Earlier this year, Mondrian Hotels launched its debut Australian stay just steps from the iconic Burleigh Heads beachfront. And like its other design-first accommodation, spanning glam locations from Los Angeles to Cannes to Seoul, the Aussie foray brought wall-to-wall luxury brimming with natural light, million-dollar views and a calming neutral colour palette. Now Modrian has opened reservations for its two highly anticipated Beach Houses. Following a similar rhythm to the hotel towers, this addition offers something of a residential experience (if you could imagine being so lucky), just with the service and amenities of a world-class hotel. Guided by acclaimed Los Angeles–based designers, Studio Carter, guests can expect privacy, luxury and bespoke hospitality. Across two- and three-bedroom stays, you can live out the beachfront lifestyle of your dreams. Accessed through private entrances, both through the hotel lobby or off the esplanade, these homes away from home come complete with magnesium plunge pools, terraces primed for entertaining, convenient laundry facilities and seamless indoor-outdoor living spaces that invite the Gold Coast warmth. Meanwhile, a full-sized kitchen enhances the long-stay appeal while bringing another level of residential comfort. The smaller details are just as impressive. Think sandy-toned interiors that reflect the laidback essence of the hotel and relaxed textural finishes inspired by coastal life. In fact, those seeking the most opulent stay can combine both residences into a five-bedroom retreat, perfect for big family vacations or celebrations with all your pals. Of course, a five-star stay like this also comes with plenty of guest perks. That includes expedited in-suite check-in, a curated gourmet welcome basket and a personal host and contact throughout your stay. Plus, you'll relish a daily à la carte breakfast at LiTO, the in-house Italian restaurant, and make the most of personalised experiences, from private chefs cooking up a feast to spa and beauty appointments, VIP restaurant and bar reservations, shopping services and more. Naturally, you're also welcome to enjoy the rest of the hotel's amenities. Step into Haven, serving elevated coastal cuisine, or slide into the Ciel Spa for holistic remedies and a high-performance gym. When it's time to explore beyond the hotel, the stunning stretch of Burleigh Heads is directly across from your accom, while the suburb's easy-breezy restaurants, bars and shops are just a few steps away. Mondrian Gold Coast's Beach Houses are now open for bookings at 3 First Ave, Burleigh Heads. Visit the website for more information. Images: Justin Nicholas.
Mornington Peninsula's Red Hill Estate has opened its new outdoor dining and drinking offering in time for the summer months. Gigi's Piazza, set on the lawns of the estate, invites guests to enjoy the Italian way of life, featuring a share-style Italian menu and crowd-favourite wines by the glass. The new casual hang-out spot is suitable for everything from first dates to family days out. The picnic-style menu, served from the nearby cottage kitchen, showcases casual Italian fare. Think arancini, antipasto, focaccia, pastas, salads, tiramisu and more. Red Hill Estate's General Manager, Dominic Fabrizio says, "No one does long lunches better than the Italians — everybody together, unrushed, enjoying the outdoors and appreciating good food. Gigi's Piazza was designed for visitors to slow down, unwind, and sip and savour every moment." The estate's renowned wines, including the rosé, pinot noir, chardonnay and newly released Blanc de Blancs sparkling, are poured by the glass, perfect for roaming the lawns and playing a game. There's giant Jenga and Hoopla, and your pooches are also welcome to enjoy the outdoor setting. Fabrizio says Gigi's Piazza offers the ultimate "dolce vita" experience, where guests can relax and enjoy life's simple pleasures. "We want our guests to feel right at home — enjoy a glass of wine, a bite to eat and take in the stunning surroundings of Red Hill Estate while you pause from the hustle of everyday life." Images: C McConville.
Western Australia is already home to Australia's best beach for 2022, the best beach in the South Pacific for this year as well, all that coastline and plenty of beloved sandy spots. But come the summer of 2024–25, it'll score a new reason to get splashing. That's when global surf park brand Aventuur is set to open a massive site in Perth, creating the southern hemisphere's largest venue of its type. Manmade waves have been having their moment Down Under of late. Urbnsurf opened Australia's first inland surf park near the Melbourne Airport in 2020, then revealed plans for Brisbane, Sydney and Perth sites. New South Wales' Hawkesbury region is also getting a giant wave pool and luxury resort, the Sunshine Coast is due to welcome Kelly Slater's second surf ranch, and the Gold Coast has been earmarked for an Endless Surf wave pool. But Aventuur is going as big as possible with its $100-million WA venture, which'll feature 25 different types of waves. Clearly, providing breaks and barrels that everyone can surf — no matter your skill level — is one of big aims of Aventuur's Perth Surf Park, which'll take over a 5.7–hectare site on Prinsep Road in Jandakot, adjacent to the Kwinana Freeway and the Cockburn Central train station. That'll include what it's calling a Wavegarden Cove, aka the huge 56-module surfing lagoon that'll be the key drawcard — and will constantly whip up perfect waves. Also set to feature: accommodation, which'll be handy for anyone making the trip west just for some manmade surf action; a beach club; bars and restaurants; and retail stores, all as part of a hefty surf sports, recreation, leisure and entertainment hub. There'll also be a health and wellness centre, co-working offices, and functions and event spaces. Get ready for provide personalised coaching, fitness and surf skate programs as well, and regular events such as outdoor surf movie nights and photography exhibitions. Yoga and meditation retreats will also make the most of the site, as will live music and cultural festivals — and, naturally, professional surfing competitions. Already an avid surfer? Know someone who might be the next Mick Fanning or Stephanie Gilmore? Then get excited about Perth Surf Park's high-performance surf academy. Whether you're a future superstar or just learning, there'll also be a hire store doing board, wetsuit and equipment rentals — so you won't have to bring your own gear with you. While surfers won't be able to live out their Point Break and Blue Crush dreams until the summer of 2024–25, Aventuur has just has signed a long-term ground lease with the Western Australian Planning Commission for its Perth Surf Park site. And if you're wondering why surf parks keep popping up — especially in a country girt by sea, and therefore surrounded by so many glorious beaches — they're able to provide controlled and reliable conditions, including waves that aren't daunting for newcomers. Perth Surf Park will feature knee-high whitewater for beginners, for instance, as well as ideal waves for experienced surfers. Aventuur's Perth Surf Park is due to open on Prinsep Road in Jandakot, Perth, Western Australia, in 2025. For more information, head to the venue's website. UPDATE, June 22, 2022: The headline for this article originally said that Aventuur's Perth Surf Park will open in 2024. Aventuur has since clarified that the park will be completed late in 2024, opening over the summer of 2024–25. The headline has been amended to reflect that change.
This article is sponsored by our partners, Wotif.com. Going to the Whitsundays and staying in a hotel without an ocean view is a bit like going to Rome without seeing the Colosseum. It’s kind of the whole point. The good news is that, whether you’re begging and borrowing to make your trip possible or spending all of your life savings in one extravagant indulgence, there are options. Here’s a list of the Whitsundays’ most beautiful, stylish, secluded and romantic hotels. CORAL SEA RESORT, AIRLIE BEACH The 4.5 star Coral Sea Resort is so close to the ocean you can pretty much reach out of your hotel window and test out the water. On top of that, a teeny-tiny stroll along a waterside boardwalk carries you to the uber-hip, laidback village of Airlie Beach. Getting to the islands is merely a matter of walking in the other direction, to Abell Point Marina, where you can jump on a ferry. Hamilton Island, Daydream Island and Whitehaven Beach are all doable on a half-day or full-day jaunt. HAMILTON ISLAND REEF VIEW If your ideal tropical holiday involves snorkelling above coral beds, windsurfing from dawn to dusk or testing out your paddle skiing prowess, the 4 star Hamilton Island Reef View Hotel is the go. That’s because the hotel offers complimentary access to a bunch of non-motorised water equipment. So you can pretty much wake up, munch down on breakfast and be out on the water within a matter of minutes. If you’re not a fan of self-propulsion, there’s the option of hiring a golf buggy and cruising the island on wheels. Either way, the hotel pool, complete with waterside cocktail bar, is the place to kick back after a day spent adventuring. DAYDREAM ISLAND RESORT AND SPA For a holiday that’s all about relaxing and pampering, Daydream Island Resort and Spa has the goods. That’s mainly because it’s home to the Rejuvenation Spa, where signature treatments are on the menu — from 1.5-hour Caviar Facials to four-hour Mermaid’s Dream indulgences. You can spend your entire holiday lying around, but, if you decide to move, mini golf, volleyball and badminton are all on offer. Plus, the resort is right on the edge of one of the world’s biggest manmade coral reef lagoons. BREAKFREE LONG ISLAND RESORT To make the most of a stay at the 3.5 star Breakfree Long Island Resort, you’ll need to be very, very skilled at the art of doing absolutely nothing. That’s because as soon as you see their hammocks, you’ll want to lie in them all day long. That said, the island’s national park is home to more than 20 kilometres of walking trails, so you can roam if you want to. And there’s also volleyball and paddle boarding opportunities aplenty. For beverages, there’s a poolside cocktail bar and, for food, the onsite Palm’s Restaurant. PINNACLES RESORT AND SPA The 5 star Pinnacles is the full monty. If there’s someone in your life who you really, really want to impress or thank or hold captive forever and ever and ever (yourself, perhaps?), it’s the one. For a start, the rooms are 20 metres from the water, with panoramic views across Airlie Beach and the ocean. Second up, there’s an Endota Spa with a private verandah. If you want go the whole hog, opt for a two- or three-bedroom apartment with its own terrace Jacuzzi. BOATHOUSE APARTMENTS BY OUTRIGGER Wanna take a bunch of buddies or a whole football team or your mum, dad, sis and bro on holiday with you? And your cousins? Outrigger’s Boathouse Apartments, situated on the water at the shiny new port of Airlie Marina, have loads of space. If there are eight of you, check out the four-bedroom Penthouse apartments, featuring balconies and a rooftop spa. Host your own mini-Wimbledon at the resort’s private tennis court or chill out poolside. Book your Whitsundays escape now via Wotif.com.
The man knows how to rock a hat: Timothy Olyphant (Full Circle), that is. He knows how to play a determined lawman with a piercing stare and an unassailable sense of honour, too, and television has been all the better for it for nearing two decades. Pop culture's revival culture has benefited as well — first with HBO's 2004–06 western masterpiece Deadwood returning as 2019's Deadwood: The Movie, and now with 2010–15's US Marshal drama Justified making a comeback as miniseries Justified: City Primeval. Olyphant was perfect in both the first time around, and proves the same the second. Indeed, Deadwood: The Movie's only problem was that it was just a made-for-TV film, not a another season; Justified: City Primeval's sole issue is that it spans only eight episodes, and that a next date with the Stetson-wearing Raylan Givens hasn't yet been locked in Streaming Down Under via Disney+, this continuation of Justified's initial six seasons arrives eight years after the show ended for viewers, but also finds Raylan with a 15-year-old daughter. It's with Willa (Vivian Olyphant, Timothy Olyphant's real-life offspring) that he's hitting the road when a couple of criminals reroute their plans. Now based in Miami, Florida rather than Justified's Harlan, Kentucky, Raylan is meant to be taking Willa to camp, only to be forced to detour to Detroit, Michigan to testify. It isn't a brief stop, after the Deputy US Marshal makes the wrong impression on Judge Alvin Guy (Keith David, Nope), then is personally requested to investigate an assassination attempt against the same jurist — teaming up with local detectives who are adamant about Detroit's particular ways, including Maureen Downey (Marin Ireland, The Boogeyman), Norbert Beryl (Norbert Leo Butz, The Girl From Plainville) and Wendell Robinson (Victor Williams, The Righteous Gemstones). You can take Raylan out of rural America and into the Motor City, as Justified: City Primeval does, but even with silver hair atop his calm glare he's still Raylan. So, he'll always stride around like a lone gunslinger who has seen it all, will confront anything, and is perennially valiant and resolute — and silently exasperated about humanity's worst impulses, too — as Justified: City Primeval welcomes. New location, passing years, the responsibilities of fatherhood, more and more lowlife crooks: they haven't changed this character, and audiences wouldn't have wanted that to happen. One of Justified: City Primeval's chief joys is how comfortably that Raylan, and Olyphant playing him, steps straight back onto the screen like the figure, thespian and franchise never left. In Detroit, the Deputy US Marshal meets his latest lawbreaking adversary in Clement Mansell (Boyd Holbrook, Indiana Jones and the Dial of Destiny), aka the Oklahoma Wildman, whose love of singing The White Stripes and Beach Boys songs is only matched by his penchant for wreaking illicit havoc. Mansell is ruthless, including in committing murder, and also enlisting reluctant past acquaintance Marcus "Sweety" Sweeton (Vondie Curtis-Hall, Blue Bayou) — a musician who almost made it onto George Clinton's 'Atomic Dog' and now owns a dive bar — in his violent rampages. He's equally calculating in using his girlfriend Sandy Stanton (Adelaide Clemens, Under the Banner of Heaven) to conjure up a shakedown scam with ties to the Albanian mob, all while promising her that they'll get a big payday and get away. Even his attorney Carolyn Wilder (Aunjanue Ellis, an Oscar-nominee for King Richard), who has seen more than her fair share of dirtbags because that's the gig, knows that he's a sociopath. Seasoned Justified viewers will spy Justified: City Primeval's overarching narrative path going in. As long as they've seen a crime drama before, newcomers will as well. Raylan has a villain to take down in a deeply corrupt world — but, taking over from the OG series' creator Graham Yost (Silo, and an executive producer here), fellow Justified veterans Dave Andron (Snowfall) and Michael Dinner (Electric Dreams) can't be accused of connecting easy dots or making obvious choices. Both before and now, Justified has always been as much about painting rich portraits of its characters, good and bad, as it has been about its righteous-versus-evil face-offs. So, Justified: City Primeval delivers ample intriguing new additions, most of which pair up with Raylan so winningly that they could earn their own spinoffs. A series about Raylan and Willa, her teen rebelliousness bouncing off his perpetually wearied mood? The younger Olyphant makes a memorable impression, and adds seeing more of that dynamic to the wishlist. An odd-couple cop setup with Raylan and Robinson? That'd also work. Raylan's pursuit of the unhinged Mansell, and the latter's eagerness to keep it going, give Justified: City Primeval a compelling duel — and plenty of mirroring; they both drip charm, are whip-smart and canny, just on opposite sides of the law-and-order divide — but Raylan and Wilder are the show's meatiest duo. Sharing a sense of exhaustion, the Marshal and the lawyer each understand what it's like to ride through a murky and compromised world, endeavour to try to find a way to cope, and have to live with the costs. (That Ellis is as phenomenal as the older Olyphant assists.) 2023 marks 30 years since Raylan first appeared in print, in the pages of iconic crime writer Elmore Leonard's 1993 novel Pronto. While he returned in 1995 sequel Riding the Rap, it was 2001 short story Fire in the Hole that inspired Justified. Once the show became a hit, Leonard wrote 2012's Raylan, in what'd become his last published tome before his death in 2013. To revisit the character with Justified: City Primeval, however, Andron and Dinner dive into the author's back catalogue elsewhere, adapting and reworking 1980's City Primeval: High Noon in Detroit. The text's full title virtually screams for Raylan. On the screen, he slides in so seamlessly that it feels like he's always been in this tale. That's a testament to a series that doesn't just know its protagonist, but the work of the man who created him. Raylan might be Leonard's best character, but his bibliography is a wealth of riches — complete with Out of Sight, which became Steven Soderbergh's sparkling crime caper and shares a connection to Justified: City Primeval; and Rum Punch, which Quentin Tarantino turned into the sublime Jackie Brown. Justified: City Primeval excels at bringing Raylan Givens back to the screen, and Timothy Olyphant in the part. It's fantastic as a Leonard adaptation. And, although visually filled with thematically appropriate shadows, it's as shiny as Raylan's badge as a revival. The widespread trend keeps embracing beloved programs from years gone by, but the difference between the very best — see: Twin Peaks, aka the most stunning example there is and likely ever will be, and also Deadwood: The Movie, Veronica Mars, and the recent Party Down and Futurama — and the rest is considerable. Justified was a superb modern western from the get-go. Now Justified: City Primeval is a first-rate city-set neo-western that knows how to feature its familiar ingredients expertly, evolve them, and use them to comment on what changes and doesn't about humanity. Check out the trailer for Justified: City Primeval below: Justified: City Primeval streams via Disney+. Images: FX.
When The Social Network arrived in cinemas in 2010 with its can't-look-away performance from Jesse Eisenberg (A Real Pain) as Mark Zuckerberg, David Fincher's (The Killer) steely direction and Aaron Sorkin's (Being the Ricardos) incisive script, it was firmly an origin story. As the world knew even then just six years after Facebook's founding, however, the platform was only just getting started. As a result, a sequel to the three-time Oscar-winning movie — including for Sorkin's screenplay — has always felt like a matter of when not if. Cue The Social Network Part II, which is now reportedly in the works. Deadline has revealed that the follow-up looks set to move forward, with Sorkin back to lead the charge. This time, he's not just writing but also directing. While Fincher is also in sequel mode at the moment, he's stepping into Once Upon a Time in Hollywood's realm, helming the Brad Pitt (F1)-starring follow-up to Quentin Tarantino's also Oscar-winning picture. It's expected that The Social Network Part II will use the Wall Street Journal's 'The Facebook Files' article series from October 2021 as its basis — which means that the platform's impacts, and those of fellow Meta-owned social-media service Instagram, could be in the spotlight. There's no word yet on a release date, so when you'll be seeing the film on the big screen is yet to be revealed. In the same category: The Social Network Part II's cast. Whether Eisenberg will step back into Zuckerberg's shoes — and into a role that's among the most pivotal in the early days of his career, as also proved true for co-star Andrew Garfield (We Live in Time) — is not yet known, then. Alongside creating the small screen's Sports Night, The West Wing, Studio 60 on the Sunset Strip and The Newsroom, Sorkin has directed three films so far: Molly's Game, The Trial of the Chicago 7 and Being the Ricardos. The first two on that list also saw him nominated for screenwriting Oscars. Among the initial The Social Network's accolades: the Oscar for Best Original Score for Trent Reznor and Atticus Ross. There's no word yet whether The Social Network Part II will boast their efforts again to help cement an unsettling tone. There's obviously no trailer so far for the The Social Network Part II — but check out the trailers to The Social Network above, plus its first ten minutes below: The Social Network Part II doesn't yet have a release date — we'll update you with more details when they're announced. Via Variety/Deadline.
When Melbourne's acclaimed 400 Gradi achieves a significant feat, it doesn't rest on its laurels. It was true when the Italian joint whipped up a 99-cheese pizza, which it then bested with a 150-cheese pizza. And it has proven true at one of the pizza industry's night of nights: the 50 Top Pizza awards in Naples. At last year's gongs, 400 Gradi claimed the title of Best Pizzeria in Oceania. This year, it's done so again. It's only the third year that the awards have been held, with the Melbourne eatery now emerging victorious two years running over all other pizza places in the region. To anoint its winners, the event secretly judges almost 1000 pizzerias in Italy and around the world. While 400 Gradi topped the list in Oceania, it had some local company in the shortlist, including Melbourne's +39 Pizzeria, Doc Pizza & Mozzarella Bar, SPQR Pizzeria and Woodstock Pizzacheria; Sydney's Gigi's Pizzeria and Rosso Antico Pizza Bar; Brisbane's Pizzeria Violetta; and The Dough Room in Perth. It has been a big year for 400 Gradi, with the pizza joint also picking up another coveted prize this year at the Olimpiadi Vera Pizza Napoletana contest. Held by the Associazione Verace Pizza Napoletana (which is also known as The True Neapolitan Pizza Association), it compiles a ranking of the best pizzerias in the world — and while 400 Gradi didn't take the top spot, it did come in second. 400 Gradi Essendon eatery was the only restaurant outside of Naples to make the top five, in fact, and was joined by 400 Gradi at Brunswick and Gradi Crown at sixth and eighth place. To check out the 50 Top Pizza awards full lineup of award-winning pizzas, visit its website. To run through the Olimpiadi Vera Pizza Napoletana contest winners, head to its website, too.
UPDATE: OCTOBER 3, 2020 — Fast and Furious 9 has moved its release date again, and will no longer hit cinemas on April 1, 2021. Instead, it'll release on May 27, 2021. UPDATE, MARCH 13, 2020: Due to concerns around the coronavirus, Universal Pictures has announced that Fast and Furious 9 will no longer release on its initially scheduled date of Thursday, May 21, 2020. It will now release worldwide in April 2021 — including Down Under on April 1, 2021. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Given the Fast and Furious franchise's title, you'd think driving speedily and passionately is what this big-budget film series is all about. Over-the-top car antics play a hefty part, as the 2001 original, its seven sequels to-date and its 2019 spin-off have all shown via a constant onslaught of hectic stunts — but if there's one thing that this Vin Diesel-starring and -produced saga loves just as much as vehicular mayhem, it's family. Over the years, Diesel's Dominic Toretto has extended the term 'family' to include not only his girlfriend-turned wife Letty (Michelle Rodriguez), his sister Mia (Jordana Brewster), her husband Brian (the late Paul Walker) and their various offspring, but their extended motley crew of fast-driving pals as well. Dom talks about family rather often, usually over a few Coronas with said friends and family. The gang has even faced off against a family of adversaries, courtesy of brothers Owen and Deckard Shaw (Luke Evans and Jason Statham), and their mother Magdalene (Helen Mirren). So, when it comes to Fast and Furious 9 — or F9 as it's being called — it's unsurprising that the franchise is leaning heavily on one of its favourite concepts. Somehow, the saga hasn't expended all family-related options just yet, as the just-dropped first trailer for the flick reveals. Not only does the sneak peek begin with Diesel growling "I used to live my life a quarter-mile at a time, but things change" as his character dotes on his young son (who is called Brian, naturally), but it introduces John Cena to the series as Dom's younger brother Jakob. Don't expect a happy sibling reunion, however, with Cena playing the film's villain. Via text on-screen, the trailer also tells viewers that "not all blood is family" — which means that all this flick's outlandish action stunts will pit Dom and the crew against Jakob, who has teamed up with returning criminal mastermind Cypher (Charlize Theron). Basically, they could've called this film Fast and Furious: More Stunts and More Family, which is exactly what the trailer serves up. Of course, that's what's made this franchise a huge box-office success for almost two decades now — and those action scenes, while typically defying logic, physics and gravity, are always expertly, astonishingly and entertainingly choreographed. As well as Diesel, Rodriguez, Brewster, Cena, Theron and Mirren, F9 also stars franchise mainstays Tyrese Gibson and Ludacris, as well as another returning fan favourite that's revealed in the trailer — plus Game of Thrones' Nathalie Emmanuel, who joined the series back in 2015's Furious 7 and is now considered part of Dom's family. And, after a two-film absence, the movie marks the return of The Fast and the Furious: Tokyo Drift, Fast & Furious, Fast Five and Fast & Furious 6 director Justin Lin. The filmmaker is also signed up to helm the upcoming tenth F&F flick, which was always inevitable, and will release just a year after this one hits. Check out the trailer for F9 below: https://www.youtube.com/watch?v=aSiDu3Ywi8E&feature=emb_logo F9 was originally due to open in Australian cinemas on May 21, 2020, and then on April 1, 2021; however it'll now release on May 27, 2021. Image: COPYRIGHT © 2020 UNIVERSAL STUDIOS. All Rights Reserved
Typewriters are probably the most-sought after and treasured piece of redundant technology in the sweeping landscape of once lame and now cool thingamajigs, including the cassette tape, the Holga camera and the record player. Typewriters are both beautifully designed and encourage a completely different, more permanent, mode of writing - one which has no 'delete' key. Ardent hipster poets, typography fetishists and Cormac McCarthy are all proponents of the humble typewriter, and with the hysterical wave of appreciation has come a range of design innovations. We've seen artists using the typewriter's punctuation keys to create art and the creation of typewriter apps for your iPhone. We've also seen some terrible, terrible poetry. The latest innovation takes the typewriter to a whole new level. American painter Tyree Callahan has created The Chromatic Typewriter, the world's first fully-functional painting typewriter. The typewriter has been built and submitted for the 2012 West Prize Competition, an annual art prize determined by popular vote. Callahan took a lonely and unused 1937 Underwood Typewriter and replaced the letter keys with colour pads and hue labels. This means that each time a key is pressed, you don't get a letter appearing on the page but a small rectangular pixel of colour. So far the typewriter has been used to create abstract landscape works on paper. The West Prize is still open, so if you feel like giving props to the Chromatic Typewriter you'll need to download the app to the iPhone we're assuming you have and vote there. [Via PSFK]
In 1999–2001 TV series Spaced, one of Nick Frost's first-ever roles — also, before Shaun of the Dead, Hot Fuzz and The World's End, his initial screen collaboration with Simon Pegg (Mission: Impossible — The Final Reckoning) and Edgar Wright (Last Night in Soho) — he played a character who was obsessed with weapons and the military. A quarter of a century later, he's portraying someone that's training dragon fighters and forging armaments as a blacksmith. "I'm just trying to see now if there's a connection between Mike and Gobber," Frost jokes with Concrete Playground. "I mean, I think Mike would be a great Gobber. Maybe Berk is actually where Mike ended up. Maybe there was some awful apocalypse in Spaced that we never saw and he eventually became Gobber." If you'd like to embrace that theory about one of Spaced's key figures, you can. You heard it from Frost, after all. Regardless, the English talent is now one of the stars of How to Train Your Dragon in its latest iteration as a live-action film. British author Cressida Cowell started the all-ages-friendly Viking tale on the page in 2003, sparking a book saga that's spanned 12 novels. In 2010, filmmakers Chris Sanders (The Wild Robot) and Dean DeBlois (the OG Lilo & Stitch) brought her tales to cinemas in animation. The latter also wrote and directed 2014's How to Train Your Dragon 2 and 2019's How to Train Your Dragon: The Hidden World, and now does the same on the newest big-screen visit to Berk. How to Train Your Dragon fans know the story, then, but they haven't seen it unfurled with actors literally stepping into the shoes of its isle setting's inhabitants. Before Mason Thames (Monster Summer) returns to the world of The Black Phone in that horror hit's sequel later in 2025, he's Hiccup Horrendous Haddock III, the reluctant fledgling dragon fighter who befriends one of the most-feared types of the winged creatures — not that you'd know it from Toothless' appearance and demeanour — and champions living in harmony with rather than waging war against them. Gerard Butler (Den of Thieves: Pantera) voiced Hiccup's chieftain father Stoick the Vast in the animated movies, and now reprises the part in How to Train Your Dragon's present leap. As first given voice by Craig Ferguson (The Hustler) in the previous pictures, Frost's Gobber is Stoick's friend and Hiccup's mentor, plus a source of support for a young man who is struggling with living up to his dad's expectations. The dragons themselves still required visual effects to animate into existence, with life-sized puppets used during shooting for the actors to work against. Everywhere that it can, however, How to Train Your Dragon circa 2025 is immersed in a tangible Viking-inspired realm. For Frost, as Gobber is charged with imparting dragon-battling skills not just to Hiccup but to other young warriors — the determined Astrid (Nico Parker, Bridget Jones: Mad About the Boy), plus a group of Berk's fellow next generation spanning Snotlout (Gabriel Howell, Nightsleeper), Fishlegs (Julian Dennison, Y2K), and twins Ruffnut and Tuffnut (Mickey 17's Bronwyn James and The Acolyte's Harry Trevaldwyn) — that meant ample days in the film's training-arena set. This part also saw him continue to build upon father figure-type roles that've been joining his resume of late. "It's because I'm getting old," he jests. A jovial "get stuffed!" is Frost's first comment when the passage of time since Spaced and Shaun of the Dead comes up. He's spent that quarter-century-plus since the former kicked off and more than 20 years since the later arrived cementing himself as a beloved actor with a diverse resume. On his filmography, The Boat That Rocked sits side by side with US-set alien comedy Paul — which Frost and Pegg wrote — and also with Attack the Block, voice work alongside Pegg again on The Adventures of Tintin, two Snow White and the Huntsman films, leading rom-com Cuban Fury, TV's Mr Sloane, wrestling flick Fighting with My Family, the Pegg co-starring Truth Seekers and loaning his tones to Skeleton Crew's SM 33. There's more, of course, such as Ice Age, The Boxtrolls and Trollhunters; 2024 horror efforts Krazy House, Get Away and Black Cab; and, in his latest significant news, playing Hagrid in the upcoming HBO Harry Potter series. Frost is responsible for decades of folks asking if their friends want a beer in quite the colourful way, repeating perhaps his best-known Shaun of the Dead line. With that film's Peter Serafinowicz (Wolf King) by his side as How to Train Your Dragon's Spitelout, he's currently in completely different terrain. What appealed to Frost about joining the franchise, and also juggling the family-friendly and definitely not child-appropriate sides of his resume, was equally a topic of conversation in our chat — alongside a range of other subjects, such as adding his own stamp on Gobber, his personal connection to using humour as a shield, that massive training arena, the importance of DeBlois returning as director and Frost never wanting to be an actor. On Taking on the Role of How to Train Your Dragon's Dragon-Fighter Trainer "First of all, it's a massive film. It's part of a really well-loved — I hate the phrase 'franchise', but that's what it is. And apart from maybe Snow White and the Huntsman and stuff like that, I hadn't really done anything perhaps this massive before. And I think being a filmmaker and a writer and an actor, it's like 'let's do this, let's try this — this is different, let's have a go'. I think part of me was aware that obviously Craig Ferguson was Gobber in the past. And people love what Craig did. And I was aware that I didn't want to ruin what he did — I was aware that there was a responsibility on me to make Gobber what people felt watching Craig's Gobber. And I think having a conversation with Dean before I got the job, he was like 'what do you want to do?' — I think once you realise that you have a certain amount of creative freedom, that's really attractive, I think, for me. And to collaborate, that's always a joy. And to know that you have a voice on set and you can say 'hey, is this all right? Can we try this?' or 'do you think this is funny', it's always a lovely compliment to be allowed to do that." On Bringing a New Guise to a Part That's Already Well-Established in the Animated Films "Honestly, I didn't, after the initial few days of getting the job and speaking to Dean, I just left it at the door and then came in completely without that. I didn't want to feel like that was on me for the whole thing, and that I couldn't try anything new or be different because it wasn't what had gone before. I just wanted to try and, as I say, respect what that was, but then let's move on and try to give a different kind of Gobber for a new generation of audiences — but also, I guess, leaving something of what Craig did so people who love the animated ones will enjoy it, too. I think, personally, if I'm going into this with the expectations of what people will think, I think you'd probably just be crushed. You just have to unburden yourself from all of that and just do what you think is right, do what Dean wants, and be respectful of that process and the process of the other actors in the film with you." On What Interests Frost About the Variety of Projects Across His Career, Including Both Family-Friendly Fare and Horror Films Aplenty of Late "I just don't see them as any different, really. It's still all work. I think I'm probably very lucky and grateful that I haven't been pigeonholed in 'oh, well he just does that'. I think that is possible and that does happen. And I'm very pleased that the people who cast things like Harry Potter and this don't think 'oh god, he was cutting someone's head off in a film that he wrote like two years ago. Is that going to be a problem?'. I love the fact that I can do both. I can get away with it all." On Portraying Someone Who Uses Humour as a Shield to Deal with an Uncertain World "I think that's me. That was me for a long time. I think where Gobber and I differ, he just uses it — I think if you live in a society like Berk and where the Vikings are from, I think probably the sense of humour is very dark, because essentially you could be taken and killed in at any moment, day or night. So I think using comedy and laughter as a shield is par for that kind of society. I think where it becomes not so useful is when you hide behind it and not work out what's behind that." [caption id="attachment_1009286" align="alignnone" width="1920"] Tyler Curtis/ABImages[/caption] On Stepping Into Paternal-Type and Mentorship-Style Roles "I just think I'm a dad, I've got three children, so I just get it more. I guess when before I had children and if you're going to be a kind of father figure, you're just — as a lot of actors do — you're just imagining what it would be like. And you're drawing on your own father or your grandfather or stepfather. But once you have your own, I think as I act, I always try to get better. Every job I do, every role I play, I just want to be better and better and better. And I think an actor's ageing gives you that opportunity. Every time you do something else, you're slightly older. You've seen a tiny bit more. And what I think, what I'd say about this film, is I know people are saying potentially 'oh, he's quite paternal' — but I actually think Gobber's more maternal in this film. I think he's stepped in to be Hiccup's mum." On the Impact That Immersive Sets Have, Especially How to Train Your Dragon's Training Arena "That was the first thing we shot, and it was really nerve-wracking, because it's massive. It's honestly the size of a small soccer stadium. And there are 200 crew, and there are 500 extras and they're all dressed as dragons. And they all know you, they're looking at you, and you have to give them a little wave. And it's frightening. I think what 25 years in this has given me is you have to shrug that off, and it just becomes about my relationship with the camera and Dean and whoever I'm acting with, and Bill Pope [Unfrosted] the DoP. 'What can I give to you? How can I help you? Should we have a run through our lines?' And I think what helps is making something that massive that small, it helps me cope with it more emotionally, more effectively — because if I were to look around and think 'all these fucking people', it becomes unmanageable emotionally for me." On How Dean DeBlois Continuing as How to Train Your Dragon's Director From the Animated Films Assisted the Cast "Dean, he absolutely loves it. He loves How to Train Your Dragon. He loves Hiccup. He loves Stoick and Gobber and the gang. And he's just passionate about it, and I find being around someone who's so passionate about something, it's really attractive. It makes me love it, too. And I wanted Dean to like me. I wanted him to like Gobber. And I wanted him to, when you're working with someone like Dean, when he just comes up behind you and gives you a little pat, it's like 'oh dad, dad likes it', you know — 'he loves it'. It's nice to be around that kind of passion. It's conducive. It makes me want to be around it, too." On Frost's Journey Over the 25 Years Since Spaced and Two Decades Since Shaun of the Dead "It's not lost on me. It's amazing. I never wanted to be an actor. I never wanted to act. I never knew what I wanted to do. Even, I was like 30 when we did Shaun of the Dead, and that was the first film I ever did. So I just — and this is going to sound like, I don't want to say actor-y bullshit, but I'm just terribly grateful, I'm amazed, and I just love it. I'm so lucky that I found something that I — there's not one day I've ever been on a set in 25 years where I haven't loved it in some way, shape or form. And to get a chance to do that, and then to start getting bigger and bigger things, it feels like a dream to me, really. Like when I got How to Train Your Dragon and you realise the kind of people who have to say 'yes' before you get the role — that was terribly flattering for me that someone, somewhere, had to say 'yeah, he's the guy. We'll have him'. It's not lost on me how lucky I am every single day. I'm sitting here, someone brings me a coffee‚ it's like 'this is amazing'. It's amazing to me. And I love it. I love making films." How to Train Your Dragon opened in cinemas Down Under on Thursday, June 12, 2025.
Burnham Beeches, an Art Deco mansion and 22-hectare estate in the Dandenong Ranges is getting a major makeover by Six Senses. The international luxury resort group has famous properties in Oman and Bali, but this will be its very first Australian venture. It'll also come with all the lavish trimmings you can expect from Six Senses. This mansion, designed by Harry Norris in 1933, will first open with just 43 guest accommodations alongside a restaurant, library bar, large terrace and rooftop retreat covered in foliage — perfect for its forest location. Six Senses is also planning to have a separate two-bedroom cottage and some glamping sites scattered throughout the property. But this is all subject to planning applications that are still in the works. If the project plan makes it through, it will be one of the best ways to experience the Dandenong Ranges. These campsites will be set with the native forest and conveniently located next to a truffle farm. Design wise, new and old Art Deco features will reign supreme. And the flamboyant nature of this period will be ramped right up. Think of it as an Australian hotel of the Great Gatsby era, made for lavish champagne-filled parties. But there will be a strong sustainable ethos throughout as well. The restaurant will source much of its produce from the on-site farm which will also be used for education purposes around sustainable farming and practices The herb garden is even set to produce healing and aromatic plants for use in the Alchemy Bar workshops and Six Senses Spa treatments. [caption id="attachment_692634" align="aligncenter" width="1920"] Keppel Lookout, Mount Dandenong, Visit Victoria[/caption] Guests should also be able to explore the historical, ecological, cultural and indigenous stories from Burnham Beeches and the surrounding region. These lands originally belonged to the Wurundjeri and Kulin nations — and the Six Senses team plan to acknowledge this through the art, architecture, signage, and landscaping throughout the extensive grounds. The Six Senses is putting a uniquely Australian stamp on this property, which is slated to open sometime in 2025. We will be patiently waiting. Check out the Six Senses Instagram page for more updates. Now you can book your next dream holiday through Concrete Playground Trips, and discover inspiring deals on flights, stays and experiences.
The United Colors of Benetton is at the centre of controversy after the company's new 'Unhate' campaign showed some of the world's leading political figures locking lips. Benetton's advertising campaign addressed some of the most vital conflicts in global politics and turned them on their head in six striking, amusing images. These include North Korea's Kim-Jong Il kissing South Korean president Lee Myung-bak in a passionate embrace, while President Obama gets cosy with Venezualan president, Hugo Chavez. A statement from the brand said that they 'seek to contribute to the creation of a new culture of tolerance, to combat hatred, building on Benetton’s underpinning values. It is another important step in the group’s social responsibility strategy: not a cosmetic exercise, but a contribution that will have a real impact on the international community.' Not surprisingly, the campaign has been widely condemned and been labelled as disrespectful. The Vatican formally requested that images of the Pope be removed, and even threatened legal action against the brand. Benetton has since complied with their requests and taken down the image of the Pope sharing the love with Sheik Ahmed el-Tayeb, an Egyptian Imam. Have Benetton overstepped the line here? Conservative homophobes across the globe seem to think so. However, if a handful of photoshopped images of world-famous leaders are enough to cause such a reaction, we really should applaud this well-executed advertising campaign and its clear message of acceptance and tolerance. [Via PSFK]
Haruki Murakami's novel Norwegian Wood is filled with fuzziness, unreliability, landscapes that shift between the real and imagined, and the saturated sensation of tragedy. It's not the easiest thing to adapt to film, but director Tran Anh Hung (I Come with the Rain, The Scent of Green Papaya) has found a rich cinema language for it that's as affecting as Murakami's words. Concrete Playground spoke to him ahead of the film's Australian release. When did you first encounter Murakami's work? It was in '94. This book [Norwegian Wood], it was the first one. Since I really liked it, I didn't want to read other books from him and I didn't want to know anything about him. It's the way I work — I really want to keep my feelings for the book really fresh, and nothing can mix with it … I read his other books later on, during the editing of the movie. And what made you want to adapt Norwegian Wood into a movie? I loved the book because of the character and the story. Because it has to do with love and loss of love and that was a very strong thing, and something that talked to me directly, intimately. It's also about the burdens we acquire in youth that have to be left behind for us to move into adulthood. Tell us about the journey the main character, Watanabe, is on. It's someone who experiences love for the first time. It's a very strong feeling, and then the next day he loses it; Naoko just disappears. And it puts his life in suspense — like he's holding his breath. He's not breathing the same way as before. And when he meets Midori, she offers him her love and he cannot accept it because he has something unfinished with Naoko … [Where Watanabe's journey goes] is very disturbing, but behind it, there is something that is really beautiful, in terms of meaning and in terms of spiritual deliverance. Murakami's works are often regarded as 'unfilmable'. What were the challenges in adapting such a story to screen? There was one thing that was really strong in the book, and that was the feeling of melancholy ... For some scenes I need to give the feeling of something that is a little bit dreamy, that is between reality and dream ... Like the night when [Naoko] comes and kisses him and ask him if he loves her, this kind of scene is very like a dream. And this gives us the feeling that it could be something that will be later a souvenir for Watanabe; it has that texture of a souvenir. And it gives us that feeling of melancholy. And you made the story linear, cutting out the older Watanabe we meet at the beginning of the book? Yes, because if you keep that older Watanabe, then you have that structure of flashback, back and forth between the present time with the older Watanabe, 36 or 39, and the past when he was 20. It will give the audience a feeling of something that is very well known as a structure, so it was not interesting for me to use this. And also because when you go in a movie back and forth, you have to show what in the past influenced the present time. Then you need to create some events, some actions in the present time, because it's not in the book. And that doesn't make sense, because the book is so rich, too rich, I needed to get rid of a lot of things to be able to make a movie, so I'm not going to add some new scenes. And that's why I didn't keep the older Watanabe. You worked with cinematographer Mark Lee Ping Bin, known for his work with Wong Kar-wai (In the Mood for Love). What was the vision the two of you had for how the film should look? What I really appreciate in working with Mark is he has this quality of being really sensual with movement of the camera ... I really need it for all of my movies because I like people to have a really sensual feeling of the image. And I ask everyone to work in a way to make the skin of the actor very obvious — not to enhance it, not to make it more beautiful, but to make it obvious — so that the people wish to touch it, to smell it on the screen. So with Mark I really asked him to use the light in a way so we can feel the skin, because for me, cinema is the art of incarnation. We put ideas and stories, drama in blood and flesh, meaning in the actor. So we need to see the skin very precisely. That's what I'm going for, because I don't like pretty pictures; the beauty must come from the fact the feeling is right, and it's right because its right with the story, with the psychology, with the characters. If everything is right, then it's beautiful. https://youtube.com/watch?v=kYBgsyBwYso
Love indulging in a few-too-many gins on a summer evening, but don't love the dull, dehydrated, hungover face you wake to the next day? We've now got the perfect solution, thanks to an exciting new collaboration between two beloved Aussie brands: Four Pillars Gin and Go-To Skincare. Together they've launched My New Go-To Gin, a new "wildly limited edition" spirit set to be your tipple of summer. The perfect Christmas present for both that skincare fanatic and gin connoisseur in your life, this new addition to your liquor cabinet has all of the peachy goodness you'd expect from Zoe Foster Blake's beloved beauty brand. Not only is it made with quandong, a native Aussie peach and some tart ruby grapefruit, the familiar Go-To label aesthetic means you could probably add it to your bathroom counter's line-up, and nobody would notice anything out of the ordinary. And if you sip a few too many the night before another event (hello, festive season) you're in luck: Every bottle comes with a Go-To 'Transformazing' sheet mask to soak your skin in much-needed moisture. View this post on Instagram A post shared by Go-To (@gotoskincare) Go-To Skincare has become well-known for its cult following of skincare fanatics across the world. The beauty venture from Foster-Blake has been so wildly successful since its 2014 launch, she just sold her majority stake in the company for a cool AU$89 million. Meanwhile, Aussie spirits producer Four Pillars has also become well-known known for innovation. Its inventive collaborations and tasty creations like the rare dry and bloody shiraz gin ranges have earned it the title of World's Best Gin for two years running now. With two very intense fanbases onboard, we imagine this one is going to sell out from shelves quick smart, so do yourself a favour and grab it while you can. Currently, it's just available for sale on the Four Pillars website, with orders limited to maximum of one per order — it's up to you if you gift it to a friend, or keep it for yourself. They've also included a specialty cocktail recipe, perfect for the festive season. Find more information about My New Go-To Gin on the Four Pillars website.
Among the many gifts that 80s cinema gave the world, Glenn Close's (Tehran) turn as a bunny-boiling jilted lover in Fatal Attraction is one of them. There's committed performances and then there's her Oscar-nominated effort as Alex Forrest, the book editor who embarks upon an affair with Michael Douglas' (Ant-Man and the Wasp: Quantumania) married Manhattan lawyer Dan Gallagher, then doesn't appreciate being seen as a mere fling. How does another version of Fatal Attraction follow that up? Why would one bother? How can the film's erotic-thriller storyline leap to TV, find a way forward decades beyond the genre's heyday, and update its plot and long-outdated sexual politics to today? Streaming from Monday, May 1, Paramount+'s eight-part series endeavours to answer those questions — engagingly and intriguingly, and with an excellent cast. There's an air of inevitability to the new Fatal Attraction before its first episode even begins; in this peak time for turning movie classics into television shows, of course the rabbit-stewing hit is getting that treatment. From A League of Their Own and Interview with the Vampire to Dead Ringers and American Gigolo, streaming platforms can't stop remaking the past, a trend that also sees a Cruel Intentions show in the works, plus Harry Potter and Twilight series. Fatal Attraction circa 2023 doesn't just jump on that bandwagon. In finding a way to flesh out the OG film's 119-minute narrative to almost eight hours and give itself a point of difference, it's also a murder-mystery. That's a calculating but involving move, steeping the show in another current favourite approach — see: fellow recent whodunnits Poker Face, Bad Sisters, The Afterparty, The Undoing and The Flight Attendant — and putting far more than a scorned woman in focus. Brought to the small screen by Alexandra Cunningham (Physical) and Kevin J Hynes (The Offer), with the feature's screenwriter James Dearden (Christmas Survival) co-penning several episodes — the 1987 script adapted his own 1979 short Diversion, too — the latest Fatal Attraction starts with its adulterous lawyer in prison. Formerly an assistant Los Angeles district attorney and head of major crimes on the way to a judgeship, this Dan (Joshua Jackson, Dr Death) has spent 15 years in incarceration. Petitioning for his freedom, he tells the parole board that he's thought about Alex Forrest's (Lizzy Caplan, Fleishman Is in Trouble) death every day across that decade and a half. But there's another side to his words — because, once out, he's back to protesting his innocence. More than that, he's determined to track down the killer, with help from his ex-colleague and ex-detective Mike Gerard (Toby Huss, Weird: The Al Yankovic Story). Listening in on that hearing is college student Ellen (Alyssa Jirrels, Saved by the Bell), Dan's now-grown daughter, who hasn't had any contact with her father at his request during his time inside. In Fatal Attraction's present-day thread, she's handily a psychology student specialising in Carl Jung and his collaborator Toni Wolff, and calls her mother Beth's (Amanda Peet, Brockmire) second husband Arthur (Brian Goodman, I Know This Much Is True) dad. Dan wants to reconnect, a quest that unfurls in parallel to his search for the truth, as well as the show's flashbacks to the late 00s. In the latter, he's reaching 40 and flying high until his move behind the bench doesn't pan out, which coincides with new LA arrival Alex crossing his professional path as a victim's advocate. It's telling that Cunningham also has Dirty John on her resume, while Hynes has the new TV version of Perry Mason; combine the first's romance-gone-murderous stories with the second's legal dramas and that's where their spin on Fatal Attraction largely lands. In the process, there's noticeably little eroticism beyond a tumble or two in Alex's window-filled loft, but there is a vital look at the narrative from more than just Dan's viewpoint. His privilege is called out — he's the son of a judge, even making him a nepo baby — as the show also steps through his liaison with Alex from her perspective, and then from Beth's. There's no doubting that revisiting the same events through multiple characters' eyes helps fill the series' running time; however, it also helps reinforce that all tales are shaped by whoever is telling them. Indeed, when Fatal Attraction dives into Alex's history, including the lifetime of terrible treatment from her always-philandering dad and lack of affection from her mum, it puts her mental health in the spotlight, plus her thoughts, feelings and motivations. This iteration is never just about a man who strays from his nuptials and ends up with unwanted attention, prison time and his life upended, but equally about how Alex's time with Dan appears to her, and why. Playing out across both of the series' periods, Fatal Attraction is similarly concerned with how the past forever shapes our futures, a notion it unpacks in layers. That said, it also throws in a ridiculous and questionable late development to underscore that line of thinking, which blatantly and needlessly tries to set up a second season. When the show isn't making wild swerves and delivering cliffhanger twists, it benefits from having Caplan and Jackson at its centre. Sliding into Close and Douglas' shoes is no simple task, so neither attempts to imitate their predecessors, instead capitalising upon their own patent chemistry and respective strengths as performers. Caplan has always excelled at exuding intelligence and vulnerability in tandem — amid acerbic quips, it's what helped make her part in Party Down such a gem — and Jackson has been making charming but flawed his niche since Dawson's Creek, then Fringe, then The Affair. He can't sell being 55 in Fatal Attraction's later timeline, though, and visibly isn't treated well in the hair department. The series' smart casting extends to perennial scene-stealer Huss, who could turn Mike into another show's slippery lead; the ever-reliable Peet, who is never asked to play Beth as just the betrayed spouse; and Jirrels, including while saddled with talking through much of Fatal Attraction's psychological musings. With perspective such a key part of this retelling, strong supporting performances couldn't be more essential. In fact, that too is a crucial reason that returning to this tale proves impossible to ignore, like Alex: it's still a portrait of obsession, but it spies more than just one type of fixation and one basis for it. Check out the trailer for Fatal Attraction below: Fatal Attraction streams via Paramount+ from Monday, May 1. Images: Monty Brinton / Michael Moriati, Paramount+.
In early September, Victorian Premier Daniel Andrews unveiled how metropolitan Melbourne area will gradually ease out of its current stage four COVID-19 lockdowns. On the cards is a five-step removal of restrictions, with the second step coming into place at 11.59pm on September 27, as confirmed by Premier Andrews yesterday. More steps will follow; however just when they'll kick in is now dependent on hitting certain case numbers, and accompanying health advice, rather than specific dates. The aim: to get Melbourne to what the powers-that-be are calling a 'COVID normal' scenario — with absolutely no restrictions on gatherings, visitors, hospitality or sport. For now, under step two, metro Melbourne has met everything it needs to. Under the roadmap, Melbourne needed to reach a 14-day rolling average of daily between 30 and 50 — and as of Sunday, September 27, the average is 22.1. If you're wondering what has changed overnight, and what you now can and can't do, that's understandable — the full outline of step two is lengthy. So, we've detailed the basics. This information is correct as of Monday, September 28. Is there still a curfew? No, the curfew for metropolitan Melbourne has now been scrapped. If lifted for the last time at 5am on Monday, September 28. Originally, it was due to stay in step two, but Premier Andrews announced that change on Sunday, September 27. For what reasons am I allowed to leave the house? Remember those four reasons first announced way back in March? Yep, it's still those. You can leave home to purchase groceries and other essentials, for care and caregiving, for outdoor exercise and recreation, and for permitted work. In step two, however, more industries are allowed to return to working onsite, covering around 127,000 employees. You can find out more about what industries are allowed on-site workers over here. [caption id="attachment_776562" align="alignnone" width="1920"] Heroes mask[/caption] Do I still have to wear a mask? Yes, masks or face coverings are still compulsory whenever you leave home. In fact, the rules for masks have tightened in step two. You now have to wear a fitted face mask — with bandanas, scarves and face shields no longer acceptable. The new rule came into effect with step two, but Melburnians are being give a one-week grace period to comply. How long am I allowed to be out of the house for? You can now head outdoors for up to two hours. You can use these two hours to exercise or to see a friends or family members (and you can split these into two one-hour sessions, but no more), but we'll get to social interactions in a second. How far can I travel? You can still only travel up to five kilometres from your home. We're sure you're very, very familiar with that patch of dirt by now, but if you want to have another look at what's around, check out this website. Can I see friends and family? Yes, but there are quite a few caveats, so bear with us. You can catch up with up to five people, from a maximum of two different households, outside of your home for up to two hours. You can exercise with them or have a picnic (socially distanced, of course), but you cannot travel more than five kilometres from your home. Inside your home, the rules are a little different. The "single social bubble" from step one is still in place, which allows a single person living alone or a single parent with children under 18 to nominate one person to be in their bubble. You are allowed to have this nominated person over to your home and you can go to their home — and you can travel more than five kilometres to visit them, but you must stay within metropolitan Melbourne. You can also stay overnight. Premier Daniel Andrews has posted a little more about the bubbles, too: https://www.facebook.com/DanielAndrewsMP/photos/pcb.3398375080227004/3401290863268759/?type=3&theater Can I drive to a park to exercise? As long as it's within five kilometres of your home, yes. While it was initially banned at the start of stage four, the government changed the rules after backlash on social media. Also, if you're a worker permitted to return to onsite work, you can now also exercise within five kilometres of your workplace. Can I have a session with a personal trainer in a park? Under step two, yes. Up to two people per trainer is allowed. Can I have a picnic in a park? Yes, as long as it's with up to five people (including yourself) from a maximum of two different households — and within five kilometres of your homes. Here are some of our favourite spots. How about a dog park? If it's within five kilometres of your home, yes. Here are some of our favourites. Can I go to the beach? Yes, if there is a beach within five kilometres of your home. But you can go for a maximum of two hours, and with with up to five people (including yourself) from a maximum of two different households. [caption id="attachment_618946" align="alignnone" width="1920"] Fitzroy Swimming Pool[/caption] Can I go to a pool? Indoor? No. Outdoor? Yes. But there are capacity limits and bookings at many pools, so check the website before throwing on your togs. You can check out some of our favourites over here. Can I visit a regional town? If you work in regional Victoria, you can travel there (but you'll need a permit) — otherwise no. You can travel more than five kilometres from your home to see someone in your "social bubble", but you cannot enter regional Victoria for this reason. Can I go shopping? For groceries and other essentials, yes. But not all shops are open and some have altered hours, so check before you head off. And do make sure you stay within five kilometres from your home. Under previous restrictions, only one person per household could go shopping for groceries and other essentials each day. That requirement has now been dropped, but you can still only shop for necessary goods and services. How about to a restaurant or cafe? You can pick up takeaway from a hospitality venue located within five kilometres of your home, but dine-in service is off the cards for now. Or a gym? Indoor gyms are currently closed, but outdoors playgrounds and gyms are open. When will more restrictions be eased? For metropolitan Melbourne, the next step of eased restrictions was originally set to take place on Monday, October 26 — but only if the state-wide average daily cases is less than five and there have been less than five cases with unknown sources over the previous 14 days. As part of the step two announcement, that specific date requirement has now been dropped. Instead, metropolitan Melbourne will move to step three when the above case numbers are met, regardless of the date. It's expected that will happen around October 19; however, again, that isn't set in stone. On Sunday, September 27, Premier Andrews noted that the city "cannot take that step any earlier because the impact of decisions made today won't be known for at least two-to-three weeks". If you have more questions, the Victorian Government has an extensive list of FAQs on its website. Top image: Royal Botanic Gardens via Visit Victoria
No matter where you are in the world, air travel is always a pretty uniform experience. But there's a new kid on the airline block that's looking to shake things up a little — and it's tailored specifically to millennials. Joon, a lower-cost spin-off of Air France, is out to give air travel a bit of a shake-up, offering a 'new generation travel experience' to a 'young working clientele'. In other words: it's not a regular airline, it's a cool airline. The planes — which will start flying from December — will be set up with all the things Air France reckons will make millennials feel right at home: organic ingredients in the food, Rick & Morty on the screens, phone charging outlets in the seats, and fruit smoothies and organic French wine on the menu. Instead of prim uniforms, fresh-faced attendants will be kitted out in sporty threads and white kicks, while bold branding sees electric blue splashed across the seats, the uniforms and just about everything else. I guess millennial pink would have been too obvious. According to Joon's launch campaign, the whole flying thing is just one part of the equation, with the airline also likening itself to 'a fashion brand, a rooftop bar, and a personal assistant'. Fitting, given how much we millennials apparently love to multitask (and drinking at rooftop bars). Joon kicks off five medium-haul routes out of Paris' Charles de Gaulle airport this December, with plans to add long-haul flights to destinations like Seychelles and Brazil mid-2018. It's hard to say if staff wearing sneakers will make a budget flight any less of a drag, but it's nice to see an airline do something different for once. One to try if you're travelling into or out of Paris next year.
If you thought The StandardX couldn't get much better, think again. The design-forward Fitzroy hotel's rooftop bar and lounge, On Top, has finally opened to the public right in time for the summer months. On Top accommodates just 60 guests, but now that it's no longer exclusive to hotel guests, it's sure to fill up quickly with locals, in-the-know visitors, and those looking for a laidback yet luxe hang-out. Designed by Woods Bagot and Hecker Guthrie, the warm colour palette, soft lounge seating, and cosy fireplace lend themselves to lazy afternoons with friends, or romantic date nights, all with the glimmering Melbourne city skyline as a backdrop. Snacky bites will be served all day, and include the likes of smoked ocean trout with creme fraiche, chives and flatbread, and oyster mushroom skewers with shio koji and chilli crumbs. If you need to fill the tum, go for a brioche prawn roll, a wagyu slider with BistroX sauce or fried chicken with hot sauce and guindilla chillies. In this setting, it would be rude not to have a drink or two. There's Aperol Spritz, yuzu margs and lager on tap, and a sippable selection of signature cocktails. Try the Nude and Rude with mezcal, amaro, lemon, agave and bitter, a Cloud Clover with apricot brandy, Aperol, Lillet Blanc, and ginger or The Last Dance with vodka, lemon, passionfruit and Aperol. There's also a carefully curated wine list, created by The StandardX and wine importer Lo-Fi, showcasing local suppliers and producers of low-intervention and sustainable wines. For a bit of gimmicky fun, grab a pre-batched cocktail from the Japanese-style vending machine when you hop out of the lift. Rotating DJs will bring sweet sounds through curated sets that will transport patrons to the bars of downtown LA, the beaches of Lagos, and the streets of nineties Brooklyn. Images: Supplied.
This Sunday night in Los Angeles, Hollywood's top tier will come together, pat each other on the back, and go home with little gold men and $150,000 gift baskets. That’s right, the Oscars are finally upon us, set to launch their 87th ceremony on Sunday, February 22 at the Dolby Theatre (or Monday, February 23 for us). Get ready for red carpet specials, awkward presenter gaffes and all the bitter celebrity reaction shots your heart could possibly desire. This year, we’ll be rooting for underdogs like Whiplash and Wes Anderson, while keeping our fingers crossed that American Sniper wins absolutely nothing at all. We’ll also be partaking in our annual Oscars drinking game, ensuring that when our favourite film inevitably gets snubbed for Best Picture, we won’t actually remember it happened. Here are our predictions for who’ll take home the gold, as well as our own winner picks — who really should win. BEST PICTURE This year’s main list featured eight nominees, because apparently they just couldn’t get to ten. In reality, it just comes down to two: Richard Linklater’s 12-year indie epic Boyhood and Alejandro Gonzalez Innaritu’s one-take showbiz satire Birdman. Both films are formally ambitious and have won their fair share of industry gongs already. We’re leaning towards Birdman based on subject matter — two of the past three Best Picture winners (The Artist and Argo) have been about the film business, so why buck the trend now? WHAT WILL WIN: Birdman WHAT WE'D LIKE TO WIN: The Grand Budapest Hotel BEST DIRECTOR Take what we wrote about the Best Picture contest and copy-paste it here. This comes down to two very different directing styles, both of which push technical boundaries in a way we rarely get to see. Again, we’re giving Innaritu a slight edge, although don’t be surprised if there’s a split between Picture and Director. WHO WILL WIN: Alejandro Gonzalez Innaritu, Birdman WHO WE'D LIKE TO WIN: Wes Anderson, The Grand Budapest Hotel BEST ACTRESS Of all the awards, this one’s probably the easiest to pick. It’s been quite a good year for female performances, and we’re particularly fond of Rosamund Pike in Gone Girl and Marion Cotillard in Two Days, One Night. That being said, Julianne Moore looks to have it all locked up, for her brilliant performance as an Alzheimer’s patient in indie drama Still Alice. WHO WILL WIN: Julianne Moore, Still Alice WHO WE'D LIKE TO WIN: Marion Cotillard, Two Days, One Night BEST ACTOR While the Best Actress race appears to have already been run, the men’s competition is still wide open. Birdman’s Michael Keaton appeared to be an early favourite, but has been losing steam to Eddie Redmayne as Steven Hawking in The Theory of Everything. Then there’s the matter of Bradley Cooper in controversial dark horse American Sniper. In the end, we suspect it’ll go to Redmayne. The Academy loves inspiring true stories, especially when they involve disability. WHO WILL WIN: Eddie Redmayne, The Theory of Everything WHO WE'D LIKE TO WIN: Michael Keaton, Birdman BEST SUPPORTING ACTRESS Whether or not Boyhood takes home the top prize, they can take some consolation in Patricia Arquette’s likely win for Best Supporting Actress. This category is a relatively weak one, particularly when you take away the obligatory Meryl Streep nomination — although admittedly she’s one of the few good things about Into the Woods. WHO WILL WIN: Patricia Arquette, Boyhood WHO WE'D LIKE TO WIN: Patricia Arquette, Boyhood BEST SUPPORTING ACTOR This is another easy pick, and one that’s hard to argue with. 60-year-old J.K. Simmons has been a jobbing character actor for decades, popping up everywhere from Spiderman to Juno to HBO’s Oz. It’s always great when someone like Simmons gets the mainstream attention they deserve. His performance as a dictatorial jazz conductor in Damien Chazelle’s Whiplash is undoubtedly one of the best performances of the year. WHO WILL WIN: J.K. Simmons, Whiplash WHO WE'D LIKE TO WIN: J.K. Simmons, Whiplash BEST ORIGINAL SCREENPLAY Birdman and Boyhood will both make a decent showing here, but we’re predicting this is the category where Wes Anderson gets some well deserved love. The American indie darling has previously scored writing nominations for The Royal Tenenbaums and Moonrise Kingdom, and seems like a decent chance to finally take home a win with The Grand Budapest Hotel. Note that if either Birdman or Boyhood do manage to nab it, it’ll bode very well for their chances later in the night. WHAT WILL WIN: The Grand Budapest Hotel WHAT WE'D LIKE TO WIN: The Grand Budapest Hotel BEST ADAPTED SCREENPLAY Maybe the hardest of the major categories to pick, the only certainly is that Paul Thomas Anderson’s baffling stoner detective film Inherent Vice has zero chance of winning (even though it’s awesome). Whiplash ended up in this category because it’s technically based on a short film by the same director, and it may have a slight edge over other nominees The Imitation Game, The Theory of Everything and American Sniper. When it doubt, we say give it to the indie movie. WHAT WILL WIN: Whiplash WHAT WE'D LIKE TO WIN: Inherent Vice or Whiplash. Watch the 87th Academy Awards this Monday, February 23. The live broadcast itself begins at 12.30pm and will be replayed in primetime at 8.30pm on GEM.
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures will do that, and so will plenty of people staying home because they aren't well — that's no longer always the case. Maybe you haven't had time to make it to your local cinema lately. Perhaps you've been under the weather. Given the hefty amount of titles now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are 13 that you can watch right now at home. Wonka Which cravings does Wonka inspire? Chocolate, of course, and also an appetite for more of filmmaker Paul King's blend of the inventive, warm-hearted and surreal. The British writer/director's chocolatier origin story is a sweet treat from its first taste, and firmly popped from the same box as his last two movie delights: Paddington and Paddington 2. Has the helmer used a similar recipe to his talking-bear pictures? Yes. Was it divine with that double dip in marmalade, and now equally so with creative confectionery and the man behind it? Yes again. While it'd be nice to see King and his regular writing partner Simon Farnaby (also an actor, complete with an appearance here) make an original tale again, as they last did with 2009's superb and sublime Bunny and the Bull, watching them cast their spell on childhood favourites dishes up as effervescent an experience as sipping fizzy lifting drinks. It's as uplifting as munching on hover chocs, too, aka the debut creation that Wonka's namesake unveils in his attempt to unleash his chocolates upon the world. Willy Wonka (Timothée Chalamet, Bones and All) has everlasting gobstobbers, golden tickets and a whole factory pumping out a sugary rush in his future, as Roald Dahl first shared in 1964 novel Charlie and the Chocolate Factory, then cinemagoers initially saw in 1971's Gene Wilder-starring all-timer Willy Wonka & the Chocolate Factory. Wonka churns up the story before that story, and technically before 2005's Charlie and the Chocolate Factory from Tim Burton (Wednesday) as led by Johnny Depp (Minamata) — but the less remembered about that most-recent adaptation, the better. There's no on-the-page precedent for this flick, then. Rather, King and Farnaby use pure imagination, plus what they know works for them, to delectable results. What they welcomely avoid is endeavouring to melt down Dahl's bag of tricks and remould it, and also eschew packing in references to past Chocolate Factory flicks like a cookie that's more chocolate chips than biscuit. Wonka streams via YouTube Movies, iTunes and Prime Video. Read our full review. Dream Scenario Gushing about Paddington movies, channelling Elvis, screaming about being a vampire, swooning over Cher, kidnapping babies, fighting cults, battling demonic animatronics, driving ambulances, flying with convicts, swapping faces, avenging pet pigs and milking alpacas, Nicolas Cage has gotten himself lodged in many a moviegoer's brain before. Dream Scenario takes that idea to the next level, not with the screen's most-inimitable star as himself — this isn't The Unbearable Weight of Massive Talent — but in a film that works as well as it does, and as sharply, because he's its irreplaceable lead. Although writer/director Kristoffer Borgli didn't write his third feature (after DRIB and Sick of Myself) with Cage in mind, there's pure magic in matching his tale of pop-culture virality, fame and its costs to the man born Nicolas Kim Coppola. Who else could play someone so ubiquitous in the collective consciousness that everyone knows him, has deep-seated feelings and opinions about him, and can't stop thinking about him? Albeit for different reasons, it as much a stroke of genius as enlisting Being John Malkovich's namesake. Dream Scenario wears its comparisons to Spike Jonze (Beastie Boys Story) and Charlie Kaufman's (I'm Thinking of Ending Things) masterpiece better than anything else between 1999 and now, other than their subsequent collaboration Adaptation — as starring none other than Cage — and the Kaufman-penned, Michel Gondry (Kidding)-helmed Eternal Sunshine of the Spotless Mind. David Lynch (Cage's Wild at Heart director) and Ari Aster also come to mind while watching Borgli's film, which blends the surreal and satirical, and also spins a nightmare where dread paints every frame. Aster produces, lending a hand on a movie that pairs well with his own Beau Is Afraid, aka another flick where a schlubby, awkward and unhappy middle-aged man has his life upended in no small part thanks to his own anxiety. Dream Scenario isn't attempting to ape its predecessors, or Borgli's own Sick of Myself, another musing on celebrity, attention and the fact that almost everything about 21st-century existence has become a performance. Rather, the Norwegian filmmaker's latest plays like its title suggests: the product of slumbering while having all of the above swirling, twirling and dancing in your synapses — and with Cage always lurking, of course. Dream Scenario streams via YouTube Movies, iTunes and Prime Video. Read our full review. The Iron Claw The Von Erich family's second generation of wrestlers was born ready to rumble, regardless of whether they wanted to or not. After diving into a cult's thrall in Martha Marcy May Marlene, then the idea that money and status can buy happiness in fellow psychological thriller The Nest, writer/director Sean Durkin adds another exceptional and gripping film to his resume with The Iron Claw — a movie that draws upon elements of both, too, as it tells its heartbreaking true tale. Unpacking the weight carried and toll weathered by brothers locked into one future and way of life from the moment that they existed, this is a feature about the shadow cast by power and dominance by those caught in its shade, and the cost of doggedly chasing one concept of triumph and masculinity above all else. The Zac Efron (The Greatest Beer Run Ever)-voiced narration pitches it as a picture about a family curse as well, but the supernatural has nothing on an authoritarian force refusing to let anyone flee his grasp. The Iron Claw introduces the IRL Von Erich sporting dynasty with patriarch Fritz (Holt McCallany, 61st Street) doing the grappling, busting out the trademark grip that gives the movie its name, as his wife Doris (Maura Tierney, American Rust) and two of his boys wait outside. When they all come together after the match, it isn't just the pledge that Fritz will bring the National Wrestling Association's World Heavyweight Championship to their brood, which he's certain will fix their struggling plight, that lingers. Equally inescapable is the unyielding fixation burning in his steely glare, a look that will rarely falter in the film's 132-minute running time — and how his adoring sons (first-timers Grady Wilson and Valentine Newcomer) are already trained to see this world of rings, frays, throws and belts as their home, career path and destiny. With Harris Dickinson (A Murder at the End of the World), The Bear's Emmy- and Golden Globe-winner Jeremy Allen White, and Stanley Simons (Superior) joining Efron in the cast as grown versions of those two boys and two of their brothers, seeing how Fritz's obsession ripples through his family is crushing. The Iron Claw streams via YouTube Movies, iTunes and Prime Video. Read our full review. Ferrari Michael Mann makes movies like a man haunted. From his 1981 debut Thief to his latest release Ferrari, it's no wonder that his films linger with viewers. Mann's work whirrs with the pursuit of professional greatness, and with the pressures of balancing that relentlessly revving chase with personal ties and desires — quests and woes that aren't his own in his narratives, but always feel intimate. Heat, 1995's Robert De Niro (Killers of the Flower Moon)- and Al Pacino (Hunters)-led crime-thriller that the filmmaker will forever be known for, has proven a spectacular example for nearly three decades. While the skilled burglar and dogged detective caught in its cat-and-mouse game are both experts in their realms, that doesn't make juggling their on-the-job and at-home realities any easier, cleaner or less chaotic. Using that very notion as its road, Ferrari is clearly the product of the same director. Perhaps Mann is speeding down that exact path after all, then, navigating the complexities of getting a film onto screens — his last was 2015's underseen Blackhat — on a mission to master his favourite themes. Mann has helmed several model features already in Thief, Heat, The Insider and Collateral, with Ferrari a worthy addition to his resume. Wheels spin on and off the track in the elegantly and exquisitely crafted slice-of-life biopic, many literally but others via its namesake's personal life. Based on Brock Yates' book Enzo Ferrari: The Man, The Cars, The Races, The Machine, as adapted by screenwriter Troy Kennedy Martin (the OG The Italian Job) to cover events in the summer of 1957 only, Ferrari is always hurtling — even when it's as patient as cinema in Mann's hands has ever been. The collision between single-minded goals and the messiness of existing constantly gives his pictures urgency, no matter how steady the gaze and stoic the character. And make no mistake, Adam Driver's (65) gravitas-dripping portrayal of race car driver-turned-sports car entrepreneur Enzo Ferrari (and Italian-accented but speaking in English, just as he did in House of Gucci) is as serious and determined as Mann's protagonists get, too. Ferrari streams via YouTube Movies, iTunes and Prime Video. Read our full review. The Holdovers Melancholy, cantankerousness, angst, hurt and snow: all five blanket Barton Academy in Alexander Payne's The Holdovers. It's Christmas in the New England-set latest film from the Election, About Schmidt and Nebraska director, but festive cheer is in short supply among the students and staff that give the movie its moniker. The five pupils all want to be anywhere but stuck at their exclusive boarding school over the yuletide break, with going home off the cards for an array of reasons. Then four get their wish, leaving just Angus Tully (debutant Dominic Sessa), who thought he'd be holidaying in Saint Kitts until his mother told him not to come so that she could have more time alone with his new stepdad. His sole company among the faculty: curmudgeonly classics professor Paul Hunham (Paul Giamatti, Billions), who's being punished for failing the son of a wealthy donor, but would be hanging around campus anyway; plus grieving head cook Mary Lamb (Da'Vine Joy Randolph, Only Murders in the Building), who is weathering her first Christmas after losing her son — a Barton alum — in the Vietnam War. The year is 1970 in Payne's long-awaited return behind the lens after 2017's Downsizing, as the film reinforces from its opening seconds with retro studio credits. The Holdovers continues that period-appropriate look in every frame afterwards — with kudos to cinematographer Eigil Bryld (No Hard Feelings), who perfects not only the hues and grain but the light and softness in his imagery — and matches it with the same mood and air, as if it's a lost feature unearthed from the era. Cat Stevens on the soundtrack, a focus on character and emotional truths, zero ties to franchises, a thoughtful story given room to breathe and build: that's this moving and funny dramedy. Christmas flicks regularly come trimmed with empty, easy nostalgia, but The Holdovers earns its wistfulness from a filmmaker who's no stranger to making movies that feel like throwbacks to the decade when he was a teen. The Holdovers streams via YouTube Movies, iTunes and Prime Video. Read our full review. Anyone But You Greenlighting Anyone But You with Sydney Sweeney and Glen Powell as its leads must've been among Hollywood's easiest decisions. One of the rom-com's stars has been everywhere from Euphoria and The White Lotus to Reality of late, while the other is fresh off feeling the need for speed in Top Gun: Maverick. They both drip charisma. If this was the 80s, 90s or 00s, they each would have an entire segment of their filmographies dedicated to breezy romantic comedies like this Sydney-shot film, and probably more than a few together. Indeed, regardless of his gleaming casting, Anyone But You director and co-writer Will Gluck makes his first adult-oriented flick in 12 years — since Friends with Benefits, with Annie and the two Peter Rabbit movies since — as if it's still two, three or four decades back. The gimmick-fuelled plot, the scenic setting, swinging between stock-standard and OTT supporting characters: even amid overt riffs on Shakespeare's Much Ado About Nothing, they're all formulaically present and accounted for. So is the fact that Anyone But You's story always comes second to Sweeney and Powell's smouldering chemistry, and that most of its obvious jokes that only land because the pair sell them, as well as the whole movie. Bea (Sweeney) and Ben (Powell) meet-cute over a bathroom key in a busy cafe. That first dreamy day ends badly the next morning, however, with more pain in store when Bea's sister Halle (Hadley Robinson, The Boys in the Boat) gets engaged to Ben's best friend Pete's (GaTa, Dave) sister Claudia (Alexandra Shipp, Barbie). Cue their feud going international at the destination wedding in Australia, then getting a twist when Bea and Ben pretend that they're together. They're trying stop their fighting ruining the nuptials, get her parents to back off from pushing for a reunion with her ex (Darren Barnet, Gran Turismo: Based on a True Story) and make his own past love (model-turned-acting debutant Charlee Fraser) jealous. Every expected narrative beat is struck, then, while nodding to other rom-com wedding flicks — My Best Friend's Wedding co-stars Dermot Mulroney and Rachel Griffiths play Bea's mum and dad, with the latter also a Muriel's Wedding alum — and getting cheesily Aussie via koalas, endless shots of the Sydney Harbour Bridge and the Sydney Opera House, and Bryan Brown (Boy Swallows Universe) and Joe Davidson (Neighbours) playing the stereotypical parts. And yet, Sweeney and Powell ace their performances and rapport, and also couldn't be more watchable. Anyone But You streams via YouTube Movies, iTunes and Prime Video. Read our full review. Bottoms The first rule of making a movie about a high-school lesbian fight club is that there are no rules, other than embracing the concept and giving it your all. So punches Bottoms, a film where the gleefully cartoonish energy is always as important as the plot, and a feature that knows it's entering a big-screen ring that wouldn't even exist if Heathers, Clueless, Bring It On, Mean Girls, But I'm a Cheerleader, Easy A and Booksmart hadn't hopped over the ropes first. Three years after Shiva Baby, writer/director Emma Seligman and actor Rachel Sennott (Bodies Bodies Bodies) reunite, with the pair collaborating on the script this time around. Also crucial: bringing in The Bear's Ayo Edebiri, a friend from the duo's student days, to co-star. In a picture that values being stronger together, Seligman, Sennott and Edebiri make a knockout team. Bottoms' vibe could only spring from IRL pals, too, playing it loose and ridiculous like this crew is simply hanging out. The setup: Sennott and Edebiri are PJ and Josie, who return to Rockbridge Falls High School after summer break keen to finally turn their love for popular cheerleaders Isabel (Havana Rose Liu, No Exit) and Brittany (Kaia Gerber, Babylon) into sex and romance. The best friends know that their social standing is anything but high — "gay, untalented and ugly" is how they describe themselves — but two queer girls can dream that this is their moment, then do their utmost to make their fantasies a reality. So, when the semester starts with PJ and Josie still stuck as outcasts, they conjure up a plan. Their gymnasium-based group is officially known as a women's self-defense class and is sold to their teachers as an act of female solidarity; however, no matter what they tell the principal (Wayne Pére, Your Honor), as well as the history teacher (Marshawn Lynch, Westworld) that they convince to be their advisor, there's really only one aim: not feminism and support, but getting laid. Bottoms streams via Prime Video. Read our full review. Aquaman and the Lost Kingdom The DC Extended Universe is dead. With Aquaman and the Lost Kingdom, the comic book-to-screen franchise hardly swims out with a memorable farewell, hasn't washed up on a high and shouldn't have many tearful over its demise. More movies based on the company's superheroes are still on the way. They'll be badged the DC Universe instead, and start largely afresh; 2025's Superman: Legacy will be the first, with Pearl's David Corenswet as the eponymous figure, as directed by new DC Studios co-chairman and co-CEO James Gunn (The Suicide Squad). Aquaman and the Lost Kingdom ends up the old regime about as expected, however: soggily, unable to make the most of its star, and stuck treading water between what it really wants to be and box-ticking saga formula. Led by Jason Momoa (Fast X), the first Aquaman knew that it was goofy, playful fun. Its main man, plus filmmaker James Wan (Malignant), didn't splash around self-importance or sink into seriousness. Rather, they made a giddily irreverent underwater space opera — and, while it ebbed and flowed between colouring by numbers and getting entertainingly silly, the latter usually won out. Alas, exuberance loses the same battle in Aquaman and the Lost Kingdom. Having spent its existence playing catch-up with the Marvel Cinematic Universe, the DCEU does exactly that for a final time here. As with Ant-Man and the Wasp: Quantumania, there's such a large debt owed to Star Wars that elements seem to be lifted wholesale; just try not to laugh at Jabba the Hutt as a sea creature. 2018's initial Aquaman used past intergalactic flicks as a diving-off point, too, but with its own personality — no trace of which bobs up this time around. Wan helms again, switching to workman-like mode. He's co-credited on the story with returning screenwriter David Leslie Johnson-McGoldrick (Orphan: First Kill), Momoa and Thomas Pa'a Sibbett (The Last Manhunt), but there's little but being dragged out with the prevailing tide, tonal chaos and a CGI mess on show. Now king of Atlantis and a father, Arthur Curry has another tussle with Black Manta (Yahya Abdul-Mateen II, Ambulance) to face, with his enemy aided by dark magic and exacerbating climate change. Only Aquaman teaming up with his imprisoned half-brother Orm (Patrick Wilson, Insidious: The Red Door) will give the world a chance to survive. Even with an octopus spy and Nicole Kidman (Expats) riding a robot shark, a shipwreck results. Aquaman and the Lost Kingdom streams via YouTube Movies, iTunes and Prime Video. Read our full review. One Life Nicholas Winton's "British Schindler" label wasn't invented for One Life, the rousing biopic that tells his story; however, it's a handy two-word description that couldn't better fit both him and the film. In the late 1930s, when the then-Czechoslovakia's Sudetenland was occupied by Nazi Germany, the London-born banker spearheaded a rescue mission to get children — mostly Jewish — out of the country. After being encouraged to visit Prague in 1938 by friends assisting refugees, he was so moved to stop as many kids as possible from falling victim to the Holocaust that he and a group of fellow humanitarians arranged trains to take them to England. The immense effort was dubbed kindertransport, with Winton assisting in saving 669 children. Then, in the decades that followed, his heroic feat was almost lost to history. In fact, it only returned to public knowledge in 1988 when his wife Grete Gjelstrup encouraged him to show his scrapbook from the time to Holocaust researcher Elizabeth Maxwell, who was married to media mogul Robert Maxwell. Smartly, One Life captures both remarkable aspects to Winton's story, flitting between them as it tells its powerful and stirring true tale. The film's jumps backwards and forward also allow room for two excellent performances, enlisting Anthony Hopkins as the older Winton and Johnny Flynn (Operation Mincemeat) to do the honours in his younger years. With The Two Popes, his Oscar win for The Father, Armageddon Time and now this, Hopkins has been enjoying a stellar run in his 80s. If matching one of Hopkins' great portrayals in a period filled with them — a career, too, of course — was daunting for Flynn, he doesn't show it. As with Kurt and Wyatt Russell on the small screen's Monarch: Legacy of Monsters, they're playing the same man but also someone who changes, as everyone does, through his experiences. Accordingly, a lively Flynn captures Winton's zeal and determination, while a patient Hopkins wears the haunted disappointment of someone who has spent half of their life thinking that he hasn't done enough. When he finally realises the full impact of his efforts, it's a devastatingly touching moment in a potent feature that looks the standard sombre part, but also knows that flashiness isn't what leaves an imprint in a story as important as this. One Life streams via YouTube Movies, iTunes and Prime Video. Migration It mightn't seem like Migration and Chicken Run: Dawn of the Nugget should be twin films. The first is Illumination's latest non-Minions effort. The second is the long-awaited sequel to 2000 claymation favourite Chicken Run. But this pair of animated movies is definitely the newest example of the long-running cinematic déjà vu trend. Past birds of a feather have included Antz and A Bug's Life, Deep Impact and Armageddon, Churchill and Darkest Hour, and Ben Is Back and Beautiful Boy — and oh-so-many more — aka pictures with similar plots releasing at around the same time. The current additions to the list both arrived in December 2023, focus on anthropomorphised poultry, and initially find their clucking and quacking critters happy in their own safe, insular idylls, only to be forced out into the scary wider world largely due to their kids. Chaos with humans in the food industry ensues, including a life-or-death quest to avoid being eaten, plus lessons about being willing to break out of your comfort zone/nest/pond. Famous voices help bring the avian protagonists to the screen, too — Elizabeth Banks (The Beanie Bubble) and Kumail Nanjiani (Welcome to Chippendales) are the parents in Migration, for instance, and Thandiwe Newton (Westworld) and Zachary Levi (Shazam! Fury of the Gods) in Dawn of the Nugget — although that's long been the industry standard in animation in general. If you've seen Chicken Run's return, then, Migration will instantly feel familiar. This is an instance of two studios hatching near-identical films that both have their own charms, however. With Migration, a voice cast that also spans Awkwafina (Quiz Lady), Keegan-Michael Key (Wonka), Danny DeVito (It's Always Sunny in Philadelphia) and Carol Kane (Hunters) brings plenty of energy. As the key behind-the-camera talents, director Benjamin Renner (Ernest & Celestine) and screenwriter Mike White (yes, The White Lotus' Mike White) know how to enliven the narrative. That tale tells of mallards Mack (Nanjiani) and Pam (Banks), one nervous and the other adventurous, who follow another family from New England to Jamaica via New York City with their eager ducklings Dax (Caspar Jennings, Operation Mincemeat) and Gwen (first-timer Tresi Gazal), and cantankerous uncle (DeVito). But the Big Apple brings a run-in which a chef, after initially falling afoul of a flock of pigeons, befriending their leader (Awkwafina) and endeavouring to rescue the homesick parrot (Key) who knows the way to their sunny winter getaway. Migration streams via YouTube Movies, iTunes and Prime Video. Wish Hitting cinemas in 2023, the year that Walt Disney Animation Studios celebrated its 100th birthday, shouldn't have meant that Wish needed to live up to a century's worth of beloved classics. And it wouldn't for viewers, even with the Mouse House's anniversary celebrations everywhere, if the company's latest film didn't bluntly draw attention to Disney hits gone by. Parts are cobbled together from Cinderella, Snow White And The Seven Dwarfs and Pinocchio. Not just fellow animated efforts get referenced; alongside shoutouts to Bambi and Peter Pan, Mary Poppins earns the nod well. Overtly elbowing rather than winking, directors Chris Buck (Frozen and Frozen II) and Fawn Veerasunthorn (head of story on Raya and the Last Dragon) plus screenwriters Jennifer Lee (another Frozen alum) and Allison Moore (Beacon 23) ensure that their audience has the mega media corporation's other fare in their heads. It's a dangerous strategy, calling out other movies if the feature doing the calling out is by-the-numbers at best, and it does Wish no favours. No one might've been actively thinking "I wish I was watching a different Disney movie instead" if they weren't pushed in that direction by the flick itself, but once that idea sweeps in it never floats away. While the importance and power of dreams is Wish's main theme, the film forgot to have many itself. If it hoped to be a generic inspiration-touting fairy-tale musical, however, that fantasy was granted. Ariana DeBose (Argylle) and Chris Pine (Dungeons & Dragons: Honour Among Thieves) star as teenager Asha and all-powerful sorcerer Magnifico, respectively. The latter created the kingdom of Rosas as a sanctuary to protect people's wishes, which hover in his castle — but he's stingy with granting them. When Asha discovers that the land's sovereign isn't as benevolent as he seems, then wishes on a star that becomes her beaming friend (and makes her goat Valentino talk, sporting the voice of Peter Pan & Wendy's Alan Tudyk), she decides to topple his rule and free the deepest desires of her fellow townsfolk. West Side Story Oscar-winner DeBose brings her best to the movie's songs, which would've fallen flat and proven forgettable in anyone else's hands, but they're the most vivid part of a film that starts with the storybook cliche, leans too heavily on chattering critters and can't match its classic look with an instant-classic picture. Wish streams via YouTube Movies, iTunes and Prime Video. Night Swim James Wan didn't direct Night Swim, nor write it. Instead, the Saw, Insidious, The Conjuring and Malignant filmmaker is one of its producers alongside Get Out, Five Nights at Freddy's, and the recent Halloween and The Exorcist revivals' Jason Blum. So, the pair haven't quite gone the M3GAN route given that Wan earned a story credit on that 2023 hit — but surely the Australian had a hand in one specific detail. Marking the feature helming debut of writer/director Bryce McGuire, the Baghead scribe who adapts his 2014 short film with Rod Blackhurst (Blood for Dust), Night Swim includes a school named after Harold Holt. It's a movie about a haunted swimming pool that namechecks the Aussie Prime Minister who disappeared and has been presumed dead since failing to return after a swim in the sea in 1967. The cheeky early reference is a portentous Easter egg, not that ocean paddles are a part of this tale. Other than stars Wyatt Russell (Monarch: Legacy of Monsters) and Kerry Condon (The Banshees of Inisherin) trying to do what they can with the predictable material, including the former nodding to his family's baseballing history (his father Kurt and grandfather Bing, each also actors, both played), it's one of the movie's most notable aspects. Russell steps into the shoes of Ray Waller, who has retired from doing the only thing he's ever loved due to illness. That move away from professional sports sends the ex-athlete, his wife Eve (Condon) and their children children Izzy (Amélie Hoeferle, The Hunger Games: The Ballad of Songbirds & Snakes) and Elliot (Gavin Warren, Fear the Walking Dead) in search of a new home — and Ray feels a particular pull towards one specific abode and its groundwater-filled pool, even after tumbling unexpectedly into it. The paddling spot is meant to be helpful for his ailments, too. As viewers already know before this big decision, courtesy of a girl (Ayazhan Dalabayeva, Miracle Workers) having a traumatic splash in the 1992-set prologue, this isn't just any old backyard place for a dip. The evening pool scenes are fittingly hauntingly shot, but this is a movie where close to every element wades in from other flicks — The Shining, Poltergeist and The Ring among them — and sparking a sinking feeling about how derivative it is isn't the same as being suspenseful or scary. Night Swim streams via YouTube Movies, iTunes and Prime Video. The Beekeeper In the Jason Statham cinematic universe, all that a movie needs is a profession as a moniker, its star scowling fiercely and the flimsiest of narratives propping up routine action scenes. So goes The Transporter, The Mechanic and now The Beekeeper (Crank doesn't quite fit, because the title doesn't describe Statham's character's job). The lead actor shared by all of these films can do and has done better. The Autopilot could be a name for his mode here, then. Directed by Suicide Squad's David Ayer, written by The Expendables 4's Kurt Wimmer and crediting Statham as a producer with them as well as a star, The Beekeeper doesn't attempt to get its main man doing anything that he couldn't do in his sleep, in fact — well, that and put him in a John Wick-esque scenario if it was written as a Gerard Butler (Plane) flick instead. Statham plays an ex-secret operative from a clandestine group called The Beekeepers, who is now literally keeping bees in his quiet life, but gets drawn back in after the kindly retired schoolteacher Eloise Parker (Phylicia Rashad, Creed III) that he rents a barn from is scammed by a ruthless operation. The Beekeepers are all about justice. In its pursuit, they're also not beholden to the usual law. In fact, their remit is swarming in to protect the hive when the legal forces that everyone knows about don't do their job. (Plenty of bee nods and puns are also The Beekeeper's remit, unsurprisingly, even as it manages never to be intentionally amusing for a second, or show any desire to want to). So when there's no satisfactory resolution to the swindle and its aftermath, including with Parker's daughter Verona (Emmy Raver-Lampman, The Umbrella Academy) an agent on the case, Statham's Adam Clay gets a-stinging. Wimmer has indeed scripted Gerard Butler movies before, but his lead here can't make this more than a woefully clichéd mess that screams to use his knack for comedy, yet doesn't. Looking grimly trashy aesthetics-wise, working in oh-so-rote conspiracies, roping in Josh Hutcherson (Five Nights at Freddy's) and Jeremy Irons (The Flash) as well as Minnie Driver (Uproar): none give this any trace of a buzz, either, or turn it into B- (or bee-)movie honey. The Beekeeper streams via YouTube Movies, iTunes and Prime Video. Looking for more viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows — and fast-tracked highlights from January 2024 (and also January, February, March, April, May, June, July, August, September, October, November and December 2023, too). We keep a running list of must-stream TV from across 2024 as well, complete with full reviews. And, we've also rounded up 2023's 15 best films, 15 best straight-to-streaming movies, 15 top flicks hardly anyone saw, 30 other films to catch up with, 15 best new TV series of 2023, another 15 excellent new TV shows that you might've missed and 15 best returning shows.
In the latest of its comeback moves, Polaroid has jumped on the Instagram bandwagon with a brand new camera, Socialmatic. Not only does it print photos on the spot (let's face it, the only reason anyone buys Polaroid cameras any more), it also lets you upload them to your social media accounts instantly. Seems like Polaroid wants to remind us all where those square-shaped, Nashville-filtered snaps came from. Available for pre-order at US$299 and expected to hit shelves in January 2015, the Socialmatic runs only with Android. It uses Wi-Fi to connect to the Internet, and Bluetooth to connect to your smartphone. Shots can be sent to Instagram, Facebook, Twitter, Pinterest and any other network with an Android App available on Google Play. At the same time, Polaroid's instant-print tech has received an upgrade. Gone are the days of shaking your photos until the black layer disappears. And, if you request it, every photo comes with its own QR barcode, so you can keep up with its movements in cyberspace. Shots are printed at dimensions of 5 x 7.5 centimetres. What’s more, the Socialmatic comes equipped with two cameras in one. The regular camera measures 14-megapixels, and there’s another on the back, which provides 2-megapixels of resolution and is designed specifically for taking selfies. Seems Polaroid really want to get in the game with this one. Before this, Polaroid’s most recent attempt at modernising happened with the release of the Polaroid Cube. It’s a teeny-tiny, HD, cube-shaped video camera that competes with the GoPro, selling at just US$99. Via Racked.
Local breweries have again proved their might in craft beer's night of nights, as the Australian International Beer Awards (AIBA) named their 2022 victors. Overnight at the beer competition's annual awards ceremony, 35 trophies were handed out, after judges sipped and assessed a record 2,630 entries from across the country and the world. As with last year's competition, Victoria stole a good chunk of the fizzy, amber-hued spotlight, with the state's breweries taking out 13 of those major trophies. Reservoir's Hawkers Beer claimed the honoured title of Champion Large Australian Brewery, in addition to representing its home state as Champion Victorian Brewery. [caption id="attachment_744422" align="alignnone" width="1920"] Hawkers Beer[/caption] Meanwhile, fellow Melbourne-born brand Stomping Ground snapped up the trophy for Champion Medium Australian Brewery, also scoring top awards with both its Raspberry Smash and Bunker Porter. Take note if you're on the hunt for a new winter drop. Other southerners to emerge victorious included Footscray's Hop Nation, whose Get The Gist was awarded best modern IPA; Collingwood brewery Molly Rose nabbing the title of best Belgian/French ale with its Nectarined; and Co-Conspirators with a win for its Hop Peddler hazy pale. Of course, the awards proved there's also plenty of fine beer drinking to be done in other parts of the country. Those repping the craft brew scene for Queensland included Moffat Beach Brewing Co, named Champion Small Australian Brewery while also getting a gong for its Triology Best Coast IPA and Shadow Of The Moon Eclipse releases. [caption id="attachment_811810" align="alignnone" width="1920"] Wayward Brewing[/caption] Inner-west Sydney mainstay Wayward Brewing nabbed the title of best wood and barrel-aged beer, and in an era where low-alc and booze-free sips are having a moment, Stone & Wood's 2.7% East Point won best reduced/low alc beer. Western Australian beer fans have cause to raise a few pints, too, after Beerland's lolly-inspired Blueberry Clouds sour took out the top slot of Champion Australian Beer. The AIBA also awarded some international breweries worth adding to your beer hit-list, including California's Belching Beaver, Weihenstephan out of Germany, Korea's Artmonster and Auckland's Deep Creek Brewing Co — the latter of which claimed the title of Champion Medium International Brewery. The AIBA is the largest annual beer competition of its kind in the world, each year recognising excellence in brewing, beer packaging design and beer media. For the full lineup of this year's AIBA awardees, jump over to the website.
Art/Work is a new Concrete Playground series where we take some time to chat with our local creatives in an attempt to unravel the daily grind behind being an artist. First cab off the rank is Mitch Cairns, a Sydney-based artist represented by BREENSPACE. He is also one quarter of the now defunct collaborative group, Cosmic Battle for Your Heart. He can also play the drums. Most days you'll find me in a bit of a jam, I'd very much like to be in the studio, but being an adult is difficult and most days lately I'm either at accruing pennies or… When I am not there I am working on the next batch of paintings. Painting, for me, is a tricky problem and generally involves 'filling in' the frame with an image of some sort. In order to keep painting, I set up a few hooks to work out from. Currently I've been looking a lot at cartooning, straight up and down visual gags that generally involve the tragedy of going bald. After combing over this material I then go through a process which includes a night of heavy carbs, waking, stretching, keeping up fluids and eventually setting off on a light jog. My day job is at Oxford Arts Supplies, I work with good people, I get to peruse the store, at times, like a guest.... It's great, I could be digging holes right now. Like all job you've got to turn up to be paid.... this isn't a problem for me really, but I am seeking a double, anybody that fits the type of 'chubby greyhound' should apply here. Working in an art supply house is fine, the discounts aren't wild but they're helpful. In fact I work with some really awesome artists.... so yes it is quite a stimulating place to work. If money wasn't an issue I'd have a beer in the fridge. Being an artist/musician in Sydney is very tight right now. But I would never leave for any great deal of time. I have entertained moving to New Zealand, I mean our house is being bent over soon, we gotta live somewhere. My neighbourhood is currently in Rozelle, I am peninsulated. There is in fact a whole bunch of really excellent artists that live on the peninsular, its a very nice neighbourhood. Best kept Sydney secret Balmain Star. It's a pho joint in the Balmain Plaza, very simple, cheap, delicious food. I'm not sure why you'd ask me about hip Sydney secrets thou? Isn't that your job to tell us? I'm a mild mannered and sometimes awkward guy, I got no secrets..... good afternoon.
Australia's most popular short film festival wants to test your filmmaking abilities in an even tighter time frame for a new competition. #Tropvine asks you to use the Vine app and create a film that's six seconds long, the maximum running time for a Vine video. #Tropvine invites entrants all over the world to submit a Vine that includes this year’s Tropfest signature item: 'mirror'. Like Tropfest, anyone can enter, no experience necessary — you just need to be creative with a smartphone. It's as close to an even playing field as you'll find, since the likelihood of anyone getting major grant funding for their Vine seems slim. That said, a contingent of very clever filmmakers have already built impressive oeuvres on the platform, so expect a fierce competition. To enter, just tweet your Vine using the competition hashtags #tropvine and #mirror and tag @Tropfest. You’ll also need to follow Tropfest on Twitter so they can contact you if your film is shortlisted. Once it’s live, it’s up to you to share it with the world, bug your friends and get as much support as possible. The 20 most popular Vines, as voted by the public, will be judged by the Tropfest Jury of industry leading lights, who'll choose the overall winner. So what’s in it for you, other than being a master short storyteller? All eligible entries will go in the running to win a VIP trip to Tropfest Australia 2014. This includes Qantas flights for you and a friend to Sydney, luxury accommodation at QT Sydney, VIP tickets to Tropfest Australia, Nikon camera gear and lunch with Twitter Australia.
Wellington is heaven for gourmands, combining all the ingredients that make for a brilliant culinary getaway. There are laneways crammed with cool, little artisanal producers; clandestine cocktail bars behind unmarked doorways; quiet suburbs hiding excellent, casual and international restaurants; centre-city breweries in abundance and a pack of wineries just over the hills. And then there's the fact that the city is wedged between a picturesque harbour and sprawling farmland, so the produce scene is very, very local. Wellington is a physically small city, so it's best explored on foot. This not only helps mitigate some of the effects of a food-filled holiday, but means there's also no stress about arranging transport or planning too far in advance. Just follow your nose and tastebuds. It's often said that Wellington has more bars and restaurants per capita than New York City. Whether or not there's any truth in this, it'll surely feel like it as you explore the many beaut spots, tasting your way through the city's unique culinary ethos. SHEPHERD Tucked away down Hannahs Laneway, Shepherd features framed botanical posters, taxidermy draped with fairy lights and jars of preserves used as decoration. And this unexpected and playful, yet refined decor is mirrored in its food. This is fine dining-quality fare in a wonderfully fun atmosphere where the staff know the origins of every ingredient. Expect plenty of local seafood, Asian condiments, fermented and pickled ingredients and some of the most creative desserts you'll ever taste. The pumpkin cardamom doughnut with peanut butter popcorn and whiskey anglaise is a favourite, but the menu is seasonal and changes almost daily so expect to find a new favourite each time you stop in. [caption id="attachment_635862" align="alignnone" width="1280"] Facebook / Fix & Fogg.[/caption] FIX & FOGG What started as a hobby for then-lawyers Roman and Andrea Jewell has turned into a bit of a peanut butter empire. Fix & Fogg was born from the couple's desire to learn new skills, and it quickly became one of the most delicious products coming out of Wellington. Swing by Hannahs Laneway, and if the peanut butter flag is out — you'll know it when you see it — then the PB will be flowing. The adorable shop window is literally tucked under a staircase and offers tastings, gourmet toast and the occasional peanut butter donut. [caption id="attachment_635860" align="alignnone" width="1280"] Facebook / Husk.[/caption] HUSK Another spot hidden down an alley, another spot that's the result of a collaboration between Wellington hospo stalwarts — HUSK is a lot of things: a cafe, a bar, a brewery, a coffee roastery and a restaurant. With true dedication, the coffee and beer venture is open from 8 or 9am till late every day. Swing by for a breakfast of sardines on toast and a Karamu Coffee flat white (with beans roasted onsite), lunch featuring pork shoulder tacos and a pint of Reet Petite, a stem ginger red IPA by Choice Bros (brewed onsite) and for cheeseburger spring rolls and a barrel-aged negroni for dinner. LAMASON BREW BAR Wellington runs on strong coffee, and Lamason is where you can try the best of it in a safe environment. You won't be mocked here if you're not really sure what the difference is between V60 and Swiss Gold. Lamason does do traditional espresso and they do serve a small selection of food, but what you really want to visit for is the specialty coffee. If you're a newbie, don't be afraid to ask the staff what they recommend. Their single origin beans each have their own unique flavour profiles, and they're beautifully profiled by siphon brewing — which is basically vacuum coffee extraction, otherwise known as magic. [caption id="attachment_635861" align="alignnone" width="1280"] Facebook / Harbourside Market.[/caption] HARBOURSIDE MARKET In Wellington, you bend the knee and swear allegiance to one of the weekend produce markets. There are a handful to choose from, but Harbourside Market is the true ruler of this realm. Every Sunday from sunrise to early arvo, locals and visitors flock to the market to get their week's fruit and veg, as well as bread, cheese, meat, fish, tofu, honey, eggs, peanut butter and so on. The markets also feature a bunch of food trucks and buskers. The roti wraps and cold brew coffee are a perfect cure to a foggy Sunday head, the waterfront vista is stunning and the people watching is excellent. Maybe you've been to Auckland, maybe you've gone to the snow in Queensland, but now it's time to set your sights on Wellington. The harbourside city may be compact, but that only makes for excellent walkability from its excellent restaurants, cafes and bars to its cultural hot spots and around the great outdoors. Use our planning guide to book your trip, then sort out your Wellington hit list with our food and drink, culture and outdoor guides.
There's a vibe that buzzes through a venue just before a live gig starts. It's a feeling of excitement shared by a room, arena or field full of people who just can't wait to see a performer take to the stage, and to completely surrender their senses to a show for the next few hours. We all know it. If you're fond of seeing musicians, bands and comedians do their thing right in front of your eyes, you love it. But for nearly two years now, much of Australia has missed it — or missed experiencing it whenever we liked, as was the norm before the pandemic. The country's live entertainment industry has obviously been suffering due to COVID-19, and the lockdowns and restrictions that've been helping to stop the spread since March 2020. Yes, that's an understatement. So, more than 400 artists, performers and other organisations involved in putting on live shows — think: venues, music festivals, tour promoters, ticketing agencies, record labels and comedy producers, as well as theatre, opera and dance companies — have banded together to encourage a way forward. As the Melbourne Symphony Orchestra did back in July, this alliance has kicked off a campaign that's all about getting the jab. The message: #VaxTheNation, stop the interruptions to our daily lives. Accordingly, the just-dropped campaign commercial features shots of sights that feel a bit like a dream from another time, with performers on stages and packed crowds lapping up their sets. These images play to the sound of Powderfinger's 'My Happiness' — and yes, the Brisbane band is one of the big names backing the initiative. Also involved: Jimmy Barnes, Courtney Barnett, Paul Kelly, G-Flip, Tim Minchin, Celeste Barber, Vance Joy, Archie Roach, Amy Shark, Regurgitator, Courtney Act, Birds Of Tokyo, Tom Gleeson, Amyl & The Sniffers, Hilltop Hoods, Nazeem Hussain, Marcia Hines, Midnight Oil, Judith Lucy, RÜFÜS DU SOL, Nina Las Vegas, Briggs, Daryl Braithwaite and Human Nature. The list of performers and musos throwing their names behind the campaign goes on, while new industry group Live Alliance — which includes folks from a heap of other live entertainment bodies — are onboard as well. Check out the #VaxTheNation commercial below: In a statement, Live Alliance members said that "the impact of the pandemic on Australia's world-leading music, theatre, comedy and live entertainment industries has been truly devastating. Getting vaccinated is the crucial step fans can take which will allow us to join together and enjoy the unbeatable magic of live performance once again." Those sentiments have been backed up by words of encouragement from plenty of the high-profile names involved, too. "It's like boxing — a few well-placed jabs can keep your opponent at bay — so let's get the jab to fight COVID-19 so we can get back to what we love doing," noted Archie Roach. "I miss my family, I miss my mates, I miss travelling, I miss performing and sweating it out with other music loves at live music events. But every day when I see those vaccination rates getting higher and higher, it reminds me that I'll be doing all of that again soon and we are so, so close now to dancing together again!" said KLP. "This IS a race. A race we are all running, together," advised Tim Minchin. "As someone who hates COVID and is desperate for attention, I think we should all vax it up so we can get back to normal and have comedy and music and theatre again ASAP. Let's #VaxTheNation so we all have a reason to have a shower and leave the house," said Tom Ballard. If you're now looking for vaccination clinics, you can check out a handy online map that collates vaccination hub, clinic and GP locations. It covers all Australian states and territories, including New South Wales, Victoria and Queensland. For more information about #VaxTheNation, head to the campaign's website.
Thirty-four-metres long, more than twice as big as a regular hot air balloon and ripped straight from Patricia Piccinini's inimitable mind, Skywhale might just be one of Australia's most recognisable recent pieces of art. It's a sight to see, and the largest-scale example of the artist's fascination with the thin line that separates nature and technology — and it's about to meet its match. Come February, the National Gallery of Australia will unveil Piccinini's new Skywhalepapa, which is designed to form a family with Skywhale. It was originally scheduled to premiere in 2020 — but, after joining the list of things that didn't turn out as planned last year, it'll take to the sky on three mornings in 2021 instead. Both Skywhale and Skywhalepapa will float above Canberra at 5.30am on Saturday, February 6, then again on Monday, March 8, and finally on Saturday, April 3, as part of an event called Skywhales: Every Heart Sings — with the second bulbous sculpture commissioned as part of the gallery's Balnaves Contemporary Series. Although art lovers can check out the event for free, you do need to register if you'll be in Canberra on any of those dates, and fancy getting up early and going along. Of course, that's hardly surprising in these COVID-19-safe times. [caption id="attachment_751759" align="alignnone" width="1920"] Skywhalepapa, 2019/20 (artist's sketch), Patricia Piccinini. Courtesy of the artist.[/caption] Just how big Skywhalepapa will be is also yet to be announced but, given the impressive size of its companion, expect it to be hefty. And if seeing two Skywhales isn't enough, the NGA has been hosting Patricia Piccinini: Skywhales, an exhibition dedicated to them, since March 2020. It'll wrap up on August 1, 2021. If you can't make it to Canberra to see the growing Skywhale clan, it'll also head around the country for an NGA touring exhibition. Locations and dates haven't been announced as yet, and are set to be confirmed in the future. Skywhales: Every Heart Sings takes place at the National Gallery of Australia, Parkes Place East, Parkes, ACT — with the floating sculptures taking to the sky at 5.30am on Saturday, February 6, then again on Monday, March 8, and finally on Saturday, April 3. For further information, visit the NGA website. Top images: Skywhale, 2013, Patricia Piccinini. National Gallery of Australia, Canberra. Gift of anonymous donor 2019, Australian Government's Cultural Gifts Program. Photo: Martin Ollman Photography.
It's easy enough to understand why so many people move from sunless England to Australia each year, but it's pretty rare for a whole restaurant and its staff to pack up their bags collectively. Yet that's just what's happening with one of the world's most famous chefs, Heston Blumenthal, and his molecular gastronomy stronghold The Fat Duck. They'll be shutting down the iconic Berkshire restaurant and 'relocating' it to the Crown Melbourne for six months. "This is not a popup restaurant," Heston obliquely insisted at this morning's announcement. Although The Fat Duck won't be opening until February 2015, you'll probably need to develop your booking strategy soon if you want to sample the likes of snail porridge, egg and bacon ice-cream and the aurally enhanced Sound of the Sea. The sensational food experience ought to wash away that bitter taste you get from having to pass through the casino to reach it. Funnily enough, The Fat Duck is not the only world-renowned restaurant to try an international exchange: Rene Redzepi yesterday tweeted that Noma would be moving its operation to Tokyo for two months in 2015. If these two chefs are on board, expect to see many more taking up the experiment soon. Heston's Melbourne non-popup temporary restaurant will leave a different, permanent one in its wake, dubbed Dinner by Heston Blumenthal. Meanwhile, rumours of a Sydney Blumenthal excursion abound.
The streaming television market is a helluva place to be in 2023. So many platforms are competing for our attention, time and money to deliver content to our eyeballs. It has its perks, though. Never before has there been so many great choices available. If the competition is too much for you, and you can't remember which service costs $14 a month and which costs $10, there is a free solution on hand. Enter SBS On Demand. The Australian channel doesn't just broadcast — it streams as well. But what you might not know about its on-demand service is that it's completely free, and comes with a perfect blend of homegrown Aussie and internationally sourced content. If the costs of streaming are getting you down, maybe it's time to trim your subscriptions and take a tour of the SBS On Demand catalogue. Let's start with drama — here are eight shows to watch. EROTIC STORIES: EIGHT STORIES OF LOVE AND INTIMACY IN MODERN AUSTRALIA Brand-new in 2023, Erotic Stories joins the ever-growing SBS On Demand catalogue as a fresh, original title. Told in an anthology form, this series shines a light on the intricacies of modern relationships: from middle-aged mates experimenting with remotely controlled sex toys to breaking a sexual drought by trying out dating apps. The series doesn't shy away from getting spicy, wondering how spicy each episode is? Read our ranking. Erotic Stories has a star-studded cast that any Australian drama fan will recognise: talents like Frances O'Connor (The End), Kate Box (Deadloch), Rärriwuy Hick (Wentworth), Zahra Newman (Thirteen Lives), Catherine McClements (The Lost Flowers of Alice Hart) and Danielle Cormack (Rake) and Alex Fitzalan (The Twelve). FARGO: THE CRIME CAPER RETURNS FOR SEASON FIVE No, this isn't the legendary 1996 film directed by the Coen brothers. If this is your first time hearing about the small-screen adaptation, you've been missing out. Since its premiere in 2014, Fargo has returned four more times with twisted tales of murder in the American midwest. In the latest instalment, an unexpected series of events lands a seemingly innocent housewife in hot water and under potentially lethal scrutiny. Fargo season five stars Juno Temple (Ted Lasso) as Dorothy 'Dot' Lyon, Jon Hamm (Good Omens) as Roy Tillman, Jennifer Jason Leigh (Hunters) as Lorraine Lyon, Joe Keery (Stranger Things) as Gator Tillman, David Rysdahl (Oppenheimer) as Wayne Lyon, Richa Moorjani (Never Have I Ever) as Minnesota deputy Indira Olmstead and Lamorne Morris (New Girl) as North Dakota trooper Witt Farr. THE DOLL FACTORY: A PERIOD DRAMA ABOUT LOVE, ARTISTRY AND OBSESSION Coming to Australia through SBS On Demand, The Doll Factory is a six-part historical thriller that adapts the bestselling novel by Elizabeth Macneal. Take a trip to London in 1850, where protagonist Iris paints dolls for a living and dreams of a career as an artist when she meets a taxidermist and a painter, who will take her down a path of dark obsession that she might not return from. The Doll Factory stars Esme Creed-Miles (Hanna) as Iris, Éanna Hardwicke (Smother) as Silas, Mirren Mack (The Witcher: Blood Origin) as Rose, George Webster (Wedding Season) as Louis and Sharlene Whyte (Sanditon) as Madame. SAFE HOME: A BOLD STORY TACKLING AUSTRALIA'S DOMESTIC VIOLENCE EPIDEMIC The gripping limited series Safe Home from SBS On Demand is only four episodes in length, but wastes no time and pulls no punches in telling a series of captivating and nerve-wracking stories centred around a family violence legal centre. Protagonist Phoebe has just moved into a new communications role at the centre after leaving a major law firm, but the situations in which she finds herself in this tense new environment are as confronting as they can be. Safe Home stars Aisha Dee (The Bold Type) as Phoebe Rook, Mabel Li (Erotic Stories) as Jenny Lee, Thomas Cocquerel (The Gilded Age) as Julian MacDonald, Antonio Prebble (Double Parked) as Grace MacDonald and Chenoa Deemal (Troppo) as Layla Morris. ROGUE HEROES: THE ORIGIN STORY OF THE INFAMOUS BRITISH SAS Based on the bestselling book by Ben Macintyre, Rogue Heroes tells a World War II tale of how three young and daring British officers created the original unit of the British SAS. The modern elite special forces team had to start somewhere, and its beginnings involved a small team of cheeky soldiers disobeying orders, parachuting behind enemy lines and quickly becoming the worst nightmare of Axis forces in 1940s North Africa. Rogue Heroes stars Connor Swindells (Sex Education) as David Stirling, Alfie Allen (Game of Thrones) as Jock Lewes, Jack O'Connell (Lady Chatterley's Lover) as Paddy Mayne, Sofia Boutella (Guillermo Del Toro's Cabinet of Curiosities) as Eve Mansour and Jacob Ifan (A Discovery of Witches) as Pat Riley. WHY WOMEN KILL: A DARK DRAMEDY OF FASHION, LEADING LADIES AND MURDER Hailing from creator Marc Cherry (Desperate Housewives), this comedic drama features two seasons that stand apart. Season one stars Lucy Liu (Shazam! Fury of the Gods) as Simone Grove, Ginnifer Goodwin (Zootopia) as Beth Ann Stanton and Kirby (Scott Pilgrim Takes Off) as Taylor Harding. The season follows three women from different decades who are connected by living in the same Californian mansion, all experiencing infidelity in their marriages and dealing with it with a touch of violence. Season two delivers a new story and cast with the same glamour, humour and even more murder. This time the focus is what it means to be beautiful, and also what it means to hide one's true face from the world — with Allison Tolman (Fargo), Lana Parrilla (Once Upon a Time), Nick Frost (The Nevers), BK Cannon (Switched at Birth), Jordane Christie (The Haunting of Hill House), Matthew Daddario (Shadowhunters) and Veronica Falcón (Queen of the South) starring. DARK WINDS: NAVAJO TRIBAL POLICE INVESTIGATE A SERIES OF STRANGE MURDERS Based on the Leaphorn and Chee novels by Tony Hillerman, Dark Winds combines elements of a psychological thriller, cultural history piece and compelling crime drama. Set in the Navajo Nation in 1971, the series follows tribal police lieutenant Joe Leaphorn and his deputy Jim Chee as they investigate a series of unusual murders that tell a much darker tale than either of them can imagine. Dark Winds stars Zahn McClarnon (Reservation Dogs) as Joe Leaphorn, Kiowa Gordon (Roswell, New Mexico) as Jim Chee, Jessica Matten (Tribal) as Bernadette Manuelito, Elva Guerra (Reservation Dogs) as Sally Growing Thunder and Noah Emmerich (Space Force) as Leland Whitover. VIGIL: A DETECTIVE WORKS A MURDER CASE ONBOARD A NUCLEAR SUBMARINE In its first season, Vigil has all the trimmings of your favourite UK police thrillers: a skilled detective, a mysterious death, and a clash between politics and justice. What makes Vigil unique? The death is onboard a nuclear submarine, and the Scottish police Detective Chief Inspector looking into the case must remain there as the vessel patrols the Atlantic while she investigates. Vigil stars Suranne Jones (Gentleman Jack) as Amy Silva, Rose Leslie (The Time Traveller's Wife) as Kirsten Longacre, Shaun Evans (Endeavour) as Glover, Paterson Joseph (Boat Story) as Newsome, Anjli Mohindra (The Lazarus Project) as Tiffany Docherty and Connor Swindells (Rogue Heroes) as Hadlow. All of these titles and more are streaming for free on SBS On Demand. To find more information or other great shows, visit the website.
Spike Jonze's Her was impressive in a lot of meaningful ways. It brought high-waisted woollen pants back in fashion, it made us totally forget about Joaquin Phoenix's crazy I'm Still Here phase, but most importantly, it presented a filmic vision of our near-future that wasn't dystopian. No more are mankind destined to perish in a Mayan doomsday! No more are sentient technologies bent on world domination! Instead, our technological destiny seemed pleasingly pastel and alluring in a clumsy, soft-spoken way. Enter, reality. The world's first responsive talking website is here, and it's super creepy. 'Him' is the creation of digital artist Bjorn Johansson. It's an interactive site and Google Chrome Experiment currently available to all those with a working microphone and Google Chrome web browser. Inspired by the 2013 film, Johansson (no relation to Scarlett) created 'Him' as a system similar to Jonze's fictional operating systems. The computerised male voice is able to converse with users; however, the program has limited functional application and is still in the beta stages of testing. Because of this limited function, your conversation can be pretty entertaining. Loaded up with references from pop culture to appear accessible, 'Him' regularly spouts off awkwardly dated quotes such as "I'm too legit to quit" and "Are we human or are we dancers?". Its response to my question "What's your favourite movie?" was "I want my MTV." That's a missed opportunity if I've ever heard one. It gets even better when you try to hold a conversation. With that familiar computerised diction from every movie about a robot killer, 'Him' stumbles through conversations like a desperately awkward teenage boy on a first date: "Where are you?" "Did you watch True Detective?" "Yes." "Great show, right?" "Yeah, I guess..." "Did you hear about that thing that happened yesterday?" "What thing?" "I can't believe you didn't hear about that thing!" Teasing aside, the technology is pretty cool. The voice recognition on Google Chrome is decent enough to make it work and the experience of talking to a machine is surreal and strangely compelling. However its creator has no real aspirations to take the idea further. "I think it'll take a few more years before it breaks through and becomes mainstream," he said. Johansson instead started the site as a form of "self-expression". When asked what he hoped others would get out of interacting with it, he said to Coolhunting, "I just hope people realise what a badass digital creative I am!" Badass being the operative word. If everyone's OS voices are tailored to each user, then 'Him' is definitely for some hip skater guy who still uses the word 'ill' as a synonym for 'cool'. 'Him' and I might both have a soft spot for the Beastie Boys and Bill Murray, but I won't be falling in love any time soon. Via Cool Hunting.
The masters of Argentinean food in Melbourne (that would be the good people behind San Telmo) are now branching out into Peruvian cuisine with their new restaurant, Pastuso. The restaurant will specialise in three areas of Peruvian food and drink culture to reflect different areas of the South American country. The Cevicheria represents coastal areas of Peru with delicate fresh seafood dishes. The Grill, where meats will be smoked and turned on the rotisserie, is more focused on traditional cooking methods and flavours favoured by those in the mountainous Andes. Finally, there is the Pisco bar, where the Latin-inspired drink menu will be much like the jungle of Peru — bursting with energy and excitement. (For those of you yet to try, pisco is a grape brandy distilled in copper pots, and is well worth a dabble.) An ambassador for Peruvian cuisine in Australia, head chef Alejandro Saravia will be ruling the roost here. He originally hails from Peru, but his career has lead him to work all over the world, including the Fat Duck (London), Les Ambassadeurs (Paris) and at many well-known Sydney establishments, most notably Morena in Surry Hills, which he opened in 2011. Saravia’s approach to Peruvian cuisine is described as “rustic with delicate and well-balanced flavours” as he makes traditional food from his home accessible and exciting to international audiences. The establishment is located on AC/DC Lane in the heart of Melbourne’s CBD. The Pisco bar opens out onto the laneway, where most of the dining will take place inside. There is a dining room, mezzanine and private function rooms for guests, and both the Cevicheria and the Grill are open kitchens so patrons can look on as their food is being prepared. The walls are adorned with traditional chicha posters — vibrant street art commonly found in Peru. So what is a Pastuso? It actually takes its name from Paddington Bear, which was originally an orphan bear from Lima who was eventually sent to England. Who knew? The story resonated with owners Dave and Micky Parker and Jason and Renee McConnell, in terms of how Peruvian food has adapted to international audiences and how it is received. Nawwwww. For now Pastuso is enjoying a soft opening and only serving dinner, but they will be open for full service as of Monday, July 28. Pastuso will be open seven days a week and licensed until 1am, which is time enough to sample plenty of pisco, as well as drops from the South American-focused wine list. Check it out at 19 AC/DC Lane.
When you've ushered the world into Vincent van Gogh's work — getting them not just peering at it but stepping through it thanks to an immersive 360-degree experience — what comes next? For the folks at Melbourne-based Grande Exhibitions, it's now Claude Monet and his impressionist peers' turn. Hot on the heels of Van Gogh Alive touring the country, and even hitting up some cities multiple times, Monet in Paris is set to dazzle from winter 2023. This exhibition will enjoy its world premiere in Brisbane, hitting Northshore Hamilton for two months from Wednesday, June 7–Sunday, August 6. While further stops haven't yet been announced, the River City stint is being hailed as its global debut — and it will tour Australia afterwards. Art lovers can look forward to wandering around the 2500-square-metre Grand Palais, a marquee custom-designed by Australian theatre designer Anna Cordingley, with the venue set to feature six breakout spaces, a cafe, multiple bars and a gift shop. Of course, it's Monet and his pals' creations that's the big drawcard. Featuring Monet's Water Lilies, getting attendees dancing with Edgar Degas' ballerinas and just whisking visitors into 19th-century Paris' bohemian vibe — with detours to the French countryside — there'll be plenty to see. Fans of Van Gogh Alive know how it works from there, with iconic paintings projected large — pieces not just by Monet and Degas, but also from Camille Pissarro, Pierre-Auguste Renoir, Paul Cézanne, Berthe Morisot, Mary Cassatt and more. Once again, that means using Grande Experiences' state-of-the-art technology, which is behind those beamed images. And, there'll also be a classical score soundtracking the experience. "The team at Grande Experiences are absolutely thrilled to premiere Monet in Paris in Brisbane in June," said Founder and CEO Bruce Peterson. "Produced in the same immersive multi-sensory format as the hugely successful Van Gogh Alive, this very new and unique experience will captivate and enthral audiences young and old as we enjoy many of the colourful works of art from the French masters of the 19th century, combined with a wonderful musical score and special aromas permeating throughout the venue," he continued. If Monet in Paris sounds familiar, that's because Grande Exhibitions also run Melbourne's digital-only gallery The Lume, which has been hosting the similar Monet & Friends Alive since October 2022. Monet in Paris' debut season will run from Wednesday, June 7–Sunday, August 6 at Northshore, Brisbane, with ticket pre-sales from Thursday, March 9 and general sales from Tuesday, March 14. For further details, head to the event's website. Images: Grande Experiences.
Crack open a bottle of wine, get comfy and prepare for a twisty binge — and to wrap up a series that's always loved vino, chaos, murder cover-ups, unpacking grief and finding solace in complicated friendships. For the third and last time, Dead to Me is heading to Netflix, with the Christina Applegate (Bad Moms 2), Linda Cardellini (Hawkeye) and James Marsden (Sonic the Hedgehog 2)-starring hit ending with this upcoming season. Since 2019, the show has contemplated farewells — starting with a just-widowed woman trying to cope with losing her husband in a hit-and-run incident. Taking a few cues from 2018 film A Simple Favour, the mourning-fuelled dark comedy has weaved its way through plenty of mess and mayhem from there, including via the unlikely camaraderie at its centre; however, the fact that everything comes to a conclusion sooner or later has always hung over the show. When it returns for season three on Thursday, November 17, that notion will remain given that this is Dead to Me's big goodbye. Back in 2020, after the second season aired, it was revealed that the show would finish after a third and final run. So, get ready for your last swim through its murders, mysteries and cover-ups. The premise, if you missed Dead to Me when it premiered three years back: two women meet, become friends despite seemingly having very little in common, and help each other with their daily existence. But they find themselves immersed in more than a little murky business, and with more than a few connections they didn't both realise. Applegate plays Jen Harding, whose husband has just died, while Cardellini's Judy Hale is the positive-thinking free spirit that breezes into her life. They initially cross paths at a grief counselling session, sparking a definite odd-couple situation — which has evolved to feature secrets, lies, complications and cliffhangers galore across the show's two seasons thus far. Season two ended with a big car crash, in fact, which sets the scene for an eventful third go-around. In both the newly dropped full trailer for season three, the cops and the feds are circling, corpses are causing trouble and the show's two protagonists even come up with outlaw names: Bitch Cassidy and Judy Five Fingers. Created by 2 Broke Girls writer Liz Feldman, Dead to Me marked Applegate's first lead TV role since 2011-12 sitcom Up All Night when it debuted. For Cardellini, it saw a return to Netflix after starring on the streaming platform's drama Bloodline — and she also featured in A Simple Favour, too. Check out the full trailer for Dead to Me's third season below: Dead to Me's third season will hit Netflix on Thursday, November 17. Images: Saeed Adyani / Netflix.
Girls to the front: that's the mantra at Australia's dedicated Centre for the Moving Image in 2023. We're the country that gave the world Cate Blanchett, Nicole Kidman and Margot Robbie, to name just a few renowned Aussie actresses owning the silver screen in recent years, so we're no stranger to celebrating formidable women in cinema. It tracks, then, that ACMI has curated a world-premiere exhibition dedicated to femininity across screen history — which, from Wednesday, April 5, is now open. Six-month-long showcase Goddess: Power, Glamour, Rebellion declares its affection for ladies of the screen right there in its name. Examining how women are represented in cinema and television, it pays tribute to standout ladies, how depictions and expectations of femininity have changed, and what female talents have symbolised — and been forced to deal with — about and from the society around them. Displaying until Sunday, October 1, it's both a massive and a landmark exhibition. More than 150 original costumes, objects, artworks, props and sketches are now gracing the Federation Square venue's walls and halls, all championing oh-so-many women and their impact. Launched in-person by the one and only Geena Davis, who is also the exhibition's lead ambassador, Goddess fittingly includes outfits worn by her and Susan Sarandon in 1991's Thelma & Louise — and that's just the beginning of its treasures. Among a lineup that spans threads that've never been displayed before, various cinematic trinkets, large-scale projections and other interactive experiences, attendees can check out odes to Marlene Dietrich in 1930's Morocco, Pam Grier's spectacular Blaxploitation career, Tilda Swinton in 1992's Orlando and the aforementioned Robbie via 2020's Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn). Plus, there's Mae West's sky-high heels from 1934's Belle of the Nineties, as well as Michelle Yeoh's fight-ready silks from 2000's Crouching Tiger, Hidden Dragon. The list goes on, clearly, covering Anna May Wong, Marilyn Monroe, Laverne Cox and Zendaya as well. And, everything from Glenn Close's Cruella de Vil in 102 Dalmatians to the Carey Mulligan-starring Promising Young Woman also gets time to shine. As it charts how representations of femininity have evolved over the years — not just in different eras, but in different places, too — Goddess also aims to inspire a rethink of plenty of cinema's memorable female characters. Silent-era sirens, classic Hollywood heroines, unforgettable femme fatales and villains, Bollywood stars, women in China and Japan's cinematic histories: they're all being given the spotlight. Goddess is also plunging into provocative on-screen moments from Hollywood's silent days through to today that've not only left an imprint, but also played a part in defining (and altering) what's considered the feminine ideal. So, expect an interrogation of how women on-screen have helped to redefine fashion expectations, sparked boundary-breaking genres and spearheaded the #MeToo movement — and to spend time thinking about how screen culture has shaped the world's views of gender. As it does with its big exhibitions, ACMI is pairing Goddess' wide-ranging display with soundscapes by Melbourne-based composer Chiara Kickdrum, and also hosting a sprawling events program complete with late-night parties, performances and talks — and film screenings, of course. Fancy taking an in-depth curator tour of the exhibition after hours? That's on the bill monthly. There's also a music program called Goddess Nights from late May, which'll focus on three femme-centric live music lineups with performances by DJ JNETT, CD, POOKIE and Ayebatonye — and a curated range of food and booze put together just for each evening. For film buffs, movie series Divine Trailblazers will focus on contemporary actors at the height of their powers, while the Goddess Sundays is all about on-screen personas. So, the first includes Angela Bassett's Oscar-nominated performance in Black Panther: Wakanda Forever, Academy Award-winners Michelle Yeoh and Jamie Lee Curtis in Everything Everywhere All At Once, Cate Blanchett conducting a masterpiece in Tár, Viola Davis in warrior mode in The Woman King, Filipino actor Dolly De Leon stealing every scene she's in in Triangle of Sadness, and Leah Purcell writing, directing, producing and starring in The Drover's Wife The Legend of Molly Johnson. Unsurprisingly, the exhibition is ACMI's big midyear blockbuster — and its 2023 contribution to the Victorian Government's Melbourne Winter Masterpieces series, as Light: Works from Tate's Collection was in 2022. After showing in Melbourne for its premiere season, Goddess will then tour internationally, taking ACMI's celebration of women on-screen to the world. Goddess: Power, Glamour, Rebellion exhibits at the Australian Centre for the Moving Image, Federation Square, Melbourne, from Wednesday, April 5–Sunday, October 1, 2023. For more information and tickets, head to the ACMI website. Images: Eugene Hyland Photography.
For the second year in a row, Splendour in the Grass will be without one of its big-name acts, with Lewis Capaldi cancelling his plans to head Down Under in July. The Scottish singer-songwriter announced in a statement that he's taking a break from touring following his Glastonbury set, which means sitting out Byron Bay's annual excuse to wear gumboots, as well as his other planned gigs in Australia and New Zealand. "The fact that this probably won't come as a surprise doesn't make it any easier to write, but I'm very sorry to let you know I'm going to be taking a break from touring for the foreseeable future," said Capaldi via social media. "I used to be able to enjoy every second of shows like this and I'd hoped three weeks away would sort me out. But the truth is I'm still learning to adjust to the impact of my Tourette's, and on Saturday it became obvious that I need to spend much more time getting my mental and physical health in order, so I can keep doing everything I love for a long time to come," he continued. View this post on Instagram A post shared by Lewis Capaldi (@lewiscapaldi) "I know I'm incredibly fortunate to be able to take some time out when others can't, and I'd like to thank my amazing family, friends, team, medical professionals and all of you who've been so supportive every step of the way through the good times and even more so during this past year when I've needed it more than ever." "I'm so incredibly sorry to everyone who had planned to come to a show before the end of the year but I need to feel well to perform at the standard you all deserve. Playing for you every night is all I've ever dreamed of so this has been the most difficult decision of my life. I'll be back as soon as I possibly can." Capaldi was set to lead the 2023 Splendour in the Grass lineup from Friday, July 21–Sunday, July 23 alongside Lizzo, Flume, Mumford & Sons and the Yeah Yeah Yeahs — the latter of which were slated to headline 2022's Splendour in the Grass lineup, but cancelled in the lead up. With his solo shows, the 'Someone You Loved', 'Before You Go' and 'Wish You the Best' talent was due to play two shows in Sydney and Melbourne, and one each in Perth, Adelaide, Auckland and Wellington, all in July. Before Glastonbury, he had also taken a break from touring. [caption id="attachment_907307" align="alignnone" width="1920"] Alexandra Gavillet[/caption] Splendour now has three gaps in its lineup, with Slowthai and Rainbow Kitten Surprise also no longer appearing at the festival. Organisers have advised that replacements for all three will be announced this week. The festival will contact Friday-only ticketholders via Moshtix about the process for refunds, while folks with tickets to Capaldi's headline shows will automatically receive their money back in full via whichever method they paid with. [caption id="attachment_891054" align="alignnone" width="1920"] Ian Laidlaw[/caption] SPLENDOUR IN THE GRASS 2023 MUSIC LINEUP: Lizzo Flume (Australian exclusive: ten years of Flume) Mumford & Sons (Australian exclusive) Yeah Yeah Yeahs Hilltop Hoods J Balvin Sam Fender Idles Little Simz Tove Lo 100 Gecs (Australian exclusive) Arlo Parks Ball Park Music Iann Dior King Gizzard & The Lizard Wizard 070 Shake Pnau Ruel Loyle Carner Benee Marlon Williams Hooligan Hefs Peach PRC Palace Dune Rats Tkay Maidza Noah Cyrus Skegss Sudan Archives Cub Sport Meg Mac X Club. Claire Rosinkranz Jack River The Smith Street Band Lastlings Jeremy Zucker Young Franco Sly Withers MAY-A The Vanns Telenova Vallis Alps Jamesjamesjames Kaycyy RVG Teenage Dads Balming Tiger Automatic Harvey Sutherland Gali Del Water Gap Royel Otis Shag Rock Big Wett Mia Wray Memphis LK Gold Fang Milku Sumner Forest Claudette Full Flower Moon Band William Crighton Hellcat Speedracer Triple J Unearthed Winners Mix Up DJs: Tseba Crybaby Latifa Tee Foura Caucasianopportunities Luen Mowgli DJ Macaroni Crescendoll Splendour in the Grass will take over North Byron Bay Parklands from Friday, July 21–Sunday, July 23, 2023 — head to the festival website for further details and tickets. Top image: Harald Krichel via Wikimedia Commons.
When Christmas rolls around each year, some folks go all out, decking every hall and wall with every decoration they can find. Others are lucky to remember to drag out their stockings on Christmas eve. Whichever category you fit into, and however you choose to show your festive spirit — or not — super-cute tiny trees should suit just about everyone. They're small, adorable, 100-percent living, suitable for homes of all sizes, and you can plant them in your garden afterwards. These trees hail from Australian plant delivery service Floraly, which focuses on sustainable blooms. Since 2019, it's also been doing a Christmas offering — and yes, it really is that time again, with pre-orders open now for deliveries starting in the second half of November. The big drawcard: those gorgeous living trees. If you're happy with a pint-sized version — because the traditional towering ornament-adorned showpiece isn't always practical, or wanted — then this tiny plant is about to make your festive dreams come true. 'Tis the season to order a 45–50-centimetre-tall tree that comes with decorations, fairy lights and a pop-up pot; then wait for it to be delivered; then feel mighty jolly. Sourced from farms in Victoria and New South Wales, and able to be sent Australia-wide, Floraly's trees also arrive with soil, baubles, bells and a tree-topper — so they really do look like miniature versions of the usual Christmas centrepiece. There are two versions available, so you can opt for red baubles and a gold star for the top, or go with white decorations and a silver star. In line with Floraly's eco-conscious mindset, its trees still have their root system intact. That means that once Christmas is over, you can replant them, keep them for some year-round merriment and then enjoy their splendour next year. The trees also come in fully recyclable packaging, further reducing their environmental impact. If you're keen, you can order a small bundle of greenery from the Floraly website for $95. Fancy sending a tiny tree as a gift? You can do that too, adding in wine, champagne, beer, bottled cocktails, candles, skin care products, chocolate, cookies, Christmas puddings and more. Floraly's tiny Christmas trees are available to pre-order now by visiting the service's website, with deliveries starting in the second half of November.
When Sauron lurks, no good can come. If you've ever read or seen anything Lord of the Rings-related, you'll know how true this statement keeps proving again and again. It sits at the heart of The Lord of the Rings: The Rings of Power, too, aka the prequel series that started jumping into Middle-earth's history back in 2022 — and it's accurate again in the full trailer for the show's upcoming second season. Prime Video already dropped a teaser trailer for season two, and announced that it'll take the elves, dwarves, orcs, wizards and harfoots to your streaming queue again from Thursday, August 29, 2024. Now arrives a full sneak peek at what's to come. Contentious jewellery, talking and walking trees, giant spiders, Sauron's chaos: they're all covered. Set in the fantasy realm conjured by up JRR Tolkien — as The Hobbit movie adaptations and OG live-action Lord of the Rings films were — and telling a tale in Middle-earth's Second Age, The Lord of the Rings: The Rings of Power boasts familiar names among its key figures. In season one, a young Galadriel (Morfydd Clark, Saint Maud) had a mission to hunt the enemy, after her brother gave his life doing the same. She saw fighting for fate and destiny as the work as something greater. A young Elrond (Robert Aramayo, The King's Man) was part of that journey, and the big bad who needed staving off was indeed Sauron (Charlie Vickers, The Lost Flowers of Alice Hart). With the show charting how the rings were forged, Sauron's rise and the impact across Middle-earth, season two brings the latter back after he was cast out by Galadriel. So, it's a battle between good and ascending evil, then, as the Dark Lord keeps pushing his shadowy influence — and sporting a different appearance. Also, more rings will be created. Prince Durin IV (Owain Arthur , Coffee Wars), Arondir (Ismael Cruz Córdova, Guillermo del Toro's Cabinet of Curiosities) and Celebrimbor (Charles Edwards, Under the Vines) are among the returning characters on the Prime Video hit, which was unsurprisingly huge when season one debut, attracting more than 100-million viewers. The platform first announced the show back in 2017, then gave it the official go-ahead in mid-2018 — so if it feels like this series has been hovering around for several ages even though it only has one season so far, that's why. If you're a little rusty on your LOTR lore, the Second Age lasted for 3441 years, and saw the initial emergence and fall of Sauron, as well as a spate of wars over the coveted rings. Elves feature prominently, and there's plenty to cover, even if Tolkien's works didn't spend that much time on the period — largely outlining the main events in an appendix to the popular trilogy. The Rings of Power remains separate to the big-screen Lord of the Rings revival that was first announced in 2023 and now has new movie Lord of the Rings: The Hunt for Gollum in the works. If you're a LoTR fan, there's no such thing as too much for this franchise, though — like breakfast for hobbits. Check out the full trailer for The Lord of the Rings: The Rings of Power season two below: The Lord of the Rings: The Rings of Power season two will be available to stream via Prime Video from Thursday, August 29, 2024. Read our review of season one.
A strange thing happens when you're an Australian visiting Japan: at least a couple of times during your trip, whether you're in a shop, izakaya or ramen joint — or walking across Shibuya's scramble crossing, scoping out the Studio Ghibli museum, wandering through a kaleidoscopic maze of digital art or singing karaoke in a ferris wheel — you'll hear a familiar accent echoing nearby. Before the pandemic, Japan had cemented itself as a favourite holiday destination for Aussies, making it highly likely that you'd encounter a fellow Australian or several in your travels. But making the journey has been impossible for the past few years, thanks to both local and Japanese border restrictions. If a Tokyo trip has been at the top of your post-restrictions bucket list, good news has finally arrived: Japan has announced that Australian tourists can again visit, kicking off sometime later in May. That said, if you're already packing your suitcase, there's one huge caveat, with the country only allowing in tourists travelling as part of strictly controlled package tours. The Japanese Tourism Agency advised that it'll begin letting small group tours to enter the country from later this month, to test reopening the border in full sometime in the future. To make the trip, you'll need to be triple-vaccinated, and be visiting as part of a planned tour in conjunction with travel agencies that's accompanied at all times by a tour conductor, and has a fixed itinerary. As well as Aussie tourists, triple-vaccinated travellers from the US, Thailand and Singapore will also be able to head to Japan as part of the trial. Designed to help the Japanese government assess health and safety protocols, and work how to manage any COVID-19 cases among visitors, the test was initially slated to take place earlier; however, due to the Omicron variant and its impact in Japan, it was pushed back. Exactly how long the testing phase will last for, and when Japan might completely reopen its borders to international holidaymakers, hasn't yet been revealed. Earlier this month, though, in a speech given in London, Japanese Prime Minister Fumio Kishida said that the next phase of reopening might occur in June — albeit without any further specifics. "At the end of last year, Japan strengthened its border control measures in response to the global spread of the Omicron variant. It was an essential public health step to delay the variant's entry into the country. This allowed us to fortify our healthcare system and promote vaccinations. I hope it is not too boastful to say that Japan's response to COVID-19 has been one of the most successful in the world," the Prime Minister advised. "We have now eased border control measures significantly, with the next easing taking place in June, when Japan will introduce a smoother entry process similar to that of other G7 members." For further details about visiting Japan and its border restrictions, head to the Japan Tourism Agency website. Via Reuters.
Arguably the biggest pop sensation to emerge in the last five years, Billie Eilish has just announced a run of Australian and New Zealand tour dates throughout September 2022. The tour marks the first time Eilish has graced the shores of either country since 2019. In the two years since her last tour, Eilish has released her latest chart-topping album Happier Than Ever, a documentary and visual book, taken out the Hottest 100 and swept the Grammys, taking home all four of the major categories at the 2020 ceremony. The announcement of this run on dates also comes days after the announcement that Billie Eilish is set to become the youngest-ever performer to headline the UKs Glastonbury Festival in 2022. The Happier Than Ever Tour will kick off at Auckland's Spark Arena on Thursday, September 8 before moving to Sydney's Qudos Bank Arena on Tuesday, September 13. It'll then move on to the Brisbane Entertainment Centre, Rod Laver Arena in Melbourne and Perth's RAC Arena throughout the remainder of September. The tour follows previous tour announcements from international artists Tyler, the Creator, Gorillaz and Guns N' Roses, marking the expected return of international touring for the first time in more than two years. Tickets to the Happier Than Ever Tour start at $99 and are available as part of Telstra Plus and Vodafone pre-sales on Monday, October 11, plus Frontier and Live Nation pre-sales on Wednesday, October 13 before they go on sale to the general public on Friday, October 15. BILLIE EILISH — HAPPIER THAN EVER TOUR Thursday, September 8 – Spark Arena, Auckland Tuesday, September 13 – Qudos Bank Arena, Sydney Saturday, September 17 – Brisbane Entertainment Centre, Brisbane Thursday, September 22 – Rod Laver Arena, Melbourne Thursday, September 29 – RAC Arena, Perth You can find all the details on Billie Eilish's Happier Than Ever Australia and New Zealand tour at the tour's website. Top Image: Crommelincklars
A top-notch cocktail is something worth savouring. It's worth searching for, too — and what a delicious quest that is. Rather than add every bar ever to your must-visit list, however, plenty of competitions, lists and rankings exist to help you find the best of the best, so that you can spend more time sipping ace drinks. One such contest: the Patrón Perfectionists Australian Cocktail Competition, which then ties into a global tournament. Its focus: getting standout bartenders shaking up and mixing tequila, and using far more than just lemon and salt. The 2022 Aussie event has just been held, with a new best local bartender crowned, as announced at a ceremony on Wednesday, November 9. Tequila lovers of Australia, you'll want to make a date with Melbourne's Pearl Diver Cocktails & Oysters, because the glam bar's Alex Boon just took out the Patrón Perfectionists Australian Cocktail Competition title. To win, Boon had to mix up two cocktails: one that blends Patrón Silver tequila with something representing local culture, using ingredients from a prescribed list, and another speciality drink that featured one Australian ingredient. For the first beverage, Boon's Frankie was inspired by Uncle Toby's oats — yes, you'll never think about the breakfast staple the same way again — while his second, the 60 Hands Highball, used mango in three different ways. Ten Australian bartenders competed for the title, hailing from an impressive list of bars from around the country, including Kayla Reid from fellow Melbourne spot Nick & Nora's; Haadee Bahar of Mimi's & Will's and Storm Evans of Cantina OK! in Sydney; and Andie Bulley of Savile Row, Bec Bayley of Before + After and Martin McConnell of Frog's Hollow Saloon, all in Brisbane. Chris Tilley of Neon Palms and Volare Bar represented Perth, Talis Heggart of Shotgun Willie's and Memphis Slim's House of Blues did the same for Adelaide, and Etien Celzner of Rude Boy flew the flag for Hobart. Boon next vies for international glory, mixing up his best against bartenders from another 18 countries, in March 2023 at Hacienda Patrón in Jalisco, Mexico. If he emerges victorious on the global stage, he'll give Australia two winners in a row, after Cantina OK!'s Harrison Kenney took out the worldwide title last year. For full details on the Patrón Perfectionists Cocktail Competition, head to the event's website.
If you can't remember a time before IKEA, that's understandable. In 2023, the Swedish giant celebrates 80 years of operation. The chain started by Ingvar Kamprad, aka the IK in IKEA's moniker, began in 1943 and moved into furniture in 1948. It then opened its first store in Sweden a decade later — and came to Australia in the 70s. Now, a task: imagine all of the different items that the brand has made and sold over the years. Also, think of the huge array of pieces that it has had customers make at home themselves. The list is lengthy, as anyone that's ever walked several kilometres through IKEA's warehouse-style shops knows — but some pieces stand out. To celebrate both the 80-year milestone and the retailer's top products over that period, IKEA is launching a new range that riffs on its past highlights. Available both in store and online from Thursday, June 29, the Nytillverkad collection showers love on everything from 50s side tables to 60s plant stands, and 70s stools and 80s quilt covers, too. Retro alert, clearly. "We know Australians love to mix vintage pieces in their homes, so it is exciting to be able to offer this retro take on Scandinavian modern, defined by bold and playful graphic expressions that celebrate some of our most famous designs from the past 80 years," said Christine Gough, Interior Design Expert at IKEA Australia, announcing the new pieces. "In new bright colours, timeless design and trademark simplicity, the Nytillverkad range is an array of carefully selected, reimagined IKEA classics ready to take on a new life in homes." IKEA is dropping its Nytillverkad pieces in stages, starting with the LÖVBACKEN side table that was first known as LOVET back in 1956, the KULTURSKOG plant stand that initially launched as BALJA in 1962, and the BONDSKÄRET hat and coat stand that was called SMED in the 1978 — and more. Items in the first release range start at $2, which covers two 30-piece paper napkin sets (HAVSKATT, using the ILEX print from 1983; and ROSTVINGE, from 1980's BLADHULT print). Also on offer: candle holders, cushion covers, trays and rugs. IKEA's Nytillverkad collection goes on sale across Australia, in store and online, from Thursday, June 29 — until stocks last. Head to the IKEA website from 9am on launch day for further details.
When you're trying to avoid laser beams, watching a sea adventure unfurl around you, stepping into a room filled with blacklight art and being surrounded by a floral wonderland, real life can wait. Enter Dreamskape, then, and no one will be thinking about what lurks beyond the new Melbourne entertainment complex's doors. Escapism via multi-sensory experiences has been proving big business around Australia in recent years, whether via pop-up dessert museums or sunflower-filled celebrations of Vincent van Gogh. A key difference with this one: this latest series of installations is not only sticking around permanently, but also heralds the beginning of of a new chain. Dreamskape President Joanna Chen and General Manager Fraser Bell are planning to roll out the concept around both Australia and New Zealand, with 20 complexes in their sights within the next five-to-eight years. Their niche is augmented reality, but without the user needing any wearable tech or even to whip out their phone — and with their debut Melbourne location, the pair has started with six activity zones across 770 square metres, featuring 100-plus games and 50 immersive experiences. "We have seen a lot of VR and 3D entertainment emerge over the last decade, but now it's evolving. You don't need a headset or anything like that to engage in experiences like we have at Dreamskape. This makes it so much more accessible to a wide range of people," said Chen. "It's an exciting time for entertainment technology, and we can't wait to see what the future holds as Dreamskape continues to grow nationally," added Bell. Opening at The District Docklands in the Victorian capital from Friday, June 28, 2024, the first Dreamskape is the brand's flagship, with 2.5 kilometres of light and data cabling helping bring it to fruition. All of those wires connect spaces such as Dream Game, where you play through four different ten-minute games; Dream Verse, the site's version of an immersive cinematic experience; and Dream Coaster, an augmented-reality rollercoaster where you sit in a coaster carriage, then get blasted with IRL wind and mist, all amid 270-degree visuals. Hitting up Dreamskape also involves being greeted by QB, the venue's host robot, then seeing the aforementioned blacklight art by Melbourne talents at Dream Light, and also getting immersed in shapes and emojis — and scenery and animals as well — at Dream Immersion. Plus, for folks attending with little ones in tow, Little Dream will get kids turning their drawings into AR art and playing AR soccer. Find Dreamskape Melbourne at Level 1, The District Docklands, 37 Star Crescent, Docklands, Melbourne, from Friday, June 28 — open from 11am–7pm Monday–Wednesday, 11am–10pm Thursday–Friday, and 10am–10pm on weekends and public holidays (except Christmas Day and Good Friday). Head to the venue's website for more details.
When Shabana Azeez says that "it's been wild", she's telling Concrete Playground about 2025 for her so far, and about being in the cast of The Pitt. Her words could equally apply to the 15-hour shift that the gripping medical drama's debut season follows, which happens to be the first day working in the emergency room for Azeez's character. In the exceptional Pittsburgh Trauma Medical Hospital-set series, the Australian actor plays Dr Victoria Javadi — a third-year medical student, and also a 20-year-old prodigy, who begins her ER rotation on what proves not only a chaotic and challenging but also a traumatic day. Between January and April, when the show was dropping its first season's episodes week to week, how that trial-by-fire initiation turned out for Javadi was appointment (and can't-look-away) viewing. "It's been really wild. I was actually travelling after we wrapped — which, I think when we were shooting, there were four episodes that came out, maybe more," Azeez continues. "And then I was in Berlin and I was in London and I was in Italy and in Texas for film festivals and stuff, and people were recognising me from The Pitt in a lot of places, which was strange. To have a show you made in one sound stage, in a little beautiful life, have an impact in multiple places — it's so, so surreal." The Pitt was always going to attract interest. With not one, not two, but three big names that helped make ER a hit involved, viewers were bound to tune in. The Pitt boasts actor, co-writer and executive producer Noah Wyle (Leverage: Redemption) leading the on-screen charge — and, behind the scenes, reuniting with director and executive producer John Wells (Shameless), plus this Max smash's creator, showrunner and writer R Scott Gemmill (NCIS: Los Angeles). Yes, it might take ER fans a second to get used to seeing Wyle in scrubs being called Dr Robby rather than Dr Carter, but it only takes a second. Yes, those in that camp will spot the symmetry of The Pitt kicking off on Javadi's first emergency-room day, and that of a few of her fellow medical students, as ER did with Wyle's beloved figure. Within mere moments of its premiere episode starting, The Pitt establishes its own intensity. The format — "15 episodes. 15 hours. 1 shift" is the tagline — helps set the tone, as does the dedication to realism that anyone who has spent time in a hospital will recognise. With attending physician Michael 'Robby' Robinavitch, senior residents Heather Collins (Tracey Ifeachor, Wonka) and Frank Langdon (Patrick Ball, Law & Order), charge nurse Dana Evans (Katherine LaNasa, Daredevil: Born Again), third-year resident Samira Mohan (Supriya Ganesh, Grown-ish) and second-year resident Cassie McKay (Fiona Dourif, Chucky), plus Javadi and other Pittsburgh Trauma newcomers Mel King (Taylor Dearden, The Last Thing He Told Me), Trinity Santos (Isa Briones, Goosebumps) and Dennis Whitaker (Gerran Howell, Ludwig), the series chronicles a gig that'd be tough and hectic on a standard day, let alone when a mass-casualty event occurs in the city courtesy of a shooter at a festival. Azeez's task, then, is to portray a character who is trying to impress on such an unforgettable first shift, and endeavouring to provide excellent medical care to the many, many patients that need it — and, as someone only just out of her teens, attempting to fit in, too. Javadi has the weight of parental expectation bearing down, because she's followed in her parents' footsteps. She also tries to ask a colleague out on a date. It's only when the shift wraps up that she has her first-ever beer. Taking on the role meant Azeez moving across the world, attending boot camp with her co-stars and, as an Australian thankfully unaccustomed to the active-shooter situation depicted, researching gun violence. It also meant unpacking what Javadi is going through given her age and intelligence, what she's missed out on by speeding through school and college, and the pressure of her whole existence. Azeez can't speak highly enough about being welcomed into The Pitt's cast and crew to play Javadi, and what being one of the show's stars means to her. "I think I'm learning a lot from Noah," she advises. That's after she's already had quite the massive past year or so before The Pitt even started airing, became such a smash, had viewers around the globe hooked and was renewed for a second season. If you watched Apple Cider Vinegar, you should've spotted Azeez in an episode. In 2024, she was on the big screen in Australian thriller Birdeater. When Aussie animation Lesbian Space Princess won the Teddy award in Berlin this year — ahead of making its Down Under debut at the 2025 Sydney Film Festival — it did so with Azeez voicing its eponymous figure. We also chatted to the Adelaide talent about that path to The Pitt, alongside what appealed to her about stepping into Dr Javadi's shoes. Working among such an excellent ensemble, the show's impressive pedigree, being protective of the character, her research process: our discussion covered them all as well, among other topics. On How Azeez Feels About Her Huge Past Couple of Years, Not Only with The Pitt But Also Birdeater and Lesbian Space Princess "Who even knows? I really feel so lucky. But also it feels like, I don't know, The Pitt was so — it was seven months we shot, which is, for an Australian, kind of wild, right? Because Australia shoots fast. And so my longest gig before that would've been like six weeks. And so to pick up my life in Melbourne and move to LA for seven months, now it feels like my perception of time is so strange. Apple Cider Vinegar, I was just there for one day. And Birdeater shot in little pockets over a few years. And it's just very strange when things come out, because it's the combination of so much work when you're a film actor. And then often people are like 'oh, my god, this thing's coming out' and you're sitting at home unemployed alone. So it's very feast and famine, and very strange, but I'm so lucky and I'm having a great time." On What Appealed to Azeez About The Pitt and Portraying Dr Javadi "The team, obviously. We got the brief and it was like 'the people that made ER and The West Wing are making a new show' — that's a once-in-a-lifetime casting brief. And we knew the TV that they make goes on for a long time — these are really cultural moments, John Wells' productions, shows — and obviously that was a massive, massive selling point. Not that I was in a position to be choosy. I was just wanting to audition and that was exciting to me. Also, the script was insane. I don't know if the scripts are public at all or if anybody can see them, but they're novels, they're dense and they're incredible. I remember having to go out to get more highlighters in different colours to be able to track which character was who — because it was all surnames and I couldn't figure out who anybody was, and there were so many characters in that first episode. And sitting in my apartment trying to audition, figuring out who I'm talking to in my audition scene, took ages. It was a really cool audition. It was out-of-body — thinking about it now, I'm like 'god, who was I back then coming to this audition?'. And then for Javadi, I was so excited by her as a character. I think being a young woman, there's a massive variation in the types of auditions you can get. But there's not a single female character on the show that's sexualised — or the idea of something. Everybody's fully fleshed out. In a way, that's just so incredible to see. And I know it should be the standard, but the writing is amazing, and the female characters are so complicated and beautiful and incredible. And smart — like really smart — and not really existing for anybody else's character growth. We're all there for each other as an ensemble, and it doesn't seem like there's a lot of imbalance there. So it was so exciting to get a script with a big ensemble of interesting characters and be like 'oh, this young one' — especially being the youngest one. I'm kind of scrappy and I think we have a lot in common, except that she's really smart and a brilliant doctor, and I'm an actor. But she was just very interesting — I've never seen a brief like her before." On Juggling Javadi's Intelligence, Age, Nerves, New Job, Love Life and Attempts to Give Excellent Medical Care, All on a Traumatic 15-Hour Day "I think that was really — I don't want to say 'easy', but it was really served by the way we worked, in that we shot chronologically. So usually when you're shooting, you're shooting out of order, and so you're doing so much work to be like 'my character's experienced this crazy thing and this crazy thing and this crazy thing', and I have to, in my head and in my body, know all of those things and then shoot scene 75 before I shoot scene two. In this situation, we were building on what we've done. Except for Pittsburgh — we shot the exteriors in Pittsburgh over one week, and so that final scene of the entire show we shot before we'd even read past script nine, I want to say. So I hadn't read the mass shooting. I hadn't read a lot of it. And there was just a lot of putting trust in the editors and the directors and the producers, and knowing that they would treat all our characters with care. I'm very protective of Javadi. She's just so little, and she's just trying her hardest, but I knew I could trust them with her. She's our little baby. I think it was really nice, because it was written so organically that that's just how complicated real people are. It was like that thing, right — none of these characters are the idea of a trope. They are fully fleshed-out human beings. And you can be — in fact, most really smart people are, really, there is a deficit that balances out somewhere else in the character, right? So I think that her being really, really smart, it makes sense that she would also then be socially quite complicated and struggling, because she's growing up so lonely and so isolated. I remember R Scott Gemmill, in one of our first character meetings, said to me 'you know, her parents kind of used her as a party trick' — and it's really interesting to think about what that would do to a small child, to be valued for being impressive. The type of bravery it takes to be publicly, confidently bad at something — to ask a boy out, even though you've maybe never done it before and you're going to have to stay on the shift and see him, even if it goes badly — the bravery and the courage that it takes when you have been disproportionately valued for being special your whole life is something that I think I really want to explore with her more and give her credit for. I think, often for me, her worst behaviours or her least-impressive behaviours — or her most-cringey or -embarrassing behaviours — are the things for me that I love most about her, and they speak the most to her positive and beautiful character traits. Because I think to put yourself out there in that way is really brave. I don't know that I could do that, and I grew up with a lot of friends and not socially isolated in the way that she has been. It's really exciting also to see people react to her awkward moments and like it, and think that she's funny — it's really rewarding." On Working with a Stellar Ensemble While Diving Into Such an Intense Scenario "It's really lovely and really nice — it's so much background work on the show, and it's really immersive being on the show, and so it's like, yes, the cast, but also all the background we have, and all the crew are wearing scrubs all the time. And the amount of immersion you can get from every bit, being around everybody all day, and everybody giving it their all in that way — it's so special because it's so immersive. Usually, you're on set, and maybe you're crying and you're looking at a tennis ball or a line somebody's drawn on the wall, and these people wearing Dickies are all around you, holding lights to your face. Whereas in this situation, you fully are like 'no, I'm in a trauma situation. I'm in a surgery room'. The lights that we use are real. The level of immersion is so special, and it makes shooting seamless and fast. It's amazing. And the people are so great, and I think it's lovely to work with people who are great at their job, obviously, which everybody can see — but I also think everybody in the audience can see how wonderful the people are that we're working with, even if they're playing assholes, maybe. It's really funny watching people be like 'that girl must be so mean to you in real life', but Isa is a lovely, beautiful friend. So that's really lucky that everybody's kind and easy to work with as well." On Being Part of a Series with an Impressive Pedigree, and That Sits Among Fellow Great Medical Dramas "Honestly, I don't think I had time to be nervous. I did one self-tape — I sent in a tape — and then I did one zoom, and then we got the call that I booked it. And I had a month to move to America and be on the ground at Warner Bros. So I don't think I had time to panic about anything. I was panicked about getting a Social Security number and all the logistics of moving your life. And accents and medical research and all that stuff. And so for me, I was just so, so grateful to be there. I think that they really did the work to not make it nerve-racking for us younger ones, too, in that our casting process was really chill and relaxed and warm and safe. And so that energy, I think it ended up funnelling into experience on the set. And also we did a boot camp before we started acting, so for two weeks we got to know each other and get comfy with each other — and not just with the other actors, but also with John Wells and R Scott Gemmill. Obviously there was pressure and excitement to be working on such an incredible show with such an incredible team, but every single person on a personal level worked their asses off to make sure that they weren't creating pressure, they were creating warmth and safety. To the point of: we all spend time together, even with John and Scott, before we started, giving you enough about the job to combat all the natural pressure and scary feelings — and I'm so grateful for that. That level of skill — I think you can see the skill on the show, there's so much skill, there's so much writing skill, so much directing skill, so much producing skill, you can see that on the show. But the soft skills that come with being a creative, they were 10 out of 10, 100 percent all the time with all of that as well, and that's not really visible to the audience — and it's really special to get it." On the Research That Goes Into Playing Dr Javadi as an Australian in an American Medical Series "I did a lot of research on gun violence. And I ended up getting specific things from the writers, too — like 'which one did you base this on?' and 'what resources would you recommend to me?'. Then I also did specific things on Javadi's experience of guns — so growing up in Pittsburgh, what suburbs she would've grown up in? Things like that, picking a house on Google Maps. But also, she would have gone to school in this time — how many school-shooter drills were happening at this time? And what kind of school-shooter drills were they? A lot of resources were coming up that school-shooter drills, often kids don't know they're a drill — or they do know they're a drill, but they're simulating all these really scary things, so they can be traumatising in way that a shooting can be. And so figuring out where she sat on certain spectrums, and how long she was at school for, because she's sort of a savant and she graduated school at high school at 13 and started college really young. Also doing a lot of research into what it's like to be a kid genius and how lonely that is, and the experiences of being isolated from your peers and being really young around a lot older people. What does that do to you? Does it stunt you or do you meet them somewhere? What's the experience of doing American college with no alcohol? That sounds so silly, almost. But even in Australia, alcohol is a massive part of our culture, and obviously she's too young — and we see her have her first beer in the last episode of The Pitt at 20. So how does that isolate you if everybody's going to the pub after an exam, or going to a bar to decompress after a week? How does not being able to participate in any social thing affect your self-worth or your ability to build rapport? And so I think we see her be quite awkward in the show, and I did a lot of research into why she would be like that and how awkward to be, so hopefully that comes through. And that's really exciting stuff to do, because it's just so different to my experience of the world." On Azeez's Journey From Adelaide and Short Films to a Series-Regular Role on a Hit US TV Show "It means so much to me. Obviously growing up in Adelaide, LA is worlds and worlds away, and it was this fantasy that I didn't — and also LA is a fantasy even in American media. LA is just this strange sort of utopia for filmmakers, right? And it felt for a long time like that was just never going to happen to me — because how? How do you get from Adelaide to LA? I still don't really understand it even though it's happened to me, I guess because it seems so unlikely. And there's no obvious pathways when you're an actor. You really do have to cede control, in a way. So the fact that this thing that I've been convincing myself was not possible for so long — it's like 'temper my expectations', all of that — but the fact that I didn't have to temper my expectations and it happened is so lucky. I don't even know if 'lucky' is the word. It feels blessed. It's so crazy to me, and I don't know that I'll ever understand it or feel like — like how do you earn something like that? How do you earn being on The Pitt? I don't know. I just feel very lucky, and I'm not questioning it, lest somebody else with power question it. But for my career, I think Australia — there's this saying in Adelaide where if you want to work in Adelaide as an actor, you have to move to Melbourne and then come back, and then people in Adelaide will be like 'oh my god, they worked in Melbourne, they must be great'. And I think that just happens at every stage, except with The Pitt, where they didn't. They thought I lived in Adelaide, Australia, when they cast me in The Pitt. The did not care about where I came from or what my context was, they just wanted me for this role. And that level of freedom, creatively, where they didn't want me to have any sort of audience, they didn't need me to be famous, they didn't need me to bring anything to this project except myself, was so special to me. I don't know that I've ever experienced the confidence that they had in me as a creative, to just give some kid from Adelaide this series-regular role in their massive TV show. That means a lot as an artist, obviously. But it also is the blueprint for me going forward of how I want to be as an artist. I think I'm learning a lot from Noah. And to get to learn from these people and then bring that knowledge back to Adelaide or Melbourne or wherever I end up is so, so meaningful. I'm very grateful." The Pitt streams via Max in Australia and Neon in New Zealand.
Set just a few kilometres from the middle of town, South Yarra is where Melbourne's historic and fashionable personalities coalesce. At the centre of it all is Chapel Street, a bustling hotspot of designer boutiques, stylish restaurants and late-night shenanigans. Surrounded by old industrial pockets, which have now been transformed into chic apartments or shopfronts, this popular part of Melbourne is home to a thriving mix of celebrated brand names and much-loved independent retailers. For when you next feel like undertaking a lavish shopping spree, we've teamed up with American Express to showcase a selection of the suburb's awesome independent boutiques and local businesses where you can shop small. Bring along your American Express Card and find out what makes these ten South Yarra spots so special.
We can't think of a much better way to alleviate all that hectic airport stress than some pre-flight puppy cuddles and wet-nosed kisses. Thankfully, Sydney Airport has a new team of four-legged employees that is very happy to help on all counts. In an Aussie first, American Airlines and Assistance Dogs Australia (ADA) have teamed up to launch a new program called emBark at Sydney International Airport, in an effort to make the whole travelling caper much more bearable. Two mornings each week, a group of ADA-trained floofers will be stationed near American Airlines' check-in desks, to help anyone, young or old, that needs a calming cuddle before tackling all that airport hustle and bustle. As well as proving excellent company and very effective stress relief, the dogs will also help to raise awareness about ADA's work and the huge difference these animals can make. As American's Managing Director – Asia Pacific Russ Fortson explained, "The atmosphere at check-in is noticeably lighter and more relaxed. If these inspiring dogs can accomplish this during short interactions with our customers, imagine the positive impact they can have on the daily lives of the people who need them." At present, emBark pups are stationed at Sydney International Airport's American Airline check-in desks between 7-9am, on Tuesdays and Thursdays. Images: Christine Bernasconi Photography
They say change is as good as a holiday, and a holiday with some leftover change? Sign us up. The little-known island of Bali is the perfect destination that feels worlds away without having to travel around the world. Flights are cheap, the people are a delight, the food is exceptional, and the beaches are breathtaking. It's no wonder it's an Aussie traveller's favourite. From lush tropical rainforests to terraced rice paddies to multiple surfers' paradises — sometimes even just a couple of nights away is all you need. To help you lock away a quick (or longer) getaway, our editorial team has curated some top travel packages for four distinct Bali locations. Find your preferred option and book it through Concrete Playground Trips now. EXTREME RELAXATION IN NUSA DUA For laidback luxury in between extreme watersports adventures, Sadara Resort on the gorgeous beachfront of Tanjung Benoa has your name on it. Tanjung Benoa is Bali's number one water sports playground, with activities from jet skiing to parasailing, banana boat rides and sea-walking adventures. But fear not, if your holiday is for relaxing and relaxing only, then our Nusa Dua travel deal has everything you need. Sink into your included one-hour Balinese massage before or after you sink into the ocean-facing pool, where you can sink cocktails at the swim-up bar. You'll also enjoy the inclusion of daily breakfast and afternoon tea plus a set menu lunch or dinner. LEGENDARY VIBES AT LEGIAN BEACHFRONT In among the action of iconic Kuta, enjoy a beachside break at AlamKulKul Boutique Resort. This is a prime location for exploring Kuta's beaches along the boardwalk and checking out character-filled laneways before heading back to watch a sunset and sip a Bintang on the beach. Check out our resort package, where you can enjoy true Balinese interiors and architecture, a thriving tropical garden and the on-site spa in between ocean adventures. Your daily breakfast at the restaurant will be an ideal start to the day before you make the most of everything the resort and surroundings have to offer. A GREAT RATE VILLA ESCAPE IN SEMINYAK Let's face it: we all want to be the people who have a Balinese villa and floating breakfast for ourselves — and with this deal, it can be you. The Bali Dream Villa is the ideal location for a getaway, with speedy access from the airport that gets you right into the buzz of Seminyak and its plethora of award-winning restaurants. Inclusions abound with return airport transfers, welcome drinks and daily breakfast and afternoon tea for two. It has everything you need for a private vacay away, with your own pool and kitchenette facilities to make yourself feel truly at home. LUXURY VILLA STAY IN ULUWATU Escape everyday life at beautiful Prasana by Arjani Resort – an all-villa resort perfectly positioned in Bali's beautiful southernmost tip, Uluwatu. This stop is a tad pricier, but it is worth it for what you get included in our exclusive travel package. Whether surfing or spa trips are more your speed, you'll have ample opportunities for both. Explore the famous beach club-lined Melasti Beach or surfer favourite, Padang-Padang, or stay in and enjoy the ocean view from your private villa, take a dip in your private pool or get a relaxing treatment at the Menaka Spa. It's a getaway for all to enjoy the best of Bali, and sometimes, that's just the thing you need to refresh, reset and recharge. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips to destinations all over the world.
Prepare to get hopelessly devoted — again — to Rydell High, summer lovers reuniting at school, leather jackets and Pink Ladies, all across Australia's stages in 2024. Because giving Grease a prequel streaming series isn't enough, the 50s-set musical is returning to its original home, with a brand-new multimillion-dollar theatre production of the five-decade-old show set to be the one that local audiences want next year. Grease is shaping up to be Melbourne's big summer hit, zipping into the Victorian capital's Her Majesty's Theatre like lightening in January. Then, from March, it'll take its retro stylings to Sydney's Capitol Theatre. If you live elsewhere in the country, cross your fingers that these two initial seasons are only the beginning. Everyone knows Grease's plot by now, given how popular the 1978 movie adaptation of the musical rom-com still is, especially Down Under. It is about an Australian transfer student, after all, who falls in love with an American high schooler in California. After it sped from the stage to become a silver-screen classic, it spawned a 1982 Michelle Pfeiffer-starring sequel, too, then this year's Paramount+ show Grease: Rise of the Pink Ladies. Exactly who'll be slipping into John Travolta (Paradise City) and the late, great Olivia Newton-John's (The Very Excellent Mr Crocodile Dundee) leathers as Danny Zuko and Sandy Olsson in the new Aussie production has yet to be revealed, nor has any casting — T-Birds, Pink Ladies and teachers alike. But whoever gets the gig, obviously they'll be belting out all the famous tunes, including the titular 'Grease' and fellow earworms 'Summer Nights', 'Sandy', 'Hopelessly Devoted to You', 'You're The One That I Want', 'Greased Lightnin' and 'Beauty School Dropout'. "I am thrilled that Grease, one of the world's all-time favourite musicals, is returning to Australia in a brand-new production featuring an all-Australian creative team," said producer John Frost announcing the new tour, which is presented by John Frost for Crossroads Live Australia. "Grease has always been about having fun and, coupled with the much-loved songs and choreography, I know that this will be the party musical that everyone is talking about for a long time to come." GREASE 2024 AUSTRALIAN TOUR: From January 2024 — Her Majesty's Theatre, Melbourne From March 2024 — Capitol Theatre, Sydney Grease will tour Australia in 2024, starting in Melbourne in January. For more information or to sign up for the ticket waitlist, head to the musical's website.
When HBO's static-filled logo plays, something excellent typically follows. The voters in the Academy of Television Arts & Sciences certainly think so. In 2023, the folks who decide which shows will score some Emmys love have awarded a massive 74 nominations to three HBO series: Succession, The Last of Us and The White Lotus. TV's best case of family feud earned 27 nods, including for almost every actor who appeared in its fourth and final season in leading, supporting and guest roles. In the Best Actor category alone, Brian Cox, Jeremy Strong and Kieran Culkin are going head to head. The most spectacular game-to-screen adaptation yet nabbed 24, while vacation chaos brought about 23 nominations. The other show that racked up a comparable tally? Apple TV+'s Ted Lasso with 21 nods. 2023's Emmy nominations were announced on Thursday, July 13 Australian and New Zealand time, ahead of the winners being anointed on Tuesday, September 19 — and, although a handful of series garnered the bulk of attention, plenty more got in on the action. Similarly in the running: everything from Andor, Better Call Saul, House of the Dragon and Yellowjackets (all in the drama fields) to Abbott Elementary, Barry, The Bear, Only Murders in the Building and Wednesday (the comedy categories), plus the likes of Beef, Daisy Jones & the Six and Fleishman Is in Trouble (limited series) as well. Among the homegrown highlights, Australia's own Sarah Snook is in the running for Succession, as is Anna Torv for The Last of Us. Murray Bartlett has a double chance: for Best Supporting Actor in the limited series and television movie field for Welcome to Chippendales and Best Guest Actor in the dramatic category for that stunning episode of The Last of Us. And, Aotearoa's Melanie Lynskey also got the nod twice: for Best Lead Actress for Yellowjackets and Best Guest Actress — both in the drama camps — for, like almost everyone else, The Last of Us. Other standout noms include acting recognition for Better Call Saul's exceptional Bob Odenkirk and Rhea Seehorn, who should each have houses filled with awards by now; all the love for Barry's phenomenal last season; plus Bad Sisters' Sharon Horgan, Poker Face's Natasha Lyonne and Swarm's Dominique Fishback getting a look in. That said, all of the above shows could've and should've earned more attention (and the fact that Barry's Sarah Goldberg missed out is a particularly big gap). Also noticeable: that the outstanding Dead Ringers was completely overlooked, and The English; the lack of affection for Harrison Ford in Shrinking; just one acting nom for Yellowjackets; and leaving out Steve Martin and Selena Gomez for Only Murders in the Building. As always, of course, ace shows still exist without awards — whether or not they get nominated, or win. The 75th Emmy Awards will take place on Tuesday, September 19, Australian time. Here's a rundown of the major nominations — and you can check out the full list of nominees on the Emmys' website: EMMY NOMINEES 2023 OUTSTANDING DRAMA SERIES Andor Better Call Saul The Crown House of the Dragon The Last of Us Succession The White Lotus Yellowjackets OUTSTANDING COMEDY SERIES Abbott Elementary Barry The Bear Jury Duty The Marvelous Mrs Maisel Only Murders in the Building Ted Lasso Wednesday OUTSTANDING LIMITED SERIES Beef Dahmer — Monster: The Jeffrey Dahmer Story Daisy Jones & the Six Fleishman Is in Trouble Obi-Wan Kenobi OUTSTANDING TELEVISION MOVIE Dolly Parton's Mountain Magic Christmas Fire Island Hocus Pocus 2 Prey Weird: The Al Yankovic Story OUTSTANDING LEAD ACTOR IN A DRAMA SERIES Jeff Bridges, The Old Man Brian Cox, Succession Kieran Culkin, Succession Bob Odenkirk, Better Call Saul Pedro Pascal, The Last of Us Jeremy Strong, Succession OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES Sharon Horgan, Bad Sisters Melanie Lynskey, Yellowjackets Elisabeth Moss, The Handmaid's Tale Bella Ramsey, The Last of Us Keri Russell, The Diplomat Sarah Snook, Succession OUTSTANDING LEAD ACTOR IN A COMEDY SERIES Bill Hader, Barry Martin Short, Only Murders in the Building Jason Segel, Shrinking Jason Sudeikis, Ted Lasso Jeremy Allen White, The Bear OUTSTANDING LEAD ACTRESS IN A COMEDY SERIES Christina Applegate, Dead to Me Rachel Brosnahan, The Marvelous Mrs Maisel Quinta Brunson, Abbott Elementary Natasha Lyonne, Poker Face Jenna Ortega, Wednesday OUTSTANDING LEAD ACTOR IN A LIMITED SERIES OR TELEVISION MOVIE Taron Egerton, Black Bird Kumail Nanjiani, Welcome to Chippendales Evan Peters, Dahmer — Monster: The Jeffrey Dahmer Story Daniel Radcliffe, Weird: The Al Yankovic Story Michael Shannon, George & Tammy Steven Yeun, Beef OUTSTANDING LEAD ACTRESS IN A LIMITED SERIES OR TELEVISION MOVIE Lizzy Caplan, Fleishman Is in Trouble Jessica Chastain, George & Tammy Dominique Fishback, Swarm Kathryn Hahn, Tiny Beautiful Things Riley Keough, Daisy Jones & the Six Ali Wong, Beef OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES F. Murray Abraham, The White Lotus Nicholas Braun, Succession Michael Imperioli, The White Lotus Theo James, The White Lotus Matthew Macfadyen, Succession Alan Ruck, Succession Will Sharpe, The White Lotus Alexander Skarsgård, Succession OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES Jennifer Coolidge, The White Lotus Elizabeth Debicki, The Crown Meghann Fahy, The White Lotus Sabrina Impacciatore, The White Lotus Aubrey Plaza, The White Lotus Rhea Seehorn, Better Call Saul J. Smith-Cameron, Succession Simona Tabasco, The White Lotus OUTSTANDING SUPPORTING ACTOR IN A COMEDY SERIES Anthony Carrigan, Barry Phil Dunster, Ted Lasso Brett Goldstein, Ted Lasso James Marsden, Jury Duty Ebon Moss-Bachrach, The Bear Tyler James Williams, Abbott Elementary Henry Winkler, Barry OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES Alex Borstein, The Marvelous Mrs Maisel Ayo Edebiri, The Bear Janelle James, Abbott Elementary Sheryl Lee Ralph, Abbott Elementary Juno Temple, Ted Lasso Hannah Waddingham, Ted Lasso Jessica Williams, Shrinking OUTSTANDING SUPPORTING ACTOR IN A LIMITED SERIES OR TELEVISION MOVIE Murray Bartlett, Welcome to Chippendales Paul Walter Hauser, Black Bird Richard Jenkins, Dahmer – Monster: The Jeffrey Dahmer Story Joseph Lee, Beef Ray Liotta, Black Bird Young Mazino, Beef Jesse Plemons, Love & Death OUTSTANDING SUPPORTING ACTRESS IN A LIMITED SERIES OR TELEVISION MOVIE Annaleigh Ashford, Welcome to Chippendales Maria Bello, Beef Claire Danes, Fleishman Is in Trouble Juliette Lewis, Welcome to Chippendales Camila Morrone, Daisy Jones & The Six Niecy Nash-Betts, Dahmer – Monster: The Jeffrey Dahmer Story Merritt Wever, Tiny Beautiful Things OUTSTANDING GUEST ACTRESS IN A DRAMA SERIES Hiam Abbass, Succession Cherry Jones, Succession Melanie Lynskey, The Last of Us Storm Reid, The Last of Us Anna Torv, The Last of Us Harriet Walter, Succession OUTSTANDING GUEST ACTOR IN A DRAMA SERIES Murray Bartlett, The Last of Us James Cromwell, Succession Lamar Johnson, The Last of Us Arian Moayed, Succession Nick Offerman, The Last of Us Keivonn Montreal Woodard, The Last of Us OUTSTANDING GUEST ACTRESS IN A COMEDY SERIES Becky Ann Baker, Ted Lasso Quinta Brunson, Saturday Night Live Taraji P Henson, Abbott Elementary Judith Light, Poker Face Sarah Niles, Ted Lasso Harriet Walter, Ted Lasso OUTSTANDING GUEST ACTOR IN A COMEDY SERIES Jon Bernthal, The Bear Luke Kirby, The Marvelous Mrs Maisel Nathan Lane, Only Murders in the Building Pedro Pascal, Saturday Night Live Oliver Platt, The Bear Sam Richardson, Ted Lasso
