Things are getting a little spicy this month with Mingle Seasoning and Bissel B's collaboration. Known for its plant-based products, Mingle Seasoning is adding its flare to Bissel B's bagels with its limited-edition chilli lime 'Lil Salty' blend. Dubbed the 'birria bagel', the collaborative effort is comprised of slow-cooked beef featuring flavours inspired by the birria taco. The concoction is then packed within a delectable Bissel B bagel with veggies and herbs. A side of birria taco-inspired sauce is served alongside the bagel, as well as slices of corn. To make things more exciting, 100 free birria bagels will be given out to customers at Bissel B's Elsternwick location on Saturday, April 13, starting at 10am until stocks run out.
Fairfield pasta boutique and kitchen Pasta Poetry is celebrating the launch of its dreamy new al fresco courtyard by putting it to extra good use over the balmy summer months. Right through until the end of February, the sunny space will be turning on the charms and hosting your ultimate aperitivo session, every Wednesday, Thursday and Friday. Head along from 3pm and find yourself transported to a summer day in Bologna. A weekly rotating food offering delivers top-notch antipasto, sides and classic desserts, along with the venue's expertly crafted pasta varieties — served by the entree size, so you don't have to limit yourself to sampling just one. Get set for the likes of ox cheek-filled cappelletti or chickpea gnocchi in rich sugo, perhaps chased with a Caprese-style chocolate torte for dessert. Meanwhile, you'll be quaffing local brews, wines and spirits — think, 3 Ravens' New World IPA, Pizzini prosecco from King Valley and Melbourne Gin Company gin. There's also a handful of summery cocktails including an elderflower spritz and a reworked negroni. And all the while, you can be engaging in a spot of friendly competition on the central bocce court. [caption id="attachment_837805" align="alignnone" width="1920"] Simon Shiff[/caption] Images: Simon Shiff
As a 29-year-old red P-plater (don't mock me, I'm quite sensitive about it), I pose a threat to other motorists simply by spending too much time with my eyes obsessively locked on the speedometer rather than on the road. Other times I'm praying for a red light so I can check Google Maps, because I didn't hear its guiding voice give me directions (sometimes it's hard to hear anything over the amazing Ace of Base remixes pumping on my stereo). Worst of all, what the hell do I do in low visibility conditions, like midnight drag races through dense fog along winding country roads? How do I know which way the road is about to swerve, before it's too late and I soar, Thelma & Louisely, off a cliff? If only Google Glass were available to me now, I find myself sighing. Now I discover I need sigh no more, and neither need you, for augmented reality windscreens are finally here thanks to an iPhone app called HUDWAY. The nifty thing about HUDWAY is that it combines digital tech with a totally analogue, pre-existing factor for its interface: to make it work, you simply place your phone on the dashboard, and its display is reflected onto the windscreen. Presto: high-tech heads-up display, with elements like your speed and the distance to the next turn expressed in numerals, as well as a visualisation of the road ahead, showing particularly dangerous turns in red. It's definitely an advance in driver safety, and it also happens to be available for free. Once you enter your destination using an internet-supported map service, the route's loaded and ready to go, so that you needn't remain online while driving. This is great news for those times when you are doing the above-mentioned midnight drag races through internet-free mountain ranges. Check out the video below to see HUDWAY in action as a driver hurtles recklessly through rain-sodden long grasses, anticipating turns and showing nature who's boss. Via PSFK.
If your adventures have taken you to Melbourne's Westgate Park in the past couple of days, then you might've noticed something a little unusual. The lake has turned a pretty shade of pink. And, before you ask, no, it wasn't Valentine's Day thing. Nor is it fairies. In fact, the change in colour is due to a bunch of factors all happening at once, namely: lots of salt, lots of sunlight, hot temperatures and a lack of rain. The lake bed is covered in salt crust and, when matters get extra salty, the algae growing there creates beta carotene during photosynthesis. Beta carotene is a red-orange pigment, contained in carrots, sweet potatoes, pumpkins, mangoes and papayas, among other fruits and veggies. https://www.facebook.com/ParksVictoria/photos/a.148227085237259/2150798331646781/?type=3&theater In the case of Westgate Park Lake, the beta carotene has seeped into the water, giving it a somewhat magical look. This is not the first time the phenomenon has happened — you've probably seen it pop up on Instagram before — and it won't likely be the last. Given that the pinkness is a natural event, neither Parks Victoria nor we can tell you how long it's going to last, but it will probably start to fade as winter hits. If you're keen to take a peek, then find it on the eastern banks of Yarra River at Fishermans Bend. It's closest to Port Melbourne on one side and Yarraville on the other, and is most easily accessed by car or bus (take the 235 from the city or 606 from Elsternwick/St Kilda). Just note that Parks Victoria asks that visitors stick to official paths and avoid poking around the lake's edge. Although it might look tempting in these images, definitely do not swim in the water. Unlike the water, it will not be pretty.
UPDATE, January 31, 2023: Skinamarink streams via Shudder from Thursday, February 2. Age may instil nocturnal bravery in most of us, stopping the flinching and wincing at things that routinely go bump, thump and jump in the night in our ordinary homes, but the childhood feeling of lying awake in the dark with shadows, shapes and strange sounds haunting an eerie void never seeps from memory. Close your eyes, cast your mind back, and the unsettling and uncertain sensation can easily spring again — that's how engrained it is. Or, with your peepers wide open, you could just watch new micro-budget Canadian horror movie Skinamarink. First-time feature filmmaker Kyle Edward Ball has even made this breakout hit, which cost just $15,000 to produce, in the house he grew up in. His characters: two kids, four-year-old Kevin (debutant Lucas Paul) and six-year-old Kaylee (fellow newcomer Dali Rose Tetreault), who wake up deep into the evening. The emotion he's trading in: pure primal dread, because to view this digitally shot but immensely grainy-looking flick is to be plunged back to a time when nightmares lingered the instant that the light switched off. Skinamarink does indeed jump backwards, meeting Kevin and Kaylee in 1995 when they can't find their dad (Ross Paul, Moby Dick) or mum (Jaime Hill, Give and Take) after waking. But, befitting a movie that's an immersive collage of distressing and disquieting images and noises from the get-go, it also pulsates with an air of being trapped in time. It takes its name from a nonsense nursery-rhyme song from 1910, then includes cartoons from the 1930s on Kevin and Kaylee's television to brighten up the night's relentless darkness. In its exacting, hissing sound design especially, it brings David Lynch's 1977 debut Eraserhead to mind. And the influence of 1999's The Blair Witch Project and the 2007-born Paranormal Activity franchise is just as evident, although Skinamarink is far more ambient, experimental and experiential. Ball has evolved from crafting YouTube shorts inspired by online commenters' worst dreams to this: his own creepypasta. Driven more by mood than story — sleepwalking more than driven, perhaps — Skinamarink sees its two pint-sized protagonists react to their parents' absence by embracing a childhood staple: camping out in front of the TV, where those animated shows play, with cereal, blankets and toys to help comfort them. It isn't Saturday morning, though, and they can hear odd noises echoing from the floor above. Also, those cartoons seem to be looping. Plus, this unnerving spin on Home Alone also involves doors and windows vanishing in glitches, then the toilet disappearing. Household items, such as chairs, dolls and video tapes, suddenly become attached to the ceiling and walls as well. And, amid the ASMR-style whispering that the film's central siblings utter at each other, there's a disconcerting voice attempting to get Kaylee to venture upstairs into her parents' bedroom — and to do the one thing that kids know they shouldn't at night, aka look under the bed. Has something horrific happened, leaving Skinamarink's two tots on their lonesome? Is this a case of parental neglect, abandonment or abuse? Has divorce disrupted the family unit ("I don't want to talk about mom," Kaylee says at one point), and this is the fraught and fractured aftermath? Or, are supernatural forces — demonic even — at work? Is it just panic, but in that innocent-minded way where everything seems scarier and more catastrophic in a young brain and heart that trusts in its guardians as a main source of comfort, safety and protection? And why is there no end to the agitated night, and to the accompanying atmosphere of fright? Writing plus directing, and leaning on first-time cinematographer Jamie McRae heavily, Ball lets all these questions and thoughts flow through his disorientated audience's heads. As Skinamarink sparks queries but gleefully eschews clearcut answers, saying that it sees Kevin and Kaylee isn't quite accurate. The slow-cinema effort does indeed focus on two kids alone at night when weird things occur, but that narrative summary can't cut to the movie's heart without being paired with a description of how the picture tells its tale. An exercise in precise framing and just-as-meticulous editing, it flits between patient glimpses around the potentially haunted house, all at angles as off-kilter as the events being captured. The feature peers ahead from low to the ground, mimicking a preschooler sitting — or stares upwards, spotting what someone with their eyes trained at the ceiling while they can't sleep might. It cycles between shots frequently, with little in the way of logic. And, in these barely lit snippets, faces are non-existent. Rather, legs and backs place people in sight, any glance someone's way feeling stolen, surreptitious and another signal that all isn't right. Even in its most blatant examples, and even exploring existential themes applicable to us all as the whole genre repeatedly does, horror flicks have always been a Rorschach test. What upsets one person when it's splashed across a screen mightn't raise a goosebump in another — but Skinamarink takes that concept a step further, building it into the entire process of watching its artificially grained-up imagery. Plenty that lurks in this always-flickering film is dim, fuzzy and hardly distinguishable. Scattered Lego blocks, a toddler's chatter telephone, corners of walls and ceilings, narrow hallways, fragments on the TV screen: they're among the movie's most distinctive visuals. What else one makes out in the coloured static is often up to them, although Ball does deploy some shots as jump scares. He uses the same approach to audio as well, with parts of the sparse dialogue indecipherable and almost inaudible, and not all of it earning on-screen subtitles. Most viewers of Skinamarink likely won't be watching it in their own childhood homes, but Ball wants to transport his audience there anyway: flailing around in the dark, hazily unsure of what's happening or why, stress stretched far further than one would like, and firmly anxious and alarmed. His film smartly understands how our imaginations can conjure up our biggest fears from nothing but the unknown, and gets ample mileage out of putting that idea into practice. And, when it can be seen in dark houses, it'd make a spectacular double with fellow recent horror flick We're All Going to the World's Fair. Both get creepy in everyday abodes, reflect upon screens, know the inescapable power of perturbing images, couldn't exist without online horror and feel like festering collective nightmares — insidiously and unshakeably so.
Spooky season is almost upon us and the scary costume ideas are flowing — but why should your pooch miss out on all the creepy fun? This year, the dogs of Melbourne will once again get their own version of a huge communal trick-or-treat, when the Howl-O-Ween Paw Parade makes its way through the streets of Port Melbourne on Sunday, October 30. Furry friends from far and wide are invited to join in the roving festivities, which'll kick off with a group amble along Bay Street from 10am. Expect fur-shionable costumes galore, from the spooky to the adorable, as both hounds and their humans strut their stuff. Paw Parade participants will also enjoy a dedicated trick-or-treat trail, along with competitions, prizes, live entertainment and a pet market popping up along Rouse Street. Entry to the parade costs $10 per pooch (buy online), with all fees going straight to support Guide Dogs Victoria.
If Melbourne town's end-of-year weather is getting you down — sweltering one day, streaming from the skies the next — here is some small solace for you. Melbourne's Boho Luxe Market (their words, not ours) is determined to make you remember those times when you could dip your toes in the ocean without needing an umbrella, and take you to a sun-dappled place of dreamcatchers and flower crowns. Plus, this year, everything sold will be 100 percent vegan. For the 2018 festive run, you can treat yourself to a day of plant-based Christmas wanderlust in the Atrium at Federation Square. There'll be heaps of stalls featuring ethical activewear and accessories, skincare products and lots of yummy things that will keep you sustained over a vegan Christmas. Expect snacks, live music and festive vibes.
Nineties kids, Disney fans and everyone who's ever cried over a lion cub that just couldn't wait to be king, it's time to climb onto a rock and yell your lungs out. The circle of life has struck again, and The Lion King is back. It's in live-action form this time around, and the second teaser trailer for the new movie has just dropped. You can watch it here courtesy of Beyoncé. Yes, Beyoncé is in the new Lion King. Releasing in mid-2019, the film will once again tell the tale of Simba, who's set to take over the pride from his father Mufasa, only for his malicious uncle Scar to get in the way. You know where it goes from there — and you'll be hearing the voices of Donald Glover as Simba, Beyoncé Knowles-Carter as his childhood pal Nala, and James Earl Jones as his dad. Yes, the latter is reprising his role from the original film. Other big names attached include Chiwetel Ejiofor as Scar, John Oliver as Zazu, and Billy Eichner and Seth Rogen as Timon and Pumbaa. Elton John is back working on the soundtrack with Tim Rice, as they both did on the first film. They'll reportedly have some help from Beyoncé, naturally, while The Jungle Book's Jon Favreau is in the director's chair for the entire production. If you're anxious about how it might turn out, it's worth taking Timon and Pumbaa's advice at this early stage — although this initial look should help get rid of your worries for the rest of your days. The Lion King hits Australian cinemas on July 18, 2019. We'll share the full-length trailer when it hits the internet.
A selection of critically acclaimed artists will work their craft on the silver screen, as part of the ART+FILM program at ACMI. Once a month, the Fed Square venue will screen a different single channel artwork, each of which pushes the boundaries of traditional filmmaking techniques. Good luck finding any of these on Netflix. The first in the series is set for Tuesday, March 22. Directed by Chen Chieh-jen, Factory is a 30-minute silent film that examines industrial decay in the artist's native Taiwan. The screening at ACMI will be followed by a Q&A with the filmmaker. The program continues on Tuesday, April 26 with Stretching Time, comprised of two high-def video works by New Zealand artist Steven Carr. The screening will coincide with the opening of Carr's solo exhibition at the Centre for Contemporary Photography, Melbourne. Then on Monday, May 23, ACMI will screen highlights from 24 Frames per Second, a major moving-image installation originally presented at Carriageworks in Sydney last year. That screening will be followed by a Q&A with artist Nat Cursio and Carriageworks curator Nina Miall. The screenings are free, but bookings are recommended.
While the country is in lockdown, there are still animals that need caring for. RSPCA NSW currently has more than 2000 dogs, cats, chickens, guinea pigs and even goats that it's feeding, playing with and providing medical care for. And to help raise funds for these animals in need, it's hosting a trivia night fundraiser — virtually, of course. Running from 7.30–8.30pm on Thursday, May 21, the fundraiser will feature 50 questions covering topics such as creates of the deep blue, animals in the spotlight and insects and reptiles, as well as some general knowledge. It'll set you back just $10 to partake, which all goes straight to looking after the furry (or not-so-furry) boys and girls. If your life is missing a furry friends — and you're ready to make a lifelong commitment, of course — RSPCA centres across the country are still open for adoptions. The process now, though, is mostly online. The charity is also looking for foster parents, if you're able to have a temporary friend in your home.
You probably don't need an excuse to take a summer road trip, so instead let's call this a little added incentive. From December 16 to January 29, the team from Burn City Smokers are hosting a BBQ Beach Boutique on the Mornington Peninsula. Grab your car keys — and maybe a bib too. Setting up shop in Counting House restaurant smack bang on the Mornington Esplanade, the pop-up kitchen will operate from 7.30am each day. Kick things off with toasties and soothing Bloody Marys before returning later in the day once they crack open the smoker. Think beef short rib, brisket burgers, mac 'n' cheese and corn on the cob. They'll also by serving liquid refreshment, courtesy of local labels like Mornington Bewery, Quealy Wines and Port Phillip Estate. If you want to make a weekend of it, check out our Weekender's Guide to the Mornington Peninsula.
Closure is a beautiful thing. It's also not something that a 24-film-and-growing franchise tends to serve up all that often. Since 2008, the Marvel Cinematic Universe has operated with the exact opposite aim, in fact — extending and expanding the series at every turn, delivering episodic cinema instalments that keep viewers hanging for the next flick, and endeavouring to ensure that the superhero saga blasts onwards forever. But it's hard to tick those boxes when you're making a movie about a character whose fate is already known. Audiences have seen where Natasha Romanoff's (Scarlett Johansson, Marriage Story) story finishes thanks to Avengers: Endgame, so Black Widow doesn't need to lay the groundwork for more films to follow. It's inexcusable that it has taken so long for the assassin-turned-Avenger to get her own solo outing. It's indefensible that this is just the second Marvel feature to solely focus on a female figure, too. But, unlike the missed opportunity that was Captain Marvel, Black Widow gives its namesake a thrilling big-screen outing — in no small part because it needn't waste time setting up an obvious Black Widow sequel. Instead, the pandemic-delayed movie gets to spend its 143 minutes doing what more MCU flicks should: building character, focusing on relationships, fleshing out its chosen world and making every inch of its narrative feel lived-in. The end result feels like a self-contained film, rather than just one chapter in a never-ending tale — which gives it the space to confidently blend family dramas with espionage antics, and to do justice to both parts of that equation. Indeed, like Black Panther, Black Widow is one of the few Marvel movies that could dispense with its ties to the saga and still not only work, but still engage and entertain with precision. And, free of the dutiful task of linking into ten, 20 or 50 future features, it sincerely leaves viewers wanting more — more jumps into the past like this with Romanoff; more of its no-nonsense, high-octane spy action; and more of Florence Pugh (Little Women), David Harbour (Stranger Things) and Rachel Weisz (The Favourite), Johansson's supremely well-cast co-stars. Harbour and Weisz play Alexei and Melina, happy Ohio residents, parents to young Natasha (Ever Anderson, Resident Evil: The Final Chapter) and Yelena (Violet McGraw, Doctor Sleep), and the portrait of all-American domesticity — or that's the ruse in 1995, at least. But Black Widow doesn't give them long to revel in small-town life, neighbourhood playtimes, 'American Pie' sing-alongs and an existence that could've been ripped from The Americans, with the quartet soon en route back to Russia via Cuba at shady puppetmaster Dreykov's (Ray Winstone, Cats) beckoning. When the film then jumps forward to 2016, and to the aftermath of that year's Captain America: Civil War, Natasha hasn't seen her faux family for decades. On the run from the authorities, she isn't palling around with the Avengers, either, with the superheroes all going their separate ways. Then the adult Yelena (Pugh) reaches out, because she too has fled her own powers-that-be: Dreykov, the fellow all-female hit squad she's been part of for the last 21 years, and the mind-control techniques that've kept her compliant, and killing, since she was a child. Vials of a brain-liberating serum are of vital importance here, and so is getting revenge on Dreykov — although they're really just the gadgets and goals that help reunite not just Natasha and Yelena, but also their ex-foster parents. Alexei, Russia's first super soldier, has slid from prominence, while Melina has fared better; however, they're all soon trying to break into Dreykov's Red Room training camp. There's an unmistakable air of Bourne and Bond to Eric Pearson's (Godzilla vs Kong) script, and to the story by Jac Schaeffer (WandaVision) and Ned Benson (The Disappearance of Eleanor Rigby) he's working with. Moonraker especially comes to mind in Black Widow's visuals and action setpieces, too. But this deftly satisfying flick doesn't trade the MCU's blueprints for other franchises' templates, thankfully. With Cate Shortland in the director's chair, it spins a thoughtfully weighty story about women trapped at the mercy of others and fighting to regain their agency. If that sounds familiar, that's because the Australian filmmaker has a history with these types of notions thanks to Somersault, Lore and Berlin Syndrome. The first solo female director in the MCU, Shortland proves a savvy pick to guide Black Widow, and not only because she's in her thematic wheelhouse — or because her past films have all been about young women and their connections, as this Marvel instalment is as well. When it comes to action, she directs intense and suspenseful yet always fluid scenes. When the movie gets interpersonal, including during a memorable dinner table exchange where Natasha and Yelena demand answers from the closest thing they've ever had to a mum and dad, Shortland finds the ideal balance between raw emotion and rich character interplay. The film finds humour also, and repeatedly. Yelena's jokes at her sister's expense are a light but disarmingly realistic touch, and they always play that way. Their banter persistently reads that way, in fact. As Alexei, Harbour is given room to get goofy as well, and it never feels out of place — even in a feature with a deep vein of poignancy pumping through its frames, particularly when it comes to the childhoods that Natasha and Yelena didn't get to have. Using a breathy female cover of 'Smells Like Teen Spirit', frenetic fight-scene editing that's occasionally too quick for its own good, and Winstone's unconvincing Russian accent: these are among Black Widow's rare missteps. Thoroughly deserving her time in the MCU spotlight after 11 years and eight prior big-screen appearances, a flame-haired Johansson relishes the long-awaited chance to give Natasha more depth than she's ever been afforded — and, in a generous performance, she also sparks with and bounces off of the always-impressive Pugh, who just keeps going from strength to strength (see also: Lady Macbeth, The Little Drummer Girl, Fighting with My Family and Midsommar). It doesn't need to, and it didn't spend an entire feature threatening to, but if Marvel somehow found a way to pair these two together again, it'd be more than welcome. If it keeps genuinely trying to push aside its usual formula and do more than extend its brand, that'd be welcome as well. Luckily for audiences, it's definitely handing the reins to another female filmmaker again, and soon — and now Chloe Zhao's Eternals can't come quickly enough. Black Widow is now screening in Australian cinemas, and will be available via Disney+'s Premium Access from Friday, July 9. Top image: Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.
Australia has hosted some seriously heavy-hitting theatre shows of late. This year, we put on productions of internationally acclaimed musicals Book of Mormon, Chicago, Charlie and the Chocolate Factory and Saturday Night Fever — and next year is shaping up to be even more impressive. We have five more award-winning productions landing on our shores in 2020 — including a childhood favourite reimagined and one on a floating stage — though not all of them will make the rounds through Sydney, Melbourne and Brisbane. So, if you can score tickets before they sell out, each and every one is worth travelling interstate for. HARRY POTTER AND THE CURSED CHILD, PRINCESS THEATRE, MELBOURNE To say that Harry Potter and the Cursed Child has been a success so far would be an understatement. Everyone's scrambling for tickets to the show at Melbourne's Princess Theatre, which has resulted in the season being extended for a second time — right up until May 17, 2020. And, if you haven't yet seen it, another round of tickets will go on sale at 11am on Thursday, July 18 (yes, this week). So, with all this hype, what exactly is The Cursed Child about? Well, it picks up 19 years after Harry Potter and the Deathly Hallows and that abominably cheery epilogue on Platform 9 3/4. Harry is now an overworked Ministry of Magic employee, and the play focuses on both him and his youngest son Albus Severus Potter as they grapple with the past and future. The production is presented in two parts, so you'll have to book into two performances — there's the option to do so either on the same day (matinee and evening) or on consecutive evenings. Each part runs for about two and a half hours. If you've waited this long, the next round of ticket sales could very well be the last, so head to the website and prep yourself to book — interstate flights can come later. When? Until March 2020 [caption id="attachment_729348" align="alignnone" width="1920"] Handa Opera's 2012 'La Traviata' by Lightbox Photography[/caption] LA TRAVIATA, HANDA OPERA ON SYDNEY HARBOUR, SYDNEY Opera on a regular stage is one thing, but opera performed on a floating openair theatre atop Sydney Harbour, under the stars? Well, that's some unforgettable stuff. Especially when it's Giuseppe Verdi's famed classic La Traviata that's being given the overwater treatment — it tells the famously heartbreaking tale of a free-spirited Parisian courtesan and her tragic love affair with a nobleman. The glamorous three-act show is the latest production announced as part of Opera Australia's Handa Opera series, set to return to this unique stage in March and April 2020. Handa Opera has pulled over 400,000 guests since debuting with La Traviata back in 2012 — and its mix of drinking and dining options, breathtaking views and nightly fireworks making it one of Sydney's must-try cultural offerings. It's also considered one of the world's best openair opera venues. Tickets go on sale from the Opera Australia Box Office this Tuesday, July 16, so grab a couple and start planning your trip to Sydney. When? March–April 2020 [caption id="attachment_726234" align="alignnone" width="1920"] Shrek the Musical by Helen Maybanks[/caption] SHREK THE MUSICAL, THE LYRIC THEATRE, BRISBANE Fancy reliving your childhood film favourites on the stage? That seems to be the current trend. Next up, Shrek the Musical is bringing its all-singing, all-dancing version of the animated movie franchise to Sydney, Melbourne and Brisbane. Expect plenty of green when this Tony and Grammy award-nominated stage show finally makes its way to our shores, after first premiering on Broadway back in 2008. While Australian cast details haven't been revealed, Shrek lovers can expect a whopping 19 songs, an obvious colour scheme and plenty of other fairy tale references. The musical will first hit Sydney in January, but we're especially excited to see it round out its Aussie reign at Brisbane's Lyric Theatre. Those 2020 dates haven't been announced just yet, but you can join the waitlist here. We reckon its the perfect excuse for a Brisbane weekender. When? 2020 [caption id="attachment_672845" align="alignnone" width="1920"] Waitress by Joan Marcus[/caption] WAITRESS, SYDNEY LYRIC THEATRE, SYDNEY Perhaps in an effort to rival Melbourne's theatre scene — which nabbed the Australian 2019 premiere of Harry Potter and the Cursed Child — Sydney has clearly upped its commitment to theatre this year. Another we're especially excited about is Waitress. It first hit Broadway in 2016 and has gone on to gain stellar reviews, numerous Tony nominations and sold-out shows night after night. Based on the 2007 movie of the same name, Waitress tells the story of Jenna, a waitress and expert pie maker who dreams of a way out of her small town and loveless marriage. Waitress won't be here until 2020 and tickets are not yet on sale, but you can get on the waitlist over here. As of now it's only coming to Sydney, but interstate patrons won't regret flying in for this one. When? 2020 HAMILTON, SYDNEY LYRIC THEATRE, SYDNEY It's won 11 Tony Awards and is one of the Obamas' favourite musical, and now Lin-Manuel Miranda's game-changing musical Hamilton is finally coming to Australia. The critically acclaimed hip hop musical, for which Miranda wrote the music, lyrics and the book, is about the life of Founding Father Alexander Hamilton, as well as inclusion and politics in current-day America. As well as its many Tony Awards, which include Best Musical, it has nabbed a Grammy Award and even a Pulitzer Prize. Hamilton will make its Australian premiere at the Sydney Lyric Theatre in March 2021. Which is a little further away than the others, but it's still worth planning for. You can sign-up for pre-sale tickets now. There's no word yet on whether it'll head to other Aussie cities later on — so, if you don't want to risk it, those located interstate should to start planning a trip ASAP — we think it'll be more than worth it. When? 2021 Top image: Handa Opera by Hamilton Lund; Hamilton by Joan Marcus.
The odd dance floor session is crucial for keeping those winter blues at bay — and from this month, Kewpie has your Friday night boogie plans covered. The Fitzroy haunt is launching a new series of free-entry DJ nights to have you farewelling your work week in style, starting Friday, August 5. Roll in each week to kick-start the celebrations with a happy hour tipple (5–7pm daily), including a whole range of $6 schooners, wines and spirits. If you're there between 6–8pm (and you remembered to make a booking), you can also take advantage of Kepwie's Bottomless Pizza & Bevs deal — unlimited pizzas matched with two hours of free-flowing house sips for $59. Then come 8pm, it's time to give that d-floor a workout, as some leading Aussie talent hits the decks. August's DJ lineup is already locked in, with Boogs playing August 5, Casey Leaver and WA's Casual Connection joining the party on August 12, and Luke Vecchio and Anyo playing five hours back-to-back the following Friday. August 26 promises Spacey Space head-to-head with Sunshine. Stay tuned because there'll be plenty more to follow as well. [caption id="attachment_863760" align="alignnone" width="1920"] Luke Vecchio & Anyo[/caption]
What microwaves did for heating, UK company Enviro-Cool is promising to do for cooling. They've created a drink cooler that takes bottles and cans from room temperature to 5 degrees celsius in just 45 seconds. There's every possibility that the invention, which uses 80 percent less energy than commercial refrigeration, could soon become commonplace in homes, shops and eateries all over the world. Envriro-Cool created the technology, which they've patented 'V-Tex', back in 2007. It's based on a sophisticated application of the 'Rankine Vortex'. A European Commission grant of 930,000 Euros enabled its development into a commercial product. According to the promo video, the EC "recognised that the energy used to constantly chill pre-packed beverages was enormous and an unsustainable strain on our depleting energy resources." Three types of coolers have been developed. There's one suitable to commercial use, powerful enough to replace high-energy use equipment, such as multi-deck open refrigerator, and two domestic-friendly units — one stand-alone and one that can be added to existing refrigerators. It's estimated that, for every fridge replaced, over $1000 in electricity will be saved annually. Trials begin in Holland next month. Via PSFK.
'Fear less, live more' is the motto of this death-themed arts festival, which encourages participants to embrace life. Born in Sydney in 2017, We're All Going To Die will showcase in Melbourne for the first time this year — taking over St Kilda's masterfully revamped Espy for three nights from Tuesday, March 26–Thursday, March 28. Founded by artist and director Stefan Hunt, the festival spawned from his poem, illustrated adult book and film by the same name. For the mini-fest, Hunt brings together artists, performers, psychologists and other creative communities in an empowering and interactive program that explores our notions of death and life. The mini-festival kicks off at 6.30pm and tickets will set you back $45 a pop. Those dollars will get you access to a whole range of interactive experiences, including judgement-free bedroom dancing with Groove Therapy, death meditation run by Sydney's Indigo Project (with psychologist Mary Hoang and musician Phondup), life drawing classes and live art installations. Plus nightly screenings of Hunt's film We're All Going To Die, which examines fear of death and the meaning of life. We're All Going To Die kicks off at 6.30pm each night.
After throwing open the doors to its new development in Brisbane earlier this month and announcing they'll be laying foundations in Sydney as well, the next destination on the horizon for luxe hotel chain W Hotel will be Melbourne. W Melbourne is slated to open in 2020 on Collins Street in the middle of Melbourne's shopping heartland. Following Brisbane's ten-gallon baths and Sydney's flashy pool deck overlooking the harbour, the Melbourne digs look to be no less indulgent. W Melbourne will encompass 294 rooms and suites, including an "Extreme Wow Suite", which we're guessing will be high on the list for very important wedding anniversary occasions or maybe a Tinder date you really want to impress. To be designed by New York-based SHoP Architects, global design firm Woods Bagot and interior designers Hachem, W Melbourne will house a bar, restaurant, spa, gym and a heated indoor pool. And, for those needing function space, W will have more of it than you can physically fill — a 13,000-square metre space for conferences, meetings, or holding lush balls. While there's no word yet on who will be running the restaurant, if Brisbane's W is anything to go by — it's headed up by Sydney's Three Blue Ducks — it'll be someone pretty good. Ben Shewry? Aaron Turner? David Moyle? We can only dream. Functioning, too, as the bottom 20-storeys of a towering new precinct called Collins Arch, W Melbourne will sit on Collins Street, with the hotel lobby located on Flinders Lane. The $1.3 billion new precinct will be comprised of two towers of commercial, residential and retail spaces, joined at the top by a dramatic sky bridge. W Melbourne and W Sydney will make three Australian branches for the W Hotel chain, adding to its existing 50 in the world, and helping reach its goal of 75 across the globe in the next two years.
Spending more time at home is much easier to stomach with a hefty rage of desserts on hand, or at least that seems to be Gelato Messina's pandemic motto. Over the past few months, the gelato fiends have served up plenty of tasty specials, including cookie pies in choc chip, red velvet, choc-hazelnut, and peanut butter and jelly varieties, as well as 40 of its best gelato flavours. Up next: a gelato version of everyone's favourite Italian chocolate, in tub form. If your ultimate chocolate is round, covered in gold wrapping and has a crunchy hazelnut centre — yes, we're talking about Ferrero Rocher — you best get ready to order this Messina special, dubbed the Tartufo Rocks Hot Tub. Inspired by the famed Italian chocolate, the tubs feature layers of gianduja (chocolate-hazelnut) gelato, whipped cream, chocolate-coated puffed rice, hazelnut mousse and gianduja fudge and are topped with hazelnut rocher glaze. And, yes, the end result looks like the chocolates you know and love — but in a scoopable form. Available as part of Messina's 'Hot Tub' series, the Tartufo gelato can only be ordered online on Monday, October 26, with a one-litre tub setting you back $30. You can then go into your chosen Messina store to pick up your tub between Friday, October 30 and Sunday, November 1. While Rocher's tagline is indeed 'share something special', we think there's nothing wrong with keeping this all to yourself. Gelato Messina's Tartufo Rocks Hot Tubs will be available to order on Monday, October 26, for pick up between Friday, October 30–Sunday, November 1 — keep an eye on the Messina website for further details.
There are many, many great things about Nicolas Cage. But if you could only pick one, the sheer erratic nature of his almost four-decade-long filmography has to top the list. He has an Oscar to his name, for 1995's Leaving Las Vegas, but he can also be seen getting goofy in madcap comedies, crooning tunes in David Lynch movies and swapping faces with John Travolta — and playing a deluded literary agent who thinks he's a vampire, yearning over Cher, trying to keep a plane full of criminals in check and grappling with escaped wild animals on a boat. For his latest role, Cage is battling space ninjas. That isn't the type of sentence that you get to write or read every day but, to be honest, it's also a surprise that it hasn't come up multiple times in the actor's career. The reason for the martial arts face-off with aliens: new action flick Jiu Jitsu, which has just dropped its suitably over-the-top first trailer. If you're a Cage fan, you're probably already sold. Watching Cage at his most Cage-esque really shouldn't need much convincing. But if you need more details, the actor also wears a headband, sports flowing locks, dispenses words of wisdom, talks about alien politics, proclaims that he's crazy and claims that he can fly. Of course he does. Story-wise, Jiu Jitsu follows an ancient order of experts in the eponymous martial arts style, who are forced to fight alien invaders for control of earth every six years. Humanity has always won, but when that changes, Wylie (Nicolas Cage) has to help fallen hero Jake Barnes (Alain Moussi) prepare for one last showdown with these violent visitors from a distant gallery. As well as Cage and Kickboxer: Retaliation's Moussi, the film stars The 100's Marie Avgeropoulos, Avengers: Endgame's Frank Grillo, Alita: Battle Angel's Rick Yune, Wu Assassins' JuJu Chan, and Ong Bak and xXx: Return of Xander Cage's Tony Jaa. Check out the trailer below: https://www.youtube.com/watch?v=ywhTeWg8970 Jiu Jitsu releases in the US via video-on-demand on November 20 — we'll update you with release details Down Under when they come to hand.
A staple of Melbourne's cultural calendar for 80 years and counting, the Sidney Myer Free Concerts are back for another year. Held at the Sidney Myer Music Bowl, the latest of this longstanding favourite will, as always, feature a trio of performances from the Melbourne Symphony Orchestra. Whether you're a classical music buff or just want to stretch out with a picnic on the grass, there's a damn good reason these concerts have become a summertime tradition. The first concert will take place on Wednesday, February 17, with US conductor Joshua Weilerstein leading the orchestra in performances of John Adams' Short Ride in a Fast Machine, George Gershwin's Piano Concerto in F, and Antonin Dvorák's Symphony No. 7. On Saturday, February 20 Melburnians can begin their White Night early, with Dvorák's Carnival, Samuel Barber's Violin Concerto and Tchaikovsky's Symphony No. 5. Finally on Saturday, February 27, the MSO will perform a Latin-inspired medley, featuring tangos by Astor Piazzolla and works by Gershwin, Falla and Ginastera.
Do you know where the wild things are? Using the classic story by Maurice Sendak as a starting point, 11 writers are set to let their imaginations run wild at the Wheeler Centre Gala this Saturday night. They’ve all been given the same brief: to create short works inspired by monsters, rage, fear, and friendship — the scariest matters of all. The appeal of Where the Wild Things Are is enduring; come see what the title triggers in the imaginations of Hannie Rayson, Robyn Davidson, Alison Lester, David Marr, Luka Lesson, Monica Dux, Arnold Zable, Bruce Pascoe, Anthony Morgan, Josephine Rowe, and Clare Bowditch. Claws, fangs and wolf-suits optional.
Now that Victoria's sixth lockdown is behind us, Melburnians no longer need to spend all their time at home. And, if you're now keen to venture into the CBD outside of work hours, the City of Melbourne has brought back an affordable solution. Not everyone wants to spend too much time on public transport at present; however, getting a park in the city isn't usually a cheap option. That's changing between Wednesday, October 27–Saturday, December 25, with a number of Wilson, Secure, Ace, Care Park, Nationwide and First Parking sites doing $5 parking deals. If you took advantage of the special last time it popped up back in July, you might've noticed a difference: there's a few more car park companies involved this time around. That cheap fee will still apply at the same times, though — so it's on offer after 4pm on weekdays and all day on weekends. Just like last time, the deal aims to encourage Melburnians to spend more time in the CBD. The catch: you do still need to pre-book before you drive in, either by hitting up either company's website or their app. And, you'll need to enter the code 'CITYPARK21' while booking. Across the two months, the discounted rate can be redeemed at more than 20 car parks — and just like in the middle of the year, you can expect it to prove popular. "When we launched the $5 deal in July, it generated more than 41,000 bookings in just a few weeks," said Lord Mayor Sally Capp. "This is one of the many initiatives we are rolling out to support city businesses, encourage visitation, and help Melbourne bounce back faster and stronger. On the first weekend after lockdown lifted, some key city locations experienced up to a tenfold increase in activity in the evenings. That confirms what we suspected — that people are bursting to get back to City of Melbourne," the Lord Mayor continued. For more information about the City of Melbourne's $5 CBD parking between Wednesday, October 27–Saturday, December 25, head to the City of Melbourne website.
If lighting design (including installation, photography, video, projection or object-based works) is your thing, then have we got something to brighten your day. Globelight is a program solely dedicated to showcasing the talents of both upcoming and established young lighting artists and designers. Lighting as a medium often blurs the line between art and design, and this sparky showcase celebrates this ambiguity. With 22 artists exhibiting in this year's program, there are three locations you can check out the Globelight works: old favourite The Abbotsford Convent, the Anita Traverso Gallery in Richmond and Incinerator Gallery in Moonee Ponds. Check out the program, find the nearest show and head along for a spot of enlightenment.
Parisian label Kitsune is coming back to hang. As cool and sharp as a post-toothpaste drink of lemonade, the record and fashion label know what's up well before it's up. Specialising in eclectic electronic and minimalist dance music as clean and tailored as a French cuff, the label have been taking their Kitsune Club Nights worldwide to dance lovers in Tokyo, Berlin and London. The crew cranked some serious parties in Australia last year, with the likes of Jerry Bouthier, Clubfeet, RUFUS and Softwar. Returning for the second edition this May, Kitsune are heading back to Australia to throw down a whole lot of excellent beats, fronted by one of their favourite dudes, Pyramid. One heck of a laptop wizard, the French producer won his way into Kitsune hearts and compilations after winning a remix contest. The 22-year-old DJ will be promoting his new EP, The Phoenix, out now through the label itself. He'll be joined by Aussie electronic alt-popster Chela, who linked arms with Melbourne outfit Clubfeet for the Kitsune club series last year. There'll be five stops on the Kitsune Australian tour, creating a ruckus in Fitzroy's Laundry Bar, Fortitude Valley's Chinese Whispers, The Bakery in Northbridge and Sydney's Civic Underground before heading on to Warehouse 82 in Seminyak, Bali. So if you're fan of disjointed nu-disco (which, everybody clearly is), get amongst it in May. Tour dates: Fri 9 May - Laundry Bar, Fitzroy Sat 10 May - Chinese Whispers, Fortitude Valley Fri 16 May - The Bakery, Northbridge Sat 17 May - Civic Underground, Sydney Image by BAM.
As part of Melbourne's most fabulous week of drinking, World Class Cocktail Week, there's a special event going for those keen on great scotch and equally brilliant food. Saint Crispin's Joe Grbac and Thomas Olive's Alan Mulvihill will join forces to create an evening fit for King Neptune himself — if he could drink Talisker, of course. The Old Scotch and the Sea, a playful take on a famous Hemmingway title, is far more harmonious than the novel in its pairing of delicious scotch and sweet and juicy seafood. Grbac and Mulvihill will be serving up four courses, including dishes such as Marron tail, chicken liver parfait, fricassee of pine mushrooms, buttered hand-rolled macaroni and sesame seed crumble. If that’s not enough to make your mouth water, the menu is designed to pair perfectly with the Isle of Skye-born Talisker Storm Scotch Whisky. Sounds like the perfect storm to us.
If a Finnish railway line can immerse passengers in a Murder on the Orient Express-style escape room, then a British hotel can take inspiration from the iconic novelist behind the famous mystery tale. More than that, it can do so while keeping with the transport theme — with Bertram's Hotel in Devon turning a double decker bus into an Agatha Christie-inspired home away from home. There's no puzzle to solve, other than wondering why someone didn't think of the idea earlier. Instead, visitors can relax in a place that's been decked out to feel like a 50s Christie book. Floral decor, a retro record player, a cocktail station, two sleeping spaces and shelves filled with novels all feature. Of course, the latter includes the author's work, with posters celebrating her efforts and titles found elsewhere throughout the cosy abode. Self-contained with a kitchen and bathroom, and sleeping five guests in total, Bertram's Hotel is located in a scenic field near the village of Harltand. And although its setting means that stumbling upon a real-life mystery is rather unlikely, you will spy plenty of animals, namely five grazing alpacas, plus everything from pygmy goats and donkeys to chickens and ducks. There's also two fishing lakes in close proximity. As for the concept, the unique spot takes its name and design from one of Christie's books: 1965's At Bertram's Hotel. The novel features the author's other well-known sleuth — Miss Marple — taking a holiday at the titular establishment and coming across a case, of course. While the hotel in the book isn't in a two-level red bus, the text features one on its cover. Images: Sykes Holiday Cottages.
You can't re-do Christopher Walken. But Flight Facilities have given it red hot go. The Aussie producer duo have thrown down a brand new video for single 'Down to Earth' from their 2014 critically acclaimed debut album, recruiting none other than Sam Rockwell to Walken the Dinosaur through a tired ol' diner. From the disco ball-flanked kitchen to Rockwell's vicious thumb grooving, Flight Facilities latest video presents the ultimate happy place for jaded, Hawaiian shirt-wearing folk. Rockwell falls asleep at a diner and goes on an epic danceology quest through the kitchen and out to the carpark and back. The whole thing was directed by Rhett Wade Ferrell, who lent his mad skills to FF for 'Sunshine' with Reggie Watts and breakthrough, 15 million views single 'Crave You' with Giselle. Rockwell's strong moves were choreographed by the legendary Vincent Paterson, who's worked with the top tier likes of Michael Jackson and Madonna. "I really, really liked the song, and it was an honour to work with legendary choreographer Vincent Paterson," says Rockwell. "I’m the kinda guy that likes to shake my tail feather, and so it was a great opportunity to get some new moves, especially to such a sweet beat.” Here's Flight Facilities' 'Down to Earth' video. See if you can spot the FF cameo. And here's Christopher Walken in Fatboy Slim's 'Weapon of Choice', because.
For playing Princess Diana in Spencer, Kristen Stewart earned an Oscar nomination. For doing the same in Diana the Musical, Jeanna de Waal just won a Golden Raspberry Award. Given out the day before the Academy Awards and rewarding the worst in cinema for the past year — rather than the best and brightest like their counterparts — the Razzies have named their picks from 2021's flicks. And yes, singing through the life of Princess Di wasn't considered movie magic. A filmed version of the stage production, Diana the Musical earned five awards in total — after leading the nominations with nine. The Golden Raspberries also considered it the Worst Picture of the year, and gave it the Worst Director, Worst Supporting Actress and Worst Screenplay prizes as well. If you haven't seen it yet, you might to stick with The Crown. Also winning big: needless Space Jam sequel Space Jam: A New Legacy, which picked up three awards from four nominations. It received the Worst Actor prize for LeBron James, as well as the Worst Remake, Ripoff or Sequel award, plus Worst Screen Couple. With those two movies scoring eight awards between them, there wasn't much room for many other winners at the 42nd Razzies (although, are Razzie recipients really considered winners?). But Jared Leto's awful efforts in House of Gucci still scored him the Worst Supporting Actor prize, even over Diana the Musical's Gareth Keegan. One person who was always going to end with a Razzie to his name this year was Bruce Willis. The awards even created their own category for him — because he released eight flicks last year, and all of them were terrible. Wondering which one was deemed the worst of the lot? That'd be Cosmic Sin, which saw Willis pick up the accolade for Worst Performance by Bruce Willis in a 2021 Movie. Ahead of likely winning an Oscar today, Will Smith also earned some love from the Razzies as well. The former Fresh Prince received the only Golden Raspberry anyone ever wants to get, though: the Razzie Redeemer, for actors who've come back from a spate of Razzie-worthy roles. Smith's win came for King Richard, the part he's expected to get that Academy Award for. Check out the full list of nominees and winners below: GOLDEN RASPBERRY NOMINEES AND WINNERS 2022: WORST PICTURE Diana the Musical — WINNER Infinite Karen Space Jam: A New Legacy The Woman in the Window WORST ACTOR Scott Eastwood, Dangerous Roe Hartrampf (as Prince Charles), Diana the Musical LeBron James, Space Jam: A New Legacy — WINNER Ben Platt, Dear Evan Hansen Mark Wahlberg, Infinite WORST ACTRESS Amy Adams, The Woman in the Window Jeanna de Waal, Diana the Musical — WINNER Megan Fox, Midnight in the Switchgrass Taryn Manning, Karen Ruby Rose, Vanquish WORST SUPPORTING ACTOR Ben Affleck, The Last Duel Nick Cannon, The Misfits Mel Gibson, Dangerous Gareth Keegan (as James Hewitt, the muscle-bound horse trainer), Diana the Musical Jared Leto, House of Gucci — WINNER WORST SUPPORTING ACTRESS Amy Adams, Dear Evan Hansen Sophie Cookson, Infinite Erin Davie (as Camilla), Diana the Musical Judy Kaye (as both Queen Elizabeth and Barbara Cartland), Diana the Musical — WINNER Taryn Manning, Every Last One of Them WORST PERFORMANCE BY BRUCE WILLIS IN A 2021 MOVIE Bruce Willis, American Siege Bruce Willis, Apex Bruce Willis, Cosmic Sin — WINNER Bruce Willis, Deadlock Bruce Willis, Fortress Bruce Willis, Midnight in the Switchgrass Bruce Willis, Out of Death Bruce Willis, Survive the Game WORST SCREEN COMBO Any klutzy cast member and any lamely lyricised (or choreographed) musical number, Diana the Musical LeBron James and any Warner cartoon character (or Time-Warner product) he dribbles on, Space Jam: A New Legacy — WINNER Jared Leto and either his 17-pound latex face, his geeky clothes or his ridiculous accent, House of Gucci Ben Platt and any other character who acts like Platt singing 24-7 is normal, Dear Evan Hansen Tom and Jerry (aka Itchy and Scratchy), Tom & Jerry WORST DIRECTOR Christopher Ashley, Diana the Musical — WINNER Stephen Chbosky, Dear Evan Hansen Coke Daniels, Karen Renny Harlin, The Misfits Joe Wright, The Woman in the Window WORST REMAKE, RIPOFF or SEQUEL Karen (inadvertent remake of Cruella deVil) Space Jam: A New Legacy — WINNER Tom and Jerry Twist (rap remake of Oliver Twist) The Woman in the Window (ripoff of Rear Window) WORST SCREENPLAY Diana the Musical, script by Joe DiPietro, music and lyrics by DiPietro and David Bryan — WINNER Karen, written by Coke Daniels The Misfits, screenplay by Kurt Wimmer and Robert Henny, screen story by Robert Henny Twist, written by John Wrathall and Sally Collett, additional material by Matthew Parkhill, Michael Lindley, Tom Grass and Kevin Lehane, from an "original idea" by David and Keith Lynch and Simon Thomas The Woman in the Window, screenplay by Tracy Letts, from the novel by AJ Finn RAZZIE REDEEMER Will Smith for King Richard
Cacti lovers, take note: Madrid is now on your must-visit list. While there's no shortage of reasons to head to the Spanish locale, those fond of spiky succulents will want to flock to Desert City, a massive biotechnology nursery dedicated to cultivating, researching and showcasing cacti and other xerophytic plants. Located 20 minutes out of the city at San Sebastián de los Reyes, and transforming a highway-adjacent spot that was once an industrial wasteland, the educational ecological complex features everything a site devoted to cacti should. That includes a huge greenhouse, a nursery for those keen to take some greenery home with them, exhibition space and a restaurant. And, yes, it also boasts plenty of the plant life in the spotlight — more than 400 xerophytic species across 16,000 square metres, with 5,000 square metres taken up by an experimental botanic garden. While many of the cacti within its garden are native to the area, Desert City also includes dedicated spaces for species from other continents, aka the equivalent of globe-hopping one succulent at a time. The entire place is also designed to put the principles of 'zerolandscaping' — low water, low maintenance gardening — into practice, creating sustainable gardens that optimise natural resources. Images: Desert City / ImagenSubliminal
Fervent fans of The Roots, listen up! Don't worry if you don't have the cash for Falls or you can't make Southbound Festival — they’ve just announced they'll be playing two sideshows in Sydney and Melbourne with Australian MC Urthboy as a special guest. So that's two more chances to see The Roots jam out their first Australian gig since 2007. You will no longer have to resort to watching episodes of Late Night with Jimmy Fallon to get your fill of Questlove's magic. Expect to hear a lot from their most recent album, Undun (2011), whose reverse narrative arc followed the short life of Redford Stephens and featured play-it-compulsively songs like 'Kool On', 'Make My' and 'The OtherSide'. Even if you don't know much about The Roots, if you’re remotely fond of hip hop or neo-soul then this is a rare opportunity to see one of the most influential, visionary, long-loved groups to ever emerge from Philly (in 1987 and still kicking!) up close and personal. Tickets go on sale soon. Tour dates: Sydney: Friday, December 27 – Hordern Pavilion (tickets on sale Tuesay, 8 October, at 2pm) Melbourne: Saturday, December 28 – Festival Hall (tickets on sale Thursday, 10 October, 9am)
Peruse a list of 2019's big movies, and you could be forgiven for feeling like Hollywood is living in the past. When it's not serving up Dumbo, Aladdin and The Lion King remakes, it's extending the Godzilla, X-Men, Men in Black, Child's Play, Toy Story, Spider-Man and Terminator franchises — and putting together a sequel to The Shining. The list goes on, with the new Charlie's Angels the latest to join the fold. Hello, nostalgia- and action-loving movie-goers, obviously. Back in 2000 and 2003, the world didn't really need a couple of films based on the 1976–81 television series of the same name, even if Cameron Diaz, Drew Barrymore and Lucy Liu made a great team. Almost two decades later, the world probably doesn't need a third Charlie's Angels movie about a private detective agency, its formidable ladies and their globe-trotting hijinks, either. But the new flick — which both revisits the franchise's familiar scenario with new faces, and reportedly continues on from both the TV show and the the first two films — does boast more than a few potential highlights. Cast-wise, Charlie's Angels circa 2019 stars Kristen Stewart, Aladdin standout Naomi Scott and British up-and-comer Ella Balinska. Like her Twilight co-star Robert Pattinson, Stewart has made some savvy film choices since farewelling the vampire romance saga, including Clouds of Sils Maria, Certain Women and Personal Shopper — and while this upbeat action flick about kick-ass ladies saving the world clearly shares little else in common with her recent dramatic roles, here's hoping it continues her good run. Elsewhere, Elizabeth Banks sits the director's chair, co-wrote the script and features on-screen as Bosley. Well, one of them — Patrick Stewart and Djimon Hounsou both play Bosley, too. Music fans can also look forward to the soundtrack, with Ariana Grande, Miley Cyrus and Lana Del Rey all collaborating on a song, as the film's first trailer reveals. That's a bit of a throwback of its own, given that 2000's Charlie's Angels also featured a killer track, aka Destiny's Child's 'Independent Women'. Catch a glimpse of the new Charlie's Angels in the initial clip below: https://www.youtube.com/watch?v=RSUq4VfWfjE Charlie's Angels releases in Australian cinemas on November 14, 2019.
Dig a little deeper into the art of food and wine pairing at this eye-opening Good Food Month tasting event with Rob Dolan Wines. On June 11, 12 and 19, and July 17, the Yarra Valley winery's barrel room will be the backdrop for your transformation into a wine pairing pro. Master of Wine and renowned wine judge Meg Brodtmann kicks things off by guiding guests through a hands-on lesson on how to taste wine and how various drops interact with different foods. Armed with your newfound skills and a glass of Rob Dolan's White Label pinot noir, you'll then sip and taste your way through a table of common ingredients on the hunt for the wine's best flavour matches. The group's top picks will be used as the star ingredients for the day's fresh pasta entree, whipped up by two-hatted chef Tyson Bertoncello in front of your eyes. After tucking into this customised course, the food pairing fun continues — you'll enjoy a slow-braised beef cheek main that's been carefully designed to complement the Signature Series cabernet sauvignon, followed by a sumptuous finale featuring Stone + Crow cheese (made on-site) teamed with Rob Dolan's Two Barrel Batch muscat. [caption id="attachment_813453" align="alignnone" width="1920"] Chef Tyson Bertoncello and Master of Wine Meg Brodtmann[/caption]
For many months, $25 mid-week chicken at Firebird in Prahran has been winning over the starving hump-day masses. Now, Commune, the group behind the restaurant and many other eateries, wants to spread the goodness. If you're in Richmond, or considering visiting, you'll need to head to New Quarter. Here, you'll be treated to High Tide, an epic bottomless banquet. For $76, feast on a raw seafood platter crowded with Moreton Bay bugs, Pacific oysters, beef tartare, asparagus rice paper rolls, and the restaurant's signature betel leaf kingfish. Also included is cha ca baby snapper wrapped in banana leaf, with sides of red cabbage, pickled red onion and yum puk, plus your choice of vermicelli or rice. And the bottomless drinks list here is longer than your usual suspects. Take your pick of beers, wines and three cocktails: the pineapple-lychee bellini, the plum-grapefruit spritz and the mimosa. On the non-alcoholic menu, you'll find pomegranate iced tea and salted grapefruit soda. High Tide is available Friday to Sunday from 12pm–5pm. Bookings are available online.
If Tony Montana's "little friend" had instead been a BB gun, would that scene be quite so iconic? Hollywood fears not, it seems, because industry representatives have come out against the new gun control laws in New York, one of the few states to pass sweeping restrictions after the Sandy Hook Elementary School shootings. No, this does not mean that the (in)famously left-leaning film industry has had a sudden change of heart. Rather, the Motion Picture Association of America's complaint is that the new ban on weapons holding more than 10 rounds of ammunition will prevent films and television programs from using modified assault weapons on their New York sets. This means that for the 27 film and TV productions currently being shot in New York state, the machine guns and uzis will have to be replaced by some pretty cool-looking toy guns or the production companies may face legal action when the new legislation kicks in next January. While Governor Andrew Cuomo has previously supported amending the legislation so that Hollywood isn't an accidental victim, the law is unlikely to be changed, due to fears that it may not pass through the legislature a second time around. As such, Democrats have taken a sudden U-turn, now claiming that the new law will have no impact on the film industry. But does it have to be all doom and gloom for Hollywood and their lifelong love of big-ass guns? This could be a perfect excuse for the film industry to get a bit creative with their choice of weapons. If you can't have an AK47, why not try a giant laser? Or if Rambo V can no longer feature Stallone's favourite brand of M60E3 machine gun, maybe he can invest in a lightsaber? Here are five awesomely bizarre movie-gun substitutes in film. You're welcome Weinsten and Spielberg, you are welcome. 1. Point-of-View-Gun - The Hitchhiker's Guide to the Galaxy Even if this space-age weapon didn't make its victims uncontrollably reveal their thoughts and even if it wasn't created by the "Intergalactic Consortium of Angry House Wives" as a means of ending marital arguments, this machine-gun-substitute would still be awesome. Mostly because Zooey Deschanel is wielding it. 2. Sick Stick - Minority Report The perfect weapon for any movie bad-ass who is hoping to incapacitate but not kill their foe. It does exactly what its name suggests: causes its victim to projectile vomit. We tip our hats to your subtle anti-gun weaponry, Mr Spielberg. 3. Zorg ZF-1 - The Fifth Element This gun-substitute, which vaguely resembles your childhood super-soaker, is a total sci-fi nerdgasm. I'm not sure what I like more about it: the fact that it includes a rocket launcher, poison arrow launcher, 3000-round machine gun, net launcher, flamethrower and freeze ray or the fact that it belongs to a terrifically hammy Gary Oldman, sporting perhaps the worst wig ever to grace the silver screen. 4. The AV Arc - Blade Trinity There are two surefire ways to splice up a disappointing threequel: put Jessica Biel in a bodice-hugging leather vest (check) and invent a weapon that uses a beam of UV light that is hotter than the sun to slice up those pesky vampire hordes (check). How this movie wasn't a hit befuddles me to this day. 5. The De-Evolution Gun - Super Mario Bros While video game-inspired films that tanked are not exactly a rarity, few films have done it quite so spectacularly as this shambles of a motion picture. Combined with the ridiculousness of Dennis Hopper playing a dinosaur (yeah, seriously) is the fantastical De-Evolution Gun. As the name suggests, the De-Evolution Gun turns back the evolutionary clock on its victims such that with one twitch of the finger you can turn your mortal enemy into a harmless, albeit quite pissed off, chimpanzee.
Complimentary cocktails and free express manicures are some of the goodies Melburnians can look forward to over the next month as part of the City of Melbourne's new FOMO Fridays initiative. Initially proposed in March earlier this year, FOMO Fridays is a joint effort by the Victorian Government, the Property Council of Australia and the Australian Retailers Association which aims to encourage CBD workers to rediscover the city's latest and greatest. Each Friday from May 14 to June 4, locals can take advantage of a swag of giveaways and special offers from a stacked lineup of Melbourne bars, restaurants, retailers and shopping precincts. You might fancy getting your pre-weekend glam on at Myer Melbourne, with free express manicures at the Express Yourself mani bar and a couple of complimentary cupcakes to match. Or, swing past the QV centre for a free cosmic reading and some uplifting affirmations. If you're shopping up a storm at The Strand or GPO, you're in for some free bubbly, as well as the chance to score $500 off your evening's retail haul — $10,000 worth of shopping tabs are being covered randomly each week. Down in Collins Square, the FOMO Fridays fun kicks off early from 10am, with coffee experiences, food tastings, trivia, cocktail-making workshops and a lucky spin wheel filled with instant prizes — perfect for a Friday lunchtime visit. Riverside Quay will also be firing right throughout the day, with roving performers, holiday giveaways and dining specials ranging from Ludlow Bar & Dining Room's $10 boozy hot chocolates and two-for-one sangria at Asado (4pm–6pm). Plenty more exclusive food and drink offers await at favourites like Lui Bar, Arbory, Heroes, Pinchy's, Spice Market, Bar Lourinha, Storyville, Good Heavens and The Boatbuilders Yard — including two-for-one bottles of wine, half-price mezze platters and cheap cocktails. [caption id="attachment_810297" align="alignnone" width="1920"] Ludlow Bar & Dining[/caption] If your interests lie elsewhere, you might fancy deals like the Melbourne Star Observation Wheel's discounted sparkling wine flights, Kino Cinema's two-for-one movie tickets, or Bodhi and Ride's specially priced twilight spin classes. Or, the many Friday discounts up for grabs at retailers like Muji, Nique, Elk and H&M. For a real treat, you can even book yourself a staycation at one of Melbourne's most luxurious hotels and score an extra night. Free doughnuts, dinners, drink giveaways and pre-loaded Myki cards are also up for grabs at various locations and times around the city, though you'll need to keep an eye on the What's On Melbourne Instagram page for all the details. FOMO Fridays will feature activations and special offers at venues across the city, on May 14, 21 and 28, and June 4. For the full list of offerings and to plan your nights, see the website. Images: Heroes, Pinchy's, Good Heavens and Storyville.
For Australian music fans, Triple J's Hottest 100 is the most important event of the calendar year — followed closely by the date Splendour in the Grass tickets go on sale. With so much at stake music-wise, nominating yourself as host for the Hottest 100 party — and deciding what to serve — can be a daunting task. So, we've teamed up with BWS to ensure you snag a sausage that pairs perfectly with your Hottest 100 picks — a banger for your banger, if you will. Plus, if you share a snap of your snags to Instagram (post or story) and tag BWS, the company will donate $1 for every sausage in the picture to GIVIT. How good. So, before you head to the shops to get the supplies, hit this list to make sure you select savoury cylinders that are as tasty as your favourite tunes. 'GET MY OUT' BY KING STINGRAY Fans of this track by King Stingray are likely to have found themselves in one of two circumstances in 2021: a seemingly unending lockdown in one of our major cities or in a garbage job that they were ready to give the middle finger to. In our opinion, lovers of a song called 'Get Me Out' deserve a snag that'll set them free. If that's you, we can't go past the free-range frankfurters from Paddock to Plate. 'HERTZ' BY AMYL AND THE SNIFFERS The high-octane energy of Amyl and the Sniffers requires a snag that'll live up to the band's turbo reputation and gets the job done without too much fuss. And, since we're matching it with a title that measures frequency, we believe quantity is important, too. Our pick for Sniffers fans is a value pack of snags that are a staple at all good sharehouse barbecues and Bunnings sausage sizzles — the 1.8 kilomgram value pack of thin snags from Woolies. These bangers have been proven to satisfy the masses and feel almost as good as fanging down a highway in a Hertz hire car. 'MAREA (WE'VE LOST DANCING)' BY FRED AGAIN.. AND THE BLESSED MADONNA If you voted for 'Marea (We've Lost Dancing)', there's a good chance you're the person at a party who dominates the dancefloor. Considering you'll be spending most of the day hurling your flesh prison all over the backyard, we recommend taking your snags in small doses to avoid tasting them twice. A 16-pack of chicken chipolatas are an ideal bite-size snag that you could probably woof down in one go if you really tried. Plus, given there are so many in the pack, you'll have plenty of fuel to sustain your dancing all the way to number one. 'LIE TO ME AGAIN' BY THE BUOYS If you're someone who wants to be lied to, a pack of the plant-based snags with the adjective 'beefy' in the title seem like the kind of misleading sausage that you'd be into. Unreal Co's six-pack of vegetarian beefy brats are perfect for people who want to feel hoodwinked by a sausage. Go on, gaslight yourself with this irresistible snag. It'll be just like when the person this song reminds you of did it, right? 'KIM' BY TKAY MAIDZA (FEATURING BABY TATE) A track that brings as much heat as 'Kim' by Tkay Maidza and Baby Tate calls for a snag that is as hot and spicy as the song itself. Our solution? The smoked chilli snags from Suzy Spoon's Vegetarian Butcher. These vegan sausages are both super delicious and pack a punch, much like the song in question. Big fan of chilli dogs? These are a quality meat-free alternative with a chorizo-like flavour for an added kick. 'GOLD CHAINS' BY GENESIS OWUSU Fans of Genesis Owusu aren't your run-of-the-mill music lovers. They boast a superior sonic palate and we suspect that this elite taste exists when it comes to the humble snag, too. Lovers of an award-winning artist will want an award-winning snag. And, if Kel Knight has taught us anything, winning sausage competitions is serious business. Our go-to is The Gourmet Sausage Company's award-winning artisanal pork and fennel bangers. 'STAY' BY THE KID LAROI AND JUSTIN BIEBER Voted for a collaboration this huge in the Hottest 100? You'll be needing a snag that has a minimum of three main ingredients in it for the countdown. There are plenty of combination sausages to choose from however we're of the firm belief that it's the chicken, feta and spinach variety that pairs perfectly with this sad banger. It's salty, smooth and surprisingly good — much like the Bieber x Laroi collaboration itself. 'DRIVERS LICENCE' BY OLIVIA RODRIGO So you spent 2021 rinsing Olivia Rodrigo's debut album Sour? Us too. And while we simply adored immersing in the rich teenage angst of the record, a track from an album with a title this tangy needs a sweeter snag to balance things out. We recommend a pack of honey-flavoured beef sausages. And if that's a touch too sugary for you, load them up with onions to ensure you get that all-important cathartic cry while slicing them up and belting out this tune. Want to support a good cause while you enjoy your bangers? Upload a snap of your snags to Instagram (post or story), tag @bws_au and use the hashtag #snagadonation to ensure a $1 for every sausage in the shot is donated to GIVIT. Just make sure your Instagram profile is set to public for your entry to be counted. For more information, visit the website. Images: Elliott Kramer.
Lately, the world has seen all sorts of weird and wonderful shoe creations, from sneakers made from recycled ocean plastic to beer-proof kicks to those chicken-and-waffles-inspired Nikes. But this latest sneaker design find might just be the strangest yet, with some bright sparks in Amsterdam crafting a shoe with soles made from chewing gum collected from the city's streets. Dubbed Gumshoe, it's a collaboration between companies Gum-tec and Publicis One, plus local shoe brand Explicit Wear, and it's out to stomp all over The Netherlands' costly chewing gum problem. Apparently, the country's streets rack up around 1.5 million kilograms of the stuff each year, creating the second biggest litter issue after cigarettes. The Gumshoe sole features a special kind of rubber crafted from used gum that's been recycled into a sustainable material. They're available in black or hot pink, with a map of Amsterdam stamped into each sole. On Gumshoe's website, Mustafa Tanriverdi, from Marketing and Investments, Amsterdam Metropolitan Area said, "with these shoes, we take a step closer towards gum-free streets and at the same time create awareness amongst gum users without being preachy." If you fancy a pair of gum-based kicks for your own feet, head over to the Explicit Wear website. Via Designboom
Everyone loves heading overseas for a holiday, but no one likes spending more time actually getting from point A to point B than they absolutely have to. So, before the pandemic grounded international getaways from Australia for the better part of two years, Qantas had been working to make stopovers a thing of the past — introducing direct flights from Perth to London, and exploring the possibility of doing the same from Sydney, Melbourne and Brisbane. While those non-stop east coast legs are currently on hold, the Aussie airline has just announced a new direct trip — and the only flight that'll connect Australia to continental Europe. Between June and October 2022, the carrier will fly return from Perth to Rome three times a week. And yes, that timing is 100-percent aimed at letting Australians take full advantage of European summer holidays. The new flights will technically end and begin in Sydney, with a stopover in Perth — and they'll be more than three hours faster than the current quickest travel time from Australia to Rome. That means fewer hours spent in transit, and more to actually soak in Italy. It also means spending a big unbroken block of time in the air, which still sounds a bit like science fiction after so long without international travel. If that's your 2022 plans sorted — why just have an Australian summer when you can enjoy Europe's warmest season as well? — tickets for the new route have gone on sale, starting from $1785 return. The Sydney–Perth–Rome flights will debut on Wednesday, June 22, and are currently scheduled to run until Thursday, October 6. And, if you're keen to head elsewhere on the continent, you'll be able to use Rome as a connection point to fly to 16 other European destinations, including Athens, Barcelona, Frankfurt, Nice, Madrid and Paris — and 15 spots in Italy, Milan and Venice among them. Also, if you fancy flying into Rome but coming home from London, or vice versa, Qantas will let you combine the two direct routes on the one return ticket. Qantas' new Australia–Rome direct flights will fly from Wednesday, June 22–Thursday, October 6. For more information, or to book tickets, head to the airline's website.
If you weren't in Federation Square for Australia's 1–0 World Cup defeat of Denmark, then you've seen the footage, with Melbourne's massive central space teeming with thousands of soccer fans. For the Socceroos' next game, with the squad advancing to the Round of 16, the Victorian Government has realised that even more folks will want to head out for the match. Accordingly, Premier Daniel Andrews has announced that the game will also screen in two other big public spots. If you can't make it to Fed Square, make a date with either AAMI Park and Victoria Golf Club, with the match set to grace screens in both spaces. The game kicks off at 6am AEDT on Sunday, December 4, which clearly makes it perfect for catching at home from the comfort of your own couch; however, if you're keen to watch the must-win showdown alongside your fellow Melburnians, you now have a few options. I reckon we might need a bit more space than just Fed Square to watch the @Socceroos take on Argentina. So we're going to open up AAMI Park and put the game on the big screens. And it'll be completely free. pic.twitter.com/SSflcdQy60 — Dan Andrews (@DanielAndrewsMP) December 3, 2022 Entry to AAMI Park will be completely free, with gates opening at 5am and attendees able to sit in the stadium's grandstand seats to watch. Over at Victoria Golf Club in Cheltenham, the doors will open at 5.30am, with the World Cup match playing on the site's village big screen. Entry will only be free for the first 500 people through the gate, though, and cost $33 for adults after that — but tickets include staying all day, with the Australian Open golf tournament also on at venue. Fed Square is still a viewing option, of course. Also, elsewhere in the city, Victoria's landmark buildings will be lit up in green and gold from 8pm on Saturday through till dawn on Sunday to mark the game. [caption id="attachment_819702" align="alignnone" width="1920"] Gary Houston, Wikimedia Commons[/caption] "This Sunday will see thousands of football fans again descend on Melbourne's CBD, so we're making more live sites available for football fans to watch the Socceroos' historic World Cup match against Argentina," said the Premier in a statement. "This is Australia's best-ever World Cup performance, and we're making sure as many people as possible can enjoy the action and cheer on our side as it takes the field in Qatar." "I encourage football fans to come down, soak the atmosphere and cheer on the Socceroos in a safe and respectful manner at the live sites." View this post on Instagram A post shared by Socceroos (@socceroos) Whether or not you usually have even a passing interest in soccer, you'll appreciate the sense of occasion. By emerging victorious over Denmark, the 2022 Socceroos are the most successful FIFA World Cup team to ever come out of this country, with two wins in the group stage. The team's move to the Round of 16 is just the second time ever Australia has managed that feat, after doing the same in 2006. And, if it beats heavyweights Argentina, it'll be the first time ever that the Socceroos have made the quarter finals. Australia take on Argentina at 6am AEDT on Sunday, December 4, with the match playing on the big screen at Federation Square, AAMI Park and Victoria Golf Club. For more information about the 2022 FIFA World Cup, head the tournament's website. For further details about the live sites at AAMI Park and Victoria Golf Club, check out the Victorian Government's website. Top image: Doozeydouche via Wikimedia Commons.
It's not every artist who'd revisit their Year Two saxophone skills on their debut album. But Melbourne's Chet Faker (aka Nick Murphy) isn't afraid of giving anything a whirl for the sake of sound. Following the release of his debut EP Thinking In Textures via Downtown Records in 2012, Murphy gained international high-fives and 'Breakthrough Artist of the Year' at the Australian Independent Records Awards, made an EP with Flume, toured with Bonobo, played at South by South West and scored a Super Bowl ad with his breakthrough cover of Blackstreet's 'No Diggity'. After settling into his own snuggly studio space in North Melbourne, Murphy painstakingly tweaked, experimented and self-produced his debut album Built On Glass, released Friday. An eclectic and unpredictable mix of electronic soul ballads, deep house journeys and hip hop beats, Murphy's love of experimentation and letting sound breathe makes Built On Glass one of the year's most overwhelmingly confident debut releases. Heartbreakingly honest lyrics, minimalist electronic groovery and Murphy's unmistakably soulful vocals make for serious repeat button action. Kicking off a huge worldwide tour in April, Chet Faker will hit venues in UK cities like Dublin, Manchester and Bristol before popping over to European hubs like Paris, Brussels and Amsterdam. Then it's over to the US and Canada for a gargantuan string of dates before heading home for his national Australian headliner tour through major cities and regional centres like Geelong, Port Macquarie and Wollongong. Supporting for all national tour dates is New Zealand dream pop trio Yumi Zouma, whose four-track EP The Brae saw the Christchurch locals gain quite the following on Soundcloud. In the wake of the tour's long-awaited announcement, we had a chat to the 25-year-old Melburnian about his upcoming worldwide debut album tour, his Melbourne performance jinx, jogging on tour and a genuine disdain for pigeonholes. When was the last time you played an Australian show? Three weeks ago. I play heaps here, everyone thinks I don't. They're like, "Really? Come back to Australia and support your home." It's like, I play here a lot. People are like, "Why didn't you come to New Zealand?" I was there four weeks ago! "Hopefully one day you'll come to Ireland." It's like dude, I'll be there in a week. Just relax! So Built On Glass is out, your first LP, congrats! You played everything you hear on the album, excepting one guitar solo. What made you want to play all every last instrument on your new album? Well, because I knew what I wanted to be played. And I'm not rich so I can't just like, pay Nile Rodgers to lay down a track for me. It's just a really personal record. Music just means a shitload to me. I'm usually writing music at the same time I'm recording it... just trying a bunch of stuff. If I want a guitar part, I'm going to play it because I'm there. So it makes sense to play it myself rather than have someone in and it might not work. Did you learn saxophone just for the record? No. Well, maybe sort of. I played sax from prep to grade two. But I hadn't played until last year and I picked it up and could still make a noise out of it. That blew me away. I had no idea that I could still play saxophone. I assumed I couldn't play it, I couldn't remember what notes they were. I picked it up and because I'd learnt 'Tequila' — that was the last song I'd played — I was like bam-bam ban-am-bam ban-a-nam and I was like "What the FUCK?". It was insane! Because there's other stuff as a kid I can't remember how to do, you know? Like cartwheels... Cartwheels, totally yeah. I used to be a really good drawer when I was a kid but I'm not that good at it any more. I used to be able to do a really good cat. Actually I still remember how to do it — it looks like Bubsy, which was a game on Super Nintendo. That's funny, I haven't thought about that in a long time. With your first EP you were kind of sleeping in the same space that you were recording. But this time you had your own space to record Built On Glass? Yeah, I rented a space in North Melbourne in the old meat market. It's an old cooling locker, so it's heritage-listed. It's through Arts House Victoria, so it's really cheap rent, it's cool... We have so much space and I just don't use it. I filled it with stuff and ended up putting myself in the smallest room. I rarely stand up when I'm recording music, most of the time I'm sitting on a chair. I can't remember the last time I stood up to record vocals. I lean into the microphone and I sit in front of the computer. I'll take, sing it, listen back and do it again until I get it right. Well, your voice has a lot of oomph and power behind it, which you usually need to stand up to reach. Well, on this record anyway. The EP was lighter I think, more breathy because I was in my garage. It had a tin roof and in the garage next door to me we had a neighbour. I would usually record late at night and I couldn't sing loud. Whereas on this record, because I have my own soundproof space, I could be there any hour of the night and play as loud as I want and not piss anyone off. So all the vocal tracks are like, full chest voice. I literally couldn't have done this album in the old garage because I couldn't sing that loud. https://youtube.com/watch?v=aP_-P_BS6KY Stylistically Built On Glass is very different, each song is quite unique even though they've got your unifying vocal. Some are hip hop influenced, some are ballads, some are almost house music. How do you find inspiration for each style? I've had this thing, like, all my life: I hate being put in a pigeonhole. More than anything, for some reason. I don't know why it annoys me so much. As soon as you label something you limit it. And I don't want to be limited. An album is usually very definitive, you know? That's the big thing, about making a 'statement' right? So my statement was I wanted to show almost every type of music that I like, because then if I did something like the slow, whatever people call it, "RnB crooner" — it makes me cringe when I hear that, it's gross — style, then I'd limit it. Because if I bring out another record that's like '1998', which I like just as much, people would go, "What the fuck is this?" So it was really important to me that I show the full breadth of all the things I like. Sounds like a good way to go for a debut album. Well that's the idea. Built On Glass as well, the whole "built" thing comes from like, building a career, building a future on a foundation stone of glass, which is fragile, it's honest, it's transparent — this is what I'm into, you know? And it was annoying me that people thought I only did soulful, slowed down tunes. There's even some house moments in there. Yeah, well 'Cigarettes and Loneliness" is 135BPM. That is not soul music. It's hard to pick a track off your debut album, but do you have a particular song you're especially proud of? 'Cigarettes and Loneliness' I think. I mean, they all have their own reason I like them. 'Gold' is the first song I ever played bass on and it's just one note the whole time. I didn't know how to play the bass, so I bought a bass. What I wanted to do was a descending bassline but I couldn't play that properly. But then 'Release Your Problems', which is the first track, I played the bass on that. First bassline I ever really wrote. '1998': house track — I always wanted to put out a house track. 'Cigarettes and Loneliness' is the longest song I've ever done, it's the most honest song I've ever done. The chorus has no drums, it's just two guitar parts and vocals. The song's like eight minutes long and it's 135BPM which is just super fast. You couldn't even play that in a DJ set, it'd freak people out. It's been two years since your first EP Thinking in Textures came out, since then you've won awards, worked with Flume, supported big names, had your song in a Super Bowl ad... Yeah, I always forget about that until people bring it up. That's like the least real thing that's ever happened to me. That's like, really? Was I really in a Super Bowl ad? It's like the childhood memories that you're not really sure if you made it up or it actually happened. https://youtube.com/watch?v=vUsxibgWMs4 You've been touring on and off for about two years, what's one of the most memorable performances you've done? Well, there's different ones for different reasons — there's good ones and then there's like, bad ones. Touring with Bonobo was awesome. I've got mad respect for him. He just texted me the other day, he was like, "What are you doing? You wanna go get a drink?" For a second I had to be like, that's fuckin' Bonobo texting me. That was pretty weird, I had to pinch myself. That tour was cool, I think this tour in June's also going to be heaps of fun. And you toured with Flume as well. Toured with Flume, yeah that was good. Ah... it was alright. They were just like, munted kids who weren't listening. But actually it was fun playing with Flume, because I'd get up and sing with him, that was shitloads of fun. So I crowdsurfed — and you don't crowdsurf to my music. I never had. So that was a lot of fun, stagediving. Did they bring you back to the stage? Yeah, I mean sometimes you get taken away. Here's a lesson for anyone who's going to stagedive: take off any jewellery or hats, people literally rip stuff off you. And I got like, mouth raped at one of those shows on that Flume tour. I don't know if it was a boy or a girl, someone just grabbed my head upside down and did like a Spiderman tongue dash. I was like, woah. By the time I looked, I was somewhere else. It was kind of funny though, but it was an all ages show so its just a bit like... yeeech. https://youtube.com/watch?v=6vopR3ys8Kw If you could tour with anyone in the world, who would it be? Bonobo was pretty up there. Music style-wise, I feel like it's pretty similar. I always looked up to him, awesome crew and band, they really inspired me. Like, some people just aren't as… Just because you love someone's music doesn't mean you like them personally and that was a big lesson for me. And most people won't know that. You know, most people who like my music will assume that them and I would get along perfectly but I'm certain there are people I wouldn't get along with. It's like the same with anyone. So I've met lots of people, I mean, Bonobo, he's as nice as his music is, he's a gentleman. But there's other people I've met that I really liked, I was like, you... are... you are a dickhead. So you've got this rather epic tour coming up, how do you prepare and keep healthy on tour? Are there any tricks? Totally, you have to look after yourself. I do. I actually don't know how some people party on tour all the time. It's not sustainable, like, you just get totally bummed out. Some people can do it though. Some people just figure out this like, route in their brain to not come down from partying. They just party forever. Like DJs, those dudes kill it. I don't know, I couldn't do that. Do you get actual sleep on tour? No. Well, yes if I try and sleep and eat well, but that's not really an option either. It's this weird balance because some people just think you're difficult if you're like "I need celery and gluten free food backstage." They're like, "Geez, this guy's a douchebag." But if you're having a hot dog every night for three months, you start to feel really crappy about yourself. But running is good, I try and go for a run every morning. It's just habit, which is easy to do on tour because it's easier to create new habits in a new environment than one that has existing habits. Do you write on tour? You were saying you write and record at the same time. I can't. I'm trying to at the moment; I'm trying to get a little studio built up. But I really like having a space, but that's not really an option any more when you're touring so much. So I'm getting this little case made up with like, a microphone and a laptop. Harley's so good at it, Flume, he's always working on a track. I can do it, it's just like a habit. I'm trying to start doing that more. It's going to be cool for you to play in Melbourne and show off your debut album to home. Yeah, totally and I don't think I've ever played a good show in my home town. I keep fucking it up. I mean it's my friends there, that's why. I played a bunch of festivals — I mean I think as far as my friends are concerned I suck live, because I keep messing it up for my friends in Melbourne — like, at Laneway I played a bad show, I messed up Meredith and Golden Plains. I had technical problems — I had a broken foot. It's like I'm jinxed in my home town but this tour will be fine, sooner or later I'll do it. Tour Dates: Tickets on sale Tuesday 22 April 9AM local time Thu 12 June – The Wool Exchange, Geelong $35 +BF. Tickets from Oztix. Friday 13 June – Forum Theatre, Melbourne $35 +BF. Tickets from The Forum Box Office, Ticketmaster. Thu 19 June – Astor Theatre, Perth $35 +BF. Tickets from Astor Box Office. Sat 21 June – The Tivoli, Brisbane $35 +BF. Tickets from Ticketmaster. Sun 22 June – Lake Kawana Community Centre, Sunshine Coast $35 +BF. Tickets from Box Office. Tue 24 June – Glasshouse Theatre, Port Macquarie $35 +BF. Tickets from the Glasshouse Box Office. Wed 25 June – Civic Theatre, Newcastle $35 +BF. Tickets from Box Office and Ticketek. Fri 27 June – Enmore Theatre, Sydney $35 +BF Tickets from Enmore Theatre Box Office and Ticketek Sat 28 June – Anita's Theatre, Wollongong $35 +BF. Tickets from Ticketmaster. Thu 3 July – HQ, Adelaide $35 +BF. Tickets from Moshtix and Oztix. Sat 5 July - The Odean, Hobart $40 +BF. Tickets from Ticketmaster and Ruffcut Records.
We all know Melbourne boasts a world-class bar scene with skilled bartenders shaking up the cocktail game at top-notch venues all across town. Granted, weeks into lockdown 2.0, that's all starting to feel like a distant memory. But, if you're thirsting hard for boozy times past, you can now give yourself a quick refresher course, by way of a new at-home cocktail pack featuring an all-star Melbourne lineup. The folks at The Everleigh Bottling Co have joined forces with some of the city's finest drinking institutions to create the liquid care package of your lockdown dreams. Aptly dubbed the Melbourne Mixtape, it's a lineup of seven bottled cocktails, each handmade in-house at their respective bar while the doors are closed to the public. In this lineup of libations, you'll find such hits as Byrdi's wattleseed negroni, the tiramisu milk punch from Capitano, Mjølner's rum-infused Battle Axe, a tequila blend known as The Proposition from Collingwood's Above Board, a Black Pearl Shower Martini, and a classic americano courtesy of Bar Americano. Of course, there's an Everleigh creation in there, too: the caffeine-spiked sip they call Coffee House. Each of the single-serve cocktails comes with specific serving instructions, ready to chill, pour and devour. What's more, you can have the pack sent directly to your home, with nationwide shipping available for $14.99. All proceeds go back to the participating bars, which will help raise some much-needed funds while restrictions continue. The Melbourne Mixtape is available to buy for $130 from The Everleigh Bottling Co website.
Hold your boots up high as Golden Plains festival celebrates its ten year anniversary. Returning once more to the Meredith Supernatural Amphitheatre on Labour Day long weekend, this beloved festival will welcome a plethora of local and international music acts for three straight days of good music and good times. Performers tapped for this year's festival include Emma Donovan & The Putbacks, Black Cab, Sleater-Kinney, Violent Femmes, Gold Class, Natalie Prass, Songhoy Blues, Seun Kuti, The Necks, Sampa The Great and local legends Eddy Current Suppression Ring, who'll break a six year hiatus for a one night only performance on the Sunday night. You can find the complete lineup and set times for the festival, which kicks off on Saturday, March 12, by following this link right here.
When you woke up this morning, Thursday, February 18, your Facebook news feed probably looked a little different. Instead of news about the pandemic, restaurant openings, events and all the usual things you're used to seeing as you scroll, it was filled with memes, photos from distant family members and groups you don't even remember joining. So, what on earth is going on? Well, there's been a bit of standoff between the Australian Government and Facebook and Google, because of the Federal Government's controversial media-bargaining code, which passed through the House of Representatives on Wednesday night. In response, Facebook has banned Australian users and publishers from viewing or sharing any "news articles" on its platform. And it hasn't just banned news. Everyone from embattled Sydney art institution Carriageworks to state government-run Queensland Health, which posts daily COVID-19 updates and streams press conferences, and Melbourne Food and Wine Festival have been kicked off the social media platform. And we have, too. That means, to keep up to date with all the exciting things going on in your city, you need to track us down in other spots. Like, right here on our website, over on our Instagram pages (@concreteplayground, @concreteplaygroundmelbourne and @concreteplaygroundbrisbane), or on Twitter (@concreteplay) and by signing up to one of our newsletters. If you're in Sydney, you can sign up here: Melburnians, get your fix here: And Brisbanites, discover all the best things to do right here. You can also bookmark some of your favourite content of ours. Like the best waterfalls to swim under around Sydney, the best things to do on the weekend in Brisbane and Melbourne's best boozy bottomless brunches. Just because Facebook is boring RN, doesn't mean you have to be. Top image: Kitti Gould
If you spend your free time binging on true crime, then you would've watched I'll Be Gone in the Dark last year. The HBO docuseries honed in on the Golden State Killer, who terrorised California between 1974–1986, committing more than 100 burglaries, over 50 home-invasion rapes and at least 12 murders. More than that, the show explored the case through writer Michelle McNamara, who had been kept wondering about the culprit over the years and decades — because, astonishingly, no one was sentenced for the Golden State Killer's crime spree until August 2020. McNamara's own tale is filled with intrigue, too, which the series also explored. She'd spend her nights spent sleuthing through unsolved crimes and penning the blog True Crime Diaries while her family slept. Fixating on the Golden State Killer actually led McNamara to writing an article for Los Angeles Magazine, plus a book deal. But before she could finish her manuscript, McNamara — who was also married to comedian Patton Oswalt — died of an accidental prescription drug overdose in her sleep. Her book I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer was published two years after her death, and before an arrest was made in the case, with the six-part HBO series stepping through this whole scenario. I'll Be Gone in the Dark's central figure was interested in other cold cases, too — and, because seemingly everything can return these days (and not just beloved sitcoms), the show is now coming back for a special follow-up episode to delve further into her obsessions. Viewers can expect to hear more about McNamara's work on cold cases in general, and to dive into one that affected her deeply: the rape and murder of Kathy Lombardo back in 1984, which happened in McNamara's hometown of Oak Park, Illinois. Once again, McNamara's own archival research and voice recordings will play a big part. The one-hour special episode will also feature interviews with residents of present-day Oak Park, all as part of a broader musing on how unsolved crimes cause their own traumas. In Australia, it'll be available to watch on streaming service Binge on Tuesday, June 22 — in line with when it airs in the US on HBO. Check out the trailer below: I'll Be Gone in the Dark's special follow-up special will be available to stream via Binge on Tuesday, June 22. Top image:HBO.
As part of a recycling makeover for the state, Victoria is finally going to score its own container deposit scheme — but don't go holding your breath just yet. The Andrews Labor Government has announced grand plans to overhaul the state's waste and recycling system, with a $129 million suite of initiatives to be rolled out across the next few years. And while its goal is to slash the amount of waste sent to landfill by 80 percent over ten years, the first of the proposed recycling projects won't kick off until sometime in 2021. Announced today by Premier Daniel Andrews and Minister for Energy, Environment and Climate Change Lily D'Ambrosio, one of the key initiatives would see homes switch from three to four different colour-coded bins, in an effort to better sort waste. A purple lid bin would be used for glass recycling; a green lid for food and garden organics; a yellow lid to recycle plastic, metal and paper; and a red lid for all other household waste. It's a move designed to make planet-friendly waste management easier — the separation system means more glass can be effectively recycled and reused for things like roads and footpaths and lots more organic waste can be diverted from landfill. The four-bin system is slated to start rolling out gradually next year, though it may take a while to reach every household. https://www.facebook.com/LilyDAmbrosioMP/photos/a.1076803459001908/3403877702961127/?type=3&theater The Labor Government has also announced plans to finally give Victoria its own container deposit scheme, which would allow locals to exchange their empty bottles and cans for cash. Though, don't expect that to come to fruition until 2023, after the system's designed and implemented in close consultation with councils and industry. The move has already been a long time coming, with Victoria the only Aussie state that hadn't already committed to one — Queensland's Containers for Change program launched in late 2018, while South Australia led the charge by introducing its version way back in 1977. The finer details of Victoria's scheme are yet to be hashed out, though it could involve manually operated or automated 'reverse vending machines' that would offer a money credit for each item deposited. The concept's already had a strong show of support from local councils, including the City of Frankston, the City of Darebin, the City of Port Phillip and the City of Melbourne. Will it look anything like Victoria's first foray into a container refund system — the short-lived Cash for Cans scheme from the 1980s? We'll just have to wait and see.
Melbourne's Australian Centre for the Moving Image isn't content with being the country's only museum of its type — it wants to become one of the world's top screen-centric spaces as well. And, thanks to a $31.6 million boost in funding, the Federation Square facility is a step closer to making that dream a reality. ACMI will undergo a massive revamp which will see the centre close down for nine months from early 2019. Announced by the Victorian Government today and set to form part of the state's 2018/19 budget, the extra cash will be used to overhaul ACMI's permanent exhibition — that is, its year-round showcase of screen items and artefacts that runs alongside its short-term blockbuster displays (like its current Alice in Wonderland exhibition). Also on the agenda is a new technology fit-out, upping the facility's immersive and interactive capabilities, as well as an expanded learning centre for schools and students. Plus, ACMI will gain two new labs: an audience lab, where screen industry folks can test out their films and ideas, and a digital preservation lab to highlight both film and digital content. "The renewal will transform ACMI into a leading global museum of the 21st century — expanding its reach and impact, and matching visitor experiences to the very best museums around the world," said ACMI CEO Katrina Sedgwick. Expected to be completed by the end of next year, the project will cost more than $40 million in total, with the government previously allocating $5 million and the rest to be raised from donors. The revamp will mark ACMI's biggest change in its 16-year history — and no, transforming into a zany Tim Burton playground, a huge David Bowie tribute and taking patrons down the rabbit hole to Wonderland doesn't count.
Fan art has been deemed the domain of the obsessive. Whether that is reserved for the creator or extends to the viewer is still undecided. Nevertheless, Seinfeld - the show about nothing that graced our television screens for 9 years and 180 episodes - is being remembered in a unique way in Newcastle's ArtHive. During the month of May and thirteen years after the show ended, ArtHive, an artist-run initiative, will be home to a new exhibition, Art Vanderlay. The showcase, curated by Jessica Louttit, will showcase art inspired by the show's 9-season run and feature works from local artists including Mike Foxall, Ry Wilkin, Sarah Mould and "many sponge-worthy others in one huge Seinfeld fan flaunt." The opening night on May 27 will see the exhibition come to life with episodes of the hit television show being beamed onto the walls, prizes awarded for the best character costumes, as well as catered to the brim with your choice of muffin tops, black & white cookies, Junior Mints and Pretzels. To get in contact, share your ideas, get more details, yada yada yada, keep an eye on the gallery's blog at subjecthive.blogspot.com https://youtube.com/watch?v=t_nCmj9IyLo [via Lost at E Minor]
When the only and only Martin Scorsese turns 80, which he does on Thursday, November 17, every movie buff needs to celebrate. The iconic filmmaker's contribution to the medium he adores is epic, including help reinvent gangster flicks, thrusting Robert De Niro to fame, and never being afraid of taking risks — and cinema forever changed via his contributions. It should come as no surprise that The Astor Theatre is marking the occasion. So is the fellow Palace Cinemas site at Pentridge, but The Astor is going all out for a month. Expect all of Scorsese's hits, plus rarely screened titles and select sessions on glorious 35mm. If you're a fan, expect to spend a lot of time at the St Kilda spot. It all starts on Thursday, November 17, fittingly, with multiple sessions of music documentary The Last Waltz on 4K, but that genuinely is just the beginning. From there, Happy Birthday Marty: Celebrating 80 Years of Mr Martin Scorsese includes early titles like Boxcar Bertha and Alice Doesn't Live Here Anymore, the attention-grabbing Mean Streets and Taxi Driver, and even musical New York, New York and the family-friendly Hugo. Screening until Sunday, December 18 — and ending with The Last Temptation of Christ just a week before Christmas — the season includes plenty of RDN, naturally, including the Joker-influencing The King of Comedy, Raging Bull, Cape Fear, Goodfellas and Casino. Leonardo DiCaprio pops up in Gangs of New York, The Departed, The Aviator, Shutter Island and The Wolf of Wall Street, of course — and don't miss the chance to see 80s comedy After Hours, period drama The Age of Innocence and the sublime Nicolas Cage-starring Bringing Out the Dead on the big screen either.
For most folks, Easter is about two things: chocolate and plenty of it, and enjoying at least a four-day break from the daily grind. However many sweet treats you have in your near future, and however you're planning to spend your time off, Virgin wants you to keep the holiday vibes going — dropping a pre-Easter sale with 350,000 discounted fares up for grabs. As the airline tends to, it's starting prices as cheap as $55, which will get you from Sydney to Byron Bay and vice versa. From there, the sale spans everywhere from the Hamilton Island, Tasmania and Darwin through to Tokyo, Bali, Fiji and Vanuatu. The low fare, more air sale runs until midnight AEST on Monday, April 3 — unless sold out earlier, with The Whitsundays, the Sunshine Coast, all the regular Australian capital cities, Queenstown and Samoa also covered. That means paying $75 one-way from Sydney to the Sunshine Coast, $89 from Adelaide to Launceston, $99 for a trip from Melbourne to the Gold Coast and $115 to get from Brisbane to Hamilton Island. Or, still on local deals, $89 from Melbourne to Adelaide, $115 from Sydney to Cairns, $219 from Melbourne to Darwin and $229 from Sydney to Perth. All legs are available in both directions. Internationally, return fares include the Gold Coast to Bali from $419, Sydney to Fiji from $459, Melbourne to Vanuatu from $539 and Cairns to Tokyo from $699. For folks in Sydney and Melbourne keen to head to Japan, the Tokyo trip costs $819 from each via Cairns. If you're wondering when you'll need to travel, the fares cover between Tuesday, March 9–Thursday, December 14, all varying per route. Inclusions also vary depending on your ticket and, as usual when it comes to flight sales, you'll need to get in quick if you're keen to stack your year with post-Easter getaways. Virgin's low fare, more air sale runs until midnight AEST on Monday, April 3 — unless sold out earlier. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
