Since the first jabs started being put in arms around Australia at the beginning of 2021, two words have monopolised the discussion about the country's COVID-19 vaccine rollout: AstraZeneca and Pfizer. They're two of the companies with jabs approved for use in Australia so far, and it's their shots that folks who've been vaxxed to-date have been receiving. But from September, a third company's vaccine will be available to everyone rolling up their sleeves. On Monday, August 9, Australia's Therapeutic Goods Administration gave the Moderna COVID-19 vaccine approval to be used in Australia. As announced in a press conference by Prime Minster Scott Morrison, the TGA "has given provisional approval for the use of Moderna for Australians aged 18 and over." In its own statement explaining its decision, the TGA advised that "the Moderna COVID-19 vaccine has shown strong efficacy preventing symptomatic COVID-19 and severe COVID-19 in clinical trials." Elsewhere around the world, the vaccine has also received approval or authorisation to use in emergency situations in countries such as United Kingdom, Canada, the European Union, the United States, Switzerland and Singapore. The Therapeutic Goods Administration (@TGAgovau) has provisionally approved Moderna's COVID-19 vaccine for use in Australia.https://t.co/Yr7dj0G0ja pic.twitter.com/Kp0EMpck7V — Australian Government (@ausgov) August 9, 2021 Partly funded by a donation from the one and only Dolly Parton, Moderna's vaccine is actually the fourth to get the nod in Australia, following AstraZeneca, Pfizer and a jab from Johnson & Johnson — the latter of which hasn't been included in the country's vaccine rollout so far. Like the Pfizer vaccine, the Moderna jab is an mRNA-based vaccine. So, it uses a synthetic genetic code called RNA, which tells the cells in our bodies how to make the coronavirus' unique spike protein. Then, once our bodies have done just that, making the protein that's encoded by the mRNA vaccine, we're able to recognise the spike protein as being foreign to our system and launch an immune response against it. Two doses of the Moderna vaccine are required — and while the AstraZeneca jabs are recommended four–12 weeks apart, and the Pfizer jabs three weeks apart, Moderna's should be administered within 28 days of each other. Wondering what that the Moderna approval means in terms of boosting Australia's vaccine ability (because actually getting a jab isn't particularly straightforward as part of the country's slow-moving rollout)? The Prime Minister advised that Australia will be adding 25 million doses of Moderna to the 125 million doses of Pfizer and 53 million doses of AstraZeneca that are already part of the vaccine campaign. "We will have ten million of the Moderna doses arriving before the end of this year. The first one million doses is on track to arrive next month and will go to pharmacies. Then we will have three million in October, three million in November and three million in December," he said. With the addition of the Moderna vaccine, the Prime Minister also noted that he expected that 70-percent of eligible Australians would be fully vaccinated by the end of 2021 — the threshold at which the second phase of National Cabinet's National Plan to transition Australia's National COVID Response is set to kick in. At that stage, which applies both when Australia reaches that figure and each state and territory does as well, restrictions will be eased on folks who've had the jab, including around lockdowns and border controls. Lockdowns are expected to be less likely, low-level restrictions will still help minimise the spread of cases and assist contact tracing, inbound passenger caps for unvaxxed returning Aussies will be restored to previous levels and more vaccinated returning Aussies will be allowed to come home. For more information about the Therapeutic Goods Administration's approval of the Moderna COVID-19 vaccine, head to the TGA website.
Each of Australia's capital cities has a different shtick. Melbourne's just happens to be a 24-hour culture — or, at least, the closest Australia has to it. It's got all-night public transport on weekends, late-night opening hours for the National Gallery of Victoria's new Triennial and the city's White Night festival will return for its annual all-nighter in 2018. If you haven't been down to White Night before, here's how it works. From 7pm, much of Melbourne's CBD is closed to cars. From then on, the streets give way to pedestrians, who are free to wander between temporary installations, live music and on-street projections — as well as in and out of galleries and cultural institutions — up until the sun comes up at 7am the next day. It's the Australian version of Nuit Blanche, which was founded in France in the 80s. Next year's festival — which will shut down the city for 12 hours on the evening of Saturday, February 17 — features work from a tonne of both local and international artists. Expect to see neon pups, two Burning Man installations and one laneway covered in snow. There are far too many works to list, but here are a few highlights you'll want to look out for. A giant shimming silver net that will hover above Federation Square for White Night (and two weeks afterwards). Drag queens singing from balconies above Collins Street. A laneway filled with virtual neon 'dogs' and another filled with falling 'snow'. A tree that lets you write temporary messages on it with the light from your phone Two installations straight from Burning Man: a fire-breathing serpent outside Melbourne Museum and a giant mechanical insect that doubles at a DJ booth. Mini gigs performed from multiple balconies above Swanston Street. A 360-degree dome in Alexandra Gardens that will feature mesmerising projections. Stories from Australian detention centres projected onto the NGV's façade. White Night will also head out to Victoria's regional centres. It will return to Ballarat on March 17 for a second year, and will take to the streets of Bendigo and Geelong for the first time later in 2018. White Night 2018 will take over Melbourne from 7pm on Saturday, February 17 until 7am on the morning on Sunday, February 18. For more information, visit whitenight.com.au/melbourne.
Charming contemporary Babu Ji shook up more than a few people's perceptions of Indian food when it landed in St Kilda in late 2016. Sibling restaurant Piquancy has done much the same for Hawthorn since opening its doors in April last year. And now, the bayside suburb of Black Rock is set to score a taste of something similar, with newest family member Elichi arriving on the scene next month. Named after the Punjabi word for cardamom, Mani Wariach's third venture will again focus on heroing top local ingredients and big-flavoured fare. The seasonal menu embraces both the modern and the traditional, with long-held family recipes carefully revamped, often with ingredients that don't normally pop up in Indian cooking. Mumbai-raised Head Chef Punit Fernandes is bringing the philosophy to life through dishes like brussels sprouts with roasted coconut and curry leaf, Otway pork vindaloo crafted with sugarcane vinegar and red masala, and a new-school Tandoori chicken teamed with baby sprouts, young carrot and yoghurt emulsion. Naan bread gets the truffle treatment, a Jangalee mushroom kebab teams wild mushroom, goat's cheese and a parmesan pappadum, and India's go-to gulab jamun dessert is reimagined as a tart. Of course, that's not to say the purists won't feel equally at home, tucking into classics like butter chicken, dal makhani and warm, homemade naan. Elichi is slated to open at 6/8 Bluff Road, Black Rock, in mid-August.
In a place like Sydney where the state of our public transport system is constantly being debated and criticised, the Subway Etiquette Posters by NYC artist Jason Shelowitz, or Jay Shells, could provide some relief to regular commuters. Despite NYC being in a different hemisphere, it's good to know that Sydneysiders are not the only commuters who experience run-ins with nail clippers and subway polluters. Jay Shells' Subway Etiquette posters are the product of a survey of 100 commuters and their pet peeves, poking fun at things like eating on public transport, noise pollution, seating priority and physical contact. [via Trendhunter]
New voices, same interdimensional chaos: that's what Rick and Morty will start beaming in October. The sci-fi animated sitcom has locked in its return date for season seven, hitting on Sunday, October 15 in America. That's Monday, October 16 Down Under, where it gets schwifty in your streaming queue via Netflix. If you're wondering what kinds of chaos are in store this time around, Adult Swim — which airs the series in the US — isn't giving much away as yet. "We ride together. We die together. We're buried in the backyard together," it teased in a first poster for the new season. And if you're also wondering how the show's titular chaotic scientist and his grandson will sound the new episodes, that hasn't yet been announced. Earlier in the year, the network dropped Justin Roiland due to domestic violence charges. View this post on Instagram A post shared by Rick and Morty (@rickandmorty) Anything can happen in Rick and Morty, with a change of vocal tones for Rick Sanchez and Morty Smith one of the least out-there developments within the show's narrative. Given that the show clearly gleaned inspiration from Back to the Future, there's some obvious dream casting right there just waiting to happen — but whoever gets the gigs will be lending their tones to a genius scientist going on wild adventures with a high schooler. Viewers can still expect the show's eponymous pair to keep wreaking havoc, and the series to keep zipping between as many universes as it can. And, for Rick and Morty's hijinks to still draw in Morty's mother Beth (Sarah Chalke, Firefly Lane), father Jerry (Chris Parnell, Archer) and sister Summer (Spencer Grammer, Tell Me a Story). Spanning ten episodes, season seven will hit everywhere that it can in this dimension — in more than 134 countries, and also in 38 languages. If you're keen to rejoin the smartest Rick and Morty-est Morty in the universe, start getting excited. There's no trailer for Rick and Morty's seventh season yet — we'll update you when one arrives. Rick and Morty's seventh season will premiere globally on Monday, October 16 Down Under. It streams via Netflix in Australia and New Zealand.
The carols tell us to deck the halls with boughs of holly, and we do. We adorn trees and place wreaths on doors as well. But decking out your tastebuds with a feast of delicious goodies is just as much a part of the festive season as all of those decorations, plus the presents we give and receive. Is it really Christmas if you haven't treated yo'self and your loved ones to all of the baked goods? This year, your Yuletide joy definitely won't be the same if you're a Bennett St Dairy fan and you miss out on its limited-edition Christmas cookie dough. After getting everyone baking during lockdowns, and earning a hefty following in the process, the Sydney-based favourite has dropped a batch that's all about red velvet and white chocolate. 'Tis the season to head to your nearest Woolworths, then get cooking. This new flavour works cocoa and vanilla into Bennett St Dairy's signature dough, and then adds big chunks of white chocolate. Wondering what to pair it with, once those cookies are baked? Forget sticking to milk — vanilla ice cream is the recommendation. The Bondi cookie company actually soft-launched the festive dough a few weeks back, and received a huge reaction. "Almost immediately our socials were flooded with questions (and even a couple of very funny threats) demanding we reveal which Woolies stores would be getting delivery of our 'red velvet and white choc' dough next," said Bennett St Dairy cofounder James Meek. Now, the red, white and green rolls of dough have hit 900-plus Woolies around the country, marking Bennett St Dairy's first holiday-themed product since Valentine's Day this year. If you enjoyed its raspberry bullets and white chocolate flavour back then — a collaboration with Darrell Lea — you'll be ready for this new special. There is only a small supply, however, with around ten tonnes of dough made — which equates to around 20,000 rolls. So, it really is a first in, best dressed situation. A pack retails for $13 for 500 grams. Find Bennett St Dairy's red velvet and white chocolate cookie dough at Woolworths stores around the country for a limited time.
As Bruce Wayne's private jet streaks through the skies high above Gotham, Jeremy Irons' steadfast butler Alfred quips: "One misses the days when one's biggest concerns were exploding wind-up penguins." "The good old days" replies a burly, sentient frown in the shape of Ben Affleck. "THEN PLEASE GOD BRING THEM BACK!" screams the audience's frustrated internal monologue from within its collective skull. Welcome to Justice League, the least bad entry in the DC movie universe after this year's smash hit Wonder Woman – not that that's saying a whole lot. Given how low the bar has been set by the likes of Suicide Squad and Batman vs Superman, this superhero team-up flick would have to be truly abysmal not to offer some kind of improvement. Just like its special-effects-laden trailer, Justice League feels like a CGI showreel shot almost entirely in front of a green screen. Its strongest scenes are also its quietest ones: a battered Bruce Wayne being assisted by a sympathetic Wonder Woman (Gal Gadot); Martha Kent and Lois Lane (Diane Lane and Amy Adams) brave-facing their way through hardships in a staff-room cafeteria; The Flash (played by a scene-stealing Ezra Miller) speaking with his incarcerated father. It's in these rare, intimate moments that the film's characters actually begin to feel like characters, each possessed of complicated personal histories, private anxieties and meaningful relationships. Sadly, it's soon back to aliens with lasers, fear-eating bugs, and buildings crashing down in clouds of debris. With a story that feels like it's been lifted from Ghostbusters II, Justice League depicts an earth where hatred and cynicism have reached such heights that it compels the return of a great evil determined to enslave mankind. So arrives Steppenwolf (Ciarán Hinds), a CGI-monster of such poor quality he wouldn't cut the mustard in a cut scene from Gears of War. Steppenwolf is bent on reuniting three powerful Mother Boxes, magic cubes which, when combined, permit him to reshape any planet to resemble his barren home-world. The origins and power of these otherworldly McGuffins actually offers an enticing mystery to be solved in the film's early stages – which is why it's so disappointing when it's all explained away in a single expository scene. The same applies to each of the film's new heroes. Aquaman (Jason Momoa) and Cyborg (Ray Fisher) arrive with such little fanfare or backstory that even comic book fans already in the know may end up feeling robbed. The exception is The Flash, who imbues the franchise with a long-overdue dose of comedy. The character, as played by Miller, is endearingly awkward, enthusiastic yet timid, and note-perfect in his fanboying around the other superheroes. Likewise, his action sequences are thrilling, amusing and innovative in what is otherwise a highly derivative film. Perhaps the most egregious failing of Justice League, however, is its treatment of Batman. Weary, joyless and stammering, Affleck's Dark Knight acts more like a corporate recruiter than a caped crusader. A joke about his powers stemming from his wealth might get a laugh, but it also wholly undermines what makes the Batman character so compelling: a mortal, unexceptional being who still proves himself capable of holding his own in a world of gods and monsters thanks to his intelligence, discipline and unassailable belief in justice. In Justice League he spends most of the fights on the periphery, and quite often on his back; the superhero version of Lethal Weapon's Danny Glover complaining of being too old for this shit. It's a sad relegation for such a DC icon and speaks volumes as to how mishandled this franchise has been from the moment Christopher Nolan (The Dark Knight trilogy) handed over the reigns. https://www.youtube.com/watch?v=OiAmnKUaNmc
Snuff Puppets have quite literally created a monster. After trialling the idea in 2012, launching a successful crowdfunding campaign, and working tirelessly on perfecting giant eyeballs and getting lost in gargantuan mounds of intertwining intestines, this local puppet company have finally created Everybody. Measuring in at a staggering 26.5 metres, this terrifying creature is in fact the world's largest human puppet. And, from December 4-6, he'll be staggering around Testing Grounds at Southbank to greet happy-go-lucky art lovers and hoards of traumatised tourists. Though his size makes it seem impossible, he will move around just like any other puppet — operated by a skilled team of puppeteers. Unlike every other puppet, he doesn't necessarily stay in one piece. Audience members are encouraged to play rough with him; most of his body part and organs easily break away from his body. "Everyone is a grand experiment, a manifestation, celebration and liberation," says artistic director Andy Freer. "I wanted to experiment with the theatre of the human body, the drama, the metaphor and the magic." And, with brains raining down on you from the giant puppet overlord roaming the streets, it's safe to say there'll be no shortage of fun either. If you miss Everybody this time around, it will also be showing as part of next year's Summersalt Festival. Image: Ponch Hawkes.
Well it sounded promising. I’ll go one further, PROMPTER sounded exciting. You’ve got this out-there, experimental, multidisciplinary dance/theatre/activist company (that’s Perth’s Hydra Poesis) producing a show about online news media that’s been scripted by an actual journalist (that’s Monocle’s Australasian correspondent Patrick Pittman) and performed not just by actors on stage but by performers all around the world streaming in by internet. That’s got to be amazing, right? Even if it fails, it will at least be an interesting experiment, right? Right? Perhaps the idea of combining these elements was too full of promise for any actual show to live up to the expectation but, even allowing for this, PROMPTER is a remarkably drab theatrical experience. The story centres around an obscure fictional island which is struck by a never specified cataclysm. For some reason people around the world are invested enough in this turn of events that they go psychotic as a result. At least we’re told they go psychotic, what we see is a few people jiggle briefly. Then a couple have a tiff over the internet and some soldiers delivering aid supplies shoot some civilians, because, well, that’s just what soldiers do, at least in the histrionic world of PROMPTER. Ah well, comprehensibility of plot is not essential to enjoy experimental theatre but the performance is also a flat-out fizzle. For all the promise of multidisciplinary approach, the show has very little physical performance, dance or anything other than big slabs of monologue. It’s dreary monologue, too, thick with uninteresting details about the imaginary setting or raging with outrage about the unconvincing series of events that happens there. While the script is clearly aiming to make a statement about the media, it is too heavily laden with contrivance and conceit to deliver a meaningful message. That the monologues are mostly delivered to on-stage cameras and the video displayed, as if televised, on large overhead screens, adds little to the audience experience. If anything, the fact that the actors are almost always working in effective isolation drains much needed vitality from the performances. Likewise, the contribution from the online performers, while intriguing as a concept, brings little to the show. They seldom have anything to do other than watch blankly and their rare actions have almost no bearing on anything on stage. The show comes with many technological trappings, from actors interacting via portable monitors to projections on a billowing inflatable screen, but it all feels like effort that's been put in the wrong places. PROMPTER takes itself tremendously seriously but at no point do the audience have reason to care about any of it. We have no point of connection to the characters, they have little connection to each other and the events have little connection to reality. The cast all seem like decent performers but they look bored and exhausted, as well they might. Logistically PROMPTER must have been complex to set up, but to watch it is like typing 'paint drying' into YouTube and then being expected to be shocked by what you see. A lot's gone into making this show, but little has come out for an audience to enjoy.
The pursuit of the American Dream at any cost has long been a fertile device for screenwriters. Just recently, both American Hustle and The Wolf of Wall Street showcased the extraordinary true stories of money-hungry shysters determined to rise above their humble or inauspicious beginnings, no matter the consequences. Similarly, Margin Call and The Big Short offered portraits of success attained by comparably distasteful (if rather more legitimate) means. In the context of these films, Gold, by writer-director Stephen Gaghan falls somewhere in between. Based on the real life events of the 1990s Bre-X Minerals fiasco, the film chronicles the rise and fall of a simple American prospector turned overnight millionaire named Kenny Wells (Matthew McConaughey). Balding, overweight and down to his last dime, Kenny's a third generation mining prospector staving off foreclosure of his family business, a predicament that renders him more than willing to embrace all that wealth and power can provide once they're suddenly within his grasp. Where the film departs from the norm, at least notionally, is that Kenny always maintains that his drive and determination is grounded in the discovery of gold, not the money that it provides. Gold hence finds itself in the peculiar position of framing the story as one of 'us versus them' in which both the us (simple prospectors) and them (hedge fund managers and mining companies) are ludicrously wealthy. Money itself is not the point of distinction but rather how that money was acquired: 'dirt in the nails grit' versus 'manhattan investment', so to speak. McConaughey delivers a committed and captivating performance; one for which he gained a full 18kgs to ensure his sizeable beer gut required neither special effects nor prosthetics. Gripped by a fever determined to kill him, and grappling with a Hail Mary mining prospect in the jungles of Indonesia that refuses to yield even a hint of gilded hope, McConaughey's performance oozes doggedness and desperation in equal measures. Opposite him, Édgar Ramírez puts in a far more reserved turn as Wells' geologist and business partner Michael Acosta. Together they make a likeable duo, and it's a crying shame how little of the film Ramírez actually occupies. Unfortunately, despite the fine work of the cast, Gold feels like a story unsure of how best to be told, flicking between Scorsese-esque drama and quirky irreverence. None of the characters feel entirely fleshed out, and are instead presented more like passengers on a plot line that prioritises events over individuals. The movie's eventual 'twist', meanwhile, is legitimately surprising to those unfamiliar with the Bre-X story, however its reveal so close to the end renders the remaining few minutes far too rushed to sufficiently deal with its impact and implications. https://www.youtube.com/watch?v=gdLXPv5NsA4
Enough of the Dan Brown franchise. It was fun while the going was good, but, please…no more. The original film, The Da Vinci Code, ended up being surprisingly watchable, with director Ron Howard combining rollicking pace and genuine intrigue to keep audiences' hearts pumping from go to woe. Even the sequel, Angels and Demons, proved solid enough, albeit a film distinguishable from its predecessor more by scale than originality. By Inferno, however, it's more than clear that the well has truly run dry. Again we find our hero Robert Langdon (Tom Hanks) in Italy, accompanied by a much younger female companion (Felicity Jones). Together they solve riddles and anagrams as they scramble from monument to monument, whilst dodging assassins from a mysterious organisation and passing implausibly through both heavy security and lines of queueing tourists. It's Dante this time, not Da Vinci, but the rest feels far, far too familiar. Even the film's ticking time bomb is again an actual time bomb, with only its contents (a world-destroying virus instead of anti-matter) being the point of differentiation. Hanks, fresh off his fantastic work in Sully, oscillates between looking bored, tired and confused – and not just because the script calls for it. The rest of the cast, meanwhile, seems far too blasé for a group possessed of the knowledge that the end of the world may be just a few short hours away. So are there any redeeming features? No, not really, although the film does raise one interesting idea: international audio guides for tourists narrated by Academy Award winner Tom Hanks. The only moments of note in the movie are those where, once again, Hanks's character offers clumsily inserted pieces of historical trivia into the narrative. They're crow-barred in, but remain undeniably interesting, and when coupled with Hanks' avuncular tone you can't help but indulge in the ad hoc history lessons. If Ron Howard needs a new project, we'd suggest just strapping a go-pro to his favourite leading man and letting him roam wild in the galleries and gardens of the world's grandest estates, pointing out tidbits and factoids as they arise. https://www.youtube.com/watch?v=RH2BD49sEZI
The team behind The Legend of Tarzan has done something very interesting with their film. Rather than simply giving us another version of the boy becomes man, man becomes hero, hero becomes legend tale, the film plays out much more like the final instalment of a trilogy, in which its hero's days of daring and valour are already all but behind him. Not unlike the bearded and beleaguered Bruce Wayne of Christopher Nolan's The Dark Knight Rises, Tarzan (Alexander Skarsgård) is, at the start of this story, Tarzan no more. Seated opposite the British Prime Minister in his most fashionable three-piece, the iconic jungle man now lives a secluded life in his remote castle and goes by his rightful birth name and title: John Clayton, Viscount of Greystoke, Member of the House of Lords. That introduction alone gives The Legend of Tarzan a more complex and compelling platform from which to launch its story than many of its superhero contemporaries, whose protagonists consistently flounder and fall for lack of any clear-cut motivation other than generally being super. In this instance, it's the suspicion of slave trading in the Congo that compels Tarzan to resume his moniker and return to his beloved Africa, along with his wife Jane (Margot Robbie) and the real-life American Civil War hero turned politician and lawyer George Washington Williams (Samuel L Jackson). This undercurrent of slavery, along with allusions to ivory trading and ethnic cleansing, all serve to ground The Legend of Tarzan in something more than unadulterated comic book fun. The result is a superhero movie with a social conscience that continually flits in and out of getting the balance right. In the titular role, Skarsgård looks every bit the part. With his flowing blond locks and unreasonably buff physique, you could comfortably sell just about any cologne or luxury watch simply by placing its logo on top of him and gently whispering its name. For a role so ridiculous (and truly, a man raised by gorillas who commutes via jungle vine is about as ridiculous as it gets), Skarsgård does an extraordinary job of keeping the audience's disbelief at bay. His dialogue is sensibly sparse, opting instead to speak through impressively expressive eyes and CGI-heavy action that's not nearly as awful as the early trailers made out. Opposite him in the role of the villain, Christopher Waltz (Inglorious Bastards) again offers up his signature cocktail of eloquent menace paired with a spine-chilling grin. In truth it's a more nuanced and credible performance than his turn as Bond's arch-nemesis in last year's Spectre. Robbie, too, puts in a charming turn as Tarzan's wife Jane, yet despite every effort to establish her character's strength, courage and independence, she still ends up very much on the sidelines; an underutilized spectator to the action rather than an active participant. In all, critics have been quick to condemn The Legend of Tarzan for both its hobbled story and themes, asking what place such an antiquated tale has in the modern world. Well the answer is 'fun', which the film most definitely is. Yes, the action is scattershot and often feels hurried, which is why its strongest scenes are also its most subtle ones – be they fireside singalongs, candlelit dinners or silent interactions with the jungle's magnificent creatures. The Legend of Tarzan could very easily have ended up another Lone Ranger-style disaster. Instead, director David Yates has managed to orchestrate an old-school adventure with an unshrinking social conscience. It's far from perfect, but it's darned good fun. https://www.youtube.com/watch?v=Aj7ty6sViiU
It was the early 1950s when the world got its first glimpse of Andrew Geller's holiday home designs. On the beach and full of light, Geller's unique homes were created to serve one purpose: an escape. Nicknamed 'the architect of happiness', Geller left behind a legacy of beautiful beach-dwelling designs. Holiday houses hold a special place in the heart of peace-seekers and sun-worshippers. Andrew Geller dedicated most of his career to making that place of relaxation and sunshine just right. His homes are considered modest but distinctive. Popping out of dune grass in interesting wooden shapes, Geller's work reflects his creativity and desire to create useful designs. Many of his designs have fallen victim to reconstruction and the test of time. And though he passed recently, Geller's iconic designs live on through memories and photographs of homes once filled with laugher and sandy feet.
The shock of unkempt hair, the Irish brogue, the misanthropic attitude: there's no mistaking Dylan Moran for anyone else. It was true in beloved British sitcom Black Books, when his on-screen alter ego abhorred mornings, ate coasters and claimed that his oven could cook anything (even belts). And it's definitely true of the comedian's acerbically hilarious live shows. Moran is no stranger to Australia, and last headed our way in 2019. Whether you've guffawed at his bleak wit live or you've always wanted to, you'll be able to see him on Saturday, May 8, too — thanks to a streamed version of his Brisbane show from his last visit. Expect the kind of deadpan gags, wine-soaked insights and blisteringly sharp one-liners that've kept him in the spotlight since 1996, when he became the youngest-ever winner of the Edinburgh Fringe's Perrier Award. Dr Cosmos once again features Moran's grumpily lyrical musings on love, politics, misery and the everyday absurdities of life, which you can watch for $18 from your couch. https://www.youtube.com/watch?v=FMfRpM5PJRw
If you're walking through the aisles of raw meat, cheese slabs and miscellaneous Aussie paraphernalia at the Queen Victoria Market in June and happen to think 'gee, I could really do with some truffles', there's a chance you might be in luck. On the third weekend of the month, the market will host the Truffle Melbourne Festival. No longer just the terrain of your posh great aunt and people at fancy French restaurants, truffles are more accessible that ever (albeit, with a price tag). The Truffle Melbourne Festival has been the biggest event on the truffle calendar for the last four years, and after initially starting out at Prahran Market, it's returning to the Queen Vic Market for the second time — for two days on June 16 and 17. The free-to-attend festival will see live chef demos and all the truffle-related produce for sale you could think of, including truffle raclette, truffle pizzas, a truffle mac 'n' cheese doughnut, truffle beer, truffle sparkling and truffle cocktails. There'll also be sampling and tastings to be had — we'd be making the most of that.
Summer in Melbourne means plenty of sunshine, temperatures reaching the 40-degree mark more than once, and everyone — and we mean everyone — complaining about the heat. It also means busy times at every air-conditioned hangout and refreshing body of water in sight. If the latter is your preferred method of keeping cool, then add the city's newest attraction to your must-visit list: an outdoor heated wave pool. The latest addition to Funfields in Whittlesea, the wave-filled space is called Volcano Beach — and the South Pacific-inspired spot not only holds more than 1.5 million litres of water, but also pumps out waves of up to one metre in height. Now open after being under construction since February 2018, the new place for a dip promises the bobbing and bouncing that comes with a dip in the ocean, just without actually getting into the ocean. Basically, if you like swimming in the surf but don't like the sea itself, then you're in luck. While the heated aspect of the pool might seem redundant at this time of year, the ability to turn the temperature up does mean that you'll still be able to splash around when the weather is cooler. Volcano Beach also features a wading area if you've got any kids in tow, plus sun lounge and relaxation zones. Fancy lazing around between dips? You can also hire poolside cabanas. Volcano Beach joins Funfields' three huge waterslides — including a super-long 137-metre slide — as well as its 21 other rides. And while the attraction might mark the city and state's first outdoor heated wave pool, it's just ahead of the tide in this particular watery arena. Urban surf park URBNSURF is also in the works, and is slated to open at Tullamarine this year. Find Funfields at 2365 Plenty Road, Whittlesea, and visit the theme park's website for further details.
Empire of the Sun are back, proving that video making is still an art; Owl Eyes are telling golden lies; and Bastille are taking full advantage of the acoustics properties of a museum corner to give you the perfect Sunday song. 1. 'ALIVE' - EMPIRE OF THE SUN Empire of the Sun dropped their much-awaited new track 'Alive' just the other week. Tuesday saw the release of the accompanying video, and the apt word is wow. It almost looks like a futuristic Game of Thrones scene and it proves that Luke Steele and Nick Littlemore just know how to do epic. They also prove that despite the dwindling numbers tuning into MTV, the music video is still a valid art form. It also helps that the track is incredibly catchy. We should give a warm welcome back to the absurdly dressed duo. 2. 'GET LUCKY' - DAUGHTER And so the covers of the best song so far this year begin. Daft Punk's heralded return track has been covered here by brooding British band and anticipated Splendour act Daughter and is a surprisingly excellent cover, perhaps because they have taken such a different path to the French gods of electronica. Hopefully any other covers that follow are up to this quality. 3. 'YOUNG & BEAUTIFUL' - LANA DEL REY Anything to do with the upcoming movie The Great Gatsby gets me excited, mainly as everything is so secretive. The soundtrack is promising to be as epic as the film itself, with Jay-Z, Florence and the Machine and Sia just some of the artists who recorded for the film. For a long time we only heard snippets of sound, but now full tracks are starting to leak out. Lana Del Rey dropped this treat and, like all things Gatsby, it is suspenseful, epic and beautiful. Enjoy at will. 4. 'GOLDEN LIES' - OWL EYES Owl Eyes are telling us golden lies and I don't mind what truth they are covering up so long as it keeps sounding as good as this. 'Golden Lies' is one of the twelve dance-inducing tracks from Nightswim, Owl Eyes' debut album released just last week. Do yourself a favour and put this on repeat. 5. 'POMPEII' - BASTILLE These British boys were invited to perform 'Pompeii' at the opening of the British Museum's Pompeii exhibit, and we should all be very glad that Bastille accepted, as it turns out that the corner of a museum is the perfect place for a haunting voice, a guitar and three pairs of hands percussively beating thighs to make perfectly serendipitous music. Excellent for that relaxing Sunday afternoon.
Embrace the icy weather at Madame Brussels Lane, which, for the fifth year running, will transform itself into a bustling European-style night market each Friday in July. Inspired by the picturesque Christmas markets in places like Germany, Austria, Switzerland and the UK, the market will feature some of Melbourne's most decadent food vendors, serving tasty European goodies to warm your insides and satisfy your sweet tooth. Kicking off on July 6, there'll be a selection of European eats to keep you warm from 5–9pm. You can expect everything cheesy — from raclette scraped on top of potato and charcuterie to pasta straight from the cheese wheel and cheese boards— to Bavarian snacks like pretzels and sausages. There will even be gluten-free cannoli for dessert. That's in addition to the live music and entertainment, and, of course, many, many mugs of piping hot mulled wine and warm spiced rum. Short of actually taking a holiday to Europe, this is a pretty great way to finish a frosty working week.
Patience is rewarded in this latest Hollywood take on the Godzilla tale, with the eponymous giant taking almost an hour before his first appearance. It is, if you'll permit, a case of 'Waiting for Godzilla', and the eventual reveal is a genuine delight. The film begins in 1999, where a series of sudden and inexplicable catastrophes — most notably the collapse of a Japanese nuclear facility — are categorised as 'natural disasters' and dismissed, leaving in their wake unanswered questions and shattered lives. Among those affected is nuclear engineer Joe Brody (Bryan Cranston), along with his wife, Sandra (Juliette Binoche), and his son Ford (Kick-Ass's Aaron Taylor-Johnson). Joe refuses to accept the official line, and — as his obsession grows — he soon becomes both an outcast and absentee father as he embarks upon a one-man crusade to discover the truth. Fast-forward, then, to the present day where, to Joe's horror, the same seismic anomalies that preceded the last disaster suddenly recommence. It's a slow burn kept alive almost entirely courtesy of Cranston and Binoche, but one whose dramatic ignition comes with the full force of a 3D IMAX experience. It's also a pleasant surprise, because the creature awakened is not Godzilla. It is, rather, a MUTO — or Massive Unidentified Terrestrial Organism — perhaps best likened to a 300ft cockroach possessed of electromagnetic pulses and an appetite for radioactive materials. He'd be the solution to so many of earth's environmental concerns, were it not for his complete disregard for buildings or the earthlings inside them. What, then, of Godzilla? Instead of acting as the film's traditional villain, he is something more transcendent — an ancient, imposing yet graceful leviathan whose place on this earth is, seemingly, to ensure its equilibrium. With a design aesthetic far more aligned with the original Godzilla of 1954, he is truly awesome in scale and defined most crucially by his iconic scream (a two-part, roar-and-rumble experience created first by leaving dry ice to sublimate on a metal vent, then dragging a giant wooden crate across a polished floor). Sound is, in fact, the star of this film, with utterly rib-rattling resonance an almost constant companion throughout. It is, in short, a silly but fun film whose human characters are wholly tangential to its CGI stars. With a cast that also boasts the largely underused Ken Watanabe, Elizabeth Olsen and David Strathairn, the decision to entrust its least recognisable and accomplished actor with the lion's share of screen time is a curious misstep, and despite all the MUTO's menace, the most ominous element in Godzilla remains its opening titles and their use of archival nuclear test footage. In a film centred around the destructive power of giant monsters, nothing manages to quite live up to the terror and devastation reminded to us in those few, opening seconds. It is a nuclear device, too, that provides the film with its greatest source of tension in the climax. Still, it's nice to have Godzilla back in our lives after 1998's disappointing attempt, and, as far as blockbusters go, this has almost everything you're looking for. https://youtube.com/watch?v=vIu85WQTPRc
Unlike the movie, we'll keep this short and to the point. A Million Ways To Die In The West is not a good film. Not unless, that is, you're a 15-year-old boy, in which case, it's the best goddam movie you've ever goddam seen! Consider the ingredients. This is 116 minutes of hot girls talking about sex and their 'great tits', fart sound effects aplenty, semen finding its way onto faces, characters swearing like it's going out of style and Neil Patrick Harris's character emptying his gastro-afflicted bowels into a stranger's hat for a full 45 seconds, before then farting some more and repeating the deed into another man's hat. Soiler Alert: he then kicks it over so that you get to see the liquid faeces in all its comedic glory. The man behind it all is Family Guy creator Seth MacFarlane, whose voice is the median strip between Brian and Peter Griffin, and whose last (and first) film Ted was a surprise hit. Here, he's upped his involvement. A lot. MacFarlane wrote, directed, produced and starred in A Million Ways To Die in the West, and to say he's overreaching is beyond generous. This is pure self-indulgence, particularly given the extraordinary amount of screen time he occupies despite having a top-shelf cast around him (Liam Neeson, Charlize Theron, Giovanni Ribisi, Sarah Silverman, Amanda Seyfried and, of course, Doogie). The most frustrating thing is that scattered throughout the film are pockets of oustanding comedy. Early on, MacFarlane and Ribisi 'assume the position' and pretend to fight during a bar brawl so as to discourage anyone else from coming their way in what is a terrific moment, and a recurring gag about nobody smiling in the newly invented 'photo' experience is as amusing as it is astute. The problem is, these moments are so scarce than can be counted on one hand. Like, a leprous hand...with two fingers, and maybe a thumb stub. There's no denying MacFarlane's talents, but here they were stretched beyond their means. The supporting cast does its best to do exactly that, but can do only so much with so little screen time and a script that requires more cursing than acting. Again, this is not a good film. Save your money — even if you're a 15-year-old boy. https://youtube.com/watch?v=2sOa-2EhbTU
In 2004, Denzel Washington starred in Man On Fire, a violent action thriller about an ex-special forces loner named John who establishes a special bond with a young blonde girl and then embarks upon an uncompromising vengeful rampage against a cartel that assaults her. His latest film The Equalizer is entirely different in that his character's name is now Robert. Not that there's anything wrong with typecasting yourself every now and then, especially in this genre. Liam Neeson's practically become a synonym for 'gruff vigilante', though when Denzel busts out his busting chops, he's as good as anyone at rocking the unflappable one-man-army vibe. In The Equalizer, the unfortunate recipients of Robert's wrath are a gang of Russian mobsters, who he coolly dispatches in a Sherlock Holmes-esque sequence of blow-by-blow preemption. That enrages their Moscow-based kingpin, who orders his 'fixer' (Marton Csokas) to track him down and restore order. Instead, Robert begins to singlehandedly dismantle every tier of the crime lord's operations. It's bloody, violent and wildly implausible, yet — like so many of these recent vigilante flicks — also largely satisfying. The Equalizer was directed by Antoine Fuqua, whose previous collaboration with Washington in Training Day garnered two Academy Awards. While his leading man has lost none of the cool that made his turn in Training Day such a powerhouse performance, what's lacking this time round is tension. Robert is simply too good at kicking arse, thereby making The Equalizer a victim of the 'Superman zone' wherein a character's ostensible invulnerability robs the film of any suspense. It's a solid action film, but without at least a hint of peril for the main man, you're left feeling like you just saw a superhero movie minus the superpowers. https://youtube.com/watch?v=64QGV7bf3hE
Take the rocky road down to the Yarra Valley or the Great Ocean Road and get ready to stuff your face. Yes, the fiends behind the annual month-long sugar extravaganza are taking your tastebuds on a trip all over again, with sweet, nutty, marshmallowy rocky road in the spotlight. By the way, to any dentists who are reading, go ahead and put down a deposit on that beach house you were looking at. We have a feeling your financial situation is going to be juuuuuuuuust fine. The Rocky Road Festival of Flavours will run through the entire month of May — and this time round it's taking place at two chocolateries: in Yarra Glen and Bellbrae. That's 31 days, which means 31 different flavours. And it doesn't just stop at blocks and bars, either. There'll also be rocky road hot chocolate, rocky road ice cream, rocky road waffles and rocky road croissants too. Both chocolateries will also be hosting Rock Around the Block tasting sessions throughout the day and on weekends, which can be booked via their website. You will need to book tasting sessions at the venues — check out times for the Yarra Valley and the Great Ocean Road.
Just when you thought one night stands couldn’t get any more awkward, Oz outfit Unhappen arrive at the Fringe to present the Melbourne premiere of Rob Hayes’ Awkward Conversations With Animals I’ve Fucked. Unlike some of the more esoterically-titled offerings in the festival, here what you see is what you get. In a series of connected monologues, Bobby speaks to a succession of cuddly critters — from the domestic to the exotic — that have all been the object of his affection. Awkward Conversations is billed as a dark comedy, but the groundswell of critical favour that surrounded its first outing in Hayes’ native England speaks to the work’s deeper layers of meaning and sophistication. While the subject matter is fertile ground for crude humour, it’s also a situation that allows the writer to explore complex issues involving consent, zoophilia, and the role that sexual identity can play in isolating individuals from society.
Two Sci-fi fans have taken their excitement at the release of the new Tron: Legacy film to the next level. Drawing inspiration from the film's nightclub scene, Brits Ben Rousseau and architect Ian Douglas-Jones have toiled under freezing conditions to create the Legacy of the River suite at Sweden's Icehotel. The futuristic light installation is just one of several art suites at the hotel. Literally the coolest hotel in the world, Icehotel is no Travelodge. An annual fixture in the Swedish town of Jukkasjärvi situated 200km north of the Arctic Circle, the site stands vacant through summer. But as soon as winter starts to push temperatures below zero, a bunch of artistic little elves from all over the world get to work. Using only frozen water from the Torne River, they create this spectacular, functional ice sculpture with a different twist each year. Meanwhile in sunnier Sydney, the rest of us are still counting down the days to the Australian release of the Tron: Legacy film on 16th December. The sequel to the 1982 classic Tron has already been elevated to cult status, featuring cutting edge futuristic special effects and an electro-freaky soundtrack by cult French artistes Daft Punk. [via Wired]
Elisabeth Moss has been on our screens for more than three decades, dating back to when she was just eight years old — and she's amassed an enviable resume that spans everything from The West Wing and Mad Men through to Girl, Interrupted and The French Dispatch over that time. But of late, from Jane Campion's Top of the Lake onwards, the two-time Emmy-winner has been loving thrillers. So, it should come as no surprise that her latest series falls firmly within the genre. Joining Moss' resume after The Handmaid's Tale, Queen of Earth, High-Rise, Us, Shirley and The Invisible Man, Shining Girls sees the acclaimed actor play the victim of a violent attack — a traumatic assault that saw her character, Kirby Mazrachi, put her plans to be a journalist on hold. Now, she's a newspaper archivist in Chicago, but her old terrors and dreams both get pushed to the fore when she hears about a new murder with similarities to her own incident. Soon, she's teaming up with experienced reporter Dan Velazquez (Wagner Moura, Narcos) to hunt down the culprit. That's just part of the new Apple TV+ show's setup, however. Also a key aspect of the story, as the just-dropped trailer shows: a blurring of reality, which unsurprisingly gets in the way of Kirby's quest. In the first sneak peek, she thinks she has a cat, then suddenly she has a pet dog instead — and that's just the beginning of the tale's mind-bending chaos. Where the show goes from there will start to be revealed from Friday, April 29, with the first three episodes dropping all at once, then future instalments arriving weekly. And if it all sounds familiar, that's probably because you've read Lauren Beukes' best-selling novel of the same name. Moss executive produces as well, and is also joined on-screen by Phillipa Soo (Hamilton), Amy Brenneman (Goliath) and Jamie Bell (Rocketman). Of course, the latter has been part of the film and TV landscape since he was a kid, too. Here, though, in a trailer that's both twisty and eerie — and instantly gripping — he looks worlds removed from Billy Elliott. Been obsessing over Apple TV+'s exceptional Severance lately? This might help fill the gap when its first season wraps up. And, obviously, it'll help tide you over until Moss' The Handmaid's Tale comes back as well. Check out the trailer for Shining Girls below: Shining Girls will start streaming Down Under via Apple TV+ on Friday, April 29.
For four days now, Victoria has been in lockdown as part of the state's latest effort to stop the spread of COVID-19. The stay-at-home period was due to run for five days, starting at 11.59pm on Thursday, July 15 and ending at 11.59pm on Tuesday, July 20; however, Premier Daniel Andrews has announced that it'll be continuing past that initial end date. At the state's daily press conference today, Monday, July 19, the Premier said that "these restrictions simply cannot end at midnight tomorrow night". He continued: "we are running alongside this virus, but we are not yet out in front of it. If you think about it like a fire, we have a containment line and are making significant progress but it is not out yet. What we know with Delta is an hour is like a day and day is like a week in some ways — it is moving so fast." The plan, the Premier advised, is to be able to reopen after this lockdown and stay open — which is why the state won't be able to ease its stay-at-home conditions on Tuesday, July 20. "It would be perhaps a few days of sunshine, and then there's a very high chance we'd be back in lockdown again. That's what I'm trying to avoid," he said. At this stage, the Premier isn't able to advise how much longer the lockdown will run, or what the exact conditions will be. Andrews announced that he hopes to be able to provide that information by this time tomorrow. Victoria currently has 81 active COVID-19 cases, including 13 new locally acquired cases identified in the 24 hours to midnight last night. https://twitter.com/VicGovDH/status/1416886071955128320 At the moment, as under past Victorian lockdowns — including the last one before this back in May and June — the state's residents can only leave home for five reasons: shopping for what you need, when you need it; caregiving and compassionate reasons; essential work or permitted eduction that can't be done from home; exercise; and getting vaccinated against COVID-19. Exercise must be limited to two hours a day with your household members, your intimate partner or one other person who is not from your household or your partner. Once again, though, Victorians must stay within five kilometres of their homes, unless you're leaving for permitted work or you're shopping for essentials if there are no shops in your radius. Masks are also mandatory everywhere outside of your home — and private gatherings are banned, as are public gatherings. But, while you can't have any visitors enter your home in general, there are single bubbles, and intimate partner visits are allowed. So, if you live alone, you can form a bubble with another person or see your other half. Weddings are not permitted, unless on compassionate grounds, while funerals are limited to ten. Hairdressing and beauty services, indoor physical recreation and sport venues, swimming pools, community facilities including libraries, entertainment venues and non-essential retail venues remain closed — and hospitality venues have reverted back to takeaway-only. Supermarkets, bottle shops and pharmacies are still open — and professional sports can proceed, but without crowds. Victoria will not leave its current lockdown after five days, on Tuesday, July 20, with further details to be announced on that date. For more information about the rules in place at the moment, head to the Victorian Department of Health website.
Your novelty festival gumboots are going to get a big ol' workout this summer. Returning for its fourth year to the banks of the Murray River at Echuca-Moama, Riverboats Music Festival has announced their 2015 lineup — with Sarah Blasko, Dan Sultan and Tex Perkins at the top. One of Australia's most laidback riverside festivals just 2.5 hours from Melbourne, Riverboats is a three-day camping, indulging and dancing affair running February 13–15. Melbourne's Dan Sultan and Sydney's Sarah Blasko headline a super rootsy local lineup: Tex Perkins and The Dark Horses will showcase their new album, legendary Sydneysiders The Whitlams follow up their 2013 sold-out national orchestra tour while unmissable festival favourites The Bamboos are sure to be a Riverboats highlight. Also on the Australian artist-only bill is Adalita, Mick Harvey, Diesel, Fraser A Gorman, Matt Walker and The Lost Ragas, Sal Kimber and The Rollin' Wheel, Stella Angelico and The Switch and Raised by Eagles. Snuggled within the natural amphitheatre of Echuca's Aquatic Reserve, Riverboats is one of the Murray River's most anticipated music festivals. Festival producer David Frazer sees the event as a more chilled-out alternative for festival enthusiasts and hardcore foodies alike. "Riverboats provides festival-goers with an opportunity to experience a truly beautiful part of Australia without the queues, ticket prices and hassle of larger events," he says. "We are particularly proud of the fact Riverboats has remained boutique in both its size and philosophy, yet continues to attracts artists of the calibre of Dan Sultan, Sarah Blasko, Tex Perkins and the Whitlams." Riverboats isn't contained to the river bank; there's also a bunch of side quests you can buy tickets for alongside the main festival. If you're keen to get entirely thematic with the festival's name, punters can hop on a two-hour river cruise aboard a century-old paddle steamer — with locally-sourced brunch and live music from Sal Kimber and The Rollin' Wheel. One of the best (and tastiest) bits of Riverboats will also return for another year: the Beechworth Bakery will host Sunday's Official Festival Breakfast on the top floor of their bakery with a live set from alt-country Melburnians Raised by Eagles. Break out the picnic rugs and cheese platters, Riverboats is a solid summer option for punters wanting the camping music festival experience without the drunken drongos. RIVERBOATS MUSIC FESTIVAL 2015 DATES AND LINEUP: FRIDAY 13 FEBRUARY Raised by Eagles Stella Angelico and The Switch Diesel SATURDAY 14 FEBRUARY Fraser A. Gorman Mick Harvey The Whitlams Adalita The Bamboos Dan Sultan SUNDAY 15 FEBRUARY Sal Kimber and The Rollin’ Wheel Matt Walker and The Lost Ragas Tex Perkins and The Dark Horses Sarah Blasko Riverboats Music Festival runs February 13 - 15 at Echuca-Moama on the Murray River. Tickets are on sale now from the festival website or call the Echuca-Moama Visitor Information Centre on 1800 804 446. Images: Riverboat Music Festival.
With a new superhero movie hitting cinemas every month, or near enough, you can be forgiven for feeling a bit fatigued with the general premise. With box office domination comes more of the same; however the genre's popularity is also inspiring creative takes on the concept — and in the case of Brightburn, something dark and creepy. You mightn't recognise the movie's moniker, given that it stems from an original script rather than an existing comic book property, but Guardians of the Galaxy writer/director James Gunn is the producer's chair. The first release with his name on it after he was fired from the Marvel franchise earlier this year, it was written by his brother Brian and cousin Mark. Brightburn also features a cast led by Elizabeth Banks, who starred in Gunn's pre-Guardians horror flick Slither. Directed by David Yarovesky (who also has a Guardians credit, appearing on-screen as a goth ravager), the premise starts in familiar territory. A child from another world crashes to earth, and is taken in by a caring couple (Banks and The Office's David Denman). But before you start thinking about Superman, this is a horror movie — and it definitely doesn't feature the man of steel. Brightburn opens in Australian cinemas on May 23, 2019 — check out the trailer below. https://www.youtube.com/watch?v=8lCimwXO0-U&feature=youtu.be
For proof that Australia's cocktail game is world-class, look no further than the calibre of the international mixology stars lining up to play on our turf. In 2015, it was New York's famous speakeasy Please Don't Tell, taking over the bar at Fitzroy's acclaimed cocktail haunt The Black Pearl. Then Sydney Bar Week 2016 saw The Everleigh in Melbourne and Sydney's Henrietta Supper Club each play host to pop-ups by Asia's best bar, 28 Hongkong Street. Now it's time for one of the world's most famous hotel bars to make its way Down Under. The American Bar, which is located at London's Savoy Hotel, will take over The Black Pearl on October 15–16 and Darlinghurst's own cocktail gem Eau de Vie from October 18–19. As England's longest surviving cocktail bar, The American Bar has quite the pedigree — in the last year alone, it's scooped the title of Best Bar in Europe at the World's 50 Best Bars awards and seen its team voted Best International Bar Team by Tales of the Cocktail. Backed by the creators of local coffee liqueur Mr Black (who are behind the Espresso Martini Festival in Sydney and Melbourne), this Aussie adventure gives The American Bar the opportunity to showcase some of its own caffeinated mixology magic. At the helm will be senior bartender and World Coffee In Good Spirits champion Martin Hudak, as he treats local audiences to American Bar signatures like the Green Park, the Black Diamond and the Hanky Panky. It's not a ticketed event, so you'll have to be there when the doors open at 6pm each night for the best chance of scoring a seat. The American Bar takes over The Black Pearl, at 304 Brunswick Street, Fitzroy, from 6pm on Sunday, October 15 and Monday, October 16. Then, it'll land at Eau de Vie, 229 Darlinghurst Road, Darlinghurst, on Wednesday, October 18 and Thursday, October 19.
For the past five years, gin lovers across the country have tripped over themselves to get their spirit-loving fingers on a bottle of Four Pillars' Bloody Shiraz Gin — and that's before they've even had a sip of alcohol. The limited edition shiraz-infused concoction really is that good, so we thought you'd like to know that the next batch goes on sale on Saturday, July 4. If you haven't come across the gin before, it's basically what it says on the label: gin infused with shiraz grapes. This gives the spirit a brilliant deep cerise colour and some sweet undertones (without a higher sugar content). That, along with its higher alcoholic content — 37.8 percent, compared to an average 25 percent in regular sloe gin — makes the Bloody Shiraz Gin a near-perfect specimen. It can be used to make a G&T or in cocktails where you'd usually use your regular gin, but, if you're feeling craft, the Four Pillars team suggests making a Bloody & Lemon (pour 45 millilitres of shiraz gin and 100 of lemon bitter or lemon tonic over ice and garnish with a wedge of ruby grapefruit) or a Bloody Spritz (pour 30 millilitres of shiraz gin and 30 of ruby grapefruit juice into a champagne flute and top with sparkling wine). Four Pillars created the game-changing gin back in 2015 when it came into a 250-kilogram load of shiraz grapes from the Yarra Valley. Experimenting, the Victorian distillers then steeped the grapes in their high-proof dry gin for eight weeks before pressing the fruit and blending it with the gin, and hoping like hell it would turn out well. It did. This year — after selling 50 percent of the company to beer behemoth Lion last March — Four Pillars has acquired more grapes from other Victorian wine regions to make more of the gin than ever before. The gin will go on sale on Saturday, July 4 at selected bottle shops, in the Four Pillars online store, at its Yarra Valley distillery and at the new Four Pillars Laboratory in Sydney (where the bar will also be serving it in cocktails). If you're lucky, you'll also be able to find it served at bars around the country. Godspeed. The 2020 Four Pillars Bloody Shiraz Gin will go on sale around the country for on Saturday, July 4. Head to the Four Pillars website to buy a bottle.
"Never go back" should be the default mantra for any movie studio with a surprise hit on its books. Rare as it is to bottle lightning once, capturing it a second time is nigh on impossible – which is why the list of memorable sequels is usually countable on just one pair of hands. 2012's Jack Reacher was a better than expected offering from Paramount, combining top-notch action with a few well placed comedic beats. Unfortunately, it's part of a million-book series by author Lee Child, meaning that the moment it did decent business, a follow-up was all but inevitable.. Jack Reacher: Never Go Back sees Tom Cruise again assume the role of the celebrated soldier turned drifter with the habit of getting in trouble. This time around he finds himself coming to the aid of an army officer accused of espionage (played by How I Met Your Mother's Cobie Smulders). Everyone seems to want her dead, so the pair need to figure out who's behind the apparent setup before they're both executed by dogged assassins. An alternate name for the movie would be Cobie Smulders Gets To Run Alongside Tom Cruise: A Lot, because that constitutes a significant part of both the plot and the action. There are a couple of key problems with this film. Firstly, Cruise plays Reacher with preposterous amounts of simmering menace, something that proves entirely unnecessary given the character is already so ridiculously calm and capable against any number of threats. In the original movie they got the balance right – at times, Cruise even playfully gave advice to the people he was fighting. But here he just glares and threatens before beating everyone up, thereby robbing the film's action scenes of any personality. Apologists will say that's how Reacher is written, but even in the books he shows moments of dry wit amidst the bitterness. Secondly, there's very little here by way of interesting plot. It ultimately feels like a double episode of NCIS, only with even less action or intrigue. Add to that the frequent schmaltz, particularly between Reacher and a young girl whose life he saves, and you end up with a dull, predictable and corny piece of cinema that rolls back all the good work of its predecessor. https://www.youtube.com/watch?v=aoCP_JHzBUM
"This is the captain…brace for impact". Of all the awful things you could hear while flying – crying babies, drunken tourists, Adam Sandler Movie Marathons – none come close to those seven simple words uttered by US Airways pilot Chesley "Sully" Sullenberger on January 15, 2009. After hitting a flock of birds mere moments after takeoff that caused in a catastrophic and unprecedented dual engine failure, Sully and his co-pilot Jeff Skiles were forced to execute a note-perfect ditching of their aircraft on the Hudson River. Their heroics saved all 155 souls on board and turned Sully into an overnight sensation. Directed by Clint Eastwood, Sully is an examination of the man behind the so-called Miracle on the Hudson. As such, the film opts to focus almost entirely on the days that followed Sully's astounding water landing – including with the National Transportation Safety Board investigations and media frenzy it precipitated – rather than honing in on the crash itself. That's not to say Eastwood omits it entirely. The harrowing sequence, when it finally comes, is a gripping and well crafted as any seen in film. But by prolonging its delivery and focussing on the lesser known story, the veteran filmmaker delivers a far more engaging and balanced tale than the more conventional drama Sully might easily have become. In the title role, Tom Hanks brings understated grace and dignity , albeit in a performance far more clinical (even analytical) than we're used to. The style befits the protagonist, a man whose impossible levels of composure enabled him to do what had never been done before, and all with a calmness of voice that defies belief (if you've not heard the official cockpit recording, try to imagine saying "We may end up in the Hudson" with the same level of poise most people evince when ordering a pizza). Aaron Eckhart, meanwhile, puts in an endearing turn as Sully's faithful co-pilot, while a solid supporting cast including Laura Linney, Mike O'Malley, Anna Gunn and Jamey Sheridan ensure the script by Todd Komarnicki stays on the right side of schmaltz – no matter how close Eastwood veers towards its limits. There's no question that Sully is unashamedly sincere in its portrayal not just of the extraordinary pilots, but also their crew, the passengers, the air-traffic controllers and the selfless New Yorkers who raced to their rescue without a moment's hesitation. Thankfully, Eastwood is the master of underplayed tributes to everyday heroes, especially those who shy away from the very notion of their own valour. Few could be more humble, or deserving of such a treatment, than the man who gives this remarkable movie its name https://www.youtube.com/watch?v=mjKEXxO2KNE
New locally-focused bar Yarra Falls not only takes name and inspiration from the Yarra River/Birrarung; it's devoting its first booze takeover event to producers located along its watery reaches. Running Wednesday to Saturday nights, from July 6–16, River Weeks invites you to sip your way through a takeover showcase of locally-made goodies — from sherry-casked Napoleone cider, to Mac Forbes wine, to botanical-based delights from Melbourne Gin Company, to craft beers from Westside Ale Works. Pop by at your leisure to try drops like the IDA Pruul Wild Mango Sour, Mac Forbes' lush Big Willy nebbiolo, and even cocktails like the Greenstone, featuring gin, strawberry gum, green chartreuse and vermouth. To match, the usual menu of bites will be amped up to include a rotation of cheese from the Yarra Valley. What's more, you'll be drinking for a great cause. As part of Yarra Falls' commitment to the land that supplies all of its produce and libations, the bar's donating 7% of revenue from all River Weeks menu items to the Yarra Riverkeepers Association. You'll also have the chance to chat with some of the producers, with a series of evening Meet the Maker sessions. Catch the folks from Mac Forbes on July 6 and 7, Melbourne Gin Company and Marionette on July 8, Westside Aleworks and Ida Pruul on July 13, and Napoleone on July 14. [caption id="attachment_860277" align="alignnone" width="1920"] Yarra Falls' warm mulled cider[/caption]
Imperial is known around the Chapel Street traps for its high-calibre cocktails, especially those $20 fishbowls on Fridays, and its top-notch pizzas — the pickle-plenty reuben pizza will blow your mind. Now, the venue is expanding its offering and bringing a bottomless brunch into the mix. Yes, it seems the team have cottoned onto the trend of 2018 — and the fact that people really like boozy brunching — and will be running sessions every weekend. Moreover, this indulgent affair will only cost you one pineapple ($50). Melburnians, rejoice. With sessions starting from 10am, both Saturday and Sunday, the bottomless brunch includes a dish off the scrumptious brunch menu as well as two hours of beverages — ample time to drink your fair share of bubbles, beer and a cocktail, or two. Food-wise there are crème fraîche scrambled eggs with chives, smashed avo on toast with feta and buttermilk pancakes with seasonal fruit, mascarpone and berry coulis, to name but a few. Every kind of bruncher is catered for and each dish can be enjoyed at a leisurely pace in between sips. So, clear your calendar, grab your friends and get ready to eat and drink to your heart's content. You don't need an official reason — it's spring and you deserve a treat. Spots fill up fast, so it's best to book through Imperial's website. Happy brunching.
We know, we know — saving for a house is a top priority. But, look, splashing out occasionally doesn't make you 'naughty', it makes you human. You only live once, after all. We think every couple should do something extra special from time to time, which may involve spending a little more cash than you usually would. Don't worry, we won't judge; you work hard for your money. To help you formulate your next escapade, we've curated some epic money-can-buy date experiences, while our mates at CommBank have the money tips to help you live money smart when dating or coupled up. So, now you can treat yourself and save for the house. Win, win. Celebrate more big (or little) life moments together. Learn to budget as a couple and save for those special dates with these helpful tips from CommBank. [caption id="attachment_656745" align="alignnone" width="1920"] Brook James.[/caption] SIP CHAMPAGNE ON THE WATER If Bridget Jones's Diary taught us anything, it's that romance can bloom on the water, rowing is very romantic and Hugh Grant looks good in a wet shirt. But, we digress. Pick a sunny spring day, head to Fairfield Boathouse, hire out a rowboat and punt yourselves around on a body of water. When you get tired of rowing, just float around in a leisurely manner — but don't forget a hat (or parasol) if it's a sunny day. To top things off, pop into your local bottle-o before you jump on the water and pick up a bottle of Champagne, you're well worth the price tag. The 'gentleman's' rowing boats are $37 for the first hour and $7 for each hour after and if you need some inspiration of what Champagne to get, a bottle of fine Ruinart will set you back $136–540. EAT, DRINK AND SPA AT THE MORNINGTON PENINSULA For your next big luxe date, why not get out of the buzzing Melbourne metropolis? The Mornington Peninsula is a haven for food and wine enthusiasts and the perfect place to escape for the weekend. First, take your date to Laura in Merrick's Pt Leo Estate. This intimate fine diner boasts tasty set menus (from $120 a head without drinks) and an expansive open kitchen that's sure to impress. Then, walk off the multiple courses with a stroll around Pt Leo Estate's 50-piece sculpture garden — keep an eye out for the sculpture by famed Spanish artist Jaume Plensa that Laura is named after. Of course, no trip to the Mornington region is complete without hitting up Peninsula Hot Springs. After a big reno, it's ready and raring to pamper your indulging bodies. The private bathing package costs $120 per person and spa packages start at $150 per person. [caption id="attachment_618664" align="alignnone" width="1920"] The Craft and Co.[/caption] LEARN A NEW SKILL TOGETHER This one may take a little more time but it'll be worth it, you'll get the chance to spend some quality time with your partner and acquire a new skill. Self-improvement is a go. Pick something which you'll get pleasure — and tasty treats — out of, like learning how to brew beer (from $275 at The Public Brewery), make cheese ($95 at The Craft and Co.), butcher your own meat (from $310 with Cannings Free Range Butchers) or even DIY kombucha ($120 for two people with The Mighty Booch at Work-Shop) if you're really wanting to treat your insides. Work-Shop also has a variety of interesting courses that aren't food or drink related but are still hands-on; give the schedule a look, pick something that won't end in a couples spat and Bob's your uncle. SPEND THE NIGHT IN A FANCY TRAILER Correct, NOTEL is "not a hotel" and it demonstrates this by taking the form of six silver Airstream trailers sitting nice and shiny above Flinders Lane. Half boutique hotel, half trailer park, NOTEL will certainly offer the opportunity to spice things up in your relationship. There's nothing like 'exploring' a new place with your partner. The trailers are situated on top of a carpark roof, are genuine American Airstreams straight from the 70s and come fully equipped with bathroom facilities and all the usual mod cons. Make one of them your digs for a weekend (from $395 a night) and treat yourselves by eating your way up and down the food mecca that is Flinders Lane. The trailers might make it feel like you're in the desert somewhere in Arizona but, my, you sure won't be going hungry. HIRE OUT AN ENTIRE CINEMA If your date is a bona fide cinephile — the type that saw Call Me By Your Name five times in the cinema and cried every time — surprise them by renting out a whole movie theatre. Not only is it a grand romantic gesture but it will allow them to watch the entire movie in peace, something which all movie buffs love. Forget about annoying chats and rustling candy wrappers, it's just you two and the silver screen. Try hitting up your local arthouse cinema, like Cinema Nova, first, since some have 20 seats or less, for a more intimate setting. Once you've got the location sorted, grab your partner and all the obligatory snacks, then get ready for a night at the movies that you'll never forget. Private screenings start at $430.50 and private hire at $800 at Cinema Nova. If a splashy date just isn't on the cards, not to worry. Enter our comp and let us pick up the bill instead.
It's only been a few years since these legendary burgers have been on the scene, but Melbourne is well and truly in love. Such brioche. Many pickles. A quick bite at the delectable Huxtaburger will leave you feeling as full and gluttonous as if you've just binged on a large Big Mac meal, while leaving you quietly satisfied that it was a touch more gourmet. Now you can pair this tasty offering with your next favourite activity — a beer and a band at the Curtin. After expanding their flagship Smith Street store to the CBD and Prahran, the dudes behind Huxtaburger are now popping up at The John Curtin Hotel on Lygon Street from Wednesday, October 1. The legendary pub will be surrendering its kitchen to a rotating selection of local vendors, and the burgers will be available during lunch and dinner in the bandroom for at least the next six months. In a similar set up to their restaurants, there won't be any table service. It'll just be you milling around in the moshpit with a fistful of brioche and beef. Better yet, the owners have told Good Food that there's the option of this becoming a long-term thing. Plans to open a new Huxtaburger restaurant on Glenferrie Road in Hawthorn have hit delays, and the burger crew are open to new possibilities. If enough of you hit up the Curtin, there's the possibility of this magical thing lasting all summer. To celebrate this latest venture, the team are also introducing a new item to the menu. The Clair Burger — named after the sassy, smart mother of the Huxtable family, of course — will be filled with Southern-style fried chicken, slaw and jalapeno mayonnaise. We're not sure that the '80s sitcom mum would necessarily approve of such indulgence, but we're happy to eat it up in her honour regardless. The John Curtin Hotel is located at 29 Lygon Street, Carlton (near the corner of Victoria Street). Get along from Wednesday, October 1 to scoff some fried chicken on the dancefloor. Images: Huxtaburger.
A friend of mine works in an op shop. A proper one, not an overpriced 'vintage' one. A few months ago she showed up to the pub with a collection of books which had been donated, one of which was a colouring book for medical students, complete with every element of human anatomy you'd ever need to know. We sat tipsily entranced by the semi-coloured-in pictures of lungs and kidneys and feet, the outspread arms of nerve cells and the fragile spiderweb-like bone structure of the hand. Bodies are funny things. We're often quick to forget what's under the surface, what's holding us together and propelling us forward. Japanese illustrator Wataru Yoshida has recently captured this idea in a startlingly beautiful way, in a series of posters entitled Composition of Mammals. The images combine photographs of different mammals, including humans, overlaid with the ethereal shadows of their skeletons and vital organs. The series was created as part of an imaginary exhibition at the National Musuem of Nature and Science in Tokyo, aiming to show the mystery and fascination of how delicate even the strongest of bodies is when you peel back the skin. [Via Design Bloom]
The Bunnings sausage sizzle has become an Aussie institution, because shopping for hardware and snacking on a bread-wrapped snag somehow go hand-in-hand. It's a suburban mainstay, too; however, you won't have to venture out to your local store on next Tuesday, July 23. Instead, for one day only, the hardware giant is bringing free sausages to Federation Square. Bunnings will be teaming up with chef and restaurateur Shane Delia (Biggie Smalls, Maha East), who'll be cooking up a special recipe inspired by his Middle Eastern heritage, firing them up on the barbie and handing them out — completely free — to Melburnians from 7am–6pm. There'll also be some regular snags available, too, and possible other chef collabs. The giveaway marks the launch of the chain's new Click & Collect shopping option, so if you're keen for a free feed, you will need to whip out your phone, take a picture and share it using the #tagforasnag hashtag. Plus, when you do this, Bunnings will also donate $2.50 to Melbourne City Mission, a charity that works with the city's vulnerable communities. If you're a bit of a Bunnings nerd, you'll be happy to know that you'll also be able to experience a virtual Click & Collect store while you're there — and not only buy indoor plants, but learn how to make your own macramé pot hanger. The free sausage sizzle runs from 7am–6pm.
Sitting quietly on the Parliament end of the city inside Spring Street Grocer, Gelateria Primavera has held down a reputation as one of the best artisanal gelaterias in Melbourne for some time now. Similarly to Pidapipo, it uses the pozzetti storage tubs to house the gelato out of sight and ready to be eaten at the best possible temperature. The menu changes daily, though you can be sure to always find something to suit your tastes. Past favourites include the salted caramel and chilli, watermelon and fresh mint, goats' curd with walnut and honey and young coconut and ginger. Image: Julian Kingma/Visit Victoria.
Victoria's Grampians National Park has long been home to world-class hiking trails, but it's just scored a giant new one that's a whole trip in itself. Start stretching, hikers, because this is a big one — a 160-kilometre trail that takes 13 days to traverse, in fact. Originally set to be completed in 2020, but finally officially opening to the public on Saturday, November 12 — just in time for summer, handily — the Grampians Peaks Trail connects some of the Grampians' best mountain peaks. If you start at Mount Zero in the north and start heading southwards, you'll pass over the summit of Gar (Mount Difficult), and then hit Halls Gap. You'll also mosey through and past Redman Bluff, Mount William, Major Mitchell Plateau, Signal Peak, Mount Abrupt and Mount Sturgeon en route to Dunkeld, spying panoramic views of the southern volcanic plains along the way, and winding through the park's low-lying greenery and waterfalls, too. Eleven hike-in campgrounds are situated along the trail, complete with raised tent pads and communal shelters, plus small huts at two sites. That said, the entire track has been designed so that everyone can get some use out of it — whether you're looking for a leisurely day trip or an overnight hike, or you're ready to commit to an epic two-week adventure. Gariwerd — as it's known by the land's Traditional Owners, the Jardwadjali and Djab Wurrung peoples — is more than just its rugged, sandstone mountains. The park is heritage-listed for its Indigenous significance, including its ancient rock art paintings and shelters, as well as for its abundance of animal and plant life, plus its damn spectacular views. For the new trail, Barengi Gadjin Land Council, Gunditj Mirring Traditional Owners Aboriginal Corporation and Eastern Maar Aboriginal Corporation all worked with Parks Victoria to guide the path's route — and to also have input into visitor information and stories, in order to help promote awareness of and respect for the cultural landscape. If you're now raring to get started, there are one-day treks at Mount Stapylton, the lower waterfalls of Gar (Mount Difficult), the Lake Wartook lookout, Signal Peak and from Lake Wartook lookout to Halls Gap. Overnight treks come with stopovers at either the Barigar and Bugiga campgrounds, while suggested three-day itineraries span Gar and Werdug, Bugiga and Barri Yalug, Duwul and Durd Durd, Yarram and Wannon, and Djardji-djawara and Mud-dadjug. Grampians Peaks Trail was funded via a $33.2 million project, including $23.2 million from the Victorian Government and $10 million from the Commonwealth Government via Horsham Rural City Council. The Victorian Government has also committed cash to other parts of Grampians National Park, with $7.76 million earmarked for upgrading the MacKenzie Falls visitor area, $5.8 million for Brambuk — the National Park and Cultural Centre and $5.5 million to add more access points to the trail. The Grampians Peaks Trail is now open. For further information, head to the Parks Victoria website. Images: Parks Victoria.
Arming oneself against a global pandemic and helping to protect your community are already pretty strong incentives to get a COVID-19 vaccination. But thanks to a new initiative by legendary Aussie label Nobody Denim, that jab could also now score you some free threads. The fashion brand has announced the launch of its Nobody Gives A Jab campaign, which will see a free personalised pair of jeans sent out to the first 100 people who share proof of their initial COVID-19 vaccination on Instagram. As the country struggles to contain the spread of the Delta variant — with Melbourne currently in the midst of its sixth lockdown and Sydney now almost two months into its latest outbreak — the campaign is just one of many encouraging locals to roll up their sleeve and get vaccinated as soon as possible. To be in with a shot at nabbing some free denim, you'll need to get your first dose of the vaccination, then post a photo of your freshly-jabbed arm, tagging both @nobodydenim and #NobodyGivesAJab on socials. If you're one of the first 100 people to do so, Nobody will be sliding into your DM's with details on how to collect your prize. Just note that you'll also need to be able to supply proof of your jab. View this post on Instagram A post shared by Nobody Denim (@nobodydenim) As a family-owned business, Nobody says it wants to see the community come together and do their bit to help make Australia's vaccine rollout a success and limit future lockdowns. "We would like to continue to contribute to our Australian family and community far and wide in any way we can," explained the label's co-founder and chairman John Condilis. "We want to keep the fashion and retail industry alive, we want to keep our wholesalers stocked, we want to see them thrive. We want to see our neighbouring brands' doors open and trading." Last month, Melbourne's Prince Alfred Hotel put out a similar call-to-arms, offering free pints to punters who'd been vaccinated. And more recently, Sydney craft brewery Hawke's Brewing Co announced its new Jab & Slab program will offer free slabs of beer in return for proof of a jab. Follow Nobody Denim on Instagram for more details on the Nobody Gives A Jab program.
Love quirky facts? Spent your life amassing the kind of details that will probably never come in handy? Consider yourself a whiz at every trivia night around town? If so, you're probably a QI fan — and an avid listener of No Such Thing As a Fish. The former is, of course, the long-running British comedy panel quiz. The latter is the popular, award-winning podcast hosted by four of the show's researchers, aka the folks putting in the hard yards to come up with amusing pieces of information you didn't know you needed to know. Series staffers Dan Schreiber, James Harkin, Anna Ptaszynski and Andrew Hunter Murray aren't just finding tidbits for a raft of English comedians, or spending their spare time sharing the most bizarre facts they've come across over the last seven days, however. Come May 2018, they're also coming to Australia to shower our shores with trivia morsels. The live version of the podcast will include a live recording, so your laughter might be immortalised forever, plus a round up of the most astonishing things the team have discovered from the year's news. It has been a busy couple of years for the group, with their last UK and European tour proving a sell-out, and their 187 episodes to date scoring more than 55 million downloads. As Schreiber explains, "we started as four dorks sitting around a single microphone trying to make each other laugh. Things have changed a bit since we started — we now have four microphones — but it's a thrill to know there are hundreds of thousands of other people who love the same wild and hilarious facts that we do."
The first time that Will Smith was nominated for an Oscar, it was for dramatising Muhammad Ali's story in Ali. It's much, much, much too early to say if he'll get the nod for his latest stint as a sporting figure — no one has even seen his upcoming movie King Richard yet, after all — but Smith sure looks to be angling to add a few shiny trophies for his mantle. He plays someone familiar with watching other people pick up silverware, in fact, given that he's playing Richard Williams — father of superstar tennis champions Serena and Venus. As the name makes plain, King Richard is all about the dad behind the ace-swinging duo, and his role in raising them, nurturing their talents and establishing their careers. When the girls first start showing their skills in Compton as children, neither Serena nor Venus nor Richard have any idea where their path will head. Viewers obviously do, but consider this the story behind the well-known story. The tone: persistent, moving and inspirational, at least based on the just-dropped trailer for King Richard, ahead of its release Down Under in November. From the sneak peek, Smith plays Richard as determined, confident and hardworking. Told that he might have the next Michael Jordan on his hands, he replies that he actually has the next two. Directed by Reinaldo Marcus Green (Monsters and Men), the biopic thankfully sees Smith in a completely different mode to his last big-screen appearance — in the abysmal, terrible and grating Bad Boys for Life. In King Richard, he's joined by Saniyaa Sidney (Fences) and Demi Singleton (Godfather of Harlem) stars as Venus and Serena, plus Aunjanue Ellis (Lovecraft Country) as their mother Oracene 'Brandi' Williams. Also among the familiar faces: Jon Bernthal (Those Who Wish Me Dead) as coach Rick Macci and Tony Goldwyn (Scandal) as coach Paul Cohen. Check out the trailer below: King Richard will release in Australian cinemas on November 18. Photo Credit: Courtesy of Warner Bros. Pictures.
Victorians, it's holiday time. After a year largely spent staring at your own four walls, you probably don't need much motivation to head out of town, but the State Government is giving you some anyway. In an effort to encourage everyone to take a getaway within the state, it's handing out $200 vouchers for regional travel. The idea has two obvious aims: enticing Victorian residents to go venturing throughout the state, and helping support regional restaurants, pubs, hotels, wineries and small businesses. The move was announced today, Wednesday, November 18, by Premier Daniel Andrews as part of a $465 million Victorian Tourism Recovery Package — with $28 million dedicated to the voucher scheme in the 2020–21 Victorian Budget. That $28 million figure will cover up to 120,000 vouchers, although there is a caveat. To receive one, you'll need to spend at least $400 on accommodation, attractions or tours in regional Victoria. So, at most, half of your expenses will be covered. Still, that's $200 that you won't have to fork out yourself. Unsurprisingly, the Victorian Government is planning to get the scheme up and running before Christmas — in December, just as summer and holiday season both hit. [caption id="attachment_746191" align="aligncenter" width="1920"] Visit Victoria[/caption] How you'll receive the vouchers hasn't yet been announced. Neither have any other caveats and rules that might apply. But add this to the list of much-needed great news this year— and news aimed at getting you after the house, too, after metropolitan Melbourne's curfew, 25-kilometre rule and four permissible reasons to leave home were all ditched, and the 'ring of steel' separating the city from regional parts of the state as well. Top image: Split Point Lighthouse via Visit Victoria.
It's no secret that the last few years have seen the hospitality industry need make some swift changes to its modus operandi. Businesses had to adapt or run a very large risk of not making it through. Although this free fall-like state has surely been clear to all, Uber Eats has taken it a step further and surveyed hundreds of restaurant operators nationwide to co-produce Pulse Check: Restaurant Report 2022, a piece of analysis highlighting key areas of challenge and opportunity for the industry as it continues to manage the shockwaves brought upon by the pandemic. Interestingly, the data revealed a whopping 92% of restaurants remodelled their business in some way during lockdown. Of course, the industry took a lot of hits, but more than a few businesses have come out in better shape than they could've imagined. One such business is El Jannah, the widely loved — and continually expanding — charcoal chicken joint. Together with Uber Eats, we sat down to chat through the ins and outs of the hospitality industry with Brett Houldin, El Jannah's CEO. Our mission? To find out how he and his team work, what they focus on and why he thinks they've thrived during an obstacle-ridden time. Have a watch below, and read on for the low down. https://vimeo.com/756994014 AUTHENTICITY IS FRONT AND CENTRE Houldin puts authenticity front and centre — El Jannah does what it knows and does it well. (Some would even say it does it perfectly). Of course, some pivots were made — especially as orders via delivery services exploded — but the chicken aficionados held true to what customers love and expect in every visit, no reinvention in sight. How that was possible? Houldin reckons it's thanks to an unwillingness to compromise on "the food quality, the ingredients and the healthy attributes". THE EXPERIENCE Something else that relies on authenticity (and contributes greatly to a diner's experience) is an environment that's friendly and memorable. When expertly executed, this generates a deep loyalty in a customer base — an all too familiar situation where El Jannah's concerned. "[Our customers] treat it like an extension of their friends and family," Houldin shares. "They know people by name, they can tell you a lot about their last food occasion, their first experience. They want to tell their friends and family about what that looks like and how that felt. And I think that, in turn, brings a lot of people coming through." "CULT-LIKE BEHAVIOUR" What's certain is that El Jannah has created a dining experience (even when delivered to your home) that keeps people coming back. And without well-trained staff giving friendly, top-quality service, that probably wouldn't be achievable. "That cult-like behaviour is growing with us as we expand into more locations across Sydney and Melbourne," says Houldin. "That's what's made us stand out." All this chat put you in the mood for El Jannah chicken? Head to the website to find a location near you, or place your order via Uber Eats. Top image: Jarrad Shaw
Outer eastern suburbia is typically a leafy refuge, often mistaken as hilly outskirts heralded by hippies. And while parts of Lilydale are most definitely lush with greenery and farms boasting local produce, The Lilydale General doesn't reside there; the cafe has taken these elements of the surrounding region and settled amongst a large manufacturing area of the suburb. You can't miss it: the carefully manicured lawn, green and white striped awnings and a flawlessly painted picket fence stand out against the uninspiring industrial surroundings. It's a great expanse inside, too — high ceilings, window panes streaming sunlight and generous spacing between tables. The staff are jovial and homely — let them bring you a coffee made with beans from the guys at Coffee Supreme and allow a bit of time for a chat about your day before you place your order. They're locals interested in looking after their fellow residents. It won't be long before you'll be digging in. The bruschetta with tomatoes, avocado mash, feta, lemon rind and dukkah served on a slice of sourdough with an additional piece underneath ($15) is faultless in flavour, but the serving could be more liberal to compensate for the extra piece of bread and price. Add an egg for an extra two bucks for something more filling. The corn and leek fritters with rocket, tomatoes and feta ($17) are another winning savoury option. For those with a sweeter tooth, go for the black rice pudding with macadamia granola, lychee and coconut ($13). The fruity flavours are balanced by a light aniseed taste coming from the granola, a pleasant experience for the palate. Like any good current day cafe, not only has The Lilydale General adopted the smoothies-in-jars phenomenon, they also cover most dietary bases: vegan, gluten free and lactose free options are all available. Fresh sandwiches, big squares of vanilla slice, lemon tarts and a rotating menu of raw desserts make up the glass cabinet at the counter. Sure, the food isn't unlike what you’d find somewhere closer to the CBD, but it is for Lilydale and, most importantly, it's good quality. Owned and loved by locals, The Lilydale General is a peripheral delight.
The Snowy Mountains has long attracted snow bunnies from across the state, nation and even oceans to play. Though these days the area is buzzing with much more than skiing fresh powder to entertain you. Whether you've never so much as seen snow before, or are a seasoned pro, there's plenty to taste, see and do when you're not flying down the slopes. A big draw card during the winter season is the Snowtunes music festival, returning to Jindabyne this year to host an epic snowy weekend. The breathtaking lakeside town of less than 3000 people is set to explode with music from a swag of Australian and international artists. Unzip your puffer jacket and warm up to some fiery sets from Gang of Youths, Safia, Tigerlily, Mashd N Kutcher, Klingande, Royal and Skeggs — just to name a few. This is not a drill; if you're looking to see this winter out dancing it up to some electro tunes, surrounded by some pretty stunning snowy vistas, you'll want to mark this one in your diary for the first weekend of September. The two-day music festival is just the tip of the 'snowberg', if you will. We've partnered with Destination NSW to bring you a Snowy Mountains getaway cheat sheet, so before, after and between sets, you can pack in as many snowbound activities as possible. [caption id="attachment_632818" align="alignnone" width="1920"] Wildbrumby Schnapps Distillery.[/caption] EAT AND DRINK From your road trip to the snow and into the wee hours of après ski, the Snowy Mountains region has a bustling food scene that'll keep you going. Make your first stop Ingelara Farm Truck. This bright blue food truck sits just outside of Bredbo and caters to all your stop, revive, survive needs from coffee to homemade sourdough. And once you've settled in The Snowies, there's plenty more tasty goodies to discover for all budgets. Take a culinary journey down the Alpine Way running between Jindabyne and Thredbo. Stop by award-winning Wildbrumby Schnapps Distillery Door and Café for a free tasting of their wide array of schnapps — our picks are the butterscotch and spicy devil's tongue — and stay for the hearty Euro-inspired meals like German smoked sausages, the schnitzel burger and Austrian beef gulasch. Next stop along the way is Crackenback Farm Restaurant. If you splurge anywhere, make it here. The French farmhouse-style cuisine is best enjoyed leisurely by the fireside. And make sure to save room for dessert, because the hot chocolate mousse with vanilla ice cream and marinated mandarins will crack even the most seasoned dessert connoisseur. [caption id="attachment_633133" align="alignnone" width="1920"] Crackenback Farm.[/caption] If you're based Thredbo village way, take a tour through the brimming offering of eateries, bars, pubs and even a nightclub. Stop by Central 2526 for their dumplings of the day, or wander up to The Denman Hotel for the fanciest cocktails in town. Looking for a mid-ski refuel? The classic drive-thru's got nothing on Eagles Nest. Ski in and out of Australia's highest restaurant perched 1937 metres above Thredbo at the top of Kosciuszko Express Chairlift. The show-stopping 270-degree view pairs nicely with some hearty classics such as a rather generous parmigiana schnitzel, loaded waffles and a cold German beer. DO Of course, a trip to NSW's snow capital wouldn't be complete without a bit of shredding — they don't call it 'Shredbo' for nothing. Whether you prefer one plank or two, investing in lessons for those just starting out or even those in need of a refresher will definitely pay dividends. Thredbo runs two-hour group lessons three times a day at Friday Flat. You'll find solidarity in your fellow students as five-year-olds fly past you down the mountain. Many locals and visitors alike have not ventured beyond the resorts into the surreal wilderness, but K7 Adventures opens this world up with their snowshoeing tours leaving from Thredbo resort. On a clear day, you'll be rewarded with awe-inspiring views across the valley. On a snowy day, the hike across fresh snow is well worth the unexpected beauty of snowy gums and staggering rock formations that emerge from the white silence. You'll feel like you've just discovered frozen Atlantis. K7 also hosts cross-country skiing, photography and ice climbing tours. After carving up the slopes, or just making some casual snow angels, slip on your après-ski boots and get ready for the evening's entertainment at Snowtunes. If you're feeling extra celebratory, opt for one of their sweet package deals like the Snow Worries. As the name suggestions, the festival legends organise it all for you, including a two-day admission ticket, express entry, return bus from Central Station in Sydney to Jindabye, accommodation and brekkie at the Snowy Valley River Inn. You'll be sorted for a full weekend in the snow, without a care to dampen those spirits. And finally, a tough day playing in the snow or burning up the dance floor is sure to take it out of you, so the Lake Crackenback Spa & Wellness Centre is the chilled-out cherry on top of an action packed weekend. Book into a facial, massage or go all in with a spa special like their Winter Day package that sees you massaged, exfoliated and completely relaxed. Go on, you've earned it. STAY To fully immerse yourself in alpine luxury, check in to Lake Crackenback Resort & Spa nestled at the foot of the mountains on the edge of Kosciusko National Park. The striking lake view apartments and mountain view chalets cater up to seven mates, while the expansive grounds are a playground for wildlife and visitors alike. Greet the day with the local kangaroos, try your hand at archery in the afternoon, take a dip in the indoor heated pool pre-dinner, then grab a pizza to-go for some in-room dining with a view from Alpine Larder or dine at onsite Cuisine Restaurant & Bar right on the edge of the lake. The resort also offers a complimentary shuttle bus to the Skitube that connects you via rail to Perisher and Blue Cow. It's also only a 20-minute drive along the picturesque road to Thredbo village. Alternatively, you have the option of staying in one of the several ski-in, ski-out chalets on the fields. The big four resorts – Thredbo, Perisher, Charlotte Pass and Selwyn Snow Resort – all offer a huge array of accommodation for all budgets. Though, many of the best value spots can be found in Jindabyne. Round up your nearest and dearest to rent one of the many large guesthouses there. For a splashy stay, split the bill with sixteen mates and enjoy large, private entertainment areas, fancy tubs and open fireplaces. And for a no frills kind of stay, try The Banjo Patterson Inn and take advantage of their pool table, the onsite Kosciusko Brewery and an energetic Tuesday night trivia. Head to the snow to eat, drink and play, then hit the dance floor at Snowtunes, taking place September 1 and 2.
In a glorious era where phones can be unlocked using facial recognition, what are we still doing slumming it with pesky plug-in chargers? Well, chaining your smartphone to a power point and fumbling with tangled cords could soon be a thing of the past, when San Francisco company Pi releases what it says is the world's first ever contactless, wireless charger. The brainchild of a pair of MIT alumni, this little guy does away with the cords, the charging pads and even the need for your phone or tablet to be touching anything at all. Instead, Pi harnesses groundbreaking electromagnetic charging technology developed by the founders, John MacDonald and Lixin Shi, over more than three years. That's a whole lotta math problems. The cone-shaped Pi can simultaneously charge four devices within around 30cm, at full speed. It can charge additional devices on top of that, albeit at a slower pace. Perhaps most enticing, you can use your phone and move it around while it's juicing up. Of course, this kind of modern day witchery doesn't come easy. As MacDonald explains, "creating this technology required solving one of the most difficult mathematical problems in electromagnetics, and that's why no one has done it before." It sounds like Pi will be available sometime next year, although you can reserve yours right away. MacDonald and Shi believe it will retail for under US$200. The first 314 people in the world to order will score a $50 discount.
While those clever kids at Apple may one day run out of ideas, that doesn't look like it's happening anytime soon. The world's first trillion dollar company is clearly putting all that money to good use, unveiling its latest iPhone creations in California overnight. As always, it has upped the ante, dropping three new phones with a stack of bells and whistles that render your old iPhone X instantly uncool. As well as producing its biggest iPhone screen yet, Apple's ramped up the facial ID tech, unveiled an all-new Liquid Retina display and even engineered a fancy-pants dual camera system. Here are eight details about the new iPhone XS (pronounced 'ten ess') in dot point form that you can use for prime water cooler convo at work today. IT HAS THE LARGEST DISPLAY OF ANY IPHONE, EVER While the iPhone XS' screen clocks in at a pretty healthy 5.8 inches, the XS Max takes the cake with a 6.5-inch display — the biggest ever on an iPhone model. Basically, it makes your iPhone 8 look tiny by comparison. Team that with the highest pixel density of any Apple device and colour density to rival all other brands, and you've got yourself some pretty good on-phone video viewing. THERE'S A SWAG OF NEW COLOURS TO CHOOSE FROM That's right, folks — things are getting extra colourful in Apple town. Alongside the usual black and white, the XR (more on what this is later) is also available in bright blue, yellow, red and coral. The iPhone XS and XS Max keep things a little tamer, in space grey, silver and Apple's first plain gold-hued edition. IT'S SERIOUSLY TOUGH , WITH THE MOST DURABLE GLASS EVER DEVELOPED FOR A SMARTPHONE If broken phone screens are the bane of your existence, then the new iPhone XR was pretty much made for you. Boasting the most durable front glass display ever seen in any smartphone, it's precision-fitted, water-resistant up to one metre for 30 minutes, and laughs in the face of those coffee spills. IT HAS PORTRAIT MODE ON THE BACK AND FRONT CAMERAS Get ready to take your selfie game to a whole new level, with the iPhone XS' super high-tech dual camera system. This beauty has portrait mode on both the back camera and the front true-depth camera, with both enabling facial detection and landmarking. What's more, new technology means you can now adjust your snap's depth of field after the photo's taken. FACE ID IS HEAPS FASTER Now that we've all gotten used to the idea of unlocking our phones with only our eyeballs, Apple's honed its original Face ID technology, apparently making it faster and easier to use. A swag of new tech has made it even more secure, too, while advanced machine learning means it's smart enough to recognise changes to your appearance. IT TAKES LONGER TO DIE In excellent news for those fed up with lugging a charger everywhere they go, the iPhone XS Max is kitted out with iPhone's biggest battery ever, offering up to 90 minutes more battery life than any other phone you've had. IT'S REALLY REALLY PRICEY While the points above all sound great, they do, the whiz-bang new XS is gonna set you back a few dollaroos — 1629 dollaroos to be exact. Well, that's the starting price. The cool $1629 will get you a phone with 64GB, but f you want 512GB, you'll need to drop $2199. [caption id="attachment_688269" align="alignnone" width="1920"] iPhone XR[/caption] BUT APPLE HAS ALSO RELEASED A NEW AND CHEAPER OPTION It's called the iPhone XR, and in terms of size, it's in between the X and XS, but it's cheaper — $1229 — because it has a single rear camera, an aluminium frame and LCD screen. As mentioned above, it's also available in a heap more colours: white, black, blue, yellow, coral and red. If you this one, though, you'll need to wait a tad longer — it won't be available until October 26. The iPhone XS will be available from September 21, and keen beans can pre-order from September 14 here.
Under the light of a full moon, the Queen Vic Gardens will come alive with a fusion of music, dance and experimental art. Curated by Unconscious Collective along with HTRK vocalist Jonnine Standish, prepare yourself for a (free!) nocturnal arts party where the lines between technology and magic aren't as rigid as they might seem. Running from 9pm on Sunday, January 24 until 4am the next morning, M*SYNC will see a number of DJs and musicians perform under the MPavilion canopy. Move to the rhythms of Lisa Lerkenfeldt and Karli White, before sinking into a moon-age bean bag that syncs up your pulse with those of your fellow party goers. There'll also be a witching hour dance ritual from local dancers Benjamin Hancock, James Andrews and Lauren Langlois, plus a Tea Bar which will be open all night.
