Meg Cowell: To the Surface
A 1000 litre pool, inner-city backyard and theatrical garments combine.
Overview
It's not everyday that you hear the words 1000 litre pool, inner-city backyard and theatrical garments uttered in the same sentence. Yet this is exactly what artist Meg Cowell does. Inspired by the forgotten pieces of clothing strewn about the footpath from somebody’s big night, she set about recreating these pieces of women's clothing (with the addition of couture). She did this through the use of a pool of water to allow buoyancy and an unusual method of display. They end up as illuminated pieces of fabric, which exist in blackness, with only a hint of the water that they are floating within remaining.
The result is ghost-like, and the viewer is left with a tactile and emotive image. The pieces of fabric end up looking as if they are “inhabited” by bodies, with movement being created by carefully arranging the clothing with balloons, and being sewn into place. The yellow bustle Girclee print Lens Mist in particular took a few days to position before it was able to be photographed with such a long exposure.
While shooting this series, Cowell, who graduated with honours in photography from the University of Tasmania in 2007, had to overcome the difficulties of photographing fabrics in water in her small inner-city backyard. She says this is because the “water adds its own organic force and shifts the fabric in ways that are impossible to control. Because of this, each shot takes about a week to make.” She was “constantly up and down the scaffolding manipulating a collar or adjusting a piece of lace to be "just so".
There was “also a certain aspect of mischief in my productions as many of the hired garments are 'dry clean only'," says Cowell cheekily. This added an “element of drama to my process, especially as the owners took my credit card details as bond against damage. My methods for getting around this involve a hair dryer, tissue paper and a pair of straitening irons.” Which are hardly the usual concerns for the average photographer. But luckily it paid off and no bonds were lost.
See more of Meg Cowell's photography in our feature gallery.
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