When Darth Vader told Luke Skywalker that they're more than just mortal enemies, it became one of the most famous lines of dialogue in movie history (and one of the most misquoted). If you've seen Star Wars: Episode V — The Empire Strikes Back, you'll know that it's a powerful, memorable moment that changes the shape of the entire space saga. Even if you haven't, you still know what we're talking about. Now, imagine just how epic it'll feel when you're watching the flick on a big screen and listening to John Williams' iconic score played by a live orchestra. Yes, The Force is strong in Melbourne once more, with Melbourne Symphony Orchestra staging the next in its series of Star Wars events: The Empire Strikes Back in Concert. This isn't the first time that the MSO has done the honours with this very film, but after returning to Star Wars: Episode IV — A New Hope already in 2023, it's clearly working its way back through the space-opera franchise. This time, there'll be four screenings and performances from Thursday, October 19–Saturday, October 21 at Hamer Hall. Jedis, wookiees and droids alike can expect tussles between the Rebels and the Empire, Luke learning his true parentage, Han flirting with Leia and getting frozen in carbon, Chewbacca being awesome, R2-D2 being adorable and C-3PO being annoying (well, he is). Plus, it's the flick that marks the first appearance of Lando Calrissian and the first time 'The Imperial March' is heard. Conductor Nicholas Buc will be leading the charge again, and expect an energetic performance — it's his favourite Star Wars score. "'As well as being a fan favourite in the series, The Empire Strikes Back introduces perhaps the greatest villain's theme in cinematic history, 'The Imperial March'. Williams' bombastic music for Darth Vader has since come to represent everything evil in the Star Wars universe and, combined with his new love theme for Han and Leia, this score improves on everything that Williams started in Episode IV,' said Buc. Star Wars: The Empire Strikes Back in Concert will screen at Hamer Hall from Thursday, October 19–Saturday, October 21. Head to the MSO website for further details, and for tickets from 10am on Tuesday, January 31.
If you'd like to pull up a seat and spend a couple of hours watching the best short films the world has to offer, you'll love Flickerfest Short Film Festival. Australia's most respected (and oldest) short film festival is celebrating 26 years and appearing at Kino Palace Cinemas from February 15-16. This year, the hardworking peeps behind the festival have watched over 2,400 entries from around the globe and whittled the options down to a select few that you can feast your eyes on. Australia's only Academy-accredited and BAFTA-recognised short film festival is the best spot to see the freshest and most innovative film talent from around the world. Among the full programme is Timecode — a Spanish film about a dancing security guard which has been nominated for an Academy Award. Other highlights include Messiah — starring David Gulpilil, a hapless Irishman and his Parisian girlfriend encounter a mischievous stranger in the Australian wilderness — and Crush — the story of a 16-year-old girl whose best friends are wanted for murder. On Wednesday February 15 it's the 'Windows on Europe' programme, featuring moving, award-winning shorts drawn from the European Union countries. On Thursday February 16 the 'Best of Melbourne' programme is on — a specially curated selection of shorts from Victorian filmmakers. The exclusive after-party gives you the chance to mingle with the next wave of Aussie filmmakers over catered food and drinks. After spending ten days at Bondi Beach in New South Wales, the festival has ventured on to a 52-date national tour, spreading the Flickerfest love Australia-wide.
Following the introduction of Nike+, the sporting giant has created its most technologically-savvy and personalised piece of performance measurement yet. The Nike FuelBand uses Nike Fuel, a new measurement system developed by the company. This allows you to measure your data such as steps, calories and distance throughout the day against other competitors of different body types and skill levels. You can also set goals for yourself and the band's screen will notify you if you have achieved them by changing from red to green. Perhaps the greatest tool of the Nike FuelBand is its ability to sync with iPhones via Bluetooth, where the information can then be shared through social media or explored in greater depth. The Nike FuelBand also has a built-in USB drive for computer access. At midnight, the FuelBand resets itself so that all your daily information is kept succinct. Technology is now playing a pivotal role in fitness, where data is now becoming more in-depth and accessible for athletes. Such technology offers much more than standard pedometers, and Nike Vice President of Digital Sport Stefan Olander believes that this has a tremendous psychological benefit for those wanting to keep in shape. He states that Nike are attempting to allow customers to "make it really easy to level something — give yourself a goal, but then allow yourself to adjust that all the time to what you want to do." The Nike FuelBand is now avaliable for preorder in the United States, with plans to become avaliable in Europe in mid-2012. This idea of data-collection and goal-setting for fitness has been explored by other products such as the Jawbone UP, a similar wristband that also comes with an app. However, the Nike FuelBand has built upon what was criticised as one of UP's major flaws - an inability to transfer data via Bluetooth because of battery life issues. Therefore, transferring such data from the UP became much more intrusive on daily routines. In any case, the development of such devices have seen technology become a double-edged sword within modern society. On one hand, the increasing dependence on computers and iPhones have been blamed for tragic obesity levels, yet such technology can also be used as a great motivational and measuring tool for physical exercise. Certainly, we are far removed from the days where an Mp3 player was only used to blast uptempo techno music while running on the treadmill. Nike FuelBand https://youtube.com/watch?v=-eAjsFl22HM [via CoolHunting]
The Lepidopters: A Space Opera is only touching down for a couple of Melbourne performances, and the insane amount of culture-mixing and genre-bending the work is cramming into Arts House this weekend makes it unmissable. Created by experimental Melbourne outfit Slave Pianos with European writer Mark von Schleegell, the centerpiece of The Lepidopters is a specially constructed electromechanial piano, fresh from a starring appearance in the National Gallery of Victoria’s exhibition Melbourne Now. This 'piano' contains no less than 56 gamelans, a traditional Indonesian instrument. In its NGV outing this machine played the audience’s choice of transcribed songs, but here in The Lepidopters it’s joined by a 40-member choir, punk-art musicians from Indonesia, as well as the solo pianist Michael Kieran Harvey, all backed by projected visual art and film.
When mid-February rolls around each year, a specific feeling starts to sink in: the yearning for these sunny, summery days to keep on stretching on. But autumn will soon be upon us, and cooler weather, too — unless you decide to chase an endless summer by spending time anywhere from the Gold Coast up to Cairns while it gets frosty down south. After a chaotic couple of years due to the pandemic, Queensland holidays have been back on the agenda since late 2021. Just last month, the Sunshine State also ditched all of its remaining domestic border restrictions. And, if you're keen to make an autumn date with plenty of sun, surf and sand — or even to book in a winter getaway, too — Virgin Australia has just dropped a huge Queensland flight sale. Running until midnight AEST on Sunday, February 20 or sold out, whichever arrives first, this sale is solely about trips to and from the Sunshine State — with more than a 1.5 million fares on offer. It might be focused on one part of the country, but you still have options in terms of departure points and destinations. Within Queensland, you can leave or arrive in Brisbane, Cairns, Townsville, Rockhampton, Hamilton Island, the Gold Coast, the Sunshine Coast, Emerald, Gladstone, Mackay, Mt Isa and Proserpine. And, around the rest of the country, flights to and from Adelaide, Alice Springs, Canberra, Darwin, Hobart, Launceston, Melbourne, Newcastle, Perth and Sydney are all covered. One-way fares start at $59 — which'll get you from Sydney to the Gold Coast, Launceston to Brisbane, Newcastle to Brisbane and Brisbane to Prosperine (and vice versa). Other sale flights include Sydney–Sunshine Coast from $65, Melbourne–Gold Coast from $69, Melbourne–Townsville from $99 and Sydney–Hamilton Island from $109. If you're wondering when you'll need to travel, the travel periods depend on the leg — but some span up till spring. Only some fares cover seat selection and checked baggage, however, with the airline announcing back in August that it is now splitting its economy flights into three types. Economy Lite doesn't include checking any baggage or picking your seat, but Economy Choice does — and Economy Flex gives you extra flexibility (hence the name) if you have to change your plans later. As we are still in the middle of a pandemic, flying is little different to normal. Virgin has introduced a range of safety measures, including hand sanitisation stations, contactless check-in and face masks provided to all passengers. Wearing masks on flights also became mandatory in Australia in January. Virgin's Great Queensland Getaway sale runs from today, Monday, February 14–midnight AEST on Sunday, February 20 — or until sold out.
Queer Screen doesn't just host two LGBTQIA+ film festivals in Sydney each year, with Mardi Gras Film Festival arriving in the first half and Queer Screen Film Fest in the second. It also takes those fests to the rest of Australia via online versions. So, to start September, you can get cosy on the couch while streaming your way through a number of movies from the QSFF lineup without leaving home. While the fest runs from Wednesday, August 28–Sunday, September 1, it goes virtual from Monday, September 2–Sunday, September 8. Closing night's Gondola, about female cable-car conductors expressing their emotions in the sky, is among the titles you'll be able to catch on your own screen. So are the gay, sapphic and trans and gender-diverse shorts strands, with Lukas Gage (Road House) and Keiynan Lonsdale (Swift Street) making appearances via the bite-sized Stay Lost. Plus, at-home viewers have American Parent, about a lesbian couple raising a toddler during the pandemic; Big Boys, focusing on a teen with a crush; All Shall Be Well director Ray Yeung's 2019 film Twilight's Kiss; and The Judgment, about US-based Egyptian boyfriends returning home and dealing with the supernatural, among their other choices.
If there's one thing better than seeing your fave musician, it's seeing said musician in an intimate, top-secret location with a glass of Pinot Noir in hand. That's where Cloudy Bay comes in. The acclaimed winemaker from New Zealand's Marlborough region has teamed up with Parlour Gigs — an online platform that connects punters with local musicians so they can throw small invite-only gigs in their own home or backyard — to bring you a brand new series of exclusive live music sessions in magical places. The first, to take place on Sunday, August 14, will feature an acoustic set from local band Fractures, ahead of the launch of their debut album, which is slated for October. We can't tell you exactly where they'll be playing, but we can tell you it's a rustic secluded spot just outside of Melbourne. Worried about this wintery weather? Rest assured you'll be cosying up beside an open fireplace and, needless to say, there'll be no shortage of premium quality drops and tasty, tasty eats. It's the ultimate Parlour Gig. To celebrate the launch of their Secret Sessions, Cloudy Bay and Parlour Gigs are giving away ten double passes. You can enter by posting an image on Instagram or Facebook, tagging #SecretSessionsGigs and tell us your dream gig location in 25 words or less. Entries open to VIC locals only. Find more info here.
The Lamb Council of Australia (otherwise known as Meat & Livestock Australia/We Love our Lamb) is back on our screens — and this time, it's political. Their 2017 campaign has just launched and, whether you're a lamb fan or not, it's already spreading warm fuzzies across the country. The ad opens on a trio of First Nation peoples picking a spot for a primo beach barbie, but it's not long before the First Fleet and other nations arrive, all by boat (accurate historical fact). While everything's underway, the most recent 'boat people' are seen coming towards the shore, at which point ex-MasterChef contestant Poh Ling Yeow asks, "Aren't we all boat people?" Damn right. It's an inclusive, anti-racism message that's sure to win the lamb lovers and creative agency The Monkeys a spate of awards despite trotting out a few well-worn stereotypes. And although it is an obvious comment on Australia Day — the way we celebrate it and the day we celebrate it on — the ad doesn't actually make any overt references to it. Nonetheless, it's a huge shift away from their regular Australia Day campaign and a move towards something much more inclusive. Plus, it's got a diverse group of Aussie celebrities to help out, including olympian Cathy Freeman, rugby legend Wendell Sailor, cricketer Adam Gilchrist, comedian Rhys Nicholson and, of course, a small cameo from Sam "Sam Sam the lamb man" Kekovich. The result is one ultimate Australian beachside barbie.
When the weather starts to cool down, the urge to devour big bowls of pasta, warm soups and pot pies usually comes with it. Despite all the blankets and fuzzy slippers in the world, sometimes you just need some carbs — and a few boozy concoctions to wash them down with. And, really, there's nothing like curling up with just the thing you're hankering for. When the heart is calling for a cheesy carbonara or a bespoke negroni, you'd best answer it. To help you out when the cravings strike, we've teamed up with Australia Cocktail Month. The inaugural month-long celebration of Aussie-made cocktails takes place throughout May, so it's just the ticket as winter approaches. Alongside everything from yum cha to countryside fire feasts, it's also one of our six recommended ways to indulge when only cocktails and comfort food will do. [caption id="attachment_644421" align="alignnone" width="1920"] Parker Blain[/caption] HIT UP YOUR LOCAL FOR A SUNDAY ROAST Warm up from the inside out with a hearty Sunday pub roast. Based on the traditional British end-of-weekend meal, the Australian take on the pub roast usually features all the fan favourites (yes, including brussels sprouts) to help chase away the cold weather blues. Think succulent roast meats, crunchy potatoes, juicy vegetables, copious pours of gravy, and a nice glass of red or two on the side. Right across the nation — including in Melbourne, Sydney and Brisbane — there are plenty of pubs to hit up. Pick your favourite, then spoil your tastebuds with a filling roast lunch or dinner. Is there anything more comforting? [caption id="attachment_755166" align="alignnone" width="1920"] Death and Taxes[/caption] CURL UP WITH A COCKTAIL AT A TOP BAR If you're in the mood for a cocktail, you're going to love Australian Cocktail Month, a month-long celebration of Australian bars and bartenders that starts on Saturday, May 1. Across the event, 72 bars in Melbourne, Sydney, Brisbane and Adelaide are partnering with local and international alcohol brands to shake and stir up some bespoke cocktails, and to also offer discounts and unique bar experiences. To attend, all you need to do is grab a general admission ticket from the event's website, then head to a participating bar. Show said ticket and you'll be able to sip a $14 cocktail (or a $10 non-alcoholic version) while you're getting comfy. [caption id="attachment_780994" align="alignnone" width="1920"] Cassandra Hannagan[/caption] TUCK INTO A YUM CHA FEAST It's pretty universally known that one does not leave yum cha hungry. After all, the meal involves a steady rotation of small portions of dim sum dishes, including steamed, pan-fried and deep-fried options. Think juicy dumplings, prawn har gow, xiaolongbao (steamed soup dumplings), barbecue pork buns and pork ribs — all washed down with piping hot tea. There are plenty of places in Sydney, Melbourne and Brisbane to get your feast on, too. So, forget the cooking and feed your hankering for Cantonese food by heading to your local yum cha house — and indulging until your heart (and tummy) is content. Just make sure not to eat beforehand. [caption id="attachment_779829" align="aligncenter" width="1920"] Cassandra Hannagan[/caption] HIBERNATE IN A CINEMA WITH POPCORN AND CHOC TOPS Grabbing a snack at a movie theatre isn't always easy to justify. But when you're nestled in your seat, it's hard to be sorry about the big box of popcorn in your hands. A choc top never goes astray, either, and neither does a bag of Maltesers. Accordingly, to feed that comfort food craving in your belly, grab a mate or date and head to your local cinema. There, you can hibernate in a supremely cosy setting and enjoy a flick with some quality movie theatre bites. Some venues even serve cocktails too, such as Golden Age Cinema and Bar in Sydney, Classic Cinemas in Melbourne and Blue Room Cinebar in Brisbane. THROW A POTLUCK DINNER WITH YOUR MATES Why indulge in comfort food and cocktails all on your own when you can do it as a group activity with your nearest and dearest? The easiest way: get on that group chat and arrange a potluck dinner at yours with your friends. Either get everyone to bring a surprise dish, or arrange for someone to take care of entrees, others to look after mains and the best cooks in the gang to whip up desserts. You could even try out a new recipe or two, and wow your pals with a skill they mightn't have realised you have. And the best part? There are usually leftovers for tomorrow's lunch. COOK A FEAST OVER FIRE IN THE COUNTRYSIDE Fill up your car, pack an overnight bag and hit the road. It's time to escape the hustle and bustle of the city for some fresh country air and camping-style food. Get a fire roaring, then try your hand at some damper, classic s'mores, snags or corn on the cob. You could even give campfire nachos or some camping quesadilla a whirl. There are plenty of country towns to stay at just a hop, skip and jump from main cities, too, including near Sydney, Melbourne and Brisbane. It's a two-for-one deal, really, because you'll indulge in the charm of the countryside and fill your belly at the same time. Australian Cocktail Month is taking over top bars across the Australia from May 1–31. To buy your ticket, and for the full list of participating bars, head to the event's website. Top image: The Duke of Clarence, Kitti Gould
New Zealanders wanting to enter Australia without quarantining will have to hold off a little longer on their travel plans, after the Australian Government extended the existing pause on the current one-way trans-Tasman travel bubble. New Zealand's previous quarantine-free border arrangements were halted on Monday, January 25 after a NZ resident tested positive to the new, more transmissible B1351 variant of COVID-19. The bubble was scheduled to resume today, Thursday, January 26, after a 72-hour pause; however, the suspension will now continue for another three days. As announced in a statement by Australian Health Minister Greg Hunt, the pause will now run through until 2pm, Sunday, January 31, in line with the recommendation from the Australian Health Protection Principal Committee and the Australian Government Chief Medical Officer. The latest suspension comes after two more New Zealanders tested positive to COVID-19 in recent days, with both linked to the same Auckland hotel as the initial case. The bubble suspension will give health authorities a chance to do further digging and gather test results for all the close contacts linked to the outbreak. In a press conference, Australia's Acting Chief Medical Officer, Professor Michael Kidd, also advised that there are concerns that a small group of people who had stayed at the Auckland hotel at the same time as the other cases have since travelled to Australia under the previous quarantine-free arrangement. They flew into the country before the bubble was paused on Monday, and are now being contacted by local health authorities. https://twitter.com/healthgovau/status/1354640405485248514 Anyone who has entered Australia from NZ since January 9 is also encouraged to get a COVID-19 test immediately, and go into self-isolation until results are received. The one-way travel bubble from NZ to Australia was introduced in mid-October last year, initially allowing New Zealanders to travel into certain Australian states without quarantine, before being expanded to include access to most of the country. It was also hoped that a reciprocal arrangement wouldn't be far off, after New Zealand Prime Minister Jacinda Ardern announced in December that the NZ Cabinet had agreed to establishing a two-way bubble from early 2021. It's unknown what impact the recent outbreak will have on those plans. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. To find out more about the virus and travel restrictions in New Zealand, head over to the NZ Government's COVID-19 hub.
We're about to slide speedily into winter — and if that's put you in the mood for a wardrobe shakeup, well, you're in luck. The treasure trove of vintage threads that is the Round She Goes Fashion Market returns to Melbourne this month, taking over Coburg Town Hall on Sunday, May 7. This time around, the ever-popular market is treating shoppers to more than 55 stalls heaving with quality pre-loved designer fashion, vintage pieces, retro accessories and handmade goodies. And as always, there'll be a whole stack of affordable items in the mix, with prices starting from $10. Get your stylish self along from 10am to score covetable finds from big-name labels ranging from Prada to Phillip Lim, and from Balenciaga to Bianca Spender. Grab yourself a bit of Gucci, score some Christian Dior, and splash out on threads from Romance Was Born, Jean Paul Gaultier, Mister Zimi or Gorman. There'll be specialty coffee and baked treats from Coffee on Cue to fuel your rummaging, too, and entry costs $4.
Under normal circumstances, when a new-release movie starts playing in cinemas, audiences can't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the pandemic forcing film industry to make quite a few changes over the past year — widespread movie theatre closures will do that — that's no longer always the case. Maybe you're in lockdown. Perhaps you haven't had time to make it to your local cinema lately. Given the hefty amount of films now releasing each week, maybe you missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here's 12 you can watch right now at home. IN THE HEIGHTS Lin-Manuel Miranda isn't the first lyricist to pen tunes so catchy that they get stuck in your head for years (yes, years), but his rhythmic tracks and thoughtful lines always stand out. Miranda's songs are melodic and snappy, as anyone who has seen Hamilton onstage or via streaming definitely knows. The multi-talented songwriter's lyrics also pinball around your brain because they resonate with such feeling — and because they're usually about something substantial. The musical that made his name before his date with US history, In the Heights echoes with affection for its eponymous Latinx New York neighbourhood. Now that it's reverberating through cinemas, its sentiments about community, culture, facing change and fighting prejudice all seem stronger, too. To watch the film's characters sing about their daily lives and deepest dreams in Washington Heights is to understand what it's like to feel as if you truly belong in your patch of the city, to navigate your everyday routine with high hopes shining in your heart, and to weather every blow that tries to take that turf and those wishes away. That's what great show tunes do, whisking the audience off on both a narrative and an emotional journey. Miranda sets his words to hip hop beats, but make no mistake: he writes barnstorming songs that are just as rousing and moving, and that've earned their place among the very best stage and screen ditties as a result. Watching In the Heights, it's hard not to think about all those stirring tracks that've graced previous musicals. That isn't a sign of derivation here, though. Directing with dazzling flair and a joyous mood, Crazy Rich Asians filmmaker Jon M Chu nods to cinema's lengthy love affair with musicals in all the right ways. His song-and-dance numbers are clearly influenced by fellow filmic fare, and yet they recall their predecessors only because they slide in so seamlessly alongside them. Take his staging of the tune '96000', for instance. It's about winning the lottery, after word filters around that bodega owner Usnavi (Anthony Ramos, a Hamilton alum) has sold a lucky ticket. Due to the sweltering summer heat, the whole neighbourhood is at the public pool, which is where Chu captures a colourful sea of performers expressing their feelings through exuberantly shot, staged and choreographed music and movement — and it's as touching and glorious as anything that's ever graced celluloid. Of course, $96,000 won't set anyone up for life, but it'd make an enormous difference to Usnavi, In the Heights' protagonist and narrator. It'd also help absolutely everyone he loves. As he explains long before anyone even hears about the winning ticket, or buys it, every Heights local has their own sueñitos — little dreams they're chasing, such as his determination to relocate to the Dominican Republic. And that's what this intoxicating, invigorating, impassioned and infectious captures with vibrant aplomb. In the Heights is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. A QUIET PLACE PART II When every noise you make could send savage aliens stalking, slashing and slaughtering your way, it's the waiting that gets you. When you're watching a nerve-rattling horror film about that exact scenario, the same sentiment remains relevant. In A Quiet Place, the Abbott family went into survival mode after vicious creatures invaded, hunted down every sound and dispensed with anyone that crossed their path. For the characters in and viewers of the 2018 hit alike, the experience couldn't have screamed louder with anxiety and anticipation. Evelyn and Lee (Wild Mountain Thyme's Emily Blunt and Detroit's John Krasinski) and their children Regan (Millicent Simmonds, Wonderstruck), Marcus (Noah Jupe, The Undoing) and Beau (Cade Woodward, Avengers: Endgame) all silently bided their time simply trying to stay safe and alive, but their continued existence lingered under a gut-wrenching shadow. The critters were still out there, listening for even a whisper. It was a matter of when, not if, they'd discern the slightest of noises and strike again. That type of waiting drips with tension and suspense, and also with the kind of inevitability that hovers over everyone alive. A certain bleak end awaits us all, a truth we routinely attempt to ignore; however, neither the Abbotts nor A Quiet Place's audience were allowed to forget that grim fact for even a moment. Initially slated to arrive in cinemas two years later, then delayed by the pandemic for 14 months, sequel A Quiet Place Part II isn't done with waiting. Written and directed once again by Krasinski, the film doesn't shy away from the stress and existential distress that marking time can bring, but it also tasks its characters with actively confronting life's inevitabilities. After an intense and impressive tone-setting opening flashback to the first day of the alien attack, when the Abbotts' sleepy hometown learns of humanity's new threat in the cruellest fashion, the storyline picks up where its predecessor left off. It's day 474 — the earlier film spent most of its duration around day 472 — and Evelyn, Regan, Marcus and the family's newborn are grappling with their losses. That said, they're also keenly aware that they can't stay in their Appalachian farmhouse any longer. After spotting smoke on the horizon and setting off in that direction, they reconnect with Emmett (Cillian Murphy, Peaky Blinders), an old friend who has been through his own traumas. Evelyn sees safety in numbers, but he's reluctant to help. Then Regan hears a looping radio transmission playing 'Beyond the Sea' and decides to track down its source — and a film that's less thrilling, potent and unsettling than its predecessor eventuates. A Quiet Place Part II is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. BLACK WIDOW Closure is a beautiful thing. It's also not something that a 24-film-and-growing franchise tends to serve up often. Since 2008, the Marvel Cinematic Universe has operated with the opposite aim — extending and expanding the series at every turn, delivering episodic instalments that keep viewers hanging for the next flick, and endeavouring to ensure that the superhero saga blasts onwards forever. But it's hard to tick those boxes when you're making a movie about a character whose fate is already known. Audiences have seen where Natasha Romanoff's (Scarlett Johansson, Marriage Story) story finishes thanks to Avengers: Endgame, so Black Widow doesn't need to lay the groundwork for more films to follow. It's inexcusable that it has taken so long for the assassin-turned-Avenger to get her own solo outing. It's indefensible that this is just the second Marvel feature to solely focus on a female figure, too. But, unlike the missed opportunity that was Captain Marvel, Black Widow gives its namesake a thrilling big-screen outing, in no small part because it needn't waste time setting up a Black Widow sequel. Instead, the pandemic-delayed movie spends its 143 minutes doing what more MCU flicks should: building character, focusing on relationships, fleshing out its chosen world and making every inch of its narrative feel lived-in. The end result feels like a self-contained film, rather than just one chapter in a never-ending tale — which gives it the space to confidently blend family dramas with espionage antics, and to do justice to both parts of that equation. Sporting an impressive cast that also includes Florence Pugh (Little Women), David Harbour (Stranger Things) and Rachel Weisz (The Favourite), Black Widow begins in 1995, in small-town Ohio. Here, Harbour and Weisz play Alexei and Melina, parents to young Natasha (Ever Anderson, Resident Evil: The Final Chapter) and Yelena (Violet McGraw, Doctor Sleep), and the portrait of all-American domesticity — or that's the ruse, at least. The film doesn't revel in small-town life, neighbourhood playtimes, 'American Pie' sing-alongs and an existence that could've been ripped from The Americans for too long, however, with the quartet soon en route back to Russia via Cuba at shady puppetmaster Dreykov's (Ray Winstone, Cats) beckoning. When the action then jumps forward to 2016, and to the aftermath of that year's Captain America: Civil War, Natasha hasn't seen her faux family for decades. On the run from the authorities, she isn't palling around with the Avengers, either, with the superheroes all going their separate ways. Then the adult Yelena (Pugh) reaches out, because she too has fled her own powers-that-be: Dreykov, the fellow all-female hit squad she's been part of for the last 21 years, and the mind-control techniques that've kept her compliant and killing. There's an unmistakable air of Bourne and Bond to Black Widow from there, but this deftly satisfying flick doesn't trade the MCU's blueprints for other franchises' templates. With Australian filmmaker Cate Shortland (Somersault, Lore and Berlin Syndrome) in the director's chair, this welcome addition to the franchise spins a thoughtfully weighty story about women trapped at the mercy of others and fighting to regain their agency. Black Widow is available to stream via Disney+ with Premium Access. Read our full review. MY NAME IS GULPILIL Lengthy is the list of Australian actors who've started their careers on home soil, then boosted their fame, acclaim and fortunes by heading abroad. Some have won Oscars. Others are global household names. One plays a pigtailed comic book villain in a big film franchise, while another dons a cape and wields a hammer in a competing blockbuster saga. David Gulpilil doesn't earn any of the above descriptions, and he isn't destined to. It wouldn't interest him, anyway. His is the face of Australian cinema, though, and has been for half a century. Since first gracing the silver screen in Nicolas Roeg's Walkabout, the Yolŋu man has gifted his infectious smile and the irrepressible glint in his eye to many of the nation's most important movies. Indeed, to peruse his filmography is to revel in Aussie cinema history. On his resume, 70s classics such as Mad Dog Morgan and The Last Wave sit alongside everything from Crocodile Dundee and Rabbit-Proof Fence to Australia, Goldstone and Cargo — as well as parts in both the first 1976 film adaptation of Storm Boy and its 2019 remake. The latest film to benefit from the Indigenous talent's presence: My Name Is Gulpilil. It might just be the last do to so, however. That sad truth has been baked into the documentary ever since its subject asked director Molly Reynolds and producer Rolf de Heer — two filmmakers that Gulpilil has collaborated with before, including on Another Country, Charlie's Country, Ten Canoes and The Tracker — to make something with him after he was diagnosed with stage-four lung cancer. That was back in 2017, when he was given just six months to live. Gulpilil has been proving that diagnosis wrong ever since. Cue this heartfelt portrait of an Australian icon like no other, which celebrates a star who'll never be matched, reminds viewers exactly why that's the case, but is never a mere easy, glossy tribute. Anyone could've combined snippets of Gulpilil's movies with talking heads singing his praises. In the future, someone probably will. But Reynolds is interested in truly spending time with Gulpilil, hearing his tale in his own words, and painting as complete a portrait of his life, work, dreams, regrets, spirit, culture and impact as possible. My Name Is Gulpilil is available to stream via ABC iView. Read our full review. VALERIE TAYLOR: PLAYING WITH SHARKS Steven Spielberg directed Jaws, the 1975 horror film that had everyone wondering if it was safe to go back into the water — and the movie that became Hollywood's first blockbuster, too — but he didn't shoot its underwater shark sequences. That task fell to Australian spearfisher and diver-turned-oceanographer and filmmaker Valerie Taylor and her husband Ron, who did so off the coast of Port Lincoln in South Australia. If it weren't for their efforts, the film mightn't have become the popular culture behemoth it is. When one of the animals the Taylors were filming lashed out at a metal cage that had held a stuntman mere moments before, the pair captured one of the picture's most nerve-rattling scenes by accident, in fact. And, before Peter Benchley's novel of the same name was even published, the duo was sent a copy of the book and asked if it would make a good feature (the answer: yes). Helping to make Jaws the phenomenon it is ranks among Valerie's many achievements, alongside surviving polio as a child, her scuba and spearfishing prowess, breaking boundaries by excelling in male-dominated fields in 60s, and the conservation activism that has drawn much of her focus in her later years. Linked to the latter, and also a feat that many can't manage: her willingness to confront her missteps and then do better. The apprehension that many folks feel when they're about to splash in the ocean? The deep-seated fear and even hatred of sharks, too? That's what Valerie regrets. Thanks to Jaws, being afraid of sharks is as natural to most people as breathing, and Valerie has spent decades wishing otherwise. That's the tale that Valerie Taylor: Playing with Sharks tells as it steps through her life and career. Taking a standard birth-to-now approach, the documentary has ample time for many of the aforementioned highlights, with Valerie herself either offering her memories via narration or popping up to talk viewers through her exploits. But two things linger above all else in this entertaining, engaging and insightful doco. Firstly, filmmaker Sally Aitken (David Stratton: A Cinematic Life) fills her feature with stunning archival footage that makes for astonishing and affecting viewing (Ron Taylor is credited first among the feature's five cinematographers). Secondly, this powerful film dives into the work that Valerie has spearheaded to try to redress the world's fright-driven perception of sharks. Like last year's David Attenborough: A Life on Our Planet, 2017's Jane Goodall documentary Jane and underwhelming 2021 Oscar-winner My Octopus Teacher, this is a movie about being profoundly changed by the natural world and all of its splendour. Valerie Taylor: Playing with Sharks is available to stream via Disney+. Read our full review. CRUELLA A killer dress, a statement jacket, a devastating head-to-toe ensemble: if they truly match their descriptions, they stand the test of time. Set in 70s London as punk takes over the aesthetic, live-action 101 Dalmatians prequel Cruella is full of such outfits — plus a white-and-black fur coat that's suspected of being made from slaughtered dogs. If the film itself was a fashion item, though, it'd be a knockoff. It'd be a piece that appears fabulous from afar, but can't hide its seams. That's hardly surprising given this origin tale stitches together pieces from The Devil Wears Prada, The Favourite, Superman, Star Wars and Dickens, and doesn't give two yaps if anyone notices. The Emmas — Stone, playing the dalmatian-hating future villain; Thompson, doing her best Miranda Priestly impression as a ruthless designer — have a ball. Oscar-winning Mad Max: Fury Road costume designer Jenny Beavan is chief among the movie's MVPs. But for a film placed amid the punk-rock revolution, it's happy to merely look the part, not live and breathe it. And, in aiming to explain away its anti-heroine's wicked ways, it's really not sure what it wants to say about her. Before she becomes the puppy-skinning fashionista that remains among Glenn Close's best-known roles, and before she's both a wannabe designer and the revenge-seeking talk of the town played by Stone (Zombieland: Double Tap), Cruella is actually 12-year-old girl Estella (Tipper Seifert-Cleveland, Game of Thrones). In this intellectual property-extending exercise from I, Tonya director Craig Gillespie, she sports two-toned hair and a cruel that streak her mother (Emily Beecham, Little Joe) tries to tame with kindness — and she's also a target for bullies, but has the gumption to handle them. Then tragedy strikes, an orphan is born, loss haunts her every move and, after falling in with a couple of likeable London thieves, those black-and-white locks get a scarlet dye job. By the time that Estella is in her twenties, she's well-versed in pulling quick heists with Jasper (Joel Fry, Yesterday) and Horace (Paul Walter Hauser, Songbird). She loves sewing the costumes required more than anything else, however. After years spent dreaming of knockout gowns, upmarket department stores and threads made by the Baroness (Thompson, Last Christmas), she eventually gets her chance — for fashion domination, as well as vengeance. Cruella is available to stream via Disney+ with Premium Access, Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. MARTIN EDEN The last time that one of Jack London's books made the leap to cinema screens — just last year, in fact — it wasn't a pleasant viewing experience. Starring Harrison Ford and a CGI dog, The Call of the Wild forced viewers to watch its flesh-and-blood lead pal around with a needlessly anthropomorphised canine, to groan-inducingly cheesy results. Martin Eden is a much different book, so it could never get the same treatment. With his radiant imagery, masterful casting and bold alterations to the source material, writer/director Pietro Marcello (Lost and Beautiful) makes certain that no one will confuse this new London adaption for the last, however. The Italian filmmaker helms a compelling, complicated, ambitious and unforgettable film, and one that makes smart and even sensuous choices with a novel that first hit shelves 112 years ago. The titular character is still a struggling sailor who falls in love with a woman from a far more comfortable background than his. He still strives to overcome his working-class upbringing by teaching himself to become a writer. And, he still finds both success and scuffles springing from his new profession, with the joy of discovering his calling, reading everything he can and putting his fingers to the typewriter himself soon overshadowed by the trappings of fame, a festering disillusionment with the well-to-do and their snobbery, and a belief that ascribing worth by wealth is at the core of society's many problems. As a book, Martin Eden might've initially reached readers back in 1909, but Marcello sees it as a timeless piece of literature. He bakes that perception into his stylistic choices, weaving in details from various different time periods — so viewers can't help but glean that this tale just keeps proving relevant, no matter the year or the state of the world. Working with cinematographers Alessandro Abate (Born in Casal Di Principe) and Francesco Di Giacomo (Stay Still), he helms an overwhelmingly and inescapably gorgeous-looking film, too. When Martin Eden is at its most heated thematically and ideologically, it almost feels disquieting that such blistering ideas are surrounded by such aesthetic splendour, although that juxtaposition is wholly by design. And, in his best flourish, he enlists the magnetic Luca Marinelli (The Old Guard) as his central character. In a performance that won him the Best Actor award at the 2019 Venice Film Festival, Marinelli shoulders the eponymous figure's hopes, dreams and burdens like he's lived them himself. He lends them his soulful stare as well. That expression bores its way off the screen, and eventually sees right through all of the temptations, treats and treasures that come Eden's way. Any movie would blossom in its presence; Martin Eden positively dazzles, all while sinking daggers into the lifetime of tumult weathered by its titular everyman. Martin Eden is available to stream via Google Play, YouTube Movies and iTunes. I BLAME SOCIETY She's fired by her manager after he finally reads one of her scripts, then deems the topic of Israel "too political". When his assistant wrangles her a meeting with a couple of indie film producers in the aftermath, she's asked to lend her perspective to stories about strong female voices, breastfeeding in public, and either intersexuality or intersectionality — when it comes to the latter two, they aren't quite sure which. So, as I Blame Society gleefully posits in its savage takedown of the film industry today, it's little wonder that Gillian (writer/director Gillian Wallace Horvat) decides to follow up a leftfield idea. Three years earlier, some of her friends told her that she'd make a great murderer, a notion that she took as a compliment and has been fascinated with to an unhealthy degree ever since. Indeed, at the time, she went as far asking her pal Chase (co-writer Chase Williamson) if she could hypothetically walk through the process of killing his girlfriend. The request put a long-lasting pause on their friendship, to no one else's surprise. Now, as she resurrects the project, her editor boyfriend Keith (Keith Poulson, Her Smell) keeps reiterating that it's a terrible idea; however, with no other avenues forward, Gillian is committed to doing whatever she thinks she needs to to kickstart her career. During a mid-film conversation, an increasingly exasperated Keith reminds Gillian that no "there is no movie that is worth hurting someone for". He's endeavouring to get her to agree, but "if it's a very bad person for a very good movie…" is her quick and firm reply. I Blame Society is equally direct. While Horvat plays a fictional character — and, the audience presumes, hasn't ever flirted with or committed murder in real life — she absolutely slaughters her chosen concept. Not every line or moment lands as intended, but this biting satire sticks a knife into every expectation saddled upon women in general and female filmmakers especially, then keeps twisting. The film's recurrent gags about likeability cleave so close to the truth, they virtually draw blood. Its aforementioned parody of supposed allyship among powerbrokers and gatekeepers is similarly cutting and astute. In their canny script, Horvat and Williamson find ample time to poke fun of a plethora of industry cliches and microaggressions, the treatment of marginalised voices both within filmmaking and in broader society, and even the current true-crime obsession, all without ever overloading the 84-minute movie. And, on-screen as well, Horvat is a savvy delight. She wants viewers to both cringe and nod, and everything about her performance and her feature directorial debut earns that response. I Blame Society is available to stream via Google Play, YouTube Movies and iTunes. A FAMILY Just five letters are needed to turn A Family's title into the name of one of popular culture's most famous clans. The Addams crew aren't the subject of this Australian-produced, Ukraine-shot blend of comedy and drama, but it does delve into the creepy, kooky and mysterious anyway. The feature debut of director Jayden Stevens — who co-wrote the script with his cinematographer Tom Swinburn (Free of Thought) — the absurdist gem spends time with the stern-faced Emerson (first-timer Pavlo Lehenkyi). With none of his family around for unexplained reasons, he pays other Kiev locals to play their parts, staging dinners, Christmas parties and everyday occasions. They eat, chat and do normal family things, all for Emerson's camera. His actors (including Maksym Derbenyov as his brother and Larysa Hraminska as his mother) all need to stick to his script, though, or he'll offer them a surly reprimand. Olga (Liudmyla Zamidra), who has been cast as his sister, struggles the most with her role. She's also the member of this little faux family that Emerson is particularly drawn to. Her own home life with her mother Christina (Tetiana Kosianchuk) is far from rosy, with the pair suffering from her dad's absence, so eventually Olga decides that Emerson's role-play game might work there as well. A Family is a film of patient and precise frames, awkwardly amusing moments, and bitingly accurate insights into the ties that bind — whether of blood or otherwise. It's a movie that recognises the transactional and performative nature of many of life's exchanges, too, and ponders how much is real and fake in both big and seemingly inconsequential instances. To perfect all of the above, Stevens walks in Yorgos Lanthimos (The Lobster, The Killing of a Sacred Deer, The Favourite), Aki Kaurismäki (Le Havre, The Other Side of Hope) and even the usually inimitable David Lynch's shoes. His feature is austere, deadpan and surreal all at once, and smart, amusing and savage at the same time as well. Indeed, if a bigger-name filmmaker had made this purposefully and probingly off-kilter picture, it would've likely proven a film festival darling around the globe. A Family did start its big-screen run at a fest, at the Melbourne International Film Festival back in 2019. Now reaching Australian cinemas after a year that's seen everyone either spend more time with or feel more physical distance from their nearest and dearest, it feels doubly potent. Every lingering image shot by Swinburn — and all of the pitch-perfect performances that he captures — speak loudly to the cycle of yearning and disconnection that comes with being alive, and that never stops being put under a microscope. A Family is available to stream via iTunes. THE CONJURING: THE DEVIL MADE ME DO IT Starting in 2013 with The Conjuring, expanding with 2014's Annabelle, and also including The Conjuring 2, both terrible and much better sequels to Annabelle, the dismal The Nun and the formulaic The Curse of the Weeping Woman, The Conjuring Universe now spans eight evil-fighting flicks — and they're all as straightforward as it gets when it comes to battling the nefarious. Circling around real-life paranormal investigators Ed and Lorraine Warren, the franchise posits that the supernatural exists, darkness preys upon the innocent and its central couple usually has the tools to combat everything untoward. That template remains firmly in place in The Conjuring: The Devil Made Me Do It. With director Michael Chaves (The Curse of the Weeping Woman) and screenwriter David Leslie Johnson-McGoldrick (Aquaman) doing the honours — taking their cues from James Wan, the Australian Saw and Insidious co-creator who helmed the first two Conjuring flicks — it once again serves up the usual bumps, jumps and scares that have haunted this franchise since day one. That said, the third Conjuring flick within the broader Conjuring realm does attempt a few changes. Rather than getting creeped out by haunted houses, it gets spooked by a kid and then a teenager who are both possessed. True to form, bone-shakingly horrific things can't simply occur without some kind of excuse and entity at play. The Warrens (Patrick Wilson, Aquaman, and Vera Farmiga, Godzilla: King of the Monsters) are first tasked with saving eight-year-old David Glatzel (Julian Hilliard, WandaVision) from a demon after his family moves to stereotypically sleepy Brookfield, Connecticut. Their efforts seem successful, even if Ed has a heart attack mid-exorcism, but the evil force they're fighting has really just jumped ship. Arne Johnson (Ruairi O'Connor, The Spanish Princess), the boyfriend of David's sister Debbie (Sarah Catherine Hook, NOS4A2), is quickly besieged by strange occurrences. He's soon also covered in blood after stabbing his landlord to Blondie's 'Call Me'. The death penalty beckons; however, the Warrens convince Arne's lawyer to plead not guilty by reason of demonic possession — the first time that ever happened in the US — and then commit to unearthing whatever paranormal details they can to save his life. The trailer for The Devil Made Me Do It teases legal thrills, but in a bait-and-switch way, because this film is barely concerned with Arne's court case. The true tale, which was previously dramatised in a 1983 TV movie starring Kevin Bacon, merely provides an easy setup for souped-up demonic antics and a routine, happily by-the-numbers, never remotely terrifying threequel. Indeed, the fact that more flicks will undoubtably still follow is the scariest thing about the film. The Conjuring: The Devil Made Me Do It is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. THE HITMAN'S WIFE'S BODYGUARD Someone involved with The Hitman's Wife's Bodyguard must really love paperwork; that's the only reason anyone could've given its script the go-ahead. Perhaps Australian filmmaker Patrick Hughes, who also directed 2017's The Hitman's Bodyguard, likes nothing more than keeping his documents in order. Maybe returning screenwriter Tom O'Connor (The Courier) falls into that category, or his debuting co-scribes Phillip and Brandon Murphy — they all made the subject the focus of their screenplay, after all. Whoever fits the bill, their attempt to force audiences to care about bodyguard licensing falls flat. So does the misguided idea that the certification someone might need to unleash their inner Kevin Costner would ever fuel an entire movie. Instead, what was already a needless sequel to a terrible action-comedy becomes even more of a dull and pointless slog, with this by-the-numbers follow-up showing zero signs that anyone spent more than a few seconds contemplating the story. A significant plot point here: that Michael Bryce (Ryan Reynolds, The Croods: A New Age) has lost his official tick of approval. He's no longer triple A-rated after a mishap in the line of duty, and he isn't coping well. To be fair, no one watching The Hitman's Wife's Bodyguard will handle that news swimmingly either, but only because they're made to hear about it over and over, all as Bryce rekindles his begrudging association with assassin Darius Kincaid (Samuel L Jackson, Spiral: From the Book of Saw) and the latter's con artist wife Sonia (Salma Hayek, Bliss). When Darius gets snatched up by nefarious folks during his belated honeymoon with Sonia, only Bryce can help — or so says the angry Mrs Kincaid. She interrupts the latter's vacation with swearing, shouting and shootouts, because that's the kind of feisty Mexican wife that Hayek plays. From there, Reynolds primarily complains, Hayek sticks with stereotypes and Jackson attempts to exude his usual brand of couldn't-care-less cool; however, even more than in Spiral: From the Book of Saw, he's on autopilot. As also seen in Jackson's last big-screen appearance, The Hitman's Wife's Bodyguard insists on reminding its audience about its stars' better movies. You don't cast both Hayek and Antonio Banderas (who plays a European tycoon plotting the world's demise) if you don't want to bring Desperado and Once Upon a Time in Mexico to mind (and Frida and even Spy Kids 3, too). Thinking about the pair's shared past highlights is far more enjoyable than enduring their current collaboration, unsurprisingly. Making fun of accents is considered the height of comedy here, women can only be hot-headed nags and manchild daddy issues get almost as much love as paperwork. The jokes aren't just scattershot; they're non-existent. The messy, incoherent and over-edited action scenes fare just as badly. None of the above is likely to save us from a third movie, though, which'll probably be called The Hitman's Wife's Baby's Bodyguard's Lost Birth Certificate. The Hitman's Wife's Bodyguard is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. FATALE Only 14 women have ever won more than one Academy Award for Best Actress, and Hilary Swank is one of them. When she earned the Oscars double for 1999's Boys Don't Cry and 2004's Million Dollar Baby, she beat both Meryl Streep and now three-time recipient Frances McDormand to the feat — but her career hasn't brought the coveted accolade her way again since. Fatale isn't going to change that recent trend. It hasn't earned Swank a Razzie either, but she could've easily been in the running. Playing a Los Angeles cop who has a one-night stand in Las Vegas with an ex-college basketball star turned high-profile player manager, then starts stalking her way through his life while also trying to intimidate her politician ex-husband into giving her back access to her young daughter, she has one mode here: stern-faced yet unbalanced. Even when her character, Detective Valerie Quinlan, is first seen flirting, Swank plays her as if something isn't quite right. That's accurate, plot-wise, but it robs Fatale of any semblance of tension it might've possessed. The film is meant to be an adultery-focused thriller in the Fatal Attraction mould — with even its title blatantly nodding that way — but it just ends up recycling tired, simplistic, overused cliches about unhinged women into a monotonous and unnecessarily convoluted package. Valerie and Derrick (Michael Ealy, Westworld) hit it off at a Vegas bar, then get physical; however, the next morning, he heads home to his wife Tracie (Damaris Lewis, BlacKkKlansman), who he actually suspects of being unfaithful herself. Before Derrick can meaningfully process either his infidelity or his fears about his crumbling marriage, his swanky home is broken into one night — and, because director Deon Taylor (Black and Blue) and screenwriter David Loughery (The Intruder) are content to hit every expected beat there is (and because they've seen every 80s and 90s erotic thriller ever made, too), Valerie is the investigating officer. Despite being woefully predictable from the outset, Fatale doesn't dare have fun with its cookie-cutter narrative. It doesn't evoke thrills, bring anything more than surface style or prove particularly sexy, and it never gets its audience invested in its obvious twists, one-note characters or rote dialogue. And, although having its badge-toting stalker use excessive force and exploit her power to target a person of colour could've been a choice that said something about America's current reckoning with law enforcement, race and police brutality, Fatale doesn't even contemplate anything other than clunky formula. Fatale is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Looking for more at-home viewing options? Check out our lists of movies fast-tracked from cinemas to streaming back in May and June. You can also take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows.
Huxtaburger's first Sydney store hasn't even received its final lick of paint, but the company has already announced plans to open 10 new stores across NSW in the next four years. The decision is part of the company's plans to enter into a franchise model, which will see it open 20 new stores across Victoria, WA, ACT and NSW, with future plans to expand into Asia, too. Huxtaburger has teamed up with franchising consulting agency DC Strategy — which has previously worked with Ben & Jerry's, Zeus Street Greek and Turkish ice cream vendors Hakiki — to facilitate the expansion, with the first franchise store already open in Melbourne's Footscray. In NSW, Huxtaburger is working alongside investment group Yesdac to rapidly expand. The now cult favourite American-style burger joint first launched back in 2011, and has since opened six stores (five in Vic and one in Perth) with its seventh store, and first NSW store, which is launching with $1 burgers in Redfern this weekend. Construction has already begun on its second WA store, in Fremantle, too. The company's has international expansion plans in the pipeline, too, and hopes to roll out stores across Malaysia, Singapore, Thailand, Indonesia and China. If you'd like to get your own slice of Huxtaburger, you can sign up for your own franchise in Vic and WA. You'll have to have some cash handy, though, as it will set you back a cool $550,000. While rapid expansion may be a good thing for burger lovers, let us not forget the story of Doughnut Time.
Just over a week ago, Melbourne had notched up seven full days without any locally acquired COVID-19 cases. Exactly seven days ago, venue restrictions and mask rules eased. But, as the pandemic keeps proving over and over, a lot can change in a short period at the moment. Once again, Victoria is currently in lockdown, case numbers have been growing and, as always happens with the latter, the list of exposure sites is expanding as well. At the time of writing — on the morning of Friday, July 16 — the Victorian Department of Health's rundown of exposure sites now lists 125 venues. Yes, that's a big number. Yes, it has been increasingly quickly. And, it has also been demonstrating that it really hasn't been a good week for folks who went to shopping centres and sporting events. Earlier in the week, both the MCG and the Highpoint Shopping Centre were popped on the list. As of late yesterday, Thursday, July 15, Chadstone Shopping Centre and the Wallabies game at AAMI Park have been named as exposure sites as well. Thankfully, neither are Tier 1 sites, which would've required getting tested immediately and self-isolating for 14 days regardless of the result; however, folks who were at either location at specific times and dates will need to take action. Regarding Chadstone — which was on the list during the last outbreak, too — the alerts cover Monday, July 12 between 5.25–6pm. If you went to Kmart, Target or Zing Pop Culture during that window of time, you'll now need to get tested immediately and self-isolate until you receive a negative result, as they're all listed as Tier 2 sites. For AAMI Park, at the Australia versus France rugby union match on Tuesday, July 13, two different sections have been listed. If you were on level one, in aisles 20–23, from 8.05–10pm, you also need to get tested immediately and self-isolate until you receive a negative result — as those areas are Tier 2 sites. If you in zone two at all at the same time, you were in a Tier 3 site, which requires monitoring for symptoms. https://twitter.com/VicGovDH/status/1415547340539056130 Obviously, with 125 places now named, the list goes on. It's likely to keep growing, too, given that Victoria reported ten new locally acquired cases in the 24 hours until midnight last night, and the same number in the previous 24 hours as well. Melburnians can keep an eye on the local list of exposure sites at the Department of Health website — as usual, it will change as more sites are identified. For those looking to get tested, you can find a list of testing sites including regularly updated waiting times also on the Department of Health website. And, has remained the case throughout the pandemic, Melburnians should be looking out for coughs, fever, sore or scratchy throat, shortness of breath, or loss of smell or taste, symptoms-wise. For further details on the latest exposure sites and updated public health advice, see the Department of Health website. Top image: Gary Houston via Wikimedia Commons.
In the last couple of years, the humble bicycle has come to symbolise a few things. On one hand, it's been used as a symbol of sartorial hipness and, on the other, it's been held as the hero alternative to cars that consume too much space and omit carbon pollutants. But in the battle of 'car vs. bike', there's been a vital part of 'travel' that the bike lacks. Aside from its eco-friendly and aesthetically pleasing points, traveling via bike leaves no room for stuck-in-traffic music, which can help with lightening your mood a great deal. Taiwan-based Bone Collection has designed a bike horn that doubles as an amplifier. The silicone case holds the iPhone and can be attached to your bicycle, allowing you to use it to play sweet music and use the inbuilt iPhone GPS app to help you leisurely navigate your way through sticky traffic situations. An added brown (or should I say green?) point is that the silicone cases are washable. It can also be used as a speaker (without an external power source) and has an additional spot for your charger. [via PSFK]
As Melbourne's dining scene returns to a sense of (relative) normality, one of the city's biggest food events is back on the menu — Melbourne Good Food Month presented by Citi. Returning this June, the month-long event will see a number of tasty events take over some of Melbourne's best-loved restaurants. To get things started, Flower Drum will be teaming up with Neil Perry on a one-night-only multi-course dinner on June 1, while nomadic pop-up restaurant Esmay will make a stop at Bar Liberty on June 15. There'll be two seatings for this event (one at 5:30pm and another at 8pm), but get in quick to avoid missing out. Elsewhere, Good Food Month will host a Young Chefs Lunch at new plant-based eatery Lona Misa (pictured above) on June 20, so you can check out a fresh addition to Melbourne's dining scene and enjoy the talents of culinary up-and-comers. On June 24, Cumulus Inc's upstairs dining room will host hatted Sydney izakaya Cho Cho San for a multi-course, mod Japanese-inspired menu. And, if you're a loyal fan of The Good Weekend Quiz, head to Flinders Lane's Chapter House on June 27 to take part in a live rendition of the weekend ritual. It will, of course, be food- and drink-themed, and catered by Andrew McConnell and his Cumulus Inc team. Melbourne Good Food Month runs throughout June 2021. Head here for a full list of events and to purchase tickets.
With events across the country cancelled and postponed in a bid to slow the spread of COVID-19, the live music industry is being hit hard. According to Aussie website I Lost My Gig, the industry has had a lost income of about $340 million so far. To help some of those affected, some of the country's best musical talents have been coming together for a weekly two-day music festival and fundraising event series every weekend — that's all online. In past weeks, the festival has seen the likes of Julia Jacklin, Marlon Williams, Hermitude, Vera Blue, Asta and Stella Donnelly. So, order a disco ball and make a flower crown for your cat, because it's time to party in your apartment. This week's lineup is yet to be announced, but expect it to be announced on Isol-Aid's Instagram soon. https://www.instagram.com/p/CCKEmcRByKp/?utm_source=ig_web_copy_link While watching, viewers are encouraged to donate to a fundraiser set up by Support Act, which is raising money for musicians and music workers who've lost income during the COVID-19 pandemic and to help "keep our music industry alive". You can also support the individual artists by buying merch and music from their Bandcamp pages, as well as get your hands on some Isol-Aid merch. Isol-Aid runs from 12pm on Saturdays and Sundays. Tune in via isolaidfestival.com. Top image: Bec Taylor
Make the most of that glorious spring sunshine, with a Sunday session of a different kind. On November 29, Richmond's National Hotel will be transformed into a tropical oasis, as the pub serves up a Jamaican celebration to top them all. Soak up some rays as you enjoy jerk chicken, reggae tunes and an abundance of rum-infused cocktails. Entry is free, so take your friends and make a day of it.
Enjoy a movie through a warm golden haze, at the latest edition of Whisky at the Cinema. Presented by Whisky & Ailment Whisky Bar in partnership with Palace Kino, this intoxicating event pairs a recent big screen release with a selection of different whiskies. On tap for their latest outing: crowd-pleasing comedy St. Vincent, starring the legendary Bill Murray – who conveniently enough spends most of the movie doused in alcohol himself. The $60 ticket earns you entry into the movie plus four different 30mL whiskies — one on arrival and three over the course of the film. Whisky & Ailment’s owner Julian White will be on hand ahead of time, explaining each sample’s connection to the movie. You’ll also be treated to a complimentary small popcorn, because let’s face it: four pegs of spirits on an empty stomach probably isn’t a great idea. For more information, visit the Whisky & Ailment website.
Bianchetto wins truffle month — the Italian wine and cocktail bar in Kew has transformed into a mossy truffle forest where you're invited to forage through the lush foliage with the help of Clara, Bianchetto's Brittany spaniel-in-residence. It also sets the scene for an exclusive truffle tasting menu by owner-chef Joe Vargetto, featuring dishes like truffle-infused teleggio risotto and a truffle ricotta cheesecake topped with truffled honey. Each dish is served on tableware from Staub's White Truffle collection (a fitting debut for the French brand's latest release), which customers can browse at the bar's pop-up truffle shop. While Bianchetto only seats 28 people for the Truffle Month menu every night, you can sample the items à la carte in the Mister Bianco dining room. On August 27, Mister Bianco will host its annual truffle dinner. The grand affair starts with a welcome drink before moving into five tartufo-speckled courses paired with Australian and Italian wines. Expect already-decadent dishes infused with truffle at every turn, like duck liver parfait and brioche entrée, stracciatella and chestnut mushroom gnocchi, steak with a side of foie gras, and tiramisu eclair. For those craving a meatier truffle season experience, visit Mister Bianco's website for more information.
By now, you've probably had an absolute gutful of your house, backyard, neighbourhood and city. You've probably spent much of the past 13 months daydreaming about getaways, too. Well, wannabe jetsetters with a vacation-shaped hole in your life, it turns out this is your lucky week, because a mammoth travel sale is hitting the internet tonight. The bargain-filled Click Frenzy Travel sale returns for a 53-hour online shopping riot, kicking off at 7pm (9pm NZT) on Tuesday, April 20. And it's chock full of airfare, accommodation, tour and holiday package deals, for all kinds of budgets. Obviously, international travel isn't back to normal yet — the trans-Tasman bubble between Australia and New Zealand only just opened this past weekend — but there are plenty of bargains to be found if you're keen to either stay local or plan well ahead. Virgin Australia is offering up to 25 percent off a range of domestic journeys, with prices starting from just $75. You can nab ten percent off flights with Air New Zealand, too. And, if you're thinking further afield in the hope that borders will reopen sooner rather than later, Qatar is doing up to ten percent off flights to places such as the United Kingdom, Greece, Italy and Spain. Obviously, you'll need to take into the consideration the fact Aussies can't currently leave the country for holidays anywhere other than NZ at the moment while you're booking. Staying close to home, Wotif is offering up to 25 percent off Aussie hotels, Park Regis and Leisure Inn hotels are doing up to 40 percent off, and Ascott Australia is taking up to 30 percent off their hotels and apartments in Melbourne, Sydney, Hobart and Perth. Oaks Hotels, Resorts and Suites is offering the same 30 percent discount, but at select locations in Australia and NZ if you stay for two nights or more. Fancy seeing the country by road? Greyhound Australia is taking 20 percent off all tickets and passes if a leisurely bus trip — complete with free wifi — sounds like your idea of a great holiday. If you're in need of a few travel essentials for your next getaway, Click Frenzy also does 99 percent off deals on some items, such as GoPros for $5, Beats headphones for $2, Weber barbecues for $3 and beach umbrellas for $2. Dust off that suitcase and start plotting your annual leave — it's holiday time, finally. The Click Frenzy Travel sale runs from 7pm (9pm NZT) on Tuesday, April 20, until midnight on Thursday, April 22. You can find it and all the tasty travel bargains on the Click Frenzy website.
Maybe you've changed your computer backdrop to a picture of Hamilton Island. Perhaps you keep perusing snaps from a past Byron Bay getaway on your phone. Can't stop thinking about your previous holidays? The midwinter blues will do that. We've said it before and we'll say it again: another cure is planning your next vacation, especially when there's a flight sale to capitalise upon. Qantas has dropped another massive round of discounted fares. In June, it put more than one million cheap seats up for grabs. A month later, it's doing the same. The focus is still on its domestic network, spanning 60-plus routes — and this time, prices start at under $160 one-way on more than 40 of them. You'll be able to travel between August 2024–March 2025, although the specifics vary per destination. If you're keen, you'll need to get in quick as this is a 72-hour-only sale, running until 11.59pm AEST on Thursday, July 25, 2024. And yes, the usual caveat applies: if fares sell out earlier, you'll miss out. Options include Sydney to the Gold Coast for $109, and to Byron Bay for the same price; Melbourne to Launceston from $119, and to Maroochydore for $179; and Brisbane to the Whitsunday Coast from $119, or to Hamilton Island for $169. Other routes and fares span both Brisbane to Sydney and Adelaide to Melbourne from $129, Brisbane to Cairns from $159, Sydney to Albury for $149 and Melbourne to Coffs Harbour for $169. Trips to and from Perth, Hobart, Alice Springs, Darwin, Canberra, Newcastle, Mildura, the Fraser Coast, Wagga Wagga, Devonport, Broken Hill, Tamworth, Port Macquarie, Rockhampton and Townsville are also on the sale list — and there's more after that as well. Inclusions-wise, the sale covers fares with checked baggage, complimentary food and beverages, wifi and seat selection. Qantas' 72-hour surprise sale runs until 11.59pm AEST on Thursday, July 25, 2024, or until sold out. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Whether you like it or not, summer's balmy weather is set to last a little bit longer this year, with most of Australia forecast to score a hotter-than-average autumn. Off the back of a record-breaking summer — with January the hottest month ever recorded in Australia — the good folk at the Bureau of Meteorology have released their climate outlook for the March to May period, revealing that most of the country is in for warmer days and stickier nights than we usually see at this time of year. Yep, the soupy weather is set to continue. In fact, if you call mainland Australia home, there's an 80 percent chance you'll experience autumn temperatures that are a whole lot warmer than the median. To give an idea of exactly what that all means, the average daily maximum temperature for March sits at around 24.2 degrees in Melbourne, 24.8 in Sydney and 29.1 in Brisbane. In May, it's around 16.7 degrees for Melbourne, with 19.5 for Sydney and 24.5 for Brisbane. The BOM is forecasting that we'll see warmer than that across the three months. Unfortunately for farmers, large parts of the north are looking to struggle through drier-than-average autumns, too. The southern part of the country, however, is expected to cop the usual rainfall. Looking further into the year — and getting a touch technical — the BOM's senior hydrologist, Dr Robert Pipunic, says there's a 50 percent chance of El Niño forming over the next couple of months, which is double the normal risk this time of year. This means we could see warmer-than-average temperatures and low levels of rainfall continue into winter, too. If you'd like to know more about what exactly El Niño is, and how it impacts Australia, the BOM has a whole heap of fun facts over here. NSW folk survived their second-warmest autumn on record last year, with the statewide mean temperature clocking in at 1.88 degrees hotter than the average. And let's not forget that in 2018, overall, Australia copped its third-warmest year ever. With another sweaty autumn on the way, 2019 looks well set to steal that title. Image: Mark Chew for Visit Victoria.
You've probably heard all about the power of blockchain, but we bet you didn't know cryptocurrency could get you free burgers and gelato. Well, it can (kind of). To celebrate the launch of Liven Coin (LVN), the world's first digital currency for food, Liven has teamed up with Gelato Messina and 8bit to bring you a whole month of crypto-inspired dishes. And if you're a new Liven user, you can get your hands on them for free — or discounted if you're an existing user. Available in Sydney and Melbourne until Monday, November 19, the limited-edition dishes are both creative and innovative. It allows you the opportunity to invest in LVN coin just by dining at your favourite restaurants and rewards you every time you eat out. 8bit will be serving up the Insert Coin burger with a beef patty, american cheese, smashed avo, feta and the much-loved 8bit sauce. New users can score it for free while existing users will get $5 off. Meanwhile, Gelato Messina will sling scoops of ChipOCurrency, a decadent peanut butter gelato with white chocolate and potato chips. New users can get two scoops for free and existing users get one. If one month of freebies is not enough, Liven is also giving one lucky person free gelato and burgers for 12 beautiful months — all you have to do is enter with a quick comment on this Facebook post. Good luck and happy feasting.
Victoria's current lockdown won't be ending today, Tuesday, July 20, after Premier Daniel Andrews flagged yesterday that the stay-at-home conditions would need to continue due to rising case numbers. Something has been changing during this current outbreak, however, and fast. That'd be the list of exposure sites — which, just a few days back on Friday, July 16, included 125 venues, but now reaches 320. The Victorian Department of Health has been updating the register as new places are identified, as it does during all outbreaks. Late on Monday, July 19, it announced a number of new Tier 1 exposure sites — including one big and familiar venue. As happened back in June, too, South Melbourne Market is once again on the list. If you visited the site on Sunday, July 11, you may need to get tested immediately and then self-isolate for 14 days, which is the standard procedure for Tier 1 venues. That requirement applies between the hours of 9.30am–12pm to folks who went to The SuperCool, Spin South Melbourne and Create tBt Toys and Games. South Melbourne's Panette Eatery on Cecil Street was also named as a Tier 1 site, between 8–11am the same day. Also just joining the list: Coles Glenferrie in Hawthorn from 6.45–7.10pm on Wednesday, July 14, Ichi Ni Nana Izakaya in Fitzroy from 6.35–9.15pm on Thursday, July 15 and Upton Girl cafe in Windsor from 8.30–9.05am on Wednesday, July 14. Obviously, given the lengthy number of sites now named, the list goes on. Some venues date back to Thursday, July 8, while the most recent exposures date to Saturday, July 17. https://twitter.com/VicGovDH/status/1417105020802064386 Other notable venues that've newly joined the roster, but as Tier 2 locations — which requires getting tested urgently, then self-isolating until results are received — include the visitors hub at Queen Victoria Market (from 12.15–1pm on Thursday, July 15), Daniel's Donuts on Collins Street (from 3–3.30pm on Thursday, July 15), Bunnings Dandenong (from 7.45–8.15am on Tuesday, July 13), Richmond's Cheeky Monkey Cafe (from 8.10–8.55am on Friday, July 16), Woolworths Fitzroy (from 12.20–1pm on Friday, July 16), and a number of Metro Train and Yarra Trams routes. As always, Melburnians can keep an eye on the local list of exposure sites at the Department of Health website — it will keep being updated if and when more sites are identified. For those looking to get tested, you can find a list of testing sites including regularly updated waiting times also on the Department of Health website. And, has remained the case throughout the pandemic, Melburnians should be looking out for coughs, fever, sore or scratchy throat, shortness of breath, or loss of smell or taste, symptoms-wise. For further details on the latest exposure sites and updated public health advice, see the Department of Health website. Top image: Google Maps.
If you're in the market for new sunnies this season, skip the shops and head to one of Sunglass Hut's Face the Sun sessions instead. Each themed event — dubbed 'The Raver', 'The Indulger', 'The Relaxer' and 'The Explorer' — comes complete with a complimentary pair of shades, plus a whole heap of other perks and good times. Coming up on Sunday, December 1 is a rooftop gig, hosted at Notel Melbourne that kicks off at 3pm till 9pm. You can kick off the festivities with a makeover by professional hair stylists and makeup artists to get you rave ready, then, pick your new pair of party-perfect sunnies — think big retro styles, colourful lenses and razor-sharp 90s shades. Don them as you get down on the dance floor, watching as the sun goes down. Tunes-wise, you can expect an intimate performance by indie songstress GRAACE in the afternoon followed by party maker DJ Tori Levett with a whole lot of bangers. Plus, to keep you going, bar snacks will also be provided throughout the event. This one-off rave will run from 3–9pm and costs $50, which includes complimentary sunnies, a makeover, live tunes and snacks. To see the full event details of this limited-edition series, head here.
Sinematek is a roving movie night, and it's popping up at Fitzroy North's LongPlay. It'll show a film at the bar every Sunday night in June — and tickets are just $10 a pop. The theme for the month is Winter Darkness, and the four chosen films will all celebrate the archetypal conflicts of one's self and surroundings. And there's certainly some twisted and conflicted flicks on the agenda. It'll kick things off with Jesus Camp by Heidi Ewing and Rachel Grady: a documentary about children attending a born again Christian 'Kids of Fire' camp. Then, it's Al Pacino in William Friedkin's Cruising, as he goes undercover in the leather gay bar scene to catch a serial killer. Penelope Spheeris's doco about punk groups on the US west coast in the 80s, The Decline of Western Civilization is next, followed by Jessica Hausner's Lourdes, a tale of a wheelchair-bound woman who experiences a miracle in the Pyrenees. Aiming for transcendental cinema, Sinematek will make sure you're feeling even more warm and cosy with LongPlay's winter menu of gnocchi and risotto. Pop in one Sunday for a film, a plate of warmth and a good time.
If you missed Gelato Messina's degustation bar the last two times, you're in luck because they're coming back to Melbourne for two weeks this August — and this time it will be all about truffles. In conjunction with Madame Truffles, Messina's Creative Department is returning to the secret room behind their Windsor store, this time with a seven-course gelato-meets-gourmet mushrooms degustation. So what kind of truffle-gelato goodness have the masterminds come up with? There's a pine and eucalyptus gelato that's a mix of 67 percent chocolate and black truffle cremeux, salted caramel, Jerusalem artichoke crisp and caramelised honey served with a ginger and lemon myrtle infusion. Using ingredients from the Dominican Republic, Japan, Tonga and NSW, Messina will take your tastebuds on a sweet and savoury journey. There are also two kinds of sorbet on the special Truffle Week menu: apple and nasturtium sorbet, and black truffle oil and vanilla oil sorbet. Sorbets are paired with a finger lime tonic and a spiced chai latte. Tickets are $130 per person and, with just eight seats available at each of the three sittings each night, you can book for groups of two, four, six or eight of your gelato-loving mates. And based off of previous events, you'll want to grab your tickets ASAP before Melburnians book out the event (most probably in record time again). Head to the Messina Creative Department page to nab a seat. If you miss out, a limited editing truffle flavour will be available to buy at the Fitzroy store. Seats at the truffle takeover are now sold out, but, look at that — you can win a double pass by completing our reader survey.
If you've been using all these lockdown hours to plot your next regional Victorian escape, here's another reason to pop the Grampians on that itinerary. Up in the region's north, the town of St Arnaud has just unveiled a striking new cultural attraction: a towering silo artwork by local artist Kyle Torney, titled Hope. The latest addition to the renowned Silo Art Trail, the piece pays homage to the town's gold mining history, featuring a design of three faces that was selected by St Arnaud residents themselves. And this giant masterpiece was no mean feat to create, taking the artist over 800 hours from start to completion, and involving around 30 treks up and down the silo each day. The whole silo had to be cleaned and primed, before being decked out with a grid to help guide painting the faces' tricky proportions. Funded in part by the St Arnaud ArtSpace community centre and the Northern Grampians Shire Council, the artwork marks the sixth local mural painted by Torney, who himself is a sixth-generation St Arnaud native. The artist is well-known for his distinctive 'narrative portraiture' style, with works having graced spaces across Melbourne, Adelaide and Ballarat, as well as the walls of an art gallery in New York. It is hoped the new silo art will help boost tourism in the area following the heavy impact COVID-19 restrictions have had on regional travel. "Street art really brings the community together," said Torney in a statement. "I called the silo art 'Hope' which is reflective of the gold mining period but also resonates with the current climate." The Silo Art Trail is the country's largest outdoor gallery, covering over 200 kilometres. With this latest design, its collection now includes nine silo murals, featured in the stretch of towns from the Mallee's Patchewollock to St Arnaud. 'Hope' is located on McMahon Street, St Arnaud, Victoria. To learn more about the full Silo Art Trail, visit the website. Travel is restricted under metropolitan Melbourne's current stage four restrictions and regional Victoria's stage three orders. For the Victorian Government's latest advice, head to the Victorian Department of Health and Human Services website.
The urge to explore can be a little tricky to satisfy in this day and age, but the desire to find something new, go somewhere different and get an adrenalin hit along the way remains. Silent UK tells the stories of urban explorers, an emerging (and international) subcultural group dedicated to delving into closed, unknown and abandoned city spaces— the derelict buildings and the drainpipes we walk past everyday. In a new short film that takes viewers into London's underground tube network, the explorers talk frankly about what motivates their adventures — the appeal of unknown places, the beauty in what others may deem ugly, and the photographic opportunities. Mostly the explorers just do it because it's fun. That, and the fact that there is also a real risk of danger, something you should give some serious thought to if you find yourself eyeing off your local drainpipe.
When it was announced that Fiji was planning to open its borders to Australian tourists back in November, you could almost hear the collective woosh of laptop lids opening as everyone went straight to travel booking websites. After a long two years without island escapes, it seems like everyone is suddenly posting pics of boarding passes and palm tree-lined pools —and we simply love to see it, as our close island neighbours need our tourism and support more than ever. Airlines have ramped up their offerings in response — when the border opening was announced, Virgin Australia was quick to restart its twice-daily return flights to Nadi from Sydney, daily return flights from Melbourne and thrice-weekly return flights from Brisbane. These days, Jetstar, Fiji Airways, Virgin and Qantas are offering direct return services. So yes, get ready for some beach pics to fill your feed. But it's fair to say we're a little out of practice with international travel, and things have changed a lot since the last time we whisked away. Whether you're heading off for some sunshine or you're considering booking in a much-needed holiday, we chatted to the crew at Tourism Fiji to find out everything you need to know about testing requirements, currency conversion, and what happens if you test positive for COVID while you're away. What are the testing requirements for travelling to and from Fiji? For fully-vaccinated travellers, there is no need to complete a pre-departure test. Instead, Fiji requires all tourists aged 12 and over to confirm they have a pre-booked RAT test to be taken anytime within 72 hours of arrival in Fiji. This can be done at a hotel or nearby testing facility — you can find more information about that here. You'll need to provide proof of your vaccine status when checking in at the airport – digital or paper certification will cover you — and for holidaymakers, medical travel insurance with international coverage that includes COVID-19 cover is required. Before returning home to Australia, you'll need to complete a Digital Passenger Declaration, which can be found here. What happens if I test positive for COVID-19 when I'm in Fiji? So, the nightmare has happened. But don't stress — there are worse places to recover from COVID than a Fijian resort. You'll be placed in isolation, where possible remaining in the room you are already in. Tourism Fiji says that occasionally resorts will put people up in a room with a private pool to wait out their isolation in their own space, while still being able to swim and relax. If travel companions are testing negative, they can choose to join the positive person in isolation or stay in their original accommodation separately — that's a fight waiting to happen if we've ever heard one. If you're still testing positive after the seven-day isolation, a medical certificate will be provided by health officers in Fiji confirming that you are no longer infectious so you can travel home freely. What are the mask-wearing protocols in Fiji? Wearing a mask is optional in Fiji but it's recommended to protect yourself and the locals – especially when in indoor spaces, on public transport, or in taxis. You'll also need to wear your mask in the airports and on the plane, except when eating or drinking. How long is the flight and do I need to prepare for jet lag? Flying from Brisbane is the quickest way to get to Fiji — the flight time is only around two-and-a-half hours. The flight time from Sydney to Nadi is approximately four hours, while Melbourne to Nadi is closer to five — have a snooze on the flight and you'll be sipping a cocktail poolside in no time. Fiji is two hours ahead of Australia (AEST), so there shouldn't be major jetlag issues. Besides, you're on island time now, so turn off those alarms. Where can I stay in Fiji? Across Fiji's 333 islands there is a range of accommodation offerings from bougie to budget. Whether you're choosing a five-star resort on a private island or a family-friendly apartment, the island nation is famous for its hospitality, so you're bound to have a great time. If you're keen to splash out, check out Concrete Playground's guide to luxe Fijian stays to splash out on. For stays a little more off-grid, check out this guide to a "less obvious" Fijian holiday. Do I need cash in local currency? What's the exchange rate? Most retailers and tourism providers take card payments and have paywave, so if you're travelling on a package tour with transfers included it's unlikely you'll need cash. But Tourism Fiji says that if you are planning on travelling by taxi you're best to keep some Fijian cash on you as most don't take a card. ATMs at Nadi airport are the best place to get cash out on arrival — you will be charged a transaction fee, so be aware it's best to get all the cash you'll need at once. And the most important question for any traveller… Do I need to bring an adapter for my wall plugs? Nope! In Fiji, the plugs and sockets are type I – the same as here in Australia. One less thing to think about when heading away. Top images: Sofitel Fiji, Six Senses Fiji
The next level of the global transport economy is fast approaching — even Down Under. First, there was news that Melbourne could be one of the first cities to test Uber's flying cars, then came the announcement of the proposed Hyperloop Transport System, which would get you from Sydney to Melbourne, or Brisbane to Sydney, in just 37 minutes. Sure, these are still a relatively distant dream, but one such technological advance is much closer than you may think — an Uber-like service with driverless electric cars, courtesy of Tesla. At a conference earlier this week, Tesla founder Elon Musk announced that the company is planning to roll out a massive fleet of one million self-driving 'robotaxis' as early as next year. These autonomous vehicles are planned to hit roads in the US by mid-2020 — regulatory approvals pending, of course. If all goes to Musk's plan, here's how it'll work: the app will function much the way all ride-sharing apps do — except the car will drive itself. The existing Tesla app will be fitted with a 'summon' option, where you'll be able to order the closest robotaxi from its stored location, and it'll drive itself over to pick you up. [caption id="attachment_718225" align="alignnone" width="1920"] Tesla ride-sharing app[/caption] Plus, some Telsa owners will be able to add their own car to the service, with the options to limit sharing to friends, co-workers or social media contacts. In areas where not enough share vehicles are available, Tesla will release a dedicated fleet to ensure short wait times. But what does this mean for Australia? According to the ABC, Australian transport ministers plan to have a regulation for commercial self-driving vehicles in place by next year — a neatly timed goal with Musk's ambitious roll out. So, depending on which way next month's election swings, we could soon be riding in cars with no-one at the wheel. If you're really interested, a four-hour livestream of the Tesla conference, in which Musk discusses the ride-sharing service, is available to watch here. Tesla is aiming to put one million self-driving 'robotaxis' on US roads by mid-next year, depending on regulatory approvals. In Australia, regulations for commercial autonomous vehicles are set to be in place by next year.
If you've ever had the urge to rummage through someone else's suitcase, here's your chance. Suitcase Rummage is coming back to Melbourne, and luckily for you it'll be less old socks and more vintage treasures. Next happening between 10am–3pm on Saturday, February 15 at the South Melbourne Town Hall — and then again on March 14 — the mini-scale market will bring together numerous trunks that aren't just filled with clothing. The suitcases will contain everything from art to records, shoes and jewellery — so, come and bargain, buy or swap to score that old Joni Mitchell vinyl you've been wanting. [caption id="attachment_760661" align="aligncenter" width="1920"] Suitcase Rummage[/caption] Those who wanting to sell their wares must register — and it'll cost $25 for a 'stall'. You can bring up to three suitcases, so you can lug in all those shoes you've been promising to wear but certainly will not. Top image: Yan Chen via Suitcase Rummage.
It was the decade that gave us Magic Eye pictures, the Macarena, Pokemon and Tamagotchi, too. We're talking, of course, about the 90s. The decade might've come to an end exactly 20 years ago now, but it's easy to get nostalgic about — especially in a hectic year where we're all thinking about how simple life once was. The easiest way to indulge that nostalgia? You can pop on a flannelette shirt or some Hypercolour if you like, or you can head back in time via your viewing choices. Press play on one of the big hits of the decade, and you'll be transported back to a period when a group of mates sat on an orange coffee shop couch, and when the Dude also abided. To help plan out your ultimate retro watch list, we've teamed up with streaming service Binge to highlight five beloved TV shows and movies that'll take you back to the 90s faster than a DeLorean — including via a 14-day free trial for new customers.
After headlining Splendour in the Grass earlier this year, The National are bringing their moody, Nick Cave-esque brand of indie rock back to Australia in February 2014. The tour kicks off in Adelaide before heading to Sydney (where they'll be performing on the Opera House forecourt), Melbourne, Brisbane and Perth. Given we're an island on the other side of the world, it took the New York-based band a while to make their way Down Under, but better late than never right? We've loved them doubly ever since. The National first came to Australia in 2008 to promote their fourth album, Boxer, before coming back in 2010 and 2011 for the Falls Festival and Harvest. They took a break for a few years before returning with their sixth album, Trouble Will Find Me, which is being hailed as their best to date. After appearances at several major festivals like Reading and Leeds and Lollapalooza, The National are fast building a reputation as a must-see live act. Fans can expect to hear some of their older songs, like 'Demons', 'Bloodbuzz Ohio' and 'Fake Empire' (which was controversially used in a Mitt Romney election video without their knowledge) as well as newer stuff from Trouble Will Find Me. Update 4 September: The National will perform a second and final show on the Forecourt, on Friday, 7 February, after selling out their first performance in under an hour. Tickets will go on sale at midday tomorrow, Thursday 5 September. The 2014 tour dates are: Thursday 6 February – Thebarton Theatre, Adelaide Handsome Tours pre-sale from Thursday 29th August. General public tickets on sale Tuesday 3rd September, 9am AEST. Saturday 8 February– Sydney Opera House Forecourt, Sydney. Opera House pre-sale from Tuesday 29th August. General public tickets on sale Friday 30th August, 9am AEST. Sunday 9 February - Sidney Myer Music Bowl, Melbourne. Handsome Tours pre-sale from Thursday 29th August. General public tickets on sale Tuesday 3rd September, 9am AEST. Tuesday 11 February - Riverstage, Brisbane. Handsome Tours pre-sale from Thursday 29th August. General public tickets on sale Tuesday 3rd September, 9am AEST. Friday 14 February - Belvoir Amphitheatre, Perth. Perth Festival pre sale from Thursday 7 November. General public tickets on sale Tuesday 12 November, 9am WST. For more information see the Handsome Tours website.
Stroppy teens they may have been but their names have become synonymous with love. Romeo and Juliet has to be one of the best known and most adapted plays in the English language and this week two arts companies, both alike in dignity, will be joining forces for a homage to the star-crossed pair. John Bell and his troupe of Shakespeare experts will be performing key scenes from the play – so expect the balcony and several deaths at least – while the Melbourne Symphony Orchestra will perform extracts from musical works inspired by the story, such as the Tchaikovsky ballet and the pastoral opera version by Delius. No word yet if any of the West Side Story soundtrack’s going to make it in. Playing at the glittering Hamer Hall, with a free pre-show performance by young artists, it is possibly the ultimate romantic date night experience. Boyfriends everywhere, take note.
Enjoying its world premiere at this year's Melbourne Festival, Complexity of Belonging is piquing our interest on so many counts. First, it kills two birds with one stone. Both theatre and dance are looking like strong elements of the program this year and with this outstanding new work you'll get a taste of both. And the same could be said of its creators In a festival packed full of exciting Asian and European works, Complexity of Belonging is one of the few international co-productions with Australia. Our beloved MTC and Chunky Move have joined forces with German Falk Richter, director-in-residence at Schaubuhne Berlin (who've previously brought An Enemy of the People and Hedda Gabler to the festival). Exploring the age of social media with the help of five dancers and four actors, the show is shaping up to be an unique and dynamic experience on stage. Complexity of Belonging is on from October 6-25 at Southbank Theatre, The Sumner. Tickets are $40-79, but thanks to Melbourne Festival, we have two double passes to the show on Tuesday, October 7, to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email win.melbourne@concreteplayground.com.au with your name and address.
If you'd like to kick-start your year partying amongst the farm animals, you'll want to get a moo-ve on and nab tickets to Melbourne's freshest New Year's Eve fest. From the folks behind Carlton nightclub Colour and rooftop bar Runner Up, When Pigs Fly is the new one-day music party set to take over Collingwood Children's Farm on Saturday, December 31. In a grassy farm setting that feels miles further from the city than it actually is, the festival will be sending out the old year with the help of 14 local and international acts, working their magic across two stages. [caption id="attachment_871568" align="alignnone" width="1920"] Black Jesus Experience[/caption] You'll be grooving to the likes of Chicago house sensation Sadar Bahar, funk and hip-hop nine-piece Black Jesus Experience, psychedelic-jazz outfit Mildlife and the genre-blending Close Counters. Plus, the likes of Emma Volard, MzRizk, Zepherin Saint and Feign Jima, carrying you through until 1am. Meanwhile, you'll be fuelled by food from Polly's, and sips by Bodriggy and Iggy Seltzer. [caption id="attachment_871569" align="alignnone" width="1920"] Mz Rizk[/caption]
UPDATE, August 31, 2020: Cats is available to stream via Amazon Prime Video, Binge, Foxtel Now, Google Play, YouTube Movies and iTunes. In case you don't already know, Cats is about moggies and mousers called Jellicle cats. If that means nothing to you, then you might want to keep it that way — unless you like overblown, nonsensical musicals that take place around a pile of trash, a sign if ever there was one. The word 'Jellicle' won't actually mean anything to you once you've seen Tom Hooper's adaptation of Andrew Lloyd Webber's popular theatre production, either, but you will have heard the term more times than any human or feline should. Cats devotes its opening song-and-dance number, called 'Jellicle Songs for Jellicle Cats', to explaining what Jellicle means; however the track only really succeeds in being repetitive and silly. The tune is basically Cats' equivalent of 90s hit 'Blue', using the same lyrics over and over until nothing means anything and you're praying for it to finish. The film's busy, jerky, bewildering opening — staged to initiate the wide-eyed Victoria (ballet dancer Francesca Hayward) into the Jellicle cats — is indicative of what's to come. As the song drags on, it also inspires questions that'll keep popping up: 'why?', 'how?' and 'what the?'. Those unfamiliar with Cats, the musical that's been prowling the stage since 1981, will be hard-pressed to understand its long-running appeal. You'll equally wonder how anyone could think it should get the big-screen treatment. Just because special effects can now cover humans with CGI fur, it doesn't mean that it should be done. And that fur, plus the twitching whiskers and ears that go with it (and the human breasts but lack of genitals, too), appear nightmarish at worst and distracting at best. After Victoria is abandoned in a London alley, and after Rum Tum Tugger (Jason Derulo) and his purring crew meow the word Jellicle at her relentlessly, she still has much to learn. It's the night of the Jellicle ball, where the Jellicle cats compete — and when the Jellicle choice will be made. Whoever is deemed the ultimate Jellicle by matriarch Old Deuteronomy (Judi Dench) will ascend to the Heaviside Layer and be reborn. So, the lazy Jennyanydots (Rebel Wilson), debonair Bustopher Jones (James Corden) and their four-legged brethren all sing their cat-sized hearts out. Alas, master criminal Macavity (Idris Elba) is also scampering about, attempting to trick his way to glory. Let's address the obvious hairball: these felines want to howl and caterwaul so they can float into the sky, die, then be resurrected for the next of their nine lives. That's a ridiculous, overtly religious concept, and it always feels the case in Cats. More kitties scramble around, competing and introducing themselves via song, but they can't croon past the baffling premise. That doesn't stop them from trying, including magician cat Mr Mistoffelees (Laurie Davidson), outcast Grizabella (Jennifer Hudson), cat-burgling duo Mungojerrie (Danny Collins) and Rumpleteazer (Naoimh Morgan), and elder statesman Gus the Theatre Cat (Ian McKellen). Those eager for Taylor Swift's catty moment as the mischievous Bombalurina, who drugs her fellow critters with catnip, will be waiting a while — and for just one slinky number. Cats is a sung-through musical, barely uttering a word that isn't belted out, which doesn't improve the storyline either. Lloyd Webber based the stage version on TS Eliot's poetry collection Old Possum's Book of Practical Cats and, even with Hooper (Les Miserables) and Lee Hall (Rocketman) tackling the film's screenplay, it's just a bunch of kitty ditties flung together like a dog's breakfast. That might've been entertaining enough if the tunes had emotional heft, but they don't. Even famed ballad 'Memory' feels thin — and that's the cowering Hudson's only substantial contribution. New Swift and Lloyd Webber-penned track 'Beautiful Ghosts' is similarly forgettable, although it does provide a noticeably quieter pace amid all the unconvincing feline razzle-dazzle. Consequently, Cats is something you endure — like emptying a cat's litter tray — with Hooper's flick failing to sink in its claws in any meaningful manner. The performances reach pantomime levels, perhaps to help you forget that Elba, Dench and McKellen are prancing, crawling and licking milk from saucers. (Or, so you don't ask why some cats don suspenders, others are naked, and Old Deut resembles The Wizard of Oz's Cowardly Lion.) Even beneath the special effects, every aspect of the movie looks like it's taking place on a stage, which is hardly immersive. Worse, Hooper can't decide if he wants to zip around amongst the cats, peer too closely at their faces or watch their dancing from afar, making the film as disjointed in its cinematography as it is elsewhere. 2019 hasn't been kind to singing cats on-screen, but at least The Lion King's uncanny photo-realistic jungle beasts didn't seem like they were staging a cat version of that other terrible recent musical: The Greatest Showman. Real-life cute kitties deserve far better than this catastrophe. https://www.youtube.com/watch?v=Pv-n0ZZHbSY
Back in 2018, KFC wanted us all to relax to the sound of sizzling chicken. Over the past few years, IKEA has tried to put everyone to sleep by listening to its catalogue read aloud — and to get folks to bliss out while watching its products take a 14-day journey to Australia, too. Now, it's Lego's turn to help relieve our stresses, with the toy brand releasing a new relaxation playlist that has been created using its interlocking bricks. If that familiar clicking sound makes you feel zen, you'll be keen to give Lego's 'White Noise' tracks a whirl. If you instantly feel calmer whenever you hear a heap of bricks jumbled together, then you'll be in your element as well. The playlist runs for three and a half hours, and has just hit the company's website, as well as 15 different streaming services including Spotify and iTunes. It only uses Lego bricks, too, so everything you'll hear was made with the famed blocks. More than 10,000 pieces were used to create tracks with names like 'It All Clicks', 'The Waterfall' and 'Searching for the One (Brick)', with the full playlist spanning seven tunes that all clock in at around 30 minutes each. And yes, they do indeed sound like they've been created using Lego. Yes, if you've ever played with the bricks yourself, you already have all those sounds committed to memory. Lego has been touting its wellness credentials of late, including via its new Botanical Collection — which is designed to help adults destress, unwind and get mindful. So, it should come as little surprise that the company suggests you listen to its new playlist while you're building its latest kits. To listen to Lego's White Noise playlist, head to the company's website — or check out your streaming service of choice, such as Spotify and iTunes.
If you're a fan of the Apple iPad be sure to pencil March 7, 2012 into your diaries. According to tech site iMore.com, this is the day that Apple will unveil the iPad 3 — or iPad HD. These predictions are in sync with AllThingsD's earlier report that the iPad 3 will be announced in the first week of March. In addition, Apple insider, Jim Dalrymple of The Loop, has indirectly accepted this rumoured announcement date with a solid "Yep." Citing "sources who have been reliable in the past", iMore suggests that features of the next-gen iPad are to include 4G LTE networking, a 2048 x 1536 Retina Display and a quad-core A6 processor. These are considerable upgrades when considering the current iPad 2's specs. Other circulating rumours anticipate an improved camera (either 5 or 8-megapixels), a HD front camera and the possibility of a mini 7" iPad. Considering Apple's world domination in the business of technology, one thing that's for certain is that you'll have to fight off a hoard of iPad-loving vultures before you can get your hands on Apple's newest edition to the iPad family.
Discounted airfares have been quite the topic of conversation over the past year or so, as Australian airlines have endeavoured to encourage us all to explore this scenic country of ours. If we can't holiday overseas while the international border is closed, we should all make the most of our own backyards — or so the very sensible thinking goes. That said, with lockdowns and border restrictions still a regular part of pandemic-era life Down Under, holidaying within Australia isn't straightforward. But, if and when that becomes a bit easier in the coming months — with both New South Wales and Victoria set to start easing stay-at-home conditions when the two states each reach certain vaccination thresholds — enjoying an Aussie getaway will hopefully be back on the cards nationwide. And, in preparation for that becoming a reality, Virgin is hosting a five-day sale that's serving up cheap flights. Called 'Anywhere But Here', this sale has more than a million discounted fares up for grabs — but you'll need to get in quick. They went on sale today, Monday, September 6; however, they're only available until Friday, September 10 or sold out, whichever comes first. All one-way fares, the discounted economy flights cover 70 different routes. Some of the specials on offer include Sydney to Byron Bay for $49, Sydney to the Sunshine Coast for $69, Melbourne to Launceston from $49, Melbourne to the Whitsunday Coast from $139, Brisbane to Hamilton Island from $105, Brisbane to Darwin from $149, Adelaide to Melbourne from $79 and Perth to Broome from $179 (and vice versa in all cases, naturally). And, if you're wondering when you can travel — depending on lockdowns and border restrictions, of course — you can book flights for trips between October 6, 2021–June 23, 2022. Only some fares cover seat selection and checked baggage, however, with the airline announcing back in August that it is now splitting its economy flights into three types. Economy Lite doesn't include checking any baggage or picking your seat, but Economy Choice does — and Economy Flex gives you extra flexibility (hence the name) if you have to change your plans later. As we are still in the middle of a pandemic, flying is little different to normal. Virgin has introduced a range of safety measures, including hand sanitisation stations, contactless check-in and face masks provided to all passengers. Wearing masks on flights also became mandatory in Australia in January. Virgin's 'Anywhere But Here' sale runs from today, Monday, September 6–Friday, September 10 — or until sold out. Find out more about current interstate border restrictions via the Australian Government's Health Direct website.
When Australia started to get excited about Brisbane potentially hosting the 2032 Olympic Games — with the Queensland capital named as the preferred host last month — one important detail stood out. Planning for an event 11 years away is all well and good (and necessary, of course), but the 2020 Tokyo Olympics hasn't yet been held, with the Games postponed to 2021 due to the pandemic. With COVID-19 case numbers still high around the world, there has been much speculation about whether the Tokyo Olympics will go ahead this year, too; however, Japan is currently forging ahead with its plans. Much will likely be different about the event, which is slated to run from Friday, July 23–Sunday, August 8 — and a lack of overseas spectators looks set to be one of the big changes. The Kyodo News Agency is reporting that the Japanese government has decided to exclude international fans from attending both the Olympics and the Paralympics, in a bid to stop the coronavirus spreading at the event. The move is sparked by fears of more contagious variants of the coronavirus that are in circulation outside of Japan. At present, restrictions on international travellers entering the country are in place in general. Japanese officials are due to meet with the International Olympic Committee and the International Paralympic Committee by the end of March to make a final decision on overseas spectators, and then to decide capacity levels — including whether Japanese spectators will be permitted to attend at all, too — for the Games in April. If international spectators are banned from attending, current ticket holders that fall into that category would receive refunds. Spectators would also be banned from the opening ceremony for the torch relay, which is due to kick off on Thursday, March 25 in Fukushima. [caption id="attachment_801246" align="aligncenter" width="1920"] The Department for Culture, Media and Sport via Wikimedia Commons[/caption] Of course, even if Japan does allow folks from overseas to travel to Tokyo to attend the Games, both Australia and New Zealand presently have international travel restrictions in effect. In Australia, a travel ban is still in place until at least mid-June, with Aussies unable to depart the nation unless they seek an exemption from Home Affairs. And in New Zealand, the government still currently advises that all New Zealanders do not travel overseas at present. For more information about the 2020 Tokyo Olympic Games, which are due to be held from Friday, July 23–Sunday, August 8, 2021, head to the event's website. Via Kyodo News Agency. Top image: IOC Media.
Social enterprise cafe Sibling threw open its doors last week, marking the arrival of a venue that's little different to those in the surrounding streets of Carlton's northern edges. The cafe is run by Kinfolk, another social enterprise cafe and caterer in the CBD, with both venues aiming to counteract social isolation through their volunteer programs. With the waitlist to volunteer at Kinfolk stretching for months, the team decided they needed to open a second venue to meet demands. And, thanks to a robust crowdfunding effort — which raised almost $30,000 more than the initial $60,000 target — Sibling came to fruition. As a result, the volunteer task force, made up of people from more than 30 different countries and some of which are living with a disability, transitioning from prison or seeking asylum, was able to expand, with Sibling having room for 120 volunteers — double what Kinfolk could originally handle. So, you'll be able to enjoy tasty kimchi-spiked scrambled eggs from the volunteers, while they benefit from a friendly space, support and training. Which brings us to Sibling's second aim: to make tasty food as sustainably and with as little waste as possible. Along with coffee by Small Batch, the food menu is inventive and diverse. On the brekky menu, there's tahini-topped bread with salted cucumber, chickpeas and pickles ($17); asparagus, chilli, cashew, basil, mint and scrambled tofu ($19); and pan-fried chicken livers — from Trentham's Milking Yard — with peas, shallots and sorghum ($24). Lunch has the famously simple Roman pasta dish, cacio e pepe ($14) and a kangaroo tail braised with peas, labne and rice crisp ($22). And don't walk out without a sweet treat to finish things off — their truffles and cakes are mostly vegan and, from the sound of it, entirely tasty. As another added bonus, all of Sibling's distributable profits are redistributed to different charities each year. This year it's Asylum Seeker Resource Centre (ASRC) and The Cathy Freeman Foundation. Find Sibling at 611 Nicholson Street, Carlton North. It's open Monday to Friday, 7am–3pm and Saturday and Sunday, 8am–4pm.
The much anticipated Graphic Festival at the Sydney Opera House is nearly upon us. A whole weekend dedicated to anime and animation, live performances, innovative visuals, inspiring talks and, no doubt a substantial dose of fun. And Silent Comics, a mini festival within the festival, is set to be one of its highlights. Silent Comics aims to celebrate the illustrated works in their purest form, where the narrative of the comic is entirely visually driven — no captions, no text, no words. And to add to your sensory pleasure, they have asked some seriously talented local and international musicians to come to the party too. Comics by artists such as Robert Crumb (Fritz the Cat), Jim Woodring (Frank), Peter Kuper (Spy vs Spy) and Nathan Jurevisius (Scarygirl), will be accompanied by ten minute sets of brand new music by Gotye, Plaid, Seekae, FourPlay, Captain Matchbox and Darth Vegas, in what is sure to be Sunday afternoon of visual and auditory goodness. For a chance to win one of five double passes to Silent Comic, just make sure you're subscribed to Concrete Playground then email us at hello@concreteplayground.com.au with your name and address.
Since making her movie debut as "girl in a blue truck" in Dazed and Confused, then popping up in a Texas Chainsaw Massacre sequel, Renee Zellweger has enjoyed quite the career. She belted out a tune on a rooftop in Empire Records, told Tom Cruise that he had her at hello in Jerry Maguire and became everyone's favourite romantically challenged Briton in three Bridget Jones flicks. Then, she razzle-dazzled her way to an Oscar nomination in Chicago, before nabbing a coveted statuette for Cold Mountain. It's an impressive resume. So, when we say that Judy may just be Zellweger's best work, we don't make that statement lightly. Stepping into a famous figure's shoes might be one of acting's most difficult feats, especially when that person is cinema royalty, but Zellweger doesn't ever feel like she's just impersonating Judy Garland. Rather, she wears Garland's ruby slippers as if they're her own — and they fit perfectly. Technically, because Judy is set in the year leading up to the eponymous star's death, Zellweger doesn't literally don that iconic pair of footwear, with the film enlisting newcomer Darci Shaw to do the honours in flashbacks to Garland's teenage years. Zellweger doesn't need glittering shoes to inhabit the part, though; with nuance and intensity simmering through her performance, she shines brighter than any jewel-toned item of clothing ever has. While the aforementioned leaps back into the past show where Garland started, the expectations placed upon her and the destructive impact of her showbiz childhood, Judy spends the bulk of its duration in 1969. Garland is 46, with more than four decades of experience to her name, but she's scrounging for work. Deemed unemployable by Hollywood's insurance agencies, which nixes her cinema stardom, The Wizard of Oz, Meet Me in St. Louis and A Star Is Born talent sings and dances through touring stage shows instead. Both broke and homeless, she's trying to provide for two of her children (Bella Ramsey and Lewin Lloyd). So, when she reluctantly takes a long series of gigs in London, it's largely to earn enough cash so she doesn't have to keep travelling away from her kids afterwards. Given the above state of affairs, plus years of using prescription pills to stay awake and to get to sleep (and drinking as well), Garland isn't in prime physical, emotional or mental health during Judy's period of focus. Remaining in the public eye since she was two has clearly taken its toll, understandably. And, while Garland knows this, she's addicted to the thrill of being in the spotlight — and she has an ego to with it, too, as her interactions with her British minder (Jessie Buckley) demonstrate. Still, what a joy it is to spend time with Zellweger's version of Garland, and not only when she's wowing crowds while strutting across the stage. In an always hypnotic, often heartbreaking portrayal that illustrates the star's on-stage strength and behind-the-scenes sorrow in tandem, Zellweger turns every scene into a revelation. Watching as Garland dotes over her youngest offspring, attends a party with her twenty-something daughter Liza Minnelli (Gemma-Leah Devereux) and falls swiftly for her fifth husband (Finn Wittrock), viewers see the yearning heart of someone who just wants to love and be loved in return. In her messier moments, of which there are many, we feel the kind of aching pain that all the cheering fans in the world can't fix. And, when she's crooning a greatest-hits collection from across her career — including 'Get Happy' and, of course, 'Over the Rainbow' — we understand why she keeps doing what she does even when it's almost killing her. For existing Garland aficionados, the result is like trotting down the yellow brick road — you can bask in all the glorious details you've ever wanted, while also getting a glimpse behind the curtain at the stark reality behind the magic. And if The Wizard of Oz is your only real frame of reference for Garland, Judy wholeheartedly explains that the now-80-year-old classic was neither the beginning nor the end of her tale. Accordingly, in adapting stage musical Over the Rainbow for the screen, director Rupert Goold (TV's The Hollow Crown) and writer Tom Edge (The Crown) have hit the biopic jackpot. There's a sense of formula at work in Judy's storytelling, as can happen in showbiz portraits, but it captures its subject in a winning way. And, come next year, Zellweger will likely be winning plenty more awards for her efforts — for such a captivating performance that does justice to a legend, she deserves to. https://www.youtube.com/watch?v=C61wB6DTwiA
The planned construction of anything 'bold, provocative and edgy' seems innately destined for failure — the aforementioned buzzwords, particularly when used in quick succession, conjure up images of middle-aged, fat-cat executives chain smoking cigars around a boardroom table or, worse still, mid-life crisis Mum trying with thinly veiled desperation to shake it with her 20-something-year-old daughters. In short, not an uplifting portrait. It could be argued that SBS2's recent youth-targeted makeover, which saw the digital channel relaunch on April 1 in a bid to ensnare a specific 16-to-39-year-old demographic, is destined to go the way of other 'cool, hip' initiatives that sadly end up being neither of the two. What Even Is Emerging Culture? By attempting to reach 'young people' as an isolated bracket, SBS2 have been criticised for assuming that age is an effective means by which to categorise and target the behaviours of viewers. Admittedly, if shows like Network Ten's Being Lara Bingle and The Shire are indicative of what Gen-Y supposedly wants, it would appear that young people people are in fact the dullest, worst kind of viewer and, more widely, human. What's different about SBS2's approach is the diversity of their programming — already popular offerings like US comedy series Community and gritty drama Skins feature alongside A-League football coverage, Japanese game shows and documentaries on everything from the truth about smoking marijuana to a history of controversial sex in cinema. The breadth of subject matter covered suggests that SBS2 is not targeted at some imagined, specific breed of young person with a narrow, mundane sphere of interest; it's an attempt to engage a younger but no less intelligent consumer in a meaningful way. Facilitating Your Binge A particularly interesting component of the new SBS2 is the Back 2 Back feature, where after the first episode of a series has screened on free to air, viewers can watch the entire season of some shows via SBS On Demand. A response to what Tony Iffland, SBS's director of TV and online content , calls 'binge watching' the feature allows viewers the kind of total control over their viewing habits that most of us have been enjoying since we learnt how to illegally download content (everybody does it but nobody talks about it). While the idea of huddling around the box once a week for a single episode of one's personal brand of entertainment crack might provide great fodder for water-cooler banter the next day at the office, in today's fast-paced media landscape the notion seems as quaint and outmoded as listening to the wireless, yet most traditional TV networks still privilege this lost model, for lack of another way. News for the Attention-Challenged Another of SBS2's responses to changing media consumption habits is the addition of a 15-minute news bulletin with 30-second headlines, which offers a time-poor alternative to the increasingly archaic traditional news bulletin. Although this opens up a contentious debate about the dangers of pandering to rapidly shrinking attention spans, it seems that regardless of such protestations, behavioural and attitudinal changes are inevitable. If this is the case, fast news is still better than none at all, right? SBS Is Your Friend Where, as a 'young person' your natural reaction might be to boldly and feverishly reject any initiative that attempts to examine, categorise and subsequently cater to your complex needs and desires in a collective way, it's important to remember who the one doing the talking is. SBS isn't he dreaded man — they're an independent, underfunded TV channel, committed to providing high-quality, culturally relevant media to all Australians regardless of geography, background, language skills and, indeed, age. Seven billion stories and counting, only now some of those are digital, on demand and ready for your binging pleasure, 'bold, provocative and edgy', or otherwise.
Melbourne's inner north suburb of Coburg is set to score a shiny new addition, with Intercontinental Hotel Group revealing plans to open a Holiday Inn design hotel on Sydney Road. Slated to be up and running by 2020, the 150-room hotel will be a huge win for a pocket of Melbourne that's not exactly brimming with great accommodation options. It'll boast sweeping views across town and the Coburg Lake Reserve, while a new onsite bar and all-day dining offering is sure to prove as popular with locals as with the guests. As for looks, this hotel's steering right away from the usual Holiday Inn vibe. The bold, mirrored glass design is the work of acclaimed architects Hachem, whose previous projects include the likes of Om Nom dessert bar and the newly revamped Baroq House. Find Holiday Inn Melbourne Coburg on Sydney Road from 2020, and keep an eye on the Intercontinental Hotel Group website for further details.
Overseas travel is at the top of many Australian bucket lists right now. And if you're the kind of traveller who prefers fewer stopovers, there's some exciting news on the horizon from Qantas. Dubbed Project Sunrise, the Australian airline has unveiled plans to introduce a fleet of twelve Airbus A350s, which are all capable of flying direct from Australia to London and New York. Direct flights are currently available from Darwin to London, however, for those on the east coast of Australia, this still means factoring in a layover to your journey. Qantas has announced that with these new aircrafts, direct flights will be available from the east coast as well, starting with Sydney-to-London and Sydney-to-New York flights in late 2025. Qantas first toyed with the idea of direct flights from Australia's east coast to New York and London back in 2017, however after two trial flights in 2019 decided to delay the decision. "The A350 and Project Sunrise will make any city just one flight away from Australia," said Qantas Group CEO Alan Joyce. "It's the last frontier and the final fix for the tyranny of distance." With time in the air set to exceed the current 18-hour flight time of the Darwin-to-London route, the new aircrafts are also being designed with comfort in mind. The A350-1000s will carry 239 passengers compared to other airlines' average of 300 passengers, and will feature a designated comfort zone in the middle of the cabin where people can stretch their legs. [caption id="attachment_852120" align="alignnone" width="1920"] A350 wellness zone render[/caption] Alongside this announcement, Qantas has also revealed it will add 40 new A321XLRs and A220 aircrafts to its domestic fleet late next year. These new planes will gradually replace the Boeing 737s and 717s as they are retired. "The A320s and A220s will become the backbone of our domestic fleet for the next 20 years, helping to keep this country moving," continued Joyce. According to Qantas, this new fleet of aircrafts will create over 1000 jobs and Joyce says the aircrafts will help reduce emissions "by at least 15 per cent if running on fossil fuels, and significantly better when run on Sustainable Aviation Fuel". This will play a role in Qantas' commitment that it made in 2019 to reach net-zero by 2050. If you fly Qantas regularly and you're committed to sustainability, you can also sign up for its Green Tier rewards program which unlocks rewards and benefits to customers who complete at least five sustainable activities across six areas in their lives. Qantas' direct flights from Sydney to London and Sydney to New York are set to take to the air in late 2025. For more information, head to the Qantas website. Images: Qantas
