Overview
From the Lumiere brothers to Christopher Nolan, cinema has always been more than just benign entertainment for our Saturday nights. It has reflected the ages we live in, not just in costumes and settings but in representing the pure zeitgeist.
As we head off to the Sydney Film Festival and the Human Rights Arts and Film Festival, where films break barriers and open eyes, we’re thinking about those films that have changed how we see that crazy little thing called love.
Mixed-race couples in love
Even now it's still unusual to see mixed-race couples on film and television. Take Glee: the Asian girl has to end up with the Asian guy. It seems like a particularly persistent blindness given all the inter-species lovin' outlined below.
But go back a few years and you will find a few films that did manage to break down this particular barrier. Most famous is 1967's Guess Who's Coming to Dinner where Katharine Hepburn and Spencer Tracy's daughter brings home a black fiance, the barrier-breaker himself, Sidney Poitier. This film paved the way for a series of bad dance films where white ballerinas hook up with street dancers, a la Save the Last Dance. Awesome.
Monsters and humans in love
Move over Twilight; if you think this was the first film that depicted the forbidden love between a human and a monster, you need to catch up on some movies. It wasn't even the brilliant Joss Whedon who was first in with Buffy. You have to go right back to the first monster movies, and King Kong. Okay, so in the 1933 version love was a little-one sided on the monkey side, but in Peter Jackson's 2005 remake Ann Darrow (Naomi Watts) shows a tender affection for the giant ape. The Mummy (1999) also depicted an everlasting love between a monster and a human, with the mummy rising only with the intention of bringing his love back to life through a human host.
Unwed couples in love
Cinema is polluted with unwed couples; the only thing is they're usually the ones copping all the flak. Take any disaster or horror movie you know: the first people that are going to get it are the ones that are enjoying a bit of out-of-wedlock nookie. Most movies, in Hollywood at least, focus on the couple's progression towards an inevitable marriage. Even today it's unusual for a Hollywood romance not to end in marriage.
The spectacular The Princess Bride is one classic film that, ironically due to the title, doesn't end in a wedding. In fact, it ends with breaking up the marriage that was to be, so the true lovers can be together. More recently, the successful comedy Knocked Up shows us that it's possible to not only be in love but to have a baby out of wedlock and still be relatively happy. Other films catching up to the multitude of ways in which start families include the upcoming Friends with Kids, where friends have kids.
Teenagers in love
Early cinema often turned to literature's classics for inspiration, which means cinema's first teenage couple in love was that famous star-crossed duo Romeo and Juliet. They were the ones breaking barriers down between two warring families, but were they breaking cinematic barriers?
Teenage films really came into their own in the '60s with the likes of cheesy, safe comedies like Beach Blanket Bingo (1965), where the teenage actors were well into their twenties. That trend continued into Grease (1978), surely one of the greatest teen love stories of all time, but it was John Hughes and the Brat Pack in the '80s that really examined what it meant to be a teenager in love. The '90s brought us another round of teens in love with 10 Things I Hate About You being a personal favourite (vale Heath Ledger). If a teenage boy can get over a girl's obsession with Sylvia Plath to buy her a Fender Strat, that's got to be love.
Gay couples in love
One of the earliest scenes in moving pictures shows two be-suited men dancing together, perhaps cinema's first gay couple. In fact, this scene is from an experimental sound picture now known as Dickson Experimental Sound Film, one of the first examples of an attempt to synch sound and picture. One early German film, Madchen in Uniform, is reputedly the first film with a pro-lesbian storyline, and in 1931, that’s quite an achievement.
References to gay characters have permeated cinema throughout the years - for the best breakdown on queer cinema see the brilliant, though slightly old, doco The Celluloid Closet - but it's only been in recent years that we've seen true love, not jaded by other motivations. While we enjoyed the comedic love between the fathers in The Birdcage (1996), it was with the excellent The Kids Are All Right (2010) where we first had a gay couple, truly in love, whose 'gayness' wasn't an issue to be exaggerated; in fact, wasn't part of the main storyline at all. How could it be, when the parents could just as easily have been heterosexual?
The Sydney Film Festival is on from June 6-17 and the Human Rights Arts and Film Festival is on from May 29 to June 1. The New Zealand Film Festival kicks off in Auckland on July 19 2012. Friends with Kids releases nationally on June 7. Main image from the film Attenberg.