Lost Paradise is back for the fourth year in a row, after selling out its past three incarnations. Returning to Glenworth Valley from December 28 to January 1, the event will host 76 local and international artists, including local electronic goalkickers RÜFÜS, Sweden's Little Dragon, Aussie folk favourites Matt Corby and Meg Mac, Sydney lads DMAs, dynamic Melburnian duo Client Liaison and more. There'll be two new stages this year, My Mum's Disco, where, in between retro beats and '80s kitsch, you'll be playing bingo and banging out karaoke, and K-Sub Beach Club, to be run by Kraken, a collective dedicated to all things Victorian. Main stage Arcadia will host what's been designated as 'indie', while techno and dance will settle into the Lost Disco stage. Meanwhile, the Paradise Club will take care of late night shape-throwers with DJs and surprise guests. If you've blissed your way through previous New Year's Eves at Lost Paradise's Shambala Fields, you'll be glad to know they're making a return, with their cornucopia of yoga classes, dance workshops and meditations. Teachers on the schedule include Ana Forrest, Jose Calarco, Mark Whitwell, Simon Borg Olivier, Nicole Walsh and Mark Breadner. In between dancing and getting mindful, you can fuel up in Lost Village, where a herd of food trucks will be dishing out all sorts of tasty morsels. Look out for Eat Art Truck's hot smoked pulled pork buns, Agape's organic goodies, The Dosa Deli's handmade samosas, Maverick Wings' crispy chicken and kimchi coleslaw, Harvest Life as Tsuru's poke bowls and Cuba Cantina's street food from Havana. Here's what you're in for this year: LOST PARADISE 2017 LINEUP: RÜFÜS Little Dragon Matt Corby Meg Mac DMA's Client Liason Cut Copy San Cisco Tourist Stephen Bodzin Cigarettes After Sex Patrick Topping Jon Hopkins (DJ Set) Jackmaster FKJ Middle Kids Âme (Live) Skeggs Palms Trax Apparat Nadia Rose Sampa The Great Koi Child Mall Grab Dean Lewis B.Traits Roland Tings My Nu Leng Cut Snake Human Movement Billy Davis & The Good Lords CC:Disco GL Tiny Little Houses Alex The Astronaut Nyxen Sloan Peterson Mammals The Ruminators Motorik Vibe Council Robongia Krankbrother Thunderfox Gypsys of Pangea Uncle Ru Ariane Ben Nott Brohn Dibby Dibby Soundsystem DJ Gonz Elijah Something Foreigndub Inner West Reggae Disco Machine Kali and more... Lost Paradise returns to Glenworth Valley from December 28 to January 1. Tickets are on sale now from the festival website. Image: Dave Anderson and Boaz Nothham.
Get your fill of the best vegan food in town at the Vegan Day Out. Come March 9 and 10, The Cruelty Free Shop is putting together another walking tour of vegan cafes, restaurants and retailers, many of which will be offering discounts, deals and free samples to anyone who stops by. For Saturday and Sunday, socially conscious eaters can stop by The Cruelty Free Shop on Johnston Street, and grab a map outlining their route. From there, it's all about making your way to to plant-based delights aplenty — and making a day (or two) of it. Whether you're a dyed-in-the-wool vegan or just curious to give it a go, you'll find a whole world of retailers catering to animal-free eating, offering meal deals, two-for-ones, coffee, wine tastings and savings on vegan groceries. The Cruelty Free Shop will also be running its own tastings throughout the day, as well as offering discounts on some of its 3000+ products. The Vegan Day Out runs from 9am–5pm on Saturday and 10am–5pm on Sunday.
Surfing and gig-going have always been two of Australia's best-loved pastimes, and last year we scored a festival celebrating the best of both worlds. And, now, it's back for its second round of autumnal beachside festivals. Returning this April, The Drop festival will cruise around the country as it follows the Aussie leg of the World Surf League (WSL) Championship Tour and it's bringing a banging little lineup of musical gold along for the ride. Surfing the festival wave for 2019 are brother-sister folk band Angus and Julia Stone, the perennially pastel indie pop duo Client Liaison and NSW surf rock band Hockey Dad, along with other local legends The Jungle Giants and Alex the Astronaut. Held on the first weekend of each area's surfing event, The Drop is set to grace some of the Australia's best surf spots, each outing featuring a locally focused offering of food, drink and culture, to match the tunes. As well as heading to the official WSL events in Torquay, Margaret River and Coolangatta, this year, the festival will also kick off Surfest Newcastle and Vissla Sydney Surf Pro in Manly — both WSL Qualifying Series events. THE DROP FESTIVAL 2019 LINEUP Angus and Julia Stone Client Liaison Hockey Dad The Jungle Giants Alex the Astronaut Images: Miranda Stokkel.
While they’re among our closest neighbours, the cinema of Indonesia doesn’t get a whole lot of attention in Australia, save for the martial arts carnage of The Raid and its recent sequel. Yet there’s a lot more to the Asian archipelago’s movie industry than broken limbs and severed tendons, as is demonstrated by the program at this year’s Indonesian Film Festival. Although unable to rival other national film fests in terms of size, the IFF aims to showcase the diversity of Indonesia’s national cinema through a selection of films across a variety of genres. Amongst the most intriguing entries on the 2014 program are Something in the Way, a drama about a devout Muslim taxi driver who falls in love with a prostitute, and What They Don’t Talk About When They Talk About Love, a coming-of-age story set in a school for the blind. The festival will also welcome several filmmakers, producers and actors as guests, with many screenings being followed by audience Q&As. For the full IFF program, visit www.iffaustralia.com
Every film festival has its traditions. At the Sydney Film Festival, adding to its program just days before the curtain lifts is a tried-and-tested part of its annual cycle. First, the Harbour City's major cinema showcase reveals a few titles in April to start getting movie lovers excited. Then, it advises who'll be the focus of its big retrospective. Next, it drops its complete lineup in May, but it isn't actually quite complete. This year, closing night's film was unveiled after that. And, once the Cannes Film Festival takes place, SFF also throws in a few more picks from France's prestigious event. SFF 2023 starts on Wednesday, June 8, running until Sunday, June 19 — and the day before the fest kicks off, it has boosted its bill with nine more features. The huge drawcard: Anatomy of a Fall, a drama about an author (Sandra Hüller, Toni Erdmann) accused of her husband's murder, which just won French director Justine Triet (Sibyl) the Palme d'Or. She became just the third female filmmaker to earn the coveted prize after Jane Campion — the subject of this year's SFF retrospective — for The Piano in 1993 and Julia Ducournau for Titane in 2021. Also hitting Sydney after competing for Cannes' major prize are Club Zero and May December. Helmed by Little Joe's Jessica Hausner, the former stars Mia Wasikowska (Blueback) as a boarding-school teacher spearheading a conscious-eating movement. The latter hails from Carol director Todd Haynes, is led by Natalie Portman (Thor: Love and Thunder) and Julianne Moore (Sharper), and dives into a scandal. SFF has also added body-horror film Tiger Stripes, which is set in the Malaysian jungle and won the 2023 Cannes Critics' Week Grand Prize — and Inshallah a Boy, about a woman in Jordan who fakes a pregnancy because it's the only way she can secure her inheritance. Plus, from Cannes Directors' Fortnight comes Georgian feature Blackbird Blackbird Blackberry, about an autumn romance. Also from the Croisette: Anselm, Wim Wenders' (Submergence) portrait of artist Anselm Kiefer; and Four Daughters, which won Cannes' top documentary prize for its tale about a Tunisian mother and her missing children. And, while it screened at Sundance instead, The Persian Version — an Audience Award-winner at the Utah fest, focusing on Iranian American filmmaker Leila (Layla Mohammadi, The Sex Lives of College Girls), her romantic life and her mother Shireen's (Niousha Noor, Kaleidoscope) story before her — rounds out the new additions. SFF attendees, you'll now need to rejig your schedule. That's one of this film festival's annual traditions, too. Sydney Film Festival 2023 runs from Wednesday, June 7–Sunday, June 18 at various Sydney cinemas — head to the festival website for further information and tickets.
Just in case social media didn't already provide us with sufficient scope to project our mood at unwitting strangers, three German artists have provided another, even more public avenue through the 'Public Face'. Their interactive art installation reflects the mood of the city in which it stands with a giant electric emoticon. Hidden cameras at ground level capture the facial expressions of passers-by to measure the general vibe at any given time, and relay it back to the emoticon tower. So long as there are no manic-depressives in the crowd or cause for any emotion beyond happy, sad, or indifferent, the giant smiley will provide an accurate public vibe-o-meter, constantly updating itself to match the collective mood. There are unverified rumours that the Public Face will do the rounds in a variety of cities across the globe in 2012, but this may not be good news for everyone. The smiley's stint atop a lighthouse on Bavaria's Lindau Island last year revealed that the town could do with a little more cheer, where the giant face spent a lot of time being indifferent and was rather reluctant to flash any pearly whites. How to bring the mood of a city down even lower? Show the people how depressed they already are. The Public Face is a quirky piece of interactive art, taking a playful spin on the distillation of emotion that occurs when relationships go digital. [Via Archetizer]
Sydney's rambunctious leotard-loving lads, Bluejuice, are calling it a day. The beloved pop/rock/dance/errrthang ratbags Jake Stone, Stavros Yiannoukas, Jamie Cibej and James Hauptmann have announced their final national tour and an upcoming greatest hits tour to wrap everything up by the end of 2014. "After 13 years of broken bones, broken hearts, sore heads, passive aggression, regular aggression, several arrests, questionable skin infections, and a busload of infuriated tour managers, Bluejuice are announcing they are calling it quits at the end of 2014," says today's press release. Abercrombie-going Purple Sneakers alumni are shedding many a tear today. Since 2001, the beloved Sydney outfit have had one heck of a ride, keeping the chin of Australian music up with three celebrated albums (Problems, Head of the Hawk and Company) on the shelf and still holding the position of most played track on triple j ever ('Vitriol'). https://youtube.com/watch?v=ldBhDmvWFXE Bluejuice have decided to part ways to test the waters in other projects, with the sad intention of giving those leotards a rest. Before they take their final bows, the team will release a big ol' greatest hits album — a retrospective ride dubbed Retrospectable, with all your favourite mid-2000s sticky-floored party go-tos, best bits from their three albums, extra rare content and new single 'I'll Go Crazy', produced by Dann Hume (Sticky Fingers/Alpine). Bluejuice will kick it on their final national tour this September/October. Starting at Adelaide's Uni Bar, the pair will meander through the capitals and rural centres before finishing up where it all started — Sydney (at the Metro Theatre, where many a drunken Bluejuice escapade has roamed before). In one of the most emotionally-charged press releases we've ever seen, Bluejuice's legacy is laid down. "They shall leave behind a body of work of which they are all very proud, and they look to the future with a mix of hope and fear of starvation, not unlike the chick at the end of Children Of Men." Top notch. Bluejuice — Retrospectable: The Farewell Tour (with special guests to be announced) Tickets on sale August 9 THU 25 SEPT — Uni Bar, Adelaide. Tickets via Oztix. FRI 26 SEPT — Capitol, Perth. Tickets via Oztix. SAT 27 SEPT — Red Earth Arts Festival, Karratha. Tickets via REAF. THU 02 OCT — Hi-Fi, Brisbane. Tickets via Oztix. FRI O3 OCT — Coolangatta Hotel, Coolangatta. Tickets via Oztix. SAT 04 OCT — Great Northern Hotel, Byron Bay. Tickets via Oztix. FRI 10 OCT — Hi-Fi, Melbourne. Tickets via Oztix. SAT 11 OCT — Hi-Fi, Melbourne. (Under 18's only Matinee show 12-3pm) Tickets via Oztix. SAT 11 OCT — Village Green Hotel, Mulgrave. Tickets via Ticketmaster and Village Green Hotel. SUN 12 OCT — Barwon Club, Geelong. Tickets via Oztix. FRI 17 OCT — Waves, Wollongong. Tickets via Moshtix. SAT 18 OCT — ANU Bar, Canberra. Tickets via Ticketek. THU 23 OCT — Bar on the Hill, Newcastle. Tickets via BigTix. FRI 24 OCT — Metro Theatre, Sydney. (LIC/ALL AGES)? Tickets via Ticketek.
Red Bull Flying Bach is a serious clash of cultures, a performance where Bach meets breakdancing, two things most would never dare to put together. But hey, as well as wings, Red Bull gives you crazy ideas for collaboration and, from all of the reviews this show has received to date, it also gives you an incredible artistic spectacle. When you look past the preconceptions that say this show shouldn't work, it is really no surprise it has been so successful; it features music from arguably the greatest composer of all time (who happens to be German) expressed physically by four-times breakdancing world champions Flying Steps (who are also German). No coincidence, just a collaboration that shatters the suggestion that breakdancing and Bach don't blend and thrusts the cohesion of the classic and the contemporary into the present. Set against Johann Sebastian Bach's 'Well-Tempered Clavier' — led beautifully by opera director Christoph Hagel — the breakdancing troupe create something truly memorable that challenges conventional constrictions placed on cross-era and cross-cultural collaboration.
There's just something about Australiana that, when done well, triggers those warm and fuzzy feels. South Yarra's now-dead Sweetwater Inn (RIP) nailed the whole outback-corrugated iron-damper-and-tin-cups thing, and it's hard not to love a tribute to the times of bushrangers, some well-loved Aussie larrikin or even a throwback to those glorious days of the school tuck shop. So Dingo's, the newest addition to Smith Street's ever-booming bar scene, looks bound to make friends quickly when it opens its doors next Friday, October 21. Paying homage to our colourful colloquial culture, the self-described Australiana bar is promising an equally vibrant drinking destination, where the colour palette is '80s retro, and the cocktail list is laced with nostalgia. Expect Alf Stewart references, Cottee's-inspired creations and even a cheeky tribute to your old friend, Passion Pop. Meanwhile, in the kitchen, chef Louie Green and brother Joel (both of Richmond's Tofu Shop International) are getting creative with some suburban favourites, serving a tofu version of the classic pie alongside other vegetarian treats. Even the original Barbecue Shapes look set to make an appearance on the snack menu. The space itself is a comfy one, with vinyl tunes and kitsch aplenty. Plus, they've got an excellent courtyard for sinking Coopers longnecks in the sun. Dingo's will open on Friday, October 21 at 310 Smith Street, Collingwood. Help them celebrate their launch at the bar's opening party from 8.30pm. For more info, visit dingosbar.com.au.
Since 2014, White Night has brightened up Melbourne with an all-night arts festival each February. When summer comes to an end in 2019, however, the city won't be sparkling with light and culture. Instead, the popular evening is shifting to a new winter berth. While the exact dates and program won't be revealed until closer to the event, White Night will make the move to August as part a huge new winter festival, the Victorian Government has announced. The after-dark spectacle itself will still only run over a single evening, but the broader fest will be a three-day affair, complete with music, design, film, food, performance and street art events. Part of the move is inspired by Melbourne's long mid-year nights, with the lengthier stint of darkness allowing White Night's luminous activities to kick off earlier — meaning that artists have more hours to play with, and families can enjoy an earlier start time. Aiming to become one of Victoria's signature events, the overarching multi-day festival will build upon 2018's bigger White Night program. "This reimagined event will create unique and exciting opportunities for artists, performers, cultural practitioners and institutions with a broader program and more nights to experience it," said White Night artistic director David Atkins.
"Accio April 2022" isn't something any character has uttered in either the Harry Potter or Fantastic Beasts films, but it's what you might be chanting to yourself right now if you're a fan of both. Four years after the last big-screen entry in the Wizarding World — the franchise that's sprung up around The Boy Who Lived — Fantastic Beasts: The Secrets of Dumbledore has just dropped its first trailer. When Harry Potter and the Deathly Hallows — Part 2 reached cinemas a decade back, it was never going to be the end of the on-screen story. Cue the Fantastic Beasts series, which took an illustrated guide book about magical creatures, spun a story about its magizoologist author Newt Scamander, and started a Harry Potter prequel saga. Conjuring up more enchantment hasn't been quite so straightforward this time around, however — and how you feel about 2016's Fantastic Beasts and Where to Find Them and 2018's Fantastic Beasts: The Crimes of Grindelwald might just depend on how spellbound you are with everything HP. But this franchise-within-a-franchise was always going to go on, and The Secrets of Dumbledore is the third entry in the planned five-film series. When it hits the silver screen next year, The Secrets of Dumbledore will once again give Jude Law another 'young' role; he played The Young Pope, so seeing him step into young Albus Dumbledore's shoes in The Crimes of Grindelwald felt like the most natural thing in the world. And, just like in that last Fantastic Beasts flick, Law's version of the future Hogwarts headmaster is pivotal to Scamander (Eddie Redmayne, The Trial of the Chicago 7) and his pals' efforts to face off against the evil Gellert Grindelwald. That said, Grindelwald, the dark wizard who just keeps trying to control all things magical — and wreak havoc on everything in general — isn't quite the same this time around. Both Colin Farrell (Voyagers) and Johnny Depp (Minamata) have previously played the role, but Mads Mikkelsen (Riders of Justice) has now replaced the latter. As the trailer for The Secrets of Dumbledore shows, Grindelwald is still solemnly up to no good — and his devoted following is only growing — so it's up to Scamander, Dumbledore, Tina Goldstein (Katherine Waterston, The Third Day), Queenie Goldstein (Alison Sudol, Between Us) and Jacob Kowalski (Dan Fogler, The Walking Dead) to try to save the day. That requires a dangerous mission led by Scamander, who obviously crosses paths with plenty of beasts (it's right there in the franchise's title). Ezra Miller (Zack Snyder's Justice League) also returns as Credence/Aurelius Dumbledore, while Jessica Williams (Love Life) follows up her brief appearance in The Crimes of Grindelwald by return as Ilvermorny professor Eulalie 'Lally' Hicks. And making the magic happen behind the lens is David Yates, who has directed every Wizarding World film — Harry Potter and Fantastic Beasts alike since 2007's Harry Potter and the Order of the Phoenix. Break out the butterbeer and check out the trailer below: Fantastic Beasts: The Secrets of Dumbledore opens in cinemas Down Under on April 7, 2022.
UPDATE, August 12, 2020: Toy Story 4 is available to stream via Disney+, Google Play, YouTube and iTunes. With Toy Story 4, Pixar returns to the franchise that brought it to fame. Nine years after their last cinematic adventure, the animation studio takes beloved cowboy Woody (voiced by Tom Hanks) back out of the toy box, alongside his nemesis-turned-friend Buzz Lightyear (Tim Allen) and their other fun-sized pals. On paper, it's a familiar, frequently used and hardly surprising move. While the Disney-owned company was once famous for championing new stories, its slate has been filled with follow-ups of late — this is a time when sequels, spin-offs, remakes and revivals monopolise our viewing, and when successful sagas seem like they could stretch on forever, after all. But in the process of giving the world its fourth Toy Story movie, Pixar does something that few others are even willing to contemplate: it offers up a farewell. Since it burst onto screens in 1995, the Toy Story series hasn't been afraid of goodbyes. It hasn't been frightened by the fact that everything evolves and comes to an end, either. The saga's first film contemplated the idea that Woody's time at the top of the pile might be over, with his owner Andy seemingly choosing a new favourite in Buzz. How Woody coped with his potential ousting drove the entire narrative, while similar themes of displacement, loss and moving on also featured in both 1999's Toy Story 2 and 2010's Toy Story 3. Wrapping up the franchise, Toy Story 4 continues the trend — contemplating what it means to realise that a part of your life is finishing, to embrace an unknown future, and to do so on your own terms. With Woody and company now the property of kindergarten-aged tyke Bonnie (Madeleine McGraw), much has changed in the Toy Story realm. All-too-often, the cowboy is stripped of his sheriff's badge and left in the cupboard during playtime — and his status slips further when, after sneaking into her backpack on her first day of pre-school orientation, Woody unwittingly helps Bonnie make another friend out of a plastic spork. Forky (Tony Hale), as she names the new critter, is now the number one plaything. Alas, to Woody's dismay, the Frankenstein's monster-esque piece of cutlery would rather be trash. When Forky attempts to escape to freedom during a family road trip, Woody puts Bonnie's best interests at heart and jumps out of the RV after him, embarking on an adventure to bring the spork back. Every child has screamed with sadness and anger when they've misplaced their favourite toy, and anyone who says they didn't when they were a kid is lying. Today, plenty of adults do the same thing — it's just called social media. Toy Story 4 director Josh Cooley shows how Bonnie reacts when she realises that Forky is missing, however with a smart story credited to seven other writers (including initial Toy Story director John Lasseter, Wall-E's Andrew Stanton and Parks and Recreation actor Rashida Jones), the film also delves further into loss, change and their impact. Via Woody's own journey, it examines what this process genuinely feels like when you're facing these experiences head-on and with purpose, rather than simply throwing a tantrum. You could say that the movie grapples with its own place in the pop culture domain, too, and you'd be correct. Given that its original viewers have literally grown from toddlers to adults over the franchise's run, encouraging them to break out of their entertainment comfort zones is a particularly savvy touch. Reflective, sweet, sensitive and virtually guaranteed to wring a response out of even the most cynical of viewers, Toy Story 4 is a classic Pixar piece as a result — the type of film that lets humans work through the complicated feelings they usually bury deep, all by watching animated toys express sentiments we rarely have the courage to utter, and tussle with topics we'd much rather ignore. It's a layered piece of storytelling also, with subplots involving Bo Peep's (Annie Potts) blossoming independence and 50s-era newcomer Gabby Gabby's (Christina Hendricks) quest to be loved each delicately and astutely handled. Both narrative threads tie into the movie's overarching message as well: that continuing on as usual, just because that's easy and safe, is rarely the best option. You can't take the 'toy' out of Toy Story, of course, not that Pixar would want to. At its best, this saga is as imaginative, amusing and fun as it is thoughtful, with bright, bouncy animation to match — and, returning to the heights of the first film, the franchise is at its best again here. With anarchic stuffed toys voiced by Keegan-Michael Key and Jordan Peele, plus the one-and-only Keanu Reeves lending his slow-spoken swagger to charismatic daredevil figurine Duke Caboom, the series doesn't lack in spark or laughs. Visually, it doesn't forget to pair its story with vivid images, plenty of detail and a plethora of top cinematic nods either. And while melancholy may reign supreme, it's earned. That's the reality of sifting through nostalgia, remembering what's come and gone, and knowing that the future will always be different. More Toy Story fare may eventually hit screens, because money, however this fourth toy box tale well and truly provides a perfect ending. https://www.youtube.com/watch?v=Pl9JS8-gnWQ
Burgers are no longer the stuff of late-night drunken binges or awkward family barbecues — this fashionable food of the moment has officially shaken its association with shitty fast food and transcended into a five-storey shrine in the inner suburbs. Prepare to put on an extra few kilos this festive season. Opening in December, Easey's will be a huge elaborate diner perched just off Smith Street. Finding a home in the space designed by ITN Architects on Easey Street, this sprawling feast factory will no doubt be defined by its strange characteristics; namely the three full and intact train carriages that sit on the top floor. These carriages will be open to all diners, finally offering you the golden opportunity to chow into a huge burger on public transport without offending anyone. This strange and decidedly excellent idea comes to us from Jimmy Hurlston and Jeremy Gaschk. While Gaschk earned his stripes with cafes like Silo (since re-launched as Brothl) and Two Birds One Stone, Hurlston has taken an unconventional route to where he stands today. Better known by his first name, Hurlston is the brains — and more importantly, mouth — behind Jimmy's Burgers. Jimmy has become a local icon defining himself as "One man in search of the best burgers our world has to offer". Pictures of his regular feasts could basically form the working definition of the words 'food porn' and his exploits have even been turned into a much-loved book. The dude seriously knows his stuff. With multi-pattied, vegetable-less bacon burgers already planned, Jimmy's not taking the opportunity lightly. In case that doesn't sound like your thing, there will also be a wholefoods cafe on the ground floor of the restaurant serving quality coffee, sushi and raw foods. But really, you should make it worth your while. If you're going to go to a five-storey burger restaurant, you may as well go all in. Via Broadsheet. Photos via Easey's and Jimmy's Burgers.
Across the second half of 2020, Melburnians have become accustomed to wearing face masks, with donning the coverings made compulsory back in mid-July. Now that Victoria's COVID-19 restrictions are continuing to ease — and with the state now hitting 37 days without any new cases, too — rules around covering your face have been slowly changing as well. In big news, they'll no longer mandatory in all indoor circumstances from 11.59pm on Sunday, December 6, with the Victorian Government loosening the requirements significantly. Back on Sunday, November 22, the mask rules loosened in outdoor situations — so you no longer needed to wear one outdoors if you can maintain social distancing. Now, when tomorrow hits, you will only have to don a mask at all in certain scenarios. You will always have to carry one with you, though — that's still mandatory. Premier Daniel Andrews made the announcement about masks as part of his latest press conference, where he unveiled a whole heap of other changes — but changes to face mask requirements was one of the big ones. You'll now just have to wear them in specified crowded spots, with wearing them otherwise moving to "recommended, but not mandatory". First and foremost, Victorians will still be required to keep wearing masks indoors at shopping centres, and in retail stores inside shopping centres — including department stores, electronics stores, furniture stores, hardware stores and supermarkets. You'll also need to keep wearing them at indoor markets. So, basically, if you're shopping indoors at a large and busy establishment, you'll need to mask up. Masks are also still mandatory on public transport, and when using ride shares or other commercial passenger vehicles. That's hardly a surprise, given that social distancing is difficult in these situations. On that topic, you'll have to wear a mask when you're in a large crowd of people you do not know or where QR codes for contact tracing haven't been used. And, if you've been diagnosed with COVID-19, are suspected of having it, or you're a close contact of someone with it, you must wear a face covering if you're leaving the house, even if you're going to the doctor. https://twitter.com/VicGovDHHS/status/1335377715319492609 In general for everyone else, though, the new guidelines state that "face coverings are recommended, but not mandatory, when leaving home and physical distancing cannot be maintained". Premier Andrews noted that "while masks are no longer mandated in most circumstances, the evidence is clear wearing a face covering makes a real difference in slowing the spread of the virus — so masks continue to be recommended indoors or outdoors when distancing can't be maintained". If you're still wondering where to grab a mask, we've put together a rundown of local companies making and selling them. For more information about the status of COVID-19 and the current restrictions, head over to the Department of Health and Human Services website.
In late 2015, after a $10.5 million makeover, the Albury Regional Gallery reopened as the Murray Art Museum Albury (MAMA), with a 14-metre-high curved wall and a visionary director named Jacqui Hemsley, who's passionate about getting people excited and engaged. To that end, MAMA is currently hosting its first blockbuster: Marilyn: Celebrating an American Icon. The exhibition, which has come via the USA and Brazil, features a survey of more than 100 works by 50 leading contemporary artists who have celebrated Marilyn Monroe over the last two decades. Being the enduring cultural phenomenon she is, the works span both privately and publicly owned paintings, photos and video from artists such as Andy Warhol, Cecil Beaton, Henri Cartier-Bresson and more. As well as the artworks — which will be on display until Sunday, May 8 — MAMA will be hosting a whole heap of events, including lectures, bus tours, drinks and even a Marilyn lookalike competition. Marilyn: Celebrating an American Icon was organised by Sairally Fine Arts & Consulting, Hamburg, Germany and toured by International Arts & Artists, Washington, DC. Image: Cecil Beaton, Marilyn Monroe (1956/2005), Silver gelatin print, © Cecil Beaton Archive / Sothebys.
Melbourne has been practically overrun with American-style restaurants for years now, but this week things are finally getting turned up a notch. Melbourne's first ever competitive barbecue tournament is here. Kicking off on January 29, Melbourne Barbecue Festival will take over Queen Victoria Market with classes and competitions inspired by the carnivorous creatures of America's deep South. Groups will learn the art of cooking the perfect brisket, ribs, pork shoulder and chicken, then have their work judged by a panel of experts in an effort to take home $15,000 worth of prizes. Unfortunately, all the masterclasses have sold out and registration has now closed to enter the main competition. Fortunately, they're still going to need a bunch of taste-testers. Once everyone's perfected their art, the entire market will open up for an official Barbecue Food Festival on Sunday, February 1. If you'd like something a little more formal, Fancy Hanks will also be opening up their doors for a special BBQ Dinner on Thursday, January 29 with a Texan feast from Melbourne's best. Photo: joshbousel via photopin cc
Who lives in a pineapple under the sea? SpongeBob SquarePants. Who stars in a movie that’s as much fun for the young-at-heart as it is for the young-in-years? And perhaps even more so? SpongeBob SquarePants. Yes, that absorbent, yellow and porous fellow is back for his second big-screen outing, The SpongeBob Movie: Sponge Out of Water. And yes, it really is entertainment for all ages. Here, the titular Bikini Bottom dweller and fast food fry cook (voiced by Tom Kenny) faces a familiar situation oft-seen in the TV series: stopping villainous rival restaurant owner, the pint-sized Plankton (Doug Lawrence), from stealing the secret formula behind the Krusty Krab's krabby patties everyone can't get enough of. Alas, more sinister shenanigans are also afoot thanks to the scheming of pirate Burger Beard (Antonio Banderas), who has his own plans for the recipe, as well as a magical, future-changing book. In its nine television seasons to date, SpongeBob has always tread that fine line between bright and bizarre, silly and surreal, innocent and absurd, and engaging audiences young and old. The first film based on the series, 2004's The SpongeBob SquarePants Movie, did the same; however, the latest feature hoists the happy zaniness up another level. Perhaps it is the pedigree of the folks behind the scenes, sharing stints on Rocko's Modern Life and The Ren & Stimpy Show on their resumes. Perhaps it’s the combination of a big heart, an overwhelming sense of openness and a truly offbeat sense of humour. Perhaps, in this instance, it's also the inclusion of a rapping, time-travelling dolphin overlord called Bubbles, voiced by Matt Berry from Garth Marenghi's Darkplace, The Mighty Boosh, The IT Crowd and Toast of London. If it sounds so out-there that it just might be hilarious, you'll probably find it in the film, including a town turning apocalyptic in the absence of their favourite snack, a war waged with condiments dressed up as a tribute to Mad Max and a superhero whose special skill manifests in controlling ice cream. Think stoner comedy with no mind-altering substances required. Expect 3D antics of the most cheerful kind, interweaving joyful slapstick gags — often based around Patrick (Bill Fagerbakke), SpongeBob's starfish best friend — with pop culture references to The Shining and Sergio Leone that are certain to go over kids' heads. And, unlike most similar offerings, such meta musings feel genuine — and genuinely aimed at adults — amid the madcap mania. Living up to the Sponge Out of Water part of its name later in the game, a foray above ground and into live action doesn't fare anywhere near as well as the animated material, coming off unsurprisingly constrained in contrast to the freewheeling underwater revelry — but that's a minor complaint. For fans, spending more time with SpongeBob is always a treat. For the uninitiated, prepare for a cartoon trip that's the very definition of enjoyable, all-ages nautical nonsense.
The only thing better than chicken is free chicken, so Melburnians save your pennies and prep your tums for a free lunch this weekend, courtesy of one of the city's hugely popular chicken shops. Chargrill Charlie's began as a small family-owned business back in the late 80s. These days, it's an institution in both Sydney and Melbourne, with 19 stores across both states. To celebrate the chain's recent opening of their Malvern venue — which actually happened in December but as we all know, COVID restricted celebrations — lunch is on the house at both the Malvern and Camberwell stores on Saturday, April 30. Head down to either store between 11am and 12pm (it's a tight window, so be in quick) to grab a free quarter chicken and serve of chips. A live DJ will be spinning tunes at the same time, to keep the celebratory Saturday vibes going.
It's been a whole two years since the Garden State Hotel opened its doors on Flinders Lane and quickly became a go-to for after-work drinks, weekend cocktails and everything in between. And the modern, multi-level pub is marking the occasion with a proper birthday bash next Wednesday, July 25. The fun kicks off at 5pm, with a swag of drink specials that'll tempt you to knock off work early and run from your desk. For the first two hours, enjoy treats like $8 pints of Stone & Wood, $8 house wines and basic spirits, and $15 espresso martinis, plus free serves of birthday cake. One lucky punter will even score a birthday present of their own, as Garden State celebrates by giving away an after-work drinks package valued at a tidy $1000. To be in the running, simply give your details to staff between 5–7pm on the night. Images: Brook James
2014 is looking to be a good year for music in Australia and New Zealand, with visits from Neko Case and Gold Panda. Indie rocker and singer/songwriter Neko Case (of The New Pornographers) has announced a tour of Australia and New Zealand for the release of her newest solo album, The Worse Things Get, The Harder I Fight, The Harder I fight, The More I Love You. Released this past September, this is Case's first album since 2009's extremely popular Middle Cyclone. The Worse Things Get... is full of tracks with the same vigour and bluntness that audiences appreciated in past hits such as 'People Got a Lotta Nerve' and 'I'm an Animal'. Her lyrical candour is particularly riotous in 'Man', where she declares, "And if I'm dipshit drunk on the pink perfume / I am the man in the fucking moon / 'Cause you didn't know what a man was / Until I showed you." Indubitably, Case is a force to be reckoned with. Meanwhile, electro highflier Gold Panda (aka Derwin Powers) first popped onto the radar in 2009, and has constantly thrown EPs and 7"s at us since. He's dropped two critically praised albums, 2010's Lucky Shiner and 2013's Half of Where You Live. This latest album holds truth in its name. Half of Where You Live is an electronic echo of the producer's experiences: having lived in Japan and travelled extensively, he's now based in Berlin. With tracks such as 'An English House', 'Enoshima' and 'My Father in Hong Kong 1961', our ears get an ambiguous, aural journey through Powers' experiences and geography. Neko Case February/March 2014 Tour Dates Perth: 27 February at Fly By Night Melbourne: 1 and 2 March at Corner Hotel and Melbourne Zoo Twilights Sydney: 3 March at Sydney Opera House Brisbane: 5 March at Hi Fi Adelaide: 7 March at Fowlers Live Mossvale: 8 March at Meeniyan Town Hall Meredith: 9 March at Golden Plains Festival Wellington: 12 and 13 March at NZ Festival Auckland: 14 March at Powerstation Tickets available from Handsome Tours Gold Panda March 2014 Tour Dates Sydney: 6 March at Oxford Art Factory Melbourne: 7 March at Corner Hotel Perth: 9 March at The Bakery Also appearing at Golden Plains Festival. Tickets available from Handsome Tours. https://youtube.com/watch?v=unNa-9qGkfI
The winter solstice is on our doorstep and Melbourne's about to stumble through the darkest weekend of the year. But one South Yarra bar will be lighting things up, with a two-day celebration of life's best things: mates, booze and music. Leonard's House of Love is teaming up with Tell Your Friends You Love Them (TYFYLT) — a not-for-profit organisation raising awareness for mental illness — to host a weekend-long 'love in' friend fest, on June 22 and 23. Across both days, the bar will be slinging a range of crisp brews from Sydney's Young Henrys, with 100 percent of those beer profits going to support TYFYLT's work. None of your mates free this weekend? No worries. On Saturday, June 22, you'll have the chance to meet some new besties, at a live tune-backed Speed Metal Speed Friending session. Think speed dating, only for mates instead of dates (if you went to Boogie this year, you might have seen it in action). The following day, Leonard's will offer up max Sunday vibes, brunch cocktails and a banging Black Sabbath soundtrack. A specialty bloody mary bar will be stocked with loads of garnishes and extras to really pimp out your Sunday session, with all profits from the spicy cocktails going to TYFYLT. There'll also be 80s metal tunes spinning throughout the afternoon, a stack of drink specials and a fundraising raffle that'll see one lucky punter walk away with a loaded pub hamper.
Ever since I started watching How to Make it in America I started noticing more and more graffitied vans looking very much like the Rasta Monsta van from the show. Although it's taken watching the television show to notice run-down but artfully graffitied vans about town, illustrated vans make quite an interesting addition to the otherwise boring-coloured vehicles that line the streets of the city. New York artist Kevin Cyr takes this admiration of cars-as-mobile-canvases-for-graffiti to another level. His Van Series of oil and silkscreen paintings capture the finer details of twenty vans and vehicles found in Brooklyn, NY, and take note of the commercial aspect of vehicles otherwise dismissed as well past their used-by date. [via Flavorwire]
Movie versions of best-selling young adult literature have become an exercise in taking the good with the bad. For every aspect book-to-film adaptations get right — presenting an intricate vision of a dystopian future, and championing strong female protagonists, for example — there are just as many elements that fail to hit the mark. The trend of splitting final instalments into two features typifies the latter, resulting in more screen time but less satisfaction. With The Divergent Series: Allegiant, the series' penultimate chapter proves its worst to date. Indeed, it's little more than filler. Having cottoned on to the manipulated, artificially manufactured status of her closed-in, factionalised Chicago society, series protagonist Tris Prior (Shailene Woodley) is now determined to discover just what lurks beyond the city's imposing walls. With her trusty band of rebels by her side, including her boyfriend Four (Theo James), brother Caleb (Ansel Elgort) and the duplicitous Peter (Miles Teller), Tris hatches a plan to find the real puppet-masters behind the only way of life she has ever known. Cue a battle between the past and future, right and wrong, and any other opposing forces that returning director Robert Schwentke can throw into the mix. Allegiant endeavours to place its feisty heroine in the grey zone between two sides and mindsets, as illustrated not only by the rift between the crusading Evelyn (Naomi Watts) and the kindly Johanna (Octavia Spencer) back in Chicago, but also in the machinations of controlling newcomer David (Jeff Daniels) out in the wider world. Yet it does so in as blunt a manner as possible. The film is loaded with obvious clashes, be it between the bonds of love and family, moving forward or retaining the status quo, or spaces of dusty desolation and shiny innovation. These conflicts are designed to liven up a narrative that is largely treading water while waiting for the final film, but they're ultimately unsuccessful. Equally problematic are storylines about superior DNA strands, child soldiers and Truman Show-like surveillance, all of which add complication but are never especially compelling. Ramping up the bickering and the subplots also comes at the expense of the series' already tenuous sense of character. If Tris and her pals felt thinly drawn in Divergent and Insurgent, and more than a little similar to their counterparts in the likes of The Hunger Games and The Maze Runner franchises, then this time around they're positively flimsy. Once again, that leaves Woodley to act grim and concerned, James to fulfil the eye-candy quota, Elgort to do very little, Teller to steal all the best lines, and all four to look very bored while doing so. Three films in, they're going through the motions, which may as well be the movie's motto. Of course, a big finale is due to be delivered by 2017's The Divergent Series: Ascendant. However with Allegiant's trying aspects clearly outweighing any lingering sense of intrigue about the underlying concept, an important question springs to mind. No, it's not whether the franchise can be redeemed, but rather if we should even care either way.
De Fruithaven, or The Fruit Harbour, sounds like the kind of place you'd find filled with healthy food. Located near a fruit markets in Rotterdam, that's not far from the truth, but it also only tells part of the story. Due to open on April 14, the warehouse space is actually a club that will host DJs, dance parties, festivals and other events, plus boast its own beach — and run on power generated by food waste. Here, there's no shortage of fruit and vegetables. Just don't expect to simply eat them. In addition to its own food waste, the club collects leftovers from nearby restaurants and importers, processes them in a bio fermenter and uses the methane that results for energy, while supplementing their power needs with solar panels. The bio fermentation system also produces organic fertiliser, and another creates plastic out of food waste, which is then run through a 3D printer and transformed into everything from the furniture patrons will sit on to the bar they'll stand at, plus coffee cups, phone cases and more. Ensuring that De Fruithaven produces zero waste is the name of the game, and it's a worthy goal. Who says running a fun place to hang out had to be bad for the planet? Not the club's masterminds Gilbert Curtessi and Fela Donker, who are actively trying to raise awareness about recycling and reducing food waste. Plenty of bars, pubs, clubs and other companies in the alcohol and nightlife industry have toyed with sustainability — Brisbane's Crowbar started phasing out plastic straws to help the environment, and New Zealand-based vodka company 42BELOW has been turning leftover bar garnishes into hand soap, for example — but few have adopted such a committed, whole-of-venue approach. Via MUNCHIES / AD.nl. Images: De Fruithaven / Laisa Maria.
If VAMFF has left you in a dizzy headspin of colours and fabrics and prints and jackets cut so perfectly your body simply aches for them — or if, y’know, you just like some fancy new clothes now and then — you'll be pretty pleased to know that the Big Fashion Sale is coming back to Melbourne for four days this March. The name pretty much says it all. This thing is big. You’ll find lush items from past collections, samples and one-offs from over 40 cult Australian and international designers, both well-known and emerging, including Marni, Dress Up, Pageant, Stella McCartney, Alexander Wang, Karla Spetic, Christopher Kane, Kenzo and more. With discounts of up to 80% off and items for as little as $20, this is one way of upping your street cred with designer threads that’ll leave your bank balance sitting pretty too. Prices this low tend to inspire a certain level of ruthlessness in all of us, though, so practise that grabbing reflex in advance. This is every man and lady for themselves. The Big Fashion Sale opening hours: Thursday, March 17: 8am - 7pm Friday, March 18: 8am - 7pm Saturday, March 19: 10am - 6pm Sunday, March 20: 10am - 5pm
Heading off on holidays should feel like an adventure, right down to the place you choose to rest your head after a fun-filled day. With this in mind, London's Miller Kendrick Architects have come up with what might be one of the most imaginative and impressive hotels possible. Created for Visit Wales's 'Year of Legends 2017' design contest, not only does it celebrate the Welsh landscape, but it is inspired by the legend of King Arthur — and the cave him and his knights allegedly stayed in. As far as unique accommodation goes, the aptly named Arthur's Cave proves a two-for-one affair: soak in the natural surroundings in a cabin that really has been crafted to emulate a cave, and soak in a slice of British legend. It's also a case of blending the old with the new, namely all of the above with building materials and techniques. Inside the timber and glass structure — which uses locally sourced sheep's wool insulation for thermal insulation against the elements — you'll find a cosy sleeping space with a double bed, chair and woodburner, aka everything you need for snuggling up and staring out over the landscape around you. Don't spend all of your time looking outside, though; with the cabin made from plywood rib-like shapes that expand and contract, the undulating and sinuous interior is a sight to behold too. Sadly, Arthur's Cave is only available for a short season, taking bookings between now and mid-September in two sites: Snowdonia and Llŷn Peninsula. Stays range between £795 and £1995; however, you're not just getting somewhere to sleep — you're getting a one-of-a-kind pop-up glamping hotel that should be on everyone's travel bucket list. Via AWOL.
There seems to exist this strange notion that things that are good for you can't be delicious. An extreme extension of this notion is the idea that vegan food is equally as unsatisfying and unfulfilling. Alexandra Pyke, however, disagrees with the perception that food being vegan and delicious are mutually exclusive, showing the greatest skills in culinary diplomacy since Mia asked why we can't have both soft and hard shell tacos in one packet. Pyke, fresh home in Melbourne after a lengthy stint in the US, has partnered in legendary eateries like The Fat Radish, Leadbelly and vego joint The Butcher's Daughter, and is chomping at the bit to bring her expertise to her hometown. The Alley, which will open on St Kilda Road in early March, looks to provide clean, wholesome food made from sustainable and local ingredients that also punches you in the face with bold flavours. The idea is to cross the divide between vegans who won't even look at a picture of a cow and the everyday consumer who can't look at a picture of a cow without finding themselves drawn to a steak restaurant. The menu features playful dishes like the maple bacon burger with smoky paprika, and the gluten free Mac 'n' Cheese with coconut bacon and crispy kale. It goes without saying that a vegan cafe will have salads but, much like meatloaf, it's what you do with them – The Alley, for example, will have a 'fiery' kelp noodle salad, which sounds both extremely dangerous and extremely tempting, like sky diving or downloading all the original Doctor Who serials. Cold craft beers and biodynamic raw wines will also be in abundance. The Alley will cater for 35 bums on seats at any time, but will also maintain a healthy focus on takeaway, given the demand for food on the go in the area. Find The Alley at 417 St Kilda Road from the second week of March.
If everyone looked at strangers in the same way as French New Wave icon Agnes Varda (Cléo from 5 to 7, Vagabond), the world would be a much kinder place. Indeed, when Faces Places begins with the Belgian-born filmmaker and oldest ever Academy Award nominee hitting the road with street artist JR, the octagenarian can't hide her excitement. "I'm always game to go towards villages," she explains, "toward simple landscapes, toward faces." It's with honesty and humour that she expands upon why: "In fact, JR is fulfilling my greatest desire. To meet new faces and photograph them, so they don't fall down the holes of my memory." So commences Varda's 22nd film, one of this year's best documentary Oscar contenders. Co-directed by JR, the movie centres on the pair's jovial jaunts through the French countryside. Zipping about in JR's custom-made vehicle — a van with an in-built large-scale photo printer — Varda and her younger companion do just what the doco's title promises: they take photos of different faces in different places. The photographs are her obsession; for him, it's just the start. Thanks to his distinctive car's printing abilities, it's not long before JR is standing in a cherry picker, zooming up the exterior of rustic, historic, often crumbling buildings and pasting the giant photos on their facades. As pieces of large-scale art, the results of their efforts are never less than striking, each installation towering down in all of its detailed glory. Moreover, their odd couple collaboration makes for a heartwarming project, requiring and encouraging openness, curiosity and warmth. Wide smiles beam from lofty heights, sparking wide smiles from those below — regardless whose portrait is on the wall, or if it's a goat instead. A sense of community also springs up around the photographs, cultivated not only by something as simple as paper stuck on buildings, but by the willingness to pay a stranger some attention. "I like your laughing eyes," Varda tells one woman, whose likeness will soon adorn a stack of dockside shipping containers. "We wanted to pay homage to you," she tells another, who refuses to move out of her slated-for-demolition home in an old mining town. With her friendly, empathetic chatter and her distinguishing mop of grey and red hair, Varda looms as large over the project as the images she makes with JR. As the duo roam through small yet lively villages, Varda makes new memories while reminiscing about older ones — about love, work, times passed, friends lost and past moments immortalised in earlier photos. She's looking forwards and backwards in tandem, observing, sifting and making sense of her lengthy life in the process. Of course, all photos, films, paintings and the like are informed as much by the artist's aims as their experiences. Faces Places doesn't pretend to coin this idea, but rather explores it in a thoughtful and affectionate manner. In her travels, in the people she meets and in her blossoming friendship with a man six decades her junior, Varda interrogates how she chooses to capture her existence as it's inching towards an end. Well known for making personal documentaries across her career, hers is a sometimes melancholy but always enchanting journey, accepting the changes that time brings and acknowledging the fact that nothing is permanent. Served up with charm and heart, that's a perspective we could all benefit from embracing. https://www.youtube.com/watch?v=KKbjnLpxv70
Held back in 1990, Apple’s first ever WWDC (Worldwide Developers Conference) saw a mere 1300 developers get together to shoot the breeze about System 7. These super brains have kept chatting, tinkering and growing in numbers over the decades and this year 1000 Apple engineers and 5000 developers have converged on San Francisco to talk about two different platforms — iOS and OS X, plus a whole bunch of whiz-bang Apple developments. So what's new? New fonts, schwanky icons and smooth notifications in OS X 10.10 Yosemite First up, Apple’s Senior Vice President of Software Engineering Craig Federighi unveiled the new OS X 10.10, dubbed Yosemite. It’ll be hitting Australia this spring. The operating system's makeover has resulted in a slick new look with a different font, see-through sidebars and redesigned icons, as well as a 'dark mode' option (think a black dock and black toolbars to match). An improved notification centre incorporates iOS 7’s 'Today' view, while Spotlight now features an enlarged toolbar smack bang in the middle of your screen. Oooo. Among the brand spanking new features are iCloud Drive and Mail Drop. The former lets you access all of your iWork documents on all of your devices — including Windows. The latter enables you to store and send large mail attachments via iCloud. But perhaps the most important word of the OS X 10.0 section of the speech was ‘Continuity’. You can now use Airdrop to connect Mac and iOS, meaning that all of your documents and photos will sync without you having to touch a thing. Predictive searching and smoother messaging with iOS 8 Next was the official announcement of iOS 8. When it comes to searching, you’ll find that Spotlight now covers a lot more ground, including contacts, business details, film listings and recommendations for Apple stores (of course). Most other major changes were relevant to messaging and email. You can record video or voice and send it super easily via iMessage. A new predictive text feature called QuickType takes into account the context of your conversations and responds to questions. You also have more power when partaking in threads — give each thread a name, while removing yourself and silencing other participants freely (kind of like Facebook Messenger with a Twitter mute button). In addition, choose your ten favourite chat buddies and pin them to your main screen so you can call your mum in a moment (call your mum in a moment. Do it.). Monitor your heart rate and turn off our house lights with your iPhone Perhaps the freakiest announcements were those dubbed HealthKit and HomeKit. The first can monitor individual health statistics, like heart rate and blood pressure, and collate the data for organisations such as the Mayo Clinic. Yep, your iPhone can track your heartbeat. What. The second allows your iPhone to control, well, your whole house (kind of). You're snuggled into bed, ready for sleep. Instead of lumbering out of those bodywarmed sheets, ask Siri to close and lock the garage. You’ll soon hear the door rolling and all your dimmers down. Kind of Simpsons Ultrahouse-like. But what inspired perhaps the loudest applause of the talk was the announcement of a new programming language, called ‘Swift’. As the crowd screamed and cheered Federighi described it as "Objective C without the baggage" and claimed that it "crushes Python". It's a programmer's world.
Letting the likes of Little May, Aldous Harding and Boy and Bear take the backyard folk reins for a while, Australia's ARIA-dominating folksters Angus and Julia Stone are heading back to the stage to take back the wooden throne. Four years after their huge runaway hit 'Big Jet Plane' and their Everyone Should Just Stay at Home ARIA-blitzer Down the Way, the Sydney Stone siblings have announced a colossal Australian tour to mark their triumphant return. Teaming up with pop production legend Rick Rubin (Jay Z, Johnny Cash, Red Hot Chili Peppers, Adele), the duo have recorded their third studio album at Malibu's Shangri La studios. The pair's self-titled effort is set for release on August 1, timed perfectly for triple j Hottest 100 dominance. Having spent the last couple of years touring internationally and dropping solo material here and there, it seems high time for the Stones to head home for some epic shows — stopping by the Palais Theatre on September 25 and 26. For their first national tour since 2011, Angus and Julia Stone will be joined by 18-year-old Brisbanite Tim Bettinson, aka super-internet-hyped falsetto wonder Vancouver Sleep Clinic. Fusing synthetic instrumentation with vocals sure to generate All the Feels, VSC will hop on tour with the Stones for all national shows except Canberra. https://youtube.com/watch?v=WTsinsfY6dk
Here are some things that have happened in the stories of American writer David Sedaris: A man goes in search of a stuffed owl to give to his boyfriend for Valentine's Day. Befriending a taxidermist who confirms his interest in formerly alive creatures is strictly non-professional, the man finds himself in a London basement gazing at the 400-year-old preserved head of a 14-year-old girl and the skeleton of a 19th-century Pygmy. They raise questions, uncomfortable ones. Like, 'how much are they?' A man takes a job at Macy's department store as a Christmas elf named Crumpet. He encounters fistfights, vomiting and magnificent tantrums, children with modelling contracts and children with adjectives instead of first names. He tells a child that Santa has changed his policy, and no longer brings coal if you misbehave. Instead he will break into your house, steal all your appliances, and leave you alone, in the dark, with nothing. A father imagines his children forming a jazz quartet. Hoping to make the fantasy reality, the father gifts the son 'that guitar you always wanted'. The son, while regularly petitioning for a brand-name vacuum cleaner, had never mentioned a guitar. He takes lessons from an artistically thwarted midget, until one evening the son admits to his teacher that what we really wants to do is perform a medley of television jingles in the voice of Billie Holiday. David Sedaris has developed a cult-like following for penning insightful, satirical, real-life stories like those above. His latest book is entitled Let's Explore Diabetes with Owls. You could read it, if that is a thing you would like to do. You could also read Naked, Dress Your Family in Corduroy and Denim, Me Talk Pretty One Day or any of his other fine collections available at your local bookshop. A regular contributor to This American Life, Sedaris will be touring Australia and New Zealand in January 2014. You can sign up for exclusive pre-sales at his website. SYDNEY Sydney Opera House Saturday 18 January MELBOURNE Hamer Hall, Arts Centre Tuesday 21 January CANBERRA Canberra Theatre Centre Wednesday 22 January BRISBANE Brisbane Powerhouse – Powerhouse Theatre Thursday 23 January PERTH Perth Concert Hall Friday 24 January AUCKLAND Civic Theatre, Auckland Sunday 26 January https://youtube.com/watch?v=1msZQjwlebU
The force is set to be strong across streaming queues in 2023, with another new live-action Star Wars series on its way. Following three seasons of The Mandalorian so far — one of which is airing now — plus 2021–22's The Book of Boba Fett, and also 2022's Obi-Wan Kenobi and Andor, Ahsoka will give warrior, outcast, rebel and Jedi her own show. Even better: it now has a trailer and a release month. Rosario Dawson (Clerks III) returns as the limited series' titular figure, after playing the part in both The Mandalorian and The Book of Boba Fett. If you're new to the character, she was Anakin Skywalker's padawan before he became Darth Vader — and, here, an ex-Jedi Knight who is determined to battle a threat to the post-Empire galaxy. Her latest exploits will hit Disney+ sometime in August. Ahsoka follows animated film Star Wars: The Clone Wars and the TV series it spawned, too, plus fellow animated show Star Wars Rebels — because yes, this franchise about a galaxy far, far away will keep spreading far and wide in this one. From the latter series, Star Wars aficionados will spot rebel crew member Hera Syndulla and former bounty hunter Sabine Wren. Mary Elizabeth Winstead (Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)) plays the former in Ahsoka, while Natasha Liu Bordizzo (Guns Akimbo) steps into the latter's shoes. Also among the familiar characters: fellow Jedi padawan Ezra Bridger from Star Wars Rebels, with Eman Esfandi (King Richard) doing the live-action honours. Ahoska's cast includes Ray Stevenson (RRR) and Ivanna Sakhno (The Reunion), and reports have been bubbling for years about Hayden Christensen returning as Anakin, as he did in Obi-Wan Kenobi. This is Disney+'s first series focused on a female Jedi; indeed, as a character, Ahoska has long been one of the few women among the franchise's Jedi ranks, dating back to 2008. Off-screen, The Mandalorian writer/director/executive producer Dave Filoni writes and executive produces Ahoska, with Jon Favreau, Kathleen Kennedy, Colin Wilson, and Carrie Beck also doing the latter — all seasoned Star Wars veterans. Check out the trailer for Ahsoka below: Ahsoka will stream via Disney+ from August 2023 — we'll update you with an exact release date when one is announced. Images: ©2023 Lucasfilm Ltd & TM. All Rights Reserved.
Whenever you're in a traditional art gallery, reaching for your camera can result in serious pangs of guilt. You know it's wrong, but you just want to take a little memento home with you. Next thing you know, the security guard is hauling you out the door by the collar and your photograph appears in the gallery blacklist. Well, it's not always that bad. But Canadian artists Brad Blucher and Kyle Clements aren't fans of the taboo against taking photos of artworks. Their project Take a Picture seeks to change the way audiences interact with art. Blank canvases on the surface, the artworks use a series of LED lights to create simple images invisible to the human eye. The paintings can only be unlocked for the viewer when photographed by a digital camera device. The artists explain that the series "explores the relationship between the ubiquity of digital cameras and social media, which encourages all aspects of daily life to be documented and shared, and the culture of art museums and galleries, which strictly prohibits photographing works of art." https://youtube.com/watch?v=810DLIu0uBg [Via PSFK]
Australia's war on waste has received a significant boost, with the Federal Government pledging to ensure that 100 percent of the country's packaging is recyclable, compostable or reusable in the next seven years. Announced by Minister for the Environment and Energy Josh Frydenberg, the target will be implemented by 2025 or earlier. The Commonwealth will also work with state and territory governments to increase the nation's recycling capabilities — and prioritise 'waste-to-energy' projects, which convert waste that is unable to be recycled into energy. Also on the agenda: ramping up the purchase of recyclable materials by the various levels of government by using more recycled paper, and building roads and construction projects out of recycled mattter. The focus not only on mandating the widespread uptake of recyclable packaging, but also finding ways to use and process it forms part of the country's response to China's decision to stop importing waste. Since the beginning of 2018, Australia has been struggling to find solutions for the 1.3 million tonnes of recyclable materials it previously sent to Chinese facilities each year, a figure that accounts for 35 percent of our recyclable plastics and 30 percent of our recyclable paper and cardboard. Earlier this month, it was discovered that one Queensland council had been sending recyclable matter to landfill instead. The promise to scrap non-recyclable packaging in general arrives as several other eco-friendly bans are coming into effect — or, in the case of Hobart's Australia-first commitment to get rid of single-use plastic containers, are set to by 2020. Single-use bags are on their way out in most states, with Queensland joining the fold this coming July and Victoria following suit, leaving New South Wales as now the only state that hasn't made the same pledge. Elsewhere, Aussie bars venues have begun phasing out straws, and campaigns to reduce the use of single-use takeaway coffee cups also continue.
Tatiana An (Rascal) and Ilya Apukhtin (Bandwagon Beverages) are two Melbourne-based hospitality veterans with Russian heritage who've been watching as the war unfolds overseas. So, they've teamed up with some much-loved local hospo mates to plan a special fundraiser that'll see Melburnians putting their weekend drinks towards a great cause. From Friday, April 8–Sunday, April 10, Drink for Ukraine will raise important funds for two charity organisations — Razom for Ukraine (a group that assists displaced Ukranians) and OVDinfo (an organisation that's been helping Russians being arrested for speaking out against the war). Across all three days, a group of participating venues will be running charity taps and slinging drink specials in support of the cause, with the help of product donations from the likes of Hawkers Beer, West Winds Gin, Mismatch Brewing and Anther. Joining the effort are: the CBD's Bar Clara and Miscellania; The Lincoln and Good Measure in Carlton; Collingwood brewery The Mill; Footscray favourites Bar Josephine and Baby Snakes; Rascal and Inner North Brewing in Brunswick; Preston's Takeaway Pizza; Fitzroy bars Catfish and The Elysian; and House of Plants in Abbotsford. [caption id="attachment_774393" align="alignnone" width="1920"] The Lincoln[/caption] Top Image: Baby Snakes
We don't recommend taking regularly life advice from cartoon characters, but ever since an animated crab sang about the joys of living under the sea, it's an idea that's been lodged in everyone's minds. Nearly three decades after The Little Mermaid told us "darling it's better down where it's wetter", we'll soon be able to see for ourselves like we've never been able to before. If you've ever wanted to make like Ariel and slumber surrounded by sea life, Conrad Maldives Rangali Island is making that dream a reality — yes, they're building a lavish underwater hotel suite. Due to open in late 2018, the US$15 million space is being called the world's "first undersea residence" — and while a series of submerged villas in Dubai and a room at an African hotel might beg to differ, this still looks and sounds mighty impressive. Named The Muraka, which means coral in Dhivehi, the Maldives' local language, it's a two-level apartment that comes complete with sleeping and living quarters both above and five metres below the waterline. While the top floor boasts two bedrooms and bathrooms, including one with an ocean-facing tub; a powder room, gym, living room, kitchen, bar and dining area; two separate decks facing directly towards the sunrise and sunset; an infinity pool; and even butler's and private security quarters, it's the lower level that's the main attraction. Let's face it – you know that's exactly where everyone will head first. Down a spiral staircase, guests will find a king size bedroom, living area and bathroom, all surrounded by 180-degree panoramic views of the Indian Ocean's marine inhabitants. In total, the suite sleeps nine, making it a luxe destination for travelling groups with plenty of cash. Just how much it'll set you back hasn't yet been revealed, though you'd expect this latest underwater adventure won't come cheap. For the past 13 years, the resort has also been home to an undersea restaurant, so you can eat beneath the ocean's surface as well. Images: Conrad Hotels & Resorts.
St Kilda's vibrant live music scene might soon have a new addition in the form of a 5000-standing capacity venue, under a bold new proposal set to be considered by Port Phillip Council. The news follows St Kilda's recent classification as Victoria's first Live Music Precinct, which aims to provide support for live music venues, including streamlining noise complaints. The proposal is set to be discussed during the next Port Phillip Council meeting on Wednesday, September 6. The site is situated in a prime position on St Kilda's foreshore, in proximity to both the Palais Theatre and Luna Park. Mayor of the City of Port Phillip Heather Cunsolo said the site is, "ideally situated to fill the big gap in Melbourne for a purpose-built indoor live music/performance venue for up to 5000 patrons". [caption id="attachment_885347" align="alignnone" width="1920"] Image: Mackenzie Sweetnam[/caption] "We've spoken to music industry experts from venues and promoters to performers to gauge the feasibility of this creative concept and they say it would help address a critical shortage of medium-large live music spaces. We now need to hear what our community thinks," Cunsolo says. "This concept is also about providing beautiful, well-designed outdoor space for locals and visitors." An indicative site plan has teased a flexible design layout, which may allow the venue space to be adjusted for smaller events, as well as bigger music festivals. State-of-the-art acoustics, a series of elevated terraces and balconies, green space, and weather-proof features are also promised in the draft plan. The emphasis on standing capacity will hopefully allow patrons to dance within a purpose-built venue until the early hours of the morning. [caption id="attachment_884064" align="alignnone" width="1920"] Image: Nathan Doran[/caption] The next steps include community consultation following the Port Phillip Council meeting, if a decision is made. Community consultation will run from Thursday, September 7 to Thursday, October 19 and will form a report to go back to Council. To keep up-to-date with the project head to the Port Phillip Council page. Community consultation will be undertaken throughout the project. Top image: Render.
Thanks to the success of Beef, the past year has been huge for Ali Wong. It was back in April 2023 that the hit series arrived, getting audiences obsessed and sparking plenty of accolades coming Wong's way. She won Best Actress Emmy, Golden Globe, Film Independent Spirt and Screen Actors Guild awards for playing Amy Lau, who has a carpark altercation with Danny Cho (Steven Yeun, Nope) that neither can let go of — and that changes both of their lives. The last 12 months have also been massive for the American actor and comedian onstage, all thanks to her Ali Wong: Live tour. Wong has been playing to full houses in the US, and also in Paris and London — and Down Under audiences are just as keen to see her. Before general tickets even go on sale for her Australian visit, she's added extra gigs. [caption id="attachment_946690" align="alignnone" width="1920"] Andrew Cooper/Netflix © 2023[/caption] Wong will head to Australia and New Zealand in July 2024. She initially announced four dates, kicking off in Auckland, then jumping over to Melbourne. From there, she'll work her way up the east coast, next hitting up Sydney before wrapping up in Brisbane. Now, both Melbourne and Sydney have scored extra gigs thanks to the huge demand during the ticket pre-sale period. Behind the microphone, Wong's comedy career dates back almost two decades, including three Netflix stand-up specials: 2016's Baby Cobra, 2018's Hard Knock Wife and 2022's Don Wong. And, as an author, Wong also has 2019's Dear Girls: Intimate Tales, Untold Secrets & Advice for Living Your Best Life to her name. On-screen, Wong doesn't let go of grudges easily, at least in Beef. In rom-com Always Be My Maybe, she's also been romanced by Keanu Reeves. Tuca & Bertie had her voice an anthropomorphic song thrush, while Big Mouth sent her back to middle school. Beef, on which Wong was also an executive producer, earned just as much love for the show overall — including the Emmy for Outstanding Limited or Anthology Series; Golden Globe for Best Television Limited Series, Anthology Series, or Motion Picture Made for Television; Gotham Award for Breakthrough Series under 40 minutes; Film Independent Spirt Award for Best New Scripted Series; and PGA for Outstanding Producer of Limited or Anthology Series Television. [caption id="attachment_722120" align="alignnone" width="1920"] Ed Araquel / Netflix[/caption] Ali Wong: Live Tour Dates — Australia and New Zealand 2024: Monday, July 8 — The Civic, Auckland Thursday, July 11–Friday, July 12 — Palais Theatre, Melbourne Friday, July 19–Saturday, July 20 — ICC Theatre, Sydney Monday, July 22 — Brisbane Convention and Exhibition Centre, Brisbane Ali Wong is touring Down Under in July 2024, with general sales from 9am local time on Friday, March 22 — head to the tour website for further details. Top image: Andrew Cooper/Netflix © 2023.
Wearing a pair of R.M. Williams says 'I'm ready for anything'. You could be going to the pub, walking into a work meeting or heading out to the farm to milk the cows. Sparkly footwear doesn't quite conjure up the same feelings of practicality. Well, until R.M. Williams released a special run of boots in gold metallic. For the past two years, the Aussie bootmaker has released a limited run of metallic gold boots to much fanfare — the shoes sold out quicker than most of us could transfer all our money into one bank account to pay for them. So we're sure more than a few people will be happy to hear that R.M.s will release a new limited edition metallic boot, this time in silver. This time it's the women's Millicent boot that has received the sparkly treatment. As with each R.M. boot, these have been crafted out of a single piece of leather and feature the same slim shape, elegant stitching and tapered heel cuban heel of the regular Millicent range. Each pair will be made to order, so expect a two-week delivery timeframe. R.M.s are arguably Australia's most iconic shoe. From a modest start in the Adelaide outback servicing the stockmen and women of the heartland, 85 years later, a diverse range of people still wear the boots — from farmers in the outback, to corporate businessmen, to the style set at fashion week. Australian designer Dion Lee has used R.M.s regularly in campaign shoots and runway shows, even creating his own for New York Fashion Week in 2014. Continuing to embrace contemporary styles and adapting to modern fashion without sacrificing their DNA has surely guaranteed the longevity of this historic label. This latest addition to the women's range is only available online. At $545 a pair, they're not exactly cheap — but if you're looking for an investment piece, a pair of R.M.s is the very definition of the phrase. If you ask nicely, maybe someone will chip in for them for Christmas. R.M. Williams' silver Millicent boots are available to order now at rmwilliams.com.au.
After wowing us with their inaugural bash last year, Beyond the Valley is back for round two. With a brand new location in the Gippsland Parklands some 90 minutes out of Melbourne, the three-day festival, which crescendos on New Year's Eve, will feature dozens of high profile acts across two separate stages. What better way to ring in 2016 than with Flight Facilities, Jamie xx, Last Dinosaurs and Miami Horror? The above names are just the tip of the iceberg, with Tkay Maidza, The Jungle Giants, The Rubens, Seth Troxler, Skepta and Nico Ghost among a host of others slated to make an appearance. As with last year, punters will be able to feast on the offerings from gourmet food stalls (and yes, they have vegan and vegetarian option) while sipping on an array of boozy bevs. For more information about Beyond the Valley 2015 including the full lineup, visit www.beyondthevalley.com.au.
Schlock, shock and devils, Monster Fest has it all. Organised by cult film distribution company Monster Pictures in conjunction with Cinema Nova, the festival, now in its third year, aims once again to shine a light on the most extreme, absurd and flat-out frightening horror flicks from Australia and beyond. With over 30 screenings, almost all of them Australian premieres, the 2013 program is the festival’s most impressive yet. Big titles include a 3D Dracula adaptation from Italian giallo master Dario Argento, a quintet of Japanese splatter films and a Los Angeles set creature feature about a big-ass spider titled, appropriately enough, Big Ass Spider! Opening night will showcase the new film by Melburnian director Daniel Armstrong, a roller-derby slasher pic called Murderdrome. Other highlights in the Australian section, christened Terror Australis, include porn-biz documentary The Last Days of Joe Blow from Melbourne Underground Film Festival founder Richard Wolstencroft, as well as the grand final of the inaugural Monster Micro-Nasties competition, wherein six budding filmmakers each pitch their version of a cannibal movie to a cinema full of genre-nuts. Rounding out the program are a selection of special events, including a VHS swap meet, a live Q&A with Linda Blair aka Regan from The Exorcist, plus a midnight ‘til dawn marathon screening of the first six Nightmare on Elm Street movies, collectively billed as A Nightmare on Lygon St. For tickets and the full Monster Fest program, see the festival website.
Baz Luhrmann, the internet's current poster boy for excess and anal-retentiveness, thinks so. It came as no surprise to the millions of die-hard Gatsby fans that the bloke who made Moulin Rouge! (and oh did that film earn it's exclamation mark) and this scene was going to make something bordering on the bombastic and the flamboyantly camp. And with the film already finding itself in the firing line for its "flimsy phantasmagoria" and resemblance to a "Macy's Thanksgiving Day Parade as staged by Liberace", it seems fair to say that The Great Gatsbywill fit like a glove within Luhrmann's filmography. Yet for a man that seems to have spent his career baulking at the notion of "subtlety", Luhrmann is capable of some surprising poignancy. Take for instance this little gem taken straight from the horse's mouth, about his decision to employ walking billboard and hip hop demigod Jay-Z as his soundtrack producer: "In our age, the energy of jazz is caught in the energy of hip hop." In vintage Luhrmann style, Baz has taken this assumption to its most extreme realisation, with a soundtrack that includes the likes of Fergie, Andre 3000, Nero and (cue the sounds of a thousand sinking hearts) will.i.am. But is Luhrmann onto something here? Is hip-hop the 21st Century equivalent of jazz music? In a recent Flavorwire article, Tom Hawking answered this question with a resounding 'oh hell yeah'. He argued that regardless of what you may think of the quality of the film's music, the soundtrack manages to encapsulate what an extravagant Gatsby party might actually feel like if it was thrown today — completely overblown, obsessed with its own sense of retro-ness and filled with the sort of mega-sized beats that are sure to get any self-respecting 19-year-old gyrating. There are some other obvious parallels between F. Scott Fitzgerald's jazz age and Luhrmann's hip-hop generation. Most notably, both these musical styles are deeply rooted in black culture and history, originating in the clubs, ghettoes and basements of Harlem and the Bronx. Yet from these humble beginnings, both jazz and hip hop have suffered a similar process of bastardisation, transforming from black cultural icons, into packageable, mass-producible commodities that rich white folk can consume. And it is here that Luhrmann might be right on the money. Not only has Luhrmann's soundtrack got all the hallmarks of a cashed-up, Long Island party but it has all the vapidity and disposability of such a party as well. Take for instance Beyonce and Andre 3000's aping of Amy Winehouse's darkly melancholic 'Back to Black' into an overproduced mess of showy vocals and grizzly bass lines. In this song alone we have both the success and failure of the soundtrack all contained in one. While the song is initially gratifying, it is ultimately empty and insubstantial. And this is exactly what Gatsby taught us about the opulence and decadence of the jazz age. It was beautiful and incredibly intriguing but ultimately fleeting and meaningless. The perfect analogy for what Fitzgerald saw as the great American lie: the American Dream. As such, The Great Gatsby soundtrack is big, it's bold and it's infrequently magnificent (Jack White's cover of U2's 'Love Is Blindness' manages to grip at your nerve ends and give them a toe-curling squeeze) but just as often it is just plain dumb. So in answer to our original question, is hip hop the 21st-century equivalent to jazz music? Yeah, Jay-Z may be the closest thing we have to a modern-day Jay Gatsby, but in a much darker vein perhaps it is the decline of these genres from cultural icons to products of a commercialised and materialistic society that makes them so alike. How very Gatsby that is. https://youtube.com/watch?v=5snA5TEse9w
Global ice cream company Ben & Jerry's is best-known for its chunk-filled scoops and bizarre flavour titles like Schweddy Balls and Dave Matthews Band. After releasing an over-the-top creation for both ice cream and burger lovers earlier in the year, the brand has now unveiled its latest frankencreation in its Fast Food Series. The Dough-licious Pizza is the ice cream-pizza hybrid that no-one asked for. Available by both the slice and as a whole pizza, the creation features a baked base made from Ben & Jerry's cookie dough and comes filled with a layer of the brand's chocolate chip cookie dough or chocolate fudge brownie ice cream. From there, you get the choice of two toppings — from chunky cookie dough pieces to brownie chunks, crunchy nuts and chocolate-dipped pretzels — plus a drizzle of either hot fudge or caramel sauce. Of course, hardcore ice cream lovers can push the boat out and select all of the above. The pizza is the second in a series of crossbreed creations from Ben & Jerry's inspired by Australia's favourite fast foods. The Impossible To Eat Burger was described as "the messiest ice cream ever". The 'Dough-licious Pizza' is available for a limited time at Ben & Jerry's shops and Scoop Stores across the ACT, NSW, Qld, Vic and WA. It's also available to order on Uber Eats.
Spring and outdoor festivals go hand-in-hand, and Melbourne has the packed calendar of events to prove it. Add another one to the list, with Collingwood's Peel Street getting in the action with their own fest — a new, free, day-long combination of music, arts, culture, food and markets. Given that it's called the Peel Street Festival, there's no prizes for guessing where it'll be taking place from midday until 8pm on November 11. As for what's on offer, attendees can expect a community celebration boasting live sets from Aussie legend Archie Roach and blues group Cash Savage & The Last Drinks, an array of stalls serving up edible fare, and even a record fare. Smith Street's The Grace Darling Hotel and Lazerpig will also be hosting live acts throughout the day, including Pillow Pro, Golden Helmet and India Grace. If you're eager for some spring fun in the sun — or beneath Peel Street's leafy trees — block out the second Saturday in November in your diary.
Conformity rarely bodes well in cinema. Whenever everyone's dressing the same, little boxes litter the landscape or identical white-picket fences stretch as far as the eye can see, that perception of perfection tends to possess a dark underbelly. The Stepford Wives demonstrated that. Pleasantville, Blue Velvet and Vivarium all did as well. Yes, there's a touch of conformity in movies about the evils of and heralded by conformity; of course there is. That remains true when Florence Pugh (Black Widow) and Harry Styles (Eternals) navigate an ostensibly idyllic vision of retro suburbia in a desert-encased enclave — one that was always going to unravel when the movie they're in is called Don't Worry Darling. Don't go thinking that this handsome and intriguing film doesn't know all of this, though. Don't go thinking that it's worried about the similarities with other flicks, including after its secrets are spilled, either. It'd be revealing too much to mention a couple of other movies that Don't Worry Darling blatantly recalls, so here's a spoiler-free version: this is a fascinating female-focused take on a pair of highlights from two decades-plus back that are still loved, watched and discussed now. That's never all that Olivia Wilde's second feature as a filmmaker after 2019's Booksmart is, but it feels fitting that when it conforms in a new direction, it finds a way to make that space its own. That's actually what Pugh's Alice thinks she wants when Don't Worry Darling begins. The film's idealised 1950s-style setting comes with old-fashioned gender roles firmly in place, cocktails in hand as soon Styles' Jack walks in the door come quittin' time and elaborate multi-course dinners cooked up each night, with its protagonist going along with it all. But she's also far from keen on having a baby, the done thing in the company town that is Victory. It'd curtail the noisy sex that gets the neighbours talking, for starters. Immaculately clothed and coiffed women happily playing dutiful housewives in a cosy sitcom-esque dream of America generations ago: that's Wilde and screenwriter Katie Silberman's (also Booksmart) entry point; however, they waste zero time in showing how rebelling in her own child-free way isn't enough to quell Alice's nagging and growing doubts about utopia. There's much to get her querying, such as the earth-shaking sounds that rumble when Victory's men are at work, doing top-secret business on "progressive materials" out in the sandy expanse. There's the reflections in the mirror that briefly take on a life of their own, too — starting in a ballet class that's about retaining control, coveting symmetry and never upsetting the status quo far more than dancing. And, there's the pushed-aside Margaret (KiKi Layne, The Old Guard) after she disrupts a company barbecue. All the rules enforced to keep Victory's women in their places, and the cult-like wisdom that town and company founder Frank (Chris Pine, All the Old Knives) constantly spouts, are also inescapable. So is the force with which asking questions or daring to be different is publicly nixed, as Alice quickly discovers. And, it's impossible to avoid how the men band together when anything or anyone causes a bump, even their own other halves. Swiftly, Alice's days scrubbing and vacuuming her Palm Springs-inspired bungalow, then sipping cocktails poolside or while window shopping with fellow Victory spouses like Bunny (Wilde, Ghostbusters: Afterlife) and Peg (Kate Berlant, A League of Their Own), fall under a shadow — not literally in such sunnily postcard-perfect surroundings, but with shade still lingering over every part of her routine. Speaking up just gets dismissed, and Frank and his underlings (including a doctor played by Timothy Simmons, aka Veep's Jonah Ryan, who is instantly unnerving thanks to that stroke of casting) have too-precise answers to her concerns. As set to a jaggedly breathy score by John Powell (Locked Down), hell is all those drinks, chats and parties teeming with plastered-on smiles and oh-so-fake conversations. It's also the idea that deviating from the norm is an act of betrayal. Hell is the glitching existence that Alice finds herself in, in other words, as her suspicions won't subside and the urge to investigate and challenge keeps swelling. When it comes to showing the cracks fracturing Victory's gleaming facade, Don't Worry Darling moves fast — plenty of other movies have spent more time in the illusion of domestic bliss before shattering it, and Wilde smartly knows that her audience don't need to luxuriate in all that glitters to care about why nothing truly does glisten. Her audience can't miss the mirage anyway, thanks to the stunning production design and costuming, as brightly lensed by cinematographer Matthew Libatique (The Prom). Given how pristine that Alice's life literally looks, it's easy to see the flaws just as she does. It's easy to buy how speedily Alice's status quo starts to unfurl from there when the performance that accompanies it is so phenomenal. Pugh just keeps going from strength to strength since first earning attention in 2016's Lady Macbeth, in just her second film role, then backing it up with everything from The Little Drummer Girl and Fighting with My Family through to Midsommar and Little Women — and her anxious and alarmed work here is on par with her best. When Don't Worry Darling doesn't quite put its pieces together (when it gets repetitive with its psychological thrills in its midsection, primarily), she's the unbreakable glue still holding the movie in place. Forget the supposed feuds, screaming matches, affairs, boycotts and flying saliva, aka the picture's long list of highly publicised off-screen dramas; Wilde knows how to cast just as well as she knows how to lay impeccably manicured and yet insidiously tense scenes. That knack for finding the right actors for the part extends to Wilde enlisting her own talents (and visibly having a whole lot of fun in the process) as the gossipy but compliant Bunny — and, yes, casting Styles as well. The pop superstar-turned-actor is meant to pale in comparison to Pugh, in a portrayal that clicks exactly as it's designed to when the twist comes. On that subject, Don't Worry Darling's big revelation is hardly difficult to predict. It also doesn't say anything new about our patriarchal society, the power that men have long wielded over women and today's toxic perspectives. Still, that doesn't make Wilde's cautionary tale any less engaging, involving and rattling. It's imperfect, but that's apt; eschewing conformity always has to be.
With the Taronga Conservation Society recording 26 Australian shark attacks in 2016 alone, we don't blame you if you're starting to feel a little bit wary about jumping in the ocean. There have been countless attempts to keep surfers safe, from nets and drumlines to shark-deterrent wetsuits and, unfortunately, culling. But thanks to some innovative new shark-detection technology from the minds at University of Technology Sydney (UTS) and The Little Ripper Group (the guys behind Westpac's Little Ripper rescue drones), beaches might be a tiny bit safer this summer. The SharkSpotter system — which has been years in the making and is ready to be implemented in the coming weeks — uses artificial intelligence to detect sharks in live video feed and images collected by Little Ripper's battery-operated drones. Working off UTS' algorithm and some state-of-the-art sensors, the unmanned aircraft can even tell the difference between sharks and other sea animals, boasting a 90 percent accuracy rate. Once a shark's been spotted, they'll be able to warn swimmers of the potential threat using an on-board megaphone and alert surf lifesavers and emergency services. According to Chief Executive Officer of Westpac Little Ripper Lifesaver, Eddie Bennet, the shark-friendly system is a total game-changer. "This smart algorithm gives us yet another capability in patrolling beaches which we have been doing regularly for almost a year," he said, calling the technology "a major milestone in addressing shark attacks with very real ability to save a life". The SharkSpotter will be used to patrol beaches across Queensland and New South Wales from the start of the surf life saving season next month. Exactly where the drones will be deployed will change each week, with locations only confirmed on the Friday before the weekend. However, it's likely they'll be places around Byron and the north coast of NSW, and around the Sunshine and Gold Coasts in Queensland. Via news.com.au.
It's already been a big year for Andrew McConnell's CBD diner Gimlet, which in July took out a spot in the World's 50 Best Restaurants awards' annual 51-100 list, becoming the only Aussie restaurant to do so. But it just got even bigger, with news the renowned chef-restaurateur has a sibling project in the works — a cosy new cocktail bar moving into the CBD site at 165 Flinders Lane. The venue will be located just a few doors up from Gimlet, in a corner space flanking the iconic Hosier Lane. Details are scarce, given the team's only just signed the lease, though we do know they're aiming for a launch date sometime early next winter. [caption id="attachment_773819" align="alignnone" width="1920"] Gimlet, by Sharyn Cairns[/caption] Also confirmed: the as yet unnamed bar will feature a fitout led by Sydney design studio ACME, which is the same crew behind Gimlet's stunning interiors. While we've still got a wait ahead of us before we're sitting in that bar, sipping and snacking, it's a good excuse to reacquaint yourself with some of McConnell's other wining and dining gems — Supernormal, Bar Marion, Cutler & Co and the Builders Arms, included. [caption id="attachment_879626" align="alignnone" width="1920"] Gimlet's Sidecar, by Jo McGann[/caption] More info to come. Gimlet's new cocktail bar sibling is set to open at 165 Flinders Lane, Melbourne, at some stage in winter, 2023. Stay tuned and we'll share more info as it drops. Top Images: Jo McGann
The rapidly evolving landscape of the Sydney CBD continues to gain international recognition, raking in three nominations at this year's annual awards given by the Council on Tall Buildings and Urban Habitat (CTBUH). The well-regarded, Chicago-based competition rewards outstanding design, planning and construction of tall buildings, and remains an influencer in future building projects worldwide. The most notable finalist are the International Towers at Barangaroo, which have been shortlisted in the 'Best Tall Building: Asia & Australasia' category. They will compete against eight office buildings and hotels in the region — including four in China, three in Singapore and one in South Korea. If awarded, Barangaroo will then go up against the three additional regional winners from the Americas, Europe and Middle East & Africa categories to be judged for the title of '2018 Best Tall Building Worldwide'. Sydney is not new to this honour, with One Central Park taking home the gold back in 2014. But the plaudits doesn't stop there, with two George Street buildings also in the running for lesser awards. The EY Centre is up for the Best Construction Award, making the final cut with five other buildings from New York City, Salt Lake City and Shenzhen (China). This building already gained national recognition in 2017, winning the Harry Seidler Award for Commercial Architecture at last year's National Architecture Awards. In the Ten Year Award, residential complex Lumiere is a finalist against international designs in the States, the UK, Dubai, China and Bahrain. The award is bestowed on buildings that prove valuable to their cities over a period of time In all categories, the winning projects must display innovative designs that enhance their respective cities. The winners will be announced May 30-31 at the inaugural Tall + Urban Innovation Conference in Chicago, which will celebrate the best in international design innovation, technologies and construction. Via Commercial Real Estate and Architecture AU. Feature image via Wikimedia.
Next time you're road-tripping through Victoria, you can do so to a soundtrack of homegrown tunes specific to wherever it is you're exploring. It's thanks to a new initiative by Music Victoria and Visit Victoria, which has drawn on local talent to create a series of unique playlists inspired by six of the state's regions. Hitting your headphones from Tuesday, June 21, to coincide with World Music Day, the playlists invite you to celebrate top-notch Victorian music while you're adventuring around the state. Each sonic selection is the work of a different band or artist local to that area, curated to reflect its unique energy and cultural diversity. ARIA-nominated Melbourne-based act Evelyn Ida Morris — aka Pikelet — has headed up a playlist dedicated to the metro area, while singer-songwriter Tom Richardson has lent his talents to the Great Ocean Road edition. [caption id="attachment_858487" align="alignnone" width="1920"] Harry Hook Is Real[/caption] Indie-pop-rockers This Way North created the series' High Country curation, Harry Hook is Real dreamed up a selection inspired by his stomping ground of Gippsland and Indigenous singer-songwriter Benny Walker has developed a playlist reflecting the Murray region. And, originally hailing from Horsham, acclaimed songstress Alice Skye embraced her roots to curate the Grampians playlist, bringing that region to life through sound. "It's been a real collaboration that manages to bring to life all that is special about the state — the people, the places and the music," Music Victoria CEO Simone Schinkel said in a statement. "With so much local talent here in Victoria, why would you look anywhere else?" [caption id="attachment_858417" align="alignnone" width="1920"] by Rob Blackburn for Visit Victoria[/caption] If all that has left you inspired to jump in the car and explore the regions with some specialised tunes pumping through the speakers, you'll find the new playlists available now via Spotify and over at the Visit Victoria website. Where to start? This newly unveiled silo artwork in Horsham is a great excuse to hit the road and check out Victoria's famed Silo Art Trail. The Music Victoria x Visit Victoria regional playlists are available on Spotify, accessible via Music Victoria's profile page. Top Image: Artist Alice Skye
