When The Duffer Brothers, the siblings who brought the world Stranger Things and gave Netflix its biggest hit yet in the process, announced that their obsessed-over and adored series was returning for a fourth season — a reveal made all the way back in 2019, just months after the third season released — they did it in the only way they know how. "We're not in Hawkins anymore", the video heralding the news advised. Even when dropping 45-second videos comprised solely of graphics and moody tunes, the Duffers' fondness for filtering their show through classic pop-culture references remained firmly intact. So it is that Stranger Things 4 ventures beyond its trusty small-town setting, and in several directions. It keeps those nods and winks to flicks and shows gone by streaming steadily as well. This fourth go-around, seven episodes of which arrive on Friday, May 27, ambitiously expands in other ways, too — not quite so many that you'd need seven Dungeons & Dragons dice to count them, but enough that it's noticeable. It's bigger and longer, with no episode clocking in at less than an hour, one in the first batch running for a feature-length 98 minutes, and the final two not set to release until Friday, July 1. Its teenage stars are bigger and taller as well, ageing further and faster than their characters. The show has matured past riffing on early-80s action-adventure movies, such as The Goonies; now, it's onto slashers and other horror films, complete with new characters called Fred and Jason. And with that, Stranger Things also gets bloodier and eerier. It's still the show that viewers have loved since 2016, when not even Netflix likely realised what it had unleashed — and no, that doesn't just include the demogorgon escaping from the Upside Down. But growing, as Eleven (Millie Bobby Brown, Godzilla vs Kong), her boyfriend Mike Wheeler (Finn Wolfhard, Ghostbusters: Afterlife), and their pals Will Byers (Noah Schnapp, Waiting for Anya), Dustin Henderson (Gaten Matarazzo, The Angry Birds Movie 2), Max Mayfield (Sadie Sink, Fear Street) and Lucas Sinclair (Caleb McLaughlin, Concrete Cowboy) all visibly have, comes with a few pains. The Duffers give fans more this time around, entertainingly so; however, the flow of the season's super-sized episodes and sprawled-out narrative threads is often askew. But that's hardly the worst problem to have — and pressing "next episode" instantly when each set of credits rolls remains as easy as ever. Eleven and company all do have worst woes to deal with. Six months after the battle of Starcourt, Eleven lives in Lenora Hills, California, with Will, his brother Jonathan (Charlie Heaton, The Souvenir Part II) and their mother Joyce (Winona Ryder, The Plot Against America). There, the weather is sunny yet little is rosy. The former government test-subject writes otherwise in letters back home, but high school is an onslaught of mean-girl bullying, which spills out violently when Mike visits over spring break. Eleven's powers have also vanished, and she's haunted by the loss of Jim Hopper (David Harbour, Black Widow) — as is Joyce, who now sells encyclopaedias from home. Life isn't any better in Indiana. More accurately, it's terrifying and insidiously grim. A pre-holiday Mike has joined the high school D&D club with Dustin, as run by metal-loving outcast Eddie Munson (Joseph Quinn, Small Axe). So has Lucas, but he's also on the basketball team, trying to work his way up the social ladder. Haunted by her brother Billy's (Dacre Montgomery, The Broken Hearts Gallery) death in season three, Max refuses to fit in anywhere, but needs the gang's help when a new form of evil seeps out of the Upside Down and starts leaving a body count. Also ready to assist: Steve Harrington (Joe Keery, Free Guy) and Robin Buckley (Maya Hawke, Fear Street), who've graduated to working in the Hawkins' video store, plus the school newspaper's new star reporter Nancy Wheeler (Natalia Dyer, Things Seen & Heard). And, in Russia — because that Hopper is alive and definitely isn't in Hawkins was revealed between seasons — frosty bleakness is status quo. But the stranded Hawkins Police chief remains as stubborn as ever, even shackled in a Soviet gulag. Obviously, he's determined to regain his freedom. Stranger Things 4 is many things: a reminder that high school is hell, and just being a teenager is torturous, too; a musing on trauma and the way it carves through hearts and souls, as slasher flicks tend to be; an escape caper; an enormous love letter to horror master Wes Craven, a wonderful stab of casting included; and another book in the show's superhero story. One of its most frustrating aspects: the way it throws around that S-word, because everything has to be a superhero tale these days (see also: the clearly Stranger Things-influenced Firestarter remake). This series has always been at its best when it's embracing two other genres, sci-fi and horror. Ramping up the latter, and using it to explore the chaos of being caught between childhood and adulthood, is season four's savviest touch. While it isn't particularly new or inventive, it cuts deep, mining the pain of making mistakes, being forever changed by life's ups and downs, and grappling with the realisation that some wounds truly are forever. As a result, for all of its efforts to roam beyond its original setting, Stranger Things' fourth season feels more like itself on familiar ground, unsurprisingly. That sensation helps give Sink one of the season's best performances so far — its weightiest and most textured, too — complete with a stunningly deployed 'Running Up That Hill' by Kate Bush as her personal soundtrack. It's also in Hawkins where the stakes are greater, the plot tighter and the diversions funnier, in no small part thanks to Matarazzo's still-stellar timing, Keery leaning as hard on Steve's comedic vibe as he has since season two, and Hawke making every Robin moment an utter delight. There's no place like home, after all, including when that town is a cross between Buffy the Vampire Slayer's Sunnydale and Twin Peaks. Although they're both 90s references, rather than hailing from the Duffers' beloved decade prior, the blood of Buffy and Twin Peaks have long pumped through Stranger Things' veins. That feels especially the case in season four, which is also the most melancholic yet — but with a clearly vast budget, as made plain by the special effects that the Duffers and fellow directors Shawn Levy (Free Guy) and Nimrod Antal (Predators) have at their disposal. And, with all that dripping 80s nostalgia, of course, because it wouldn't be Stranger Things without it. The expected but never derivative winks and callouts to the decade's screen touchstones keep coming, naturally, like they too are spilling out of the Upside Down. Also flowing faster than Dustin's one-liners, Steve's glorious locks, Eleven's steely stares, Joyce's nervous energy and the horrors of season four's new Lovecraft-esque big bad? The can't-stop-watching thrill of having Stranger Things back, slinking into its darker trip — ups, downs, occasional awkwardness and all — and binging compulsively. The first seven episodes of Stranger Things season four hit Netflix at 5pm AEST / 7pm NZST Friday, May 27, with the remaining two set to follow on Friday, July 1. Images: Courtesy of Netflix © 2022.
Survivor, but a fictional thriller. Fyre Festival, turned extra savage. The Hunger Games meets Lost. Any survival-of-the-fittest scenario ever seen on screen (and there have been plenty), relocated to kind of scenic place usually reserved for tropical holidays. Throw in a bit of Westworld and The Matrix as well, and all of these descriptions seem to apply to Netflix's upcoming series The I-Land. Here, ten people wake up on an island with no memory of how they got there, or even who they are, only to find themselves forced to work through psychological and physical challenges — or die. Releasing on the streaming platform this month, the limited series stars Kate Bosworth (Blue Crush), Natalie Martinez (Under the Dome), Alex Pettyfer (Magic Mike) and Kyle Schmid (Being Human), and will unravel its twists and turns over seven episodes. It shouldn't come as a surprise that nothing will be as it seems on this mysterious island — that's the entire premise — with the stranded folks all grappling with their best and worst tendencies in their quest to survive. Based on the just-dropped trailer, the show may just continue a trend that seems to be getting stronger on Netflix, taking cues from a heap of other hugely successful movies and TV series, cobbling them together into one new package and endeavouring to attract the widest possible audience as possible. That's not just a cynical view, with the service's algorithm already designed to serve up suggestions based on your viewing habits — and it's obviously using that data to inform what kinds of programs to make next. Given the huge success of Fyre: The Greatest Party That Never Happened when it released on Netflix earlier this year, transforming that concept into a thriller is a logical next step — as the show's first teaser toyed with. Check out the initial teaser online and the new trailer below: https://www.youtube.com/watch?v=GxpwiwOdMHk The I-Land hits Netflix on September 12. Image: Courtesy of Netflix.
Across its stable of renowned Italian eateries, mozzarella bars and delis, the DOC Group (including DOC Pizza & Mozzarella Bar Carlton and Sydney, plus DOC Espresso Carlton) has earned a solid reputation for many things. That includes its signature pizzas and top-quality salumi selection; however, those classics are taking a backseat at the team's latest addition — a new restaurant dedicated entirely to plant-based and gluten-free eats. Bio by DOC has taken over the Carlton site once home to The Town Mouse, where long-time collaborators Studio Strom have added a refresh. Think: locally made custom furniture, a new green-coloured bar, a leafy back courtyard and some clever splashes of neon. In the kitchen, veteran DOC Group chef Tomaso Bartoli is steering the new culinary concept, carefully intertwining the brand's trademark Italian sensibilities with a focus on vegan and vegetarian ingredients. Not only is it a reminder that meat needn't be the cornerstone of a great food offering, but impressively, the entire menu is also gluten-free. Snacks include the likes of mini eggplant parmigiana matched with burrata and a black cabbage pesto, plus a vegan-friendly tartare of grilled vegetables finished with capers, mustard and truffle paste. You can get your pasta fix with plates like the charcoal spaghetti; a beetroot casarecce finished with mushrooms and truffle paste; and a vegan lasagne layered with spinach pasta sheets, lentil ragu and bechamel. There's more plant-based fun to be had over on the dessert list, too — expect dishes like a classic tiramisu reworked with cashew cream, and sweet potato pancakes with popcorn ice cream. From the drinks lineup, the vegan cocktail offering features sips like a Japanese twist on the negroni, plus the Oasis — which uses rum, coconut water and a pineapple shrub. There's also a considered wine selection, showcasing both Italian vino and locally-grown varietals from the likes of Merli and Heathcote's Vinea Marson. Find Bio by DOC at 312 Drummond Street, Carlton. It's open 5pm–late Tuesday–Thursday, and 12–3pm and 5pm– ate Friday and Saturday.
Carnegie's new café Left Field has been in the making for six months. If you know what the space on the corner of Koornang and Leila Roads looked like before, you'll understand why. The building, famous among locals, used to be the bright pink home of a suburban Indian restaurant; now, in its reincarnation as Left Field, it's been painted in much more understated hues of white and blue. Inside, its fit-out — featuring wooden outdoor seating and indoor plants — is very similar to what you'd find at two other cafes by the owners, Touchwood and Tall Timber. "It was a bit of a monster as far as demolition and renovation goes, but we're blown away with the results," says Ryan Lording, who comes from Tall Timber not only as a chef, but as a part owner as well. Convenient really, as he lives just up the road. The locals in the area have been incredibly supportive of the new venture in Melbourne's southeast — many of them young families who moved from places like Prahran or Richmond to Carnegie. "One of our owners was looking for a house in the area when we discovered this spot," he says. "A lot of the Tall Timber regulars moved out this way to live and start families. There's more space." On the menu, the food toes the line between healthy and indulgent. There's the smashed pea bruschetta with prosciutto, goats' cheese zucchini and basil, and the beetroot-cured ocean trout with quinoa, avocado hummus and black tahini. But then there's the Benedict, the pulled pork burger (on a black brioche bun), the Oreo cookies and cream ice cream sliders and an array of colourful muffins, doughnuts and treats sitting pretty at the counter. "People should be tossing up between five to six options, instead of the standard one or two possibilities on most menus," says Lording. With the food, they serve Niccolo coffee along with specialty drinks like kombucha, Golden Grind (a latte mix of turmeric, cinnamon, ginger and black pepper) and Matcha Maiden. Despite opening to a strong customer base who have already made Left Field their local, Lording says there's still a lot to come, like outdoor roofing and heating. His aim? To make the eatery the food destination of the southeastern suburbs. And judging by the success it's had so far, that statement isn't actually too far out of left field. Images: Melissa Cowan.
Gone are the days of sidling into bottle shops and covertly trying to identify the second cheapest wine on the shelf. The brainchild of The Iconic founder and former managing director Cameron Votan, Spokewine is the brand new online wine store that may well revolutionise the way you think about your drinking — with a unique customer rating system. The online equivalent of a well-stocked cellar door, Spokewine features wine options from more than 70 different Australian wineries, many of which have never before been available to buy on the web. With a focus on boutique producers, customers can browse by wine type, region or individual winery, or simply take a look at what's trending with their fellow oenophiles — which, let's face it, is basically just a fancy word for knowledgeable alcoholic. Once you've found the wine that suits your palate, you can order by the case and have it delivered to you absolutely free. Shipping should take between 4-10 days, and you'll need someone over 18 to sign for it on arrival. Sorry kids, there's no gaming the system. What makes Spokewine unique is their democratic review process, which takes the power away from snooty wine critics and puts it back into the hands of the people. Basically, it's like IMDb, but for your liver. After logging in through Facebook, you can choose between 'love', 'like' and 'not for me', or get more in depth feedback through tasting notes and written reviews. After you've rated the vino, your score and everyone else's get aggregated into two separate rankings — the 'approval' rating counts the percentage of positive votes, while the 'passion' rating calculates the number of 'love' votes as a percentage of people who ranked it positively. The Spokewine venture may prove a new mode of doing business for the former Iconic head and his partners Nicholas Turner, Michael Larsen and Victor Garcia. Votan told BRW the move was a "real partnership" with winemakers, as opposed to the set-up with labels: arguing over rebates, charging fees for lost custom. Looks like Votan is going to do things a little differently this time. "Not just The Iconic but any retailer I’ve ever been involved with, whether through consulting or an operational role, is that merchants are by nature in an adversarial relationship [with suppliers],” Votan told BRW. "It would be impossible to do that with the set of vendors that we’re working with now. They just don’t work like that. They’re up for partnerships for life. They want you to come and look them in the eye, walk through their vineyard with them, understand their story and at the end shake hands and say let’s do business." Now if you'll excuse us, we've got some user-reviewed wine to order.
Movie World might've badged itself as Hollywood on the Gold Coast, but it's no longer the only big tourist attraction giving visitors to southeast Queensland — and locals as well — a chance to explore their on-screen favourites IRL. Come November 2024, Brisbane will welcome Bluey's World. Get ready to hear "wackadoo!" constantly, and "for real life", too, at this immersive installation that lets you step inside one of the River City's and Australia's biggest hits of the past six years. Yes, that'd be the award-winning animated favourite that is Bluey. Missed out on staying in a replica of the Bluey house when it was temporarily up for rent in the Queensland capital in 2022? The home of the family-friendly animated phenomenon is now getting a Bluey attraction so that you have another chance to experience the global sensation beyond the TV. Announced in 2023, originally to open this August, but now launching on Thursday, November 7, 2024, Bluey's World will get you walking around life-sized sets that recreate the beloved series. The Heeler house and yard are part of the setup — and as seen in just-released images of the new attraction, they look the part perfectly. Maybe you'll be taking your little ones along, or your nieces and nephews. Perhaps you know that appreciating the adorable Aussie show about a family of blue heelers isn't just for kids. Either way, this is big — including literally. Opening at Northshore Pavilion in Northshore Brisbane, the space itself is sizeable, spanning across 4000 square metres. When Airbnb listed its Bluey abode in 2022, the response was massive. Expect the reaction to Bluey's World to be the same. Already, it has extended its season, sticking around until September 2025. Once you take the stairs up to the family's porch and enter through the front door, the Heeler home awaits, including the living room. So do recreations of recognisable scenes, characters and even games from the show. And yes, as seen in the series, you can arrive via CityCat. Visitors can expect to spend 70 minutes bounding through the experience — and will also find a playground and a cafe onsite, with interactive play a focus, taking cues from Bluey episodes in the process. There's a soundscape to match, plus a gift shop, all in a purpose-built venue. And, for big Bluey birthday celebrations, the site is hosting parties as well. Bluey's World is exclusive to Brisbane, making it a tourist attraction to fans not only locally and nationally but worldwide. Unsurprisingly, that's a big part of the push from both the Queensland Government and Brisbane City Council, who are supporting the BBC Studios- and HVK Productions-produced experience. Bluey's World opens at Northshore Pavilion, 281 MacArthur Avenue, Northshore Brisbane on Thursday, November 7, 2024 — head to the attraction's website for more information and tickets.
Cult favourite Gelato Messina just opened its fifth digs in Melbourne, this time taking over a shopfront on Malvern's Glenferrie Road. It's serving up all the favourites, plus a regular lineup of seasonal scoops within the new store — decked out with marble-like finishes and floor-to-ceiling wood panelling. Like all its other spots, 40 flavours are available throughout the year, each made in-house using milk sourced from its very own dairy farm in Victoria. But the team has taken it one step further with this Melbourne launch. To celebrate the occasion, Messina has teamed up with the famed Tarts Anon to create a new flavour of gelato that's only available in the Malvern store. For this one, Tarts Anon has supplied a heap of its coconut pandan tarts that the Gelato Messina team chops up and chucks into its own coconut and pandan gelato. It's a crunchy and creamy swirl of pandan and coconut goodness. Specialty cakes, bottles of Jersey milk, cookbooks and a whole host of merch are also displayed up the front, beneath a screen showing the team creating some of the best gelato in Melbourne. This new opening is perfectly timed as we slide into summer. Find Gelato Messina Malvern at 225 Glenferrie Road, Melbourne, open 12pm–late daily. Head to the venue's website for more details.
Sometimes, life delivers the perfect script. At its 2025 edition, Sydney Film Festival has notched up that feat. Each year since 2008, the Harbour City's major annual cinema celebration has featured its own Official Competition, awarding the picture judged the most "audacious, cutting edge and courageous" the Sydney Film Prize. Fresh from winning the Palme d'Or at this year's Cannes Film Festival, Jafar Panahi's It Was Just an Accident now has SFF's top accolade to its name as well. At Sydney Film Festival's Together-led opening night, it was announced that acclaimed Iranian writer/director Panahi was one the event's special guests — and that he was already in the New South Wales capital. Given that he has been subjected to filmmaking bans, travel restrictions, arrests and imprisonment in his homeland across his career, this was no minor development. During the fest, not only did It Was Just an Accident screen, but featured retrospective Jafar Panahi: Cinema in Rebellion highlighted every single one of the filmmaker's movies. Now, at SFF's closing-night gala — with Splitsville 2025's final flick — Panahi has collected the event's major accolade, accepting it at the State Theatre in person. It Was Just an Accident was picked as 2025's Sydney Film Prize-winner by a jury led by Australian filmmaker Justin Kurzel (Ellis Park) as president, plus his The Narrow Road to the Deep North talent Thomas Weatherall, the latter's Heartbreak High co-star Rachel House, Hong Kong-based producer and distributor Winnie Tsang and Marrakech International Film Festival Director Melita Toscan du Plantier. If you're in the Harbour City between Tuesday, June 17–Friday, June 20 when Sydney Film Festival's 2025 Back By Popular Demand bonus screenings hit Dendy Newtown, Palace Cinemas Norton Street and Ritz Cinemas Randwick, Panahi's awarded movie is among the titles receiving encore sessions. The filmmaker's latest picture follows a family on a road trip — and, at SFF, follows Parasite as the only two flicks to have taken home both the Palme d'Or at Cannes and the Sydney Film Prize. Iranian features have now won SFF's top gong, which awards a $60,000 cash prize, a record-breaking three times. Asghar Farhadi's A Separation claimed the accolade in 2011, then Mohammad Rasoulof's There Is No Evil did the same in 2021. Other previous winners span There's Still Tomorrow (2024), The Mother of All Lies (2023), Close (2022), The Heiresses (2018), On Body and Soul (2017), Aquarius (2016), Arabian Nights (2015), Two Days, One Night (2014), Only God Forgives (2013), Alps (2012), Heartbeats (2010), Bronson (2009) and Hunger (2008). "It has been an honour and a privilege to watch cinema for the past ten days. To be amongst audiences who love and guard this powerful expression, are champions for experiences which are transforming and transcendent. To Nashen [Moodley, SFF's Festival Director] and the Sydney Film Festival team, thank you for inviting us to be part of what has been an enormously successful festival," said the jury in a statement. "We want to acknowledge the powerful and assured first-time films within competition. There were many and we were astonished by their confidence, authenticity and swagger. This new wave of international filmmakers are pushing the boundaries and connecting to cinema in original ways. It is their perspective which moved us and opened our hearts to stories which felt deeply personal and true. There was a push towards testing the form, taking real risk to find new ways to challenge cinema," the jury continued. "In these times of great conflict and uncertainty, it is more important than ever that filmmakers are given the freedom to express what they see around them. The films we watched led with empathy, compassion and kindness. The directors trusted that their stories would make us feel first, connect to a personal point of view, they were political but human first." "The winner of the Sydney Film Festival for 2025 embodied all these qualities, a courageous film with a deep soul and a powerful sense of forgiveness. It has outstanding performances and an understated authority which is brimming with truth." The 2025 recipients of SFF's full suite of annual prizes was also revealed at closing night, including for documentaries and shorts. Songs Inside nabbed the Documentary Australia Award, with Aussie filmmaker Shalom Almond (Prisoners and Pups) emerging victorious — and with a $20,000 cash prize — for exploring the impact of a music program on women prisoners. Fellow homegrown doco Floodland, which shines a spotlight on Lismore, scored Jordan Giusti the $40,000 Sustainable Future Award. Canadian filmmaker Lisa Jackson (Indictment: The Crimes of Shelly Chartier) received the $35,000 First Nations Award for Wilfred Buck, about its namesake Cree educator in Northern Manitoba, while Big Bang Sound Design's Wayne Pashley and Libby Villa collected the $10,000 Sydney-UNESCO City of Film Award. In the Dendy Short Film Awards, this year's applauded titles include Faceless for Best Live Action Short Award, and also Best Practitioner for its music and sound designer Josh Peters; Yoram Gross Animation Award-winner The Fling; and Mates, which saw Rory Pearson named as Best Director and share the Rising Talent Award for Screenwriting with co-scribe Marcus Aldred-Traynor. [caption id="attachment_1009303" align="alignnone" width="1920"] Belinda Rolland © 2024[/caption] Sydney Film Festival 2025 ran from Wednesday, June 4–Sunday, June 15 at various cinemas and venues around Sydney. The fest is screening four days of encores via Sydney Film Festival's 2025 Back By Popular Demand bonus screenings at Dendy Newtown, Palace Cinemas Norton Street and Ritz Cinemas Randwick between Tuesday, June 17–Friday, June 20. For more information and tickets, head to the festival's website. Jafar Panahi images: Tim Levy.
Tequila is having a moment right now. Global demand for the Mexican spirit has been soaring over the past decade, and is still on the rise. Some will say that it's been a long time coming, but this is probably not too much of a surprise given tequila's dubious (and long-held) reputation as a spirit downed as a shot. What should be less of a surprise, however, is that tequila is an incredibly complex spirit with a proud legacy, and is a product that is more than worthy of being taken seriously. It's not that we've been drinking it wrong — it's that we can be drinking it better. [caption id="attachment_862088" align="alignnone" width="1920"] Eliana Schoulal[/caption] POPULARITY IS SOARING Paul Hayes, CEO and co-founder of VIVIR Tequila, is playing his part in helping change perceptions. Launched in 2019, the UK brand made it its mission from the outset to "become the first independent brand based [in the UK] to support and educate on the category, and show Britain just how special quality tequila could be". This is a message that Hayes is hoping translates to the Antipodes, with the recent launch of VIVIR in Australia. Kevin Griffin (pictured above), National Sales Director of the spirit's Australian distributor Highball Spirits, believes we're well on our way. "Tequila is the fastest-growing spirits category in Australia right now, and a huge part of this is due to education around this fantastic spirit," he says. Griffin credits tequila's recent upswing on our shores to two converging factors: "Trends globally have shown us that people are premiumising when they are enjoying alcohol, so the movement from shots to cocktails is evident. During lockdowns when people were forced to make cocktails at home, you guessed it, most people turned to the classic margarita." Griffin notes a growth of more than 30% in recent demand for triple sec as evidence that the margarita is "now most definitely Australia's most popular cocktail". [caption id="attachment_862087" align="alignnone" width="1920"] David Garcia Sandoval (Unsplash)[/caption] A QUICK NIP OF TEQUILA EDUCATION Of course, there's a lot more to appreciating tequila than the margarita. But first, a very quick overview of the basics. First produced in the 15th century, tequila is made from the twice-distilled fermentation of the hearts of blue agave plants. Like other iconic food and drink products, its production is protected by Mexican law — all products advertising themselves as tequila must be made in the spirit's namesake town in the state of Jalisco, and must contain at least 51% of blue agave plant distillate. There are three main types of tequila: blanco, reposado and añejo. The latter two refer to tequila that's been aged following its distillation — reposado rests in oak barrels for anywhere between two to 12 months, while añejo ages between one to three years (anything beyond three years is called extra añejo). Blanco is tequila that's immediately bottled following distillation or aged for a very short period of time, and is often seen by tequila connoisseurs as the purest expression of the spirit. Whichever you prefer, though, there are differences in taste between tequila made from valley and highland agave plants — the former can be identified by its earthier flavours, while the latter is usually sweeter and fruitier. VIVIR produces all three of these expressions, as well as a tequila-based coffee liqueur, using premium Weber Blue Agave grown for nine years in the Jalisco highlands. The agave hearts, or piñas, are cooked in traditional hornos (clay ovens) and with natural volcanic spring water from a well at its distillery. The result is a natural, fresh, flavour-packed spirit that celebrates the agave plant. [caption id="attachment_862089" align="alignnone" width="1920"] Eliana Schoulal[/caption] ENTER: VIVIR Griffin thinks that VIVIR has entered the Australian market at exactly the right time. "VIVIR as a brand is a fantastic example of incorporating modern branding with a very traditional recipe process behind it. Consumers are choosing brands that have similar ethos to theirs so the fact that VIVIR follows sustainable practices in its production of tequila will sit well with the consumer." More importantly, perhaps, is the one fundamental that slick packaging can't hide: taste. But Hayes reckons VIVIR is on to a winner in that department, too. "Sip our expressions over ice and you'll immediately notice a difference — the smooth rounded mouthfeel and earthy fresh tastes of agave couldn't be further from that terrible shot we've all had at the end of a night out." To that end, Hayes is also excited about VIVIR becoming a potential gateway for people to appreciate tequila in new ways. "We often hear people saying they really want to 'get into tequila', but they don't know what to buy or how to drink it. We're always there to help out." SERVING SUGGESTIONS So, where to start? For Hayes, less is more. "A generous measure of VIVIR Tequila Añejo, which has been aged in bourbon barrels for 18 months, served over a large cube of ice in a whisky tumbler is my go-to serve. It lets the rich smoky aromas and unique flavours take centre stage, and is the perfect sipper for an evening after a long day behind a screen." Griffin is also a fan of keeping things simple. "Depending on the occasion, my drink of choice for years has been tequila blanco with tonic water and a slice of orange." And if it's cocktail hour? Griffin likes a rosita, an agave-fuelled cousin to the classic negroni that calls for sweet vermouth instead of dry. "A tequila-based negroni using the VIVIR Reposado is a great drink," he says. Griffin also likes switching up his old fashioned game with a tequila twist. "I love using the VIVIR Añejo Tequila with either a dash of honey water (1:1 water and honey) with a dash of chocolate bitters. It's a delicious drink that really highlights the sweeter vanilla notes in an aged tequila." No matter how you choose to enjoy tequila, you're in for a treat. "Good quality tequila tastes amazing and is wonderfully versatile," Hayes says. "There is so much craft and skill that goes into producing superior quality tequila and the results between brands can be as different to taste as whiskies. It really is a spirit to savour." To discover more about VIVIR Tequila, where to try it, where to buy it, as well as cocktail recipes, head to the website.
Don't let anyone ever tell you that art and sport don't mix. Awards season, when the past year's films and TV shows battle it out for shiny trophies? That's as competitive as it gets. Guessing who'll become the next Bond? Given how seriously people take it, that fits, too. And, so does speculating every few years about who'll take over that other beloved, long-running British franchise: Doctor Who. The latest round of wondering who'll be stepping into the TARDIS has just come to an end, though — and there is indeed a fantastic winner. After proving such a hit in Netflix's Sex Education, Rwanda-born Scottish actor Ncuti Gatwa has been named as the 14th time lord. And, for the second time in a row, Doctor Who is making history. When the police box-loving, time-travelling, Dalek-fighting character next regenerates into a new incarnation — which is how the series writes in its casting swaps — Gatwa will become Doctor Who's first Black lead. He takes over from Jodie Whittaker, whose run comes to an end this year, after becoming the first-ever female lead back in 2017. The future is here! Ncuti Gatwa is the Doctor. ❤️❤️➕🟦 #DoctorWho Read more here ➡️ https://t.co/KoxPmoNAdL pic.twitter.com/peKsH6gCjI — Doctor Who (@bbcdoctorwho) May 8, 2022 As well as following on from Whittaker, Gatwa joins a long list of other British actors who've stepped into the part — 12 prior to Whittaker, obviously — including OG Doctor William Hartnell back in 1963; 70s favourite Tom Baker; and Christoper Eccelston (The Leftovers), David Tenant (Mary Queen of Scots), Matt Smith (Morbius) and Peter Capaldi (The Suicide Squad) since the show made a big comeback in 2005. And yes, the fact that it took 54 years for the character to become a woman and six decades for a Black actor to play the part is clearly far too long. Announcing the news in a BBC statement, Gatwa said "there aren't quite the words to describe how I'm feeling. A mix of deeply honoured, beyond excited and of course a little bit scared. This role and show means so much to so many around the world, including myself, and each one of my incredibly talented predecessors has handled that unique responsibility and privilege with the utmost care. I will endeavour my utmost to do the same." "Russell T Davies is almost as iconic as the Doctor himself and being able to work with him is a dream come true," Gatwa continued. "His writing is dynamic, exciting, incredibly intelligent and fizzing with danger. An actor's metaphorical playground. The entire team has been so welcoming and truly give their hearts to the show. And so as much as it's daunting, I'm aware I'm joining a really supportive family. Unlike the Doctor, I may only have one heart but I am giving it all to this show." Davies himself, Doctor Who's showrunner, was just as excited. "The future is here and it's Ncuti! Sometimes talent walks through the door and it's so bright and bold and brilliant, I just stand back in awe and thank my lucky stars. Ncuti dazzled us, seized hold of the Doctor and owned those TARDIS keys in seconds." Gatwa's stint as Doctor Who is slated to start in 2o23 — but exactly when it'll drop hasn't yet been revealed. In the interim, you have two ways to celebrate: watch old Doctor Who episodes, naturally, and re-binge your way through Sex Education again. Ncuti Gatwa will start playing Doctor Who in 2o23 — we'll update you with a release date when one is announced. Images: Sex Education, Sam Taylor/Netflix.
Worry not if you didn't manage to get a European summer this year, for the Afloat crew has brought a slice of it to Melbourne — this time modelling its floating bar after Italian beach clubs. This is Afloat's ninth iteration, having drawn inspiration from Mexico in 2023, the Balearic Islands in 2022 and Turkey's Turquoise Coast in 2021. As it was with these past versions, the new Afloat Capri has an entirely new look, food and drink lineup, and music and entertainment program. Now, drop by to find yellow and white striped umbrellas, lemon trees, colourful ceramic planters, terracotta tiled roofs, rosemary plants and sorbet-hued walls covered in hand-painted illustrations. This is clearly one of the top destinations for spritz-sippers in Melbourne this summer. And that's not only because of its new design and watertop location. The drinks menu is sure to hit all the right spots as well, thanks to HQ Group's Head of Cocktails Tom Younger. He has spent many a month dreaming up the new Italian-inspired beverage menu, pumping it full of 25 citrus- and aperitif-driven cocktails. Most of these are said to be "smashable", including the six spritz options — think Aperol, limoncello, pink gin, elderflower, Montenegro and berry. There's even a few special Pidapipo gelato-based cocktails, like the Sgroppino Sour (on tap) made with gin, lemon sorbet and prosecco, and boozy ice cream floats (better known as spiders to many of us). The food menu is also stacked with crowd-pleasing dishes, from pasta and pizza (Neapolitan-style pizza and focaccia-like Sicilian pizzettes) to seafood platters and antipasti medleys. DJs will also be playing tunes every day down by the river, plus the Afloat crew will even be hosting mozzarella-making and pizza-making parties later in the year. Like always, the Arbory crew is opening the floating bar in stages. Right now, the main area of Afloat is free to enjoy, while the Aperol Pool Bar & Deck, and second-storey Peroni Capri Upper Terrazza will open in the coming months. If you want to get the full effect, you might want to wait a little longer — or just keep returning throughout the summer. Images: Kim Canales-Ascui.
Plan a trip to South Australia, and spending time surrounded by grapes is probably on your agenda. In 2022, you can pair all those winery visits with plenty of pumpkins, too, because Yayoi Kusama's pumpkin-focused infinity room The Spirits of the Pumpkins Descended into the Heavens will display at the Art Gallery of South Australia from Friday, April 1. Australia just keeps going dotty for Kusama. Brisbane's Gallery of Modern Art's hosted a kaleidoscopic exhibition dedicated to the Japanese artist back in 2017, her Obliteration Room has proven a hit in the Sunshine State several times and, going one better, Canberra's National Gallery of Australia acquired The Spirits of the Pumpkins Descended into the Heavens back in 2018. While the latter is a permanent addition to the NGA's collection, it's also going on the road on — which is why Adelaide is your next place to see oh-so-many dots. The piece was first exhibited in 2015. Comprised of a mirrored cube filled with yellow, dot-covered pumpkins, it's a quintessential Kusama work. Whether you're a devoted fan who considers visiting the artist's own Tokyo museum a bucket-list moment, or someone who has simply placed stickers around one of her obliteration rooms, you would've noticed that dots and the concept of infinity are crucial to her art — "our earth is only one polka dot among a million stars in the cosmos," she says. Inside the cube, the bulbous vegetables appear to create an endless field thanks to the shiny surface. On the outside of the cube, the structure's mirrored exterior reflects the yellow-and-black walls in the surrounding installation room — again, making it appear as though the pattern stretches on forever. The NGA's acquisition was made possible via a gift from Andrew and Hiroko Gwinnett, which is also supporting the infinity room's tour. AGSA hasn't revealed how long it'll be on display, but entry will be free — and it's obviously a must-visit addition to any Adelaide itinerary. The Spirits of the Pumpkins Descended into the Heavens forms part of the gallery's just-announced 2022 program, which also includes the 2022 Adelaide Biennial of Australian Art from March, a showcase of Japanese sculptural ceramics from May, and Robert Wilson: Moving portraits from July — with the latter displaying video portraits of international stars such as Lady Gaga, Brad Pitt, Isabella Rossellini, Robert Downey Jr and Winona Ryder, as created by the New York artist, designer and director. Find The Spirits of the Pumpkins Descended into the Heavens 2017 at the Art Gallery of South Australia, North Terrace, Adelaide, from Friday, April 1, 2022. Images: Installation view, THE SPIRITS OF THE PUMPKINS DESCENDED INTO THE HEAVENS by Yayoi Kusama, 2017, National Gallery of Australia, Canberra. © Yayoi Kusama, courtesy of Ota Fine Arts, Tokyo/Singapore/Shanghai.
Tassie, glorious Tassie. This Aussie island has massively grown in popularity over the past few years, with travellers popping over for culinary delights, the long list of must-see natural sites and the thriving arts and culture scene. Thankfully, you can experience all of this stuff in and around Hobart. The city is home to some of the country's greatest restaurants and bars and, of course, the one and only MONA. Not to mention the mountains, forests and world-famous beaches that surround the city just waiting to be explored. To make it a little easier for you to experience all the best bits, we've teamed up with a bunch of local tour operators to curate these ten unique travel experiences. Head to Concrete Playground Trips to book your spot on a few of these tours, taking your Hobart holiday to the next level. SEAFOOD SAILING TOUR This luxury tour showcases some of the very best seafood that Tasmania has to offer, all from the comfort of a two-storey catamaran. Picture sailing past towering sea cliffs, sandy beaches only accessible by boat and sea life such as dolphins, whales and seals, all the while sampling the freshest wild seafood. The team's own local divers will harvest and prepare it all for you right on the boat. What's on the menu? Get ready for periwinkles, sea urchins, abalone, lobsters, oysters, salmon and mussels. If you consider yourself a seafood stan then you add this tour to your next Hobart holiday. BOOK IT NOW. THREE-DAY ACTIVE ADVENTURE FROM LAUNCESTON TO HOBART This trip explores some of Tassie's most scenic locations. Start your journey by exploring the amazing walks and scenery within Tasmanian Wilderness World Heritage Area, home to Cradle Mountain. You'll then continue onwards to Hobart via the Wineglass Bay lookout to enjoy the coastal scenery and potentially spot some local critters. Lastly, walk amongst the history at the World Heritage Port Arthur Historic Site and enjoy the action of a Tasmanian Devil feeding. It's an incredible way to experience Tasmania's vast natural landscape. BOOK IT NOW. HOBART CRAFT DRINKS TOUR This full-day tour is perfect for those seeking to try some of Tassie's award-winning craft brews. The Drink Tasmania Signature Tour will take you to five of southern Tasmania's best craft beverage experiences in the Huon and The Coal River Valley. You'll get to experience the finest of Tasmania's whisky, wine, beer and cider. If you'd prefer to focus on one kind of drink, try one of the specialised tours for gin, whisky, and craft beer. BOOK IT NOW. TWILIGHT BRUNY ISLAND SAILING TRIP Sail to Barnes Bay on Bruny Island as the sea, sky and landscape transform with the shifting angle of the sun. See shadows lengthen across rock faces on the shoreline as they are gradually silhouetted against a golden sky. The sailing trip shows off this part of Tasmania at its finest. And you get to see it in style, aboard a luxury yacht with local wines flowing throughout the journey — and a few obligatory cheese platters making the rounds. BOOK IT NOW. [caption id="attachment_891490" align="alignnone" width="1920"] William Hook (Unsplash)[/caption] BMX RIDE DOWN MOUNT WELLINGTON On this adventure, you'll ride a mountain bike down the foothills of Mount Wellington past bushland and wildlife as you feel the wind rushing through your hair. At the end of the ride, you'll be invited to join the guide at a local Hobart pub for a few beers and enjoy the unique opportunity to drink from the famous (to locals, at least) handlebar that holds a glass of beer. Look it up. BOOK IT NOW. THE ULTIMATE HOBART WINE TOUR On this full-day wine tour, a small group will visit four of the best wine producers near Hobart. You'll have the opportunity to meet some of the winemakers and taste a range of award-winning, handcrafted, cool-climate wines. During vintage, you'll see grapes being processed and wines fermented, and throughout the rest of the year, you'll see grapes growing in the vineyard and wines maturing in barrel rooms. You may even be lucky enough to try wine direct from the tanks or the barrels, depending on the time of the year and what the winemaker is working on that day. Expect a day packed full of wine tasting, tours, conversations and even some local cheeses thrown in for good measure. BOOK IT NOW. SAILING TRIP IN HOBART'S BAY AND THE DERWENT RIVER During this experience, you'll be sailing in a Sydney to Hobart race maxi — really sailing. This isn't a champagne-and-sunset-dinner on a luxury yacht kind of experience. You'll be getting a workout as you cruise around Hobart's breathtakingly beautiful bay. You might see penguins, dolphins or seals (regular visitors) and sometimes even whales and orca. That is when you're not grinding the winches and taking a turn on the helm. End the experience with an altogether civilised afternoon tea in town. BOOK IT NOW. SCENIC FLIGHT AND CRUISE ALONG TASMANIA'S SOUTHWEST This exciting tour takes you on two separate scenic flights over Hobart and Southwest National Park — Tasmania's largest national park. You'll marvel at these sites from a bird's eye view before joining a small boat cruise out to Bathurst Harbour — a remote waterway three times the size of Sydney Harbour. You'll even get a special lunch made from Tassie produce, served with some local wine. This is one of the best ways to see this unique part of Australia. BOOK IT NOW. KAYAK IN THE TASMAN PENINSULA Get up close and personal with the southern hemisphere's highest sea cliffs and resident Australian fur seals. At sea level you'll truly appreciate its scale, gazing up at 200-metre-high fluted rock formations, peering into natural sea caves, photographing the towering Candlestick, and searching for climbers on the Totem Pole — a sheer column famed amongst thrill-seeking rock climbers. BOOK IT NOW. [caption id="attachment_895219" align="alignnone" width="1920"] Lochlainn Riordan (Unsplash)[/caption] FULL-DAY TOUR OF WINEGLASS BAY We've teamed up with Wineglass Bay Tours, one of the original and most experienced tour operators in the region, to bring this beach and forest hiking experience. The local guide will take you up to mountaintops with sweeping views across the national park and down to the beach itself for lunch and wine tastings. This is great for those who are afraid of getting lost in the wilderness, but still want to get out in nature. There's no chance of getting lost with these expert guides. Plus, they'll even share some local stories and fun facts during the hike. BOOK IT NOW. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world. Top image: Drinks Tasmania
It started with everyday awkwardness. It plunged straight into a memorable meet-cute, too. And, it pondered what might happen if a medical student and a microbrewery owner crossed paths in Sydney, ended up with an injured dog between them, then went from strangers to pet co-owners almost instantly. Also, it's the latest collaboration between real-life couple and No Activity stars Harriet Dyer (The Invisible Man) and Patrick Brammall (Evil). From the moment that Colin From Accounts hit screens late in 2022, it clearly wasn't short on highlights. Among last year's best new TV shows, this Aussie gem stood out for its charm, relatability, smarts and fleshed-out characters — plus its ace two- and four-legged cast. Thankfully, there'll be more where all of the above came from, with Australian streaming service Binge confirming that a second season of Colin From Accounts is officially on the way. "We're thrilled that Binge is finally giving in and letting us do another one. Turns out the border terrier community is extremely powerful," said Dyer and Brammall in a statement announcing the homegrown hit's impending return. "Thank you to everybody around the world who has enjoyed the show — we can't wait to bring you all a second season. Stay tuned for more shenanigans." So far, there's no exact timing set for a second date with Dyer as Ashley and Brammall as Gordon; however, the renewal news comes after Colin From Accounts nabbed itself a trio of 2023 Logies. The series picked up Most Outstanding Comedy Program, Most Outstanding Actor and Most Outstanding Actress — all industry voted, rather than by audiences. Story-wise, the first season of Colin From Accounts followed Ashley and Gordon after the latter was distracted by the former one otherwise ordinary morning, then accidentally hit a stray dog with his car. The pair took the pooch to receive veterinary treatment, then committed to look after him — and, yes, named him Colin From Accounts — causing their already-chaotic lives to intertwine. "The funniest couple on TV (and their dog) are coming back. Binge is thrilled to confirm a second season of the award-winning Colin from Accounts," Alison Hurbert-Burns, the streaming service's Executive Director. "We left season one unsure if Ashley and Gordon could get Colin back, so of course we need to see what's next for these loveable characters that audiences in Australia, and the world, have fallen in love with." Check out the trailer for season one of Colin From Accounts below: Colin From Accounts season two doesn't yet have a release date, but will stream via Binge. Read our review of season one. Images: Lisa Tomasetti / Tony Mott.
There are markets, and then there's the Makers and Shakers Market. It's back, and, this time, there'll be more stalls than ever – each and every one peddling exclusively Australian-made products. Drop by Made590 for fashion featuring bright colours, jazzy patterns and inclusive sizing; RCK Candles for stunning handcrafted candles made with sandstone from a family-owned quarry; and Melbourne Cocoa for locally made Easter treats. These are just some of more than 175 stalls you'll be able to explore. You'll find them all in the beautiful Royal Exhibition Building on the first weekend in April. In between browsing, refuel with a snack or two. Tuck into a hot Italian sandwich from Rocco's Bologna Discoteca or a fresh Mexican bite with Taco Truck, before moving onto one of Sebby's cracking cinnamon scrolls or a made-from-scratch scoop from Gigi's Gelato. Also promising to keep you busy are a bunch of creative workshops, including watercolour painting, junk journalling and jewellery making, as well as vinyl-spinning DJs. Plus, for any little ones tagging along, there's a Mini Makers and Shakers Market play space.
"Does it always have to end up in a big giant dance battle?" asks the latest Step Up film, Step Up All In. Yes, that's an actual line of dialogue in a movie about trading fancy footwork for supremacy. The feature's Moose (Adam G. Sevani) poses the question to his ragtag gang of friends when yet another squabble sees them settling things on the dance floor. In doing so, he becomes the series' most self-aware expression, as well as the clearest enunciation of its purpose. Dance battles — plus contests, trials, tryouts, auditions, and any other competitive outlets — remain prominent not only to showcase performers' skills and add drama but to allow something to be dreamed about and aspired to, then achieved, attained and overcome. So if you've seen even one dance movie, whether from the Step Up franchise or any other (or even just Zoolander or Guardians of the Galaxy), then you know that yes, it does always have to end up in a big giant dance battle. Of course, there's more to be learned from the many efforts that have shuffled across screens since the days of Busby Berkley, Fred Astaire and Ginger Rogers. What other important knowledge do dance films impart? We trawled through the best and worst to find out. Nobody should stay in the corner If there's one lesson the Step Up franchise preaches again and again, it's that playing by the rules doesn't offer a path to glory. If the first film's hero, played by Channing Tatum, hadn't vandalised a prestigious performing arts school and been burdened with helping clean up as punishment, the entire course of the series may have changed — and Tatum may not have become the cinema superstar he now is today. Indeed, he peddled the same message in the semi-autobiographical Magic Mike, where working a stripping job frowned upon by most offers the titular character his only hope of earning enough money to finance his dream business. Tatum is following in formidable footsteps, with ignoring instructions a dance movie staple across all possible extremes of the subgenre. In family-oriented effort Girls Just Want to Have Fun, a young Sarah Jessica Parker constantly falls afoul of her dad in her efforts to dance, while in Dario Argento's horror film Suspiria, an American ballet student in Munich finds out the truth about her new school when she flouts the rules and sneaks around. Perhaps the best-known instance comes from that perennial favourite, Dirty Dancing. Everyone remembers when Baby (Jennifer Grey) disregarded her father's decree that she stay away from bad boy dance instructor Johnny Castle (Patrick Swayze), and when she wouldn't stay in the corner. (No one remembers when Dirty Dancing: Havana Nights unsuccessfully tried to recreate the same scenario.) Stick it (or step up) to the man In the fourth Step Up film (known as Step Up Revolution and Step Up: Miami Heat in differing parts of the world) it's not just a competition the dance crew seeks to win, though that's obviously part of the equation. In an oft-used scenario, they also square off in an against-the-odds battle with a heartless property developer threatening to gentrify their neighbourhood. Filmed flashmob-style performances help them wage both wars, providing contest entries and disrupting their nemeses efforts, but it is the challenge to authority that resonates as the feature's strongest statement. Dancers just don't know how to lie down for the man, so it seems, with putting bodies on the line their favourite form of fight. Step Up 3D, Honey and Centre Stage: Turn It Up also offer variations on rallying against authority, while an attempt to stop a corporation destroying a Brazilian rainforest drives The Forbidden Dance (a barely recalled effort attempting to cash in on the lambada craze, but the one that isn't called Lambada). And if there's one thing Footloose cemented in the consciousness of multiple generations, first in 1984 and again in the 2011 remake, it's that anyone who dares bans dancing must be defied, confronted and trounced. Stop, collaborate and listen Part of the fun of the Step Up series as it has continued is its unashamed amalgam of styles and genres. Never afraid to try something new and different when it comes to the dance scenes, if nothing else, the films themselves offer an inventive array of settings and show a wide range of sources of inspiration. Step Up All In's first breakout sequence ramps up the horror in a striking mad professor's laboratory number, while its climax sees its characters see past their rivalries to embody the same maxim in the story as well as the aesthetic. The movie is in good company, with seminal 1980s feature Breakin' teaming breakdancing with jazz ballet, Save the Last Dance's entire conceit based around the pairing of classical and ballet, and even Australia's own Strictly Ballroom introducing a Spanish influence into the titular type of dancing. Other features have interpreted the concept a little differently, but still with the same result. In Black Swan, a shy but ambitious ballerina must channel her dark side and break free from her prim and proper facade to get the lead in a production. The Full Monty saw middle-aged men get their gear off to make money after becoming casualties of Sheffield's declining steel industry. Mad About Mambo found football skills in samba. Recent release Cuban Fury tasked Nick Frost's uncharacteristic romantic lead with overcoming a childhood fear of salsa dancing to earn respect and pursue love. https://youtube.com/watch?v=j8XGmZ8HDIU There'll never be a crisis you can't dance your way out of The catharsis of getting your groove on has become so embedded in the dance film genre that almost every movie has its own example. Diving into your passion as an escape from your problems is sound advice; if movies have taught us anything, you'll emerge with a clearer head at the very least. The quintessential angry dancing scene from Footloose has become so iconic that Kevin Bacon once again kicked off his Sunday shoes to recreate it — well, with the help of a double — on The Tonight Show with Jimmy Fallon to celebrate the film's 30th anniversary earlier this year. The High School Musical movies gave Zac Efron not one but two opportunities to express his ire, the third film's moving feast of fury far superior to the second film's weak wander around a golf course. Andrea Arnold's excellent social realist effort Fish Tank shows a more serious side as its teen protagonist copes with her ills — including a liaison with Michael Fassbender — through hip-hop dancing. The trope has also been parodied in Hot Rod, where Andy Samberg's wannabe daredevil punch-dances out some anger in the forest, as well as TV's Flight of the Conchords in a number called Bret's Angry Dance. Cult comedy hit The FP took dancing through a crisis to the other extreme, with its characters forced onto their feet — duelling in an arcade game called Beat-Beat Revelation — to survive. Just do it Working as a welder by day and an exotic dancer by night, but dreaming of a more traditional way to tap your toes? Moved to the big city with stars in your eyes, but not sure if you have what it takes to give it a go? Flashdance, Burlesque and the aptly titled Make it Happen each offer a fictional testament to trying instead of wondering, as does almost every film in the subgenre that culminates in a competition: think Battle of the Year, Streetdance, Stomp the Yard, How She Move and even Take the Lead's Antonio Banderas-led ballroom dancing-focused effort, all of which address self-doubt and champion taking a chance. Billy Elliott shows just what can eventuate if, struggling valiantly through all obstacles in your way, you make it to the top of your chosen field. In Silver Linings Playbook, the stakes and the outcome are much more modest, but even securing a sense of achievement is worth the effort.
Who hasn't wanted to care less about all the things that really don't matter? Since long before self-help was even a book genre — since before there were books — humanity has been desperate to devote less of its attention to matters that simply aren't worth it. That's easier said than done, though, which is why there's so many texts about living your best life and forgetting pointless strife, including Mark Manson's 2016 hit The Subtle Art of Not Giving a F*ck. If giving less fucks is your ultimate goal — and it should be everyone's — then you've probably read The Subtle Art of Not Giving a F*ck. Or, you've heard at it at least. It was absolutely everywhere back when it first hit bookshelves, with people glued to it on buses, everyone's mates spouting its advice and more than 15-million copes sold. In early 2023, it's also going to be hitting screens. The tome dedicated to living more contented and grounded lives has been turned into a doco, with Manson himself featuring to lead the way. As the just-dropped sneak peek at the movie shows, he's on-hand to chat viewers through his brutally honest and raw but refreshing philosophy — and help you learn, if you haven't already, that it's wise to choose where to direct our fucks, what to give a crap about and what genuinely bloody matters. Couldn't be arsed reading the book? Clearly, this is the quicker way to soak in its contents, as shot in New Zealand during the pandemic. When NZ-based producer Matthew Metcalfe (Dawn Raid) came across the text — drawn to its bright cover, like plenty of folks have been — he was fascinated by its anti-self-help-book vibe, as well as its take on life's difficulties. Manson had been approached about adapting The Subtle Art of Not Giving a F*ck for the screen before, but Metcalfe got him interested in giving a fuck about his offer. If you're new to Manson's brand of advice, the book's chapter titles are as telling as its overall moniker, boasting names such as 'Don't Try', 'Happiness is a problem', 'You are not special', 'You are wrong about everything (But so am I)', 'The importance of saying no' and 'And then you die'. The appropriate mood comes through in the film version's trailer, with experienced commercials director Nathan Price behind the lens. No doubt timed for New Year's resolutions — especially if not giving a fuck is one of yours — the film debuts in Australia via digital and in New Zealand in cinemas on Wednesday, January 11, 2023. Check out the trailer for The Subtle Art of Not Giving a F*ck below: The Subtle Art of Not Giving a F*ck will be available to watch via digital download from Wednesday, January 11, 2023 in Australia, and in NZ cinemas on the same date — head to the film's website for further details.
While you may have been spoilt these holidays, with a scented candle or an adult colouring book, you may not have gotten what you really wanted for Christmas. As the festive season comes to a close and we head into the new year, you can treat yourself to some new makeup that's cruelty-free and affordable. After being crowded Best International Makeup Brand of 2020 by the Beauty Shortlist Awards, Byron Bay's Eye of Horus is offering its vegan-friendly makeup range for up to 50 percent off. The beauty brand offers everything you need for your brows, cheeks, eyes and lips and has been worn by the likes of Isabel Lucas and Dannii Minogue. You'll find a warm summer solstice eyeshadow, metallic bronze eyeliner or aurora peach lipstick. The promotion is running from Boxing Day until Wednesday, December 30, so you have just five days to look through the the website and decide what colour palette you'll be taking into 2021. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
When global media giant Condé Nast Traveler releases its annual Readers' Choice Awards lineup, it's usually guaranteed to instantly have you dreaming of far-flung holiday destinations. But one of this year's award winners might just foster a newfound appreciation for what's in your own backyard, with Sydney ranking among the world's top ten in the Best Cities in the World list for the third year in a row. The awards are significant as they always pull a high number of votes — this year, more than 600,000 readers participated. As happened last year, they scored so much feedback that the Best Cities list was once again split into two, separating the the top ten small cities, as well as their top ten 'big city' counterparts. Unlike the 2018 result, Sydney chalked up a win in the indulgent age-old battle with Melbourne, with the New South Wales capital earning a spot on the list over Victoria's capital. Moving up from tenth place last year, and sixth the year before that, Sydney ranked fourth in 2020. The Condé Nast team once again described the city as "an ideal getaway no matter the season", praising its al fresco dining, outdoor lifestyle and cultural calendar. The magazine specifically suggests visiting Redleaf, dining out in Paddington and catching a ferry over to Manly, which it calls "Australia's answer to Montauk". [caption id="attachment_702755" align="alignnone" width="1920"] Manly Beach by Paros Huckstepp[/caption] While Melbourne came in third in 2018 — three spots above Sydney — it hasn't made the 2020 list at all. Topped by Kyoto, Lyon (France) and Singapore — coming first, second and third, respectively — this year's selection also includes Vienna, Tokyo, Porto, Helsinki, Copenhagen and Lisbon in the bottom six. If, rather than basking in Sydney's glory, you're looking for holiday suggestions around Australia, the Top Trains list includes The Ghan (which travels between Adelaide, Alice Springs and Darwin) and The Best Islands in the World list stars Kangaroo Island and Tasmania. Want to start dreaming of holidays even further afield? While overseas travel may be off the cards for a little while, there's nothing stopping you dreaming of international sojourns. The Top 20 Country list might help as well. Italy came in first, followed by Sri Lanka, Portugal and Japan. You can check out all the winners of Condé Nast's 2020 Readers' Choice Awards over here.
Ever wondered what words taste like as they roll off the tongue? From the delectable to the putrid, James Wannerton has compiled a smorgasbord of the London Underground. For him, winding through the Tube is a visceral, gastronomic experience. For example, Bond Street is the acidic bite of hair spray, Euston Square is the meaty sweetness of caramelised lamb and Willesden Junction is the translucent texture of evaporated milk. The specificity is astounding. However, it's not just when Wannerton is rocketing through the underground that he is plagued by different tastes, but in daily life as well. For example, he reveals on his website, "If you are called Virginia, Denise, Donna, Helen or Christine, my brain unfortunately places you at a disadvantage. Sorry. I can't help it." Wannerton has lexical-gustatory synaesthesia, a condition characterised by the involuntary taste testing of words; it is the conflation of senses that are normally experienced separately. Though his map may come across as fun and eclectic, Wannerton's process of creating it was a meticulous operation that took 38 years. According to him, some stations required revisiting as tastes and textures change with the general ambience of the station. Further, the flavour map can actually have a pragmatic purpose. Researchers can use resources like this to study links between taste synaesthesia and word formation. You have to admire Wannerton’s commitment to accuracy. However, apparently the London underground is just an appetiser; he has now turned his taste buds towards creating similar diagrams of the New York subway and Toronto network. Via Fast Co.Design.
Ali Barter knows all too well that tapping into your most creative self doesn't always come easy. "I used to experiment a lot more," says Barter. "I'd play different instruments, I'd get on the keyboard, or I'd try and write to a concept. I was trying to find my pattern." Along the way, she's discovered her ideal approach is a more organic one, gathering inspiration as she goes. "It starts off with words, maybe from watching a movie or having an interaction with somebody," explains Barter. "I'll jot them down, and then when it gets to the songwriting part, I'll sit down with an instrument, make up a melody and use these words that I've saved. Or new words come along." We sit down with Barter to discuss her approach to the creative process and staying true to herself in music and in fashion. Some will tell you that routine and structure are creativity's best mates, but for this artist, it's the opposite. Between touring, songwriting, time spent in her Collingwood studio and all the other life stuff, Barter's day-to-day schedule is always changing, which means there's no chance of relying on a specific place or time of day to ignite that creative spark. "My routine's all over the shop," she muses. "So it's more just about showing up, getting my notebook and guitar and being there. And something might happen, or nothing might happen." The artist, who writes a lot with husband and producer Oscar Dawson, says she also draws plenty of inspiration from just being around someone she trusts creatively. "If Oscar's there and we're together, it doesn't really matter where we are," she says. "A creative space is really dependent on your attitude and who you're with." "It's like when I go to band practice — we're just in an empty, sterile room, but because I'm there with three other musicians that I love to play music with, we'll end up being creative." And, just as Barter's best work has come from sticking to her own guns in the creative process, the artist's discovered along the way that staying true to her own sense of style also inspires her most authentic work. "I'm just really a jeans and t-shirt girl," she explains. "Sometimes I've tried to be a little bit more out there, but I never feel like myself. And I think it's the same with my music. Musically, if I've tried to be a bit more cool or fancy, I end up not sounding like myself. And with fashion, when I try and be something that I'm not, I don't feel like me." In Barter's wardrobe, denim has always been a staple. "I wear denim every day, it's like my work gear," says the singer-songwriter. "It's just such a functional but honest piece of clothing, you know?" "I've started wearing these Wrangler jeans called Birkins, and I just wear them every day," Barter says. "They're high-waisted, cropped, not too tight and they look good with everything." Listen to Ali Barter's music here, and find the denim that brings out the creative, innovator and gamechanger in you at The Iconic. Images: Kate Shanasy.
When King Kong swung into cinemas back in 1933, it reshaped movie history — and also had viewers everywhere thinking twice about great apes. Fast-forward almost nine decades, and now another giant gorilla is making an impact. You can see King Nyani IRL, however, and not just on the silver screen. Even better: you can now climb into the 30-foot-long creature's hands at Taronga Zoo. Created by public artists Gillie and Marc Schattner, King Nyani was inspired by King Kong. Consider the bronze statue — the world's largest bronze gorilla statue, in fact — a response to that pop-culture behemoth. "In the movie, Kong is seen as a ferocious beast. That was so far from our experience meeting the actual animals. We wanted to show the world that this great creature was really a pacifist who put family above all else," says Marc. Spreading a message of conservation, King Nyani first popped up in New York City — where else? — in August 2020, and understandably received a huge reaction. Now, the the first edition of the sizeable statue sits in the Brookfield Zoo in Chicago, with a second due to be installed at the Bruce Museum in Greenwich, Connecticut. Yes, that makes Sydney's version edition three. "We decided to create three editions after seeing the unbelievable response to the original Nyani in NYC. We knew that this was a cause that many people were willing to get behind," advises Gillie. "This was a chance to inspire three times as many people to protect gorillas to save them from extinction." King Nyani is definitely big — up to three people can sit inside the bronze silverback's hands, an act that serves multiple purposes. "We wanted to create a sculpture where the public could really get close to the silverback, both physically and emotionally. Being able to sit in his hand and look up into his gentle face, we hope they will fall in love and join the movement to save the gorillas," explains Gille. At Taronga, King Nyani now sits next to the Centenary Viewing Platform, underneath a giant fig tree — and mere metres away from the zoo's harbour view. You'll need an entry ticket to Taronga to check out its new addition, and to snap those pics you know are going to be all over social media, but those funds will go towards the zoo's efforts to support, care and protect wildlife, including gorillas. King Nyani is on display next to the Centenary Viewing Platform at Taronga Zoo, Bradleys Head Road, Mosman. For more information, head to the zoo's website.
A lighthearted tech agency, Aesthetec, is resurrecting the general concept of Tamagotchi — albeit updated for the 21st century — in the form of Little Robot Friends. That's right, soon the black pit of loneliness and despair occupying the centre of your existence could be filled by an 8-bit 32K Arduino-compatible microcontroller with eyes. The Kickstarter campaign for this magical initiative has been so popular, it's already far overshot its goal and is gaining more pledges as I type. Aesthetec has already created plenty of cute and pretty things, like their glowing, interactive SMILE cubes that have lit up both exhibitions and parties. What's so good about these new miniature robots Aesthetec have been developing for over a year? The little tykes respond to light, sound and touch, and even have programmable personalities, allowing their owners to get some early tech education. The ostensibly simple construction of each robot actually features touch-sensitive hair, RGB LED eyes, a sensor for ambient light, microcontroller, MEMs microphone and lrDA tranceiver. Watch the video below and you'll hear the cute noises they make when spoken to. Apparently their behaviour changes as well, depending on how you treat them — bringing back vivid memories of your plaintive Tamagotchi whining in the next room when you hadn't fed it for a whole day. These guys don't seem to complain, thankfully, but it's likely that with more development (and the inevitable sharing of new programming ideas as they enter the market), all manner of human-like personality traits will emerge, some good, some bad. As Aesthetec say on their website: "We know that most adults are really just kids in a grown up body. Everybody loves to play with blinking lights and musical toys. We create custom projects for events as well as bringing existing projects for temporary installations. Our projects are designed to inspire and bring out the smiles."
Still basking in movie-filled memories from this year's Sydney Film Festival or Melbourne International Film Festival? Counting down the days until this year's Brisbane International Film Festival? Either way, take comfort in this nugget of cinephile wisdom: there's always another film festival around the corner. The next fest hitting screens is the Italian Film Festival, which returns from September 11 and October 24. 2018 marks the event's whopping 19th year, and to celebrate, it's taking a lineup of 37 features and two short films — including 33 Australian premieres — around the country. Like the hearty Italian food you're going to be craving after each session, the festival serves up quite the feast — think political dramas and time-bending fables, detective thrillers and madcap comedies, and new award-winners and old classics as well. From all of that and more, we've picked six flicks that you shouldn't miss, including movies with adorable dogs, mother-and-daughter dramas and unhinged horror, just for starters https://www.youtube.com/watch?v=0Bj8voOPacE LORO With political scandals oh-so-frequently splashed across news headlines, the Italian Film Festival's opening night pick couldn't feel more relevant. In fact, it's drawn from the real-life political scandals surrounding former Italian Prime Minister Silvio Berlusconi. Acting legend Toni Servillo steps into Berlusconi's shoes at a time when the infamous figure was experiencing woes in both his personal and professional realms. Exploring the impact of power both on those who have it and those who want it, it's a weighty recounting of a true tale — and with so much to cover, it's hardly surprising that it runs for two-and-a-half hours. Still, with The Great Beauty and The Young Pope's Paolo Sorrentino in the director's chair, not a moment will be wasted. The filmmaker isn't known for wasting any one of his gorgeous images, either. DOGMAN Thanks to Dogman, Gomorrah's Matteo Garrone gets back into the crime game — but with dogs. The writer/director's newest feature follows a dog groomer who gets caught up in the antics of one of his customers, a petty criminal, and is forced to react to his new situation. Star Marcello Fonte won this year's best actor award at the Cannes Film Festival for his leading performance, while, unsurprisingly, the entire canine cast won the fest's coveted (and cute) Palme Dog award. Italian crime dramas are no stranger to our screens, but this one certainly doesn't follow in the usual two-legged or four-legged footsteps. Amazingly, it's also based on a true story. https://www.youtube.com/watch?v=hPs2ExUL_bc SUSPIRIA Not only one of the best Italian giallo horror films of all time, but one of the best horror films full stop, Suspiria dances with death within a prestigious German academy, just as an American ballet student arrives for a stay. It's the type of movie that, if you haven't already seen it, you'll want to discover the full wonders of its plot for yourself — but let's just say that Dario Argento's colour-saturated classic doesn't follow the expected fancy footwork. Closing out this year's Italian Film Festival with a gorgeous new restoration, this screening of the 41-year-old flick also couldn't come at a better time. In November, a remake by Call Me By Your Name's Luca Guadagnino hits cinemas, starring Tilda Swinton and Dakota Johnson. Even if the new version sits at the top of your most-anticipated list, you owe it to yourself to watch (or re-watch) the original first. https://www.youtube.com/watch?v=mycCKj_IvNM LOVE AND BULLETS Love and Bullets does the one thing that every other mob effort doesn't. As great as Goodfellas, The Sopranos, Gomorrah and the like all are, none of them combine their crime chaos with song. It's more than just an intriguing concept, with the mafia musical picking up five David di Donatello awards — aka Italy's version of the Oscars — including best film. Story-wise, filmmaking brothers Marco and Antonio Manetti take their cast through the aftermath of a big mob boss' death. Yes, as you can no doubt imagine, it's a comedy. The movie also nabbed gongs for best music, song and costume design, so expect it to look and sound a treat as well. https://www.youtube.com/watch?v=jLVw6wlYJPo DAUGHTER OF MINE In 2015, Italian filmmaker Laura Bispuri and actress Alba Rohrwacher teamed up for Sworn Virgin, a compelling, moving film about an Albanian woman who vows to live life in the mountains, without sex and as a man rather than adhere to traditional views about female subservience. Their second collaboration, Daughter of Mine, also explores ideas of femininity, but in a vastly different way. It's also excellent, and exceptionally acted. As the title suggests, motherhood is in the spotlight as Rohrwacher's strong-willed Angelica and Valeria Golino's more traditionally maternal Tina grapple not only with each other, but over what's best for ten-year-old Vittoria (Sara Casu). As a Sardinian summer rolls by, the secret that connects the trio is thrust out into the open, as is a tussle between nature and nurture that shapes a young girl's journey of discovery. https://www.youtube.com/watch?v=Hk_NHWgJopc EUPHORIA As well as starring in Daughter of Mine, Valeria Golino steps behind the camera with Euphoria, her second feature as a filmmaker. In the process, she directs one of Italy's undeniable stars, Riccardo Scamarcio — who has credits in everything from John Wick: Chapter 2 to Master of None, and also appears in Loro. Scamarcio plays entrepreneur Matteo. He couldn't be more different from his brother Ettore (Valerio Mastandrea), but when they're forced to reunite, it isn't just a case of sibling rivalry. With the usually naturalistic and vibrant Golino helming, the end result shouldn't just serve up the usual family drama either. The 2018 Italian Film Festival tours Australia between September 11 and October 24, screening at Sydney's Palace Norton Street, Palace Verona, Palace Central and Chauvel Cinemas from September 11 to October 7; Melbourne's Palace Cinema Como, Palace Westgarth, Palace Balwyn, Palace Brighton Bay, Kino Cinemas and The Astor Theatre from September 13 to October 7; Brisbane's Palace Barracks and Palace Centro from September 19 to October 14; and Perth's Cinema Paradiso and Luna on SX from September 27 to October 17. For more information and to buy tickets, visit the festival website.
Jean-Paul Bourdier is an award-winning photographer, author, film production designer and professor. Bourdier's long list of talents and prizes aside, his ephemeral photographs of body art and landscapes - or 'bodyscapes' as he affectionately calls them - truly speak for themselves. His breathtaking shots seamlessly integrate painted naked bodies into the background of wondrous natural topography. Provocative, mesmerising and refreshingly unique, Bourdier's images will have you transfixed, so make sure you set aside a good amount of time to marvel at the many works of art in this collection. Here are 15 stunning photographs from his book, Bodyscapes, to give you a taste of his inspired style. [Via Design You Trust]
It's hard to come by actual hidden gems in your city these days. Chances are you've heard about the latest hidden/vegan/swimming/cannoli hotspot via social media — and so have the masses, and they've beaten you there. Most, save the truly intrepid city wanderers among us, often miss the boat on undiscovered goldmines. But hey, it's more than okay to jump on a bandwagon if something is truly good (we'll admit it; we've lined up at Lune Croissanterie with the best of 'em). But how about those little nuggets of gold in your city you've forgotten, or never got around to visiting in the first place? This summer just might be the perfect time to back-up a little bit, consult the notes app in your iPhone and see what you had scribbled down as a to-do. Not sure where to start? We've partnered with Henkell, purveyors of quality Blanc de Blancs bubbles, to pull together a hit list of some (kinda) hidden gems to dig up around Melbourne on your summer break. They'll all bring a little sparkle to your day and remind you that Melbourne is pretty darn great. CATCH A BLOCKBUSTER AT AN OUTDOOR CINEMA Running until March 2019 in the Botanic Gardens, Moonlight Cinema is one of the few openair cinemas that welcomes you to BYO picnics and alcohol. An outdoor cinema may not be so hidden or forgotten during the summer, but this tidbit of information certainly makes this one a diamond in the rough. Make it a grand affair — bring some Henkell sparkling and catch some of this year's favourite flicks, a smattering of all-time faves and a few sneak peeks at new movies coming out soon. Tried-and-tested highlights include A Star Is Born, A Simple Favour and Crazy Rich Asians, plus Halloween, Bad Times at the El Royale and Venom if you're after something darker. The first part of the program has been released, with the second half arriving in mid-January. [caption id="attachment_701556" align="alignnone" width="1920"] Lean Timms.[/caption] LAZE AWAY THE DAY ON THE RIVER Pick one of those perfect summer days to get out onto the water. Just 30 minutes on public transport from the CBD will put you at the leisurely Fairfield Boathouse, where you can rent a rowboat and float the day away on the water. To top things off, you can even bring a picnic (and a bottle of Henkell Trocken) to enjoy as you lounge the day away on the water. And if you're looking for something for you and the crew, come January, you'll be able to rent one of the new GoBoats headed for Docklands in early 2019. These eco-friendly picnic boats are slow-moving, a breeze to operate, don't require a boating licence and they feature a central picnic table with room for eight people and some BYO food and drinks. And despite what you might be thinking, they're even affordable enough to fit your post-holiday budget — simply find enough eager sailors to jump aboard and a GoBoat session will cost you less than $15 per person, per hour. That's $109 hourly in total. [caption id="attachment_701750" align="alignnone" width="1920"] Matthew Paul Argall.[/caption] WANDER THE RJ HAMER ARBORETUM Sure, your local park might be pleasant enough and conveniently located — but does it have 120 hectares worth of 150 different varieties of trees? Unlikely, if you live cityside. So, follow the Eastern Freeway a decent ways away to wind up in Olinda, home of the RJ Hamer Arboretum. It's always a few degrees cooler in the hills than the mainland — if you can't stand the heat anymore, this is a top-notch escape from the hot city. Starting with views from the entrance hill — of the Yarra Valley and Silvan Dam framed above the conifer trees — you'll wander down, discovering an immense encyclopedia of trees, plants and probably wildlife too (watch out for lyrebirds). The beauty lies in the fact that there's something new to see every season of the year, so you've got a hidden gem four times over. Bring walking shoes (it's hilly) and a picnic. REDISCOVER THE YARRA WITH A DIP AND A PICNIC The Yarra River isn't all brown city stretches full of rowers and tourist cruises. Sure, that bit around Flinders Street is — and you wouldn't be jumping in there even if you dropped your phone — but don't forget the whole thing stretches some 242 kilometres across the city and well beyond. Make for the gleam of clearer waters outside of the CBD by heading northeast to Warrandyte. Pound Bend Reserve is worth the commute, offering you a beaut stretch of the Yarra for a refreshing summer dip (head through the rock tunnel if you're brave enough), bushwalk in the surrounding area (about four kilometres round trip) and picnic facilities here and there to settle in at once you've swum. No dogs allowed, but BYO footy — there's heaps of grass. GET A CULTURE DOSE AT NEWPORT'S SUBSTATION Newport is a mere 10 minutes from Melbourne's CBD. It's part of the bayside suburbs that make up a lot of Melbourne's west and have more going on than you might think — plus a bayside breeze you'll love on a hot summer's night. The Substation is an arts and culture venue that ticks quite a number of boxes. A live music go-to, gallery and dance studio are just a couple of them. Coming up soon are an experimental sound performance (William Basinksi and Caterina Barbieri), a multimedia cinema and contemporary dance installation (Cinematic Experiments) and a video installation about the power of rumour (by Melanie Jame Wolf). The inner west has just as much art scene clout as the inner north, it seems. Summer is here and it's time to pop the bubbly. Pick up a bottle of Henkell Blanc de Blancs or Henkell Trocken for your next sparkling occasion.
Lockdowns might have robbed us of some fun things this year, but if all goes to plan, our annual celebration of King of All Fruits — aka the cherry — won't be one of them. Another Victorian cherry season is set to kick off early November, heralding two glorious months spent orchard-hopping, picnicking among the fruit trees and staining one's tongue pink gorging on locally-grown cherries. Some of Australia's most popular cherry varieties are cultivated right here in Victoria, with orchards spread throughout the Sunraysia region, northern and central Victoria, and around Melbourne. And once restrictions allow, your best bet for exploring them all is with a jaunt along the dedicated Victorian Cherry Trail. [caption id="attachment_828684" align="alignnone" width="1920"] Yarra Valley Cherries[/caption] Put together by the experts at the Victorian Cherry Association, the harvest trail identifies eight orchards and cherry-related businesses located across the prime cherry-growing regions of the Upper Goulburn Valley; the Yarra Valley and Yarra Ranges; the Macedon Ranges and the Mornington Peninsula. Favourites like Red Hill Cherry Farm, Seville's Yarra Valley Cherries and Cherryhill Orchards — home of the annual Blossom Festival — are all on the list. Download the digital brochure and plot a fruit-filled tour around the best local spots where you can pick your own cherries, buy farm-fresh fruit and stock up on various other cherry products, including cherry ice cream. With the fruiting season running from early November through till mid-January, you've even got enough time to tackle one new location each weekend. Images: Yarra Valley Cherries
Perhaps your pooch really loves seeing cars drive across the small screen. Maybe they seem to adore Wes Anderson's Isle of Dogs. One day, you might've even come home from work to find your puppy watching the television all by themselves — because they'd stepped on the remote, accidentally turned it on, then gotten comfy. Every pet owner has noticed their four-legged companion staring intently at the tube once or twice — and likely more than that. Usually, though, your TV-loving canine isn't watching a streaming platform that's been designed especially for barking, tail-wagging, bone-coveting viewers. Dog TV is exactly that kind of streaming service: an online channel that's all about entertaining your woofer, and creates videos that are specifically designed to do just that. Now available in Australia, it features content filled with sights and sounds that'll appeal to your pooch. Some programs aim to relax them, focusing on calming and soothing your little fluffball. Others endeavour to keep them mentally stimulated, and feature scenes of dogs and other animals playing. Indeed, making sure that your pupper is fine when you go out is one of Dog TV's big motivations — with its content also made to ease doggo boredom. If you're the kind of person who leaves the television or radio on for your pooch when you head off to work, then you're familiar with the concept. Here, though, your canine can feast their eyes and ears on footage and audio created especially for them, and not be forced to endure whatever daytime TV is currently serving up. Some clips attempt to do more than just relax or stimulate — by helping dogs get used to car rides and ringing doorbells as well. In fact, you could say that the entire streaming platform is designed to help canines cope, given that anyone who has recently transitioned from working from home full-time to venturing back into the office is now forced to leave their four-legged friend in the house alone far more often. Overall, the whole service takes into account a dog's usual daily cycle, including when they're most active, and tailors its content to match. "Three programs, including stimulation, relaxation and exposure, have been scientifically created to keep your dog feeling happy and confident," says Dog TV General Manager, Beke Lubeach. "Each program is scheduled throughout the day, exposing dogs to visual stimuli and sounds that positively impact their behaviour and reduce feelings of anxiety." If you're eager to add another streaming platform to your list of subscriptions (well, to your woofer's list), Dog TV has launched in Australia via Petstock — and if you're one of the retailer's members, you can access a month for free. Monthly subscriptions cost $8.95 otherwise, or you can pay $69.95 for an annual pass. For more information about Dog TV, or to sign up for your pooch, head to the streaming service's website — or to Petstock's website.
There's no denying the appeal of Victoria's High Country for foodies and outdoorsy types, but what about history and culture buffs? As it turns out, the northeastern region is an all-rounder destination — and, yes, that covers art, too. There are museums, studios and cultural landmarks dotted across these mountainous plains, showcasing the rich heritage and creative outlook of the region. Here, you'll find everything from bushranger folklore and Olympic alpine history to galleries with an emphasis on Indigenous artworks and art displayed on grain silos. Don't know where to start? With the help from the folks at Victoria's High Country, we've it narrowed down to six top-notch arty spots, so you can get straight to it. [caption id="attachment_806386" align="alignnone" width="1920"] Visit Victoria / Robert Blackburn[/caption] BENALLA ART GALLERY For your first art-fuelled adventure, head west of Wangaratta to the small rural town of Benalla on the edge of the Broken River. Situated among lush botanical gardens, the Benalla Art Gallery is one of the best regional art spaces in Victoria. Its collection covers Australian art dating back to the early 19th century with an emphasis on traditional and contemporary Indigenous art, including works by Albert Namatjira, Destiny Deacon, Gordon Bennett and Emily Kame Kngwarreye. On display, expect to see paintings — on bark and on canvas — as well as weaving, textiles, printmaking, sculpture and photomedia. Once you're done admiring the exhibitions, take some time to enjoy coffee and cake in the cafe overlooking Lake Benalla. Time your visit right and you might be able to attend one of the gallery's workshops or talks, too. [caption id="attachment_806456" align="alignnone" width="1920"] Artist Tim Bowtell; photo by Delta Charlie Images[/caption] ST JAMES SILO ART Part of Australia's largest outdoor gallery, the northeastern section of The Silo Art Trail stretches from Benalla to the Winton Wetlands. There are several noteworthy murals that have been created through the project but, if you can only visit one, we'd suggest the silo in St James. Built in the mid-1900s, the silos in St James were constructed for the bulk bushels of wheat originally delivered to the site via horse and cart. Artist Tim Bowtell has skillfully depicted this motif on the silos' exteriors, along with a painting of local Sir George Coles, founder of the Coles supermarkets. Stop to marvel at the sheer scale of the artwork, while also appreciating the agricultural history of the area. [caption id="attachment_806377" align="alignnone" width="1920"] Visit Victoria / Peter Dunphy[/caption] CRAIG'S HUT If you like to combine your cultural appreciation with the great outdoors then Craig's Hut, located on Mount Stirling, is the perfect landmark for you. Built for the set of The Man From Snowy River back in the 80s and then reconstructed in 2008 after bushfires destroyed it two years prior, the log cabin serves as both a piece of Australian film history and a way station for hikers and cross-country skiers. To reach it, you can either tackle the 19-kilometre track from Telephone Box Junction Car Park or drive up to Circuit Road Picnic Area and walk a shorter (but still very steep) 1.6 kilometres to the cattleman's hut. If you have a car suitable for off-roading, you can head on the 4WD track. No matter how you get there, you'll find the breathtaking view is more than worth the effort. [caption id="attachment_806371" align="alignnone" width="1920"] Visit Victoria / Peter Dunphy[/caption] NED KELLY GUIDED WALKING TOUR As one of the preserved 19th-century gold mining towns, Beechworth has a history worth knowing. For example, did you know Ned Kelly — one of the country's most well-known outlaws — won a bare-knuckle boxing match in Beechworth that lasted 20 rounds? Well, now you do — and you can learn much more about the infamous bushranger and his connection to the town on a Ned Kelly Guided Walking Tour. Starting from the visitor centre at 1.15pm every day, the tour will talk you through many of the trials, tales and tribulations of Ned Kelly, his gang and what they got up to in town, including at the old courthouse and the site where the aforementioned boxing match took place. Afterward, if you're still keen on learning more about some of the area's colourful past, pay a visit to the Beechworth Historic and Cultural Precinct and the Old Beechworth Gaol. [caption id="attachment_807489" align="alignnone" width="1920"] Mark Ashkanasy[/caption] THE NATIONAL ALPINE MUSEUM OF AUSTRALIA Mount Buller's National Alpine Museum of Australia (NAMA) was established to preserve and display the rich cultural and environmental heritage of the country's alpine regions. Starting out with just 60 donated items, its collection now houses over 15,000 objects and materials that reveal the region's cattle, mining and timber history. It also looks into the fast-paced action of snow sports in Australia that goes beyond Olympic glossings. With objects from the late-19th century through to the present, NAMA's collection also tells many of the unsung stories and achievements of alpine personalities. TONY PRIDHAM FINE ART GALLERY If you have any interest in ornithology then you may already know of Tony Pridham. But for those left wondering, he's Australia's leading bird artist — and lauded Aussie artist Sidney Nolan's grand-nephew — so, a trip to his gallery is worth the 15-minute drive from Mansfield. Pridham's work hangs in galleries all over the world and his realist and hyperrealist artworks come from careful observation of wildlife in Australia, Africa, Europe and the USA. The Tony Pridham Fine Art Gallery exhibits limited-edition prints, sketches and original oil paintings and you might even catch the artist there while sitting behind his easel amid the gallery's gardens. Discover more and plan your next arty adventure at Victoria's High Country. Top image: Benalla Art Gallery, Visit Victoria / Robert Blackburn
In the sleepy suburb of Lower Plenty, a chef with Michelin-star pedigree has quietly opened a refined bistro and diner. Head chef and owner Paul Cooper snagged the venue earlier this year, which is tucked into a leafy block on a Lower Plenty hillside. Stix Restaurant and Bar embraces the art of charcoal grilling, with a custom-built woodfired grill for smoking vegetables, seafood and meat. The Euro-leaning offering is a nod to Cooper's culinary exploits, spanning London's modern French restaurant Pied à Terre, Barcelona's contemporary hotspot Àbac and Paris' Bras. "I'm very passionate about woodfired cooking. It's very romantic to cook over wood and coals. There's a primitive element in using something so old to create something so beautiful — to me it's a wonderful thing," Cooper says. Hyper-local produce selection at Stix Restaurant and Bar sits alongside a mindful approach to nose-to-tail cooking. Broccoli stalks might be tossed on the grill and lathered in kasundi, or ethically-sourced pork may be smoked and served up throughout the week, then reimagined as croquettes. A recent favourite featuring cheesecake with beer jelly also made clever use of excess beer from the bar. Alongside rotating specials, there's an all-day menu featuring handmade pasta, woodfired steak and bistro classic including a chicken parma and a pan-fried barramundi number, served with red pepper piperade and salsa verde. An expertly curated cocktail menu and elegant wine lineup also means you can wash down your feed with some top-notch drops. "It's a place where people come and enjoy themselves— where we can produce a product that we're so proud of in a little suburban restaurant. I'm pretty excited that we can showcase this food at the price point it is," Cooper says. Stix Restaurant and Bar is now open at 410 Main Rd, Lower Plenty. It's open from 12–9pm Wednesdays–Thursdays, 12–10pm Fridays–Saturdays, and from 12–9pm Sundays. Images: supplied.
If you're looking for a private dining room to book for a mate's birthday or a work lunch, Melbourne has plenty of options. And it's just scored one more: a plant-filled champagne den inside the QT Melbourne. The boutique CBD hotel has launched a 'multisensory' private dining experience that can only be described as lavish. The Art of the Wild room is filled with lush greenery and a long table that seats 20 people for multi-course champagne banquets. And, better yet, it's been created in partnership with Perrier-Jouët, so champagne is the drink of choice. As you step into the hotel's upstairs King Room, you'll feel like you've stepped into a new world that's far away from the bustle of Russell Street below. The completely private room — which isn't unlike a flower garden — is fitted out with green, purple and pink neon hues, hyper-real flower graphics are constantly projected across the room. These motion projections are inspired by the anemone flowers, which match those on the Perrier-Jouët Epoque collection bottles. Fittingly, you'll find many of them in the room. The long dining table — which can seat up to 20 guests — is made for feasting. And that's exactly what you're here to do. Andy Harmer — executive chef of QT Melbourne's venues, including the one-hatted Pascale — has created a menu exclusively for private dining guests. Seafood dishes include cured hiramasa kingfish with jicama, yuzu and dashi, and a piece of WA marron with that comes resting in a pool of broccoli, smoked eel and caviar. A piece of wagyu porterhouse is artfully plated with with tarragon, artichoke and beetroot. Each of the dishes are designed to pair with a particular drops of Perrier-Jouët. These pours include the likes of Belle Epoque 2012, Belle Epoque Rose 2006 and the Grand Brut NV. The room can be booked for groups of 18–20 people, although slightly smaller groups can be accommodated, too. A range of tiered packages are available, with the cheapest being four courses (with a glass of champagne on arrival) for $125 per person. This runs all the way up to extra special occasion territory, which sees a five-course banquet with matching champagne served up for $324 per person. If you've got a birthday coming up, we'd start sending hints to your mates ASAP. QT Melbourne is located at 133 Russell Street, Melbourne. The Art of the Wild private dining room can now be booked — if you're keen to know more, make an enquiry here. Images: Parker Blain.
Melbourne's arts calendar is always world-class, but this year it is particularly jam-packed — not just with recurring festivals and events, but lots of things that will hit the city for the first time ever. Us lucky Melburnians will be the first people in the world to see the works of 20th century French artist Pierre Bonnard reimagined by architect and designer India Mahdavi and, when ACMI reopens this year, an immersive new Mad Max installation. Plus, we'll get not one, but three new arts festivals and a new digital art gallery. While more events, installations and and exhibitions will inevitably be announced as the year progresses, these are the ones you should get more excited about right now. A BRAND NEW MULTI-SENSORY DIGITAL ART GALLERY If you prefer an art experience that extends beyond looking at works on a wall, prepare to be impressed by Melbourne's new immersive digital art gallery. Set to open sometime in autumn, The Lume will take the form of a $15 million 2000-square-metre gallery, decked out with 150 state-of-the-art projectors. Projections of some of the world's most celebrated works will be splashed across various surfaces, backed by powerful musical soundtracks and complemented by aromas. The project is the brainchild of Melbourne-based Grande Exhibitions, which, for the past 14 years, has hosted immersive exhibitions and gallery experiences in over 130 cities across the world. The company also owns and operates Rome's Museo Leonardo da Vinci. Known for celebrating art world greats like Vincent van Gogh and da Vinci through modern, multi-sensory technology, Grande Exhibitions will use a similar formula at The Lume. Instead of showcasing original works, the gallery will rely on a curation of music and moving image to create a tapestry of instantly recognisable artworks. The Lume will open in an unconfirmed Melbourne location in autumn 2020. We'll let you know when more details are announced. A MONTH-LONG AFTER-DARK LIGHT FESTIVAL Walking through a 100-foot tunnel made of thousands of lights, under a canopy of glowing multi-coloured trees and between ribbons of flashing light — you'll be able to do all of this when when Lightscape heads to Australia for the first time next winter. Taking over the Royal Botanic Gardens Victoria from June 19–July 19, the after-dark light festival will see the garden illuminated by lots of immersive and large-scale installations. Scattered along a 1.5-kilometre route, the glowing artworks will also include floating lights on a lake, shining pavilions and sparkling trees, and will take about 90 minutes to explore Having taken over gardens across the UK, and currently making its US debut at the Chicago Botanic Garden, Lightscape has chosen our very own inner-city garden for its first journey Down Under. As well as artworks and sounds shows, we're told there'll be plenty of pop-up food and drink stalls scattered throughout — selling, we hope, mulled wine to keep hands warm during the chilly winter nights. Lightscape runs from 5.30–10pm Wednesday–Sunday between June 19 and July 19. [caption id="attachment_747305" align="alignnone" width="1920"] The Gallery at sketch designed by India Mahdavi, London, 2014, photo by Thomas Humery.[/caption] A WORLD-FIRST EXHIBITION BY PIERRE BONNARD AND INDIA MAHDAVI Heading the NGV's autumn/winter program this year is a world-premiere exhibition Pierre Bonnard, created in collaboration with famed Parisian museum the Musée d'Orsay. It offers a glimpse into the life and work of acclaimed 20th-century French artist Bonnard through a sprawling collection of pieces on loan from the likes of London's Tate and The Museum of Modern Art in New York, along with other renowned French museums. A close friend of the legendary Henri Matisse, the artist is best known for his stylised decorative works evoking scenes of everyday domestic life. The exhibition will see Bonnard's recognisable designs brought to life even further, with the help of famed Iranian-Egyptian-French architect and designer India Mahdavi. Mahdavi — who has designed eye-catching spaces like London's Red Valentino store and the famous all-pink Gallery at sketch — will use her signature colour palettes and love of textures to create an immersive, life-size version of one of Bonnard's domestic scenes. The exhibition will run at NGV International from June 5–October 4, 2020. [caption id="attachment_737971" align="alignnone" width="1920"] White Night Melbourne by Gerard Dubois[/caption] A BRAND NEW MAJOR WINTER ARTS FESTIVAL Melbourne's arts calendar never fails to keep us busy, however, it's always had a bit of a lull in winter before Melbourne International Arts Festival and Melbourne Music Week take over the city in spring. But, this year, that's all set to change. In May last year the Victorian Government announced that it will launch a huge new citywide arts festival in the winter of 2020. It's set to shake up the Melbourne arts calendar as the new festival will merge the aforementioned Melbourne Festival and arts all-nighter White Night and move them into a winter timeslot. While White Night was originally held on a hot February night, in 2019 it was moved to August. Melbourne Fest, which was established in 1986, is usually held in October. Exact timings and details are yet to be revealed, but the new "global" festival — as it's being billed by the Andrews Government — will take over the city for several weeks, much like Melbourne Festival usually does in October. While it will no doubt combine the best bits of the two existing festivals, a new creative team will come on to develop a new program and vision. We're told the the 2020 program will feature a "diverse program of visual and performing arts" coupled with with "large-scale takeovers of precincts" after-dark. The inaugural festival — which is yet to be named — will kick off with a 'transitional' year in the winter of 2020. The new winter festival will hit Melbourne in winter 2020. We'll keep you updated when new details or dates are announced. A NEW 'MAD MAX' INSTALLATION AT THE NEW-LOOK ACMI There's still a good few months before the Australian Centre for the Moving Image (ACMI) wraps up construction and unveils its multimillion-dollar makeover. But we know that one of its star attractions will be a permanent ode to Mad Max. Once the revamp is completed mid-year, ACMI will boast a roomier, light-filled interior, with schmancy technology used to create a "globally connected museum of the future". Its design comes courtesy of Melbourne firm BKK Architects, while construction company Built is heading up the build. ACMI's also set to score a new edition of its ever-popular, permanent moving image exhibition, the result of a collaboration with experiential design studio Second Story. The free exhibition will dive deep into the history of the moving image with the help of cutting-edge technology and a range of immersive experiences. And one of the standout installations is a car that's half Mad Max Interceptor, half Bush Mechanics creation. One side nods to the contribution Mad Max director George Miller has made to Aussie film, featuring a futuristic machine crafted by Fury Road car designer Cameron Manewell. The other was created by Melbourne production house Rebel Films and painted in the Northern Territory by Yuendumu artists Thomas Jangala Rice and Francis Jupurrula Kelly, paying homage to the 2001 reality TV series. ACMI is set to reopen at Federation Square in mid-2020. A NEW TEN-DAY ARTS FESTIVAL IN AN UNDERGROUND WAREHOUSE Melbourne's summer festival calendar has a wild and wonderful new addition this year. Can't Do Tomorrow is taking over the warehouses of Kensington's famed underground space The Facility with a ten-day festival of music, discussion and art. The new festival promises to be immersive, eclectic and entirely thought-provoking. The lineup includes more than 100 artists, galleries, crews and collectives who will transform the former wool stores into a large-scale smorgasbord of urban art for you to look at, interact with and even buy. One of the highlights of the event will be a giant hand-painted boat floating in a shipping container by Archibald Prize finalist and Melbourne artist Michael Peck. Elsewhere on the program, new media artist Nick Azidis will take over the exterior walls and tunnel of The Facility with mind-bending projections, UK artist Mysterios Al will transform an area into a multi-dimensional work with "hidden secrets" and street artist Kaffeine's Infinite Thanks will celebrate LGBTQI+ icons with paintings and stories inside a shrine, which you'll also be able to add to with your own offerings, too. Callum Preston — who's behind Melbourne's famed milk bar installation — will create a new work inspired by 80s gangster movies that'll make you feel like you've stepped into Scarface. Street artists Ruskidd, Jason Parker, Unwell Bunny, LucyLucy, David Hooke, Steve Leadbeater and Heesco are some of the other big names on the bill, too. As well as looking at (and contributing to) the artists' works, you'll be able to chat to them, thanks to a series of talks and workshops. Rone, who recently transformed a deserted 30s mansion into a haunting installation earlier this year, is one of the artists who'll be sharing their tips. To round out the festivities, there'll also be live music, pop-up food stalls and bars and warehouse parties at Tallows Club, which will be open until 1am throughout the festival. Can't Do Tomorrow will take over Kensington's The Facility from February 20–29. [caption id="attachment_755333" align="alignnone" width="1920"] Cursed Amethyst courtesy the Trustees of the Natural History Museum, London.[/caption] A COLLECTION OF 200 TREASURES FROM LONDON'S NATURAL HISTORY MUSEUM Ever wanted to see a martian meteorite? A 200 million-year-old fossil? A cursed amethyst? Come May 2020, you'll be able to see all of them when some of the oldest and strangest treasures from London's Natural History Museum arrive in Melbourne. The aforementioned intriguing objects are just a sample of the 200 specimens that'll be on show as part of Treasures of the Natural World, which will run from May 23–October 11, 2020. The Australian-first, Melbourne-exclusive exhibition features a curation of extremely rare and mysterious objects, many of which have been invaluable to our understanding of the world. Items from Charles Darwin's personal collection, the world's largest butterfly (with a whopping 30-centimetre wingspan), extinct animals, an extremely rare 1853 cubic gold nugget and a deadly flea that carried the bubonic plague are other items you'll see at the exhibition. Oh, and back to that cursed amethyst — you might not want to get too close. Its owner Edward Heron-Allen used to keep it locked inside seven protectives boxes and once threw it into a canal, but it was, of course, returned. When Heron-Allen donated it to the Natural History Museum he did so with a note saying the gem was "trebly accursed and is stained with the blood, and the dishonour of everyone who has ever owned it". Creepy. The exhibition will hit Melbourne Museum from May 23 until October 11, 2020. Top image: White Night Melbourne.
Whether you like hitting the beach, hopping on rollercoasters, touring movie studios or trekking through the hinterland, the Gold Coast isn't short on tourist attractions. But the Sunshine State holiday spot's latest addition will take you to new depths — swimming around underwater sculptures and coral, and past hundreds of different species of marine life, all without venturing too far from the shore. Meet Wonder Reef, which opens for dives from Wednesday, June 8. It's a huge artificial reef, and it's perched just a ten-minute boat trip from the Gold Coast Seaway. Here, you'll descend down to 30 metres, and paddle around nine giant buoyant reef sculptures, which are floating beneath the surface about 2.5 kilometres offshore from Philip Park at The Spit. First announced back in mid-2021, the new $5-million attraction is designed for experienced divers — and to draw in more tourists to the Goldie, obviously. The site's coral was planted just before Christmas last year, and has already been attracting everything from lobsters, octopus and tropical fish to turtles and giant gropers. It's also expected to grow by between one and 25 centimetres a year. That's what more than 16,000 divers will see each year, too, as well as those nine sculptures. Made by Queensland artist Daniel Templeman, they measure up to 22 metres tall, weigh more than 738 tonnes (in air) and span a reef habitat of 32,000 cubic metres in size. If you're now keen for a dip, Gold Coast Dive Adventures and Queensland Scuba Diving are running regular tours. Or, if you're an experienced diver with your own boat and dive equipment, you can also book a public mooring. Pitched as a new bucket-list dive site by the City of Gold Coast and the Queensland Government, who've brought it to fruition, Wonder Reef has been given a 50-year seabed lease. So, it's sticking around for both a good time and a long time. And while the site is man-made — the coral is real, but the reef setup is artificial — it's been crafted with the natural environment in mind. Indeed, not that anyone should need any assistance, but helping folks to appreciate the underwater beauty of the natural world is another of Wonder Reef's big aims. Wonder Reef is open for bookings from Wednesday, June 8. For more information, head to the Wonder Reef website.
Before 2020 hit, anyone who found themselves in the Melbourne CBD on a Friday night was bound to have plenty of company. But after a year of lockdowns, social-distancing measures and modifying routines in response to the pandemic, the city centre isn't the thriving hub of activity it once was when the working week ends. To bring more folks back into the city on a Friday evening (and to get them to spend more money to support the CBD's businesses while they're there), the Property Council of Australia is proposing a bold plan. It's called 'Fab Fridays' and, if you're a nine-to-five worker, you'll be particularly excited about one of the key points: letting CBD workers call it quits at 4pm on Fridays so that they can then hang around, catch up with their colleagues and mates, have a bite to eat and a drink, and patronise the city's hospitality businesses. Making public transport free on Friday nights has also been suggested, with Property Council Victorian Executive Director Danni Hunter noting that it'd "encourage Melburnians into the CBD on Friday night, with the extra incentive of knowing you'll get home safely after a wonderful dinner and show". Hosting free morning activities like yoga, and giving CBD workers free or discounted food and coffee, has been floated as well — to get office-based employees to head into their place of work to finish the week, rather than working from home. Obviously, once they're already in the CBD, it's hoped that they'd stick around at knock-off time for a meal and a drink. "With only 24 percent of workers back in Melbourne's CBD, and hospitality businesses and retailers missing much-needed foot traffic, the Property Council has come up with the idea to get people back to the office on Fab Fridays, to play, stay and spend in the city into the evening and weekend," said Hunter. "We want to incentivise Melbourne's workers back into the city on a Friday in a safe and structured way. Where possible, it would be great to see them enjoy a Friday night in the CBD." The Property Council is calling on businesses to support the scheme by implementing some of the above suggestions — particularly the ones that can be put into effect in workplaces, such as 4pm knock-offs; and the ones that hospitality venues can enact, like free or discounted food and coffee — from Friday, April 23. That's when it's launching the Fab Fridays initiative, with the organisation sending an email to its members on Tuesday, March 9 asking for them to get onboard. The organisation is also calling for government support. "Melbourne's CBD supports more than 48,000 public sector jobs and we'd love to see the government make a concerted effort to encourage them to be in the office and active in our city on Fridays," said Hunter. The Herald Sun reports that discussions are underway with the City of Melbourne regarding how the scheme would operate. For now, though, nothing official is in place, so the Fab Fridays initiative is currently just a suggestion. But, Melburnians, if you're keen to kick off your weekends early — and to end your work weeks with a free or discounted bite to eat, and free public transport — start crossing your fingers that some of these ideas become a reality. For more information about the Property Council of Australia's Fab Fridays proposal for Melbourne's CBD, head to its website.
The world has witnessed pizza spinoffs aplenty since the first pizzeria supposedly opened in Naples back in 1738. But if there's one thing most pizza lovers can agree on, it's that cheese makes everything a whole lot better. So, you can imagine the cheesy grins all over Melbourne as 400 Gradi this week announced the addition of a 99-cheese pizza to its Melbourne menus for one glorious day. Don't go assuming that the number 99 is hyperbole — this pizza will have literally 99 cheeses of varying textures and tastes in both the cheese base and the extra cheeses on top. Think fior di latte, mozzarella, ricotta, parmesan...literally All The Cheese. Created by 400 Gradi owner and winner of the world's best pizza title Johnny Di Francesco, the hallowed pizza will only be available on Monday, September 5 in celebration of America's National Cheese Pizza Day (apparently that's a thing). It's not the first time Di Francesco has brought the fabled 99-cheese pizza into reality — he originally created it to coincide with the release of the Teenage Mutant Ninja Turtles (the animals who dreamed up the idea of the 99-cheese pizza) movie back in 2014. Since then, he's been hard at work, nipping, tucking and experimenting with cheese ratios to ensure this latest iteration is truly a cheese lover's dream personified. The 99-cheese pizza will be gracing the menus at Gradi restaurants across Melbourne, including the original 400 Gradi in Brunswick East, Gradi Crown, Gradi Eastland and 400 Gradi Essendon.
When National Tim Tam Day hit earlier this year, biscuit brand Arnott's gave Australians something we didn't know we wanted: the opportunity to smell like Tim Tams all day long. That chocolate biscuit-scented perfume was a limited-time-only affair, however, but there's now an option for your home, too — or for your mum's, because this a Mother's Day special. To mark 2022's celebration of mums, Arnott's doesn't simply want you to simply give your mother Tim Tams — although it clearly does still want you to do exactly that. To really get everyone's tastebuds in a tizzy, the biscuit brand has also just launched gift packs filled with Tim Tam-smelling candles and diffusers. Try getting a whiff of that and not having instant bikkie cravings. Yes, if Victoria Bitter can make a fragrance inspired by beer, The Louvre can drop perfumes that take their cues from its famous artworks and Messina can release gelato-scented candles, then making the air around you smell like Tim Tams really isn't that outlandish at all. It's the aroma that'll make you hungry all day, and features not only cocoa notes, but also caramel, tonka bean and a hint of sandalwood as well. View this post on Instagram A post shared by Tim Tam (@timtam) The Melbourne-made, cruelty-free and vegan packs cost $100 a pop and are only on sale until Thursday, April 28, and include a 200-millilitre Tim Tam-scented reed diffuser and a 300-gram Tim Tam-scented candle, as well as packs of original and salted caramel brownie Tim Tams. So, if you're buying this as a gift, that means you won't need to take a dessert along to Mother's Day lunch. And if you're purchasing it for yourself instead, well, you're only human. Stocks are limited, though — but delivery is free Australia-wide. The Tim Tam Mother's Day gift boxes are available to purchase until Thursday, April 28.
The Mornington Peninsula's luxury hotel complex Jackalope is where you'll find oddly named fine diner, Doot Doot Doot. Up there among Victoria's best, the menu consists of a multi-course degustation for $125, with plenty of luxe optional add-ons ranging from caviar to truffle honey crumpets. On this food journey you'll try the likes of a wallaby bolognese with Daniel's Run tomatoes; dry-aged duck teamed with davidson plum and beetroot; and slow-roasted celeriac finished with a pear, juniper and chestnut crumble. There's also a classical-meets-futuristic cocktail bar on premises, Flaggerdoot (apparently they're all Jackalope themed-names). And prepare to be wowed by the immaculate design — there are 10,000 lights on the ceiling that flash on and off randomly to mimic the bubbling fermentation process.
Skiing and snowboarding aren't the only things to do at Thredbo, but they're the main reason that most folks head to the snowy resort in Kosciuszko National Park in winter. The spot in New South Wales' Snowy Mountains also prides itself on its unique attractions, however, including Australia's only alpine gondola, plus the country's only lift-accessed mountain bike park with more than 40 kilometres of trails — and, soon, the first alpine coaster in the southern hemisphere as well. What's an alpine coaster? It is indeed a rollercoaster-like attraction, but features individual sleds on a track. Get zooming on the Thredbo Alpine Coaster, then, and you'll travel along a 1.5-kilometre expanse while controlling your own pace. The maximum is 40 kilometres per hour, but whether you feel the need for that speed or you're keen on something cruisier is completely up to you. Whichever you pick — fast, slow, in-between — you'll traverse both uphill and downhill tracks. You'll also go through a tunnel and over a bridge. And while this new addition to Thredbo is called an alpine coaster and is set to open for winter 2024, it will operate all year round. So, it'll be a drawcard in summer, too. Construction started in October 2023, with bulk civil excavation works and concreting already finished, and the track currently being installed. In autumn, independent third-party engineers will undertake safety testing. Then, come the coldest season of the year — with an exact launch date not yet announced — it'll be open to everyone. Thredbo General Manager Stuart Diver said that the Thredbo Alpine Coaster "will build upon our wide range of outdoor adventures in summer as a drawcard for new tourists to the village in the shoulder seasons". "This new development is a testament to Thredbo's commitment to provide a premium experience for our guests 365 days a year," he continued. The Thredbo Alpine Coaster is set to be operational by winter 2024 — we'll update you with an exact date when one is announced. Head to the Thredbo website for further details in the interim.
When 2023 first kicked in, it brought a multi-sensory Frida Kahlo installation Down Under, letting art lovers in Sydney immerse themselves in the iconic Mexican artist's works. Consider that exhibition the appetiser before the main meal that is Frida & Diego: Love & Revolution: a huge winter-long tribute to Kahlo, her well-known spouse Diego Rivera and the entire Mexican modernism movement, which is now on display in Adelaide. Open at the Art Gallery of South Australia since Saturday, June 24, running until Sunday, September 17 and one of the venue's headlining exhibition for 2023, this showcase is sizeable. Visitors can currently see more than 150 works, spanning everything from paintings and photographs to works on paper and period clothing, as drawn from the Jacques and Natasha Gelman Collection. Frida & Diego: Love & Revolution has two key aims: examining why Kahlo's work, and Kahlo herself, holds such enduring appeal; and placing Kahlo and Rivera's art in context with their contemporaries. "'Each generation brings a new lens to the profoundly inspiring figure that is Frida Kahlo. A 21st-century muse, Kahlo is today revered as a feminist and as a singular political and creative force. Frida & Diego: Love & Revolution speaks to the influence and ingenuity of art practice in Mexico and aims to recontextualise the enduring allure of Kahlo within today's society," said AGSA Director Rhana Devenport ONZM. "These iconic paintings from the extraordinary Jacques and Natasha Gelman Collection form the heart of this exhibition. Close friends of Kahlo and Rivera, the Gelmans were pioneering collectors who formed an outstanding collection of works foregrounding Mexican modernism," adds Tansy Curtin, AGSA's Curator of International Art, Pre-1980s. Amid suitably colourful walls, attendees can also spy large-scale reproductions of folk art-heavy Rivera's murals. Another highlight: exploring Kahlo and Rivera's home life and artistic practice, as inspired by their La Casa Azul house and studio. That said, while Kahlo, Rivera, and their art, connection, politics and influence all sit at the centre of this wide-ranging showcase, it also highlights pieces by Manuel and Lola Álvarez Bravo, Miguel Covarrubias, María Izquierdo, Carlos Mérida, David Alfaro Siqueiros and more — as any survey of Mexican modernism should and must. Focusing on the first half of the 20th century, this an Australian-exclusive exhibition, too — meaning that you'll have to go to Adelaide to see it — as well as most comprehensive exhibition of Mexican modernism that the country has ever seen. Unsurprisingly, South Australia expects it to be a big tourist attraction. Accordingly, Frida & Diego: Love & Revolution is being accompanied by a series of events, and not just at AGSA, to cater for locals and travellers alike. Think: clay and cocktails sessions, making paper-cut flowers in the traditional Mexican decorative craft style, a dining experience to mark Mexican Independence Day, Mexican-themed menus at Adelaide restaurants and a La Casa Azul installation in Rundle Mall. Frida & Diego: Love & Revolution is on display at the Art Gallery of South Australia until Sunday, September 17, 2023. For more information or to buy tickets, head to the AGSA website. Images: installation view: Frida & Diego: Love & Revolution, Art Gallery of South Australia, Adelaide; photos: Saul Steed.
Australian superhero fans, your must-see movies over the next few years are going to look very familiar. You won't just spot parts of the Gold Coast and Brisbane in Marvel's Thor: Ragnarok, which is due in cinemas in October 2017 — come 2018, DC Comics' Aquaman will also boast plenty of Queensland scenery. What's good for a a hammer-wielding god is good for a water-dwelling hero, it seems (and, given that the Gold Coast has plenty of water parks, it certainly appears to be a great fit). Aquaman will start shooting in early 2017 at Village Roadshow Studios on the Gold Coast and on location in south-east Queensland. As well as starring Game of Thrones' star and Port Adelaide AFL supporter Jason Momoa, Amber Heard (who we're guessing won't bring any pet pooches with her), Patrick Wilson and Willem Dafoe, it'll mark the homecoming of Saw, Insidious, The Conjuring and Fast & Furious 7 director James Wan. "This is another huge win for our local industry and testament to the international reputation of our people," said Queensland Premier Annastacia Palaszczuk. The Federal Government pledged to provide $22 million in tax breaks to entice the production to come to Australia. Indeed, it's shaping up to be a busy time for the local industry, with the just-renamed Pacific Rim: Uprising also resuming filming early in 2017, and the likes of Kong: Skull Island, The Shallows and San Andreas shooting on the Gold Coast in recent years. It's also a great time to be a comic book movie lover in Queensland. After trying to spot Chris Hemsworth and Tom Hiddleston running around Brisbane in 2016, superhero aficionados can explore all things Marvel at the Gallery of Modern Art's upcoming Marvel: Creating the Cinematic Universe exhibition come April, and then attempt to catch a glimpse of the next effort in the DC realm.
It's happening again. Another year, another round of shiny trophies being handed out throughout Hollywood. Indeed, before Monday, March 13 comes to a close Down Under, Tinseltown will have anointed a new batch of Oscar winners. The nominations dropped in late January, speculation over who'll emerge victorious dates back well into 2022, and now it's time for the Academy Awards to name its latest greats at its 95th ceremony. Here's hoping that the focus will be on the films rather than mid-ceremony mayhem in 2023. The past year boasts no shortage of exceptional flicks deserving plenty of love — whether multiverse chaos, war epics, high-soaring sequels, music biopics or Irish gems end up scooping the pool, sharing the attention or going home empty-handed. Plus, in a bonus for movie lovers in Australia, you can watch 37 of this year's nominated features right now. Some are playing in cinemas, others are streaming, and a few give you options for either big- or small-screen viewings. Here's your pre-Oscars binging rundown on where to see them all. ON THE BIG SCREEN: AFTERSUN Nominations: Best Actor (Paul Mescal) Our thoughts: The simplest things in life can be the most revealing, whether it's a question asked of a father by a child, an exercise routine obeyed almost mindlessly or a man stopping to smoke someone else's old cigarette while wandering through a holiday town alone at night. Following the about-to-turn-31 Calum (Paul Mescal, The Lost Daughter) and his daughter Sophie (debutant Frankie Corio) on vacation in Turkey in the late 90s, this astonishing feature debut by Scottish writer/director Charlotte Wells is about the simple things — but Aftersun is always a movie of deep, devastating and revealing complexity. Where to watch: In Australian cinemas. Read our full review. ALL THE BEAUTY AND THE BLOODSHED Nominations: Best Documentary Feature Our thoughts: Nabbing the Golden Lion at the 2022 Venice Film Festival, this documentary by Citizenfour Oscar-winner Laura Poitras is a film about many things: photographer Nan Goldin, her complicated history, her work, her chronicles of the LGBTQIA+ community and the 80s HIV/AIDS crisis, and her efforts to counter the opioid epidemic all included. Flitting between her images, recollections, and ongoing battle to bring the company and wealthy family behind OxyContin to justice by targeting their ties with galleries, All the Beauty and the Bloodshed is also a passionate, empathetic and piercing emotional epic. Where to watch: In Australian cinemas. Read our full review. AVATAR: THE WAY OF WATER Nominations: Best Picture, Best Production Design, Best Visual Effects, Best Sound Our thoughts: When James Cameron's second dip in what's now officially a franchise manages to be as involving as he wants it to be, and has audiences eagerly awaiting its third, fourth and fifth instalments in 2024, 2026 and 2028, it's an absolute visual marvel. When that's the case, it's also underwater, or in it. Yes, Avatar: The Way of Water takes its subtitle seriously, splashing that part of its name about heartily in as much magnificently detailed 3D-shot and -projected glory as its director, cinematographer Russell Carpenter (a True Lies and Titanic alum) and hard-working special-effects team can excitedly muster. Where to watch: In Australian cinemas. Read our full review. CLOSE Nominations: Best International Feature Film Our thoughts: When 13-year-olds Léo (debutant Eden Dambrine) and Rémi (first-timer Gustav De Waele) dash the carefree dash of youth in Close's early moments, rushing from a dark bunker out into the sunshine — from rocks and forest to a bloom-filled field ablaze with colour, too — this immediately evocative Belgian drama runs joyously with them. Girl writer/director Lukas Dhont starts his sophomore feature with a tremendous moment, one that sees his two leads bolting from the bliss that is their visibly contented childhood to the tussles and emotions of being a teenager, and it only gets better from there. Where to watch: In Australian cinemas. Read our full review. EMPIRE OF LIGHT Nominations: Best Cinematography Our thoughts: 1917, director Sam Mendes jumps back to 80s for this ode to cinema — to the coastal town of Margate in Kent, where the Dreamland Cinema has stood for 100 years in 2023. In Empire of Light, the art deco structure has been rechristened The Empire, and is where a small staff under the overbearing Donald Ellis (Colin Firth, Operation Mincemeat) all have different relationships with their own hopes and wishes. But duty manager Hilary (Olivia Colman, Heartstopper) and new employee Stephen's (Micheal Ward, Small Axe) stories are thankfully far more complicated than simply paying tribute to a medium. Where to watch: In Australian cinemas. Read our full review. LIVING Nominations: Best Actor (Bill Nighy), Best Adapted Screenplay Our thoughts: Somehow, Bill Nighy made it all the way into his 70s before receiving a single Oscar nomination; his nod for Living isn't a career nod, however, but thoroughly earned by his sensitive turn as a dutiful company many facing life-changing news. Set in 50s-era London, it's an adaptation several times over — of Akira Kurosawa's 1952 film Ikiru, which takes inspiration from Leo Tolstoy's 1886 novella The Death of Ivan Ilyich. At all times, Nighy, director Oliver Hermanus (Moffie) and screenwriter Kazuo Ishiguro (also the author of The Remains of the Day and Never Let Me Go) live up to that lineage. Where to watch: Living officially opens in Australian cinemas on Thursday, March 16, with preview screenings from Friday, March 10–Sunday, March 12. TÁR Nominations: Best Picture, Best Director (Todd Field), Best Actress (Cate Blanchett), Best Original Screenplay, Best Cinematography, Best Film Editing Our thoughts: The least surprising aspect of Tár is also its most essential: Cate Blanchett being as phenomenal as she's ever been, plus more. The Australian Nightmare Alley, Thor: Ragnarok and Carol actor — "our Cate", of course — best be making space next to her Oscars for The Aviator and Blue Jasmine as a result. Playing a celebrated, pioneering maestro who plummets to a personal and professional low just when it seems her fortunes can't soar higher, Blanchett is that stunning in Tár, that much of a powerhouse, that adept at breathing life and complexity into a thorny figure, and that magnetic and mesmerising. Where to watch: In Australian cinemas. Read our full review. TO LESLIE Nominations: Best Actress (Andrea Riseborough) Our thoughts: Forget the controversy that's surrounded Andrea Riseborough's inclusion among this year's Oscar nominees. A stunning performance is a stunning performance no matter whether other famous names advocate for accolades on its behalf or not — and the Possessor and Amsterdam star is indeed stunning in To Leslie. There's such weight and soul to her titular portrayal in this tale of redemption, after single mother Leslie wins the lotto, drinks and parties away the proceeds, then tries to reconnect with her now-adult son (Owen Teague, The Stand) six years latter, plus face a town with a long memory. Where to watch: In Australian cinemas. Read our full review. TRIANGLE OF SADNESS Nominations: Best Picture, Best Director (Ruben Östlund), Best Original Screenplay Our thoughts: Beware the luxurious worlds of Ruben Östlund's films. Beware any feelings of ease, opulence or awe that spring at ski resorts, in art museums, or, in Triangle of Sadness, within the fashion industry and on high-end holidays, too. The Swedish filmmaker isn't interested in keeping his characters comfortable regardless of their lavish surroundings, which proves true with his second feature in succession to win Cannes Film Festival's prestigious Palme d'Or. Here, he has modelling, influencers and the super-rich in his sights, plus unpacking societal structures and the divides they rely on (and cause). Where to watch: In Australian cinemas. Read our full review. THE WHALE Nominations: Best Actor (Brendan Fraser), Best Supporting Actress (Hong Chau), Best Makeup and Hairstyling Our thoughts: The actors have it: in The Whale, Brendan Fraser (No Sudden Move), Hong Chau (The Menu) and Sadie Sink (Stranger Things) are each masterful, and each in their own way. For viewers unaware that this drama about a reclusive 600-pound English professor stems from the stage going in, it won't take long to realise — for multiple reasons. As penned by Samuel D Hunter from his award-winning semi-autobiographical play, The Whale's script is talky and blunt. It also favours one setting. But the performances that Darren Aronofsky (mother!) guides out of his cast are complicated, masterful and powerful. Where to watch: In Australian cinemas. Read our full review. WOMEN TALKING Nominations: Best Picture, Best Adapted Screenplay Our thoughts: Get Rooney Mara, Claire Foy, Jessie Buckley, Frances McDormand and more exceptional women in a room, point a camera their way, let the talk flow: Sarah Polley's Women Talking does just that, and the end result is phenomenal. The actor-turned-filmmaker's fourth effort behind the lens does plenty more, but its basic setup is as straightforward as its title states. Adapted from Miriam Toews' 2018 novel of the same name, it draws on events in a Bolivian Mennonite colony from 2005–9, where a spate of mass druggings and rapes of women and girls were reported at the hands of some of the group's men. Where to watch: In Australian cinemas. Read our full review. IN CINEMAS OR AT HOME: BABYLON Nominations: Best Original Score, Best Production Design, Best Costume Design Our thoughts: What happens when aspiring 1920s actor Nellie LaRoy (Margot Robbie, Amsterdam), veteran leading man Jack Conrad (Brad Pitt, Bullet Train) and eager show business everyman Manny Torres (Diego Calva, Narcos: Mexico) navigate Golden Age Hollywood, starting at the same decadent soirée? That's what jazz-loving, La La Land Oscar-winning, Tinseltown-adoring writer/director Damien Chazelle charts in Babylon — and how. This is a relentless and ravenous movie that's always a lot, not just in length, but is dazzling (and also very funny, and sports an earworm of a Justin Hurwitz score) when it clicks. Where to watch: In Australian cinemas, and streaming via Google Play, YouTube Movies and Prime Video. Read our full review. THE BANSHEES OF INISHERIN Nominations: Best Picture, Best Director (Martin McDonagh), Best Actor (Colin Farrell), Best Supporting Actress (Kerry Condon), Best Supporting Actor (Brendan Gleeson and Barry Keoghan), Best Original Screenplay, Best Original Score, Best Film Editing Our thoughts: The rolling hills and clifftop fields look like they could stretch on forever in In Bruges writer/director Martin McDonagh's The Banshees of Inisherin, even on a fictional island perched off the Irish mainland. For years, chats between Padraic Súilleabháin (Colin Farrell, After Yang) and Colm Doherty (Brendan Gleeson, The Tragedy of Macbeth) have sprawled similarly — and leisurely, too — especially during the pair's daily sojourn to the village pub over pints. But when the latter calls time on their camaraderie suddenly, his demeanour turns brusque, and nothing for these characters will ever be the same. Where to watch: In Australian cinemas, and streaming via Disney+, Google Play, YouTube Movies and Prime Video. Read our full review. THE FABELMANS Nominations: Best Picture, Best Director (Steven Spielberg), Best Actress (Michelle Williams), Best Supporting Actor (Judd Hirsch), Best Original Screenplay, Best Original Score, Best Production Design Our thoughts: "Movies are dreams that you never forget," says Mitzi Fabelman (Michelle Williams, Venom: Let There Be Carnage) early in Steven Spielberg's autobiographical The Fabelmans. Have truer words ever been spoken in any of the director's 33 flicks? Uttered to her eight-year-old son Sammy (feature debutant Mateo Zoryon Francis-DeFord), Mitzi's statement lingers, providing the film's beating heart even when the coming-of-age tale it spins isn't always idyllic — which is often, as Sammy hits his teen years (played by The Predator's Gabriel LaBelle), chases his movie dreams and navigates his family. Where to watch: In Australian cinemas, and streaming via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. PUSS IN BOOTS: THE LAST WISH Nominations: Best Animated Feature Our thoughts: Who doesn't want to see a kitty swashbuckler voiced by Antonio Banderas (Official Competition), basically making this a moggie Zorro? Based on the 2011 Puss in Boots' $555 million at the box office, that concept is irresistible to plenty of folks — hence, albeit over a decade later, sequel Puss in Boots: The Last Wish. Pairing the right talent to the right animated character doesn't instantly make movie magic, of course; however, The Last Wish, which literally has Puss seeking magic, is among the best films that the broader Shrek saga has conjured up so far. Where to watch: In Australian cinemas, and streaming via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. VIA STREAMING: ALL QUIET ON THE WESTERN FRONT Nominations: Best Picture, Best Adapted Screenplay, Best International Feature Film, Best Original Score, Best Cinematography, Best Production Design, Best Visual Effects, Best Makeup and Hairstyling, Best Sound Our thoughts: Helming and co-scripting, All My Loving director Edward Berger gives All Quiet on the Western Front its first adaptation in German, its native tongue. The film focuses on 17-year-old Paul Bäumer (debutant Felix Kammerer) and his ordeal after naively enlisting in 1917, thinking with his mates that they'd be marching on Paris within weeks. This is a movie haunted: by the callous disregard for human lives by power-seekers far removed from any fatal consequences, the wide-eyed fervour and blind faith with which boys pledge themselves to war, the desperation in the thick of the fray, and oh-so-much death. Where to watch: Streaming via Netflix. Read our full review. ALL THAT BREATHES Nominations: Best Documentary Feature Our thoughts: Pictures can't tell all of All That Breathes' story, with Delhi-based brothers Nadeem Shehzad and Mohammad Saud's chats saying plenty that's essential. Still, the images that Shaunak Sen (Cities of Sleep) lets flow across the screen — and, befitting this poetic documentary's pace and mood, they do flow — in this Sundance- and Cannes-winner are astonishing. The pair adore the black kites that take to India's skies and suffer from its toxic air quality, tending to the creatures' injuries. As Sen watches, this film trills about urban development, its costs and consequences, and caring for others both animal and human. Where to watch: Streaming via Binge. ARGENTINA, 1985 Nominations: Best International Feature Film Our thoughts: As reliable a screen presence as cinema has ever been blessed with, The Secret in Their Eyes, Truman and Everybody Knows-starring Argentinian actor Ricardo Darín is magnetic in this weighty and important courtroom drama. Filmmaker Santiago Mitre (15 Ways to Kill Your Neighbour) dramatises the Trial of the Juntas, focusing on public prosecutor Julio César Strassera (Darín) and his deputy Luis Moreno Ocampo (Peter Lanzani, Maradona: Blessed Dream) as they attempt to bring military officials who led the country under its 1976–1983 dictatorship to justice for crimes against humanity. Where to watch: Streaming via Prime Video. BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS Nominations: Best Cinematography Our thoughts: Everyone wants to be the person at the party that the dance floor revolves around, and life in general, or so Alejandro González Iñárritu contends in Bardo, False Chronicle of a Handful of Truths. Everyone wants to be the filmmaker with all the fame and success, records, winning prestigious awards and conquering Hollywood, he also asserts. Alas, when you're this Mexican director, that isn't as joyous or uncomplicated an experience as it sounds. On-screen, his blatant alter ego is a feted documentarian (Daniel Giménez Cacho, Memoria) applauded at home and overseas, and also a man conflicted again and again. Where to watch: Streaming via Netflix. Read our full review. THE BATMAN Nominations: Best Visual Effects, Best Makeup and Hairstyling, Best Sound Our thoughts: The elder Waynes are still dead, and have been for two decades. Bruce (Robert Pattinson, Tenet) still festers with pain over their loss. And the prince of Gotham still turns vigilante by night, cleaning up the lawless streets one no-good punk at a time with only trusty butler Alfred Pennyworth (Andy Serkis, Long Shot) in on his secret. Still, as directed by Dawn of the Planet of the Apes and War for the Planet of the Apes' Matt Reeves, and co-scripted with The Unforgivable's Peter Craig, The Batman offers a more absorbing version of the character than seen in many of the past Bat flicks that've fluttered through cinemas. Where to watch: Streaming via Netflix, Binge, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. BLACK PANTHER: WAKANDA FOREVER Nominations: Best Supporting Actress (Angela Bassett), Best Original Song, Best Visual Effects, Best Costume Design, Best Makeup and Hairstyling Our thoughts: Black Panther: Wakanda Forever isn't the movie it was initially going to be, the sequel to 2018's electrifying Black Panther that anyone behind it originally wanted it to be, or the chapter in the sprawling Marvel Cinematic Universe that it first aimed to be — this, the world knew once Chadwick Boseman passed away. That vast void isn't one this film can fill, but returning director Ryan Coogler still has a top-notch cast — Letitia Wright, Angela Bassett, Danai Gurira, Lupita Nyong'o and Winston Duke, plus new addition Tenoch Huerta, most notably — drawing eyeballs towards his vibrant imagery. Where to watch: Streaming via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. BLONDE Nominations: Best Actress (Ana de Armas) Our thoughts: Usually when a film leaves you wondering how it might've turned out in other hands, that isn't a great sign — but Blonde, the years-in-the-making adaptation of Joyce Carol Oates' fictionalised Marilyn Monroe biography of the same name, demands a watch. It's a fascinating movie, including for what works astoundingly well and what definitely doesn't. In the first category: Ana de Armas (The Gray Man) as Norma Jeane Mortenson, the woman who'd become not just a star and a sensation during her life, but an icon across the six decades since. Where to watch: Streaming via Netflix. Read our full review. CAUSEWAY Nominations: Best Supporting Actor (Brian Tyree Henry) Our thoughts: Trauma is a screenwriter's best friend; however, few films are happy to sit with trauma in the way that (and as well as) Causeway does. Starring Jennifer Lawrence (Don't Look Up) as a military veteran sent home from Afghanistan after being blown up, working her way through rehab and determined to re-enlist as soon as she has medical sign-off — plus Atlanta and Bullet Train's Brian Tyree Henry as a New Orleans mechanic with his own history — this subtle, thoughtful and powerful movie grapples with the fact that some woes do genuinely change lives, and not for the better. Where to watch: Streaming via Apple TV+. Read our full review. ELVIS Nominations: Best Picture, Best Actor (Austin Butler), Best Cinematography, Best Film Editing, Best Production Design, Best Costume Design, Best Makeup and Hairstyling, Best Sound Our thoughts: Making a biopic about the king of rock 'n' roll, trust Baz Luhrmann to take his subject's words to heart: a little less conversation, a little more action. The Aussie filmmaker's first feature since The Great Gatsby isn't short on chatter. It's even narrated by Tom Hanks (A Man Called Otto) as Colonel Tom Parker, the carnival barker who thrust Presley to fame. But this chronology of an icon's life is at its best when it's showing rather than telling. That's when Elvis is electrifying, in no small part due to its treasure trove of recreated concert scenes — and Austin Butler (Once Upon a Time in Hollywood) as the man himself. Where to watch: Streaming via Google Play, iTunes and Prime Video. Read our full review. EVERYTHING EVERYWHERE ALL AT ONCE Nominations: Best Picture, Best Director (Daniel Kwan and Daniel Scheinert), Best Actress (Michelle Yeoh), Best Supporting Actress (Jamie Lee Curtis and Stephanie Hsu), Best Supporting Actor (Ke Huy Quan), Best Original Screenplay, Best Original Score, Best Original Song, Best Film Editing, Best Costume Design Our thoughts: Imagine living in a universe where Michelle Yeoh isn't the wuxia superstar she is. No, no one should want that reality. Now, envisage a world where everyone has hot dogs for fingers, including the Crouching Tiger, Hidden Dragon icon. Next, picture another where Ratatouille is real, but with raccoons. Then, conjure up a sparse realm where life only exists in sentient rocks. An alternative to this onslaught of pondering: watching Everything Everywhere All At Once, which throws all of the above at the screen and a helluva lot more thanks to the Daniels, aka Swiss Army Man's Daniel Kwan and Daniel Scheinert. Where to watch: Streaming via Binge, Prime Video, Google Play, YouTube Movies and iTunes. Read our full review. FIRE OF LOVE Nominations: Best Documentary Feature Our thoughts: What a delight it would be to trawl through Katia and Maurice Krafft's archives, sift through every video that features the French volcanologists and their work, and witness them doing their highly risky jobs against spectacular surroundings. That's the task that filmmaker Sara Dosa (The Seer and the Unseen) took up to make superb documentary Fire of Love about the couple's lives — and, as set to the otherworldly sounds of Air, her magnificent effort is an incredibly thoughtful, informative and moving film from start to finish. Where to watch: Streaming via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. GLASS ONION: A KNIVES OUT MYSTERY Nominations: Best Adapted Screenplay Our thoughts: This murder-mystery opens with a puzzle box inside a puzzle box. The former is a wooden cube delivered out of the blue, the latter the followup to 2019 hit Knives Out, and both are as tightly, meticulously, cleverly and cannily orchestrated as each other. With writer/director Rian Johnson (Poker Face) back at the helm and Daniel Craig (No Time to Die) playing southern detective Benoit Blanc again — alongside a new star-studded cast — long may this franchise keep sleuthing. Long may it have everyone revelling in every twist, trick and revelation, as the breezy blast that is Glass Onion does. Where to watch: Streaming via Netflix. Read our full review. GUIILLERMO DEL TORO'S PINOCCHIO Nominations: Best Animated Feature Our thoughts: Guillermo del Toro hasn't yet directed a version of Frankenstein, except that he now has in a way. Officially, he's chosen another much-adapted story, but there's no missing the similarities between the Nightmare Alley filmmaker's stop-motion Pinocchio and Mary Shelley's ever-influential horror masterpiece. Both carve out tales about creations made by grief-stricken men consumed by loss. Both see those tinkerers help gift existence to the inanimate because they can't cope with mortality's reality. Both notch up the fallout when those central humans struggle with the results of their handiwork, too. Where to watch: Streaming via Netflix. Read our full review. A HOUSE MADE OF SPLINTERS Nominations: Best Documentary Feature Our thoughts: A House Made of Splinters premiered at Sundance in January 2022, with Danish documentarian Simon Lereng Wilmont returning to Eastern Ukraine after The Barking of Distant Dogs to tell of the residents at The Lysychansk Center for The Social and Psychological Rehabilitation of Children. That timing saw his latest film debut before the Russian invasion, but the war's impact since 2014 make itself felt as the kids in the doco's frames step through their experiences — and grapple with a fraught reality — in a facility that's only meant to house them for nine months until their paths from there can be plotted. Where to watch: Streaming via Docplay. MARCEL THE SHELL WITH SHOES ON Nominations: Best Animated Feature Our thoughts: It started as an in-joke, thanks to a voice put on by Parks and Recreation Jenny Slate for her now ex-husband Dean Fleischer-Camp. Then came their 2010, 2011 and 2014 shorts, plus two best-selling children's picture books. On- and off-screen, the world's cutest talking shell has taken the internet-stardom path from online sensation to more — and the sweet, endearing, happily silly, often hilarious and deeply insightful Marcel the Shell with Shoes On is a touching meditation upon loss, change and valuing what's truly important, as well as an all-round gem. Where to watch: Streaming via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. MRS HARRIS GOES TO PARIS Nominations: Best Costume Design Our thoughts: The title is accurate: in Mrs Harris Goes to Paris, war widow and hardworking cleaner Ada Harris (Lesley Manville, The Crown) takes a surprise windfall to the French capital in the 50s to buy her very own Christian Dior dress. Cue class-clash snootiness (personified by The Godmother's Isabelle Huppert as a disapproving fashion house bigwig) and unexpected kindness (including from a model, accountant and Marquis played by Warrior Nun's Alba Baptista, Ticket to Paradise's Lucas Bravo and Benedetta's Lambert Wilson), in the kind of tale that plays out exactly as expected, albeit nicely. Where to watch: Streaming via Google Play, YouTube Movies, iTunes and Prime Video. NAVALNY Nominations: Best Documentary Feature Our thoughts: In August 2020, Russian opposition leader Alexei Navalny was poisoned while flying from Tomsk to Moscow. The toxin: a Novichok nerve agent. That's just one aspect of the Vladimir Putin opponent's story in recent years, which filmmaker Daniel Roher (Once Were Brothers) shot as it unfolded for his documentary Navalny. The details are astonishing and infuriating, with Navalny a candid and determined interviewee. No matter whether you know the details from copious news headlines or you're stepping through his tale for the first time, this doco couldn't be more gripping. Where to watch: Streaming via Docplay, SBS On Demand, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE QUIET GIRL Nominations: Best International Feature Film Our thoughts: This tender, affecting and resonant Gaelic-language coming-of-age film sees the world as only a lonely, innocent, often-ignored child can. Devastatingly moving and beautiful, The Quiet Girl also spies the pain and hardship that shapes its titular figure's world — and yes, it does so softly and with restraint, but that doesn't make the feelings it swirls up any less immense. Filmmaker Colm Bairéad, who directs and adapts Claire Keegan's novella Foster, makes a stunning feature debut. Also exceptional is newcomer Catherine Clinch as pivotal nine-year-old Cáit. Where to watch: Streaming via SBS On Demand, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. RRR Nominations: Best Original Song Our thoughts: The letters in RRR's title are short for Rise Roar Revolt. They could also stand for riveting, rollicking and relentless. They link in with the Indian action movie's three main forces, too — writer/director SS Rajamouli (Baahubali: The Beginning), plus stars NT Rama Rao Jr (Aravinda Sametha Veera Raghava) and Ram Charan (Vinaya Vidheya Rama) — and could describe the sound of some of its standout moments. What noise echoes when a motorcycle is used in a bridge-jumping rescue plot, as aided by a horse and the Indian flag, amid a crashing train, after all? Where to watch: Streaming via Netflix. Read our full review. THE SEA BEAST Nominations: Best Animated Feature Our thoughts: One of the undying ideas about monsters is also one of the most humane: perhaps what we perceive as monstrous doesn't always deserve that label. Set centuries back in prime seafaring times — but, thanks to the eponymous creature, clearly a work of animated fiction — The Sea Beast ponders this notion after seasoned beast-hunter Jacob Holland (voiced by The Boys' Karl Urban) pledges to slay a critter dubbed the Red Bluster. Here, eye-catching animation and a familiar but still potent story combine in Big Hero 6 and Moana co-director Chris Williams' hands. Where to watch: Streaming via Netflix. TOP GUN: MAVERICK Nominations: Best Picture, Best Adapted Screenplay, Best Original Song, Best Film Editing, Best Visual Effects, Best Sound Our thoughts: Top Gun: Maverick flies high when its jets are soaring. The initial Top Gun had the perfect song to describe exactly what these phenomenally well-executed and -choreographed action scenes feel like to view; yes, they'll take your breath away. Thankfully, this time that Tom Cruise (Mission: Impossible — Fallout)-led adrenaline kick is accompanied by a smarter and far more self-aware film, as directed by TRON: Legacy and Oblivion's Joseph Kosinski. Top Gun in the 80s was exactly what Top Gun in the 80s was always going to be — but Top Gun in the 2020s doesn't dare believe that nothing has changed Where to watch: Streaming via Paramount+, Binge, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. TURNING RED Nominations: Best Animated Feature Our thoughts: What'd happen if the Hulk was a teenage girl, and turned into a giant, fuzzy, super-cute red panda instead of going green and getting ultra-muscular? Or, finding a different riff on the ol' werewolf situation, if emotions rather than full moons inspired a case of not-quite-lycanthropy? These aren't queries that most folks have thought of, but writer/director Domee Shi certainly has — and they're at the core of Pixar's Turning Red, her debut feature after winning an Oscar for 2018 short Bao, and a movie with particularly astute and endearing results. Where to watch: Streaming via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review.
Australian activewear and maternity wear brand Active Truth has just launched its new line of leggings, bike shorts and crop tops with the help of Ngarluma, Kariyarra, Nyulnyul and Yawuru designer Bobbi Lockyer. The hand-painted design featured on the limited edition Brolga line of activewear is currently available via the Active Truth website and shipping is free worldwide. Based in Port Hedland, Western Australia, Lockyer created the clothing line in order to celebrate strong women. "In our Dreaming about Brolga, she was a beautiful girl obsessed with dancing. Dancing was her only love and nothing distracted her," Lockeyer said. "I like to think of Brolga as a headstrong woman, passionate and determined, going for her dreams. This is why I chose to paint brolga feathers for this design, to symbolise women with our strengths, passions and show that we are going for our dreams." Lockyer also photographed the campaign herself, shooting some of the strong women in her life sporting the line out in the red dust and salt flats of her hometown. The activewear line is supportive of women of all shapes and sizes, available in sizes small through to 3XL. The Brolga line is also available in Active Truth's popular maternity wear range. These leggings can be worn through every trimester, as well as post-natal. Stevie Angel and Nadia Tucker, the duo behind Active Truth, have created a compression fabric that provides secure support and is especially designed to help ease some of the pains and strains experienced during pregnancy. The tights will stay in place throughout your workout, too, and the compression fit assists in reducing leg swelling and soreness to boot. All Active Truth orders come with a 30-day return policy and free express shipping and exchanges worldwide. The clothing company also offers customers the option to include their traditional First Nations place name when entering their address during the ordering process. Check out the full range of Brolga activewear and maternity wear here or you can browse the whole range of Active Truth activewear, maternity wear and swimwear online now. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
If you've ever wanted to get your hands on any of Frank Green's popular products, here's your chance to score some for free. To celebrate the recent launch of the brand's new three-in-one insulated iced coffee cup with a straw, Frank Green has teamed up with Melbourne coffee brand Industry Beans to sling some freebies. For one day only, Industry Beans will give away a limited amount of free Frank Green coffee cups with every iced coffee purchase. In Melbourne, head into Industry Beans' Fitzroy cafe on Friday, February 9 from 7am to grab your very own Frank Green iced coffee cup — which is available in a range of colours, from the pearly white cloud to pastels like mint gelato and lilac haze. But be sure to get in quick as stocks are limited. The reusable cup provides a sustainable alternative to single-use plastic cups, which a classic iced coffee usually comes in. And, it also offers up solutions to pesky problems that iced coffee fanatics know all too well. Frank Green's iced coffee cups contain a double-wall vacuum insulation feature to prevent condensation and guarantee that your drink will stay cool by maintaining the ice for up to 12 hours, as well as a splash-proof lid and a stainless steel straw. Plus, you can ensure that your barista never spells your name incorrectly, as the cups are monogrammable. In extra brownie points for versatility, too, it can double as a stubbie holder or cocktail glass.
Melbourne has proved its love for fried chook will probably never die, with new chicken joints opening up all over town. But there's a new kid on the block you're going to want to take notice of and its name is Pelicana Chicken. A fresh face for Australia, but by no means a youngster, the brand is one of the original masters of Korean-style fried chicken, having launched in the country back in 1982. Currently, there are over 2000 Pelicana stores across South Korea, with another 1000 iterations taking the rest of the world by storm. And, now, the famed brand has landed Down Under, opening its flagship Aussie restaurant on Franklin Street in the CBD. Bringing some bold new flavours to the game, Pelicana's dishing up 11 different fried chicken varieties, from a wasabi and honey butter dusting to the signature sweet, savoury and spicy combination, called 'Pelicana Marinated'. All the chicken is marinated for 24 hours before it's cooked. You can grab a half or full chicken, in either boneless or bone-in pieces, slathered in your choice of coating. Adventurous diners might even be tempted to leave it all to fate, with the 'mystery sauce' option. Other menu favourites include fried chicken wraps, burgers, and a marinated chicken, chips and salad combo dubbed The Aussie Chop. A fiery kimchi soup and tteok-bokki — stir-fried Korean rice cakes — lean a little more traditional. Hold tight for Pelicana's booze list to launch (hopefully) in April and you'll be able to calm those spicier sauces with something a little stronger than kombucha and coconut grape juice. Think, buckets of imported Cass beer, Mountain Goat and Asahi on tap — and a tidy range of Korean soju, too.
Quietly emerging out of the city's latest lockdown, Sarah Sands Hotel wasted no time in throwing open its doors on Saturday, June 12. The latest new watering hole on Sydney Road has been reimagined by the Australian Venue Co (The Smith, State of Grace, Fargo & Co) as part of a $3 million makeover. While the building has been reunited with its original name from 1854, its interiors have been pulled into a whole new era. Local architects Studio Y have created a contemporary space infused with nostalgic touches. The familiar corner site was once home to Brunswick's Bridie O'Reilly's, but now, timber panelling and exposed brick walls are played against brass accents and leafy greenery. Downstairs is home to a modern public bar, restaurant space and private dining room, or you can head one floor up to find a second bar and sunny atrium decorated with a bold mural by Loretta Lizzio. The kitchen delivers a new-school riff on the classic local pub offering, complete with a strong spread of vegetarian options and native ingredients incorporated throughout the menu. After-work pints will be matched by snacks like pink pepper calamari with smoked paprika mayo and saltbush, and buttermilk fried chicken finished with native mountain pepper and tamarind yoghurt. There's a trio of steaks, and a slew of pizzas featuring toppings like kipflers with rosemary and blue cheese. Meanwhile, a lineup of counter meals includes the likes of a beetroot and goat cheese salad, steak and ale pie with mushy peas, a cheeseburger, and classic chicken and eggplant parmas. In a nod to the good old pub days, you'll find weekly food specials, happy hours and trivia nights (kicking off from July 1), as well as a revamped meat tray raffle gifting one lucky winner a fresh fruit and veg box every Friday. All ticket proceeds will be heading to support local not-for-profit QueerSpace, with the first edition drawn on June 18. At the bar, a 10-strong tap list will be backed by a hefty range of tinnies and bottles sourced from near and far. And classic cocktails sit alongside a run of fruity spritzes and signature sips; from the Davidson Plum Sour made on Four Pillars Shiraz Gin, to a wattleseed-infused espresso martini. The Sarah Sands Hotel is welcoming new locals and regulars with a series of tasty Welcome Weekend specials from June 25–June 27. Head in from 5–7pm to enjoy complimentary snacks with your first drink purchase, and book a table of four or more for dinner to receive a round of desserts on the house. Find the Sarah Sands Hotel at 29 Sydney Road, Brunswick, from June 12. It'll open 12–11pm Sunday to Thursday, and from 12pm–late on Fridays and Saturdays.
Aussie brick enthusiasts, get excited. Sydney will join the likes of New York, London, Hong Kong and Copenhagen on the list of cities boasting a flagship LEGO store very, very soon. The Harbour City is set to welcome the world's largest official LEGO store to Sydney Arcade, overlooking Pitt Street Mall, on Saturday, November 11. Announced earlier this year, the massive two-storey, 900-square-metre Sydney LEGO store will officially swing open its doors at 9.30am next Saturday morning and promises to be your one-stop shop for all things colourful plastic bricks. "Every new store contributes to the LEGO Group's global mission of inspiring and developing the builders of tomorrow," Vice President and General Manager of LEGO Australia and New Zealand Troy Taylor says. LEGO fans can expect an interactive storytelling table that will give them behind-the-scenes looks at their favourite sets and designs; Australia's first Minifigure Factory, where visitors can create LEGO versions of themselves or their loved ones; and a pick-and-build wall boasting an enormous catalogue of different pieces. Official Brick Specialists will be on hand to help guide you through everything the superstore has to offer — and if you're after a challenge to get your creativity flowing, there will be in-store builds and monthly events. Basically, you'll have everything you could need to bring your wildest imagination to life. There will also be Australia-specific elements of the store with large-format sculptures of Australian and Sydney cultural touchstones decorating the new Sydney LEGO store's space. "The world's largest LEGO Store will stand as a must-see destination for LEGO fans across the globe whilst bringing a world-class retail experience to Australia," says Executive Chairman of the store's retail partner Alquemie Group Richard Facioni. The flagship Sydney LEGO store will open at Sydney Arcade, Pitt Street, Sydney on Saturday, November 11.
Remember how it rained all last winter? Well get set for another rainy season, folks: as I write this I'm looking out on to a rain-sodden Oxford Street. What with Sydney being all about beaches and carousing in the sun, we seem to cope less well with the wet and the cold. But there's so much this city has to offer, and in particular when it's miserable out and the nights get too cold to venture outdoors, one of the nicest things to do is hang out with a book. Or better yet, hang out in one of Sydney's lovely independent bookshops, which we should all be supporting. With this in mind, we present to you our pick of Sydney's ten best bookstores. 1. Gertrude & Alice Where: 46 Hall St, Bondi Beach Wall to wall books. Books from ceiling to floor, interspersed with communal tables. Gertrude & Alice is what Shakespeare's is to Paris, and provides a welcome haven amongst the surfers and backpackers of Bondi Beach. The food served is fresh and universally excellent, and it's one of the best places to go if you're feeling a bit lonesome, because the welcoming communal tables ensure that you'll always feel at home. Named after Gertrude Stein and Alice B. Toklas, the famous expat American couple who encouraged the careers of Hemingway and Henry Miller, amongst others, there's a lot of heart to this place, as well as lovely velvet sofas and delicious chai. They also boast a Hemingway room, quieter and lined with reference books and the perfect place to woo another attractive bookworm. 2. Better Read Than Dead Where: 265 King Street, Newtown I have spent a lot of money in this place. I only realised how many times I was in there over the summer when one of the sales girls said to me "You're in here all the time, and I've always wanted to say I really like your dresses." Which was lovely to hear, because the rest of my scanty budget goes towards dresses. Better Read Than Dead have one of the best staff recommendation systems around, and they'll often hook you up with things you'll love forever which you'd never find on your own. Everyone working there is incredibly helpful and chatty if you engage with them, but they'll otherwise leave you to your own devices. Close to Camperdown Memorial Park, one of the nicest things to do when it's sunny is to get yourself a book and find a tree to lie under and read. 3. Berkelouw Books Where: 19 Oxford Street, Paddington, 8 O'Connell Street, Newtown, 70 Norton Street Leichhardt and 708 New South Head Road, Rose Bay Berkelouw are kind of everywhere right now - seriously, there's one adjacent to a carpark in Cronulla. But each of them feels individual, and each of them are awesome. The better branches of Berkelouw are the older ones: Paddington and Leichhardt, as well as the newer, but adorable, Newtown branch. Berkelouw comes with a cafe and comfy leather couches for you to squish up in and read for hours, and there's also a separate second hand section which is always worth a look. I would personally recommend the Newtown Berkelouw, if only because of its close proximity to T2 and Guzman y Gomez, it's welcome student discount, and the fact that the first time I went in they were playing The Smiths. 4. Gould's Book Arcade Where: 37 King St, Newtown You cannot argue with this place. It is the undisputed king of second-hand books in Sydney. You could disappear into this place and never come out again. I would wager you could find a gateway to Narnia in Gould's. With a liberally relaxed policy when it comes to organisation, you'll find Marxist histories of industrial labour sitting side by side with a 1996 travel guide to Slovakia. But stick around for a couple of hours (and you can, it's open until midnight, after all) you'll find treasure for a pittance. At the centre of the store was, until his death in May of 2011, Bob Gould himself, the silvery-bearded stalwart of Sydney's sixties counter-culture who was once arrested for his anti-Vietnam and anti-establishment activities. 5. Kinokuniya Where: Level 2 The Galleries, 500 George Street, Sydney Kinokniuya is the only big chainstore included on the list, but this list would be nothing without it. The Japanese bookstore giant believes in promoting art and culture, not just hocking the best-selling pulp-literary tat to people, and has been one of the most welcome additions to the city in the past few years. Kinokuniya is awesome - it has everything, the stuff you can't find anywhere else, ever. You can spend hours hanging out in the light-filled building which overlooks the criss-crossing pedestrian traffic of the George and Park Street intersection. It boasts an entire Japanese section, the best range of graphic novels and manga and an incredible range of art and design books, as well as every kind of fiction under the sun. Kinokuniya also features an in-store gallery to showcase emerging artists. 6. Gleebooks Where: 49 Glebe Point Road, Glebe, 536 Marrickville Rd, Dulwich Hill and 191 Glebe Point Road, Glebe (Antiquarian & Second-Hand) Gleebooks is a Sydney institution. The city's most reliable independent bookseller for many years, they stock an unbelievably vast range of books; fiction and non-fiction alike, and often play host to talks by international and national figures, including The Chaser boys. When they talk about independent booksellers being in peril, you know that Gleebooks will be the last to go. Its second-hand and children's sections are located further up Glebe Point Road, and are completely worth the walk up the hill. Also, a Dulwich Hill branch recently opened up which is a very welcome addition to an often neglected portion of the Inner West. 7. Ariel Books Where: 42 Oxford St, Paddington and 103 George Street, The Rocks Ariel have a fantastic selection of art, architecture and design books adorning their shelves. The shop's interior is open and clean, although there are some delightful lanterns which pretty up the place, and it has the benefit of being open until midnight. Mostly it's the awesome range of books and the atmosphere of the place which makes Ariel so nice, but you can also get yourself a Moleskine, some Mexican kitsch ornaments or some chocolate, if they take your fancy. A stone's throw away from the College of Fine Arts and on the edge of the city's hipster quarters, the place is filled with a mix of spaced-out locals, art school kids and some very attractive bookish types. 8. Sappho Books, Cafe & Wine Bar Where: 51 Glebe Point Road, Glebe Sappho's is a cafe and wine bar as well as a second-hand bookshop, and has the loyal custom of many of the local Sydney University students. The pokey little shop has a huge range of books on every subject matter and has been hosting regular poetry nights for the last couple of years. You're always certain to find what you're looking for, and often in really nice editions: some of the copies from the '50s and '60s you'll find are so nice you'll want to frame them. This is also the only place on this list where you can sit with a book and a glass of wine, or a jug of sangria, until the wee hours under the shade of the jasmine and banana trees. 9. Ampersand Cafe Bookstore Where: 78 Oxford St, Paddington So easy to miss amongst the tumultuous crowds on Oxford Street, Ampersand is bigger than it looks from the street and a haven away from the city and the crowds. With a good range of second-hand books tucked away across three floors and offering amazing, cheap first-edition copies of books like The Master & Margarita and The Human Stain, Ampersand also wins on the coffee front - it is truly excellent. Downstairs is a communal table if you feel like making some friends, or you're perfectly welcome to hang out on your own. 10. Journeys Bookstore & Cafe Where: 127 Trafalgar Street, Annandale Journeys is another very cute bookstore and cafe, housed in a converted terrace, where you're invited to flip through the pages of books while sipping some tea. The titles are all handpicked, and there'a seriously good travel section. Upstairs is the best bit, a bright airy room decked out with comfy couches, and surrounded by seven bookcases. Each case represents a region of the world, and you'll find travel guides, history, fiction and travel literature to match every country in that part of the world. If you wish you were elsewhere there's no better place to imagine it.
Thirty-four-metres long, more than twice as big as a regular hot air balloon and ripped straight from Patricia Piccinini's inimitable mind, Skywhale 2013 might just be one of Australia's most recognisable recent pieces of art. And, this morning at sunrise (Monday, March 9), Skywhale took flight once again as part of the Canberra Balloon Spectacular. She'll make her second (and final) solo flight this evening at 8pm from the North Lawns — so, if you happen to be in Canberra, keep an eye on the skies. Then, as of May, Skywhale will be joined by her new companion, Skywhalepapa. The new floating sculpture is designed to form a family with Skywhale, with the second bulbous sculpture commissioned as part of the gallery's Balnaves Contemporary Series. In total, the pair will take flight six times during the nearly three-month Skywhales: Every Heart Sings exhibition — with launch locations at Parliamentary Triangle and yet-to-be-confirmed sites in Woden and Tuggeranong. [caption id="attachment_751759" align="alignnone" width="1920"] Skywhalepapa, 2019/20 (artist's sketch), Patricia Piccinini. Courtesy of the artist.[/caption] The structures' first co-flight is set to take place on Saturday, May 2 from Parliamentary Triangle. As reported by The Guardian Australia, the new balloon will be around 30 metres tall, 37 metres wide and weigh a whopping 400 kilograms. While the two were meant to take to the sky together today, Piccinini told The Guardian that it was better to have a "staggered approach" and allow Skywhale to be reintroduced to Canberra before Skywhalepapa (and the duo's attached children) take to the skies together. If you can't make it to Canberra to see the growing Skywhale clan, they will also tour the country later in the year, with locations and dates still to be confirmed. https://www.instagram.com/p/B9fIa3xHmDu/ Apart from the Skywhales: Every Heart Sings installation, the NGA is offering up a whole heap of top-notch exhibitions in 2020. It'll welcome Botticelli to Van Gogh: Masterpieces from the National Gallery, London in November, boasting over 60 works from European masters — most of which have never before travelled to Australia. Art lovers can also look forward to Know My Name: Australian Women Artists 1900 to Now, which'll shine a spotlight on the nation's female creatives; Belonging: Stories of Australian Art, a major collection of 19th-century Aussie pieces; a six-month focus on Chinese artist and activist Xu Zhen; and The Body Electric, a showcase of works by female-identifying creatives that are all about sex, pleasure and desire. Skywhales: Every Heart Sings launched today, March 9 at the National Gallery of Australia, Parkes Place East, Parkes, ACT. Additional flight dates are planned for May 2 through July 25. For further information about the NGA's 2020 lineup, visit the gallery's website. Top image: Skywhale, 2013, Patricia Piccinini. National Gallery of Australia, Canberra. Gift of anonymous donor 2019, Australian Government's Cultural Gifts Program.
The Netherlands is championed for creating the first gin. And the UK is known for popularising the spirit — especially London dry gin. But the influence of Sri Lanka, Malaysia and other spice islands hasn't made it to the mainstream. This is something the Owner and Founder of Dutch Rules Distilling Co. Danny Perera is working hard to change at his distillery door and bar that opened in March 2024. At the Mitcham site, he's distilling gins and making cocktails that hero the complex flavours of juniper, cardamom and coriander from a broad range of spice islands. Apart from strongly featuring these main spices (that were historically transported back to Europe by the East India Company), his gin range is also enhanced with botanicals like lemongrass, makrut leaves, chilli, thai basil and ginger. Dutch Rules gins have won a handful of awards, and Perera has been praised for broadening the scope of what gins can taste like. You can sample the goods in tasting flights and cocktails at the distillery door, where bottles are also available to purchase. For now, a small selection of bar snacks is also available — sardines with bread, olives, fresh oysters and charcuterie — but Perera is working to expand the food offerings. To that end, he brought on Dan Greenwood (ex-Naked for Satan) to establish a new kitchen and dining menu, but this won't be up and running until the end of 2024. Check the venue's website for updates.
