your hands". https://twitter.com/Hannahgadsby/status/1249668347693654019 As the just-dropped trailer for the comedy special demonstrates, Gadsby's humour hasn't lost its charms. This time around, expect reflections on her Nanette success and observations about language — and that's just the beginning of the rib-tickling hilarity, of course. Check out the Douglas trailer below: https://www.youtube.com/watch?v=ziIwxPCeByU Hannah Gadsby's 'Douglas' will be available to stream globally on Netflix from Tuesday, May 26.
Bumps and jumps can happen at any time, but they feel extra eerie when October rolls around each year. So, when it comes to unleashing its spooky tales upon horror-loving Melburnians, acclaimed West End hit Ghost Stories has obviously chosen the exact right part of the calendar. Coming to Australia for the first time, Ghost Stories will bring its thrills and chills to the Athenaeum Theatre from this October. Exact dates are yet to be announced, but the season will run for eight weeks. And, it'll be doing so with the team behind a couple of other unsettling recent experiences: Melbourne-based Realscape Productions, who've been responsible for shipping container installations Seance, Flight and Coma, plus a number of horror audio experiences since 2020. Created, written and directed by Andy Nyman (Derren Brown) and Jeremy Dyson (The League of Gentlemen), and first staged in the UK back in 2010, Ghost Stories offers exactly what its name suggests. Leading the charge is fictional Professor of Parapsychology Phillip Goodman, who takes audiences through three of his cases. If it sounds familiar even though the production hasn't ever made it to our shores as yet, that's because Ghost Stories was turned into a film with The Office, The Hobbit and Sherlock star Martin Freeman a couple of years back — and also featuring Nyman as Goodman. This is the type of show where the less you know going in, the better. You want to experience those frightening tales afresh, after all. Audience members have been known to physically jump in their seats while they're watching, too, which is part of the point. "If people are paying their hard-earned money to see the show, we have a responsibility to give them more than they pay for," said Dyson in a statement. "We knew that we wanted to craft a play that would deliver something of substance to an audience, some solid ground underneath the fun, that would leave a deeper, darker residue and be harder to shake off," continued both Dyson and Nyman. Yes, the show has been likened to watching a horror movie play out on stage — so if you that sounds like your ideal way to spend 80 minutes, prepare to be in your element. If you're easily scared, you probably already know to stay away. Check out Ghost Stories' Australian trailer below: https://www.youtube.com/watch?v=AfabPFfTm6g Ghost Stories will hit Melbourne's Athenaeum Theatre sometime this October, with exact dates yet to be announced. For further details, and to sign up for the ticket waitlist, head to the production's website. Top image: Chris Payne.
Battles will be had, blood will be shed, and brothers will unite on stage in this Bell Shakespeare production of Henry V, but not quite as you remember it from high school lit. Shakespeare's tale tells the story of King Henry V who, having ascended the throne following the death of his father, promptly — after a few people tell him he should probs do something else — declares war on France. More or less, it's about Henry trying to rally his troops to fight their bestest while simultaneously avoiding assassination, and getting a French wife (because nothing says romance quite like declaring war on your crush's country). In this production, director Damien Ryan is bringing the story to life with a contemporary take, inspired by a true story. During the London Blitz in 1941, a group of young men, bored and stuck in a bunker, started a club, where they would rehearse and perform plays to others in the shelter. "With England on the precipice and Churchill comparing the fighter pilots to the 'happy few' at Agincourt, it is hard to imagine that a Henry V would not have struck their hearts," said Ryan. With this in mind, he has re-imagined one of Shakespeare's more politically charged plays in this context. An exploration of violence, manhood and assumed power from the heart of a gloomy British bunker.
Since 2010, the City of Stonnington has livened up their streets with ART-Town, two weekends a year where the south side is packed to the brim with live art. Over 130 artists will set up their stations to create pieces from the artistic domains of stencil art, murals, installations, photography, multimedia, digital, graphic art, illustration and painting. The artists are all Australian but not all Melbourne locals, which makes for some interesting interpretations of a city so many of us call home. Highlights for this year’s ART-Town include Anthony Sawney’s abstract designs being painted on the grass at Grattan Gardens, and fine art body painter Susanne Daoud will demonstrate her work as process by painting a live model. For those more interested in street art, Jessica Kease's multilayered, award-winning stencil art is a thing of beauty, and Buff Diss' freehand pieces constructed from tape are both unusual and impressive. Have a blast exploring the Chapel Street precinct and make some new artistic discoveries.
East Malvern's humble Central Park isn't quite as grand as the one in NYC, but it'll certainly be tastier with the East Malvern Food and Wine Festival coming to its green lawns in November. The weather will be warming up definitively by then and it'll be a wise call to spend a day in the park — especially when you add a vast range of winery and brewery produce into the mix. Go along to taste vino from Bendigo and Heathcote regions, beers from local craft breweries, and taste till your heart is content and you've forgotten tomorrow is Monday. Food-wise, there'll be offerings from Riserva and Nepal Dining, as well as pop-ups from Richmond Oysters, That's Amore Cheeses and a Christmas pudding stall where you can really go all out and treat yourself. You'll be able to stock up on artisanal produce and, if you or your mates have kids, you can send them to a magician masterclass. Meanwhile, your other (furrier) kids can score some doggie treats from the Canine Wellness Truck.
The days are long and drenched with sunlight, and you've got time on your hands to lie on the sand or in the grass and while it away with a book into the late summer hours. But you want the hours to be worthwhile, and sometimes it's really difficult to make a decision or to know where to start. Moreover, you want something enjoyable and easy to read that isn't going to turn your brain to marshmallow. So to help you out, Concrete Playground has come up with some suggestions for the best books to read over your summer. We've got new stuff and old stuff. Books you've never heard of and books everybody's heard of. Romances, mysteries, high quality smut, and stories both sweet and weird and wonderful. Compiled lovingly by somebody who's found the first legitimate use for her English major, we hope that these books delight you and make summer all the more wonderful. 1. 1Q84 by Haruki MurakamiJapanese author Haruki Murakami has a cult following and a legion of literary groupies so devoted that when the English translation of 1Q84 was published in October, bookstores stayed open late to cope with a demand not seen since the world was hit by the latest escapades of a certain Harry Potter. And upon publication, the word 'genius' was merrily tossed around by a legion of doe-eyed bookish types, as well as mutterings about Nobel Prizes. Quite deservedly too. 1Q84 is set in Tokyo in a fictionalised 1984 and follows the parallel story-lines of Tengo, a solitary maths teacher and ghost writer, and Aomame, a lady who works a sideline in ridding the world of abusive men. Over the course of a year their lives intertwine around religious cults, eccentric geniuses, reclusive dowagers and unexplained coincidences and mysteries. At roughly nine hundred pages long it isn't the slimmest book to carry around, but 1Q84, and everything by Murakami in general, is unlike anything else out there. It's beautiful and it's complex and you get completely lost inside the labyrinthine worlds he creates. 1Q84 on Amazon 2. A Visit From The Goon Squad – Jennifer EganA Visit From The Goon Squad is a series of thirteen interlocking stories centered around aging music executive and a once-talented musician, Bennie Salazar. The book opens with Salazar's former assistant, Sasha, a kleptomaniac trying desperately not to steal her date's wallet, and shuttles back and forth in time to the 1970s San Francisco punk scene, a tortuous African safari and a New York of the not too distant future. A Visit From The Goon Squad won the Pulitzer Prize this year, and it's insanely fun to read, moving so quickly you can easily eat up a day reading it. All the stories centre around the music industry and rock and roll, but ultimately it's more about what it means to grow up and how that often translates into a loss of innocence. According to Google, trusted research tool, HBO is turning the book into a television series next year, but I can pretty much guarantee the book will be better, because at the end of the day it's going to be hard to translate a chapter formatted like a Powerpoint presentation, amongst others, into entertaining television. A Visit from the Goon Squad on Amazon 3. The White Album – Joan DidionIn the sixties Joan Didion was a journalist and writer who described herself as anxious, confused, rotten at interviewing people and only ever got decent stories out of people because she was so tiny and neurotically inarticulate in front of others that she tended to blend into the background. And as somebody who's anxious and neurotically inarticulate myself, Joan Didion has endeared herself to me ever since this book occupied me for the entire abominable flight between Sydney and London without me ever having to resort to watching a Judd Apatow movie. The White Album is a collection of essays put together at the end of the seventies which, very broadly, cover the disintegration of the sixties and everything the sixties had hoped to achieve. If I was a proper literary critic I would say it wove together fragmented narratives of sixties cultural phenomena, like the Black Panthers and the Manson Family, with the author's own personal experiences and problems, lending the work a compelling quality of tenderness and loss which seems to express something integral to the contemporary human condition. But I'm not going to say that, cause that would ruin it, right? Seriously though, read this book. It is excellent. The White Album on Amazon 4. The Raw Shark Texts – Steven HallThe Raw Shark Texts is what I imagine would be produced if Michel Gondry and David Lynch got together one night, got plastered and decided they quite fancied writing a thriller. The Raw Shark Texts is Steven Hall's debut novel, published in 2007. The story opens with the narrator waking up in a room and having absolutely no idea who he is. Gradually he learns that he is the Second Eric Sanderson, the first having been destroyed by virtue of being the prime target of vicious conceptual creatures who linger in thought and text. After the death of his girlfriend several years earlier, Eric, working with the Un-Space committee, tried to preserve his memories of her inside a conceptual creature, which unintentionally lead to the release of a Ludovician, the most dangerous of conceptual fish, which feeds on human memories and the sense of self. The novel follows the journey of the Second Eric Sanderson as he tries to track down the people who'll explain and help him eventually defeat the Ludovician. It sounds complex, but like anything by the likes of Michel Gondry or David Lynch, it's surprisingly lucid and massively engrossing, and makes for one of the most compelling books you could read about language, memory and the devastating power of love. The Raw Shark Texts on Amazon 5. On The Road – Jack KerouacFamously typed in three weeks on a continuous 120-foot roll of teletype paper, On The Road is the hallmark work of the beat generation, and the work that inspired generations of young people to take off, get out of the city and find themselves. The novel centers around jazz, drugs and poetry and follows the adventures of narrator Sal and the iconic maverick Dean Moriarty, based in real life on Neal Cassady, as they hitchhike across America. Bob Dylan once described On The Road as having changed his life, and it taught a whole generation of people the world over that revelation is to be found in the streets, in the destitute, in the bums and the dark places. Incidentally, On The Road is being turned into a movie, probably to be released in the coming year, featuring Sam Riley and Kristen Stewart. Make of that what you will. Either way, On The Road is iconic, and it's here because if you haven't read it, you probably should, particularly during the summer when it feels as though you could pack up any minute and re-claim your freedom. Plus it's published in the Popular Penguins series, so it'll save you monies and earn you a modicum of hipster cred when you read it on the bus. On the Road on Amazon 6. The Brief Wondrous Life of Oscar Wao – Junot Diaz The Brief Wondrous Life of Oscar Wao reads like Childish Gambino and David Foster Wallace got together to narrate the life of a second-generation Dominican high school geek who's mastered writing in Elvish, knows more about the Marvel universe than Stan Lee and couldn't pass for normal even if he tried. Oscar is a fat, Tolkien-loving kid with a bad case of self-hatred, and makes the mistake of using words like 'indefatigable' too many times, scaring off the ladies and inviting blows to the head. The book is narrated in turns by Lola, Oscar's tough-talking punk sister, and Yunior, his one-time room mate. The language is one of the best things about the book, an easy to follow Spanglish giving the words body-language, or 'swag'. Weaving in Dominican history, family tragedy and and curses passed down through the generations, The Brief Wondrous Life of Oscar Wao essentially proves that if you want to know what it feels like to be an X-Man, you just need to be a smart, bookish, ethnically marginalised kid living in a contemporary U.S. ghetto. The Brief Wondrous Life of Oscar Wao on Amazon 7. Ask The Dust – John FanteAsk The Dust almost missed becoming a classic, and if it weren't for Charles Bukowski hailing him as a genius the book might not have been in print today. But it is, making Bukowski a blessed legend (more on that below). Arturo Bandini is twenty. He's moved alone to Los Angeles in the '30s to try and be a writer. But he's failing at the writing, he's hungry as hell and he's a miserable virgin tortured by beautiful women and the Californian sun. Moreover, he's obsessed with a Mexican waitress wearing broken shoes who he can't stop treating like shit. I read Ask The Dust two summers ago, and spent a whole day at Maroubra beach obsessively quoting dog-eared passages of it to my long-suffering and ever indulgent friend. In that instance, I'm pretty sure my fierce enthusiasm scared her off, so I'll try and tone down just how awesome I believe this book to be, but I encourage you to imagine me shaking you furiously by the lapels if you decide not to read it. Ask the Dust on Amazon 8. You'll Be Sorry When I'm Dead – Marieke HardyMarieke Hardy is wildly entertaining, even though I know she can occasionally rub people the wrong way (although, given that Google suggests 'Marieke Hardy + breasts' as one of the most popular search options you've got to think more than a couple of people are keen). The former Triple J Breakfast host and writer of ABC TV series Laid is opinionated, acerbic and sometimes a little controversial. You'll Be Sorry When I'm Dead is her first book, a collection of personal essays which are hilarious but also heart wrenching in their honesty and attention to detail. She details her penchant for drinking to excess, childhood ambitions of growing up to be a prostitute, how football broke her heart, and having her first kiss with a Young Talent Time 'idol'. Grandiose, passionate and often hilarious, this series of mini-memoirs is engrossing and oddly relatable, particularly when you finish an unflinching story about an ex-boyfriend or Bob Ellis and then get to read their frank opinion about what she had to say. You'll Be Sorry When I'm Dead on Allen & Unwin 9. Women – Charles BukowskiBukowski is the poet laureate of seedy bars, gamblers, drunks, womanisers and dirty old men. He was a man who had no time for adjectives, who was bored with most literature because it had no guts or dance or moxy and believed the writer had no responsibility "except to jack off in bed alone and to type a good page." If that quote puts you off, read something else, but remember there's a reason why Bukowski is beloved by so many. All of Bukowski's novels (barring one) follow the trials and tribulations of his fictional alter-ego Henry Chinaski. Ugly, misanthropic and an appalling drunk, Bukowski wrote like a madman for decades, but didn't start getting much recognition until the 1970s. Women is Bukowski at his drunken, raw essence, written in his fifties, when he was making up for lost time with all the women who wouldn't notice him when he was young and poor and hideous. Women on Amazon 10. Middlesex – Jeffrey EugenidesSo Jeffrey Eugenides has a new book out at the moment, The Marriage Plot. But I've read it, and, um...Middlesex is better. Moreover, Middlesex won the Pulitzer Prize in 2003. Middlesex could in many ways be construed as your average inter-generational family drama with a hint of multiculturalism thrown into the mix. But it's much more than that. Middlesex is the history of a single gene through a century of tumultuous history, lyrical and strange and incredibly hard to put down. The narrator was born twice, first as a girl and then again as a teenager on an operating table, emerging as a young man, an eventuality which can be attributed to the revelation that his grandparents were actually brother and sister who escaped the stigma they would have received in Greece by immigrating to Detroit in the U.S. There's history and political drama, heartbreaking stories of first love and medical incompetence. But it's not a tragedy - it's heartfelt and terribly funny. Middlesex on Amazon
Trailblazing graffiti artist Nychos has landed in Australia. Gracing our shores over late February and early March, the Austrian artist who recently took New York City by storm will be splitting his time between Sydney and Melbourne for this tour, presenting exhibitions, hosting workshops and leaving his unique mark on walls around town — including a brand new work just outside Work-Shop in Redfern. The new piece, titled Translucent June, is a homage to Sir Frederic Leighton's Victorian painting Flaming June. The classical work, which was painted back in 1895, is thought to allude to Greek sculptures of sleeping nymphs. In Nychos' depiction, June is wearing a similar orange dress — however, it (and her skin) is translucent, revealing her blood and bone. Here's the finished product. A post shared by nychos (@nychos) on Feb 28, 2017 at 12:01am PST In Sydney, Nychos just headed a graffiti art workshop at Work-Shop and presented a screening of his street art documentary The Deepest Depths of the Burrow. In Melbourne, the workshop and screening will take place on March 11. He'll also launch a pair of exhibitions, showcasing his new sculpture project, Vienna Therapy, featuring the three-foot-tall Dissection of Sigmund Freud in Federation Square from March 8-12, and his solo exhibition, MONOCHROME ORGANISM, at Juddy Roller Gallery in Fitzroy from March 10-24. Images: Kimberley Low.
Mark Ruffalo has always been a stellar actor, and he has the resume to prove it. But he's in particularly excellent form in I Know This Much Is True. It isn't just because he's as reliably great as ever in the six-part HBO miniseries, which is adapted from the book of the same name. He is, of course; however he's also playing two roles. While identical twins Dominick and Thomas Birdsey look alike, they have their own struggles — including, in the latter's case, paranoid schizophrenia. Set in the 90s in Three Rivers, Connecticut, the series charts the intricacies of their intertwined lives as past and present troubles collide. It's no slouch behind the lens, either, with Blue Valentine and The Place Beyond the Pines filmmaker Derek Cianfrance directing and co-writing the entire thing.
For the first time in Australia, music festival attendees will be able to check their illicit substances for dangerous ingredients, with pill testing set to take place at this weekend's Groovin the Moo in Canberra. The ACT Government has approved the trial as a harm reduction strategy, aiming to minimise overdoses and other adverse effects resulting from party drugs. It comes six months after a previous attempt to implement pill testing was scrapped — with approval given for the city's Spilt Milk festival last year, only for organisers to pull out before the event. At Groovin the Moo's Canberra leg on April 29, a mobile laboratory will be set up at the fest's University of Canberra site. Run by the Safety and Testing and Advisory Service at Festivals and Events (STA-SAFE) — a consortium of non-government organisations lead by Harm Reduction Australia — it'll be manned by volunteer medical staff and analytical chemists, who'll test small samples of each pill, interpret the results and give festival-goers the details. Advice and counselling about the risks involved in consuming the substances will also be given, and folks will have the option of disposing of their pills in a bleach-filled amnesty bin. Anyone using the service will remain anonymous, the ABC reports, but data will be collected about the number of patrons attending the service, how many tests are conducted, how many people discard their drugs and the chemical content detected in each sample, all to help shape any future pill-testing operations. Drug checking has been used overseas since the '90s, and is currently available in around 20 countries across Europe, the Americas and New Zealand, but remains a controversial topic in Australia. Calls for Groovin the Moo to offer pill testing have been circulating for the past two years, after a 15-year-old collapsed from an overdose at the fest's Maitland event in 2016. Image: Jack Toohey.
Six Melbourne councils are looking for input from inner-Melbourne makers, on an online initiative that will map and promote the city's vibrant creative culture. www.makers.melbourne is a new website where artists and boutique manufacturers can upload their information, creating a one-stop guide for Melburnians looking to support local businesses while indulging in a little retail therapy. The site was launched in the wake of a study by the University of Melbourne. Commissioned by the cities of Melbourne, Port Phillip, Stonnington, Yarra and Maribyrnong, who were later joined by Moreland City Council and the Metropolitan Planning Authority, The Dilemma of Urban Employment Land was designed to help local government make decisions in regard to the competing demands between commercial land use and residential development. "There is great value to Melbourne in nurturing small urban makers and innovators," said Stonnington Mayor Claude Ullin. "The www.makers.melbourne hub is part of a research project that will provide insights into how new forms of Australian manufacturing can be supported and fostered." Dozens of small businesses have already registered on the site, ranging from furniture makers to fashion designers to architecture firms to restaurants and cafes. For more information visit www.makers.melbourne.
Let's be honest, Apple has taken over the world. They've changed the way we listen to music, the way we use computers, the way a phone operates. Sure there is always talk about how it's not the best technology and that other things work better, faster and more reliably but there's nothing that can match the simple cool of the famous white headphones. But how does any of that explain the design for the new Apple HQ in California? Resembling an alien mothership, the completely circular building is built on an old Hewlett Packard site. Mimicking the glass aesthetic of Apple Stores worldwide, there is not a single straight piece of glass in the entire building. The plans include 6,000 trees in the landscaped central courtyard, as well as a natural-gas power generation facility so that they don't have to rely on the fickle Californian grid. The futuristic feat of engineering is yet to pass the local council's approval, so this mothership may never take off. See the video below for Steve Jobs' personal appeal to the council. https://youtube.com/watch?v=gtuz5OmOh_M [Via Geekologie]
If you've been feeling fandangled by Facebook and in a tangle over Twitter, it's time to take a deep breath, kick back and relax. Good news is General Assembly has cooked up a plan to make the decompression process a whole lot easier for you. Welcome to the epic Digital Detox giveaway. The digital education whizzes are giving five lucky, lucky readers among you a lush prize package made up of a sleepover in an Airbnb property of your choice (to the value of $400), a gastronomic indulgence courtesy of Lime & Tonic, a case of top-shelf wine from Vinomofo and, for when you come floating back to life on the Earthly plane, $200 credit towards a General Assembly course. Having started in New York in 2011 and since spread its wings to 11 other cities around the world, General Assembly is all about empowering you to pursue the career that inspires you. There are full-time, part-time and online courses, as well as one-off workshops and events, so you can either dive off the deep-end into a possibly life-changing experience or nibble around the edges and experiment with something that attracts your interest. Workshops coming up in Sydney and Melbourne include Programming Fundamentals for Non-Programmers, Lean UX Fundamentals, and Code in One Day: HTML & CSS Crash Course. As to the Airbnb stays, it's entirely up to you, but may we recommend this Tree Top Eco Retreat in Queensland. This uber-cosy retreat, with its thatched roof and king-sized bed, brings a touch of Bali to Noosa. Floor-to-ceiling windows afford panoramic views of the national park and the west-facing position means sunsets worthy of a Ron Fricke film. Plus you get your own indoor-outdoor covered bathroom, your own deck (complete with hammock) and access to the onsite yoga room. The entire structure is separate from the main dwelling, so there's total privacy. Beaches and restaurants are just a few minutes' walk away. Alternatively, there's this luxurious accommodation. Byron's Secret is found on a five-acre property, just off a tranquil country lane in the Byron Bay hinterland. The 180-degree panorama includes Byron Bay's renowned coast-scape foregrounded by Myocum Valley, as well as Mount Chincogan. Inside, you can detox in style in a pillowtop queen-sized bed fitted with bamboo linen, curl up in the lounge room or bliss out on the ocean views visible from the deep cast-iron bath. A hamper brimming with local organic produce meets you on arrival. To enter the the Digital Detox head to the General Assembly website. You have until September 29.
Imagine a place where cheese reigns supreme, other than in your own kitchen. Imagine more than 100 different varieties on offer for the tasting. Imagine being able to sample whatever you liked from this dairy feast, too. And, picture just buying one ticket to devour all the cheddar, brie, camembert, raclette and whichever other cheeses take your fancy. Is this the real life? It isn't just a cheesy fantasy at Australian dairy festival Mould, which started making cheese-loving dreams come true in 2017. In 2024, it's not only returning — it's back for its biggest festivals yet, including adding a fifth city to its stops. As well as hitting up Brisbane, Melbourne, Sydney and Perth, the event is heading to Adelaide as well. If you're a cheese fiend, then you'll know that there's only one suitable way to tuck into the beloved dairy product: all the time, or at least as much as possible. As presented by Revel — who are also the organisers of Pinot Palooza — that's an idea that Mould not only understands but encourages, celebrating the mild, hard and soft bites made by Australia's best cheese wizards. When it does so again this year, it'll serve up its cheese slices and bites from May–August. Running for either two or three days in each city, Mould will kick off in Brisbane in May as it has in past years, then travel to Melbourne in early June, plus Sydney at the end of July. As for Adelaide and Perth, they're both getting a Mould x Pinot Palooza combo — because cheese and wine are a fine pairing — with the fest arriving in South Australia in June and Western Australia in August. There won't just be a few cheeses on the menu at each stop. More than 100 artisan cheeses from around the country will be ready and waiting, spanning dairy from around 27 producers. In past years, that lineup has included Bruny Island Cheese Co, Grandvewe, Milawa Cheese, Yarra Valley Dairy and Stone & Crow, as well as Section 28, Red Cow Organics, Nimbin Valley Cheese, Dreaming Goat, Long Paddock Cheese and Second Mouse Cheese. Alongside unlimited tastings of Australia's best cheeses — snacking on samples is included in your ticket, but you'll then pay extra to purchase slices and slabs to take home with you — the fest features cooking demonstrations, masterclasses and talks. Courtesy of 2024's The Grate Cheese Commission, a range of cheeses created solely for the fest will also tempt your tastebuds. This year's events will include more of the foodstuffs that pair extremely well with cheese, too, such as olives, crackers and conserves. It wouldn't be a cheese festival without beverages to wash it all down with, so expect a bar serving Aussie wines, whisky, vodka, gin, beer, cider, cocktails and sake, all of which match nicely to a bit of cheese. Archie Rose and Hartshorn will be among the tipples featured. Unsurprisingly, Mould is mighty popular. In 2023, attendees tucked into a one million samples across three cities, and also took home over 8.5-tonnes of Aussie dairy products. So, if this the kind of event that your cheese dreams are made of, you'll want to nab an early-bird ticket ASAP. Mould — A Cheese Festival 2024 Dates: Friday, May 24–Sunday, May 26 — Mould Brisbane, John Reid Pavilion, Brisbane Showgrounds Friday, June 7–Saturday, June 8 — Mould x Pinot Palooza Adelaide, Queens Theatre, Adelaide Friday, June 28–Saturday, June 29 — Mould Melbourne, Royal Exhibition Building, Carlton Friday, July 26–Sunday, July 28 — Mould Sydney, Carriageworks, Eveleigh Friday, August 9–Sunday, August 11 — Mould x Pinot Palooza Perth, Centenary Pavilion, Claremont Showgrounds Mould — A Cheese Festival tours Australia from May 2024. For more information or to buy tickets, head to the event's website.
In news that sounds and feels familiar, and is also sadly not at all unexpected, Vivid Sydney has announced that this year's festival won't go ahead — at all. Last month, the event pushed back its planned 2021 dates from August to mid-September due to Sydney's current COVID-19 outbreak and ongoing lockdown; however, today, Friday, August 6, it has revealed that it's pulling the plug on the light, music and art-filled fest completely until 2022. The 2021 festival had already been pushed from its usual June time slot to August (and then to September), after sitting out 2020 entirely due to the pandemic. This decision to scrap this year's fest is hardly surprising, though. Sydney Fringe Festival, which was also due to take place in September, also just cancelled its 2021 event. And, with Sydney's lockdown now six weeks in, set to run until at least the end of August and also still garnering high case numbers — 291 were identified in the 24 hours to 8pm on Thursday, August 5 — it's beginning to look more likely that other big events might not happen this year either. In a statement, Vivid organisers advised that "the New South Wales Government has made the difficult decision to cancel Vivid Sydney 2021 — but the world's largest festival of light, music and ideas will shine brightly again in May–June 2022. Given the ongoing uncertainty, the decision has been made to cancel Vivid Sydney 2021 to minimise the impact on event attendees, partners, artists, sponsors and suppliers." If you're keen to mark the new dates in your diary, the 2022 event will kick off on Friday, May 27 and run through until Sunday, June 18. Announcing the news, NSW Minister for Jobs, Investment, Tourism and Western Sydney Stuart Ayres said that cancelling this year's Vivid now was the sensible move. "We thank everyone who has contributed to the planning for Vivid Sydney 2021. Of course, it's incredibly disappointing to cancel for the second year, but the most responsible decision was to cancel early, giving everyone certainty and minimising impacts where possible. The health and safety of our community is our highest priority, which is why we're encouraging everyone to get vaccinated so we can get back to enjoying COVID-safe events again soon," he said. Back in July, when Vivid was postponed until September, the Minister had commented that this year's event would only proceed if it's safe to do so. [caption id="attachment_816000" align="aligncenter" width="1920"] Destination NSW[/caption] Vivid 2021 was slated to feature a hefty array of light installations, cultural events, pop-ups and activations, with the full program announced back in May. Alongside Sydney Fringe Festival, a number of big NSW events have now been impacted by the pandemic two years running. The same thing happened with Bluesfest, which was cancelled in 2020, then scrapped a few days before it was meant to start in April this year, and then rescheduled until October — and with this year's Sydney Film Festival, too, which moved to August this year from its usual June time slot, and has now been postponed until November. Vivid Sydney 2021 will no longer take place from Friday, September 17 –Saturday, October 9. Vivid Sydney 2022 is slated to run from Friday, May 27–Sunday, June 18. For more information, visit the event's website. For more information about the status of COVID-19 in NSW, head to the NSW Health website.
Crack that whip: you've got a date with new-wave icons Devo. Back in August, the 'Girl U Want' band was announced among the headliners for Good Things 2023, touring to celebrate 50 years since first forming in 1973 — and also to say goodbye on a farewell tour that'll mark their last-ever Australian shows. Now, they're among a heap of acts that've added their own gigs as sideshows to the main fest. Devo's famous energy dome hats will be on display at their own concerts at the ICC Super Theatre in Sydney, QPAC in Brisbane and Palais Theatre in Melbourne. Also set to do their solo shows: Limp Bizkit, Pennywise, Corey Taylor, Enter Shikari, Sepultura, Hanabie. and Taking Back Sunday — and the list still goes on from there. So, these sideshows will keep rollin', rollin', rollin', rollin' with Limp Bizkit; will see Slipknot frontman Corey Taylor hit the stage; and are guaranteed to burst with punk energy thanks to Pennywise. And, they'll also serve up I Prevail, PVRIS, Slaughter to Prevail, While She Sleeps and Royal & The Serpent as well. Different acts are going to different cities — and, while Good Things itself isn't on in New Zealand, Limp Bizkit, Behemoth and While She Sleeps are all playing Auckland. If you're wondering about Fall Out Boy, the group behind 'Sugar, We're Goin Down' and 'Uma Thurman' hasn't locked in any Australian and NZ dates other than Good Things — so that's your only chance to see Pete Wentz, Patrick Stump, Andy Hurley and Joe Trohman so far. GOOD THINGS 2023 SIDESHOWS: LIMP BIZKIT Sunday, November 26 — Spark Arena, Auckland Wednesday, November 29 — Hordern Pavilion, Sydney Wednesday, December 6 — Fortitude Music Hall, Brisbane Friday, December 8 — John Cain Arena, Melbourne DEVO Sunday, November 26 — ICC Super Theatre, Sydney Wednesday, November 29 — QPAC, Brisbane Wednesday, December 6 — Palais Theatre, Melbourne I PREVAIL Tuesday, November 28 — Eatons Hill Hotel, Brisbane COREY TAYLOR Tuesday, November 28 — Metro Theatre, Sydney Wednesday, November 29 — Northcote Theatre, Melbourne PENNYWISE Tuesday, December 5 — The Tivoli, Brisbane Wednesday, December 6 — Coolangatta Hotel, Gold Coast Friday, December 8 — Drifters Wharf, Central Coast Saturday, December 9 — Torquay Hotel, Torquay ENTER SHIKARI Monday, December 4 — The Triffid, Brisbane Wednesday, December 6 — Liberty Music Hall, Sydney BEHEMOTH Friday, November 24 — Powerstation, Auckland Monday, November 27 — The Triffid, Brisbane Wednesday, November 29 — The Gov, Adelaide Tuesday, December 5 — Max Watts, Melbourne SEPULTURA Sunday, November 26 — Metropolis, Fremantle Tuesday, November 28 — The Gov, Adelaide Wednesday, November 29 — Max Watts, Melbourne Monday, December 4 — Princess Theatre, Brisbane TAKING BACK SUNDAY Wednesday, November 29 — 170 Russell, Melbourne Tuesday, December 5 — Princess Theatre, Brisbane Wednesday, December 6 — Factory Theatre, Sydney PVRIS Tuesday, November 28 — Factory Theatre, Sydney Wednesday, November 29 — Croxton Bandroom, Melbourne Tuesday, December 5 — The Triffid, Brisbane SLAUGHTER TO PREVAIL Tuesday, November 28 — 170 Russell, Melbourne Tuesday, December 5 — Manning Bar, Sydney Wednesday, December 6 — The Gov, Adelaide WHILE SHE SLEEPS Tuesday, November 28 — Hollywood, Auckland Thursday, November 30 — Stay Gold, Melbourne Tuesday, December 5 — The Brightside, Brisbane HANABIE. Tuesday, November 28 — Stay Gold, Melbourne Monday, December 4 — The Brightside, Brisbane ROYAL & THE SERPENT Wednesday, November 29 — Crowbar, Sydney Monday, December 4 — Stay Gold, Melbourne Good Things will hit the Melbourne, Sydney and Brisbane in December 2023 — head to the festival website for more information and tickets. The festival's sideshows run throughout November and December — head to the festival website for more details and tickets, with early bird tickets available from 9am local time on Wednesday, October 18 and general sales from 9am local time on Friday, October 20. Top image: swimfinfan via Wikimedia Commons.
He tore down a massive concrete letter ‘M’ in Sweden. In the Netherlands, he made a giant ‘S’ of vegetables to be devoured by a horde of pigs. Across the world, from Europe to Brazil, via India, New Zealand and Papua New Guinea, Spanish installation artist Santiago Sierra has been making and destroying super-size letters as part of his two year project The Destroyed Word. What could they spell? With nine out of ten letters down and Sierra’s famously anti-capitalist stance it’s getting pretty obvious by now, but the last letter’s being incinerated on Wednesday and if you want to witness the culmination of this grand vision, you’re invited to come and watch it burn as part of the Melbourne Festival. There’ll also be an exhibition at NGV from October 17, featuring film of all ten demolitions, so you can partake in Sierra's rage against the global machine without risking getting smoke in your eyes.
Every year the Fringe Festival gives Melbourne the chance to show itself off with exhibitions, performances and live art filling up the city’s humming laneways, theatres, and unconventional spaces. The upside of an uncurated festival is access to the unlimited scope, diversity, and imagination of the independent scene, but sometimes the sheer number of events and artworks on offer can be a bit overwhelming. Running between September 18 to October 6, this year the Fringe has over 300 shows on offer. Now that it’s become a Melbourne institution, it would be easy for the festival to rest on its laurels, but a great number of these artists stand out for their sense of risk. Shows like Kids Killing Kids and Viet Kieu are testament to the increasing value Melbourne audiences are finding in cross-cultural performance, while Digital Outlawed, Momentum: Live and the Fringe’s own Digital Gardens show us a tantalising glimpse of the possibilities on the next frontier for contemporary art. Have a look at the full program here, or check out our list of top picks here.
In great news for cat-loving cinephiles, 2019 is shaping up to be a huge year for felines on film. Photorealistic big cats are currently prowling around the new remake of The Lion King, and they'll soon be joined by a bunch of singing, scurrying street mousers in the silver-screen adaptation of stage musical Cats. For nearly four decades, Andrew Lloyd Webber's acclaimed production has pranced across stages everywhere, turning a tale inspired by poems from T.S. Eliot's Old Possum's Book of Practical Cats into an award-winning theatre hit. But, while plenty of other popular musicals have made the leap to cinemas, this one hasn't until now. The first trailer for the new flick might just explain why. Ever wanted to see Taylor Swift as a preening, purring cat? Keen to soothe your disappointment over the fact that Idris Elba isn't James Bond by spotting him with whiskers, fur and a tail? Perhaps you've always dreamed of watching accomplished actors such as Judi Dench and Ian McKellen channel their inner feline? Have you ever hoped for all of the above, and for the actors to all play cat-sized cats? That's what's on offer in the just-dropped first clip, as well as a heap of dancing and singing set to the musical's famous melancholic tune 'Memory'. In terms of story, Cats zaps Swift, Elba and company down to feline height to spin a narrative about the Jellicle cat tribe, who spend a night deciding just which four-legged moggy will get to leave their group, ascend to the Heaviside Layer and come back to a new life. The movie comes with a significant pedigree, with Les Miserables' Tom Hooper in the director's chair, Webber on music duties, Hamilton's Andy Blankenbuehler doing the choreography, and the cast also spanning James Cordon, Jennifer Hudson, Jason Derulo, Ray Winstone and Rebel Wilson. And yet, it all looks a little odd. Perhaps it doesn't help that Unbreakable Kimmy Schmidt featured a fantastic Cats parody, or perhaps it's just the film's cats-with-human-faces concept. Check out the first Cats trailer below: https://youtu.be/FtSd844cI7U Cats opens in Australian cinemas on December 26.
Cinema has provided me with the basis of many of everyday fantasies, one of which is calorie-free ice cream. Despite being a largely superficial hollywood chick flick, one thing I found relatable in Roger Kumble's The Sweetest Thing was Christina's (Cameron Diaz) fantasy dream where she eats calorie-free ice cream and gets intimate with Mr Right. Now, bringing fantasy to reality is an American company, Vaportrim, which has invented a dessert-flavoured inhaler, proposing to aid weight-loss. Working with the sense of smell and taste, Vaportrim offers a means to satisfy a sweet tooth by making you feel full, and eat less. Through the process of inhaling smell, taste receptors send messages to your brain which release hormones that tell your body it's full. As Dr. Alan Hirsch of the Smell and Taste Treatment and Research Foundation puts it, "It’s all a matter of fooling the brain". Sticking to a strict diet regime can be difficult for those who desire to lose weight. With no calories and containing FDA-GRAS ingredients, even the most skeptical can rest assured that the product warrants little harm if inhaled. Coming in fourteen different flavours, including apple pie, milk chocolate and pina colada, Vaportrim sounds almost too good to be true. For those less inclined to follow weight loss gimmicks you might be interested to hear that the patent for Vaportrim is held by a man who owns the Adult Entertainment Broadcast Network, a pay-per-minute porno site. [Via Lost At E Minor]
You put up the money. You helped stomp the grapes. Well, even if you didn't, the people-powered winemakers at Noisy Ritual are inviting you to put a cork in 2017 — literally. Members of the Brunswick East-based urban winery have produced five batches of homemade vino which they're now about to bottle. And they're using it as an excuse to throw a party. Cracking open their casks on the afternoon of Sunday, November 19 in their bar and cellar door, the Noisy Ritual Bottling Party will be your very first chance to try the 2017 vintage – straight from the bottle you helped pour it into. In addition to the wine, there'll be $5 tinnies from 2–3pm, food by Raph's Boogie BBQ and music from The Leafblowers and Expat Lima.
Last time Hunx & His Punx were here — back in 2012 — they charmed many an Antipodean heart with their penchant for getting (nearly) naked, offers to autograph genitalia and expletive-rich expressions of self-desire. In short, they delivered nothing less than what you’d expect of San Francisco’s maddest and baddest bubblegum punk band. So it’s only natural that we’ve invited them back. And this time, they’re bringing Shannon and the Clams in their suitcases. On Friday, March 14, tickets go on sale for a five-date April tour that will see the two bands smashing genres in Melbourne, Sydney, Wollongong, Brisbane and Perth. Since their previous visit, Hunx & His Punx have been busy blending ‘80s hardcore and ‘90s grrrl sounds to create nasty yet catchy tunes for their new album Street Punk, which was released in 2013 via Hardly Art. Meanwhile, co-tourers Shannon and the Clams have lately been spending time playing SXSW sideshows and Psych Fest and hitting the road via Burgerama tours. They mash ‘60s girl group sounds with West Coast garage rock, delivering “doo woppers, bomp stompers, punk rippers, country clippers and psych-o trippers”. Trying say that really quickly five times in a row. Here are the dates: THU 17 APR – Copacabana, MELBOURNE. Tickets via Oztix. SAT 19 APR - Oxford Art Factory, SYDNEY. Tickets via OAF. SUN 20 APR – Farmer and the Owl Laneway Party, WOLLONGONG. Tickets via the Farmer and the Owl. TUE 22 APR - The Zoo, BRISBANE. Tickets via the Zoo. THU 24 APR - The Rosemount, PERTH. Tickets via the Rosemount. Tickets go on sale on Friday, 14 March. Tickets via Oztix.
Hollywood director James Cameron has successfully completed a solo mini-submarine dive in a vertical ‘torpedo’ of his own design. For the past seven years, Cameron, who is better known for creating the epic blockbusters Avatar and Titanic, has been working in secret with a team in Australia to design and build a 12-tonne, 12 metre-long sub called ‘Deepsea Challenger’. The National Geographic Society, who sponsored the expedition, reported Cameron’s record-breaking descent to the deepest point in the ocean - over 10 kilometres down into the Mariana Trench, southwest of the Pacific island Guam. He returned to the surface after less than three hours under water. The director has been fascinated by oceanography since he was young, and he undertook 33 deep-sea dives to the wreck of the Titanic during the making of his 1997 film. Cameron planned to film what he could see during his solo dive to later share with the world in 3D. In preparation for the expedition, Cameron had researched submersible technology to find the best possible way to explore the seabed, and had practiced yoga in order to endure the mission in the one-person vessel. Swiss engineer Jacques Piccard and US navy captain Don Welsh are the only two other men to have reached the same depth, in the same place, in 1960. Their visibility was poor due to the amount of sand kicked from the ocean floor.
Cold nights got you down? Couldn't think of anything worse than taking off your ugg boots and heading outside into the chill? What if we told you there was a winter night market happening every Wednesday from now until August 27. Tempted? You should be, your beloved uggs don't even match up to the snuggliness of this hub of merriment. Queen Vic Markets are at it again with their Wednesday night markets. Following the success of last year's season, the winter market is proving to be just as popular as its summer cousin. Kicking off at 5pm every Wednesday, Luna1878 offers up toasty food, warm drinks, silent disco, a sheesha lounge, market stalls, cabaret, roaming performers and enough lively music enough to make you forget it was ever winter in the first place. There'll be open fires going and mulled wine a-flowing, so you can't pull the "it's too cold" excuse. Hidden from the wind within the Queen Victoria Market sheds, Luna1878 is the perfect post-work wind down and mid-week reminder that winter really isn't all that bad. https://youtube.com/watch?v=uEJile-LKoY
There's no shortage of highlights along Tassie's eastern shores, with Freycinet National Park's Wineglass Bay an alluring attraction. However, just a short drive up the coast, the charming community of Bicheno awaits, renowned for its scenic natural landmarks and vibrant culinary scene. Returning on Saturday, November 15, the Bicheno Food & Wine Festival is where visitors can experience the community's mouthwatering bites and sips in one spot. Featuring 30 stallholders showcasing Tasmania's finest flavours and makers, expect a coastal celebration of stellar seafood, local wine and live music. The lineup for the 2025 edition is soon to be revealed, but previous instalments have included a who's who of local epicureans. Think award-winning drinks from Bicheno Beer Co., Maclean Bay Wines and Ironhouse Tasmania, alongside non-stop gourmet cuisine from Formosa Bites, Salsa Sol and Fried & Loaded. Set against a picturesque seascape, the Bicheno Food & Wine Festival is also stacked with live music and entertainment. Throughout the day, local bands and singer-songwriters will take to the stage. Meanwhile, roving buskers also provide an easy-breezy soundtrack for visitors dining on the freshest east coast produce.
There are neither aliens nor gods to be found in the latest instalment of the seemingly unstoppable Marvel movie franchise. Instead, this is an 'enemy within' offering, and it's very much the better for it. Captain America (Chris Evans) is the Avenger in question this time round, and for a movie about the perils of extra-governmental espionage and unregulated oversight, there could be no more suitable a hero than that unfailingly honest idealist Captain Rogers. In The Winter Soldier, Cap finds himself contemplating a life beyond the military, only to be drawn deep back inside the shadowy organisation S.H.I.E.L.D following an assassination attempt on his boss, Nick Fury (Samuel L. Jackson). With the story's many twists and turns, it's risky to disclose much more, but at its heart this is a film about trust, betrayal and (inevitably) good ole-fashioned right and wrong. Fitting, then, that his holiness the pope of '70s plot-based paranoia, Robert Redford, makes an appearance as S.H.I.E.L.D's chairman Alexander Pierce. It's difficult in any film not to get excited whenever Redford embarks upon one of his trademark disquisitions on the state of democracy, freedom or peace, and in The Winter Soldier you get the full-blown triple play. Joining him in the mix are S.H.I.E.L.D regulars Black Widow (Scarlett Johansson) and Agent Hill (Cobie Smulders), as well as the instantly appealing newcomer 'Falcon' (Anthony Mackie). Inevitably, a superhero movie with a budget as big as its leading man's pecs is going to feature the periodic sensory onslaught of explosions, car chases, plane chases and carplane chases to keep the blockbuster fans satiated. The highlights in The Winter Soldier, however, are the smaller-scale, human melees, because let's be honest — Cap's superpowers aren't all that super ("Fitter than the average man, more honest than Abe Lincoln, Chris Evans is...the Truthy Runner"). As a result, his action sequences require more imagination on the part of the writers than they might for, say, Iron Man, and where the team most often delivers is in all the creative ways Cap uses his iconic shield, both in defence and on offence. Not quite as witty as Whedon's Avengers yet more engaging than Thor 2, Captain America: The Winter Soldier offers a darker and more thoughtful superhero story than most, if not all, of its Marvel predecessors. https://youtube.com/watch?v=7SlILk2WMTI
Instagram-obsessed iPhoneographers can now turn their collection of photographs into posters, thanks to a clever new website. London-based online retailer, Firebox, allows Instagram app users to create wall-sized prints of their photo library. All you have to do is click the 'Buy' button on the Firebox website, then add your Instagram username to retrieve photos from your account. Each poster is a fixed 61cm wide, but you can add as many rows of photos as you like, so there is no need to worry about choosing just a few snapshots. When your poster reaches 1.5 metres long, Firebox will shrink your pictures to fit and you can then choose between a white or black background. Firebox are not the only ones who have other ideas for Instagram. Photo sharing app, Prinstagram, let’s you make posters from 50-400 photos, as well as mini prints, stickers and mini books. If you prefer having your photos printed rather than just leaving them in digital format on your laptop, then this is a quirky and colourful way to do it. [via Mashable]
If you find yourself in the mood for some world-class pizza this week and you happen to be in Melbourne, you won't have to travel very far at all to get it. Simply head to 48h Pizza e Gnocchi Bar in South Yarra, where you'll experience the Best Pizzeria in the Asia Pacific, as decided by the experts for this year's 50 Top Pizza awards. The Victorian spot took out the prestigious title earlier this week at an awards ceremony in Bangkok, where the annual international pizzeria guide named its top 50 picks for the Asia Pacific region. The awards judge venues not just on the merit of their slices, but on each pizzeria as a whole, rating the food, drinks, service and overall ambiance. Running for the last five years, the 50 Top Pizza awards are chosen by around 1000 experts across the globe, who visit the pizzerias anonymously to judge and rank their offerings. 150 pizzeria 'inspectors' took on the task for the Asia and Oceania area specifically. With this new regional crown, 48h now scores an entry in the worldwide ranking, the 50 Top Pizza World 2022 competition, which will be announced in Naples on September 7. Of course, the southside pizzeria is no stranger to international praise, having claimed the title of Best Pizzeria In Oceania in last year's 50 Top Pizza awards. The chain's pizzas themselves, which are on offer at its Elsternwick and Spotswood venues as well, have also nabbed a stack of awards, including being crowned #1 Pizza in Australia at the Pizza World Championships in 2019. A handful of other Aussie venues were also named in this year's Asia Pacific top 50, including Sydney's Al Taglio (14), Bella Brutta (25), Gigi Pizzeria (27), Lucio Pizzeria (43) and Via Napoli (49); fellow Melburnians A25 (35), SPQR (37), Mozzarella Bar (39) and La Svolta (40); and Adelaide's Etica Pizza (42). Find 48h Pizza e Gnocchi Bar at 373 Malvern Road, South Yarra; 15 Gordon Street, Elsternwick; and Grazeland, Spotswood. For the full 50 Top Pizza Asia Pacific awards list, jump over to the website. Craving a slice, Melburnians? Check out our top picks for pizza in Melbourne.
MIFF might not be here yet, but your year of good films is just beginning. The annual Sphere Peninsula Short Film Festival is set to kick off on the first weekend in February in Rosebud, showcasing the efforts of some of the best filmmakers in the country. Along with film screenings, the three-day program includes workshops and pop-up cinemas — and, of course, the big ol' opening night do. What began as a small event in 2011 is now a mainstay of the Peninsula which brings thousands to Rosebud each year. Twelve films are shortlisted and screened, then judged by a celebrity panel of judges, and there's up to $30k to be won by the brightest sparks. Held on the Village Green in Rosebud near the foreshore, entry to the main event on Saturday, February 4 is free — just BYO rug, follow the crowd and come for some bite-sized film entertainment to go with your bite-sized food truck snacks. They're also holding a ticketed opening night event on the Friday with a screening of Australian film Boys in the Trees and a Sunday afternoon session with Constance on the Edge director Belinda Mason. Image: Yanni Delaportas.
