Nothing Like Performance

The music industry has spent a long time moving toward favouring the live performance over the recording to make their money. But Sydney Artists have also started going the way of the live performance, with while-you-wait graffiti wars and the seemingly inexorable rise of the Brown Council. Fresh from a series of water-based performances, Artspace is bringing you artists who put themselves back into their work for Nothing Like Performance.
Zacha Rosen
Published on November 20, 2011
Updated on December 08, 2014

Overview

The music industry has spent a long time moving toward favouring the live performance over the recording to make their money. But Sydney Artists have also started going the way of the live performance, with while-you-wait graffiti wars and the seemingly inexorable rise of the Brown Council. Fresh from a series of water-based performances, Artspace is bringing you artists who put themselves back into their work for Nothing Like Performance.

Artist Paul Donald will be spanning the space with ramshackle bridge, as frequent auto-portraiter Lauren Brincat gets on and off camera to satisfy her urge for art. Matthew Bradley renews his drive to make a windmill-like set of giant wheels, building it live as the next element in his Monster Bike, a project last exhibited as a Borgesian 1:1 model in his Victorian show Storm Machine.

Will French likes big public statements with his art, having once driven a car through the wall of Firstdraft for art's sake, and here will elaborate on elements from his travels. Body-shaping performance artist Yiorgos Zafiriou will bring beginnings from Damien Minton's annex to conclusion at Artspace, painting classical German sculptures out in marble, while the Brown Council dot three shows over the course of the exhibition, honing in on a particular Aussie performance artist.

The Brown Council perform opening night and December 4 and 18.

Image: This Time Tomorrow: Tempelhof by Lauren Brincat.

Information

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