Dark, Not Too Dark

Memory is the ghost of the senses. When the light of that summer day has long vanished, its traces hide amongst the folds of your brain, stirring the chemicals to action. And the tragedy is that memories never actually fade – they transform, grow stagnant, horrific or cruelly idyllic. Nothing is more haunting than the […]
Jimmy Dalton
Published on January 22, 2010

Overview

Memory is the ghost of the senses. When the light of that summer day has long vanished, its traces hide amongst the folds of your brain, stirring the chemicals to action. And the tragedy is that memories never actually fade - they transform, grow stagnant, horrific or cruelly idyllic. Nothing is more haunting than the memory of light.

Here, in the aftermath, can be found Alexandra Harrison's first solo work, Dark, Not Too Dark. A twelve-year veteran of theatre and dance, Harrison has devised and toured work across Australia and internationally with companies such as Legs on the Wall, B Sharp, National Theatre of Scotland and Branch Nebula. She is joined here by the creative mastery of Bob Scott (music), Richard Manner (light) and Kate Davis (design).

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