When I first signed up for a day of whitewater rafting on Tropical North Queensland's Tully River I was pumped. I can't say it had ever been on my bucket list, but as a new resident of North Queensland I was keen to do anything that meant I got to explore the deep north – so I couldn't turn down this RedBalloon experience. My alarm on the morning of the adventure went off at 5.15am, and my dreams of being flung out the raft and thrown into white water came to an end. Mild panic had begun to settle in. By the time I arrived at the meeting point in Cairns where our tour bus was waiting to drive us to the riverside destination, I was scheming ways to get out of it. We travelled down the Bruce Highway past sugar cane fields, banana plantations and cloud-covered coastal mountains. About an hour later, the road started getting narrower, the surrounding vegetation more lush, and glimpses of the river opened up to full views. We got off the bus and our guide Gregor helped with my helmet and life jacket, then I grabbed a paddle and headed down the path with five strangers towards our raft. As we paddled towards our first lot of rapids I tried to recall the instructions on what to do. I realised that upon entering the raft, I'd been way too focused on wedging my foot in between the seats to ensure I was attached no matter what and forgot to listen. As the menacing whitewater looked like it was about to engulf us I didn't know whether to squeeze my eyes shut or hold on tight, or both. Neither of the options included helping to paddle. [caption id="attachment_593255" align="alignnone" width="1280"] This is me terrified and holding on to the rope.[/caption] Then Gregor's clear, calm voice came from the back of the raft, "Okay guys, this is how today will work," he said. "Listen to me and you'll be fine. I promise to give really simple instructions. We're going to have heaps of fun getting to know this river." I wasn't 100 per cent convinced but I did listen to him. My life was in his hands. "Okay guys, here we go! Paddle forward, forward, forward aaaand relax. Now back paddle, back, back, back aaaand relax." I did relax. Honestly. As soon as we'd cleared the first lot of rapids I knew I was in safe hands with a pro river guide and a bunch of people who were a mix of fairly experienced thrill-seekers and newbie thrill-seekers like me. Gregor maneuvered the raft through the first lot of rapids expertly. With names like 'Double D Cup', I couldn't help but giggle (nervously) as we approached them and then scream/laugh as we rode through them. Gregor informed us they were the trickiest set we'd encounter. I didn't want to ask if he meant before lunch or throughout the whole day, so I kept my mouth shut and rejoiced with the rest of my team that we'd aced it. As we floated into calmer waters we got out of the raft for a swim, letting the cool, crystal-clear waters take us past springs and falls while the magnificent rainforest growth of the gorge towered overhead. Ulysses butterflies flying above us came along for the ride too. After a refreshing shower under Pony Tail Falls we hopped on to dry land for a barbecue lunch in the middle of the rainforest before setting off to tackle the rest of the rapids. This time around, it was panic-free. By the end of the day I was jumping off a 5-metre-tall rock formation. As I bobbed up to the surface, I was chuffed with myself for being a bit of a daredevil. I knew I would've regretted not giving the jump a go, which sums up how I felt about the whole day. From the first "aaaand relax" from Gregor, my worries seemed silly. Photos from the day show that I was holding on to the safety ropes a lot, which made my team mates ask whether I'd actually done any paddling. But I did. I promise. Book your white water rafting adventure (or gift it to someone else) at RedBalloon. Images: RedBalloon.
Packing well for holidays is one of the vastly underrated artforms of our time. Knowing exactly what to bring and what to spend your dimes on before the actual trip takes a long-practiced, realistic ability to predict the weather, activities and highly Instagrammable moments of your future vacation. But not everyone's got the coin to drop on exxy designer threads before they land. So we've taken it upon ourselves to pack your suitcase with affordable goods, whether you're headed for a riotous camping adventure to your chosen annual music festival, hitting art galleries and destination restaurants on a cultural endeavour, or opting for the classic ol' beach holiday. Best bit? It's all from the one place — ASOS. And because they know some of the world's most keen travellers are penny-pinching students, they're offering a 20 percent discount just for students from Wednesday, February 23. THE MUSIC FESTIVAL CAMPING WEEKEND You've loaded up your rental (or pa-rental) car with tents, tarps and tinnies. You've pored over the festival timetable and listened up to the lineup. You're in full-on camping festival mode, and the trick here is to pack light, but pack smart. You've got to toe the line between statement pieces and everyday essentials — you'll need both for this adventure. Word to the wise? Leave the exxy cocktail dresses and dress shirts at home, but remember to bring pieces that make you happy; you'll be in them all day in the hot sun, pouring rain and occasional mud-slips. And bring more undies than you think you'll need. WOMENS ESSENTIALS Reclaimed Vintage Pull Over Hooded Festival Jacket $95 Cheap Monday Denim Short Dungarees $99 Pimkie Wellie Boot $34 MENS ESSENTIALS Nike Court T-Shirt 739479-100 $51 ASOS Check Shirt in Viscose With Long Sleeves $53 ASOS 5 Panel Cap In Black Canvas With Contrast Patch $26 THE ARTY CULTURE ADVENTURE Whether you're scooting between galleries, tasting All The Wine or sauntering through some serious shopping districts, culture adventures can be the trickiest for packing light. You'll want to bring every last pair of kickass shoes in your closet. You'll have plans to debut every new outfit you've recently impulse bought. But here's the thing, you're carrying your wardrobe with you. So choose a couple of pieces you can wear day-to-night and one pair of all-purpose, super fly shoes. That way you can throw more dosh on new pieces on your holiday shopping sprees. WOMENS ESSENTIALS ASOS Oversize T-Shirt Dress With Curved Hem $47 Glamorous Bell Sleeve Smock Dress With Festival Embroidery $51 ASOS OTTAWA Heels $74 MENS ESSENTIALS ASOS Super Longline Long Sleeve T-Shirt With Hooded Drape Neck $38 Reclaimed Vintage Drapey Duster Jacket $138 River Island Chukka Boots In Brown Faux Leather $95 THE CLASSIC BEACH HOLIDAY Towel, sunnies, bathers, sunscreen, book, beer. So begins the checklist for the age old beach holiday, the classic retreat for city slickers. This vacation's the easiest to pack light for, but that doesn't mean you have scrimp on style. Invest in a few new beachy staples and you'll be staging your own magazine shoots on your next ocean-bound road trip. Just remember to slip, slop, slap, wrap etc. WOMENS ESSENTIALS South Beach Mix and Match Wrap Cut Out Bikini Top $30 ASOS Stripe Rope Belted Beach Shirt Dress $60 ASOS Strappy Maxi Dress $38 MENS ESSENTIALS ASOS Mid Length Swim Shorts With Turtle Print $38 Base London Tiberius Leather Sandals $74 River Island Round Sunglasses In Silver $43
What would you do if you were a little less freaked out by consequences? Would you talk to more new people, fear a bit less, dance a little more like FKA Twigs, quit your desk job and start that independent photography career? Some sparkling young Australians are already flinging their inhibitions into a ziplock bag and seizing this little ol' life with both hands. Concrete Playground has teamed up with the Jameson crew to give you a sneak peek into the lives of some bold characters who took a big chance on themselves. They've gone out on a limb and rewritten their path, encapsulating 'Sine Metu', the Jameson family motto which translates to 'without fear' — getting outside your comfort zone and trying something new. After all, we only get one shot at this. Take notes. From a very young age, we're all asked the question "What do you want to be when you grow up?" We're told to pick one path, one profession, to neatly label the rest of your life. Our responses change as we grow up, from astronaut to engineer, princess to PR, and for Sydney-based Cole Bennetts, from Penguin Boy to renowned photographer taking the Prime Minister's portrait. Now he's shot the likes of Sticky Fingers, Hermitude, Horrorshow, One Day and more, and you can find his work published in TIME, The Wall Street Journal, The Guardian, The Irish Times and Rolling Stone to name a few. Not bad for a Penguin Boy. WHEN LIFE GIVES YOU PENGUINS, BECOME THEIR KING Cole's origin story reads like a Mark Twain book, a tale from a time before life happened on the screen and people went out to seek their fortunes. Initially for Cole, the end goal was never photography. His start in the industry came from a pretty unlikely place — as a way to weasel out of participating in the swimming carnival. "I'd never been the most athletic of people but I discovered that if I had a camera in my hand I didn't have to swim in the swimming carnival. I was like 'there's something to this'." A self-proclaimed science nerd, Cole's formative years were spent studying biology at university and eventually found him monitoring the behavioural patterns of seagulls and penguins in Bass Strait. The documentation process again stirred his interest in photography and, strangely, penguin care. "When that wound up [at Bass Strait] I found myself in Canberra with the zoo there. I spent about 18 months within the zoo as a penguin keeper. I managed to get the nickname 'Penguin Boy'. I can't believe I'm saying this." SOMETIMES YOU'VE GOT TO SPEND SIX MONTHS IN THE WILD The antics of Penguin Boy became an attraction at the zoo, from lining up the penguins for feeding time to putting them to bed. Eventually, the prestigious title wore thin and Cole stumbled across an opportunity that would make most of us hurtle in the opposite direction. "I got offered a job on a really remote island… There was no water, there was nothing. We'd have to have supplies brought in by shark fishermen. It was a six-month stint living like a wild man." Just after quitting his role as Penguin Boy, Cole found out funding for the project had been cut and he was without a job. After a series of fortunate events, he founded a music business in Canberra and set about promoting. But Cole didn't have the budget for a photographer, someone you're kind of going to need for promo. So, having 'made do' in those six-months on the island, he improvised. "I bought a cheap camera set up and quit my job and told people I was a photographer. And I was awful. I was so bad. Within four weeks of doing it, I had $2.20 and half a loaf of bread to my name. "If you're going to do something, you throw yourself into it. I'm a big believer in sink or swim. And fake it till you make it. There's no better situation to learn than when you have no option; it's do or die." FAKE IT TILL YOU TAKE THE PRIME MINISTER'S PORTRAIT There's not a lot to do in Canberra outside of politics and partying, so Cole had a lot of fodder to snap. A crash course in how to work a camera when there's no natural light and your subjects are swaying was just what he needed to get a start in the world of photography. Fast forward a few years, he's made a name for himself as a portrait photographer and has jacked a gig taking the PM's portrait. "It's a fine line when you're shooting... Your subjects may be celebrities, they may be artists but you've got to stand in front of them with a camera […] and do them right," he says. "So I was down on my knees in front of Julia Gillard's desk and I was having trouble getting the right feel and I was starting to panic and I was like 'OK, Prime Minister, what I need you to do is close your eyes and I want you to go to your happy place'. That was crazy." He got the shot in the end though and, true to form, bossing the PM around becomes just one of his weird work stories to tell. CHANGE THE GAME — NOT EVERY HIP HOP ARTIST NEEDS TO RAP SQUAT Cole soon moved from Canberra to Sydney, the land of creative opportunity, to try and break into music photography. One day while working in his Camperdown studio, he left to pick up some lunch and walked smack bang into Omar Musa, his friend and collaborator, and Morgan Jones of the Thundamentals. "A couple of weeks later I bumped into Morgs in the cafe and he had this new group called Jones Jnr. I said I'll do your pictures, I'll do them for free but if you go anywhere and you become successful, then I'm your guy," he says. It was a smart gamble, as Morgan was in the process of writing Step On Sleep, Jones Jnr's successful debut album. From this handshake agreement, Cole has built a career photographing Australian musicians including Sticky Fingers, Hermitude, Horrorshow, Hilltop Hoods, One Day, Spit Syndicate, Tuka, Jackie Onassis, The Rubens, Angus Stone, Left and more, alongside international stars like The 1975. His proclivity for shooting hip hop royalty has changed the game and shifted music portraiture away from the cheesy and the cliché. "These guys are super intelligent, they've got good stories to tell," he says. "It's not doing rap squats in front of graffiti walls." And who better to tell someone else's tale than a guy with a killer story to tell? When you wake up a Penguin Boy one day, unemployed the next, Kirribilli House soon after, you stop fearing change and start to embrace a Sine Metu mindset because it might lead to the best shot of your life. "It doesn't matter if I'm shooting the biggest name in Australian music or I'm shooting someone having a dance, if I get the frame that captures that moment… I get just as excited. It's about storytelling." Want to experience a little bit of 'Sine Metu' yourself? Thanks to Jameson and The Rewriters, one extremely fortunate Concrete Playground reader (and their even more fortunate mate) will get the chance to 'fear less' and go on a big ol' adventure to Ireland. In addition to two return flights departing from your choice of Sydney, Melbourne or Brisbane, this epic giveaway comes with five night's accommodation and $500 spending money you can use to paint the Emerald Isle red. ENTER HERE. For more about how 'Sine Metu' influenced John Jameson's journey visit Jameson's website.
One of Australia's most redeeming qualities is its ability to give good afternoon sun. There's something about its familiar glow that almost demands casual drinks — whether it's cracking open a cold beer after a day out, heading to the pub after a long day of work, or deciding on a whim that your backyard is perfect for having friends over. We love summer afternoons, and we've partnered with Heineken 3 so you can get the most out of them. We've spoken to a few of our favourite chefs, musicians and artists, to get their insights on creating the perfect balmy afternoon. For a summer playlist, who better to ask for advice than Ned East, a.k.a Kilter? His genre-spanning tropical electronic beats scream summer, and he's been making waves playing his tunes around Australia — performing at Falls, Field Day and Southbound. This year he followed the sun into European waters, playing shows and festivals across France, Germany, Malta and the UK. We asked him for some tips on how to create the perfect party playlist for a summer afternoon. Because he's a nice guy, he provided one of his own. It's good. Listen to this and get inspired, then follow his tips in creating your own. YOUR PLAYLIST NEEDS TO BE CAREFULLY CURATED It's important to remember that your playlist should be delicately crafted — it shouldn't just be a bunch of tracks thrown together. It should be designed to be listened to in one fell swoop, just like Kilter's. That means no skipping, no jumping and absolutely no shuffling (tracks, that is). TAKE YOUR LISTENERS ON A JOURNEY There needs to be an effortless flow. Kilter's playlist has a strong dance tinge to it, cruising through a few downtempo tracks, moving into a house-centred, upbeat party vibe. Things get a bit crazy towards the end, but what else can you expect from a summer session? PICK A FEW BANGER TRACKS TO GET STARTED Kilter tells us to "start with the tracks you really want to play, then think about their order and how they'll be consumed". Choose a few of your favourite tracks that you know you'll definitely want to include, and use those as your base. That way, it's easy to get inspired, ensure you get a variety of music and make sure your playlist has some direction. Kilter's starting point tracks were Kwesta's 'Ngud' (featuring Cassper Nyovest), as well as 808INK's 'Suede Jaw' and Hayden James' 'Just a Lover' (Karma Kid remix) — he recommends if you're in need of some inspiration. CONSIDER YOUR SITUATION, AND LEARN TO LIFT THE VIBES Music has the magical ability to dictate someone's mood. It's essential to a summer afternoon when you're throwing back a Heineken 3, because it'll lift the vibes. "If it's a rainy day and you're playing summertime jams, it's going to make you feel a little bit better," Kilter says. "If it's a sunny day and you've got sunny music on, it's really going to take your vibes to another level". In his own words: "Get some friends over and have some beers in the sun. Let the music do its thing while you do your thing." Enjoy your summer afternoons with the new low-carb Heineken 3 — we're helping you make the most of them.
The name translates to 'cat' in Japanese, but there's nothing aloof or fickle about Neko Neko. The Fitzroy ramen joint is dishing up solid doses of goodness that will love you and never leave you (and will let you love it, too). A mostly vegan affair — Neko Neko has three vegan ramen offerings and one pescatarian. It could well be the most dietarily inclusive ramen joint in Melbourne. It also offers up the holy grail (for you coeliacs out there) of gluten-free noodles. Go for the mapo tofu ramen and you'll not even be remembering the fact that its vegan — just that it's ultra tasty, and very pretty to look at, too, with brightly coloured garnishes. If you find yourself in Sydney keep an eye open for their Newtown restaurant, with an equally diverse menu and super chill atmosphere. Appears in: The Best Vegan Restaurants in Melbourne for 2023
Finding it hard to meet new people? 90% of new people probably feel the same way. That's why Fitzroy's La Vineria runs 'Dine With a New Friend': a recurring weeknight event built around good food and even better company. Dine With a New Friend is the brainchild of Vineria's Italian-born owner and chef, Stefano Maffei, who migrated to Melbourne eight years ago and opened Noi Pizzeria in the middle of COVID. Bold move. After noticing a dire need for connection and community during the pandemic, Stefano started Dine With a New Friend on Wednesday nights at his new restaurant, La Vineria. The event was a hit from the beginning, with over 60 people in attendance. The event has grown over the years, and now features a DJ and dance floor, to give people a better chance to mingle. La Vineria is also giving away a ticket to Italy as part of Dine With a New Friend. Everyone who attends the event goes into the draw. Bookings are essential for this one. $40 bucks gets you an Italian prosecco on arrival, main meal and a glass of wine. You can come with friends, or by yourself. Either way, you'll be seated next to new friends at random. No swiping required. Images: Giorgia Maselli
UPDATE, December 11, 2020: The Lobster is available to stream via SBS On Demand, Google Play, YouTube Movies and Prime Video. Imagine living in a world where the pursuit of love provided only two choices. You can find a spouse and live happily ever after in coupledom, or you can earn the scorn of others for failing to pair up. In this scenario, society champions the intertwined and persecutes the single. Does it feel familiar? It should. That such a situation doesn't seem too far from reality is the point of The Lobster, despite the clear exaggerations if gleefully plays with. In an unnamed time, those like the mournful David (Colin Farrell) who prove unlucky when it comes to affection — even through the death of their spouse or via infidelity — are shipped away to a matchmaking-focused hotel as a last resort, literally. If they don't connect with another person in 45 days, they'll be transformed into the animal of their choice. Their only other option is to run away and live in the nearby woods with a group of loners, who shun relationships, dig their own graves in a mournful bit of forward thinking, and seek solace by dancing alone to electronic music. If that sounds cynical as well as comedic in an absurdist, deadpan manner, that's because it is — and writer/director Yorgos Lanthimos is certainly known for raising his eyebrows and donning a wry smile in the face of many of the behaviours and preferences that define our lives and interactions. In his first English-language film after the equally heightened Dogtooth and Alps, he does the same with modern romance, skewering and dissecting the fact that finding monogamy and matrimony are championed by most as the be all and end all of human existence, no questions asked. That's not all he does, though, as he follows David's interactions with others looking for their similar other halves, such as Lisping Man (John C. Reilly), Limping Man (Ben Whishaw) and Biscuit Woman (Ashley Jensen). Nor is scepticism his only attitude when David meets Loner Leader (Léa Seydoux) and Short Sighted Woman (Rachel Weisz), finding a kindred spirit in the latter, even if he's not supposed to. Mixing suspicion with sweetness — not of the sappy rom-com kind, but bursting from a genuine appreciation of the joy that can result when two people really do find something special in each other beyond having superficial things in common, and are willing to sacrifice to keep it — is the key to The Lobster's brilliance. Lanthimos finds the overwhelming beauty that can lurk in the stark reality he depicts, perhaps surprisingly so given how stylised and precise everything else proves: the dialogue, setting, recurrent use of music and tightly shot visuals, for example. The impact is as astounding as it is intriguing. Consequently, prepare for a smart, sensitive and surreal movie that both looks on in horror and inspires hope as far as matters of the heart are concerned. And prepare to pay attention too, because the details mean everything. When the excellent international cast all speak in their native accents, aptly mirroring the film's conflict of structure and chaos in the process, or the soothing tones of Nick Cave and Kylie Minogue's ballad 'Where the Wild Roses Grow' contrasts with the overt tones heard otherwise, that's when The Lobster's wondrous, winning, witty take on love and life starts to truly shine.
Ever pondered what the human body might be like a couple more decades into the future? What sort of weird and wonderful things it'll be able to do by the time next century rolls around? Award-winning Aussie-born, Los Angeles-based artist Lucy McRae sure has, and she's offering a peek at her most captivating musings in a new free exhibition at NGV Australia, titled Lucy McRae: Body Architect. As a designer, science fiction artist, filmmaker and 'body architect', McRae's on a constant journey of contemplation, her work reflecting on the future of human existence through collaborations with everyone from scientists, to pop musicians. Kicking off today and running until February 2020, this survey of her work — which has strong The Fifth Element vibes — dives deep into these questions, showcasing a body of work that will not just pique the interest of art lovers, but sci-fi fans and philosophers, too. For Lucy McRae: Body Architect, you'll see the artist's filmmaking skills at play in seminal work Institute of Isolation: an observational documentary exploring the concept of isolation and the impact it might have on people when experienced for decades at a time. It's questioned through the lens of space travel and how human resilience might be tweaked in order to better handle it. Meanwhile, immersive work Future Day Spa will see you hanging out in a vacuum pressure chamber, which mimics the feeling of being hugged tightly, boosting relaxation levels in the process. You can also get your own face up on the gallery's walls — and tweak it — with Biometric Mirror. Elsewhere, you'll spy the series of bold and ethereal digital images McRae created alongside Dutch textile artist Bart Hess. The pair's work imagines high-tech, futuristic body functionalities – like colour-excreting skin – captured in striking lo-fi imagery using things like pantyhose, balloons, grass and bath foam. Then, there are the pieces from McRae's many collaborations with musicians, both local and international. The iconic image created for pop-star Robyn's Body Talk album cover is on show, as are the artist's music videos for bands including Architecture in Helsinki and Reptile Youth. For a quick intro to her work, watch this TED Talk. As one of the youngest ever TED Fellows and having earned a spot on Fast Company's list of people shaping the future, McRae's an exciting pull for the NGV's next season of solo exhibitions, which is set to feature the work of Aussie photographers Polixeni Papapetrou and Petrina Hicks later this year. Images: Installation shots by Tom Ross; Lucy McRae portraits by Eugene Hyland; © Lucy McRae.
What would you do if you were a little less freaked out by consequences? Would you talk to more new people, fear a bit less, dance a little more like FKA Twigs, quit your desk job and dedicate yourself to the hobby or interest you've always wanted to turn into a career? Some sparkling young Australians are already flinging their inhibitions into a ziplock bag and seizing this little ol' life with both hands. Concrete Playground has teamed up with the Jameson crew to give you a sneak peek into the lives of bold characters who took a big chance on themselves. They've gone out on a limb and rewritten their path, encapsulating 'Sine Metu', the Jameson family motto which translates to 'without fear' — getting outside your comfort zone and trying something new. After all, we only get one shot at this. Take notes. Every kid fills their schoolbooks with sketches, but few actually consider turning their doodling into a career. In fact, Sydney-based illustrator Barry Patenaude certainly didn't think that his squiggles and scribbles could take him into the hectic freelance world of illustrating for big brands — even Concrete Playground (thanks Barry) — let alone illustrating his highly popular series Beers in the Sun. Instead, he followed the same path most of us do, progressing from high school to university, studying architecture and drafting, and then getting an office job. But sometimes, our true passions just can't be ignored; in fact, that's what embracing the 'Sine Metu' mindset is all about. WHEN LIFE GIVES YOU TOILETS TO DRAW, DRAW THEM WELL There's a reason most job choices — the ones that stem from a couple of years at uni, then lead to the 9-to-5 grind — are considered sensible choices. They're the kind of careers that provide security, as well as a clear plan for the future. If you'd met Barry when he was a child, he wouldn't have mentioned being an illustrator. "I did draw a lot," he says. "I did art at school, but I never really thought illustration could be a career path." There's such a thing as being too sensible, however — and if you ever find yourself using your artistic talents to sketch toilets, you might just come to this realisation. After pursuing all the practical options, Barry worked in an architecture office, designing buildings and delving into the ever-fascinating task of drawing toilets. That he found it a bit monotonous is stating the obvious. But, breaking away from the path you're already on is easier said than done, of course. And sometimes you need to experience all the boring stuff to shatter that mindset and discover what you really want to do. As Barry explains, "I finished school and was like, 'So the path is: you study, you get a job and then you work.' That's the mindset I had for ages, but over time it just didn't appeal to me. I didn't want to be an office jockey." SOMETIMES YOU'VE GOT TO SKIP TOWN FOR AN INTERNSHIP Like many big life decisions, it was a change of scene — and a change of city — that helped alter Barry's perceptions about just what his chosen profession should be. He had spent a few years travelling overseas and enjoying working holidays, but it was the move from Brisbane to Sydney that proved the true catalyst, or at least got the ball rolling. Not that that's actually what he was thinking about when he headed interstate with his girlfriend so that she could secure an internship. Sometimes, though, you just have to go where the moment takes you. As Barry started calling New South Wales home, "that's when I started drawing a lot more in my spare time," he advises, "and it was something I didn't realise that I had missed until I started doing it again". Illustrating became the thing he did on the side for a few years, leading to an art show in 2011, as well as paid freelance opportunities. Then, three years ago, his regular job switched from full to part time. It's the kind of news most employees dread, but he took it as an opportunity and royally bit the bullet. "I wouldn't have thought that I'd be in this position six years ago when I moved here, but it has worked out for the best I think," he says. "Like a lot of people, I was questioning what I was doing with my life. Now, I do have a path and I like where it is going, and it is definitely better than drawing toilets." ILLUSTRATE, INSTAGRAM, THEN LET THE BUSINESS COME TO YOU Today, Barry's decision to give illustrating a proper go might seem-like a no-brainer, but trying to make a living doing what you love is tricky, particularly when that involves a creative field, cultivating a gig-based resume, and never knowing what's going to come next. While his artwork is now featured on everything from bar walls to websites, getting to this stage wasn't an easy — or quick — process. Starting with a safety net — his part-time drafting job — certainly helped. So did just going for it; as Barry puts it, "you don't really have anything to lose. I mean, apart from your finances." He doesn't shy away from just how tough making his mark has been, but he also recognises the importance of self-belief and perseverance. "The first year was super hard. I was so poor. I just kept at it, and that's what I'm doing now — keeping at it. But it's definitely an evolution and a slow process. You've just got to have patience, and believe in your work, and let people realise that it's good." Take the project he has probably become best known for, Beers in the Sun. It actually started as a hobby and a way to unwind — and the fact that it combined two of his biggest passions certainly made it plenty of fun. It seems that people quite like pictures of their favourite beverages, with a flock of Instagram followers leading to media attention, more interest in his illustrations, gigs with booze brands, and yes, a few free brews to drink as well. When it comes to what will help kick your career into gear, "you just never know," says Barry. Want to experience a little bit of 'Sine Metu' yourself? Thanks to Jameson and The Rewriters, one extremely fortunate Concrete Playground reader (and their even more fortunate mate) will get the chance to 'fear less' and go on a big ol' adventure to Ireland. In addition to two return flights departing from your choice of Sydney, Melbourne or Brisbane, this epic giveaway comes with five night's accommodation and $500 spending money you can use to paint the Emerald Isle red. ENTER HERE. For more about how 'Sine Metu' influenced John Jameson's journey visit Jameson's website. Images: Andy Fraser.
Over the span of the universe, ten years is the blink of an eye. In a human lifetime, a decade can zip by unnoticed. In the realm of public works (a realm so dense that all previous laws governing time and space break down around it) ten years is, in practice, a millisecond. Projects can drag on for eternity before we see a single blade of grass (hell, in six seasons of Parks and Rec they only managed to fund one weeny little park). So you can understand why people may secretly believe Leslie Koch, president and CEO of The Trust of Governors Island in New York City, to be some kind of time-travelling magician. Since her instatement in 2006, she's worked with city government and private sector alike to transform a flat, derelict military island off Manhattan into a thriving public space with nearly half a million visitors each summer. Under Leslie's guidance, the first phase of the master plan, including 12 hectares of parkland, was opened to the public in May 2014. The second phase (named The Hills for the rolling Teletubbyland-esque vista and 360 degree panoramic views of New York City) is slated to open in July, a year ahead of schedule. And the next phase for Governors Island is even more ambitious: a 13.4 hectare innovation incubator and public campus to service the growing startup culture in New York. Leslie's flying in to Sydney to appear as one of the keynote speakers for REMIX Sydney 2016, so we found a tiny window in Leslie's obviously jam-packed schedule to sit down and talk big. [caption id="attachment_572737" align="alignnone" width="1280"] The Hills, Governors Island.[/caption] THE PESKY PROBLEM OF HAVING MORE IDEAS THAN EMPLOYEES Revamping Governors Island as a startup haven is a superhuman feat in itself, but let's backtrack for a moment. America is in a bind: the age of manufacturing has passed and technological innovation is now the hot economic commodity to sink graduates into. Tech startups are bread-and-butter for the emerging generation of computer scientists. However, there's a gaping crevasse between practice and education theory. The tech industry waits for no one, particularly not one who spends four years and a small fortune on a tertiary education only to emerge and find the skills they've learned are not the skills employers want — nor, often, are they even relevant anymore. "I was meeting with a very successful serial entrepreneur the other day and he said, 'Look we actually can't hire enough people for the ideas that we have'," Leslie Koch muses "There's no shortage of ideas, there's a shortage of people." The solution, she believes, begins with physically merging private sector components into the education model, eliminating the lag between industry practice and educational canon. It's an inevitable direction, considering our career path structure is changing — everyone's a freelancer, untethered by company loyalty, each in possession of a long resume dotted with short tenures. If you want to stay employable in a competitive marketplace rocked to and fro by the all-powerful internet and all her resplendent memes, you've got to freshen up your skills every now and then. ON BUILDING THE SILICON VALLEY OF THE EAST COAST Governors Island represents more than a green lung to New York City's concrete playground. In its second phase it will become an incubator for innovation, the Silicon Valley of the east coast and, as Jack Donaghy would say, 'innoventually' develop a solution to the human capital crisis in the tech industry in NYC. But just what is so magical about Silicon Valley that's worth mimicking? Does innovation bubble up from the very ground water? General consensus is the Valley works for two reasons. First, early in the game, big companies collaborated with educational institutions (to mould their chickens before they hatched). Second, a close physical proximity, as well as a focus on innovation, encouraged knowledge convergence and cross-fertilisation between tech startups. The underlying lesson here? Physical space organisation is incredibly important for knowledge sharing (there's a reason why open-plan offices are everywhere, and it's not just to keep you off Facebook during work hours). ON CREATING AN 'INNOVATION INCUBATOR' ON THE ISLAND The next stage for Governors Island is to build an 'innovation incubator'. It may sound like jargon, but the articulation of an 'incubator' draws on those ideas that people, and young startups in particular, hugely benefit when they physically share space with their contemporaries. "[A technology incubator] gives companies flexibility in leasing and acts as a social space, a cross-fertilisation space, that you wouldn't have in a conventional 'I'm going to rent my office, hire my people and I'm never going to interact with the other companies in my building' model," says Leslie. The needs of early stage technology startups go beyond infrastructure and financial support — expertise and knowledge must be shared freely to the benefit of all. WHY NEW YORK CITY GENERATES A DIFFERENT KIND OF STARTUP TO CALIFORNIA The Silicon Valley of New York (coming soon to Governors Island!) won't actually be all that similar to the Californian model. The startups coming out of New York (such as Tumblr, Kickstarter, Etsy) are an intrinsically different breed than the West Coast startups (Facebook, Google, Apple) — they're flavoured by the city. Leslie is very aware of this. "The second chapter of my career was in technology on the West Coast. I worked at Microsoft and, like its analogist companies in the Valley, it started in the suburbs and there were a few of us who commuted out to Redmond, Washington. What you're now seeing is companies recognising that to innovate, there's something about being in a city rather than isolated. When you create campuses with an urban flavour, that really makes sense for innovation." A city, unlike the 'burbs, is a cluster model in itself. The Governors Island incubator model will perhaps not be a scaled down version of Silicon Valley but of NYC itself, with educational institutions and private sector components physically merged instead of adjacent. "High-tech companies move to the city because of the messiness of the city and the interactions you have with all kinds of people and different kinds of industries… I personally believe that cities are the place where innovation takes place," she says "What I couldn't have planned for was the amount of emotion that New Yorkers have for Governors Island. We made a place people have embraced, have come to love, even though it's a place no-one has ever spent the night and it's never been open for more than 120 days a year." Australia has only 10 percent the urban density of America so notions of space can be a tricky to wrap your head around; space is a nuisance most of the time. But the cluster model is starting to take hold in Sydney and it works, no doubt in part, thanks to the mapping done on the front lines in the US. [caption id="attachment_572738" align="alignnone" width="1280"] The Hills, Governors Island.[/caption] WHAT'S NEXT? Sadly, Leslie recently announced she'll be stepping down as CEO after the Hills opens to the public. "This is a natural inflection point and when you run a seasonal recreation destination, you're on-duty every weekend so the thought of having my first summer off in 11 summers was just too good to pass up." And what a hard-earned summer it'll be. You can catch Leslie speaking at REMIX Sydney from June 2-3 at Sydney Town Hall. Your mates Concrete Playground will be there too, introducing you to Sydney's most successful entrepreneurs — the businesses we couldn't write fast enough about — with a special curated session on 'How Long Does It Take to Become an Overnight Success?'. More info right here. Top image: Iwan Baan/Governors Island.
Usually, when a new year hits and Hollywood starts handing out shiny trophies for the best movies and television programs of the past 12 months, audiences are asked to get watching not once but twice. First, there's all of the ceremonies — and then there's the must-view list that springs from those newly anointed winners. The initial cab off the rank each year, the Golden Globes, did their thing for 2022 on Monday, January 10. This isn't a normal event for these accolades, however. After multiple controversies surrounding the Hollywood Foreign Press Association, the organisation behind the awards, the Globes weren't given out at a star-studded event. Plenty of films and TV shows still emerged victorious, though. Yes, even without sitting through the three-hour-plus televised ceremony, you still have a whole heap of freshly minted Globe-recipients to see — and you can watch most of them right now. Whether you're keen to hit the big screen to catch a filmic gem, stream a stellar flick or binge your way through an excellent series or two, here's 12 of the Globes' best winners that you can check out immediately. (And if you're wondering what else won, you can read through the full list, too.) MOVIE MUST-SEES THE POWER OF THE DOG Don't call it a comeback: Jane Campion's films have been absent from cinemas for 12 years but, due to miniseries Top of the Lake, she hasn't been biding her time in that gap. And don't call it simply returning to familiar territory, even if the New Zealand director's new movie features an ivory-tinkling woman caught between cruel and sensitive men, as her Cannes Palme d'Or-winner The Piano did three decades ago. Campion isn't rallying after a dip, just as she isn't repeating herself. She's never helmed anything less than stellar, and she's immensely capable of unearthing rich new pastures in well-ploughed terrain. With The Power of the Dog, Campion is at the height of her skills trotting into her latest mesmerising musing on strength, desire and isolation — this time via a venomous western that's as perilously bewitching as its mountainous backdrop. That setting is Montana, circa 1925. Campion's homeland stands in for America nearly a century ago, making a magnificent sight — with cinematographer Ari Wegner (Zola, True History of the Kelly Gang) perceptively spying danger in its craggy peaks and dusty plains even before the film introduces Rose and Peter Gordon (On Becoming a God in Central Florida's Kirsten Dunst and 2067's Kodi Smit-McPhee). When the widowed innkeeper and her teenage son serve rancher brothers Phil and George Burbank (Spider-Man: No Way Home's Benedict Cumberbatch a career-best, awards-worthy, downright phenomenal turn, plus Antlers' Jesse Plemons) during a cattle-run stop, the encounter seesaws from callousness to kindness, a dynamic that continues after Rose marries George and decamps to the Burbank mansion against that stunning backdrop. Brutal to the lanky, lisping Peter from the outset, Phil responds to the nuptials with malice. He isn't fond of change, and won't accommodate anything that fails his bristling definition of masculinity and power, either. GLOBES Won: Best Motion Picture — Drama, Best Performance by an Actor in a Supporting Role in Any Motion Picture (Kodi Smit-McPhee), Best Director (Jane Campion) Nominated: Best Performance by an Actor in a Motion Picture — Drama (Benedict Cumberbatch), Best Performance by an Actress in a Supporting Role in Any Motion Picture (Kirsten Dunst) The Power of the Dog is available to stream via Netflix. Read our full review. WEST SIDE STORY Tonight, tonight, there's only Steven Spielberg's lavish and dynamic version of West Side Story tonight — not to detract from or forget the 1961 movie of the same name. Six decades ago, an all-singing, all-dancing, New York City-set, gang war-focused spin on Romeo and Juliet leapt from stage to screen, becoming one of cinema's all-time classic musicals; however, remaking that hit is a task that Spielberg dazzlingly proves up to. It's his first sashay into the genre, despite making his initial amateur feature just three years after the original West Side Story debuted. It's also his first film since 2018's obnoxiously awful Ready Player One, which doubled as a how-to guide to crafting one of the worst, flimsiest and most bloated pieces of soulless pop-culture worship possible. But with this swooning, socially aware story of star-crossed lovers, Spielberg pirouettes back from his atrocious last flick by embracing something he clearly adores, and being unafraid to give it rhythmic swirls and thematic twirls. Shakespeare's own tale of tempestuous romance still looms large over West Side Story, as it always has — in fair NYC and its rubble-strewn titular neighbourhood where it lays its 1950s-era scene. The Jets and the Sharks aren't quite two households both alike in dignity, though. Led by the swaggering and dogged Riff (Mike Faist, a Tony-nominee for the Broadway production of Dear Evan Hansen), the Jets are young, scrappy, angry and full of resentment for anyone they fear is encroaching on their terrain. Meanwhile, with boxer Bernardo (David Alvarez, a Tony-winner for Billy Elliot) at the helm, the Sharks have tried to establish new lives outside of their native Puerto Rico through study, jobs and their own businesses. Both gangs refuse to coexist peacefully in the only part of New York where either feels at home — but it's a night at a dance, and the love-at-first-sight connection that blooms between Riff's best friend Tony (Ansel Elgort, The Goldfinch) and Bernardo's younger sister María (feature debutant Rachel Zegler), that sparks a showdown. GLOBES Won: Best Motion Picture — Musical or Comedy, Best Performance by an Actress in a Motion Picture — Musical or Comedy (Rachel Zegler), Best Performance by an Actress in a Supporting Role in Any Motion Picture (Ariana DeBose) Nominated: Best Director (Steven Spielberg) West Side Story is currently screening in Australian cinemas. Read our full review. ENCANTO Five years after Lin-Manuel Miranda and Disney first teamed up on an animated musical with the catchiest of tunes, aka Moana, they're back at it again with Encanto. To viewers eager for another colourful, thoughtful and engaging film — and another that embraces a particular culture with the heartiest of hugs, and is all the better for it — what can the past decade's most influential composer and biggest entertainment behemoth say except you're welcome? Both the Hamilton mastermind and the Mouse House do what they do best here. The songs are infectious, as well as diverse in style; the storyline follows a spirited heroine challenging the status quo; and the imagery sparkles. Miranda and Disney are both in comfortable territory, in fact — formulaic, sometimes — but Encanto never feels like they're monotonously beating the same old drum. Instruments are struck, shaken and otherwise played in the film's soundtrack, of course, which resounds with energetic earworms; the salsa beats of 'We Don't Talk About Bruno' are especially irresistible, and the Miranda-penned hip hop wordplay that peppers the movie's tunes is impossible to mentally let go. Spanning pop, ballads and more, all those songs help tell the tale of the Madrigals, a close-knit Colombian family who've turned generational trauma into magic. This is still an all-ages-friendly Disney flick, so there are limits to how dark it's willing to get; however, that Encanto fills its frames with a joyous celebration of Latin America and simultaneously recognises its setting's history of conflict is hugely significant. It also marks Walt Disney Animation Studios' 60th feature — dating back to 1937's Snow White and the Seven Dwarfs — but its cultural specificity (depictions of Indigenous, Afro Latino and Colombian characters of other ethnicities included) is its bigger achievement. GLOBES Won: Best Motion Picture — Animated Nominated: Best Original Score — Motion Picture, Best Original Song — Motion Picture Encanto is currently screening in Australian cinemas, and is also available to stream via Disney+. Read our full review. DUNE A spice-war space opera about feuding houses on far-flung planets, Dune has long been a pop-culture building block. Before Frank Herbert's 1965 novel was adapted into a wrongly reviled David Lynch-directed film — a gloriously 80s epic led by Kyle MacLachlan and laced with surreal touches — it unmistakably inspired Star Wars, and also cast a shadow over Hayao Miyazaki's Nausicaä of the Valley of the Wind. Game of Thrones has since taken cues from it. The Riddick franchise owes it a debt, too. The list goes on and, thanks to the new version bringing its sandy deserts to cinemas, will only keep growing. As he did with Blade Runner 2049, writer/director Denis Villeneuve has once again grasped something already enormously influential, peered at it with astute eyes and built it anew — and created an instant sci-fi classic. This time, Villeneuve isn't asking viewers to ponder whether androids dream of electric sheep, but if humanity can ever overcome one of our worst urges and all that it brings. With an exceptional cast that spans Timothée Chalamet (The French Dispatch), Oscar Isaac (The Card Counter), Rebecca Ferguson (Reminiscence), Jason Momoa (Aquaman), Josh Brolin (Avengers: Endgame), Javier Bardem (Everybody Knows), Zendaya (Spider-Man: No Way Home) and more, Dune tells of birthrights, prophesied messiahs, secret sisterhood sects that underpin the galaxy and phallic-looking giant sandworms, and of the primal lust for power that's as old as time — and, in Herbert's story, echoes well into the future's future. Its unpacking of dominance and command piles on colonial oppression, authoritarianism, greed, ecological calamity and religious fervour, like it is building a sandcastle out of power's nastiest ramifications. And, amid that weightiness — plus those spectacularly shot visuals and Hans Zimmer's throbbing score — it's also a tale of a moody teen with mind-control abilities struggling with what's expected versus what's right. GLOBES Won: Best Original Score — Motion Picture Nominated: Best Motion Picture — Drama, Best Director (Denis Villeneuve) Dune is currently screening in Australian cinemas. Read our full review. NO TIME TO DIE James Bond might famously prefer his martinis shaken, not stirred, but No Time to Die doesn't quite take that advice. While the enterprising spy hasn't changed his drink order, the latest film he's in — the 25th official feature in the franchise across six decades, and the fifth and last that'll star Daniel Craig — gives its regular ingredients both a mix and a jiggle. The action is dazzlingly choreographed, a menacing criminal has an evil scheme and the world is in peril, naturally. Still, there's more weight in Craig's performance, more emotion all round, and a greater willingness to contemplate the stakes and repercussions that come with Bond's globe-trotting, bed-hopping, villain-dispensing existence. There's also an eagerness to shake up parts of the character and Bond template that rarely get a nudge. Together, even following a 19-month pandemic delay, it all makes for a satisfying blockbuster cocktail. For Craig, the actor who first gave Bond a 21st-century flavour back in 2006's Casino Royale (something Pierce Brosnan couldn't manage in 2002's Die Another Day), No Time to Die also provides a fulfilling swansong. That wasn't assured; as much as he's made the tuxedo, gadgets and espionage intrigue his own, the Knives Out and Logan Lucky actor's tenure has charted a seesawing trajectory. His first stint in the role was stellar and franchise-redefining, but 2008's Quantum of Solace made it look like a one-off. Then Skyfall triumphed spectacularly in 2012, before Spectre proved all too standard in 2015. Ups and downs have long been part of this franchise, depending on who's in the suit, who's behind the lens, the era and how far the tone skews towards comedy — but at its best, Craig's run has felt like it's building new levels rather than traipsing through the same old framework. GLOBES Won: Best Original Song — Motion Picture No Time to Die is currently screening in Australian cinemas. Read our full review. TICK, TICK... BOOM! "Try writing what you know." That's age-old advice, dispensed to many a scribe who hasn't earned the success or even the reaction they'd hoped, and it's given to aspiring theatre composer Jonathan Larson (Andrew Garfield, Under the Silver Lake) in Tick, Tick… Boom!. The real-life figure would go on to write Rent but here, in New York City in January 1990, he's working on his debut musical Superbia. It's a futuristic satire inspired by George Orwell's Nineteen Eighty-Four, and it's making him anxious about three things. Firstly, he hasn't yet come up with a pivotal second-act song that he keeps being told he needs. Next, he's staging a workshop for his debut production to gauge interest before the week is out — and this just has to be his big break. Finally, he's also turning 30 in days, and his idol Stephen Sondheim made his Broadway debut in his 20s. Tick, Tick… Boom! charts the path to those well-worn words of wisdom about drawing from the familiar, including Larson's path to the autobiographical one-man-show of the same name before Rent. And, it manages to achieve that feat while showing why such a sentiment isn't merely a cliche in this situation. That said, the key statement about mining your own experience also echoes throughout this affectionate movie musical in another unmissable way. Lin-Manuel Miranda didn't write Tick, Tick… Boom!'s screenplay; however, he does turn it into his filmmaking directorial debut — and what could be more fitting for that task from the acclaimed In the Heights and Hamilton talent than a loving ode (albeit an inescapably overexcited one) to the hard work put in by a game-changing theatre wunderkind? GLOBES Won: Best Performance by an Actor in a Motion Picture — Musical or Comedy (Andrew Garfield) Nominated: Best Motion Picture — Musical or Comedy Tick, Tick… Boom! is available to stream via Netflix. Read our full review. SMALL SCREEN BINGES SUCCESSION For fans of blistering TV shows about wealth, power, the vast chasm between the rich and everyone else, and the societal problems that fester due to such rampant inequality, 2021 has been a fantastic year. The White Lotus fit the bill, as did Squid Game, but Succession has always been in its own league. In the 'eat the rich' genre, the HBO drama sits at the top of the food chain as it chronicles the extremely lavish and influential lives of the Roy family. No series slings insults as brutally; no show channels feuding and backstabbing into such an insightful and gripping satire of the one percent, either. Finally back on our screens after a two-year gap between its second and third seasons, Succession doesn't just keep plying its astute and addictive battles and power struggles — following season two's big bombshell, it keeps diving deeper. The premise has remained the same since day one, with Logan Roy's (Brian Cox, Super Troopers 2) kids Kendall (Jeremy Strong, The Trial of the Chicago 7), Shiv (Sarah Snook, Pieces of a Woman), Roman (Kieran Culkin, No Sudden Move) and Connor (Alan Ruck, Gringo) vying to take over the family media empire. This brood's tenuous and tempestuous relationship only gets thornier with each episode, and its examination of their privileged lives — and what that bubble has done to them emotionally, psychologically and ideologically — only grows in season three. It becomes more addictive, too. There's no better show currently on TV, and no better source of witty dialogue. And there's no one turning in performances as layered as Strong, Cox, Snook, Culkin, J Smith-Cameron (Search Party), Matthew Macfadyen (The Assistant) and Nicholas Braun (Zola). GLOBES Won: Best Television Series — Drama, Best Performance by an Actor in a Television Series — Drama (Jeremy Strong), Best Performance by an Actress in a Television Supporting Role (Sarah Snook) Nominated: Best Performance by an Actor in a Television Series — Drama (Brian Cox), Best Performance by an Actor in a Television Supporting Role (Kieran Culkin) All three seasons of Succession are available to stream via Binge. SQUID GAME Exploring societal divides within South Korea wasn't invented by Parasite, Bong Joon-ho's excellent Oscar-winning 2019 thriller, but its success was always going to give other films and TV shows on the topic a healthy boost. Accordingly, it's easy to see thematic and narrative parallels between the acclaimed movie and Netflix's highly addictive Squid Game — the show that's become the platform's biggest show ever (yes, bigger than everything from Stranger Things to Bridgerton). Anyone who has seen even an episode knows why this nine-part series is so compulsively watchable. Its puzzle-like storyline and its unflinching savagery making quite the combination. Here, in a Battle Royale and Hunger Games-style setup, 456 competitors are selected to work their way through six seemingly easy children's games. They're all given numbers and green tracksuits, they're competing for 45.6 billion won, and it turns out that they've also all made their way to the contest after being singled out for having enormous debts. That includes series protagonist Seong Gi-hun (Lee Jung-jae, Deliver Us From Evil), a chauffeur with a gambling problem, and also a divorcé desperate to do whatever he needs to to keep his daughter in his life. But, as it probes the chasms caused by capitalism and cash — and the things the latter makes people do under the former — this program isn't just about one player. It's about survival, the status quo the world has accepted when it comes to money, and the real inequality present both in South Korea and elsewhere. Filled with electric performances, as clever as it is compelling, unsurprisingly littered with smart cliffhangers, and never afraid to get bloody and brutal, the result is a savvy, tense and taut horror-thriller that entertains instantly and also has much to say. GLOBES Won: Best Performance by an Actor in a Television Supporting Role (Oh Yeong-su) Nominated: Best Television Series — Drama, Best Performance by an Actor in a Television Series — Drama (Lee Jung-jae) Squid Game is available to stream via Netflix. TED LASSO A sports-centric sitcom that's like a big warm hug, Ted Lasso belongs in the camp of comedies that focus on nice and caring people doing nice and caring things. Parks and Recreation is the ultimate recent example of this subgenre, as well as fellow Michael Schur-created favourite Brooklyn Nine-Nine — shows that celebrate people supporting and being there for each other, and the bonds that spring between them, to not just an entertaining but to a soul-replenishing degree. As played by Jason Sudeikis (Booksmart), the series' namesake is all positivity, all the time. A small-time US college football coach, he scored an unlikely job as manager of British soccer team AFC Richmond in the show's first season, a job that came with struggles. The ravenous media wrote him off instantly, the club was hardly doing its best, owner Rebecca (Hannah Waddingham, Sex Education) had just taken over the organisation as part of her divorce settlement, and veteran champion Roy Kent (Brett Goldstein, Uncle) and current hotshot Jamie Tartt (Phil Dunster, Judy) refused to get along. Ted's upbeat attitude does wonders, though. In Ted Lasso's also-excellent second season, however, he finds new team psychologist Dr Sharon Fieldstone (Sarah Niles, I May Destroy You) an unsettling presence. You definitely don't need to love soccer or even sport to fall for this show's ongoing charms, to adore its heartwarming determination to value banding together and looking on the bright side, and to love its depiction of both male tenderness and supportive female friendships (which is where Maleficent: Mistress of Evil's Juno Temple comes in). In fact, this is the best sitcom currently in production. GLOBES Won: Best Performance by an Actor in a Television Series — Comedy (Jason Sudeikis) Nominated: Best Television Series — Comedy, Best Performance by an Actress in a Television Supporting Role (Hannah Waddingham), Best Performance by an Actor in a Television Supporting Role (Brett Goldstein) Ted Lasso's first and second seasons are available to stream via Apple TV+. THE UNDERGROUND RAILROAD Two words: Barry Jenkins. Where the Oscar-nominated Moonlight director goes, viewers should always follow. That proved the case with 2018's If Beale Street Could Talk, and it's definitely accurate regarding The Underground Railroad, the phenomenal ten-part series that features Jenkins behind the camera of each and every episode. As the name makes plain, the historical drama uses the real-life Underground Railroad — the routes and houses that helped enslaved Black Americans escape to freedom — as its basis. Here, though, drawing on the past isn't as straightforward as it initially sounds. Adapting Colson Whitehead's Pulitzer Prize-winning novel of the same moniker, the series dives deeply into the experiences of people endeavouring to flee slavery, while also adopting magic-realism when it comes to taking a literal approach to its railroad concept. That combination couldn't work better in Jenkins' hands as he follows Cora (Thuso Mbedu, Shuga), a woman forced into servitude on a plantation overseen by Terrance Randall (Benjamin Walker, Jessica Jones). As always proves the case in the filmmaker's work, every frame is a thing of beauty, every second heaves with emotion, and every glance, stare, word and exchange is loaded with a thorough examination of race relations in America. Nothing else this affecting reached streaming queues in 2021 — but even one series like this made it a phenomenal year for audiences. GLOBES Won: Best Television Limited Series or Motion Picture Made for Television The Underground Railroad is available to stream via Amazon Prime Video. HACKS It sounds like an obvious premise, and one that countless films and TV shows have already mined in the name of laughs. In Hacks, two vastly dissimilar people are pushed together, with the resulting conflict guiding the series. Ava Daniels (Hannah Einbinder, North Hollywood) and her new boss Deborah Vance (Jean Smart, Mare of Easttown) couldn't be more different in age, experience, tastes and opinions. The former is a 25-year-old who made the move to Hollywood, has been living out her dream as a comedy writer, but found her career plummeting after a tweet crashed and burned. The latter is a legendary stand-up who hasn't stopped hitting the stage for decades, is approaching the 2500th show of her long-running Las Vegas residency and is very set in her ways. They appear to share exactly one thing in common: a love for comedy. They're an odd couple thrust together by their mutual manager Jimmy (Paul W Downs, Broad City), neither wants to be working with the other, and — to the surprise of no one, including each other — they clash again and again. There's no laugh track adding obvious chuckles to this HBO sitcom, though. Created by three of the talents behind Broad City — writer Jen Statsky; writer/director Lucia Aniello; and Downs, who does double duty in front of and behind the lens — Hacks isn't solely interested in setting two seemingly mismatched characters against each other. This is a smart and insightful series about what genuinely happens when this duo spends more and more time together, what's sparked their generational conflict and what, despite their evident differences, they actually share beyond that love of making people laugh. And, it's a frank, funny and biting assessment of being a woman in entertainment — and it's also always as canny as it is hilarious. GLOBES Won: Best Television Series — Comedy, Best Performance by an Actress in a Television Series — Comedy (Jean Smart) Nominated: Best Performance by an Actress in a Television Series — Comedy (Hannah Einbinder) Hacks is available to stream via Stan. Read our full review. MARE OF EASTTOWN Kate Winslet doesn't make the leap to the small screen often, but when she does, it's a must-see event. 2011's Mildred Pierce was simply astonishing, a description that both Winslet and her co-star Guy Pearce also earned — alongside an Emmy each, plus three more for the HBO limited series itself. The two actors and the acclaimed US cable network all reteamed for Mare of Easttown, and it too is excellent. Set on the outskirts of Philadelphia, it follows detective Mare Sheehan. As the 25th anniversary of her high-school basketball championship arrives, and after a year of trying to solve a missing person's case linked to one of her former teammates, a new murder upends her existence. Mare's life overflows with complications anyway, with her ex-husband (David Denman, Brightburn) getting remarried, and her mother (Jean Smart, Hacks), teenage daughter (Angourie Rice, Spider-Man: Far From Home) and four-year-old grandson all under her roof. With town newcomer Richard Ryan (Pearce, The Last Vermeer), she snatches what boozy and physical solace she can. As compelling and textured as she always is, including in this year's Ammonite, Winslet turns Mare of Easttown into a commanding character study. That said, it's firmly an engrossing crime drama as well. Although yet again pondering the adult life of an ex-school sports star, The Way Back's Brad Ingelsby isn't just repeating himself by creating and writing this seven-part series, while The Leftovers and The Hunt's Craig Zobel takes to his directing gig with a probing eye. GLOBES Won: Best Performance by an Actress in a Limited Series or a Motion Picture Made for Television (Kate Winslet) Nominated: Best Television Limited Series, Anthology Series or Motion Picture Made for Television Mare of Easttown is available to stream via Binge.
One of Australia's most redeeming qualities is its ability to give good afternoon sun. There's something about its familiar glow that almost demands casual drinks — whether it's cracking open a cold beer after a long day, heading to the pub after work, or deciding on a whim that your backyard is perfect for having people over. Here in Melbourne, we love a drink in an inner city park. In the height of summer you'll see people of all ages chilling out in Fitzroy Gardens, Edinburgh Gardens or any other area where there's an expanse of green grass. The standard of our parks is off the chart. Here's a list of ten outdoor spots where you can BYO drinks in Melbourne. DIGHTS FALLS After a bike ride in the sunshine, head to the Merri Creek trail for a stroll past tree-lined banks and on to Dights Falls. The weir here is artificially made and was built in the 1840s to provide water to the 'Ceres' flour mill. After spending an afternoon lying in the sun here, saddle up your bike and head for home. They way home might include a stop in at Collingwood Children's farm for a chat with some pigs, and then a visit to all-round charity good guys Lentil As Anything for some post-ride sustenance. FITZROY GARDENS One of the most stunning parks in town, Fitzroy Gardens is home to Victorian-era design and pathways lined with shrubs. Don't you just love a good shrub? Get your fix here as you wander the diverse and picturesque grounds. You might explore the Fairie Tree or the model Tudor village, or you might just pull up a spot on the lawn and lie in the sun with a drink. It's completely up to you. [caption id="attachment_593161" align="alignnone" width="1280"] Instagram: @isa8486[/caption] TIDAL PARK Wilson's Prom is a classic camping spot, and Tidal River is the main spot within it for camping and accommodation. Norman Beach is only a walk away from your tent (or cabin) home, and even though there are 484 camping and caravan sites you won't feel like the crowds are too much, except on school holidays when you should probably choose to not come during that time and that'd be a-ok. Camping facilities are pretty comprehensive (such that you won't be far from a hot shower) and if you want to barbecue your dinner you can on the free gas barbecues. CUMBERLAND RIVER HOLIDAY PARK You want to make sure that you book well ahead to get a prime river spot at this popular holiday park. This uber-picturesque location is nestled on the mouth of the Cumberland River, and is a pretty hot location for wedding pics because of a very photogenic backdrop. Grab your tent, a few mates, an esky full of drinks and set off on a weekend out of town in one of the prettiest spots around. HALF MOON BAY A little bit further south on the ocean past St Kilda lies Half Moon Bay. This local's spot is protected by a rock wall, and has in the past played host to some impromptu beach parties. If there's not a spontaneous beach rave happening at the moment that you happen to be there that's okay – it's plenty of fun to frolic in the shallows as you spend a sunny afternoon here enjoying some rays. There's also a row of shops not too far away in case you run out of drinking and eating supplies. PRINCES PARK This sprawling green is home to approximately a million possums, mums jogging with prams, kids playing soccer and, if you're lucky, a bunch of die-hard fantasy fans doing a spot of Larping (prime people watching opportunity). With free barbecue facilities on site, Princes Park is the perfect spot for an afternoon get together with some mates. Keen for some friendly exercise? Hire a tennis court for a hit, and then cool off with a couple of cold ones in the afternoon sun. EDINBURGH GARDENS It's the spot to see and be seen, and if you head there on a sunny day you'll probably find that at least 20 percent of your friends have checked in here. Space is the only issue here – there's a risk of getting doinked in the head by a rogue frisbee. But that's a small price to pay for the possibility that the person chucking it might be incredibly good looking (it's Fitzroy). The all-round amazing supermarket Piedimonte is right around the corner. It's picnic location perfection. TURPINS FALLS We'll be honest. The water at Turpins Falls is cold, no matter what the season. But if you grab a spot in the sun to warm up like a lizard, you won't find it too bad. Pack up a cute picnic and hightail it outta town for a 70 minute drive north out of Melbourne. This stunning spot is always pretty packed in summer, but that only adds to the atmosphere of the place. PARLIAMENT GARDENS When you're riding the 86 or 96 trams (or any other tram that passes Parliament) you'll be greeted with the lovely sight of Parliament Gardens. This cute-as-a-button patch is recognisable for its fountains, palm trees, statues, and park weddings that often occur within it. It's a great spot to cool off on a hot day, and boasts a great view of Parliament House, Eastern Hill and St Patrick's Cathedral. Check out the bronze statues of Pastor Sir Douglas and Lady Gladys, two of Australia's most prominent Indigenous leaders, then relax on the grass as you watch the world go by. Top Image: Kimberley Low
Italy is teeming with tourist attractions and delicious food – so it's hard for any one Italian city to stand out from the pack. But if you ask the residents of Florence (Firenze, to the locals), they are unanimous – the jewel in the Italian crown is the city they call home. Florence is one of the most visited cities in Europe — often a stopover between visiting Rome and Venice — and there's a whole other world behind the famous galleries and churches you'll inevitably visit first. Here's where you should spend your time in Florence to ensure an unforgettable experience. If you've been thinking about booking that European holiday, do it now. Swapping your Australian winter for a European summer is a great way to make your 2017 something to look forward to. In partnership with Topdeck, here is the first instalment of our Less Obvious city guides. Episode three: Florence. [caption id="attachment_592962" align="alignnone" width="1280"] Image: Ciao Down Bella.[/caption] VISIT THE SECRET BAKERY AT MIDNIGHT Have you ever walked past shop after shop selling pastries and sweet delicacies and wondered where they were made? Well, here's your answer. The Secret Bakery bakes pastries through the night which are bought by cafes and sold on. The bakery isn't meant to sell direct to the public, but they do anyway. You can find it on Via delle Brache, it's about 100m up on the corner of the first street on your left. It's unmarked and unsigned but there is a big frosted glass window and a white van is usually parked out the front. Go there about 1am (when the city is really coming to life) and knock on the window (you might need to do it a few times — be brave). You can buy delicious chocolate croissants and whatever else they're making that night — just ask them what they have. Each pastry costs only one Euro. EAT TRADITIONALLY AMONG THE TOURIST TRAPS Florence is renowned for its cuisine, but like any other Italian city it has its fair share of overpriced and underwhelming restaurants designed to get tourists to spend their hard-earned Euros. Separating the wheat from the chaff is the hard part – luckily, we have done the leg work for you. Try Trattoria Cesarino or Trattoria Osteria Da Que' Ganzi to get a taste of authentic Florentine cuisine at extremely reasonable prices - the free limoncello and biscotti at the end of the meal make it even sweeter. For Florentine steak – a must have – Francesco Vini is one of the city's best. PICNIC IN THE BOBOLI GARDENS The Boboli Gardens lie behind the Pitti Palace in the Oltrano, south of the river. There is an entrance fee to the gardens (although there is an often-unguarded side entrance to the Gardens at the back of Museum of Natural History, don't tell anyone we told you) but once inside, you'll soon agree they are worth the price of admission. Think of them as a medieval botanical gardens, built on an enormous scale to satisfy the whims of a succession of Renaissance rulers. Grab some fresh bread, olive oil and meats from a market and head to the high ground – you'll find grassy lawns aplenty where you can picnic with a fantastic view back over the city. INDULGE IN APERITIVO AT SOUL KITCHEN Aperitivo is a Florentine staple, and a great concept for any traveller on a budget. It involves going to select bars and buying a drink, whereupon that drink then gives you access to a buffet dinner FOR FREE. This idea may or may not have directly contributed to the Italian economy's downturn but it is an absolute goldmine for everyone else. There are plenty of bars which offer aperitivo but Soul Kitchen, on Via de' Benci, is one of the city's best – the food is fresh, the drinks inexpensive and generous and the vibe trendy. Get there any time from 7pm onwards and eat (and drink) to your heart's content. PEOPLE WATCH IN PIAZZA SANTO SPIRITO Piazza Santo Spirito is a typical Italian square and is almost a Florence micro-city in itself – beautiful cobblestones spanning the gap between palatial Renaissance buildings, flanked by a church on one side and a row of restaurants on the other. At night the Piazza comes to life, but not with tourists – the late-night crowd is almost exclusively comprised of locals and students. Gusta Pizza sits in one corner and is the city's best pizzeria – eat it on the stone steps of the church – and Osteria Santo Spirito, a local favourite, sits in the other. There is even an antique market held there on the second Sunday of every month. EAT (MAYBE) THE WORLD'S BEST SANDWICH A big call, but one which in this case is possibly justified. All'Antico Vinaio on Via dei Neri is a Florentine institution and you can expect to find long queues as lunch hour approaches. That the Italians, who view lining up for food as the closest thing to madness, will happily do so just for a sandwich should tell you all you need to know about how good they are. The premise is basic – tell them what meat you would like and they will make the rest with filling and condiments to complement the meat. WATCH THE SUNSET FROM PIAZZA MICHELANGELO The best view of the city is from Piazza Michelangelo, a short but steep walk from the city centre. During the day you will find it teeming with tourists and street vendors but, as the sun slowly fades from the sky, the Piazza really comes to life. The Piazza looks west over the city so the view of the sunset from there is unparalleled – grab yourself a bottle of red wine, some glasses and head on up to enjoy the show. You'll often find a busker up there to serenade the people seated on the steps. Romance, beauty and wine – a quintessentially Italian combination. EAT AN ITALIAN LUNCH AT TRATTORIA MARIO Trattoria Mario, near Mercato Centrale on Via Rosina, is your stop for an authentic Florentine lunch without the tourist prices. It is a hive of noise, shouting waiters and laughing chefs – exactly the way the Italians like it. The food is inexpensive and deliciously simple, as if it had been plated up by your Nonna on a Sunday night. There is no set menu as it changes every day, but the beef stew or the pasta ragu are ever-present. Fridays is fish day, where the meat on the menu is replaced by an all-seafood fare. You'll be in and out so quickly you might wonder if it was all a dream. And your tastebuds would agree. WALK THROUGH THE OLTRANO AND SAN MINIATO The central area of Florence is the most heavily congested as it has the majority of tourist attractions. For that reason, the Oltrarno is much quieter but no less worthy of your time. Its narrow streets are filled with artisans' studios, antiques stores, bars, and small restaurants full of locals who are seemingly unaware of the tourist wave overcrowding their cousins north of the river. However, at the same time it features plenty of historic sights, not least the art-filled Palazzo Pitti and the church of San Miniato al Monte. A leisurely stroll through this area can help you uncover the 'real' Florence. EAT YOUR WAY THROUGH VIA DEI NERI The street that houses All'Antico Vinaio also contains the city's finest gelataria (the imaginatively-named Gelataria dei Neri) and it's most famous salumeria (the only slightly more-imaginatively named La Prosciutteria). Both are extremely delicious and no trip to Florence would be complete without a visit to them both. In particular, La Prosciutteria is not to be missed — it's not for the faint-hearted or vegetarian but, for lovers of meat, cheese and wine, it should not be missed. DAY TRIP TO THE TUSCAN COUNTRYSIDE Florence is the capital of the Tuscany region, which is famous for its gorgeous countryside — why not take the chance to explore it while you're there? Within easy reach of Florence are many small Tuscan towns and wineries, though most day trippers will make for the hill-town of San Gimignano or to Siena (Florence's younger sibling). Some lesser-traversed sights are no less worthy — the towns of Montalcino and Montepulciano are both beautiful and famous for their wine, whilst Fiesole (a short 20 minute bus ride from Florence) has vibrant markets and a spectacular view back over Florence. A day trip is nice way to finish off a stay in Florence, as well as something to brag about — not many people make it past the tourist traps. Visit Europe (including Florence) with a Topdeck trip and make 2017 a year to remember. Book early (that means now) and save up to $999. Images: Ayrton-Eldridge.
The afternoon before I'm due to hop on a plane for my first ever skiing experience, I decide to be a little more organised than usual and make a list of things to pack. After all, I'd never even seen proper powder before — it couldn't hurt to make sure I was prepared. The QT Falls Creek, where I'd be staying, assured me I could hire everything I needed, but I checked in with Facebook anyway. "You need a facewarmer!" "THIN woollen socks under your boots!" "No cotton!" "You'll need goggles, you can't hire them!" "SERIOUSLY I'M NOT KIDDING ABOUT THE FACEWARMER." The Snow had always been something other people did; I am not outdoorsy, my family holidays tending towards reading and puzzles rather than adventure sports, and the whole skiing-snowboarding thing seemed to me to be an expensive, bro-y pastime that required wearing more neon manmade fabrics than I cared to think about. QT Falls Creek had three days and two nights to convert me. [caption id="attachment_587920" align="alignnone" width="1280"] Falls Creek QT.[/caption] DO If you're a nervous flyer like me, you might need to take a moment after the flight to Albury in a propeller plane. We were shuttled to the casually glam Atura Hotel in Albury, where we enjoyed a very good breakfast buffet in the huge open-plan lobby/dining area,which looks a little like a Typo exploded in it (lots of dark industrial textures, whimsical mismatching and pastel ceramic pineapples). You've got a long drive out to Falls Creek ahead of you, so it's a great option to stay or at least rest in Albury first. It's slowly building a rep as a great foodie regional centre, and the low-lying, hill-fringed farmland just outside the city is an extremely pretty place to drive through — read our Weekender's Guide to Albury for tips. The family-owned Falls Creek Coach Services will drive you and up to three mates the hour and a half from Albury to the door of your hotel or lodge and then back again, all for a bit over $700 — which, compared to wrangling a hire car up snowy mountain roads only for it to sit covered in snow for three days, is solid value. After being driven out through vast, hilly countryside and up the mountain in a super-comfy new Land Rover (while I made squee noises as the size of the ACTUAL SNOW snowdrifts on the side of the road increased the higher we climbed), we were checked into the QT Falls Creek, fitted for gear at the hire shop, and booked into a private ski lesson. QT Falls Creek is a ski-in-ski-out resort — this means it's right there where the slopes and lifts are, so you can come and go as you please, instead of having to schlep to where the skiing is with all your gear and then schlep back. This is perfect for the newbie skier; it was hard enough working out how I was supposed to walk in my rented boots (tip: don't do them all the way up until you're at the lift) as I clumped the ten metres from the door of the QT to the Cloud Nine lift for my lesson. [caption id="attachment_587914" align="alignnone" width="1280"] Falls Creek QT.[/caption] As the lift scooped us up I squeaked in surprise at the speed, trying to hold onto all my skis and poles and bits as the ground dropped away, but then suddenly it was quiet, and all there was was a white sky dropping flecks of itself into the wind, dark trees with white-laden branches, skiers weaving silently beneath us, and it was the prettiest damn thing ever. Those interludes between the hubbub at each end were easily my favourite way to appreciate this new landscape. Also, guys, skiing is hard. You'd think that there wouldn't be much more to it than just letting gravity win in a controlled fashion — kids can do it! — but that control is hard to get. Snow is slippery, it turns out, particularly when it's packed down, and rented boots aren't ideal when you need to have both comfort and control (thick socks are your enemy); but they're very welcoming to adult newbies, and a couple of ruddy, polite young men had me pizza-slicing like a pro (that's how you stop) and edging up tiny snowdrifts sideways with a sure-footedness that would make mountain goats jealous. Despite taking multiple breaks to get the feeling back in my feet, on the second day I managed to slide, terrified, and fall, confidently, down a gently sloping 100m strip of mountain, while being overtaken by literal toddlers. You go downhill a lot faster than you'd think, but the first time I tucked in my elbows and picked up a teeny bit of speed, I felt like Bond. After copping my first ever windburn that first afternoon, I was a little nervous about the facial treatment booked in for me at the cosy SpaQ. But, duh, they're used to dealing with skin that's been out in the weather all day, and therapist Tara worked mandarin-scented scrubby aloe vera magic on my poor face. (I'm not a massage person, but if you're ski-sore, the thermal massage with warming oils got rave reviews from my dinner companions.) A couple of days later, when the ruddiness was completely gone, my skin looked better than it has in years — I'll be paying a visit to the SpaQ in the Sydney CBD soon to try and replicate the magic. STAY The QT consists of a couple of discrete angular buildings along the main road; if you drive up yourself, you can park further down the mountain and catch shuttles up to the resort. Our three-bedroom apartment was large and surprisingly airy, with a tiled living area (all the better for shedding snowy layers, but still somehow warm underfoot), a decent kitchen with a well-stocked minibar and free tea and Nespresso, sleek bathrooms supplied with extremely stealable unisex Malin + Goetz toiletries, and a fairly neutral colour scheme (rather than locking themselves into a style, QT wisely kept the trendy decorative touches to easily swapped-out things like textiles). There was also our very own hot tub outside, which seemed hilarious to me, given how exposed the balcony was, jutting out from the corner of the building. But the view from there, and from the tall windows inside, allowed for both people-watching and snow-watching, and even glimpses of the valley below during short gaps in the whiteout. There are heaps of activities at Falls Creek outside the snow season, like mountain biking and bushwalking, and I figured you could certainly do worse than to hole up in front of that view with a beer on a balmy afternoon, all for seriously bargain off-peak rates. As well as the gear hire shop, which also functions as a souvenir and apparel shop, there's a well-stocked Foodworks and even a little boutique selling drapey knits and locally made jewellery — and that's just around the QT buildings. You can go for a walk to the other resorts and lodges, but there's no need to leave the QT area at all if you just want to chill. Tucking into the full-sized bottle of extremely decent Cab Sav from the minibar before bed, we debated trying out the jacuzzi; but the wind was whipping sleet against the windows, and extremely comfortable beds with crisp white sheets called to our tired newbie bones. EAT AND DRINK The breakfast and dinner buffets at QT's main restaurant, Bazaar, were so good-looking that I found myself cackling with glee under my breath as I surveyed my options, much the same way I once did as I planned tactical assaults on the Sizzler all-you-can-eat dessert bar. There are no cubes of jelly and tubs of smarties here, though; the desserts include bijoux bites of panna cotta or crèmes in tiny jars sprinkled with crushed pistachios or brownie crumbs, pleasingly rustic eclairs in various flavours, and heavy dishes full of homey puddings (a rhubarb crumble one night, choc-espresso bread and butter pudding the next). The savoury options — grouped loosely into cuisines, ranging from East and South Asian to Italian and Just Give Me All The Cheese You Have — vary every day, making every meal an adventure in avoiding food FOMO. I managed to remember to order from the chefs standing patiently behind the counters a couple of times (a slim but juicy rump steak on my first night, and an omelette with everything the next morning) but mostly got distracted piling my plate up with bright noodle salad and clouds of bacon risotto, and gazing wistfully at regimented rows of shellfish on ice that were so cartoonishly beautiful I considered trying to just talk myself into liking the taste of seafood. Breakfast is similarly generous: whether you want a full English, a bowl of porridge to sustain you through the day, or one of every flavour of milk and juice in tiny bottles with striped paper straws, you're sorted. The Stingray Lounge offers a range of things for lunch that are fried and/or covered in cheese; it's a little half-hearted, but after a morning of getting your cheeks ruddy up on the big hill, you'll want to fold that basic fried chicken burger in half and swallow it whole, so there's no need to overthink it. Cocktail-wise, keeping to the classics pays off: a spot-on espresso martini here, a brightening rum toddy there. As I hopped off the lift after an ill-fated snowboarding lesson on my last morning (two points of contact with the ground are definitely better than one), I spotted the hole-in-the-wall coffee shop tucked away near the SpaQ entrance. One of the hire shop staff recommended their coffee as the best on the mountain, but I found myself ordering a Polar Bear — a white hot chocolate with peppermint schnapps and Baileys — as I was convinced that my ski-bunny initiation was incomplete without warmed alcohol. Then, back in the apartment, I eyed off the icicles on the balcony railing and the gentle waft of the snowflakes, and decided it was now or never. Beanie on head, still-warm Polar Bear in hand, I placed my towel within arm's reach and slid into the welcoming embrace of the hot tub. I sat there for a good 20 minutes, gazing out at the flashes of dark-ridged mountains visible through the mist on the other side of the valley, cosier than a joey in a jumper, not even thinking about what I might be missing on the internet, thinking about nothing at all except how nice it was. Drinking hot, boozy milk in my balcony hot tub, with the sounds of kids laughing and lift machinery clanking and Feist on the Stingray sound system, all damped by that canopy of white that went forever — I can see myself doing The Snow again, but boy, did this place set the bar high. Dylan French stayed as a guest of Falls Creek QT.
What would you do if you were a little less freaked out by consequences? Would you talk to more new people, fear a bit less, dance a little more like FKA Twigs, quit your desk job and make that film you've always wanted to? Some sparkling young Australians are already flinging their inhibitions into a ziplock bag and seizing this little ol' life with both hands. Concrete Playground has teamed up with the Jameson crew to give you a sneak peek into the lives of some bold characters who took a big chance on themselves. They've gone out on a limb and rewritten their path, encapsulating 'Sine Metu', the Jameson family motto which translates to 'without fear' — getting outside your comfort zone and trying something new. After all, we only get one shot at this. Take notes. Sydney's Jason Perini knows all about the anti-comfort zone. He's a man standing on the precipice of an opportunity so monumental it's overwhelming — a fully loaded-career with seriously big names already sitting in his credit roll. Alright, so it's not quite as dramatic as all that but he has recently found himself hurtling from struggling up-and-comer to directing Oscar nominated Maggie Gyllenhaal in a film he wrote himself in the space of a few short weeks. One of three winners of Jameson's 2016 First Shot competition, an international short film comp giving aspiring writers and directors their 'first shot' in the film industry, Jason's channelling 'Sine Metu' all the way to Hollywood with his film The New Empress. But how the heck did he get there? GET BY WITH A LITTLE HELP FROM YOUR FRIENDS/AWESOME WIFE Jason started his directing career, as all great directors do, on the other side of the camera. Graduating from the Actors Centre Australia in 2009, he starred in a few short films, episodes of Underbelly, and a few plays for the likes of Belvoir, RockSurfers and NIDA. Highly sought after as a voice over artist, he churned out ads for KFC, Sony and Samsung before taking a little more creative control over his film career. He wrote and starred in multiple award-winning short films including 2012 Tropfest finalist and Best Comedy winner at NYC's BrownFish International Film Festival Kitchen Sink Drama, and the Cannes-screened short A Little Bit Behind. Being a director, writer and actor was paying off. In his new arrangement though, the scales are loaded. On one side is his family (wildly supportive wife Susan, three young kids and preschool fees stacking up), fear and niggling self-doubt. On the other side is the pure joy of making films and a fair dollop of entrepreneurial spirit. In the end, they balance each other out — but it doesn't come easy. "My wife reassures me to keep moving in this direction and making short films because… I think she just sees the joy it brings me," he says. "And that it brings me a level of satisfaction." Perini doesn't fit into any preconceived notions you might have about actors and directors. He could be your brother, your mate, your neighbour, your uncle — there's not a skerrick of Tinseltown pretentiousness in him and he seems acutely aware of that. What he lacks in old Hollywood gravitas he more than makes up for in relatability. He's not a polished protagonist and seems to have no faith in things working out for him. For some, that fear might be calcifying, but for Perini, it makes him cautious, calculated and hardworking. His approach isn't razzle-dazzle, it's a hard slog, and maybe that insight is why Trigger Street Productions president Dana Brunetti, Kevin Spacey and Maggie Gyllenhaal, chose his script out of hundreds to win First Shot. FYI, this is the straight-up baller way Jameson, Trigger Street and Spacey told the three First Shot winners they'd won (get the tissues ready): EAT HUMBLE PIE FOR EVERY MEAL There's nothing glamorous about clawing your way up the film industry ladder. Like most of the creative professions, there's a dearth of funding and a saturation of hungry mouths to feed. Putting a dollar value on creative ideas can be challenging but not as difficult as going hand-to-mouth to potential investors and supporters. But that's the reality for most filmmakers. There's no fat stack of Hollywood money, no personal assistants and no safety net. Making it work means calling in a lot of favours. "Constantly having to approach people I don't know and say, 'I don't have much money, my idea is probably not very good but would you be willing to come along and help out with this thing,' you think, 'I don't want to do this, it's out of my comfort zone.' But in five years, if I hadn't given it a shot, I would kick myself. "I'm not getting any younger. I get nervous calling anyone on the phone, I can't stand it. I get weirded out by emailing people [the same as] approaching people cold. But the more you do it, you still don't like it but you know that's what you have to do." Herein this simple admission lies the crux of Perini's appeal – he's you. He's all of us, unpolished and goofy and cringing about having to pick up the phone and ask a favour. He's a man with the same hang-ups, the same road blocks we all have (age, time, money, warring responsibilities), who's managed to somehow close his eyes, steel himself and awkwardly run screaming into the fray 'without fear'. FAKE IT TILL THE HOLLYWOOD HEAVYWEIGHTS NOTICE YOU Perini quickly discovered that for him, being an actor was far easier than being an everything else (don't throw anything at us, actors). As director, producer and writer, he finds himself holding a lot of threads which threaten to unravel at any moment and ruin everything. "What's nice about it is that you get more of a vision but then if it comes crashing down, it sucks," he says. "If I was acting it I'd just go, 'Oh they cut it badly, the director was a jerk.' But there's nowhere to hide once you start producing, directing and writing." His approach to his craft is one of self-assured humility; an oxymoron that blends equal parts ability and uncertainty. When asked if he thinks he's a good filmmaker, he's characteristically self-deprecating. "No I don't," he says quickly. "I think I'm a baby in it. Now that I've made two films completely on my own, in the sense that I produced them and wrote them, I think I learned the hard way really quickly. I look back at both those films and would do them completely differently. But I've learnt so much… that's kind of helpful." Trigger Street and Maggie Gyllenhaal evidently disagree. Perini's script, which he nearly didn't submit, was chosen out of hundreds as a co-winner of First Shot. The prize is a filmmakers' dream Your script is brought to life with you as the director, Kevin Spacey as creative director, Trigger Street as producers and Maggie Gyllenhaal in front of the camera. As you may guess, Perini is dealing with it in a characteristically low-key way. "They're gonna have a rude shock when I turn up and don't know what I'm doing... I'm just thankful and I want to learn from them as much as I can. I want to be as ignorant as I can and soak it all up." Want to experience a little bit of 'Sine Metu' yourself? Thanks to Jameson and The Rewriters, one extremely fortunate Concrete Playground reader (and their even more fortunate mate) will get the chance to 'fear less' and go on a big ol' adventure to Ireland. In addition to two return flights departing from your choice of Sydney, Melbourne or Brisbane, this epic giveaway comes with five night's accommodation and $500 spending money you can use to paint the Emerald Isle red. ENTER HERE. For more about how 'Sine Metu' influenced John Jameson's journey visit Jameson's website. Images: Michael Ciccone, Jameson, Trigger Productions.
Cold and dark and gloomy, winters in Hobart aren't exactly the most attractive proposition. Or at least they weren't until the birth of Dark Mofo. Presented by the Museum of Old and New Art (MONA), for the past few years this immersive arts festival has disturbed and dazzled locals and mainlanders alike with a mix of music, performances, installations, light and sound works, and art that simply defies categorisation. And from the looks of things, 2017 will be no exception. Dark Mofo's 2017 lineup is an expectedly weird and wondrous beast, featuring all manner of artists from around Tasmania, Australia and the world. Creative director Leigh Carmichael has called the program their "most ambitious yet", while pointing to a number of works — including iy_project 136.1 Hz, a large-scale laser work by the UK's Chris Levine, and Siren Song, a city-wide audio piece involving a range of female artists — as highlights sure to keep "the audience, the organisers, and some of the authorities enthralled." [caption id="attachment_616924" align="aligncenter" width="1920"] Image courtesy of the artist and Dark Mofo.[/caption] Carmichael also draws attention to 150.Action, from Austrian artist Hermann Nitsch. The dark, disturbing performance piece involves an orchestra and around 500 litres of blood, and is sure to be one of the standouts of the final weekend. "This work will be extremely confronting and challenging, but we would encourage our audience to embrace the opportunity to witness the intensity of the ritual, in this one-off exclusive performance, unlikely to ever happen in Australia again," said Carmichael. Then there's Crossing, a 200-kilometre pilgrimage down the Midlands Highway, which will take participants on a pilgrimage to six different churches over six consecutive nights. They'll experience a mix of light, sound and video art along with organ and theremin performances from Melbourne's Miles Brown. [caption id="attachment_616925" align="aligncenter" width="1920"] Image: Antony Crook. Courtesy of the artist and Dark Mofo.[/caption] Of course it should go without saying that this is just the tip of the iceberg. This year's enormous music lineup features the likes of Scottish art-rock legends Mogwai, indigenous hip-hop act A.B. Original, and Norwegian black metal pioneers Ulver in concert with the Tasmanian Symphony Orchestra. There'll also be an industrial-scale transcendental rave at Hobart City Hall presented by the Red Bull Music Academy. MONA, meanwhile, will use Dark Mofo as a platform to unveil its latest exhibition, The Museum of Everything, described by its curators as "an astonishing assortment of artworks from the world's first and only wandering institution for the untrained, unintentional, undiscovered and unclassifiable artists of the 19th, 20th, and 21st centuries." The exhibition will have its grand opening on the first Saturday of the festival, and will be on display at MONA until early April 2018. Then there are the Dark Mofo staples. The annual Winter Feast will once again feed all comers, while Dark Mofo Films will feature a selection of big screen curios new and old. And who'd want to miss the annual Nude Solstice Swim, a communal dip in the ocean at sunrise the day after the longest night of the year? Just remember, winter in Hobart can be pretty bloody cold. Dark Mofo runs from June 8-21. For more information and tickets visit .darkmofo.net.au. Top image: MONA/Rémi Chauvin, 2014. Courtesy MONA Museum of Old and New Art, Hobart, Tasmania, Australia.
Almost two decades after closing its doors, one of Melbourne's most notorious prisons is about to be rehabilitated. Once the home of dangerous criminals including bushranger Ned Kelly and Mark "Chopper" Read, the former Image site in Coburg will soon trade its iron bars for a microbrewery, restaurant and beer garden. Lock us up and throw away the key. The bar will be run by Daniel Caneva of the nearby Post Office Hotel, and is a partnership between Coburg Larger, award-winning architecture firm Techne Architects, and Future Estate, the property developer whose owns the Pentridge site. The Coburg Brewing Co. is set to open later in the year, and will be located in the prison's old heritage listed laundry building. The original laundry machinery will remain in the venue, although you can expect there to be a few adjustments to the decor. It's official! We are opening a Brewpub at the old Laundry site in Pentridge Prison as part of the new Coburg Quarter Development. Excited to be working with the boys at Future Estate & Techne Architects @futureestate @technearchitects @coburglager #coburgbrewingco A photo posted by Coburg Brewing Co. (@coburglager) on Dec 21, 2015 at 3:24am PST It's just one small part of Future Estate vision for the old bluestone gaol, which is set to be transformed in a suburban precinct dubbed Coburg Quarter, complete with bars, cafes, shops, markets and an outdoor cinema. Just try not to think about the fact that it's also the site of Australia's last execution. The Coburg Brewing Company should be open for business in the second half of 2016. Stay in the loop at www.coburgbeer.com. Image: Stephen White.
If you've been looking for a reason to go away for the weekend, block off a couple of days in March and enter this competition for your chance to head to Canberra for Enlighten 2017. Touted as the original Vivid, Enlighten celebrates art, culture, music, performance and innovation. Held in Canberra's iconic Parliamentary Triangle, the event site is transformed into a buzzing hub of activity, with spectacular architectural projections on iconic national attractions and a programme of free and ticketed interactive performance and installation works. We're giving away return flights for two from your nearest capital city, one night of accommodation at The Avenue Hotel Canberra, chauffeured transport and food and drink vouchers to use while you're there. The best bit: you'll be the one to flick the switch and turn on all the lights at Enlighten 2017. Over each weekend from March 3-12, the city will light up with live music, performances, events and exclusive exhibitions. Large-scale projections will bring to life Canberra icons including the National Portrait Gallery, Australian Parliament House, National Library of Australia, National Gallery of Australia and Questacon. Highlight events from the programme include the amazing, interactive digital architectural projections splashed across the National Portrait Gallery, the Enlighten Night Noodle Markets (which based on Canberra's population should be significantly less hectic than the Sydney version, meaning you'll be able to jump in and eat as many dumplings as you can) and Sunset on the Roof — drinks, music and snacks at the Australian Parliament House's rooftop bar for two nights only (March 3 and 11). A glowing, black-light, industrial 'dance zone' is popping up in a high-security factory production corridor on March 3. DJ Robot Citizen will lead the charge in showcasing Canberra's underground dark-electronic music scene on the night (who knew), and high-vis vests and glow-sticks will be supplied. Visit Enlighten 2017 and delve into the whole programme. After that, enter your details below and say yes to the terms and conditions to go into the running to win. [competition]606686[/competition]
After a sellout inaugural event last year, Australia's most inclusive music festival is back for 2019 — with a killer lineup in tow. Run by sports and radio legend Dylan Alcott and Untitled (the entertainment group behind Beyond The Valley and Pitch Music & Arts), Ability Fest caters to everyone, regardless of gender, disability, age or race. It also won Best New Event in Concrete Playground's Best of 2018 Awards. With Ability Fest, Alcott's set out to both normalise disability and help boost inclusivity across all areas of the music industry. With 20 percent of Aussies living with a physical or intellectual disability, it's high time an event like this was added to the festival calendar. A massive lineup for the 2019 event dropped today, which includes Aussie electronic duo The Presets, throwback DJ Hot Dub Time Machine and ARC — a rock supergroup with members of Spiderbait, Jet, You Am I, The Wrights and Powderfinger. All artists are donating their time. Melbourne's Coburg Velodrome is being transformed into a fully accessible live music venue for the event, complete with a bunch of viewing platforms for those in wheelchairs, quiet spaces and AUSLAN translators for all acts on the main stage. Ability Fest is hoping to raise over $200,000 through ticket sales and donations, with all of it headed directly to the Dylan Alcott Foundation. This will then be used to offer mentoring, scholarships and grants to marginalised young Australians with disabilities. ABILITY FEST 2019 LINEUP ARC Arroyo Basenji Bec Grenfell Boogs E^ST Eliza Hull Hot Dub Time Machine Interstella Fugitives Jasper James Jordan Brando Joyride Kim Churchill Liz Cambage Luca Brasi Market Memories Northeast Party House Rudely Interrupted The Presets Total Giovanni DJs Waxo Paradiso You can register for pre-sale here before 3pm on Tuesday, March 12. General tickets go on sale at midday on Wednesday, March 13. Images: Kate Shanasy, Jayden Ostwald and Alex Drewniak.
After ten years of operation in Brisbane and some fire damage to its Melbourne outpost, Japanese restaurant Shinbashi Yakiniku has been up and running again in Carlton since 2018. Its obsessions are indicated in the name: yakiniku means 'Japanese barbecue', while Shinbashi is a district in Tokyo where locals love their barbecue and eateries bustling with ravenous white collar workers abound. Shinbashi Yakiniku specialises in wagyu sourced from well-known locals, such as David Blackmore and Sher Wagyu. Among the most popular dishes are the wagyu deluxe trio (oyster blade, short rib and marbled beef), the M7+ Wagyu Dice and the M9+ Wagyu Striploin. There's also plenty of lamb, pork, chicken, seafood and sides, as well as a selection of vegetarian dishes — all of which will be cooked at your table, either by you or a member of staff. And, in excellent news for big appetites, the restaurant is serving up all-you-can-eat Japanese barbecue three nights a week. Drop by on a Monday, Tuesday or Wednesday evening to tuck into bottomless barbecued delights. There are more than 50 dishes on the menu and you're welcome to make your way through all of them for 60 bucks. On other nights, you'll be feasting a la carte. If you're a sake master, conquer the Daiginjo, a 1.8-litre bottle, or take your pick of the many other sakes on the drinks list. Alternatively, go for umeshu or a Japanese beer. With designers Amy Pierce and Nat Widera having taken care of the interior with cool greys and clean lines, Shinbashi Yakiniku offers a tranquil, Zen-inspired refuge from Melbourne's busy streets.
15 years. That's how long the Gertrude Street Projection Festival has been throwing up light installations along Melbourne's coolest street (sorry, Sydney Road). And it's back again this year, from July 27 to August 6. Ten nights of community, art, light, music and spectacle – all for free. This year's lineup looks pretty stacked, with projections from some of Australia's best emerging and established artists. Names on the 2023 bill include the likes of Sarah Aiken, Tully Arnot, Chantal Bala, and Jamali Bowden. "The 2023 Festival is a program that uses civic spaces to share the merging strands of history, technology, experience, materials, politics and emotions through the selected artworks," Centre for Projection Art's CEO, Priya Namana, says. "The Festival is a container that creates and holds space for our community and collaborators to share their individual visions in a hyperlocal landscape of collective gathering." In other words, this festival is about more than cool projections and making people go 'Wow!'. It literally throws a light on the local spirit. This is Fitzroy up on a wall. If you only catch one night of the festival, make it to the opening party on July 27. It's running from 5:30pm to 8:30pm. There'll be food from Vola, wintery booze from Long Prawn and pumping tunes after dark. You can check out the full festival program here. Images: supplied.
A brand new outdoor eatery along the banks of the Yarra River is giving new meaning to the idea of taking a 'long lunch'. Stretching 150m down the south side of Flinders Street Station, the newly opened Arbory Bar and Eatery is laying claim to the title of Melbourne's longest bar. The brainchild of Metro Trains in partnership with HQ Hospitality, The Arbory sits in the space previously occupied by the terminus of the Sandridge railway line, which was decommissioned back in 1987. With a pair of makeshift bars operating out of multiple illuminated shipping containers, the eatery was designed by renowned Melbourne architects Jackson Clements Burrows and Associates, and is inspired by the urban renewal of New York’s Highline. A peek at the Arbory drinks list reveals a handpicked selection of local wines, plus up to a dozen beers on tap. Chef Nicholas Bennett from Fatto across the river handles the menu, which includes options for breakfast, lunch and dinner. We're already eyeing off the rare roast salmon with fennel, orange and hazelnuts, possibly (probably) followed by a salted caramel sundae. Although it's hard to say no to a double cheeseburger. Or a chorizo corndog with jalapeno mayonnaise. Point is you've got options. Still no word on whether Metro plans to do anything about train delays. But hey, at least now you can grab a bite to eat while you wait. Find the Arbory Bar and Eatery at Flinders Walk, Melbourne, behind Flinders Street Station.
There's dessert, and then there's dessert. We're happy to report that Damon Bradley specialises in the latter. Opening this week in the Southgate precinct, Melbourne's decadent new dessert bar boasts a 20-page menu, packed with enough sugary treats to put you in a mild diabetic coma. You know what we're talking about. "Damon Bradley will be a decadent destination for specialty high teas, intimate late night dates, indulgent morning teas, breakfast on the run, cheeky afternoon get togethers, dessert for dinner and all the ways you can indulge in delicious treats," says owner Eileen Galea. Standout menu items — and there are more than a few, mind you — include white chocolate and Irish cream waffles with fresh raspberries and strawberries, slow-cooked oven-roasted pears with vanilla bean ice cream, and chocolate fondant served with a salted caramel ice cream and sauce. There's also a doughnut tasting plate, desserts by the glass and fridges full of specialty chocolates, pastries and cakes. Thirsty customers will be able to pair their desserts with matching wines. Alternatively, you can have your pick of a drinks list that includes milkshakes, ice cream sodas, dessert martinis and a range of teas and coffee. Oh, and they also offer a specialised high tea menu complete with scones and raspberry lamingtons. Because of course they do. Damon Bradley is located on the middle level of the Southgate precinct, opposite Tutto Bene. For more information and operating hours, visit their website.
When the ancient Greeks dreamt up democracy many moons ago, they surely knew their labour of political love would reap plentiful rewards for humanity — barbecuable rewards. Voting and sausage sizzles go together like Q&A and provocative tweets. And in 2016, you don't even have keep your fingers crossed for a damn sizzle at your voting booth — there's an actual Australian election sausage sizzle tracker website to help you, aptly named Snagvotes. No longer will you needlessly wheel around town, crazed with hunger and the insatiable need to drag a giant bedsheet-sized piece of paper into a booth, to find a sausage sizzle in your electorate. Created by Australian legend and all-round goalkicker Grant Castner, Snagvotes compiles a list of all the polling booths in Australia, thankfully cross referencing sausage sizzles with cake stalls. Important. The site was unearthed by Junkee last year, and was so popular that it's back, spreading election day cheer (pinpointing exactly where you can go to stuff your face full of tubed pig meat, fried onions, local go-getter spirit and democracy). They're even giving back to the community with sausage-based 'How To Vote' guides. What a world we live in! In 2013, there were a staggering 1470 sausage sizzles across the county, at 19 percent of all polling booths and we're hoping like hell to beat that total in 2016. Volunteers can register their snag station here and snag-hungry voters can find their closest sizzle here. Remember to thank your barbecue team.
Part cafe, part greengrocer, Abbotsford's latest eatery is open for business. Located at 197 Vere Street, just a five-minute stroll from Collingwood Station, Mavis the Grocer is the latest venture from the team behind Lazer Pig Pizza and the Grace Darling Hotel, and is promising locally-sourced food in comfy surrounds. The menu at Mavis keeps things close to home, with a commitment to seasonal, local, sustainable and organic produce — and it's not just all talk. Their food scraps are reused as compost, all their packaging is eco-friendly, and they even have a veggie garden in the courtyard out back. Likewise, their suppliers are chosen based on their environmental practices, with the added aim of keeping food mileage to a minimum. All the produce on the menu is also available for purchase, from free range eggs to homemade condiments and freshly-baked bread. If you're planning on eating in, breakfast options range from simple (homemade muesli with vanilla yoghurt and poached quince) to more substantial (omelette with crush potatoes, leek, gruyere, chickpea shoots and chilli oil), while for lunch you can dig into a range of salads and sandwiches (slow-roasted pork belly with fennel, apple and mayo sounds like a winner, although it's hard to pass up a toastie with ham hock and cheddar). Coffee by Seven Seeds comes in a house blend or seasonal single origin. Alternatively, you can opt for a mug of organic tea. Summer seems like the season for their array of cold pressed juices and smoothies, or you can get in on the latest health beverage craze with a March Hare kombucha. They also offer a small selection of beers and wines, because brunch. Mavis the Grocer is open 8am – 8pm daily. For more information visit www.mavisthegrocer.com.au Via Good Food.
Anyone looking to get a little creative with their cocktails had best pay a visit to Fitzroy's new boozy laboratory. Opening last month on Smith Street, The Bitters Lab is exactly what it sounds like: a store dedicated to bitters and tonics. It's bound to take your drink-mixing skills to the next level. The space is the new home base for online retailer Only Bitters, run by local alcohol enthusiasts Sophia and JD Dimitropoulos. The interior is set up like an old time apothecary, its shelves lined with glass beakers and bottles full of bitters, syrups, tonics, vermouths and vinegars. Not sure what you're after? The tasting table in the centre of the room will be littered with open bottles for you to sample at your leisure. Plus, Sophia and JD are usually on-hand for some help and a chat. In addition to their pre-made botanicals, The Bitters Lab sells cocktail recipe books and all the raw materials you'll need to make your very own bitters at home. They're also planning on hosting a number of special events, workshops and masterclasses — keep your eyes on their website for those. Find The Bitters Lab at Shop 9, 397 Smith Street, Fitzroy. For more info visit thebitterslab.com.au.
One of Australia's most redeeming qualities is its ability to give good afternoon sun. There's something about its familiar glow that almost demands casual drinks – whether it's cracking open a cold beer after a day out, heading to the pub after a long day of work, or deciding on a whim that your backyard is perfect for having friends over. We love summer afternoons, and we've partnered with Heineken 3 so you can get the most out of them. We've spoken to a few of our favourite chefs, musicians and artists to get their insights on creating the perfect balmy afternoon. Having colourful paper backyard decorations may not be essential, but it's sure to take your casual backyard gathering to the next level. We asked the incredible paper engineer Benja Harney to help us out with some tutorials for easy backyard decorations. The first is a burger piñata, the second is a lantern covered in colourful streamers, the third is a string of sandwich bag bunting. Harney has done some incredible work in the past, so these simple projects are maybe a bit of an insult to his skills. He's worked on window installations for Hermès, he's made paper versions of Adidas shoes, and makes paper vegetables, grass and furniture for clients on the regular. His studio space is Surry Hills is filled to the brim with coloured paper and intricate paper sculptures. Not only is he good at his job, he's also really good at teaching. Follow the instructions below and make your backyard a little more fancy (and fun) the next time you have people over for a Heineken 3. BURGER PINATA When was the last time you whacked a piñata? It's fun, and even more fun when your piñata is shaped like a novelty version of your favourite food. This one is a little more tricky, so Benja has kindly drawn up some templates of the shapes you'll need to cut out to make your burger ingredients out of coloured cardboard. Print off the PDF in A3 and trace. Easy. You'll need: Thin cardboard (in the colours of your burger ingredients, and A3 size), thin corrugated cardboard, tape, scissors, glue, lollies, string. Method: Cut out your coloured cardboard into the shape of lettuce, tomato, burger bun and any other ingredients you want to pop in your burger. Use four strips of corrugated cardboard (about 15cm wide) and tape to make a square frame. Place a large piece of corrugated cardboard over the top, so it resembles a shallow open box. Glue your pieces of coloured cardboard to the box — it should now look like a burger. Flip the box over and fill it with lollies. Then, cover the box with a piece of thinner cardboard and tape it together. If you want to make it a little easier on your guests, you could glue this piece down instead of taping it, so it comes apart easier when you start to smash. Pop a piece of string onto the top and hang. SANDWICH BAG BUNTING This brown paper bag bunting is the easiest backyard decoration you'll ever make. Who knew that some scissors and string could turn the humble sandwich bag into a classy decoration for your backyard? You'll need: PVA glue, scissors, string, brown paper sandwich bags. Method: Grab yourself some brown paper sandwich bags from your local supermarket (they'll set you back a maximum of $2 — cheapest project you'll ever do). Cut each bag into a triangle shape like the one above, making sure that the 'seam' of the bag isn't at the triangle's point. Place a long piece of string inside the fold and glue it there. Repeat, repeat and repeat until your bunting has reached the length you want it to be. A LANTERN OF STREAMERS This is a simple way to spice up those cheap paper lanterns most people have in their backyards. It's colourful, looks like a jellyfish and blows in the wind. Make multiples and hang them in a row for maximum effect. You'll need: A cheap lantern from a discount store, string to hang it up, glue, scissors, three colours of streamers. Method: Cut the three colours of your streamers into pieces, all different lengths. Glue the top of each piece of streamer around the lantern in layers, starting from the bottom and repeating until the whole lantern is covered. Enjoy your summer afternoons with the new low-carb Heineken 3 — we're helping you make the most of them. Images: Kimberley Low.
Melbourne is littered with public outdoor pools and great beaches, but sometimes you want the luxe private pool experience. This usually comes with booking a room at one of Melbourne's best hotels or signing up for an exorbitantly priced private members' club, but most of us don't want to go that far for a little dip. To solve this problem, W Melbourne has started up its Sun Chasers Sunday Sessions, which run from 12–3pm every Sunday until February 2. During these afternoons, you can book a poolside session for $95 per person at the sky-high indoor pool WET and get a stack of goodies. You'll have access to the pool and steam room, plus you'll get a cocktail on arrival (margarita or paloma) and two hours of unlimited wine. Snacks are also available throughout the day — more or less an essential when bottomless booze is on the cards — and DJs will be playing non-stop tunes. If you're after an alternative bottomless brunch experience in Melbourne, this has got to be one of the most fun. We just hope they'll have plenty of lifeguards onsite for when things get a little silly.
A number of prominent Australian musicians, including Little May, Montaigne, Ngaiire and Abbe May, are uniting through social media in order to throw their support behind International Breast Cancer Awareness month. The I Touch Myself Project was inspired by the 1990 hit song by Australian rock band Divinyls, whose lead singer Chrissy Amphlett died from breast cancer in 2013. The campaign was originally launched by the Cancer Council in 2014, with the likes of Megan Washington, Sarah Blasko and Olivia Newton John collaborating on a music video to encourage women to check themselves for the disease. https://www.youtube.com/watch?v=FeaO2BrrIf8 Now the campaign has been resurrected by a new group of female artists, who have taken to Instagram to share photos of themselves holding their breasts in their hands and encouraging other women to do the same, using the hashtag #itouchmyselfproject. "Every year, hundreds and thousands of women die from treatable breast cancer, simply because they are diagnosed too late," posted the members of Little May. "In memory of the late legend, Chrissy Amphlett, we have joined friends @ngaiire @actualmontaigne @katysteele @abbemayzing to touch ourselves as she had asked." Every year, hundreds and thousands of women die from treatable breast cancer, simply because they are diagnosed too late. In memory of the late legend, Chrissy Amphlett, we have joined friends @ngaiire @actualmontaigne @katysteele @abbemayzing to touch ourselves as she had asked. The Divinyls 'I Touch Myself' is now an anthem for the early detection of breast cancer. For International Breast Cancer Awareness month take a picture of your own hand bra, and tag 5 of your friends to do the same.. @becsandridge @catalish @ella_hooper @lexi_b__ @jessicahamiltn #myhandbra #itouchmyselfproject @itouchmyselfproject A photo posted by Little May (@littlemaymusic) on Oct 3, 2016 at 8:54pm PDT Every year, hundreds of women die from treatable breast cancer, simply because they are diagnosed too late. @actualmontaigne @abbemayzing @katysteele , @littlemaymusic and I have stepped out in our hand bras in honour of the late Chrissy Amphlett who wanted her song 'I Touch Myself' to be an anthem for spreading the awareness of touching ourselves for early detection. Spread the word this Breast Cancer Awareness Month by taking a pic of your own hand bra and tagging 5 of your friends to do the same. Will you touch yourself @beemcsee @haileycramer @julianedisisto @summerpagaspas @mamikoyo @vassi_lena ? #myhandbra #itouchmyselfproject #ngaiire A photo posted by N G A I I R E (@ngaiire) on Oct 3, 2016 at 7:07pm PDT Chrissy Amphlett did a wonderful thing before the world lost her to breast cancer, and that was to make sure she was doing the most she could to avail women of a similar fate. I am proud to be a part of the #itouchmyselfproject and to raise awareness of breast cancer alongside a plethora of other excellent women and @berleiaus. I touch myself for breast cancer awareness. Will you? Photographed by the amazing Tony Mott! A photo posted by Montaigne (@actualmontaigne) on Oct 4, 2016 at 2:08am PDT Every year, hundreds and thousands of women die from treatable breast cancer, simply because they are diagnosed too late. In memory of the late legend, Chrissy Amphlett, I am humbled to join friends @ngaiire @actualmontaigne @littlemaymusic @abbemayzing to touch ourselves as she had asked. The Divinyls 'I Touch Myself' is now an anthem for the early detection of breast cancer. For International Breast Cancer Awareness month take a picture of your own hand bra, and tag 5 of your friends to do the same.. @tanzertanzertanzer @leelulahula @sezzyfilmy @wheelsanddollbaby @jaala_bandthing Photo by #tonymott @itouchmyselfproject #itouchmyself #myhandbra A photo posted by Kａt y S t e e l e (@katysteele) on Oct 4, 2016 at 3:02am PDT Every year, hundreds of women die from treatable breast cancer, simply because they are diagnosed too late. The great @ngaiire, @actualmontaigne, @katysteele , @littlemaymusic and I have stepped out in our hand bras in honour of the late Chrissy Amphlett who wanted her song 'I Touch Myself' to be an anthem for spreading the awareness of touching ourselves for early detection. Spread the word this Breast Cancer Awareness Month by taking a pic of your own hand bra and tagging 5 of your friends to do the same. #itouchmyselfproject #myhandbra Photo taken by the radical Tony Mott. A photo posted by Abbe May (@abbemayzing) on Oct 3, 2016 at 7:10pm PDT
Dark and debaucherous banquets from Bompas and Parr, immersive art sleepovers at Cradle Mountain and all the demon purging and ceremonial death dances you could want in a festival. Dark Mofo is back for 2015. Centred around the winter solstice and running June 12-22, MONA's annual June festival celebrates the Neolithic-started tradition over ten days of weird and wonderful art, performance, music and happenings around Hobart. Last year's festival attracted more than 130,000 Mofos, and with this year's lineup, they're looking at a lot more pilgrims. Coinciding with MONA's huge Marina Abramovic retrospective Private Archaeology, this year's Dark Mofo is deeper, creepier and darker than ever before — with art, food, music and performance pioneered by 250 artists from around the world. For one of the biggest events of the festival, the brave and adventurous at heart will want to lock in June 15-17 for a two-night immersive art experience sleepover within Cradle Mountain-Lake St Clair National Park. That's right. Immersive art sleepover. It's called Wild At Heart and is curated by the Unconscious Collective (Motel Dreaming). British jellymongers and universally applauded food artists Bompas and Parr are hosting a full-on, debaucherous banquet. Huge. And Melbourne contemporary artist Ash Keating will open an exhibition called Remote Nature Response as part of the whole WAH shebang. Music-wise, Dark Mofo is as brooding and gloomy as ever at Hobart's historic Odeon Theatre, with already-leaked, heartbreaking headliners Antony and the Johnsons leading the charge with the Tasmanian Symphony Orchestra. British art-pop collective The Irrepressibles are also locked in, alongside Arkansas experts in doom metal Pallbearer. Seattle's 'horror-country' rocker King Dude will be there, as well as German industrial dance outfit Oake. There's plenty of Australians in the bunch too, from The Drones' brooding folkster Gareth Liddiard to Melbourne's '60s-inspired crooner Brous and performance vocalist Kusum Normoyle, modern day Divinyls-like Sydneysiders The Preatures, Hobart's eclectic pop group Tiger Choir and Melburnian chillwave must-see Klo. Also hailing from Melbourne, gloomy electronica artist Jake Blood and frenetic rock outfit My Disco. Then there’s Japan's electro-conducting EYE, who will be premiering new work CIRCOM, especially for Dark Mofo, presented by Red Bull Music Academy. Immersive art and experimental theatre fans, you'rve got plenty to look forward to. Dark Mofo set to unveil a brand new festival precinct dubbed 'Dark Park' at Hobart's Macquarie Point. Huge public artworks will invade the park, from a high-octane Fire Organ by German chemo-acoustic engineer Bastiaan Maris with producer Duckpond, to a Night Ship cruising around the river, and a full-body sonic massage immersion of Bass Bath by Melbourne’s Byron J. Scullin in collaboration with Supple Fox. Virginia Woolf’s Orlando will be performed by Victoria’s THE RABBLE theatre company at the Theatre Royal (Australia’s oldest theatre) and you'll find a dark take on Roald Dahl's The Witches at Salamanca Arts Centre’s Peacock Theatre. Plus, you won't want to miss Dark Mofo's new late-night ceremonial death dance Blacklist curated by Supple Fox. We don't even know what that means. Those keen to lose themself in a dark, dark cinema have plenty of Nordic dark folkloric films to sink their teeth into. North Hobart’s century-old State Cinema is presenting a super niche series featuring A Second Chance, A Spell to Ward off the Darkness, Down Terrace, A Field in England, Partisan, Severed Ways: The Norse Discovery of America, Valhalla Rising and more, curated Nick Batzias and James Hewison. Dark Mofo Films will also see the red carpet world premiere of Tasmanian-filmed Foxtel adult drama series The Kettering Incident at the Odeon. Last but not least, we feast. Dark Mofo's annual bacchinalian food festival returns to Princes Wharf Shed 1 — the ever-anticipated Winter Feast. Guest chefs Jake Kellie, Martin Boetz, Sean Moran, Mike McEnearney and O Tama Carey and the Mona Source restaurant team head five nights of feasting and performance, culminating in a Balinese ogoh-ogoh parade to purge all those demons and burn all those fears. Really. Then there's the annual Nude Solstice Swim — nothing like an early morning swim in Tasmanian water to cure your Mofo hangover. Dark Mofo runs June 12-22 in various locations across Hobart, Tasmania. Tickets are on sale from 10am Monday, April 20 from here. Registration for tickets for Antony and the Johnsons with the TSO over here. Images: Beth Evans, Matt Glastonbury.
Woken up in a self-induced, whiskey-fuelled, stomach-grating, cold-sweating Sunday Hades too many times? You’re about to feel real guilty. London’s wholesome beige cashmere cardigan of a suburb, Notting Hill, is about to open the unthinkable: an alcohol-free cocktail bar called Redemption. We like to call this a ‘juice bar’. But apparently there's more to it than that. Redemption is London’s first alcohol-free bar, the city’s only ‘cocktail spot’ with a mocktail and food menu designed by nutritional therapists. Created by Catherine Salway, ex Virgin Group Brand Director, executive chef and raw, vegan specialist Andrea Waters, the bar sports the tagline, “Spoil yourself without spoiling yourself.” It’s the latest in a ‘healthvolution’ (yep) of dry bars happening across England, tackling the country’s huge social drinking focus by simply replacing the booze with Healthy Things. It's like almost like nicotine patch for being around bars. “These days it’s hard to get away from booze – you can’t even go to the cinema without being offered a glass of wine,” says Salway and Waters. “With Redemption, we are creating a space away from temptation that still feels like a treat. We’re challenging the convention that we need alcohol to lubricate every social occasion.” Anyone who just did Dry July (right here), would probably be down with this. But let’s be honest, this isn’t a ‘cocktail bar’. Basically it’s a wholesome, vegan cafe open late and using a buzzword to generate articles like the one you’re reading now. Consider us suckers. Redemption’s less about getting smashed on Negronis and more about filling your weekends with less sugar and alcohol. Think 'beet-o-tinis', 'apple mockjitos', and the mildly terrifying-sounding ‘lettuce spray’. For those who don’t drink at all, or those looking to detox the Captain Morgan from their pores, this is a great, appealing initiative from a country whose deep-set drinking problems mirror our own. Perhaps it’s time for a Redemption of our own? *rolls over, orders pizza online, burps Chardonnay* Redemption Bar opens on August 10 at 6 Chepstow Road, London. Open Monday – Saturday 10am – 11pm. Sunday 10am – 5pm. Via VICE and Sharking for Chips and Drinks. Images: Redemption and Sharking for Chips and Drinks.
St Kilda may be known for its backpacker-filled pub crawls, but we get more excited about the Fitzroy Street precinct's annual restaurant crawl — spending a night sipping and snacking around the neighbourhood's top eateries. This year, 18 local venues have banded together to put on Around the World in One Night, which takes place from 6–9pm on Wednesday, September 18. Restaurants championing cuisines from across the globe — including India, Italy, West Africa, Thailand, France, Scotland and China — are each creating two small dishes for the night that you can pick up and eat as you move from venue to venue. Every snack costs $5.65, and needs to be ordered ahead of time — so the kitchens know how much food to make. That means you'll need to plan your restaurant crawl route ahead of time, picking up your pre-ordered food as you go. [caption id="attachment_908470" align="alignnone" width="1920"] Louey's[/caption] These dishes will be served as takeaway bites, but some venues will let you dine in if you buy a bev. Otherwise, you'll eat it as you wander around the Fitzroy Street precinct, catching some live music and entertainment in the streets as you go. Basically, think of it as a restaurant crawl and a block party all in one. You'll find all 18 participating restaurants' menus on the event's website, but you can expect West African spiced wings from Akwaaba Restaurant & Bar; Himalayan prawn dumplings from Babu Ji; steak tartare from Bistro Voliere; pad grapow from Derby Thai; empanadas from La Bodega; chicken tikka from Mukka; scallops with black pudding from The Cross; and pumpkin and blue cheese arancini from Louey's Bar & Kitchen at The Espy. According to the crew who ran last year's Around the World in One Night, four to five tasters are about enough to fill you up, but we suggest getting a few more just to be safe. [caption id="attachment_926672" align="alignnone" width="1920"] Mukka[/caption]
Melbourne's NGV International is celebrating the unique designs and lasting legacy of fashion icon Christian Dior, in a world premiere exhibition launching this Sunday, August 27. Running until November 7, The House of Dior: Seventy Years of Haute Couture will be one of three major surveys of Dior's groundbreaking work, alongside exhibitions in Paris and New York. The Melbourne show will include more than 140 show-stopping garments, stretching the length and breadth of the label's extraordinary history. "Highlights of the NGV's House of Dior exhibition will include one of the few surviving examples of Christian Dior's New Look collection, which revitalised women's fashion in the post-war era," said gallery director Tony Ellwood last year. "And of course it wouldn't be a Dior exhibition without their sculptural tailoring, their signature ball gowns and their glamorous evening dresses which have become synonymous with the fashion house." "Audiences will discover the nuances of Dior's fashion design, and observe the ways in which these have evolved through the decades. The exhibition will also celebrate the milestones of Dior's six successive designers," he added. A key element of the exhibition will be an exploration of Dior's historic 1948 spring fashion parade at David Jones in Sydney, considered to be the first complete Dior collection to be shown outside of Paris. The exhibition will also tie in with the gallery's first ever Gala Ball on Sunday. Images: Installation view of House of Dior: Seventy Years of Haute Couture at the National Gallery of Victoria. Shot by Sean Fennessy.
From children playing in the sea near Arnhem Land to an elderly man cleaning his suburban pool, Australians from all walks of life are represented in the 22 stunning images chosen as finalists in this year's Australian Life photography contests. An initiative of Art and About Sydney, the competition is the second largest photography contest in the country, with a cash prize of $10,000. The winner will be announced on September 17, while all the finalists will be on display along the St James walkway in Sydney's Hyde Park from September 18 to October 11. The judges for this year's competition are previous winner Tamara Dean, ARTHERE founder and Stills Gallery curator Sandy Edwards, Australian Centre for Photography curator and exhibition programmer Mark Feary, and interior stylist, author and lifestyle blogger Jason Grant. Organisers have also partnered with Tourism Australia for a special Instagram competition, which last year drew more than 30,000 entries. Amateur photographers can submit their entries using the hashtag #australianlife and go in the running to win $5000. The Instagram competition closes on October 1, with winners announced on October 9.
Sydney’s Sepia has won prime position on the Australian Financial Review’s inaugural
If taking high tea or riding a bike across a balance beam four storeys in the air sounds like your kind of thing, then read on. After five years of construction, Sydney's newest aerial park, Skypeak Adventures has opened. The park, which is located next to the Saint Mary's Leagues Stadium is the second park of its type and scale to open in Sydney after Urban Jungle was unveiled in Olympic Park in 2013. The adventure park features a series of obstacle courses and challenges, all suspended high in the sky. Think bridge walks, barrel runs, rope climbs, chasm jumps or trapeze swings, 22 metres above ground. A variety of passes are available, giving visitors access to different areas of the course. The 'Momentum' pass involves a 15-metre freefall/leap of faith into the unknown (hopefully a net?), while the 'Skypeak Tree' course involves scaling a huge ancient River Red Gum. High tea, minus the scones and cakes will be available, in the form of a picnic table suspended nine metres above a void. For the less adventurous (or perhaps more sane) visitors, a series of very stable platforms allow you to take an elevated walk through the park and interact with the more courageous. No judgement. Western Sydney is becoming a bit of a destination for thrill seekers, offering a host of extreme activities including Wet 'n' Wild, iFly, Cables Wake Park and, of course, Aqua Golf. Skypeak Adventure passes start at $29 for adults, with the course open from 9am to 7pm everyday.
Look, in our book, every single day is gin day. But this Saturday, June 11, the drink that launched a thousand drunk texts (and counting) will be officially celebrated the world over. It's World Gin Day. And considering the experimental foodie age we live in, it doesn't seem appropriate to celebrate with just another gin and tonic — not when you can have it infused with ants or steeped in red wine grapes, anyway. So we've found two new weird Australian gins that won't only make for an unconventional G&T, but will spark a few conversations and raised eyebrows too. ANGRY ANT GIN — BASS AND FLINDERS Up and coming gin barons often differentiate themselves and their product by distilling the botanicals of the local area to give a distinctive, but familiar, flavour and scent. Australian species lend themselves perfectly to the task — but for the chaps down at Bass and Flinders Distillery in Victoria's Mornington Peninsula, that simply wasn't weird enough. They've distilled a gin made with a special ingredient: ants. Like all gin, Angry Ant is made up of a selection of botanicals. But along with the usual juniper berries and lemongrass, the essence of ants has also been thrown in. That's because ants release a pheromone during the distillation process, which produces a flavour that complements the other botanicals to create a damn fine gin. While they're not the first people to use the tiny insects in gin — Copenhagen's Nordic Food Lab produces an Anty Gin that costs a bomb per bottle — they're certainly the first in Australia, with the ants sourced from Wooleen Station in WA. Grab a bottle here, if you dare. BLOODY SHIRAZ GIN — FOUR PILLARS Ron Swanson may say that "clear alcohols are for rich women on diets" and while we usually take his word as gospel, we couldn't disagree more with him on this one. But if you want to add some colour (and kick) to your 5pm G&T, look no further than Four Pillars' brand new Bloody Shiraz Gin. The revolutionary gin created by Victorian gin legends Four Pillars is exaaactly what it sounds like — a Shiraz and gin blend. To create this bloody monster, they steeped Yarra Valley Shiraz grapes in their high-proof dry gin for eight weeks before pressing the fruit and blending it with the gin, and hoped like hell it would turn out well. It did. The pretty, deep purple hue combined with a potent alcoholic content (37.8 percent, compared to an average 30 percent in sloe gin) and sweet undertones make the Bloody Shiraz Gin a near perfect specimen. Four Pillars are releasing the mix on World Gin Day — you can head down to their Healesville distillery to try it or buy it on their website. And on that day, we'll raise a toast to all the gins that were and to all the weird, delicious gins that will soon be. Cheers to you gin, you glorious bastard!
Eggplant chips, duck quesadilla and brekkie chicken lasagna. They're all on the menu at new Melbourne café, Eden’s Backyard. Having opened on the stretch of Nicholson Street between Johnston Street and Alexandra Parade just a fortnight ago, this new eatery is already attracting the inner north's ravenous hordes. Calling itself a 'modern brunch cafe', Eden’s specialises in just that — the lazy, hazy space between breakfast and lunch. But you won’t find any old run-of-the-mill Western meals here. Nearly every dish is spiced up with a touch of Asian fusion and a dash of creativity. The duck quesadilla ($21) is a tortilla filled with a roast duck fillet, caramelised onion, roasted peppers and mozzarella, while the brekkie chicken lasagne ($18) is made up of chicken ragu, light béchamel sauce, sautéed spinach, ricotta, mozzarella and, to ensure its ‘brekkie-ness’, fried eggs. Meanwhile, sweet tooths can get stuck into Kev’s secret French toast ($19), a decadent mountain of Nutella, vanilla poached pear, blueberries, strawberries, caramel sauce and brioche; or the pancake stack ($15), which comes with mixed berry compote, honey mascarpone, green tea ice cream, maple syrup, Oreo and peanut crumbs. You’ll find the rest of the menu on the Eden’s Backyard Facebook page. As the name suggests, the cafe aims to provide a bit of an oasis on an otherwise barren, busy street. On the outside, visitors are greeted with a mossy vertical garden and winding vines, while inside, there’s an emphasis on natural colours and textures. Find Eden’s Backyard at 161-163 Nicholson Street, Carlton. It's open Tuesday to Friday, 7.30am-4pm; Saturday-Sunday, 8.30am-4pm; and is closed on Monday.
The seasons are changing, beer lovers. And true to form, the brewers at James Squire’s Malt Shovel Brewery are changing with them. Mixing up their methodology yet again, the craft beer company have just announced the latest iteration of their mercurial American-style Pale Ale, with the uniquely flavoured Hop Thief 7. Described by James Squire senior brewer Rob Freshwater as "probably the number one beer of choice amongst the brewers," the Hop Thief variety began as something of an experiment, but has quickly evolved into one of the company's best loved beers. What makes the beer stand out is its constantly changing recipe; each Hop Thief instalment is made with a different combination of hops, allowing the brewers to essentially reinvent the beer each time. This most recent iteration combines Galaxy and Mosaic hops. According to head brewer Chris Sheehan, the first strain adds "a vibrant citrus and passionfruit aroma," while the second adds "pine notes and a strong, earthy undertone." "Our last Hop Thief release was incredibly popular, so we needed to make sure we came up with a unique and equally flavoursome successor," says Sheehan. "We've worked hard on this brew and believe we've created a beer adult Australians will love." Certainly, Hop Thief 6 will prove a tough act to follow. Not only was it a hit with the general public, but it also took home Bronze at the 2014 Australian International Beer Awards. Still, no one at James Squire seems too worried. Hop Thief 7 will available in-pack and on-tap nationwide in March.
Laksa King has been satisfying diners in Flemington since 1998. Originally located in an arcade off Racecourse Road, owner Esmond Wong was forced to change venues in 2010 due to its burgeoning popularity, although he managed to keep it in Flemington. The interior is awash with natural light, with elegant finishings and large communal tables. The fare is authentic Malaysian-Chinese, and it earned itself a reputation as one of the best South Asian restaurants in Melbourne. Entrees include the classics such as vegetarian spring rolls, curry puffs and satay chicken skewers while including more exotic options such as steamed prawn dumplings with a spicy soy sauce, lobaks (minced pork rolls fried in beancurd skin), and vegetarian roti rolls with fried tofu, cucumber, onion, tomato and peanut sauce. If you'd like to start with a soup, it's got you covered with chicken and corn soup, Szechuan hot and sour soup and seafood Tom Yum soup. Meanwhile, its curry laksas, for which it's famous, include chicken curry, beef curry, vegetarian curry with seasonal vegetables and tofu, fish fillet curry with lady's fingers, a fish head curry, a king prawn option, roast fuck, seafood and its signature combination curry with shrimp, fishcakes and chicken. Basically, there is a laksa for everyone. Elsewhere, you'll find Hainan chicken noodle soup with roasted duck, prawn dumpling noodles, Har Med (yellow noodles with prawns, BBQ pork, egg and water spinach in a prawn broth, and fried Kuay Teow with rice noodles, shrimp and Chinese sausage. If rice is your thing, then look no further than its nasi goreng, with Malaysian-styled fried rice, shrimp, chicken, egg and curry paste. We could write another five or so hundred words about the menu, as it's as long as your arm, but we'll leave it to you to discover. Just rest assured, the food is legit, and if you manage to leave room for dessert, the coconut panda cotta is something else.
With the staggering amount of top-notch food vendors that currently call the Melbourne CBD home, you've got very little excuse for chowing down on a boring lunch, no matter how strapped for time or cash you are. But hey, this is Melbourne, and there's always room for more culinary quest options — especially when they involve a new incarnation of one our favourite local burger joints. The revamped 360 Collins plaza will soon play host to a new casual dining precinct, featuring a diverse lineup of eateries that includes 8bit's first fully licensed venue. It'll be the biggest venture yet for the beloved burger joint, set to open alongside other popular retailers like Code Black, Poked and Earl Canteen, and a sister venue to Lonsdale Street's Little Billy, called Billy's Lane. Slinging grab-and-go options galore, there'll be seven dining destinations all up, with the first set to open their doors this month. These eateries will encircle a roomy outdoor space, complete with grassy forecourt and plenty of al fresco seating, to get you out of the office and away from that desk. To celebrate the launch of the 360 Collins food precinct, there'll be a week of lunch break festivities from June 26–30, involving food and drink tastings, special dining offers, and live performances. Images: Chris Hopkins.
The sun is shining, the palm trees are gently swaying, and there's a laid-back vibe in the air; you must be in Brisbane. As well as almost able to guarantee holiday-like weather every day of the year, the Queensland capital offers locals and visitors alike the opportunity to enjoy a leisurely yet luxurious weekend. Think taking your pick of gourmet sausages or hash browns for breakfast at a brand new cafe dedicated to both, shopping for vintage threads at the city's only curated boutique market, or eating all the cheese your stomach can handle. Book a room at the Pullman Brisbane and make the hotel's King George Square digs your launching pad. Spend a whirlwind 48 hours eating, drinking, strolling and generally being merry, particularly if you follow our itinerary. [caption id="attachment_587777" align="alignnone" width="1280"] Morning After. Image: @____morningafter via Instagram.[/caption] SATURDAY A Saturday in Brisbane should be spent treating your tastebuds and your eyes to the best the city has to offer. That starts with the most important meal of the day, though don't feel like you need to rush to West End for an early morning bite, because breakfast at Morning After is available all day long. With a name like that, this eatery clearly knows that everyone kicks into gear at their own pace. Have a serving of brekkie carbonara and wander down Vulture and Boundary streets for your next adventure. [caption id="attachment_587791" align="alignnone" width="1280"] GOMA. Image: @qagoma via Instagram.[/caption] To be specific, keep moseying along until you reach the Gallery of Modern Art. For ten years now, the gleaming building on the banks of the river has showered Brisbane with the kind of exhibitions art lovers dream about. There will be something great on regardless of when you're in town (in 2015 and 2016 alone, GOMA has hosted shows focused on photographer Cindy Sherman, filmmaker David Lynch and the best contemporary pieces from the Asia-Pacific, for example). And if you somehow have a few hours to spare, be sure to check out the Australian Cinematheque within the building for a classy afternoon at the movies. [caption id="attachment_587781" align="alignnone" width="1280"] Fromage the Cow. Image: @vintage_lil via Instagram.[/caption] Next, prepare to make friends with Brisbane's water-based transport, the City Cats. Head down the river to Milton, then make a beeline by foot to Fromage the Cow on Park Road. Since this licensed fromagerie opened its doors it has become an indulgent favourite, serving up everything from twice-baked cheese souffle to croque monsieur and cheese toasties. We recommend opting for a flight, which will pair three slices of dairy goodness with three of your chosen type of beverage. [caption id="attachment_587783" align="alignnone" width="1280"] Cobbler. Image: @cobblerwestend via Instagram.[/caption] So, that's the cheese and wine section of day done and dusted. Now, it's on to the whisky and cocktail part of proceedings. You'll find plenty of both at Cobbler back in West End, and yes, you can travel part of the way by City Cat again if you want another chance to soak up the Brisbane river air. Once you arrive on site, even if you generally like your spirits untainted by mixers, we're going to strenuously suggest that you try a cocktail. Why? Well, Cobbler's menus are something special, with both Die Hard and Top Gun-inspired tipples served up in recent times. Working your way through their cocktail list is how you turn a few quiet drinks into an evening to remember. If you're in Brisbane on the right weekend you can stop by Test Kitchen, a fortnightly five-course degustation that takes place at Thomson's Reserve and lets you taste dishes before they go on the menu. [caption id="attachment_587785" align="alignnone" width="1280"] Food trucks at Metre Market. Image: @metremarket via Instagram.[/caption] SUNDAY Start your Sunday with sausages and hash browns. Skip the fast food brekkie though; at Annerley's Snag & Brown in the inner-south, you're going to want to take things slowly. Pick from chorizo, pork chipolatas, chicken, spinach and pine nut, and semi-dried tomato, thyme and polenta bangers, plus classic, sweet potato, and tomato and feta hash browns. There's other food available, but here, it's all there in the name. You'll need all the sustenance you can get for your next stopover: the Metre Market. Every public space around town might turn into a stall-based shopping spot come Sunday morning, but this is the only boutique, clothing-focused venture that's so selective about the vintage wares on display, you'll instantly walk out with a new wardrobe. Alas, Metre Market is an every now and then kind of deal, so we also have a list of alternatives. Secondhand fiends should head to Suitcase Rummage's regular pop-up events at Brisbane Square and Brisbane Powerhouse, while those with designer tastes can give their wallet a workout at South Bank's monthly Young Designer's Market. After a busy morning browsing, buying and wondering what you can realistically fit in your suitcase, there's only one thing to do. Treat yourself to some swoon-worthy sweet stuff (and no, we're not talking about Doughnut Time, though eating one of their epic pastries is something every visitor to Brisbane should do too). Instead, head to New Farm Confectionery for some salted caramel lollipops, chocolate raspberry bark, passionfruit sherbet and more. [caption id="attachment_587796" align="alignnone" width="1280"] New Farm Confectionary. Image: @nfconfectionary via Instagram.[/caption] So, you've feasted, shopped and had something sugary; now it's time for dinner in a heritage-listed building that once housed a medicine dispensary. Yes, really. The food menu at The Apo is a rotating affair, but we're sure one of the seasonal dishes on offer (such as Lebanese tacos with spiced goat and frozen Arabic coffee dessert martinis at the time of writing) will take your fancy. You'll want to grab an Apo Old Fashioned while you're eating, but save some room for a nightcap at Barbara around the corner. They're known for their cocktails and for being a classy late-night hangout everyday of the week – that's how you should bring an ace two days in Brisbane to a perfect end. [caption id="attachment_588386" align="alignnone" width="1280"] The Apo. Image: @theapo_ via Instagram.[/caption] Pullman Hotels make a great base to explore Brisbane for a weekend.
Speakeasy Cinema has recently settled in to their new home at Grey Gardens Projects, and their first film at the venue will be the incredible documentary that focuses on Marina Abramovic’s legendary performance, The Artist Is Present. In 2010 at MoMA in New York, the so-called grandmother of performance art spent seven hours a day for three months staring into the eyes of whoever sat opposite her. Throughout her career, the Yugoslavian artist has pushed her physical and mental capacity to the limits with her experimental and confronting work. This documentary offers great insight into Abramovic’s artistic process, and the toll it takes. Speakeasy Cinema screened The Artist Is Present back in 2013, and is back due to popular demand but also to celebrate Abramovic’s current residency and retrospective exhibition in Australia. Sadly she won’t be dropping into Melbourne this time around, so if you want your Abramovic fix without buying a plane ticket, this will be the best way to get it.
When last year's Dark MOFO program dropped, House of Mirrors immediately rocketed to the top of everyone's must-do list. Created by Australian installation artists Christian Wagstaff and Keith Courtney, it's exactly what it sounds like: a walkthrough space filled with reflective surfaces that will not only strands you in a maze of your own image, but turns your likeness into a kaleidoscope. Since then, the installation has made its way to Brisbane and Sydney for a stint at January's Sydney Festival. And now, eager Melburnians will soon get the chance to wander through the disorienting, perception-altering, panic-inducing, optical illusion-based labyrinth for themselves. From April 7–30, the mirror maze will take over Rosalind Park adjacent to Bendigo Art Gallery for three weeks of reflective roaming, with the modern, minimalist twist on the fairground classic featuring 40 tonnes of steel and 15 tonnes of mirrors — and no added gimmicks, no special effects, no special lighting, no soundtrack or soundscape. It'll be the first time House of Mirrors has come to Victoria — and with Bendigo less than a two-hour drive (or train ride) away, it's an easy one to do on a day trip. The House of Mirrors will be at Bendigo Art Gallery from April 7–30. For more information, visit their website.
Throw on your formal orange jumpsuit for an evening in the slammer. The one-time home to some of the worst offenders in Australian penal history, the Old Melbourne Gaol is undergoing a one-night transformation, into a gin-guzzling pop-up bar. And really, it makes sense. After all, what makes people want to party harder than the thought of going to prison? The Gin Bar is actually the latest in a series of prison pop-ups, organised by the folks at the Australian National Trust. See, that’s how they get you; luring you in with the promise of alcohol, and then ambushing you with a history lesson. Well played, National Trust. Well played. Entry to the pop-up starts at $40, but this comes with two complimentary drinks. An extra $10 gets you into an intimate cocktail masterclass, and food by CNK Food Design will be available to purchase.
Sydney-based artist Rosemary Laing is bringing works from two of her celebrated photographic series to The Heide for Climarte this month. In Laing’s 2006 series, The Weather features a woman suspended in the air, caught in a storm of shredded environmental texts; a metaphor for the confusing whirlwind of facts and opinions surrounding the contentious issue of climate change. Images from Laing’s 2013 series, The Paper, depicts a casuarina forest floor covered in sheets of newspaper, suggesting the human influence on nature. Interestingly, images from each series were not created through digital manipulation; what you see in the photos was meticulously created by the photographer herself. Images from both series examine the unsettling relationship between our natural and cultural environments. Laing's series are appearing as part of Climarte, a Melbourne-wide festival focused on climate change and its representation in arts and ideas. During the festival there will be over 20 curated exhibitions, keynote lectures and public forums featuring both local and international guests.
We've known for a while that the team at Fancy Hank's are opening a new two-storey venue on Bourke Street in the CBD. We also know it'll have its very own rooftop bar. But what of their original digs opposite Queen Victoria Market? Fear not, meat lovers: the masters of all things smoked and char-grilled aren't leaving you in the lurch. It may not technically be called Hank's anymore, but Knuckles BBQ Sandwiches & Bar does a pretty good impression. Dubbed a "pop-down", the newly opened restaurant features a scaled-back version of the Fancy Hank's menu split into two distinct sections: "sandwiches" and "not sandwiches". On the sandwich side you'll find sandwiches (duh) including a pork sanga with Kentucky-style slaw and kewpie mayo, as well as a southern fried chicken number featuring Alabama BBQ sauce and American cheese. As for things that aren't sandwiches, think stateside favourites such as chicken wings, tater tots, potato salad and fried pickles, plus a chocolate cherry brownie with ice cream for dessert. They'll also serve $7 pints of Furphy during Happy Hour, which runs generously from 4pm to 7pm each day. "After two great years at the Victoria Market, Knuckles provides the perfect homage to Fancy Hank's: tasty food, cold beer, no frills and a let-your-hair-down kind of atmosphere," said Fancy Hank's co-owner and head chef Mike Patrick. Find Knuckles Sandwich Bar at 456 Queen St, Melbourne. For more information follow them on Instagram.
Anyone who has ever watched a horror movie before knows that you should never, ever go into the woods. Yet that's exactly what the people behind Australia's coolest new immersive cinema experience are asking you to do. Horror Movie Campout is a blood-soaked overnight camping trip held in a secret Blair Witch-style forest an hour from the city. Just please, leave the machete at home. Coming to Melbourne in December and Sydney next year, this uniquely scary take on outdoor movie-going will treat campers to two classic horror films, along with a number of gory shorts. The first is 1973's head-spinner The Exorcist – enjoy the serenity of fear while roasting marshmallows and munching on popcorn (or spilling it) into the early hours of the morning. The second popular horror feature will be voted for by HMC campers via Facebook. But it's not just the movies. Beyond the comfort of your cosy cinema spot, surprises lurk in the forest. Is someone following you? Is that a person’s shadow, or just your imagination playing tricks? Horror Movie Campout promises to put your heart – and your bladder – to the test. Each $180 ticket includes a tent to sleep three mates. Glamping options are also available for $240, offering luxury horror-goers VIP perks such as express entry and primo spots in front of the screen. Just don't think you're exempt from the special horror surprises. Melbourne’s Horror Movie Campout is being held at Point Cook Homestead on December 4 and 5, while the Sydney event will be held in early 2016. It should also probably go without saying that this is strictly an R18+ event. Image via Dollar Photo Club.
