Paths to Abstraction 1867-1917

Overview

An exhibition-meets-art-history-lesson, Paths to Abstraction traces the transformation of the art world over a 50-year period. While the exhibition follows a narrative, it is not a linear one; it tells of a variety of 'abstractions' and diversions from the (then) naturalist norm. Each room is a universe unto itself, so choose your own adventure: Start from Cezanne's impressionism and follow with Picasso's cubism; play with Matisse and the 'fauves', then Bonard and the 'Nabis'; or peer curiously at vampires from Munch and next noble savages by Gauguin.

Yes, this exhibition is comprehensive. Studies, sketches and publications are significantly included alongside more traditional 'works'. The pieces themselves span a wide range of mediums, including wool, woodcuts and a bicycle wheel. There is an acknowledgment of ancestry, in the form of James Abbott McNeill Whistler, and also hints towards later directions in both art and design with the inclusion of works such as Gerrit Rietveld's Red and Blue Chair prototype.

Paths to Abstraction is amazing and exhausting: the kind of exhibition you could wile away hours in. A definite 'do not miss'.

Image by Patrick Henry Bruce.