Four Indigenous Aussie Hip Hop Artists You Should Know

Overcoming systemic discrimination, both in the music industry and society more broadly, Indigenous hip hop artists are the vanguard of an exciting new era of Aussie hip hop. In the words of politically-conscious rapper Briggs, star of the ABC's Cleverman and Black Comedy:

They're growing up fast, they're growing up tough,

They're giving back everything they never got as a pup,

And if they want something, you're giving it up,

If they want something, you're giving it up.

It's tempting to say that Indigenous hip hop is undergoing a renaissance of late, but it wouldn't be entirely accurate — the scene has been strong for years, it's just that now it's finally starting to get the attention it deserves. One initiative responsible for this greater recognition is Klub Koori, a regular showcase of emerging and established Aboriginal and Torres Strait Islander musicians produced by Koori Radio.

So, before they storm the stage on Thursday, July 7 at Carriageworks and with NAIDOC Week in full swing, we thought we'd introduce you to some Indigenous artists who are coming up fast and coming up tough. Oh, and they do want something: the throne.

JIMBLAH

Hailing from the Larrakia Nation in the Northern Territory, Jimblah sums up the paradox of 'traditional' (read: predominantly white) Aussie hip hop when he raps: "I see your fans, they're a bunch of racist kids, so who's to blame?" While there are few examples of overt racism in the local scene there is a definite racist undertone — so much so that those paragons of Aussie hip hop Hilltop Hoods felt compelled to write a whole song about it. Jimblah's fiery pull no punches lyricism — highlights include: "Australia just look what we made here/From slave ships to Great Britain's blood on their hands/Understand the royal fam, flying the flag/Unlawfully stands a generation unlawfully here" — has seen him garner significant critical acclaim.

LADY LASH

A Kokatha/Greek woman from far western South Australia, Lady Lash is a generic anomaly. Combing equal parts jazz, hip hop and soul interwoven with powerful storytelling, her music pushes sonic boundaries in profoundly beautiful ways. Having taken out the Victorian Indigenous Performing Arts Award for Most Promising Act and The Age Music Victoria Award for Best Indigenous Act with her debut album Crystal Mercy: The Fisherman's Daughter, Lady Lash is set to release her third album Therapy Tapes later this year.

NOOKY

2016 has been an exciting year for Yuin Nation rapper and @IndigenousX host Nooky. Taking out the Australia Council Dreaming Award at the National Indigenous Arts Awards not only came with prestige but also a very tangible $20,000 grant towards developing his debut album. Signed to Briggs' label Bad Apples Music and having collaborated with Taboo from The Black Eyed Peas (after a chance encounter and cypher at The Block in Redfern), it's safe to say that his debut album is being hotly anticipated. It seems as though it's only a matter of time before Nooky blows up, so get on board early.

TASMAN KEITH

Splitting his formative years between inner city Sydney and Bowraville in the bucolic Nambucca Valley, Tasman Keith's music reflects these contrasting locales, combining sun-kissed beats with an effortless flow and lyrical dexterity reminiscent of early '90s East Coast hip hop. Having burst onto the scene in 2015 with his debut single 'B You', Tasman, the son of legendary Australian hip hop pioneer Wire MC, pays homage to his Gumbaynggirr heritage while epitomising the thoughtful, soulful sound that seems to be emerging in the local scene. At just 18 years old, Tasman Keith is definitely one to watch out for.

Klub Koori is happening at Carriageworks on Thursday, July 7 at 7pm. Tickets are just $10 +BF.