When winter rolls around, it can be mighty tempting to just spend the entire season holed up at home in front of the telly. But we did enough of that last winter. This year, it's all about getting out and exploring everything our country has to offer in the cooler months. Roasting marshmallows in front of an open fire. Foraging for truffles, then enjoying your spoils in a decadent long lunch. And escaping the outdoor chill in one of the country's best art galleries. You'll find all this — and much more — in Canberra this season. We're here to help you carve out your ideal winter itinerary to the capital city. Please stay up to date with the latest ACT Government health advice regarding COVID-19.
Gone are the days when travellers checked into hotels with the sole purpose of sleeping. It seems everyone wants a bit extra with their holiday, be it a gardening course, an onsite brewery or a window onto the underwater world. And while those types of overnight experiences are all well and good, if you're a pop culture fan, you might want to set your sights on Walt Disney World's 360 vacation concept in Orlando. The latest addition to the globe's accommodation wonders, it'll let you live, breathe and sleep Stars Wars — staying not only in a themed hotel, but onboard a spaceship. To answer the obvious question: no, you won't actually be going into space (although that idea isn't as out-of-this-world as it may sound). You will have a blast pretending that you're headed to a galaxy far, far, away, though. We're happy to report that the resort is taking the immersive part very seriously, with the new hotel — called Star Wars: Galactic Starcruiser — allowing patrons to embark upon a two-night adventure on the starcruiser Halycon. Disney first announced this addition to its growing theme park realm back in 2017; however the huge entertainment company has just dropped specific details for all those wannabe Jedis clamouring for a unique holiday. First step: leave your real life at the door. Upon check-in, guests become a citizen of the galaxy — which means that, every minute of every day of your stay, you're a part of the Star Wars story happening around you. You'll hang out in the Atrium, where crew and passengers gather; operate the Halycon's navigation and defence systems, with plenty of guidance; and learn how to use a lightsaber, because an immersive Star Wars-themed stay wouldn't be complete without wielding a glowing weapon. You'll also sleep in spaceship cabins, drink in the passenger lounge and try to sneak into the crew-only engineering rooms. Star Wars: Galactic Starcruiser will form part of Star Wars: Galaxy's Edge, Walt Disney World's new sprawling zone dedicated to the space-set franchise — which, after opening at Disneyland in California earlier this year, is now open in Orlando as well. For now, the hotel doesn't have an opening date, although you can sign up to register your interest. If you're keen, you'll have to be committed to the experience, as the "every minute of every day" comment may well include sleeping hours — the dark side never sleeps, after all. Image: Disney/Lucasfilm via Disney Parks Blog.
For beer lovers, the Great Australasian Beer Spectapular is the kind of festival that you plan your calendar around. When one year's fest is over, everyone instantly starts looking forward to the next year's. It was back in May and June that 2023's GABS took place, and you can now lock in your 2024 dates around the same time in Sydney, Melbourne and Brisbane. Of course, the New South Wales, Victorian and Queensland capitals host beer festivals most weekends, but GABS is its own unique beast. It dedicates itself to weird, wild, wonderful and inventive varieties that are made exclusively for the booze-fuelled party. Think of a foodstuff — peanut butter, coffee, earl grey tea, chicken salt, pizza, fairy floss, bubblegum, doughnuts, red frogs and sour gummy bears, for instance — and there's likely been a brew made to taste exactly the same at GABS. Only dates have been confirmed so far, and not venues, the brewers heading along or the beers they'll be whipping up. Still, attendees can look forward to an event that's considered to be one of the best craft beer and cider festivals in the Asia Pacific region. If you're a newcomer to GABS, it started off as a Melbourne-only celebration of ales, lagers, ciders and more. Then it began spreading along Australia's east coast capitals, as well as to New Zealand. Now, in its Aussie stops, it pours at least 120 different types of brews each year. The event surveys both Australian and New Zealand breweries, with more than 60 normally showcasing their wares annually. Also on the bill: other tipples, including non-alcoholic beers, seltzers, whiskey, gin, cocktails and wines. GABS is known for dishing up a hefty lineup of activities to accompanying all that sipping, too, which usually spans a silent disco, roaming bands, circus and sideshow performers, games and panels with industry leaders, plus local food trucks and vendors to line your stomach. Fancy getting in on the GABS fun at home now? Every year, the crew behind the fest also pust together the Hottest 100 Aussie Craft Beer poll, which is open for votes until Sunday, January 14 for 2023's best brews. GREAT AUSTRALASIAN BEER SPECTAPULAR 2024 DATES: Friday, May 17–Sunday, May 19 — Melbourne Friday, May 31–Saturday, June 1 — Sydney Friday, June 14–Saturday, June 15 — Brisbane GABS will take place across Australia's east coast throughout May and June 2024 — head to the event's website for further details.
Under current COVID-19 restrictions in Australia, you can't go on a holiday (locally or overseas). But, you can start dreaming. Bookmark this for when you can explore once again. Winding through the rugged expanse of Victoria's Wimmera Mallee region, lies the country's largest outdoor gallery, where the artworks are metres tall, and grace not walls, but towering grain silos. First dreamt up back in 2016, evolving from a small community art project, the now famed Silo Art Trail unfolds over 200 kilometres, where six large-scale works have transformed structures in Brim, Patchewollock, Lascelles, Rupanyup, Sheep Hills and Rosebery. The mural portraits, painted by a collective of artists in conjunction with Yarriambiack Shire Council and international street art agency Juddy Roller, capture the spirit and history of this unique corner of the world, each work offering a snapshot of its host town. If you're visiting the art trail from Melbourne, the closest silo is in Rupanyup — approximately 3.5-hours' drive from the CBD. From there, it'll take you just over two hours to reach the other end of the art trail in Patchewollock. That's the order we've listed the artworks here, but to design an alternate route, head to the Silo Art Trail website. [caption id="attachment_681273" align="alignnone" width="1920"] Nicole Reed[/caption] RUPANYUP, JULIA VOLCHKOVA When you reach Rupanyup, you'll spy a realistic pair of faces by Russian muralist Julia Volchkova, an homage to local youngsters Ebony Baker and Jordan Weidemann. Kitted out in their sports gear and looking bright-eyed and fearless, the characters are a nod to the region's younger generation and the realities of rural life for adolescents. Here, Volchkova has used monochrome tones to capture a spirit of strength, creating a lifelike mural similar to her large-scale works depicting locals across Southeast Asia. [caption id="attachment_681271" align="alignnone" width="1920"] Nicole Reed[/caption] SHEEP HILLS, ADNATE Shining a light on the region's indigenous history and community, the 80-year-old GrainCorp silos in Sheep Hills now boast a vibrant portrait of four locals — Wergaia Elder Uncle Ron Marks and Wotjobaluk Elder Aunty Regina Hood, alongside children Curtly McDonald and Savannah Marks — with a bold, dreamtime-inspired night sky as the background. The striking piece is the work of Melbourne artist Adnate, whose creative focus often lies in sharing the stories and cultures of Aboriginal Australians. Here, he has embraced the concept of customs and wisdom being passed down through the generations, and the strong ancestral bonds shared among the area's indigenous community. [caption id="attachment_681276" align="alignnone" width="1920"] Nicole Reed[/caption] BRIM, GUIDO VAN HELTEN The striking Guido van Helten mural in Brim is where it all began in 2016, spurring inspiration for the rest of the project after putting this sleepy town on the map. Melbourne-raised van Helten kicked things off strongly with his earthy-toned portrait of four farmers, all varying ages, themed around shifting ideas of community identity. The artist's work using translucent aerosol paints lends a faded, ghostlike quality to the characters, shaking the concept of time. [caption id="attachment_681274" align="alignnone" width="1920"] Nicole Reed[/caption] ROSEBERY, KAFF-EINE The latest addition to the Silo Art Trail is a captivating Rosebery mural by lawyer-turned-street artist Kaff-eine. She has set out to embrace the region's past, present and future, with a portrait of a young female sheep farmer, alongside one of a horseman bonding with his four-legged mate. Elements like cowboy boots, Akubra hat and oilskin vest aren't just an unmistakable nod to country life, but capture the strong sense of symbolism that is signature to much of Kaff-eine's work. [caption id="attachment_681275" align="alignnone" width="1920"] Nicole Reed[/caption] LASCELLES, RONE Meanwhile, over in Lascelles, there's a sense of quiet wisdom that emanates from the portrait of fourth-generation farming couple Geoff and Merrilyn Horman, wrapped around two decades-old grain silos. Captured by Melbourne's Rone in 2017, this one speaks to a people's deep, long-running connection to the land, with monochrome hues and water-blended paint creating a hazy, ghostly effect through the work. [caption id="attachment_681272" align="alignnone" width="1920"] Nicole Reed[/caption] PATCHEWOLLOCK, FINTAN MAGEE In Patchewollock, Fintan Magee's 2016 silo mural was inspired by a stay at the local pub, where he met his portrait subject, local farmer Nick "Noodle" Hulland. The colourful, 35-metre-tall piece is a fitting ode to the hard-working Aussie farming community and its rugged spirit. Hulland's shown gazing to the horizon wearing the classic faded flanny, sun-bleached hair and weathered face that so often go hand in hand with life on the land.
No pool of your own to splash about in at your leisure as those temperatures finally start creeping upwards? No worries — sleek Flinders Lane hotel W Melbourne has you sorted. For the first time, it's opening up its glam 14th-floor pool precinct WET to non-guests for midweek daytime dips, in all its gold-ceilinged, marble-clad glory. Thanks to the new Swim Club sessions, everyday folk can score 12-hour access to the luxurious pool zone, including its steam room and gym, without having to book a room. [caption id="attachment_870065" align="alignnone" width="1920"] C.Hawks[/caption] Ideal for those cheeky weekdays off work, or even for working poolside like a baller, Swim Club sessions are running from 8am–8pm weekdays. For $98, you'll enjoy access for the whole day, plus a fruit platter and mocktail on arrival, and all the amenities you could ask for — towels, showers, lockers and change rooms, included. Bookings are a must — you can nab one online here.
Brisbane rock five-piece Waax have been steadily gaining a following over the past few years. This month, they're set to cross the border for a gig in Byron as part of NSW Government initiative Great Southern Nights. They'll be playing at The Northern, situated right in the centre of Byron Bay and just a few minutes' walk from its famous Main Beach. Not that you'll be thinking of the surf when Waax lets rip with their take on alternative post-punk. Likened in the past to acts such as Siouxsie and the Banshees and Yeah Yeah Yeahs, their debut album, Big Grief — incidentally recorded in Byron Bay — just fell short of a place in the Top 10 last year. You can catch them at the coastal pub on Saturday, November 7 at 6pm or 9.30pm. For the latest info on NSW border restrictions, head here. If travelling from Queensland or Victoria, check out Queensland Health and DHHS websites, respectively.
Lucy Prebble’s The Effect is a refreshing change of pace for MTC's 2014 season. Exploring the intersection between love and science, this acclaimed UK playwright takes on an issue that's both contemporary and enduring. Now, after separate productions in Sydney and Brisbane, the play finds a mostly satisfying form on the Melbourne stage. Tristan and Connie (Nathaniel Dean and Zahra Newman) meet as young participants in a live-in medical trial where they’ll be taking increasing doses of a new antidepressant. They’re watched over by Sigrid Thornton’s Dr James, who in turn interacts with an even higher power: the TED-talking, psychopharmacology peddling Dr Toby (William McInnes). As Tristan and Connie form a romantic connection, they’re besieged by the thought that their newfound feelings could just be the result of the trial drug’s impact on the levels of dopamine in their systems. Although the subtle twists in the plot — an unwinding reveal of which character knows or believes what at any moment — drive the play’s momentum, at over two hours, the show feels slightly long to be sustained by this kind of narrative dynamic alone. Indeed, it’s probably the play’s protracted final scenes after its climactic high point that might disengage an audience, though having this kind of slow-burn ending does make that high point all the more satisfying than if that had closed the work itself. Regardless, Prebble’s control over this plot and director Leticia Cáceres’ ability to highlight the characters’ uncertainty fills the play with a rippling tension of ambiguity. At times some of the characters’ flaws are packaged a little too neatly for plausibility. For instance, when Tristan tells a surprised Connie that he believes in God the revelation comes across as an arbitrary contradiction in character imposed from above by Prebble, if only because this aspect of his character disappears from the play as quickly it was introduced. The design elements — particularly Chris More’s projection and Pete Goodwin’s composition — are intertwined closely with the performance, to the point where effortless, icy stylishness threatens to overwhelm the very human elements at the heart of this love story. At the same time, strangely, this has the effect of emphasising the humanity of these characters’ emotions by contrast with their sterile, claustrophobic environment. There are occasional splashes of coordinated physical movement too that recall some of Caceres’ earlier work on plays like Hoods, with choreography contributed by Stephanie Lake. The almost abstracted quality of these moments reassert the real lives at the core of this science-heavy story. Of course, any playwright willing to dramatise scientific issues like this leaves themselves vulnerable to criticism. Technical information is easily lost or muddied in the theatrical form. But in this case, it's heartening to see both the playwright and company tackling this kind of ideas-driven, contemporary work on the mainstage. When it does spark, The Effect is taut, gripping, and hugely affecting. Image: Jeff Busby.
Like a Hump Day bright spot nestled in between the Queen Vic's Winter and Summer Night Markets, the precinct's springtime Europa Night Market is back to brighten up Wednesday nights from September 21–October 26. For six weeks, the market will play host to a vibrant Euro-style bazaar, with entertainment and wafting food aromas promising to transport you to a different European destination each week. You can feast your way through over 25 food and drink vendors, shop an array of market stalls, and catch roving entertainers and live tunes, all designed to whisk you away to some far-flung locale. Kicking things off on September 21, the market will be saying 'ciao' to the flavours and sounds of Italy, with bites like Sicilian-style fried arancini and woodfired 400 Gradi pizza, plus entertainment by Siesta Cartel and Elvira. The following week will take you on a trip to Central and Eastern Europe, by way of pierogi and traditional dance performances; while October 5 is your ticket to Oktoberfest, with a German-inspired beer hall serving up sausages, Oompah bands and European brews. The Iberian Peninsula gets a look-in on October 12, with paella and Casa Nata's Portuguese tarts, before the following week serves up a Mediterranean affair. A French celebration wraps up the series on October 26 with an evening of oozy raclette, croissants and entertainment from French mime artists. The Europa Night Market returns 5–10pm Wednesdays, from September 21–October 26.
When the Australian Government announced last week that pubs, bars and nightclubs would be closing the following day to help contain COVID-19, it led to the mass-buying of booze across the country. Bottle shops are not impacted by the closures, but it didn't stop Aussies stocking up just in case. Booze is just the latest item to be targeted by panic-buying, with toilet paper going first, then essential food items. Supermarkets across the country have since introduced strict two-pack-per-person limits on coveted items, such as eggs, sugar, white milk, frozen desserts and canned tomatoes, and now bottle shops are following suit. Australia's major bottle shops have today, Tuesday, March 31, introduced new temporary restrictions on alcohol. "In partnership with all major Australian alcohol retailers...we have applied moderate restrictions on the amount of produce customer can purchase," a statement on the BWS website reads. "Don't worry, supply isn't drying up, these changes have been made to ensure this is enough for everyone to responsibly enjoy their drink at the end of the day." Thankfully, the limits aren't quite as strict as those on food. In NSW, Vic, ACT, Qld, NT, SA and Tas, there are per person, per transaction limits on six categories, with customers able to buy from up to two different categories at a time: 12 bottles of wine two casks of wine (up to ten litres) two bottles of spirits (up to two litres) two cases of beer two cases of pre-mixed spirits/RTDs two cases of cider [caption id="attachment_766137" align="alignnone" width="1920"] Stephen Dann via Flickr[/caption] The above restrictions have been enforced at major stores around the country, both in-store and online, including Woolworths Group's BWS and Dan Murphy's; Aldi; and Coles's Liquorland, First Choice Liquor and Vintage Cellars. The new limits follow and supersede the restrictions introduced by the Woolworths Group last week. In WA, the purchase limits are stricter, to adhere to state regulations, with customers able to buy a maximum of two from the following categories: 11.25 litres of beer, cider or pre-mixed spirits; 2.25 litres of wine; one litre of spirits; and one litre of fortified wine. All the alcohol retailers are also encouraging social distancing, have introduced maximum capacities at their stores, and are offering pick-up, with some offering delivery. The temporary alcohol limits are now in place at stores across Australia. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
We've said it before and we'll say it again: Nicolas Cage cures all woes. Whether you're having an average 2022 so far, or you're sad that the long weekend is over — or you're in parts of the country that don't get a long weekend mid-June and you're sad about that — watching one of the greatest actors alive make on-screen magic as only he can is always a thrill. Yes, that's true whether he's in an excellent or awful movie, too. Your latest excuse to see Nicolas Cage do his thing comes courtesy of The Unbearable Weight of Massive Talent, aka a movie that's gotten a fair amount of attention for one huge reason: it stars Cage as Cage. It was first announced back in 2021, then hit Australian cinemas back in April. Now, as a mid-winter gift — and because fast-tracking flicks from cinemas to digital has become the pandemic-era status quo — the film has made the very quick leap to video on demand. That means that you can now spend your next at-home movie night watching Nicolas Cage play Nicolas Cage — and playing a whole lot of different styles of Cage, too. There's serious Cage, comedic Cage, out-there Cage, OTT Cage, short-haired Cage, floppy-haired Cage, slick Cage, gun-toting Cage and every-facial-expression-imaginable Cage. Whichever kind of Cage you can think of, it's accounted for. All your favourite Cage titles also get a nod or mention in The Unbearable Weight of Massive Talent, which sure does love absolutely everything about its leading man. There is a story behind the film's Cage-obsessed premise, of course. The fictionalised Cage is in a career lull, and is thinking about giving up acting, when he accepts an offer to attend a super fan-slash-billionaire's birthday. Getting paid $1 million is just too much to pass up, and he needs the money. But when it turns out that he might now be working for and palling around with one of the most ruthless men on the planet (played by Pedro Pascal, Wonder Woman 1984) — as a couple of intelligence agents (The Afterparty co-stars Tiffany Haddish and Ike Barinholtz) eventually tell him — things get mighty hectic. Also joining Cage playing Cage — not to be confused with his work in Adaptation, where he played two characters — are Sharon Horgan (This Way Up) as his fictional wife and Neil Patrick Harris (The Matrix Resurrections) as his manager. And, Are We Officially Dating? filmmaker Tom Gormican sits in the director's chair, because if there's anything else that this movie also needs, it's the director of a Zac Efron and Michael B Jordan-starring rom-com pivoting to total Cage worship. Yes, we've seen Cage break out of Alcatraz, sing Elvis songs, run around the streets convinced that he's a vampire, let his long hair flap in the wind and swap faces. He's voiced a version of Spider-Man, driven fast cars, fought space ninjas, hunted for his kidnapped truffle pig and stolen babies as well. Staying in his own shoes definitely stands out, though — as Cage himself always does. Check out the trailer for The Unbearable Weight of Massive Talent below: The Unbearable Weight of Massive Talent is available to stream via Google Play, iTunes and Prime Video. Read our full review.
Listening bars are going off in Melbourne right now, including the likes of Waxflower, Music Room and Bahama Gold — while stacks of other drinking dens are giving that extra bit of love to the tunes played of an evening. W Melbourne's omakase joint Warabi is leaning into this trend throughout September, pairing its innovative multi-course seafood-focused feeds with old-school R&B and hip hop beats. [caption id="attachment_940665" align="alignnone" width="1920"] Dasha Kud[/caption] DJ Prequel is spinning the records every Thursday night while the chefs work behind him to craft each of the intricate bite-sized dishes. Warabi has also teamed up with gin brand Ki No Bi to provide a complimentary gin cocktail on arrival. The evening will set you back a mean $195 per person, but that's in line with most of Melbourne's best omakase restaurants. If you're looking to treat yourself — or a food- and music-loving mate — this ain't a bad way to do it.
Over the past decade, streaming has become a firm part of every film and TV fan's life — providing more viewing choices, more places to find movies and television shows, and more excuses to while away hours and hours (and then a few more hours) on the couch. But, it has also sparked a familiar dilemma. Too often, thanks to all of the options available, it's easy to spend more time deciding what to check out next than actually watching something. Netflix has just released its intended solution to this problem, via a new feature called 'play something'. First revealed earlier in 2021, and now available globally across the platform, it's basically a shuffle function — and will automatically pick something for you to watch, rather than letting you keep scrolling and scrolling (and scrolling) while you're trying to make a decision. Here's how it works: when Netflix subscribers hit the 'play something' option — and therefore tell the service that they don't want to browse right now — they're instantly met with something new to view. It'll be either a series or film, and it could be something brand new, something you're already watching, a title that's on your list, or a show or movie you hadn't gotten around to finishing yet. Obviously, Netflix will be drawing upon its algorithm — as aided by your past viewing choices — to take your selections out of your hands. And, while it isn't called "I'm feeling lucky", that's the approach Netflix is basically asking subscribers to go with in terms of finding something to watch next. https://www.youtube.com/watch?v=sY2djp46FeY If you don't like the first choice that the new function thrusts in front of your eyeballs, you can click 'play something else'. What happens then is self-explanatory. And, if you're keen to tun the 'play something' function on, you'll find it underneath your profile name, on the tenth row on Netflix's homepage and in the navigation menu on the left side of the screen. The company has been testing this type of functionality in various forms over the past few years — and the concept is hardly new, as users of music streaming services know. In France at the end of 2020, Netflix also trialled a linear channel, which just played films and shows one after the other in the way that broadcast television does; however, there's no news yet as to whether the latter will become a permanent function worldwide. The idea behind these new features — whether they've been implemented or they're just being trialled — is to keep people watching and encourage more folks to join up as subscribers, of course. More and more new streaming services pop up all the time, all vying for your eyeballs, or so it feels at least. That's also the reason that Netflix introduced its Top Ten lists in 2020, if you've been wondering why the platform started telling you that everyone was watching Tiger King, The Queen's Gambit and The Midnight Sky. Netflix's new 'play something' feature is active on the platform now. For more information about, head to the streaming service's website.
Stomp and cheer, Melburnians: Moulin Rouge! The Musical is returning to the Regent Theatre for a second spin. It's the first Australian-produced show to win the Tony Award for Best Musical. It's based on an adored Baz Luhrmann-directed, Nicole Kidman and Ewan McGregor-starring film. With its tale of star-crossed lovers set to a toe-tapping soundtrack, it's been a Broadway sensation. And, it's heading back to where its Australian season began from Sunday, August 20. If you're as infatuated with all things Moulin Rouge! as its central duo are about each other (and about professing their affection through song), then you might remember that the musical initially hit Melbourne in 2021. And, you might also recall that nabbing a cheap ticket was on the bill, too, thanks to the TodayTix lottery. In spectacular spectacular news, that's back for 2023 as well. As has happened with everything from The Book of Mormon and Harry Potter and the Cursed Child to Hamilton and Mary Poppins, this chance to score discounted Moulin Rouge! seats is all about entering a weekly draw, then crossing your fingers. If you're successful, you'll get a ticket for just $30. Yes, that figure is accurate. This is your opportunity to see the acclaimed screen-to-stage musical for less than the price of a dinner. To take part in the lottery, you will need to download the TodayTix app — which is available for iOS and Android — and submit your entry each week for the next week's performances. The lottery goes live at 12.01am every Thursday morning, with winners drawn after 1pm on the following Wednesday. If your name is selected, you'll have an hour to claim your tickets from when you receive the good news. If you need a reminder, you can also sign up for lottery alerts via TodayTix, too. Moulin Rouge! The Musical brings to life the famed Belle Époque story of young composer Christian and his heady romance with Satine, actress and star of the legendary Moulin Rouge cabaret. Set in the Montmartre Quarter of Paris, the show is known for its soundtrack, celebrating iconic tunes from across the past five decades. The film was, too; however, the stage version backs up the movie's tracks with even more hit songs that have been released in the two decades since the feature premiered. Usually, tickets will set you back $69–598 a pop — so the $30 lottery really is an absolute bargain. Moulin Rouge! The Musical returns to Melbourne's Regent Theatre from Sunday, August 20. To enter the Today Tix $30 lottery, download the company's iOS or Android app, and head to the company's website for more information — and to set up an alert. Images: Michelle Grace Hunder.
For a long time, Lane's Edge had the location but not necessarily the polish. It was a fun, after-dark bar and restaurant with a sweet laneway position and a great little beer garden. But the food was underwhelming and there wasn't much to draw people from flashier neighbours like San Telmo, Cherry bar, Siglo and Punch Lane. However, after undergoing an extensive refurb and top-to-bottom refresh in 2021, Lane's Edge is back. And it's looking amazing! The decor is chic and modern, the lighting is killer, and there's an incredible jungle mural on the opposite laneway. The food has had a glow-up too, with chilli Tuscan olives, prawn spring rolls with chipotle mayo, and hefty pastrami subs pushing out the old unexciting pub grub menu. There's also an excellent wine list, focussing on regional varietals from Mornington, Margaret River and South Australia's Limestone Coast. The end result? Boozy, brash and straight-up fun. Lane's Edge is finally delivering on its potential.
Already a go-to for budget-friendly groceries, snow gear and whatever other specials that it can rustle up, ALDI is now bringing its discounted prices to your wardrobe. Selling clothes isn't new for the chain, as everyone who regularly trawls its middle aisles will be well-aware; however, for the first time ever, the brand is releasing its own ALDI streetwear collection. And yes, everything comes cheap — under $20 cheap, in fact. We all know someone that's bought a fridge, bed or TV at ALDI. You might even be that person. Now, everyone can know folks — or be them — that rock an ALDI-branded hoodie, track pants, slides, sneakers, socks or beanie. The list of items on offer in the new collection, which is called ALDImania, also includes sweatshirts, t-shirts, bucket hats and caps. For some pieces, there's also multiple colours available, with grey, navy and white the range's base hues. In total, there's 23 items made from sustainably sourced or recycled materials, with compact umbrellas and double-walled insulated mugs helping round out the collection. The socks have the lowest price, coming in at $4.99 no matter which of four styles you choose from. And the dearest item is the sneakers, which cost $19.99. In-between those maximums and minimums, fleecy hoodies will set you back $14.99, slides and beanies $7.99 each, and tees $8.99. From top to bottom — excluding underwear — you could deck yourself out in ALDI gear for less than $50. You'll only find the ALDImania collection in ALDI stores from Saturday, April 13. Given how popular the chain's usual specials are, expect the range to get snapped up quickly. "We have been offering our shoppers high-quality, affordable loungewear for years, but this is the first time we've brought our own brand of leisurewear to the middle aisles," said Belinda Grice, ALDI Australia's Buying Director for ALDImania. ALDI's streetwear range will hit the chain's supermarkets around Australia from Saturday, April 13. Visit the ALDI website for more details.
Even if plans for a globe-trotting overseas holiday aren't in the cards for you this year, there's an easy fix for your travel blues, and it's located just three hours south of Sydney in the picturesque South Coast region of Shoalhaven. With white sandy beaches and a breezy pace of life, this coastal stretch makes for a dream getaway destination, whenever you need a timeout from big city living. And it's brimming with beautiful stays located by the water, befitting your next, much-deserved break. We've done the hard work for you and rounded up 12 of the most blissful coastal escapes you can book in Shoalhaven. Choose a winner, pack that swimsuit and get set for a hard-earned beachside getaway. Recommended reads: The Best Places to Go Glamping in NSW The Best Tiny Houses You Can Book Around NSW The Best Hotels in Sydney The Best Places to Stay in the Blue Mountains Bayview Magnificent, Mollymook Beach This cheery coastal getaway boasts its own backyard pool and space for the whole gang. Plus, a top-notch deck, overlooking North Mollymook Beach. From $270 a night, sleeps 12. Escape at Shady Acres, Narrawallee Soak up the serenity at this self-contained coastal retreat, featuring thoughtful modern touches, private sunny backyard and a primo location close to Narrawallee Beach. From $446 a night, sleeps eight. Drop In, Bendalong Break from reality with a stay at this gorgeously updated 50s beach cottage, rocking a suite of luxurious features, plus firepit and outdoor tub. From $392 a night, sleeps two. Banniester Head Cottage, Mollymook Beach A breezy modern cottage, boasting absolute ocean frontage. Unwind in style, with luxe furnishings, epic views and an in-ground pool overlooking the water. From $750 a night, sleeps four. Atra, Callala Beach This is the kind of stunning beachfront home you'll never want to leave. Enjoy luxurious, group-friendly spaces, dedicated media room and private beach access. From $1553 a night, sleeps 12. Barefoot, Callala Beach A luxe, modern riff on the classic beach house, with open-plan living spaces spilling right out onto private lawn and sandy shoreline. From $900 a night, sleeps four. Izba, Callala Bay Revel in your own Mediterranean-inspired paradise right on Callala Bay. This one's a lofty pad with dreamy outlook, luxury features and absolute water frontage. From $867 a night, sleeps nine. Gorgeous Beachside Cottage, Vincentia With its stylish fit-out and peaceful setting amongst sandy shoreline and natural bushland, this beachside bungalow makes for an idyllic couples' coast escape. From $229 a night, sleeps two. Cloud Nine Luxury Villa, Vincentia This architectural stunner boasts an incredible outlook over Jervis Bay, with luxurious interiors to match. Expect high-end features and a stunning deck for soaking up those views. From $690 a night, sleeps six. The River Retreat, Sussex Inlet A pet-friendly holiday paradise, set right on the river's edge. This one's got a breezy indoor-outdoor set-up with sunny waterfront lawn and its own private jetty. From $632 a night, sleeps six. The Old Bottleshop, Currarong If you're after irresistible ocean views, direct beach access and a bright, modern pad to unwind in, this is it. Pool table and roomy verandahs, included. From $814 a night, sleeps eight. Prince Edward Escape, Culburra Beach Metres from the sand, with newly renovated interiors, an enviable outdoor set-up and a separate studio apartment, this chic coastal cottage is a summer holiday dream. From $665 a night, sleeps eight. Top image: Atra FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Last Easter, when social distancing and public gathering rules were in place across the country, KFC did everyone a solid by offering up free home delivery for the first time ever Down Under. While this year's four-day break will look quite different for much of the country — and hopefully for Brisbanites, with the city's current lockdown due to end at 5pm on Thursday, April 1 — the fried chicken chain is bringing back the deal anyway. Yes, joining the Easter Bunny this year to spice up this long weekend is another famous figure: The Colonel. So, it's time to round up your housemates again and tuck into those 11 secret herbs and spices. The limited-time offer is available nationwide and kicks off on Friday, April 2, then runs through until Monday, April 5. To get your hands on some finger lickin' good chook with no extra cost, head to Menulog's website or use the Menulog app. No promo code is needed this time — and there is no minimum spend either. And, while your food is on its way, you can meditate with KFChill, a wellness website that lets you unwind to the sound of chicken frying, gravy simmering or bacon sizzling away in a pan. Obviously, it'll make you hungry. KFC is offering free delivery across Australia on all orders via Menulog from Friday, April 2–Monday, April 5. To order, head to the Menulog website or app.
UPDATE, February 12, 2021: The Big Sick is available to stream via Netflix, Google Play, YouTube Movies and Amazon Video. On paper, The Big Sick sounds like the standard kind of rom-com that's been made countless times before. Guy meets girl, sparks fly, only for roadblocks to get in the path of true romance... yep, we all know how that story goes. Not only that, but given the film depicts star and writer Kumail Nanjiani's real-life courtship with his co-scribe and now-wife Emily V. Gordon, we actually know how this specific story ends as well. Still, there's plenty to like about the sweet, sincere and heart-swelling details and detours that this emotionally insightful gem offers up along the way. When we first meet Kumail, he's a standup comic slogging it out in Chicago. Fame remains a distant dream, as does making a living out of comedy, but at least his set strikes a chord with grad student Emily (Zoe Kazan). While neither of them are really looking for love, their one-night-stand soon becomes something more. There are one or two complicating factors, however. For starters, he can't bring himself to tell her that his Pakistani parents expect him to have an arranged marriage, any more than he can bring himself to tell them he's fallen for an American. But that's just a minor speed bump compared to the mysterious condition that renders Emily comatose for much of the movie's second and third acts. The Big Sick isn't being poetic or ironic with its title, even if a heady dash of romance can feel a bit like an illness. Instead, it's an accurate description of the film, which largely revolves around Emily's sickness, and the uneasy dynamic between Kumail and her parents (the always excellent Holly Hunter, and a surprisingly great Ray Romano). That it manages to make a thoughtful and earnest rom-com out of some of the worst experiences a person can go through is a testament to the movie's success. Life is chaotic, bodies fail, relationships are hard, and this film does't shy away from any of it. Truth be told, the further that Nanjiani and Gordon's script gets into the tumultuous early days of their romance, the messier and more surprising everything becomes. Crucially, director Michael Showalter (one of the creative forces behind Wet Hot American Summer) manages to layer cultural, generational and interpersonal clashes with dating banter, medical drama, family tensions and twenty-something existential dilemmas. In his hands, a film that could have come across like a Judd Apatow-produced version of '90s Sandra Bullock vehicle While You Were Sleeping instead proves a textured, multifaceted example of rom-coms at their very best. It's also worth giving The Big Sick credit for getting the best out of its leading lady, even while she spends much of the film's running time in a coma. Though Emily's illness stems from reality, it still could have easily felt like a cheap ploy – a way to keep the focus on the male protagonist. Yet that's never the case here, in large part because Kazan makes such a lasting impression when her character is conscious. This may be Nanjiani's life story, but his performance wouldn't feel nearly so honest — or the movie so authentic — without Kazan making sure we're all as enamoured with Emily as he is. https://www.youtube.com/watch?v=nO5fXEczlGQ
Pizza Hut. The noble and long-serving ‘za provider who filled our tummies at last-day-of-school pizza lunch and, in our uni student years, staved off hunger and calcium deficiency with cheap Tuesday deals. That is until in 1983 when the Dominos chain hit our shores. Dominos grew in reach and popularity and brought the Hut to its knees (or at least, to mainly smaller takeaway-only venues, less all-you-can-eat restaurants). Sure, there's still a few floating around (lookin' at you Goulburn), but they're harder and harder to come by nowadays. Once a dignified, family-friendly palace of soft serve on-tap, mini marshmallows and slice after slice after slice, Pizza Hut is now reduced to stunt-like takeaway grotesquery such as the Four 'N Twenty Meat Pie crust and its ilk, cramming more and more fast food, chicken nuggets, hot dogs, cheeseburgers into the crust until it’s just a misshapen farce oozing with disappointment. There's not much scope for an in-house sit-down pig-out any more. Apparently someone else has also noticed the decline. Sydney-based photographer Ho Hai Tran has taken up the quest of documenting the last surviving original Pizza Hut buildings before they pass into irrelevance. Tran has travelled 14,000kms across Australia, New Zealand and the USA to try and capture the photos of the buildings, most of which have been converted for other uses. “Pizza Hut buildings might not seem like the most aesthetically compelling structures, but they do ooze a certain charm”, says Tran. His purpose in all of this is historical record-keeping and maybe making Gen Y-ers shed a little tear because our world is crumbling to pieces. He’s even launched a Kickstarter to help him on his way. The archive of photographs will eventually be compiled into a book which has, in our humble opinion, the greatest title ever: Pizza Hunt. And the special edition even comes in a pizza box. Ouch, right in the childhood. Help Ho Hai Tran on his quest to immortalise the ‘Hut through by chipping into the Kickstarter.
Step into the neon-signed, mural-adorned Mama Manoush and let Mama herself feed you a week's worth of authentic Lebanese food in one sitting. At the insistence of her kids, Elizabeth Kairouz opened her restaurant in Fitzroy in 2014, before moving to a bigger space in Brunswick East in 2017 — now everyone can try her perfectly smooth hummus, baba ganoush and labneh, skewers of charcoal-grilled meats, bowls of tabouli and fattoush, and crispy falafel and sambousik. Mama's banquet is $45 a head for a generous selection of her best dishes, including dips with traditional pickles and bread, salads, rice pilaf, charcoaled meats and more, plus Lebanese coffee and baclava to cap it all off. If you're really hungry, the mega banquet is $60 per person for an extra couple of dishes from the mezza and grill menus. Out the back in Mama's Garden, there's a smaller selection of wraps, snack packs and sides, where you can fill up for 20 bucks. There is also a full menu of alcoholic and non-alcoholic drinks and desserts. Try the Mama Bell with Zubrowka bison grass vodka, peach liqueur, clowdy apple, passionfruit and lime juice ($18), a white chocolate, cookie and brandy dessert cocktail served with a baclava finger ($18), or a ginger beer, cinnamon and lime mocktail ($9). Desserts run from the traditional cheese-filled baked pie kanafeh ($18) and mouhalabieh (a custard-like pudding, $10) to choc-hazelnut ice cream served with popcorn and chocolate sauce ($12).
UPDATE, October 30, 2020: Melbourne's outdoor cinemas are now reopening — including the Coburg Drive-In, and the Lido, Classic and Cameo outdoor cinemas. If an early 20th-century Jewish immigrant found himself walking around in 2019, what would he think of the world? That question comes with a flipside, of course, because it's equally valid to wonder how today's folks would react in response. With Seth Rogen starring as a ditch-digging, rat-catching new arrival from Eastern Europe to Brooklyn, these are a couple of the queries pondered by An American Pickle. It's the latest in a long line of comedies that trifle with time while doubling as time capsules, and it falls firmly from a familiar mould. Some such flicks send teens to the past via Deloreans and phone booths, as seen in the Back to the Future and Bill & Ted franchises. Others focus on people from another era grappling with modern living, as the likes of Encino Man and Blast From the Past demonstrated. Yes, these concepts were particularly popular in the 80s and 90s — but no matter when they flicker across our screens, they do two things: serve up a snapshot of the attitudes and norms prevalent when they're made, and explore how current perspectives intersect with those gone by. That's true of An American Pickle, and overtly so, with seeing, examining and giggling at the contrast between century-old ways and contemporary ideas a considerable part of the film. Not only that, but this Simon Rich-penned adaptation of his own short story Sell Out does all of the above broadly and blatantly — pointing out that big, bushy beards have become hipster beacons, for example, and that much has progressed since the 1900s. Consequently, there's no avoiding just how slight An American Pickle is. Its protagonist might fall into a vat of brine, get sealed in, then emerge in a new millennium, but this movie isn't diving deep. Thankfully, mixed up with all the obvious jokes are two thoughtful performances, both by Rogen, that help the film interrogate the push and pull between the past and the present in a moving fashion. Rogen plays Herschel Greenbaum, a new arrival to US with his wife Sarah (Succession's Sarah Snook), after the pair leave their home of Schlupsk to escape Russian Cossacks and chase a better life. Rogen also steps into the shoes of app developer Ben Greenbaum, Herschel's great-grandson and only living descendant when he awakens in his preserved (and presumably extra salty) state. The two men are the same age, and look alike. That said, they sport differences beyond Herschel's facial hair and Ben's technological know-how. It's the usual generational divide, as instantly recognisable to everyone watching. The elder Greenbaum is devoted to his family and faith, and is horrified that his sole remaining relative doesn't appear as fussed about either, while Ben gets increasingly frustrated with his great-grandpa's know-it-all-approach, bluntness and incessant meddling. Rich gives the two men more reasons to argue, and for Ben to start plotting Herschel's downfall. An app that rates companies on their ethics, an artisanal pickle business that becomes a viral hit and a towering billboard for vodka all factor into their feud. So too does Ben's willingness to capitalise upon Herschel's inherent ignorance of 21st-century minutiae, and the proud and stubborn Herschel's insistence upon staying set in his ways. The details are almost superfluous and, as the narrative keeps picking low-hanging comic fruit, they feel that way in the movie as well. Herschel upends Ben's business plans with some unethical behaviour, and Ben tricks Herschel into spouting his dated and offensive opinions on social media, but there's never any doubt that it'll all eventually work out. As a result, even though An American Pickle delivers plenty of conflict, there's no real drama here — and no real investment in Herschel and Ben's spat. Instead, the movie deploys over-the-top clashes in the service of clearcut gags and satirical observations, and to drum up easy laughs. Well that, and a product placement-driven fondness for Soda Stream that's the one thing Herschel and Ben always agree on. But, despite how straightforward it all proves, the film still boasts heart, sweetness, and an understanding of how the past always leaves an imprint, the future needn't fastidiously be chained to tradition, and that everything old and all things new have a symbiotic relationship. Yes, watching Rogen battle with himself manages to convey those notions. Luckily, too, given that the latest feature from The FP's Brandon Trost is rather standard otherwise. Generally, everything about An American Pickle takes the expected option — including switching aspect ratios to distinguish between 1919 and 2019, and using varying colour palettes to differentiate between Eastern Europe and America — but that description doesn't fit Rogen. If you've seen him in everything from Freaks and Geeks and Knocked Up to the Bad Neighbours movies and Long Shot, you've probably started predicting how he plays his parts here. And yet Herschel and Ben feel grounded and textured in a way that little else in this flick does. Rogen offers up two convincingly melancholy visions of two men cartoonishly wrapped up in their own needs and ideas, and his dual performances are consistently anchored in relatable emotions instead of merely self-evident jokes. And, in an affable but also mostly forgettable film, he's the only aspect that doesn't feel like it's been pulled straight from a jar that's been sitting on the shelf for quite some time. https://www.youtube.com/watch?v=RC2dsAGvGy0 Top image: Hopper Stone. © 2020 Warner Bros. Entertainment Inc. All Rights Reserved.
If comedy is all about timing, then Aunty Donna have it — not just onstage. In 2020, Aunty Donna's Big Ol' House of Fun was the hysterical sketch-comedy series that the world needed, with the six-episode show satirising sharehouse living dropping at the ideal moment. While the Australian jokesters' Netflix hit wasn't just hilarious because it arrived when everyone had been spending more time than anyone dreamed at home thanks to the early days of the pandemic, the ridiculousness it found in domesticity was as inspired as it was sidesplittingly absurd. Three years later, heading out is well and truly back, as are Aunty Donna on-screen. Their target in Aunty Donna's Coffee Cafe, which streams in full on ABC iView from Wednesday, April 12 and airs weekly on ABC TV: cafe culture. When we were all staring at our own four walls for months, Mark Samual Bonanno, Broden Kelly and Zachary Ruane helped us to laugh about it — talking dishwashers, tea parties with the Queen of England, silly wi-fi names, Weird Al Yankovic and 'Morning Brown' sing-alongs included. Now, with stay-at-home orders relegated to the past, they've returned to make fun of one of the simplest reasons to go out that there is. During lockdowns and restrictions, how folks were allowed to patronise their local cafe, or not, was a frequent topic of conversation. It was also a bellwether for how strict the rules were at any given junction. Grabbing a cuppa is such an ordinary and everyday task, so much so that it was taken for granted until it was no longer an easy part of our routines. Unsurprisingly, now that caffeine fixes are back and brewing, Aunty Donna finds much to parody. With fellow group members Sam Lingham (a co-writer here), Max Miller (the show's director) and Tom Zahariou (its composer), Aunty Donna's well-known trio of faces set their new six-parter in the most obvious place they can: a Melbourne cafe called Morning Brown. The track itself doesn't get a spin, however, and neither does fellow fan favourite 'Everything's a Drum'. Indeed, the show's central piece of naming is its most expected move. As demonstrated in episodes that turn the cafe into a courtroom, ponder whether Broden might still be a child and riff on Australian Prime Minister Harold Holt's 1967 disappearance, nothing else about Aunty Donna's Coffee Cafe earns that description. Pinballing in any and every direction possible has always been one of the Aussie comedy troupe's biggest talents, with their latest series deeply steeped — riotously, eclectically and entertainingly, too — in that approach. Anything can happen in this Mark-, Broden- and Zach-owned coffee house, and does, just as everything could and did when they were sharing a home on-screen. Of course, anything can occur when Aunty Donna are involved anyway — they recently played corpses revived from the dead in Dungeons & Dragons: Honour Among Thieves, and also released Aunty Donna's $30 bottle of wine and the Always Room for Christmas Pud picture book, after all. So, although Aunty Donna's Coffee Cafe embraces its its sitcom packaging more heartily than Aunty Donna's Big Ol' House of Fun did, its main setting remains a backdrop and a launchpad for as many random skits as they can dish up. When that court takes over, for instance, Richard Roxburgh (Elvis) plays Rake, even though that's not his Rake character's name. In another episode, stanning Gardening Australia and skewering unreliable streaming services get ample attention, complete with jokes at ABC iView's expense. Elsewhere, bucks parties earn their own lampoon. So does the Is It Cake? trend, working in hospitality, shoddy landlords — a particularly timely topic during a cost-of-living crisis — and the nightmare that is dealing with real estate agents when you're a tenant. Gaming bars, kidulting, food reviews, restaurant theming: they're all thrown in as well. If it stems from the culinary and hospo world, Aunty Donna have likely touched upon it. In fact, Aunty Donna's Coffee Cafe's debut episode begins with a pitch-perfect summary of cafe trends of late. The show's overall setup sees Mark, Broden and Zach desperate to make their laneway haunt a success, and determined not to let their lack of skills and experience get in the way. So, they survey all the current gimmicks, including axe-throwing, hurling abuse, selling vinyl and only serving cereal. They learn of spaces that devote their menus to popcorn and show a movie while it's consumed, and of spots to nab free books as you sip (and yes, the fact that these are just cinemas and libraries is the point). Playing fictionalised and heightened versions of themselves, Mark, Broden and Zach have a teenage employee, Stephanie (Gaby Seow, Young Rock), who is interviewed in the first instalment — which gives Aunty Donna's Coffee Cafe's plenty of material about outlandish bosses. Sally-Anne (Sally-Anne Upton, Neighbours) is the resident chaotic landlord, while Michelle (Michelle Brasier, Why Are You Like This) is the kind of devoted customer that Morning Brown wants more of. With its key cast established, this is a workplace comedy, like everything from The Office, Parks and Recreation and 30 Rock to Party Down, Scrubs and Cheers before it. Swapping slinging beer and spirits for lattes and blueberry muffins, and keeping things on the lighter side of anarchic — although a recess skit gets dark, fast — Aunty Donna's Coffee Cafe resembles an Australian spin on long-running absurdist great It's Always Sunny in Philadelphia, too. It's Always Sunny in Philadelphia has aired 15 seasons now, becoming the longest-running American TV comedy, and also has at least three more to come. That's a feat achieved in no small part thanks to its ability to keep pouring out the most out-there, OTT, nonsense situations it can, and boasting the gamest of casts. Across their television slate, Aunty Donna share the same traits. They might be notching up their screentime across different shows, but they're having just as wild, uproarious, farcical and astute a time. So is the company that Mark, Broden and Zach keep here, spanning not only a committed Roxburgh, but also Miranda Tapsell (Christmas Ransom), Looking for Alibrandi's Pia Miranda making tomato day jokes, and everyone from Shaun Micallef and Tony Martin to Melanie Bracewell, Nazeem Hussain, Steven Oliver and Sam Pang. When Aunty Donna's Big Ol' House of Fun became one of 2020's best new shows, no one watched it a mere once. Aunty Donna's Coffee Cafe demands the same response, with its gags flying so thick and fast that laughing at one joke or bit of banter usually means drowning out the next with your own chuckles. In any skit-heavy series, it's impossible to ensure that every single moment lands, but Aunty Donna's shows come I Think You Should Leave with Tim Robinson-level close. Maybe don't watch it on your phone in your local cafe, though — no matter how trendy it is, if it's in a laneway, whether it's open till 5pm, if there's a criminal trial going on inside or ghosts are haunting the place. Check out the trailer for Aunty Donna's Coffee Cafe below: Aunty Donna's Coffee Cafe streams via ABC iView, and also screens weekly on the ABC at 9pm from Wednesday, April 12. Images: Richard Lowe / Jackson Flinter / ABC.
The Baroque Room is one of the multiple venues located within The Carrington Hotel, the Blue Mountains institution on Katoomba Street. Soon, it will play host to Ngaiire. The singer is undoubtedly a creative force of nature, as well as the first Papua New Guinean to feature in Triple J's Hottest 100. Since her Australian Idol appearance back in 2004, Ngaiire has been working on her unique brand of R&B and neo soul, which has seen her tour alongside acts as diverse as Flume and Alicia Keys. Her live performances are renowned for their theatricality, attention-grabbing costumes and incredible vocals — it's no exaggeration to say the mountains won't know what's hit them this spring. If you're keen to head along, you best get in quick as her later performance has already sold out. For the latest info on NSW border restrictions, head here. If travelling from Queensland or Victoria, check out Queensland Health and DHHS websites, respectively.
From January 13, Melbourne will have its very own Rooftop Tennis Club, proving this city has some serious game. Like no ordinary tennis club of sweaty change rooms and musty trophy cabinets, Melbourne Central’s Rooftop Tennis Club has the best view of the Australian Open outside of Melbourne Park, and best of all, it's completely free. This is the tennis club for people who may not be able to serve like a pro, but know how to balance ice cream while lounging in a deckchair like a true master. Completely open to the public, the otherwise secret space atop Melbourne Central will feature the live Channel Seven broadcast of the 2014 Australian Open accompanied by a selection of gourmet street food, Nike product displays and its very own purpose built three-quarter sized tennis court. Not keen on being stranded on a roof for days over 30 degrees? This tennis club has thought ahead, with food trucks providing some much-needed refreshments. Handmade Ice Pop will be serving all natural frozen treats, Little Champs will be dishing up mini brioche rolls full of flavoursome goodness, while Corn Boss has a selection of vegetarian delights involving corn on the cob spiced to mouth-watering perfection. It’s all you could want from a courtside member’s box: views, refreshments, and courtside action, with the added luxury of having readily available bathroom facilities and transport options. So pull the visor out from the back of your closet and if you come across your long abandoned tennis racket bring that along too — it’s encouraged to have a hit and try the rooftop court out for size. Match point. The Rooftop Tennis Club is located on Level 3 of Melbourne Central next to Strike Bowling. Entry is free, and the venue will be open from 11am - 7.30pm daily from January 13 - 26. For more information check their website.
Dust off your sombreros, amigos. The latest international excuse for a good time to reach our shores is Cinco de Mayo — a celebration of all things Mexican (which, if we’re being nit-picky, is really more of an Americanisation than anything but shh, let us party). In celebration, the folks at Corona and Beach Burrito Company Fitzroy are putting together a fiesta, complete with face painting by local street artists and the first ever Taco Time Trials Eating Contest. For the less competitively inclined but equally taco-happy, Cinco de Mayo falls conveniently on a Tuesday, and Beach Burrito Co’s regular $3 taco deal applies, so your pesos’ll stretch further. With what you’ve got left, you can sip salt-rimmed margaritas, down trays of tequila shots (not recommended) or share a bucket of ice-cold Coronas. And, of course, come prepared to smash and whack your way to glory, because they wouldn’t be doing Mexico right without pinatas.
If this Cinco de Mayo finds you in Byron Bay (and if it does, let it be known that we’re jealous), salsa on down to seasprayed local cantina Miss Margarita. This colourful shack does the kind of vibrant, uncomplicated, flavourful Mexican nosh you’d expect from the beachside town and once hub of hippiedom, and they’re joining forces with Corona to celebrate the now-international day of Mexican culture appreciation (slash excuse to challenge yourself to a fajita-eating competition of one). Head down at lunch, hand over $15, and you get a Corona and two of Miss Margarita’s super fresh tacos. These guys are no mean feast, with varieties like tropical pork with pineapple, shredded chilli and tamarind beef, and house black beans with feta and jalapenos that’ll have you lip-smacking and finger-licking your way out of there. They’ve also got $25 Corona buckets all day long (or one for $7.50) and a $5 happy hour from 5–6pm. That’s a deal we can say ¡Salud! to.
If you're a vegetarian, worshipper of eggplant or just a keen home cook, chances are Yotam Ottolenghi has had some impact on your life. In fact, we bet you've got at least one of his bestselling cookbooks in your cupboard. Next year, you'll be able to learn a few more tips and tricks from the renowned Israeli chef as he heads to Down Under for a speaking tour. The trailblazing chef, author, TV personality and restaurateur whose name has become its own cooking style is touring the country in 2023 off the back of his book Ottolenghi Flavour, which builds on his love for innovative vegetable-based recipes. And yes, this'll sound familiar, as he was planning to head Down Under in 2021 and at the beginning of 2022 — but we all know what got in the way. [caption id="attachment_864021" align="alignnone" width="1920"] Stuart Simpson[/caption] Yotam Ottolenghi — Flavour of Life will hit Sydney, Canberra, Adelaide, Brisbane, Melbourne, Auckland and Wellington in January — and, as well as dishing up a few spicy secrets behind mouthwatering hits like miso butter onions and spicy mushroom lasagne, the show will provide an opportunity to hear directly from the man himself about his influences and experiences. It also promises to delve into Ottolenghi's experience as the owner of famed London restaurants Nopi and Rovi, how he approached home cooking during the COVID-19 pandemic and how you can dial up the flavour in your own kitchen. [caption id="attachment_768174" align="alignnone" width="1920"] Flickr/Stijn Nieuwendijk[/caption] YOTAM OTTOLENGHI 2023 AUSTRALIAN TOUR: Saturday, January 21 — Canberra Theatre Centre Sunday, January 22 — ICC Sydney Monday, January 23 — Adelaide Convention Centre Wednesday, January 25 — Kiri Te Kanawa Theatre, Aotea Centre, Auckland Friday, January 27 — Michael Fowler Centre, Wellington Saturday, January 28 — QPAC Concert Hall, Brisbane Sunday, January 29 — Hamer Hall, Arts Centre Melbourne The Yotam Ottolenghi — Flavour of Life will tour Australia and New Zealand in January 2023. For further details or to buy tickets, head to the tour website.
Troye Sivan has something to give Australia and New Zealand: his Something to Give Each Other tour, which has just announced 2024 dates Down Under. The Grammy-nominated and ARIA Award-winning 'Rush', 'I'm So Tired...', 'My My My!' and 'Youth' artist has spent the last couple of months playing shows in Europe to sellout crowds. Next, he's hitting America for a co-headline arena tour with Charli XCX. After that, he'll be making an Aussie return for gigs in Adelaide, Melbourne, Brisbane and Sydney, then hopping over to Aotearoa to start off December. The Perth-raised pop star doesn't have the Western Australian city on his roster, starting his Australian leg at The Drive in the South Australian capital instead on Tuesday, November 19. From there, he has a date with Melbourne's Sidney Myer Music Bowl on Thursday, November 21, then with Brisbane's Riverstage on Tuesday, November 26. Last up for Aussies, everything from 'Got Me Started' to 'One of Your Girls' will echo across the Sydney Opera House Forecourt on Thursday, November 28, before it's NZ's turn at Spark Arena on Monday, December 2. Set to get a huge workout: the 2023 album that gives the tour its name, of course, which was Sivan's first since 2018's Bloom, earned a heap of placings on best-of-2023 lists at the end of last year and hit number one on the album charts in Australia. But given that his discography dates back to 2007's Dare to Dream — and includes fellow EPs TRXYE and Wild, plus his debut album Blue Neighbourhood — he has tracks from across almost two decades to bust out. "It's happening..." said Sivan on social media. "Good morning specifically to Australia and New Zealand. I'm home and I have news." View this post on Instagram A post shared by troye sivan (@troyesivan) Sivan will have Nick Ward in support, and is also set to appear at after parties in Sydney and Melbourne, where fans will have the chance to meet him. For more information on that part of the tour, you'll need to keep an eye on vodka brand Smirnoff's Instagram. It's already been a huge few years for Sivan — as a musician, acting in Boy Erased and The Idol, being parodied by Timothée Chalamet (Dune: Part Two) on Saturday Night Live — and now 2024 is getting even bigger. Dance to this, obviously. Troye Sivan Something to Give Each Other 2024 Australian and NZ Tour Dates: Tuesday, November 19 — The Drive, Adelaide Thursday, November 21 — Sidney Myer Music Bowl, Melbourne Tuesday, November 26 — Riverstage, Brisbane Thursday, November 28 — Sydney Opera House Forecourt, Sydney Monday, December 2 — Spark Arena, Auckland Troye Sivan is touring Australia and New Zealand in November and December 2024, with multiple rounds of ticket presales beginning from 10am local time on Thursday, July 11 — and general sales from 12pm local time on Tuesday, July 16. Head to the tour website for more details. Top image: Arden.
Melbourne's night owls and culture vultures will unite this autumn when a brand new event transforms the city into a late-night cultural playground. Announced over the weekend, Art After Dark will make its debut from Friday, May 13 until Sunday, May 15, taking over some of Melbourne's leading cultural institutions for an after-hours extravaganza. The event pulls inspiration from the European Night of Museums, which sees thousands of museums and other cultural landmarks open late for a special one-night, continent-wide affair each year. Here in Melbourne, the inaugural Art After Dark will deliver two jam-packed nights of art, music, food and drink, as iconic spots like The NGV, Fed Square, Arts Centre Melbourne, ACMI, State Library Victoria and Melbourne Museum all extend their opening hours and party late into the evening. The program is set to offer an array of free and ticketed experiences for people of all ages. [caption id="attachment_821536" align="alignnone" width="1920"] NGV Friday Nights, Eugene Hyland[/caption] Held in collaboration with Visit Victoria and some of the city's key cultural facilities, the event is expected to see thousands of punters descend on the city for a late-night culture fix — a move that's sure to be welcomed by Melbourne's hard-hit creative industries as they continue through their post-COVID recovery phase. And Art After Dark isn't the only big win for Melbourne's cultural scene this year. From June, NGV International will host a huge exhibition dedicated to Pablo Picasso and his contemporaries, called The Picasso Century. And also this winter, the UK's Tate galleries will descend on ACMI for Light: Works from Tate's Collection — another blockbuster showcase featuring over 70 diverse works from across the past 200 years of art history, including pieces by Kusama and Monet. Art After Dark Melbourne will take place across a collection of the city's key cultural institutions from May 13–May 15. Jump over here for more info and to sign up for early access to the full program. Top Image: Melbourne Museum
As part of the flurry of streaming services always competing for our eyeballs, FanForce TV joined the online viewing fold during the COVID-19 pandemic as a pay-per-view platform. The service runs all year round, of course, but it goes the extra mile for both National Reconciliation Week and NAIDOC Week, which is when it hosts the First Nations Film Festival (previously known as the Virtual Indigenous Film Festival) — yes, twice each year. In 2023, the fest enjoys its second run between Sunday, July 2–Monday, July 31, stretching the celebrations across almost an entire month — all solely online. The returning event will show six features that you can view whenever you like, plus three shorts, pairing the latter with a live discussion on one specific night. On the features bill: Ella, a powerful documentary about Ella Havelka, the first Indigenous dancer to be invited into the Australian Ballet in its half-century history; The Saltwater Story, following Bundjalung canoemaker Kyle Slabb taking a group of men to North Stradbroke Island by sea; and Homeland Story, which heads to the small Indigenous community of Donydji in northeast Arnhem Land. Or, there's also Etched in Bone, Angels Gather Here and Journey West. The first focuses on Washington DC's Smithsonian Institution returning stolen human bones, and the Aboriginal elder who crafts a ceremony to restore his ancestors' spirits afterwards; the second charts Jacki Trapman's trip to Brewarrina for her parents' 60th wedding anniversary; and the third sees a walk that hadn't happened for almost three decades reenacted. 2023's NAIDOC Week theme is 'for our elders, which drives this film fest's selections as well. Viewers can tune in on a film-by-film basis, or buy an all-access pass to tune into everything. And for the First Nations short film program, it livestreams at 8pm AEST on Wednesday, July 5, with actor, broadcaster, comedian and musician James Williams chatting with The Fred Hollows Foundation's Director of Social Justice and Regional Engagement Jaki Adams afterwards. Top image: The Australian Ballet Production Vitesse with Ella Havelka and Christopher Rogers-Wilson. © Jeff Busby
The inaugural Vivid Residence is the headline event in Vivid Sydney's huge new food lineup. The two-week residency brings a hotly sought-after international chef behind the pass of one of Sydney's most beloved fine diners. The bad news: this exceptional dining opportunity is completely sold out — and with good reason. The once-in-a-lifetime event will give hungry Sydneysiders the chance to savour a menu from Daniel Humm — of New York's three Michelin–starred Eleven Madison Park — at Aria Sydney between Tuesday, June 6–Saturday, June 17. [caption id="attachment_902234" align="alignnone" width="1920"] Steven Woodburn[/caption] The good news: deliciously, we managed to secure a few tickets (five pairs, specifically), just for you. If you're not already aware, along with its starry reputation, Eleven Madison Park and its plant-powered plates have previously sat at number one on the World's Best 50 Restaurants list. Backdropped by the glittering harbour, Humm and his team, with the support of Aria, will offer a nine-course tasting menu (and a slightly shorter lunch menu) capturing the essence of NSW. In this exclusive Concrete Playground Trips package, you and your date will choose between a lunch and dinner service at Aria, stay in a superior heritage room at the Harbour Rocks Hotel and then enjoy breakfast the next morning. All the makings of a standout winter trip to Sydney. To secure one of the last five spots, book your package stat. Eleven Madison Park takes over Sydney's Aria from Tuesday, June 6 till Saturday, June 17. Take in the full Vivid Sydney experience with Concrete Playground Trips' exclusive event package, which includes lunch or dinner for two at the Eleven Madison Park x Aria Vivid Residence, one night at The Harbour Rocks hotel and breakfast for two the next morning. For more information, head to the website. Specific dates and dining times apply.
UPDATE, May 17, 2021: Shoplifters is available to stream via SBS On Demand, Google Play and YouTube Movies. Quantity and quality, as alike as the two words sound, have long been pitted as opposites. To be prolific is to be imperfect, or so the thinking goes, although Hirokazu Kore-eda just keeps blowing that idea out of the water. The writer-director's latest release is his eleventh since the turn of the century and, in a hefty collection of intimate, moving movies that includes Nobody Knows, Like Father, Like Son and Our Little Sister, the Palme d'Or-winning Shoplifters is one of the best. There's really no such thing as a bad Kore-eda film, even when he steps into slightly different territory, as with last year's less-acclaimed crime flick The Third Murder. But his rich and poignant new family drama is almost disarmingly affecting (and effective), showcasing the height of the Japanese filmmaker's prowess. The family that steals together, stays together in Shoplifters. Daily pilfering — and other petty crimes and grifts, as well as regular pension cheques — enable father Osamu (Lily Franky), mother Nobuyo (Sakura Andô), grandmother Hatsue (Kirin Kiki), aunt Aki (Mayu Matsuoka) and son Shota (Jyo Kairi) to survive in their tiny, overpacked cottage on the outskirts of Tokyo. On the way home one winter evening after giving their light fingers a workout, Osamu and Shota spy a slip of a girl cold and shivering on an apartment balcony, and soon young Yuri (Miyu Sasaki) is in their care too. While Osamu and Nobuyo's choice to keep the bruised and starving child could be construed as kidnapping, she's just so happy with them. In time, Yuri also proves rather skilled in the family business. 'Family drama' is a loaded way to describe Shoplifters. It's accurate — more accurate than can be conveyed without giving too much away — but the two words barely scratch the surface of Kore-eda's film. Seemingly straightforward in its narrative and themes, but thoroughly complex in the depths it reaches in both its story and sentiments, Shoplifters doesn't simply ponder one family's tough but loving existence. Rather, it contemplates exactly what makes a family. On more than one occasion, a character wonders whether blood or choice forge a stronger bond, a notion that couldn't be more important as the movie's ups and downs play out. Integral to that train of thought is Kore-eda's clear-eyed exploration of an oft-ignored aspect of Japanese society, at least on screen: the realities of life on the country's margins. As embodied by the film's central clan, the poor and the struggling aren't ignored here. They're literally stealing to get by, and they're never denigrated for it. Nor does the movie judge them for their decision to unofficially adopt someone else's child. The cast, which includes some of Japan's great acting talents, deserve a wealth of credit for building textured, layered characters that cannot be pigeonholed — people who feel like they could've walked off of the street and into Kore-eda's naturalistically shot picture. It's not just financial stress that drives Franky's patriarch, for example, but a desperation to connect that's evident every time that Shota steadfastly refuses to call him dad. And it's not just caring for one's elders that cements Kiki's grandma at the head of the family, a truth that's always apparent on the now-late actor's face. Of course, Franky, Kiki and the rest of the movie's stars have the good fortune to be performing for Kore-eda, one of the most empathetic and humanistic directors in the business both in Japan and around the world. Tissues should come with tickets to his films, not because he overtly pulls at the heartstrings, but because he peers so generously at everyone within his frames. Indeed, the kindness that he shows, and the space that he gives his characters, has a quietly overwhelming impact. Here, the filmmaker is at his best when he's cramming Shoplifters' family into their cramped villa, and observing their interactions, emotions and motivations in such close quarters. Every moment of their lives is tainted by hardship and harshness, but every moment is also a tender revelation. https://www.youtube.com/watch?v=tOOcpb48Oyo
All too often, being vegan and being spoilt for choice are two mutually exclusive concepts. But at the newly hatched Vincent's Marketplace, they're cohabitating very happily together under the one roof, thank you very much. The latest venture from meat-free wholesalers Vincent Vegetarian Food, the new Brunswick Street site features both a comprehensive vegan supermarket and a cosy plant-based cafe to visit pre- or post-shop. The retail shelves carry a huge array of products, offering the kind of diverse range that's been synonymous with Vincent's since it started life as a vegetarian superstore in Footscray back in 1996. Here in Fitzroy, you'll spy plenty of plant-based goodies not found in too many other Melbourne stores — such as vegan condensed milk, whipped cream and honeycomb — as well as an exclusive line of signature Vincent's products that includes vegan fried 'chicken', dumplings, party snacks and faux bacon. Sitting next to it is a standing-room-only cafe pouring top-notch St Ali coffee and selling innovative pastries from the CBD's Weirdoughs. These guys are famous for whipping up wild and wonderful plant-based treats, from Aperol spritz-filled doughnuts to cube-shaped croissants. Vincent's Marketplace adds to Fitzroy's already thriving vegan and vegetarian scene, joining vegan bar and restaurant Smith & Daughters, sibling Smith & Deli, the long-running Vegie Bar, plant-based dessert bar Girls & Boys, and many more.
This celebrated Italian-style bakery boasts three stores (Carlton, South Yarra and St Kilda) and an ever-growing fan base, famed for both its premium sourdough breads and the rows of tempting house treats beckoning from its pastry cabinets. Pop in for that loaf of crusty casalinga or to stock up on some panino, and we promise you'll find it hard not to leave without a creamy cannoli or fat bomboloni also in tow. That said, it's Baker D. Chirico's seasonal creations that really cause a stir — just check out the annual queues for its glazed hot cross buns or artisanal panettone and you'll know what we mean. Design-lovers will especially love the cosy Carlton shopfront, its striking timber waves the work of renowned March Studio. It's easy to see why it's one of the best bakeries in Melbourne. Top image: Emily Godfrey Appears in: The Best Bakeries in Melbourne for 2023
UPDATE, December 23, 2022: Barbarian is available to stream via Disney+ from January 4, 2023. "Safe as houses" isn't a term that applies much in horror. It isn't difficult to glean why. Even if scary movies routinely followed folks worrying about their investments — one meaning of the phrase — it's always going to be tricky for the sentiment to stick when such flicks love plaguing homes, lodges and other dwellings with bumps, jumps and bone-chilling terror. Barbarian, however, could break out the expression and mean it, in a way. At its centre sits a spruced-up Detroit cottage listed on Airbnb and earning its owner a trusty income. In the film's setup, the house in question is actually doing double duty, with two guests booked for clashing stays over the same dates. It's hardly a spoiler to say that their time in the spot, the nicest-looking residence in a rundown neighbourhood, leaves them feeling anything but safe. Late on a gloomy, rainy, horror-movie-101 kind of night — an eerie and tense evening from the moment that writer/director Zach Cregger's first feature as a solo director begins — Tess Marshall (Georgina Campbell, Suspicion) arrives at Barbarian's pivotal Michigan property. She's in town for a job interview, but discovers the lockbox empty, keys nowhere to be found. Also, the home already has an occupant in Keith Toshko (Bill Skarsgård, Eternals), who made his reservation via a different website. With a medical convention filling the city's hotels, sharing the cottage seems the only option, even if Tess is understandably cautious about cohabitating with a man she's literally just met. Ambiguity is part of Barbarian from the get-go, spanning whether Keith can be trusted, what's behind their double booking and, when things start moving overnight, what's going on in the abode. That's only the start of Barbarian's hellish story. Canny casting plays a considerable part in Barbarian's early unease; if you rocked up to a place that's meant to be yours alone for the evening only for Pennywise from the recent big-screen version of IT and its sequel lurking within — sans red balloon, luckily — you'd be creeped out. Skarsgård's involvement isn't the only reason that the movie's first act drips with dread and uncertainty, but it's a devastatingly clever use of him as a horror-film talent, and the Swedish star leans into the slippery and shifty possibilities. Still, after taking a photo of his ID and being wary of drinking beverages he's made, Tess warms to Keith over wine and conversation. He's having a loud nightmare on the couch, too, when her bedroom door opens mysteriously. When she gets stuck in the locked basement the next day, he's out at meetings. Then he returns, and they'll wish that a reservation mixup really was the worst of their troubles. Clearly made with affection for old-school horror, especially films by genre great Wes Craven, Barbarian feels like a well-crafted take on a familiar premise while it's laying its groundwork. Foolish is the viewer who thinks that they know where the movie is heading from there, though — or who ignores the instant bubblings of potential to zig and zag, plus the lingering inkling that something beyond the easily expected might stalk its frames. Indeed, watching Barbarian recalls watching scary flicks from four and five decades back for the first time, a rite of passage for every horror-loving teen no matter the generation, and being gripped by their surprises. Cregger bundles in twists, but he also establishes a vibe where almost anything can shift and change. Two cases in point: when Justin Long (Giri/Haji) shows up as a smug and obnoxious Hollywood player with #MeToo problems, and when the 80s isn't just an influence in scenes lensed in a tighter aspect ratio. Keeping audiences guessing is chief among Barbarian's games, and one it plays with glee and skill on Cregger's part. That's true when the film is nodding to other horror greats, as also seen in its Psycho nudges (side note: Skarsgård would make a great Norman Bates if anyone was to try remaking Alfred Hitchcock's classic again). It's also accurate when Barbarian is going all in on unnerving frights and inducing fear — the moment you think you know where the plot sits, it careens sharply, and the moment you think you know when the next shock or source of apprehension will arrive, and how, it flips just as boldly. He's co-helmed Miss March and The Civil War on Drugs before, but it's the filmmaker's background in sketch comedy (as a cofounder of New York-based troupe The Whitest Kids U' Know, in fact) that might underline his ability and willingness to turn wildly, and to make each pivot and leap pay off. Jordan Peele took a similar jump and that's going swimmingly, as Get Out, Us and Nope attest. But Cregger opts for what might seem an unusual choice in these elevated horror times: he flirts with topical subjects and helms a movie with things to say, but layers in his many points rather than makes any one the main focus. It isn't by accident that Barbarian is set in Detroit, or in its Brightmoor area. The way suburbia can boom, change and falter under capitalism is firmly in the film's sights, as are the inequities in income in general, and at the heart of the short-term rental market — plus the fact that such services can virtually snap up entire neighbourhoods, price plenty of folks out of them, and see homes turned into cash cows at the expense of any sense of community. Cregger also muses just as savvily and bitingly on toxic masculinity and the roles it forces women into, such as victims, villains and simply constantly being on high alert, as Tess always is. Splashing around an eagerness to keep challenging itself — including visually, with cinematographer Zach Kuperstein (The Eyes of My Mother) rarely using the obvious shot, and also ensuring every frame is taut and precise — Barbarian is deeply, gloriously and entertainingly sinister. It's meticulously and impressively executed, and also innately unsettling. It knows all the tropes and horror conventions that've filled films both spectacular and terrible before, and it knows how to toy with and subvert them, when to let them run their course, and how to make a movie that feels fresh no matter which of the above it's doing. And, in the process, it deserves to boost not only Cregger's career, but also the excellent Campbell's. Playing a memorable potential final girl takes fortitude (see: Jamie Lee Curtis as Laurie Strode again and again), and playing a character that's smart, determined, resourceful but keeps making questionable horror-movie decisions for understandable reasons requires commitment. Believing in Campbell as Tess, and in the attention-grabber of a flick she's in: now that's a move that's safe as houses.
The long weekend is finally here and we've been wholeheartedly embracing all the Easter treats. But if you're looking to fill yourself up with something other than sweets, here's an extensive list of top-notch bars, cafes and restaurants that'll be open and serving up the goods this long weekend in Melbourne. Settle in with a drink atop Johnny's Green Room, head to Eat Pierogi Make Love for a long Polish Easter feast or get some late-night CBD cocktails from Bar Ampere and Bar Margaux. Recommended reads: The Best Restaurants in Melbourne The Best Bars in Melbourne The Best Pubs in Melbourne The Best Cafes in Melbourne [caption id="attachment_706132" align="alignnone" width="1920"] Good Times[/caption] RESTAURANTS AKAIITO: Friday: 12–10.30pm, Saturday–Sunday: 6–11pm BABY PIZZA Friday–Monday: as normal CHIN CHIN Friday–Monday: as normal DAVID'S Friday: 6–9pm, Saturday: 12–2pm and 6–9pm, Sunday: seatings at 11.30pm and 1.30pm EAT PIEROGI MAKE LOVE Friday–Saturday: 12–11pm ENTRECOTE: Friday–Monday: 12pm–late ETTA Friday–Saturday: 5pm–late FIREBIRD Friday–Saturday: 5.30–11pm GOOD TIMES Friday–Saturday: as normal GRAZELAND Friday: 5–10pm, Saturday: 12–10pm, Sunday: 12–9pm GRILL AMERICANO Friday–Monday: as normal HAZEL Friday–Saturday: 5pm–late HAWKER HALL Friday–Monday: as normal with Easter Yum Cha from 12–4pm daily HELLA GOOD — CHADSTONE Friday–Monday: 11am–9pm HELLA GOOD — EMPORIUM Friday–Monday: 11am–8pm ICHI NI NANA IZAKAYA Friday–Monday: 5–11pm KISUME Friday–Monday: 5–11pm LAGOON DINING Friday and Sunday: 12–2.30pm and 5.30–10pm, Saturday: 5.30pm10pm MARAMEO Friday: 5.30pm–late, Saturday: 12–3pm and 5pm–late MOONHOUSE Friday: 6-10pm, Saturday: 12–4.30pm and 5.30pm–10pm NEIGHBOURHOOD WINE Friday–Monday: 12pm–12am NEW QUARTER Friday–Saturday: 5–11pm NOMAD Friday: 5pm–late, Saturday–Sunday: 12–2.30pm and 5–10.30pm ORIENTAL TEAHOUSE CBD Friday, Saturday and Monday: 5.30–9pm PIPI'S KIOSK Friday–Saturday: 12–3pm and 6–10.30pm ROBATA Friday: 5–11pm, Saturday: 12–11pm, Sunday: 12–10pm ROSSI Friday–Sunday: 12pm–late SMALL PRINT PIZZA BAR Friday: 4–10pm, Saturday: 4–9.30pm, Sunday: 4–9pm, Monday: 5–9pm SOCIETY Friday and Saturday: 5–late STALACTITES Friday–Monday: 11am–late STOKEHOUSE Friday–Monday: 12pm–late STOKEHOUSE PASTA & BAR Friday–Monday: 12pm–late SUPERNORMAL Friday–Sunday: 12pm–late TOKEN: Friday–Monday: 5pm–late TOKYO TINA Friday–Saturday: 5–10pm VICTORIA BY FARMER'S DAUGHTERS Friday–Saturday: 5pm–late YAKIMONO Friday–Monday: as normal [caption id="attachment_889058" align="alignnone" width="1920"] Lilac Wine Bar by John Benedict Ryan[/caption] BARS AND PUBS BAR AMPERE Friday: 4pm–1am, Saturday–Sunday: 4pm–3am BAR CAROLINA Friday: 5.30pm–late, Saturday: 12pm–3pm and 6pm–late, Sunday: 1–9pm, Monday: 12–4pm BAR MARGAUX Friday: 5pm–1am, Saturday: 5pm–3am CASTLEROSE Friday–Saturday: 4pm–late BUILDER'S ARMS HOTEL Friday–Monday: 12–11pm DOM'S SOCIAL CLUB Friday: 4–11.30pm, Saturday: 4pm–1am EMBLA Friday–Saturday: 3pm–12am, Sunday: 12–5pm HEARTBREAKER Friday–Saturday: 3pm–3am HOP NATION Friday–Saturday: 12–10pm, Sunday: 12–9pm JAYDA Friday–Saturday: 5pm–12am JOHNNY'S GREEN ROOM Friday–Monday: 12–111pm LILAC WINE BAR Friday–Saturday: 12pm–late MAHA NORTH Friday 5–11pm, Saturday–Monday: as normal MOON DOG WORLD Saturday–Sunday: 11.30am–late, Monday: 3pm–late NEPTUNE Friday–Saturday: as normal ODD CULTURE Saturday: 12pm–12am, Sunday: 12–10pm OLD PALM LIQUOR Friday–Monday: 12pm–12am PIRATE LIFE SOUTH MELBOURNE: Friday–Sunday: 11am–8pm STUDIO AMARO Friday–Saturday: 5pm–12am THE CLARE CASTLE Friday—Monday: as normal THE GREAT NORTHERN HOTEL Friday: 12–11pm, Saturday: 11am–1am, Sunday: 11am–11pm, Sunday: 11am–12am THE KEYS Friday, Sunday and Monday: 12–10pm, Saturday: 12pm–12am THE LINCOLN Friday: 12–10pm, Saturday: 12–11pm THE LOCAL TAPHOUSE Friday–Monday: 12pm–late [caption id="attachment_922237" align="alignnone" width="1920"] Ima Asa Yoru[/caption] CAFES BAKER BLEU — CAULFIELD NORTH Friday–Monday: 7.30am–2pm BAKER BLEU — HAWKSBURN Friday–Monday: 8am–2pm COMMON GROUND PROJECT CAFE Friday–Sunday: 8am–4pm CONVOY Friday–Monday: 8am–4pm HARERUYA PANTRY Friday–Monday: 3–10pm IMA ASA YORU Friday: 11am–2pm and 5.30–9pm, Saturday: 10am–2pm and 5.30–9pm INDUSTRY BEANS (FITZROY & LITTLE COLLINS) Friday–Monday: 8am–3.30pm LE BAJO MILKBAR Friday–Sunday: 10am–2.30pm PIDAPIPO GELATERIA — CARLTON, WINDSOR AND CBD Friday–Monday: as normal SECOND HOME: Friday–Monday: 8am–3pm ST ALI — SOUTH MELBOURNE Friday–Monday: as normal SEVEN SEEDS Saturday–Monday: 8am–4pm [caption id="attachment_801858" align="alignnone" width="1920"] Queen Victoria Market[/caption] MARKETS PRAHRAN MARKET Saturday: 7am–5pm, Sunday: 10am–3pm PRESTON MARKET Saturday: 8am–3pm QUEEN VICTORIA MARKET Saturday: 6am–4pm, Sunday: 9am–4pm SOUTH MELBOURNE MARKET Saturday and Sunday: 8am–4pm Top images: Johnny's Green Room by Arianna Leggiero
Only one movie about a Griswold family getaway has ever hit the screen without Lindsay Buckingham's 'Holiday Road' echoing. What does the Nobody 2 trailer boast that National Lampoon's Christmas Vacation doesn't, then? That earworm of a tune, plus plenty more. The sequel to 2021's Nobody, aka the film that enlisted Mr Show with Bob and David, Breaking Bad and Better Call Saul great Bob Odenkirk in a John Wick-esque part — its screenwriter Derek Kolstad created the Keanu Reeves (Sonic the Hedgehog 3)-played character, in fact — this is still a movie about a seemingly mild-mannered family man who had a previous life as an assassin. It's another chapter in a tale that acknowledges that those skills aren't just in the past, too. But it also takes Odenkirk's Hutch Mansell on holiday. "Let's just say the first film was a moody winter — this one will be a colourful summer," Timo Tjahjanto tells Concrete Playground. The Indonesian filmmaker is in the director's chair on Nobody 2, which is still an action-thriller. That said, it adapts to its protagonist and his loved ones — including his wife Becca (Connie Nielsen, Gladiator II), children (Law & Order Toronto: Criminal Intent's Gage Munroe and Harland Manor's Paisley Cadorath) and father (Christopher Lloyd, Hacks) — going on a getaway, as the just-dropped sneak peek demonstrates. The resort setting, the tropical attire, arcades, pool noodles and boat rides: they're all part of it, as is Hutch trying not to let discovering that the Mansells' destination is an old bootlegging route ruin their break. "I love moody winter. My films have always been very moody and very often depressive," Tjahjanto advises. "But I think a good challenge for me right now is 'how do we make this violent world of Hutch Mansell collide with this burst of summer vacation — like this burst of 'the family wants to have fun in this water park'?". He continues: "that's our approach to it, visually and tonally". Again, that comes through in the picture's debut glimpse, which features a number of sights that could've sprung from a Vacation or any other holiday-set movie, except for the frenetic fights everywhere from elevators to those aforementioned arcades and boats. The first time around, Nobody also operated as a character study. When you have multiple Emmy-nominee Odenkirk in the lead — and partly riffing on events that happened to him, with the franchise coming to fruition after his own home was broken into — that's the ideal approach. In Nobody 2, set four years after his altercation with the Russian mob, now the story broadens its focus to Hutch's nearest and dearest as well. The setup: the Mansells head away because Hutch begins to realise that his children are growing up and he's barely spending any time with them, so making the kind of memories that only family time can conjure up is in order. Nobody 2 is Tjahjanto's first full Hollywood picture. He's no debutant, though. For more than a decade and a half, Tjahjanto has been adding features to his resume, both solo and as part of the Mo Brothers with fellow Indonesian filmmaker Kimo Stamboel (Dancing Village: The Curse Begins). Together, they're behind 2009's Macabre, 2014's Killers and 2016's Headshot. Tjahjanto on his lonesome also contributed segments to American horror anthology flicks The ABCs of Death, V/H/S/2 (co-helming with The Raid, The Raid 2 and Havoc's Gareth Evans) and V/H/S/94. Plus, he's directed Indonesian pictures May the Devil Take You and its sequel May the Devil Take You Too, alongside The Night Comes for Us, The Big 4 and The Shadow Strays. He's also been attached to Train to Busan remake The Last Train to New York, and is helming The Beekeeper 2. How has that charting that path assisted Tjahjanto with hopping onboard Nobody 2? How did being able to ask Odenkirk's advice along the way — and co-star Sharon Stone's (The Flight Attendant) as well — help, too? And, like audiences watching, was seeing his lead in action-hero mode part of the appeal of the job? Tjahjanto spoke with us about all the above, plus his approach to stepping into a world already established by the initial Nobody, the action setpiece he's particularly keen on viewers to enjoy on a big screen, the theme of duality flowing through the feature, balancing tone and more. On Whether Seeing Bob Odenkirk as an Action Hero Was Part of the Appeal of Directing Nobody 2 "Yes — and also, in a way, we even try to dig deeper than that. So basically, look, we know by now, in the first film, that Bob can do action, right? But I think what's appealing to me is also that when Bob becomes an action man, he doesn't specifically transform himself into this one-dimensional action hero. He's not the all-knowing, the guy who thought about ten steps ahead — or like 'this is what I'm going to do'. He's not a fully in-control hero. And that's what I like about this character, Hutch Mansell. It's really, yes, he was on top of his game at some point. But now that he is a father of two kids, he's a husband, how does he juggle all these things? And often the greatest moment comes from the time in the film — especially in the second film, you'll see — when things are becoming out of control. And I love that. I never have any interest to make a protagonist who doesn't have any flaws. As a matter of fact, the more the protagonists have all these cracks, and sitting on a ship that is slowly sinking and he's trying to throw away all the water with a little cup, that's when it appeals to me. And that's pretty much what happens to the character here in this film." On How Tjahjanto Approached Taking on a World That Was Already Established in the First Film "The easy answer will be to sit very closely with Bob. Not a lot of people know that the first film is also sort of based on what happened to Bob in real life — the whole idea that he was confronting this thing that happened in his house, when somebody broke into his house. So he exorcised that sort of, I guess, trauma, by writing a script or writing a story. And in this one, he knows Hutch Mansell more than anybody else. And I think it's always good to sit with him and just really be like 'Bob, I don't want to overstep you, but how do we evolutionise Hutch Mansell as a character?'. And we found the fine line between 'well, in order for us to make him grow, we also need to make the family grow — we also need to sort of put the family at the centre of it all'. So that's what we did with this second film. We no longer tell a story about just Hutch Mansell. We also tell a story about Becca Mansell and Brady and Sammy, his kids. And then there's also grandpa and the brother Harry [RZA, Problemista]. So it's really a family affair in the end. " On the One Particular Nobody 2 Action Scene That Tjahjanto Is Most Excited for Audiences to See on a Big Screen "I think they definitely will have a smorgasbord, a buffet, a buffet table of different action setpieces in this film. But I'm definitely proud of the boat fight, just because how technical it is to achieve. We really shot that fight scene inside that boat, in a real location. When we read it in the script, we all had the unison sort of talk, like 'yeah, we're going to do it in the studio with the green screen'. But by the end of it, we decided that 'you know what? Let's torture ourselves further, let's really shoot it in a boat by down by the river'. So that's what we did. And sometimes we'll watch it on post, we'll watch it and Bob will say 'can you imagine this Timo, like we really did this?'. So it's great. I'm proud of that scene and I hope people will enjoy it, too." On the Kind of Direction You Give an Actor Like Bob Odenkirk When They're So Linked to a Film — Not Just Starring, But Writing and Producing as Well "I think the beauty is, I think I always think 'you know what, I'm a much darker person than Bob, I feel'. So I think sometimes there will be times when 'Bob, can I make you do this?'. And then he'll ask me 'aren't we being a bit too much, Timo?'. And then it's like 'you know what, Bob, let's do your take first, and after that, let's do a couple steps darker, you know?'. And that's always fun, just because we'll find the balance of like 'aaah all right, there you go'. Sometimes it works, sometimes it doesn't. And it's fine. I think the beauty will come when we both realise why I want things to be in a certain way — because, especially a lot of this film, it's about duality. So there's the doting father and husband who's trying so hard to please his family; to have this beautiful, magnificent memory; to be on a vacation. Because he realised his son's getting older, his daughter as well. Soon they'll be going to college and all that stuff. So there is that real-life issue that he's facing. But at the same time, we've got to remember this is also a man capable of violence. So I think the whole Jekyll-and-Hyde sort of play, it's really something that we both were kind of like 'okay, let's see where's the fine line between the father and the seasoned killer'. On How Tjahjanto's Decade and a Half-Plus of Directing, Both Solo and as Part of the Mo Brothers, Has Led Him to Nobody 2 "I would say I always approach every new project as if I haven't done anything before. I think that's my best preparation, just because that way I'll be very prepared. It's like a kid who's going to a chemistry test for the first time — you better bring the whole table and all that stuff. Because that's the only approach that I feel will prepare you for being from a small pool, suddenly jumping into this Olympic-size, ocean-size pool that is the Hollywood industry. And I always say it's always good to be very prepared. And when I talk to somebody who's in such a different calibre, such as Bob Odenkirk or Sharon Stone, it's always good to realise being a director, yes, you have to know a lot of things, but you should never be afraid to be sort of like 'hey Sharon, what do you think about this? Do you think there's a take that you think is interesting?'. Or even to Bob. These people have been around for decades, and sometimes it's also a situation where, as a director, I'm learning from them." Nobody 2 releases in cinemas Down Under on Thursday, August 14, 2025.
You're soon about to lead an existence in which you carry chicken salt and vinegar in your bag at all times. Australian hot chip vending machines are about to be all up in your grill. Again, slower. Hot. Chip. Vending machines. According to the ABC, the Perth-based Hot Chips Company have been cooking this up for the last five years, inspired by Australian '90s models and similar developments in Dubai, Japan, the UK and Belgium. They've been working with WA potato processor Bendotti Exporters to create the perfect take-away solution for late night snackery — reppin' the Western Australian potato industry while they're at it. Stephen Bendotti (of Bendotti Exporters) told the ABC the chips will be freshly cooked while you wait, all inside the machine. "You put your money in and it goes from frozen to the fryer and in your cup within two minutes and 20 seconds," he said, with an aim to whittle that waiting time down to two minutes. And in case you're freaking out over the hefty price of Perth airfares to try this out, these babies are going national. According to the ABC, Bendotti's friends over at WA Chip are going to roll them out Australia-wide. So how long will we have to wait for the mighty hot chip robots? Apparently we're looking at national distribution by December 2015, with trials and development continuing until then. We're still waiting on details for condiments, salt options and cost, so watch this space for your chippie deets. Via ABC. CORRECTION 29/1 3:15PM : We initially ran this story reporting that these were Australia's first hot chip vending machines. They aren't, in fact, the first, as numerous models have made their way through Australian cities since the '90s. Apologies for the wrong info, we got way too excited about the prospect. Image: will ockenden via photopin cc
A few years ago, North Melbourne got its own stylish pet supply store, right in the heart of Errol Street. The store has everything from organic pet food and health and wellbeing products, to accessories, beds and grooming supplied. As well as a selection of fancy leads, harnesses and collars, there's also a selection of pet outfits for special events, costume parties and the beach. And if you're shopping with a thirsty dog, there's usually a bowl of water out the front.
Sydney has really stepped up its art game this year. In addition to increased investment in some of our most beloved galleries, the city has secured exhibitions by some of the most influential artists of their generation from home and abroad across the next few months. From prizes celebrating Australia's best contemporary art to retrospectives from the masters, there's something for everyone whether you're a studied aficionado or a casual fan. Each of the following exhibitions is worthy of an article in itself, but let's start with a little taster. We've teamed up with Destination NSW to give you the lowdown on the seven of the most anticipated exhibitions to have on your radar.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest to old favourites, here are our picks for your streaming queue from July's haul of newbies. BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW MYSTERY ROAD: ORIGIN Origin stories: everyone's getting them. Caped crusaders like Batman and Spider-Man have several; Hercule Poirot's moustache even has its own. Originally played by Aaron Pedersen on both the big and small screens, Mystery Road's Jay Swan doesn't particularly need one, given that plenty about why he's the man and detective he is, and the balancing act he's forced to undertake as an Indigenous cop as well, has already been teased out. But Mystery Road: Origin isn't jumping on a trend, repeating itself or prolonging a long-running saga. It isn't trying to justify having someone else play Swan, either. Rather, this latest entry in Australia's best crime saga leaps backwards because this franchise has always danced with history anyway. It has to; you can't explore the reality of life in Australia today, the racial and cultural divides that've long festered across this sunburnt country, and all that Swan encounters and tussles with, otherwise. In Mystery Road: Origin, it's 1999 — and, when its six episodes begin, Swan isn't quite a detective yet. He's already a man of weighty thoughts and few words, though, and he's played by Mark Coles Smith (Occupation: Rainfall), who couldn't do a more impressive job of stepping into Pedersen's (High Ground) shoes. The series spies Swan as he's driving along sweeping salt plains. His destination: Jardine, his Western Australian home town, population 1000. Resident sergeant Peter Lovric (Steve Bisley, Doctor Doctor) welcomes Swan back eagerly, but his return isn't all cheers, especially when he stumbles across a robbery en route and gets cuffed by senior constable Max Armine (Hayley McElhinney, How to Please a Woman). Tensions also linger with Swan's estranged dad Jack (Kelton Pell, another The Circuit alum), the town's old rodeo hero, and with his hard-drinking elder brother Sputty (Clarence Ryan, Moon Rock for Monday). Indeed, that initial stickup, the crimewave waged by culprits in Ned Kelly masks that it's soon a part of, and those persistent family struggles will all define the detective's homecoming. Mystery Road: Origin streams via ABC iview. Read our full review. GREAT FREEDOM Great Freedom begins with 60s-style video footage captured in public bathrooms, showing Hans Hoffmann (Franz Rogowski, Undine) with other men, and with court proceedings that condemn him to prison purely for being gay. That was the reality in West Germany at the time due to Paragraph 175, which criminalised homosexuality — and, when he's incarcerated at the start of this equally tender and brutal Austrian film, Hans isn't surprised. He's been there before, as writer/director Sebastian Meise (Still Life) conveys almost like he's chronicling time travel. It's a canny touch, as relayed in the movie's cinematography, editing and overall mood. The minutes, days, hours, weeks and more surely move differently when you've been locked up for being who you are, and when being in jail is the better alternative to being in a concentration camp. Meise jumps between Hans' different stretches, exploring the imprint all that time behind bars leaves, the yearning for love and freedom that never dissipates, and his friendship with initially repulsed fellow inmate Viktor (Georg Friedrich, Freud). In the process, Great Freedom resounds with intimate moments and revealing performances, as anchored by another stellar turn by Rogowski. The German talent has had an outstanding few years thanks to Victoria, Happy End, Transit, In the Aisles and Undine. He's as absorbing as he's ever been here, too, in a movie that stares his way so intently — and with such a striking sense of light and shade — that it could be painting his portrait. Friedrich is just as impressive, in an outwardly thorny part. Great Freedom streams via SBS On Demand. THE MAN WHO FELL TO EARTH Who'd want to try to step into the one and only David Bowie's shoes? Only the brave and the bold. Two people earn that description in The Man Who Fell to Earth, the new TV sequel to the iconic 1976 movie that starred the music legend in the role he was clearly born to play: an alien who descends upon earth and ch-ch-changes history. Bill Nighy (Buckley's Chance) is charged with taking over the character of Thomas Jerome Newton and, thankfully and with style, he's up to the task. Chiwetel Ejiofor (Doctor Strange in the Multiverse of Madness) slides into the same kind of part that Bowie owned in the original, however, as fellow extra-terrestrial interloper Faraday. He's this follow-up's newcomer to the planet, and he's just as destined to do big things. That's not a spoiler — early in the first episode, Faraday addresses a massive crowd like he's Steve Jobs announcing Apple's latest product, and The Man Who Fell to Earth's tech success uses the occasion to spin his origin story. Who'd want to try to pick up where one of the best sci-fi films ever made left off? That'd also be the brave and the bold, aka Clarice creators Jenny Lumet and Alex Kurtzman. Drawing inspiration from silver screen gems is obviously the pair's niche of late, but it's worth remembering with this new effort — which takes its cues from Walter Tevis' 1963 novel of the same name, too — that Kurtzman was also behind exceptional 2008–13 sci-fi series Fringe. Indeed, The Man Who Fell to Earth 2.0 feels like the perfect use of his talents, with the series thinking big and brimming with urgency in its vision of a world that might only be able to be saved by a spaceboy who truly cares about stopping climate change's damage. To follow through with his mission, though, Faraday also needs the help of former MIT physics whiz Justin Falls (Naomie Harris, No Time to Die). The Man Who Fell to Earth is available to stream via Paramount+. STRANGER THINGS For the second time in about as many months, Stranger Things has dictated everyone's playlists. While Kate Bush's 'Running Up That Hill (A Deal With God)' is still getting a workout, so is Metallica's 'Master of Puppets' thanks to the big two-episode end to the 80s-set hit's fourth season — two bumper movie-length instalments which clocked in at 85 minutes and 150 minutes each. Yes, it likely would've worked better if those two episodes had been split up, rather than going for length. Based on episode durations from earlier seasons, the Duffer brothers could've dropped five parts instead. The psychology behind the move was effective and ingenious, though; who didn't make a date to binge their way through as soon as they hit, because diving into two huge instalments in one night felt different than committing to five shorter chapters? Everyone did, and Netflix even momentarily crashed as a result. This season across both volumes certainly had a theme: going big in as many ways as possible. Season four gave the horror/slasher vibe a massive workout, thanks to new big bad Vecna — and ramped up the confrontations, showdowns, killings, flashbacks, drama and globe-trotting in the process. Clearly, the soundtrack budget was hefty. So was the performance given by season four MVP Sadie Sink (Fear Street) as Max Mayfield bore the brunt of Vecna's murderous and mind-bending games, and the place that Joseph Quinn (Small Axe) will always have in the show's fans' hearts thanks to his turn as Eddie Munson. And, the list of questions about what comes next in Stranger Things' upcoming fifth and final season, and where Eleven (Millie Bobby Brown, Godzilla vs Kong), Mike (Finn Wolfhard, Ghostbusters: Afterlife), Will (Noah Schnapp, Waiting for Anya), Dustin (Gaten Matarazzo, The Angry Birds Movie 2), Lucas (Caleb McLaughlin, Concrete Cowboy), Jonathan (Charlie Heaton, The Souvenir Part II), Steve (Joe Keery, Free Guy), Robin (Maya Hawke, Fear Street), Nancy (Natalia Dyer, Things Seen & Heard), Joyce (Winona Ryder, The Plot Against America) and Hopper's (David Harbour, Black Widow) stories will end, is sizeable. Stranger Things streams via Netflix. Read our full review of volume one of Stranger Things' fourth season. I LOVE THAT FOR YOU It works for television networks greenlighting new comedies, and it works for viewers picking what to watch, too: take one of Saturday Night Live's extremely amusing ladies, give them their own show, see laughs and smarts follow, profit. I Love That For You actually boasts two such talented women, although they didn't crossover during their SNL stints: Molly Shannon and Vanessa Bayer. The latter plays Joanna Gold, who has always dreamed of being on SVN — Special Value Network, that is. When she was a kid (Sophie Pollono, Small Engine Repair), she was diagnosed with childhood leukaemia, and obsessing over her idol Jackie Stilton (Shannon, The Other Two) as she sold anything and everything helped as a distraction. Now an adult, Joanna still wants to do exactly the same, and leave her job alongside her dad (Matt Malloy, The Sex Lives of College Girls) at Costco behind. But when she gets the chance, she pulls an unimpressed face during her first on-air stint that kills sales, so she says her cancer has returned to avoid getting fired. On paper, that's an extremely tricky premise. In lesser hands, it'd be downright horrible. As well as being a comic gem here, in SNL, and in everything from I Think You Should Leave with Tim Robinson to Barb and Star Go to Vista Del Mar, Bayer had childhood leukaemia herself — and if she didn't, and wasn't also one of I Love That For You's creators and writers, it's highly likely that this series wouldn't work. Thankfully, instead, it takes the same approach that Bayer has clearly always taken since her teenage experience, using humour in clever, sensitive, sincere, amusing, savvy and sometimes surreal ways. The show keeps demonstrating why its setup is worth tackling, too, asking questions about trying to live a normal life and work out who you are after surviving such a diagnosis; how and when sympathy is genuine, earned and milked; and guilt on several levels. It's also an entertaining workplace comedy and a takedown of consumerism, greed and the fact that anything, including sob stories, are for sale if there's something to be sold. And, of course, Bayer and Shannon are dynamite in their shared scenes. I Love That For You streams via Paramount+. NEW AND RETURNING SHOWS TO CHECK OUT WEEK BY WEEK THE RESORT If the last couple of years in pop culture are to be believed, it mightn't be a great idea to go away with a character played by Cristin Milioti. In three of the always-excellent actor's most recent high-profile roles, she has decamped to idyllic surroundings, only to find anything but bliss awaiting. Palm Springs threw a Groundhog Day-style time loop her way in its titular setting. Made for Love saw her trapped by sinister futuristic possibilities. In The Resort, which hails from Palm Springs screenwriter Andy Siara, she now has the ten-year itch — and a getaway to Mexico that's meant to soothe it slides swiftly into a wild mystery. In this instantly twisty comedy-thriller Miloti plays Emma, spouse to William Jackson Harper's (The Good Place) Noah. After a decade of marriage, they're celebrating at the Bahía del Paraíso in the Yucatán, but they're really trying to reignite their spark. At this stage in their relationship, he recoils at her bad breath, she makes fun of him falling asleep on the couch, and they're rarely in sync; even when they're floating along the resort's lazy river, cocktails in hand, they want different things. Bringing them together: a missing-persons case from 15 years ago, after Emma goes tumbling off a quad-biking trail, bumps her head and spies an old mobile phone. It belongs to Sam (Skyler Gisondo, Licorice Pizza), a guest at the nearby but now-shuttered Oceana Vista Resort, who was on holidays over Christmas 1997 with his parents (IRL couple Dylan Baker, Hunters, and Becky Ann Baker, Big Little Lies), as well as his girlfriend Hannah (Debby Ryan, Insatiable). As Emma learns via Sam's photos and text messages, all wasn't rosy in his romantic life. After running into fellow guest Violet (Nina Bloomgarden, Good Girl Jane), who was travelling with her dad Murray (Nick Offerman, Pam & Tommy), his SMS history skews in her direction. But the pair promptly disappeared, and any potential clues were lost when a hurricane struck and destroyed their getaway spot. If The White Lotus joined forces with Only Murders in the Building, it'd look a whole lot like this entertaining series, which also includes an ace performance by Luis Gerardo Méndez (Narcos: Mexico) as Baltasar, Oceana Vista Resort's head of security. The Resort is available to stream via Stan. Read our full review. WHAT WE DO IN THE SHADOWS Live life long enough and anything can happen. Enjoy an undead existence for hundreds of years and that feeling only multiplies, or so the wealth of movies and TV shows that've let vampires stalk through their frames frequently remind viewers. A sharehouse-set mockumentary focused on bloodsucking roommates who've seen more than a few centuries between them, What We Do in the Shadows embraces that idea like little else, though — as a Jemaine Clement and Taika Waititi-starring movie, aka one of the funniest New Zealand comedies of this century, and then as a hilarious American TV spinoff. The premise has always been ridiculously straightforward, and always reliably entertaining. A camera crew captures the lives of the fanged and not-at-all furious, squabbles about chores, a rising body count and avoiding sunlight all included. Their domesticity may involve sinking their teeth into necks, blood splatters aplenty, sleeping in coffins and shapeshifting into bats, but it also covers arguing about paying bills, keeping the house clean and dealing with the neighbours. The TV version's stellar fourth season picks up after a climactic end to the show's prior batch of episodes, which only finished airing back in October 2021. Its bloodsucking roommates were all set for their own adventures, but a year has passed in the show, bringing them back together. Nandor (Kayvan Novak, Cruella) returns from exploring his ancestral homeland, and he's more determined than ever to find a wife. He also thinks that one of his many from the Middle Ages could be the one again; bringing back a Djinn (Anoop Desai, Russian Doll) to grant his wishes helps. After a stint in London with the Supreme Vampiric Council, Nadja has big ambitions, too, setting her sights on opening a vampire nightclub. As for her beloved Laszlo (Matt Berry, Toast of London and Toast of Tinseltown), he's still taking care of the baby-turned-boy that burst its way out of energy vampire Colin Robinson's (Mark Proksch, The Office) body. For the fourth time around, nothing about this delight sucks, not for a second, with season four as wonderful as ever. What We Do in the Shadows streams via Binge. Read our full review. BETTER CALL SAUL When the middle of August arrives, the best show on television for the past seven years — other than the one-season return of Twin Peaks — will come to an end. That isn't new news, but it's still monumental, especially given that Better Call Saul is the spinoff to an also-phenomenal series. Unlike when Breaking Bad wrapped up, though, there's no future immediately in sight. Perhaps that's fitting. Better Call Saul is TV's great tragedy precisely because we always knew what its prequel segments, which comprise the overwhelming bulk of the show, will lead to. We know who Saul Goodman (Bob Odenkirk, Nobody) is when he's a shady Albuquerque criminal defence attorney aiding Walter White (Bryan Cranston, Your Honor) and Jesse Pinkman (Aaron Paul, Westworld). We know what all his choices then lead to, because we've already seen it. But every single moment that's been brought to the screen in sunny colour in Better Call Saul so far, including in the now-airing second half of the series' sixth and final season, desperately makes you wish that everything you know is destined to occur won't. That said, this latest and last batch of episodes has already overflowed with surprises as it works towards that big farewell. And, it's been delighting and astonishing as only Better Call Saul can — with meticulous precision in everything that it slips across the screen, including in its tightly plotted and never-predictable narrative, its cinematic imagery and its many, many marvellous performances. That includes continuing to unfurl Lalo Salamanca's (Tony Dalton, Hawkeye) part in this long-running crime saga, as the first half of the season did with Nacho Varga (Michael Mando, Spider-Man: Homecoming). It spans seeing where being Saul's wife, as well as his happy co-conspirator in getting revenge against their old boss Howard Hamlin (Patrick Fabian, Gordita Chronicles), leads Kim Wexler (Rhea Seehorn, Veep). TV won't be the same without Saul Goodman. It certainly won't be s'all good, man. Still, what a swan song this extraordinary show is treating viewers to — even with three episodes left to go. Better Call Saul streams via Stan. Read our review of the first half of Better Call Saul's sixth season. BLACK BIRD 2022 marks a decade since Taron Egerton's first on-screen credit as a then-23 year old. Thanks to the Kingsman movies, Eddie the Eagle, Robin Hood and Rocketman, he's rarely been out of the cinematic spotlight since — but miniseries Black Bird feels like his most mature performance yet. The latest based-on-a-true-crime tale to get the twisty TV treatment, it adapts autobiographical novel In with the Devil: a Fallen Hero, a Serial Killer, and a Dangerous Bargain for Redemption. It also has Dennis Lehane, author of Gone Baby Gone, Mystic River and Shutter Island, bringing it to streaming. The focus: Jimmy Keene, a former star high-school footballer turned drug dealer, who finds his narcotics-financed life crumbling when he's arrested in a sting, offered a plea bargain with the promise of a five-year sentence (four with parole), but ends up getting ten. Seven months afterwards, he's given the chance to go free, but only if he agrees to transfer to a different prison to befriend suspected serial killer Larry Hall (Paul Walter Hauser, Cruella), and get him to reveal where he's buried his victims' bodies. Even with new shows based on various IRL crimes hitting queues every week, or thereabouts — 2022 has already seen Inventing Anna, The Dropout, The Girl From Plainville and The Staircase, to name a mere few — Black Bird boasts an immediately compelling premise. The first instalment in its six-episode run is instantly gripping, too, charting Keene's downfall, the out-of-ordinary situation posed by Agent Lauren McCauley (Sepideh Moafi, The Killing of Two Lovers), and the police investigation by Brian Miller (Greg Kinnear, Crisis) to net Hall. It keeps up the intrigue and tension from there; in fact, the wild and riveting details just keep on coming. Fantastic performances all round prove pivotal as well. Again, Egerton is excellent, while Hauser's menace-dripping efforts rank among the great on-screen serial killer portrayals. And, although bittersweet to watch after his sudden passing in May, Ray Liotta (The Many Saints of Newark) makes a firm imprint as Keene's father. Black Bird streams via Apple TV+. THE REHEARSAL Early in the first episode of The Rehearsal, Nathan Fielder meets Kor Skeete, a Jeopardy!-watching, trivia-loving New Yorker with a problem that he's seeking help with. Skeete has been lying to his bar trivia team about his educational history, claiming that he has a master's degree instead of a bachelor's degree, and he's hoping for assistance in coming clean. His biggest worry: how his pal Tricia might react, and if it'll end their friendship. First, however, in their initial meeting in Skeete's apartment, Fielder asks Skeete if he's ever seen any of Fielder's past work. Skeete says no, despite claiming a particular interest in television as his favourite trivia subject — and his response to what Fielder explains next will likely mirror anyone watching who comes to this with the same fresh eyes. Until now, Fielder was best known for Nathan for You, in which he helped companies and people by using his business school studies. Fielder played a version of himself, and the result is best described as a reality comedy. It's the kind of thing that has to be seen to be truly believed and understood, and it's both genius and absurd. In The Rehearsal, Fielder is back as himself. He also wants to use his skills to help others again. His tactic this time is right there in the name, letting his subjects rehearse their big moments — baring all to a friend in that first episode, and exploring parenthood in the second, for instance. The show's crew even build elaborate sets, recreating the spots where these pivotal incidents will take place, such as the bar where Skeete will meet Tricia. Fielder hires actors to assist, too. And, adding yet another layer, Fielder also steps through the same process himself, rehearsing his first encounter with Skeete, with thanks to an actor, before they cross paths. If you've ever thought that life was a big performance, and that every single thing about interacting with others — and even just being yourself — involves playing a role, you'll find much to think about in this fascinating, funny, often unsettling, quickly addictive series. There's reality TV and then there's the way that the deadpan Fielder plays with and probes reality, and while both can induce cringing, nothing compares to this. The Rehearsal streams via Binge. A RECENT CINEMA RELEASE TO CATCH UP WITH RIVER Some actors possess voices that could narrate almost anything, and Willem Dafoe (The Northman) is one of them. He's tasked with uttering quite the elegiac prose in River, but he gives all that musing about waterways — the planet's arteries, he calls them at one point — a particularly resonant and enthralling tone. Australian filmmaker Jennifer Peedom (Sherpa) knew he would, of course. She enlisted his vocal talents on her last documentary, Mountain, as well. Both films pick one of the earth's crucial natural features, capture them in all their glory at multiple spots around the globe, and wax lyrical about their importance, and both make for quite the beguiling viewing experience. Thanks to writer Robert Macfarlane, Dafoe has been given much to opine in River, covering the history of these snaking streams from the planet's creation up until today. He hones in on their importance to human civilisation — in making much in our evolution possible, in fact, and also the devastation we've wrought in response since we learned to harness all that water for our own purposes. That said, River could've simply paired its dazzling sights with its Australian Chamber Orchestra score and it still would've proven majestic and moving. The footage is that remarkable as it soars high and wide across 39 countries, and peers down with the utmost appreciation. Here, a picture truly is worth a thousand of those Dafoe-uttered words, but the combination of both — plus a score that includes everything from Bach to Radiohead — is something particularly special. River is available to stream via ABC iView. Read our full review. A STONE-COLD CLASSIC TO BINGE IN FULL THE LARRY SANDERS SHOW TV shows about TV are like movies about movies: someone somewhere is usually making one. But every television series that's told a tale about making a television show since the early 90s has owed an enormous debt to The Larry Sanders Show — and everything that's still to come always will. One of HBO's earliest examples of original programming, it parodies the late-night talk show world. (Yes, 30 Rock's satire of Saturday Night Live took more than a few cues from it.) The show within the show is also called The Larry Sanders Show, as hosted by its namesake (the late, great Garry Shandling), and its day-to-day production is always hectic. There's Larry's ego to deal with, the distinctive management style of producer Artie (the also late, great Rip Torn), the parade of staffers and assistants (including a pre-Entourage Jeremy Piven and Reality Bites-era Janeane Garofalo), and a constant array of demanding guests. And, Larry's personal life always bleeds into the chaos, including the spoils and trappings of fame, and his romantic relationships. Curb Your Enthusiasm, another series set within showbiz that's also about someone called Larry, similarly wouldn't be what it is if The Larry Sanders Show had never existed. Tonally, they share plenty — the acerbic humour, the willingness to be both blunt and brutal, and the well-known names skewering themselves, too. Thanks to its fondness for walk-and-talk scenes, The Larry Sanders Show has left its imprint as far and wide as ER and The West Wing as well. It isn't just phenomenal because it helped shape so much great television that followed, however. Perhaps the best sitcom ever made, it's as smart as it is savage, surreal and hilarious, and the combination of Sanders and Torn, both at their absolute best, is what TV dreams are made of. Making your way through the 90 episodes, which originally aired across six seasons between 1992–98, is a breeze. Wanting to binge them again immediately afterwards comes just as easily. The Larry Sanders Show streams via Binge. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May and June this year. You can also check out our running list of standout must-stream 2022 shows so far as well — and our best 15 new shows from the first half of this year, top 15 returning shows and best 15 straight-to-streaming movies.
In a year that's brought news that more Ted Lasso is on the way and is also delivering a 29-years-later sequel to Happy Gilmore, Stick is the right series for the right moment. There's no American in the UK at its core. None of its characters would prefer to be playing ice hockey, either. It's a golfing underdog story about attempting to score a pivotal tournament spot, however, and hails from the streaming platform that made the world now think of soccer whenever Jason Sudeikis pops up. Stick also knows that warmhearted, big-feeling comedies about the supportiveness of found families make for must-see viewing when they find the right swing — and, with that task, it hits the TV equivalent of a hole in one. The show's namesake is Pryce 'Stick' Cahill, a professional golfer-turned-golf store salesman — and a figure with the type of laidback yet vulnerable demeanour that Owen Wilson (Loki) excels at. He's not the person trying to make it into the sport's big leagues, though. Pryce has been there and done that, reaching number 18 in the world until his career ended unceremoniously with an on-the-green meltdown. Little has looked up for him since, and he starts the series mid-divorce from but still yearning for Amber-Linn (Judy Greer, The Best Christmas Pageant Ever) while living in their old shared home. Then, at a driving range, Pryce spies teenager Santi (Peter Dager, Insidious: The Red Door) smashing golf balls off the turf with pure raw talent. Stick, the show, now has its prodigy. Stick, the character, has a mission to help him unlock his talent. Initial roadblocks come courtesy of Santi's disinterest in Pryce's plan, the latter's fondness for a hustle, and needing to convince the 17-year-old's doting single mother Elena (Mariana Treviño, Caras Vemos) that the three of them should take to the road to chance a shot at getting into the amateur championships. Requiring wheels, Pryce then enlists his gruff ex-caddy Mitts (Marc Maron, The Order) to join them, RV in tow. Soon, this quartet adds a fifth member as well, when Santi befriends golf-club bartender Zero (Lilli Kay, Yellowstone). What appealed to Wilson about starring in Stick? "I really liked the idea of a second chance and the idea of needing people to believe in you. And Santi needs that, but Pryce certainly needs it," he tells Concrete Playground. "I find that a moving dynamic and something that I really believe in in real life, that people benefit so much when somebody has some confidence in them. And I just see that — even learning to drive, my dad was uptight and I was more likely to make a mistake with my dad driving because I could feel his energy. And then sometimes you have somebody like my grandmother, just loved me and I could do no wrong, and you'd sometimes do better with that. So I just like that part of the story." Series creator Jason Keller, who also co-penned the screenplays for films Mirror Mirror and Ford v Ferrari, has described Pryce as being at "a place in his life where the story he tells himself no longer works anymore". Wilson quickly came to mind for the part — as did Maron for Mitts — but as the former flags, he's not the only one in need of a new start in Stick. Accordingly, this ragtag crew's journey shares a key commonality with the path of every ball hit on a green: trying to find where they fit. Grief, loss, disappointment, unreasonable expectations and life's unfair twists have haunted this group, leaving them searching for their own niche. Stick is also about caring, even if that means that sometimes that heartbreak or other negative emotions arise as a result. Greer's only experience of the show's main sport going in was "watching my father come home after playing golf in the worst mood I've ever seen a man be in in his life", and so would think to herself "as a child, 'why would anyone do this to themselves? Why?'," she explains. Wilson has the perfect take on that. "Is it that thing of 'it's better to feel bad than not feel anything at all?'. So, rather than just being kind of an automatron, like sometimes we can get into, maybe feeling terrible is good?" he notes. "Because the idea that you care about something, that something has the ability to make you feel that way — because if it can make you feel that bad, well, there's going to be a day where you do connect and it's going to make you feel really good." That insight is indicative of a series lead who Maron notes is "a collaborative guy" and "always willing to work with you and elevate the scene", Treviño describes as eager to "engage emotionally and in the level of comedy that we had to do it, but also on the human level" — and who Dager, who secured the part of Santi via a self-tape audition after the producers had looked at around 600 other actors, advises that he learned from in a similar way that his character does from Pryce. We also spoke with Wilson, Dager, Maron, Treviño and Greer about everything from Dager's pivotal casting to golf's lessons (and golfing lessons), underdog stories, RV life, intergenerational tension and more. On What It Meant to Dager to Score Such a Key Role in Stick Peter: "I couldn't quite believe it. I still remember the day — I got cast the day after my 21st birthday. I was with my dad and I got the call from Jon and Val [Ruby Sparks and Battle of the Sexes' Jonathan Dayton and Valerie Faris], the directors and executive producers, and I just really couldn't believe it. But it was such a long audition process. I think there were six rounds. And so by the time I had finished the audition process, I'm like 'I know I did good work. If it goes my way, it does. And if it doesn't, I did what I could'. And so I was also just, when I got it, I was kind of like 'okay, cool'. I couldn't believe it, but then there was another part of me that was like 'cool, I feel like I earned this one, and they saw what they needed to see'. And I was excited to get started. I was so excited to get started, really, more than anything." On How Wilson Approached Portraying Someone Who Is at a Place in His Life Where the Story He Tells Himself No Longer Works Anymore Owen: "You know, Jason didn't say that exactly to me, but that sounds really nice, and I feel it when you say it. And I don't know — I know that initially I was sort of nervous about playing a golfer, because my dad was a good golfer, I'd never learned the game and 'oh, how do you make it seem kind of real?'. But of course, golf's just the backdrop for the story and Jason really had a lot of faith in me that gave me confidence that maybe I could do it and play the character. And there's a lot of stuff with Pryce that I could kind of relate to — that wanting a second chance or feeling that you need somebody to believe in you, that you can't do it alone. I think that's a powerful message. And so I really like that part of the story, because I find it funny and also moving." On Maron Being Thought of Quickly as Stick's Ideal Mitts Marc: "I think I have a fairly varied and broad personality, but I think one of the more compelling elements is my ability to be pretty cranky and irritated. And I think people find that entertaining. So he clearly locked in on that. But I do think he also sensed that there was a depth to it, in that I was able to handle the emotional side of this guy, along with being my cranky self. And I appreciate that. But I'm not as cranky as Mitts. I'm not." On What Dager Was Excited to Bring to the Role of Stick's Teenage Golf Prodigy Peter: "I think the first thing that I really was excited to dive into was the idea of greatness and playing a prodigy — playing somebody who's spoken about as the next Tiger Woods, somebody with all this potential and all this talent. And so the idea of what greatness is and what it takes, the sacrifices you make to achieve it, the negative impacts that it can have once obtained — all of that was super interesting to me. And so I started to examine my own life and see the similarities, what I could take. The rest, I had to imagine. And then beginning to study golf, and the likes of Tiger Woods and Phil Mickelson and Jack Nicklaus and all the greats, that was just so exciting. And then the rest of it, everything else that came after that was a plus — meeting everybody, meeting Owen, Lilli, Marc, Mariana, Tim [Olyphant, Havoc]. But at first, the exciting thing was the idea of greatness — playing somebody great." On What You Learn About Not Just Golf But Life When You're Trying to Pick Up the Sport Owen: "Oh gosh, we were joking — we've joked a lot today about golf being a metaphor for life. And I think doesn't it seem like everything that you say is a metaphor for life is always something hard, and is frustrating and challenging? And so I think that it's a game that you can't seem to master — so someone like Tiger Woods, as great as he was, can still feel that he needs to redo his swing. And so it's like chess — you can't kind of ever totally figure it out. And the thing for me was learning that this thing, this sport that I was kind of intimidated by, that I actually can do it. But it's two steps forward, one step back — or one step forward, two steps back — because there's some days where I just can't do it. But it's definitely something that I will be playing the rest of my life. And so I'm so happy that I learned for this show." On the Keys to Portraying Determination for Treviño When That's Such a Pivotal Character Trait for Elena Mariana: "I think it's just the force that is with a mother that wants to make her son go in the right path — to save the family, and to save and to keep moving. I think they're in kind of a desperate moment when the show starts. Maybe not desperate, but they're a little stuck and stagnant because they don't know where to pull after a big loss that they had as a family. So I think that the mother's instinct just says 'this is not right, we are not living as we should and he's not owing up to a talent, the natural-given talent that he has'. So I think that determination is not even rational with Elena. It just is a force working inside of her, just because she has her son's best interest in heart and she's going to do whatever — even if she doesn't understand, if she doubts what she's doing is right, the determination is stronger than her doubts, and it's what makes this force of movement, and to embark on this journey and this adventure of self-discovery." On What It Takes to Believably Portray a Phenomenal Golfing Talent, to the Point of Doing Golf Scenes Yourself, When You've Never Played Before — and Only Had Baseball Experience to Go On Peter: "It took a while. It took a while. I don't think I felt — I don't think I saw my progress until maybe three weeks in. And it wasn't because I was hitting the ball good, because I would go out and play with my first trainer named Beau Lardner. It was moreso because I felt the swing feel comfortable. I felt it becoming a fluid motion. And it wasn't always there. I was still going outside in, instead of inside out, but I was getting the rhythm of the swing, the club speed. So three weeks into it, I was starting to see the progress. But I didn't feel ready up until maybe two months into it, so we had already started filming. But by the time we get to episode five, six and seven — and really eight and nine, where you see Santi playing golf for two whole episodes — a lot of those shots are my own because that was done with like five months of training, four months of training. And by then, my club speed was up, the striking distance was sort of increasing and I felt really good with my swing. And yeah, actually a lot of the baseball, that sort of inside out that you have naturally when swinging a baseball bat, it really lends itself to the process of swinging a golf club." On Why Sports-Centric TV Comedies Telling Underdog Stories Keep Popping Up on Maron's Resume Marc: "No, I didn't seek out any of it. GLOW was this a random audition that I put on my phone. I think those two guys are slightly different types of cranky. I think that Sam in GLOW had no real self-awareness around his swagger, his ridiculous swagger, and he wasn't really neurotic at all. And I think that Mitts is a very reflective guy, and a guy who sits in a certain amount of sadness. But I guess they are of the same spectrum of bravado on some level — of kind of slightly futile bravado, you know." On How Dager Learned From His Co-Stars Like Wilson, Greer, Maron, Treviño and Kay Peter: "Everybody has their own process with acting, which was really cool, because I have my own — and I can think it's so special, and you're like 'oh my god, they don't work like I do', but everybody's different process and encountering it and being around it for four months straight, it's a lesson in perspective. And you start to really question your own process, and you see the benefits of other people's. So you learn a lot without even having conversations about it. You just learn a lot by watching these people who have worked for so long approach the work the way they approach the work. But yeah, then there were moments with Owen specifically, where that Pryce-Santi relationship really became real off camera. Especially early on when — Owen's a great leader, he knew exactly when to give me a talk, and it always felt natural because he wanted to. He was compelled to. It never felt forced. And he wasn't absent either. It was a sort of perfect mix of both. Yeah, him especially, it was truly a treat to work with him because of that, that mentorship." On What Treviño Learned From Working with Dager Mariana: "A lot. Of course, as an actor, we're always constantly learning from each other. It doesn't matter your experience, your age, because it's a human interchange of emotions and contents that sometimes you're not even very conscious of. So many things come into play when you are making a scene come alive that it's really beyond what you think of experience. It is about experience, because it's the contents of your soul that are being exchanged and shaped into this reality. But Peter, he's a lovely young man. He's super mature. He's very outspoken. He has a wonderful, joyful personality. And he's really, really smart — and he was really keen into getting into something with all his heart. He played golf all the time while we were in Vancouver. His determination as an actor to get it right — to not play confidence, but to experience it doing golfing himself — I love that. So I learned that from him, among many other things. And how you have to be very approachable, because you don't know where the exchange is going to happen. And he's like that — he's a very approachable person and actor, he's very open, and that I think sometimes it's important for things to be discovered." On How Wilson Worked Through the Emotional Journey of Playing Ex-Spouses with Greer Owen: "I know that Judy and I, that we had no problem connecting — just we were sort of on the same wavelength with sense of humor. And I think when you're on the same wavelength sense of humour-wise, it means that you're also same wavelength sensitivity-wise. And so I think it was easy for us — or not easy, but when we had to do some of the emotional stuff, because I'm clearly still in love with her, she's kind of moved on, it was easy for me to feel those things and to see that in her. So it was just, for us, lucky casting that we had Judy doing it." On Dager's Task Juggling the Many Facets of Santi, Including His Talent, Growing Up Fast, Being Temperamental and His Coming-of-Age Journey Peter: "I think it's just taking the moment as it is. Being in each moment, exploring that moment to your fullest as an actor, just finding everything you can in that moment. And with TV and film, it's a luxury because you get to repeat the moment, so you find things and you can find a way to put them into the next take. But rather than worrying about a general story arc, if you just can concentrate on the moment that you're trying to execute and explore and bring to life, you've just got to hope and pray that when you see the final cut, every moment was explored to its possibility, and when they're all cut together you see the whole thing pan out. But yeah, that's the sort of mindset I would approach it with, focusing on the moment rather than feeling 'man, I have to play with all these things and have a balancing act'. Now, there are things that you have to remember that you've said in other scenes, but that's more than nitty gritty and very specific moments. But focusing on the moment is the more general approach that I had." On Stick's Intergenerational Tension — and Why That Clash Is Such a Go-To On-Screen Owen: "Well, with working with Peter and with Lilli, who play Santi and Zero, I think it's that familiar generational argument — that one generation thinks the other generation doesn't get it, had it too easy, and so that plays out with how I am struggling to connect with Santi. And with Zero. And I think it's hopefully funny, their inability to connect. And then I think there's some moving stuff when any human beings try to connect. And so that's certainly there, and that struggle for us that we have to kind of connect — and that's good." Judy: "I think it's always funny to watch two different generations duke it out, and argue with each other and try to decide who is more right. I don't know why. I just think that's universal comedy to me." On the RV Having Such a Pivotal Part in the Series Marc: "I feel like just the idea of a confined space with people who were relative strangers brought up the stakes of their ability to connect and interact — and overcome minor obstacles, because you are in this space. And I think the RV, for my character, carried a lot of emotional weight. And I think that the nature of the RV as a character was really taking Mitts out of his grief. There's a lot of reference to it being a mausoleum to his wife, who passed away. I don't think that spoils anything. So it was pretty loaded for Mitts. But it was also like it was an adventure, and you were being taken to all these different places and all these different environments. So it was a fairly complex character in the show." Mariana: "And it's also the idea of the moving home. These characters decide to embark on this journey in this car that is really becoming a home for them. And that is like a tiny home — they all sleep there, they cook. So it becomes, without them knowing, their place of safety and comfort during this whole journey. And it becomes a home for this new found family that is being created. And so of course it's a really important character, a really important presence in the show, because of the symbolic meaning of this — the idea that even if you're out there in the wilderness, you can find a family and they will all unite with a common purpose. And they become your allies in this confined space. All of a sudden we're all here — and you see that on top of the RV, we're allies, and outside we become allies, too." Stick streams via AppleTV+.
UPDATE, November 02, 2020: Your Name is available to stream via Netflix, Google Play, YouTube Movies, iTunes and Prime Video. Most mornings, when her younger sister comes to wake her up, Mitsuha (voiced by Mone Kamishiraishi) is fondling her own chest. It becomes an ongoing joke between the siblings, but there's more than awkward teenage self-exploration at play. Most mornings, you see, her body is actually inhabited by someone else. Mitsuha is a high school student from the quiet town of Itomori, and when she asks the universe for a more exciting life, that's actually what she gets. Swapping bodies with the city-dwelling Taki (Ryunosuke Kamiki), she's soon working his shifts in an Italian restaurant, while he's fumbling through her classes and forgetting to make breakfast. It's a premise straight out of a body-swap movie — think Freaky Friday, Dating the Enemy and The Change-Up, to name a few. Mitsuha and Taki change bodies on alternating days, but they can't remember each other's names. To navigate the chaos of suddenly becoming someone else, they communicate via notes left in their phones, gradually settling into a routine. Alas, just as they start to feel comfortable switching into each other's skin, learning from their escapades and forming a growing connection, fate once again intervenes. In his fifth feature Makoto Shinkai (The Garden of Words, Children Who Chase Lost Voices) dives head-first into the offbeat yet insightful adventure that comes with literally putting his protagonists in someone else's place. However, taking inspiration from the traditional Japanese tale Torikaebaya Monogatari, Your Name proves more than just a quirky comedy. Starting with a meteor shower accompanied by narration about "that day when the stars came falling, like a dream…a shared dream," Shinkai flirts with everything from star-crossed romance to impending disaster, as well as notions of identity, gender, the ever-changing reality of life, and the difficulty of reconciling many everyday contrasts. It's telling that Shinkai highlights the dream-like nature of the material from the outset. An ethereal air infiltrates each scene, while the gorgeous, glistening animation makes every moment feel both hyper-realistic and like a fond memory. Indeed, the script's numerous charms are matched by endless visual delights. Full of montages and catchy pop songs, the film plays out in a recognisable world – particularly for anyone who has ever visited Tokyo. Yet it feels just as magical as it would were Mitsuha and Taki being spirited away to another realm. That's one of the reasons that the M word keeps being thrown around: 'Miyazaki', that is. Thanks to the film's phenomenal popularity in Japan, Shinkai has been dubbed the spiritual successor to the Studio Ghibli great — and while that's high praise, it also fails to capture just what makes the film such a treat. Part teen rom-com, part sci-fi contemplation of weighty concepts, the anarchy and confusion of life has rarely felt so vivid, honest or enchanting.
Having earned cult status (and Tik Tok stardom) among the seafood-lovers of the USA, Cajun-style restaurant The Boiling Crab finally landed Down Under in early 2021, opening its flagship Aussie venue in Glen Waverley. Now, 16 months on, the brand has got its pincers on a second Melbourne outpost, bringing its famed signature crab boil offering to the CBD. Launching today, Thursday, June 23, The Boiling Crab's newest iteration has made its home on Tattersalls Lane. Just like its siblings, the restaurant invites you to don a bib and gloves, turf your inhibitions and get messy digging into saucy piles of seafood and accompaniments. The menu delivers a sumptuous choose-your-own-adventure scenario. First, select your hero seafood — perhaps some Aussie lobster, Moreton Bay bug, king crab legs, clams or scampi — which is priced by weight, then steamed or boiled in your choice of seasonings, sauces and spices. The latter ranges from 'non-spicy' up to 'XXX (I Can't Feel My Mouth!), and you can round it all out with extras like pork sausage, corn on the cob, whole baby potatoes and cajun-spiced fries. It's delivered to you in the bag, ready to be spilled onto your paper-topped table and devoured with abandon. Fans of the fried stuff can supplement their feast with a hefty lineup of crispy things served by the basket. You'll find hot wings in a variety of coatings, soft shell crab served atop a pile of chips, fried calamari and the crunchy Shabang Bang Shrimp, available in three levels of heat. You'll be washing down the spice with a crisp imported brew, margarita or michelada, or you BYO drinks for $3 per person. Find The Boiling Crab CBD at 4 Tattersalls Lane, Melbourne. It's open 12–9.30pm daily.
Ningaloo Reef is the only large reef in the world that you can access straight off the shore. Whether you’re lazing on the sand in Exmouth or Coral Bay, all you have to do is slip on your snorkelling gear, paddle out a few metres and, within minutes, you’ll be hanging out in dazzling coral gardens, along with dolphins, turtles and manta rays. You’ll find the UNESCO heritage-listed wonder 1,200 kilometres north of Perth, from where it runs north along the coast for 260 kilometres, between North West Cape and Red Bluff. Like the Great Barrier Reef, its fragile environment is under constant threat — from both development proposals and excessive tourism. Here's your eco-friendly guide to spending time in Ningaloo, while treading carefully. For the best prices on flights and accommodation on the WA Coral Coast, check out Wotif.com. SWIMMING WITH WHALE SHARKS Ningaloo is most famous for the hundreds of mammoth-sized visitors that come around once a year — between April and July. Even though they’re called whale sharks, they’re so gentle you can swim alongside them. And they also happen to be the biggest fish in the world. In few places do they gather in big crowds, but when you have 18 metres of body to feed, Ningaloo’s plankton feasts are hard to pass by. To swim, snorkel or dive with whale sharks, book yourself into a day tour. Needless to say, we don’t want to bombard them with strangers, so tours are tightly controlled, with only ten people allowed to hang about each creature at a time. If you happen to be in Exmouth between 21 and 24 May 2015, you’ll be right on time for the Whale Shark Festival. HUMPBACKS, TURTLES AND DUGONGS Whale sharks aren’t the only underwater life seeking out Ningaloo’s culinary abundance. Where other habitats have been over-fished and stripped of their diversity, Ningaloo is still thriving (so far). 30,000 humpback whales breach and spout their way past between June and November, on their 11,000 kilometre journey from Antarctica to the warm breeding grounds just off the Kimberley. Minke, southern right and blue whales pop by frequently, too. Excellent spots for whale watching include Exmouth’s main beach, Bundegi Beach and Vlamingh Head, but if you’d like to get closer, join a whale watching tour. Then there are dolphins, manta rays, one thousand dugongs and Jacques Cousteau knows how many fish. Six of the world’s seven marine turtle species call Ningaloo home, four of them vulnerable or endangered, and the reef is one of the most important nesting grounds on the planet for green and loggerhead turtles. To watch hundreds of hatchlings making their dangerous dash to the sea, you’ll need to visit between November and February. The breeding process is incredibly delicate, so you’re asked to follow the guidelines outlined in the Ningaloo Turtle Watchers’ Code of Conduct, which you can pick up from the Exmouth Visitor Centre, or join a tour. PROTECTION AND PRESERVATION Back in the 1960s, the WA branch of the Australian Marine Sciences Association recommended that Ningaloo be turned into a marine reserve, but it wasn’t until May 1987 that their suggestion was realised, and not until November 2004 that the park boundary was expanded to incorporate the entire reef. At present, 34% of the reef is made up of protective sanctuary zones. Regardless of such legislation, however, Ningaloo hasn’t been immune to threat from developers. In 2003, a plan to build a 2,000-bed resort at Mauds Landing was rejected, largely thanks to the Save Ningaloo Reef Campaign. Then, in 2010, sustained opposition successfully defeated a proposal to develop a salt mine in Exmouth Gulf. Now, the focus is on ensuring that development of, and tourism in, the area happens along sustainable lines. If you’re visiting, be sure to opt for eco-friendly activities and choose ethical tour operators.
There's no shortage of ways to celebrate Halloween, whether scary movies, eerie art, a trick-or-treating stint, playing with Lego or themed mini golf is your thing. Here's a particularly tasty one: getting dressed up in costume and scoring a free Krispy Kreme doughnut. The chain is known for giving away its round treats, including handing out 100,000 of them each National Doughnut Day. For Tuesday, October 31, it isn't locking in an exact number of doughnuts that'll be on offer — but it will give one to everyone who turns up to a Krispy Kreme store dressed for the occasion. If that isn't an excuse to don your spookiest outfit, then what is? To snag yourself a signature glazed freebie, head to your closest Krispy Kreme store in Australia or New Zealand on Tuesday, October 31 while wearing a Halloween-appropriate costume. You'll receive one original glazed doughnut per person, and you don't have to buy anything else to nab the treat without paying a cent. That gives everyone a heap of places to flock to: 38 in Australia and six in New Zealand. Sydneysiders able to hit up 17 stores stretching from Penrith to the CBD, Victorians can visit nine locations from Chadstone to Collins Street, and Queenslanders given eight different doughnut shops to pick from (with the most central in Albert Street in the CBD). Residents of Perth can make a date with one of four Krispy Kreme locations. In Aotearoa, all options are in Auckland — including at Newmarket, Chancery Square and the domestic airport terminal. Of course, Krispy Kreme is hoping that you will be possessed by the Halloween vibe while you're in-store — or beforehand — and treat yourself to something from its themed range. On offer until Tuesday, October 31: four different varieties. If you opt for the Spiderweb, you'll get an OG doughnut that's been dipped in chocolate ganache and topped with white truffle. The Jack O'Lantern takes a shell doughnut, packs it with choc crème, then dips it in orange-coloured truffle — what else? — before giving it an eyes and mouth via sugar fondant. The Ghost goes with a white truffle dip, plus white choc flakes and candy for eyes. And the Graveyard fills a shell doughnut with strawberry filling, covers the outside with green truffle, then uses sour gummy worms and ground chocolate crumb as soil. Krispy Kreme's Halloween giveaway takes place in-store on Tuesday, October 31. The chain's Halloween range is available until the same date. To find your closest shop and check its opening hours, head to the Krispy Kreme website.
Just like toilet paper, pasta and cans of tuna, tampons and pads in the time of COVID-19 are becoming increasingly hard to find on supermarket shelves. Which is a less-than-ideal situation to be in when that time of the month rolls around. And, sure, you may have heard about period-proof undies — and maybe even thought about making the switch for sustainability and economical reasons — but have you actually used them? No? Well, perhaps now is the time to give them a go. Since starting back in 2013, Australian label Modibodi has been shipping its colourful, comfy and functional undies to folk around the globe, with the aim of empowering them with a more eco-friendly option to tampons and pads — and, in the long run, it's lighter on the wallet. Plus, if you're self-isolating or trying to cut down your visits to the shop at the moment — kudos to you — then undies, which you can order online and delivered straight to your door, might be the way to go. Modibodi's undies use fabrics such as bamboo, merino wool and microfibres and have built-in absorbent, breathable (and stain- and odour-resistant) liners. After two years of testing, trialling and fine-tuning the designs with textile engineers and companies in Australia and the US, Modibodi became one of the world's go-to period-proof undies. The liners are about three-millimetres thick and can absorb anywhere between five and 20 millilitres (about four tampons' worth). So, while you're stuck at home, you can parade around in a pair of underwear — and not worry about any discomfort or leaks when wearing them. As these undies are designed to be thrown in your washing machine to be worn again and again, they're a far more sustainable solution than single-use items such as tampons, pads and liners, too. So, not only are they good for you, they're good for the planet. It doesn't hurt that it works out cheaper in the long run, too. They're designed for people of all ages, shapes and sizes, too, with more than ten different styles — from a classic brief cut to bikini, seamless, boyleg, boy short, high-waisted, maternity, swim, activewear and even vegan ones — in a range of colours. Plus, there are four different absorbency levels available: superlight, light-moderate, moderate-heavy and heavy-overnight. There are designs for pee, sweat and pregnancy, too. Prices start from $23.50 and there are packs of five, seven and ten, too, which will save you some pennies if you're looking to buy more than a couple of pairs. Modibodi is currently offering contactless delivery across Australia and New Zealand, with free shipping on orders over $100 AUD and NZD. If this is your first time buying them, you can score ten percent off when you sign up here. For more information on period-proof undies — and to buy yourself a pair (or few) — head to Modibodi's website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Misty mornings, roaring waterfalls, verdant Ireland-green meadows and a top-notch cheese collection — welcome to Robertson. This unassuming, 2000-person village found two hours drive southwest of Sydney feels a bit like it's on top of the world. Maybe that's why so many creatives live and work here, among them Ben Quilty, Carlos Barrios Miriam Margolyes and Anne Judell. Here's your guide to spending a couple of days in their neighbourhood. [caption id="attachment_615785" align="alignnone" width="1920"] The Robertson Hotel.[/caption] STAY The Robertson Hotel is cause enough to visit the area in and of itself. Any chance you're a Babe die-hard? It's here that the vego-promoting film was shot. Built in 1924 in a spot chosen for its panoramas, the hotel nabbed the 'Most Luxurious Hotel in the Commonwealth' award in 1925. Since then, it's served as a WWII RAAF base, hospice and monastery (thanks, monks, for adding the glorious stained glass windows). New owner Con Kotis took over in 2015 and has been busy restoring the 40 rooms to their former heavenliness. Wandering around the 14 acres of fantastical, sculpture-dotted landscaped grounds, you'll feel like you're in a film that's part-Greek myth and part-Secret Garden. There are dreamy swimming pools, ancient rainforest groves, a pathway to the hotel's private (and working!) railway station and a statue of Mary from the Vatican (the actual Vatican). Inside, you'll be sinking into a goose down doona draped across a hand-crafted Egyptian bed and freshening up in a black-and-white mosaicked bathroom. There's also a bunch of shared spaces, including a lovely bar beside a crackling fire (where high tea can be served on request) and a high-ceilinged dining room. EAT AND DRINK If you find the willpower to leave the hotel, a myriad of adventures await. Make your first stop the Robertson Cheese Factory. Hang around the counter with a hungry face and the on-duty maitre fromager will treat you to a tasting, covering boutique creations from all over NSW and Victoria. Robertson's surrounding pastures were once prime dairy country. The gelato cabinet promises more milky goodness, whipped up on the spot. Next door, the emporium is packed with vintage objects, pre-loved clothing and second-hand books. Just 300 metres west — just past the Big Potato, which was recently saved by a Robertson local from being turned into a car park — is Robertson Inn. It's one of the last 100 percent wooden hotels in Australia. Head chef Jeff Henry, who trained in double-hatted establishments, is behind the quality gastropub offerings. The menu covers "share" dishes, such as the signature cured plate, and "don't share" options, including grilled crispy skin salmon with sweet potato, asparagus, saffron lime and mussel salsa. Another pub to pop into — mainly for its stunning beer garden — is Burrawang Village Hotel, a ten-minute drive west. [caption id="attachment_609536" align="alignnone" width="1280"] Peter Saw.[/caption] While you're in the area, you'd be a mug not to check out some local wineries. The Southern Highlands, being 600+ metres above sea level, is all about cool climate varieties, such as Pinot Noir and Riesling. To avoid driving, ask Highlands Chauffered Hire Cars to pick you up from your hotel. While you sit in the back of an air-conditioned Merc, James Halliday-ing over various drops, your driver will take you wherever you'd like to go. Our tour covered multi-award winners Tertini and Artemis, as well as Sally's Corner, a friendly little operation, where local couple Allen and Dawn Davies do everything, from growing the grapes to making the wines. Looking for a lunch stop on the way? At tranquil, leafy Bendooley, there are lots of books (it's Berkelouw's HQ) and innovative dishes driven by local produce, such as broccolini and asparagus, crispy kale, saffron emulsion and Avruga caviar. Meanwhile, at Centennial Vineyards, you'll get creative dishes, such as Highlands beef fillet with kipfler hash brown, pea puree, Centennial Merlot sauce and onion jam, and idyllic vineyards. Feel free — if not obliged — to sneak in a wine tasting at either. [caption id="attachment_609538" align="alignnone" width="1280"] Bjenks.[/caption] DO Robertson is all about getting into the great outdoors. And, around here, they're great, indeed. A driving tour, taking in a trio of spectacular waterfalls, namely Fitzroy, Belmore and Carrington, is a good place to start. Should you be visiting in steamy weather, go for a dip at Nellies Glen or in Carrington Falls Pools. Given that you're more or less surrounded by national parks, hikes abound. For views and a decent workout, conquer the six-kilometre Clover Hill trail in Macquarie Pass National Park. For an easy saunter through rainforest, there's the 1.6-kilometre Rainforest Loop in Budderoo National Park. And to walk through a canopy — 50 metres above the ground — while soaking up extraordinary scenery, swing by the Illawarra Fly, where you can also terrify yourself on Australia's highest zipline. Keen cyclists will like the 24-kilometre Budderoo Track, which meanders through wildflowers and bloodwood forests. If you're a towny type, stick to wandering among the Southern Highland's many pretty villages, drinking coffee, perusing art and browsing in cute, independent shops. All the tips you need are in our guides to Bowral, Berrima and the Southern Highlands. Jasmine Crittenden travelled to Robertson as a guest of Robertson Hotel and Destination NSW.
The Tan is a familiar track to most Melburnians, and the Tan Ultra its annual runners event. In 2013 it features 100km, 50km, 42km, 30km, 12km and 4km distances, each with a maximum of 50 runners. It's a trailplus event, which supports Canteen and raises awareness of young people living with cancer. With our partners The Athlete's Foot, we're putting one of our team to the test, giving her four weeks to find her fit with running and participate in the TanUltra (12km) on August 11. Follow her ups, downs and diversions here, in her #ididit diary. And for all of you out there looking for some extra motivation to join in? The Athlete’s Foot are giving away a pair of running shoes each week to their favourite #ididit photo during the running season. The Runner: Hilary Simmons, 29, Comeback Kid I'm a runner coming back from injury. I sprained my ankle in the catacombs of Paris at midnight. My physio in Melbourne says I probably fractured it; either way, I haven't been running for over six months. I grew up in country NSW, riding horses and competing in orienteering events, despite a lamentable lack of navigational skills. I wear orthotics in my shoes to correct the fallen arches in my feet and go stir-crazy if I stay inside for too long. By day, I work in a creative illustration agency. By night, I wrestle with words, bake experimentally, and listen to music that holds it all together. I tend to walk everywhere, my head high in the clouds, and seem to have a complete inability to say 'no' to a challenge. The Tan Ultra is actually an example of this. I've signed up this week and have three weeks to train. I'll build up my training slowly but surely, come rain, hail or shine — knowing Melbourne, it will probably be a combination of all three. I like red wine, bad puns, enthusiastic laughers and warm woollen coats from fallen Russian aristocracy. Saturday, July 20, 1.38pm Saturday, July 20, 2pm Hilary: First run in a year, at Princes Park. That painful first 10 min, then my feet finding their rhythm. #ididit http://t.co/N1IOFIdvda — Concrete Playground (@PLAYGROUNDnews) July 21, 2013 Hilary: 3 runs in 3 days and my body is confused. Had to play good cop/bad cop to get out of bed. #ididit #tanultra http://t.co/N1IOFIdvda — Concrete Playground (@PLAYGROUNDnews) July 22, 2013 Sunday, July 28, 2.30pm Friday, August 2, 9.12am In some ways, my training has been going well. In other ways... uh, no. I have steadfastly been getting out of bed every other day to brave the bad streets but with the exception of one windy afternoon when (fuelled by caffeine and an earlymark from work) I ran all the way from Princes Park to Abbotsford Convent and back, my runs haven't exceeded 40 minutes. It's genuinely harder to fit longer runs in as someone who works full-time and freelance hours, and maintains a justifiable fear of the cold biting dark. The good thing is that apparently 'muscle memory' does exist and my body is loving running again. I am fairly sure that surrounded by other runners on the day, it will know what to do. Bonus — due to the omnipresence of cake in my life, carb-loading won't be a problem the night before. Hilary: Have the #deathflu. Limited my runs to half an hour otherwise I will fall off my chair at work. #ididit http://t.co/N1IOFIdvda — Concrete Playground (@PLAYGROUNDnews) August 7, 2013 Saturday, August 10, 8.30pm The sticking-my-head-in-the-sand form of preparing for the Tan Ultra has reached its inevitable conclusion with me spending a quiet Saturday night in and hoping that my lack of hangover will miraculously enable me to run 12km. I know I can do at least half of that, no hassles, but I think if I were to nut out a training "schedule" again, I would actually have developed one. Complaints aside, I'm looking forward to tomorrow. The weather was incredible today, one of those mid-August days where the sky is so brilliant that everything appears lilted in the blue. It's been so long since I've done a fun-run and I love the buzz as everybody gets briefed . I'm going to run without headphones this year and just try to enjoy the track. Tuesday, August 13, 11.24pm It was possibly the most perfect weather you could imagine for the Tan Ultra on Sunday. Bright sun, light breeze; everything so fresh and unspoiled. What really surprised me as I made my way to my mid-morning starting line is how many runners weren't competitors, but happily running alongside and joking with the people who wore race numbers. There is something really lovely and community minded about running. All the people at the registration desks were volunteers and everyone laughed and chatted warming up. 12km is three times around the track and some of the ultra-marathoners there were doing 100km. That's 26 times round! They had been there since early that morning and one old man I jogged beside for 100m or so told me that he was looking forward to having a nice cup of tea after. Cute and inspiring in equal measures. From my own perspective, my ankle injury didn't bother me at all and I ran a clean, full three laps in around 70min or so. The endorphin rush lasted throughout the slight stiffness in my muscles the next day and at this point (almost midnight on a Tuesday evening), I'm planning to go running tomorrow morning.
