Margaret Olley: Home

A celebration of the living, breathing art installation that was Margaret Olley's home.
Lauren Carroll Harris
Published on November 12, 2012

Overview

This Historic Houses Trust exhibition, one of the first since Margaret Olley's death last year, is part of the long goodbye to the iconic Modernist Australian artist. It celebrates Olley's life and work through an exploration of the place at Duxford Street, Paddington, that she packed with flowers, antiques, easels, wine and friends and called home.

The giant terrace was a living thing; it remains an ongoing legacy of Olley's contribution to Australian art history, and will shortly be dissected and born again as a public arts centre. In the meantime, Margaret Olley: Home offers a glimpse of Duxford Street's glorious, colourful chaos.

The show comprises a compact series of paintings and photographs of the interiors of Duxford Street, a small recreation of a room in the house and a film by Catherine Hunter. Every saturated stroke in Olley's oils (bridging from 1972 to 2011) are charged with energy and vigour - they form a fluent conversation with exhibition curator Steve Alderton's photographs and suggest something far from a still life.

In its totality, Margaret Olley: Home is fragmentary - an affectionate snapshot of somewhere huge and rich and strange that belongs to a bygone era. Not unlike Olley's paintings, the show is impressionistic. It's a bit like looking through a kaleidoscope - a scattered, light-filled view that indicates the outlines of things in movement much more than their complete form. We're left with a sense of finding and creating art in the everyday. Of creativity as a lived, daily adventure and of art stretching off the canvas, out of the gallery and into the home. A must see mainly for admirers of Olley's work.

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