Tin & Ed: United Eye

The Somedays gallery/store is making a habit of hand picking the best artistic talent from our southern neighbour state and spoiling/embarrassing us with their brilliance.
Daniel Voysey
Published on November 27, 2010

Overview

The Somedays gallery/store is making a habit of hand picking the best artistic talent from our southern neighbour state and spoiling/embarrassing us with their brilliance. They have the pleasure of hosting design collaboration Tin&Ed's first solo Sydney exhibition and I will bet my left arm it won't be their last.

The exhibition is titled United Eye. It features pieces of 'HOLY-GRAMS' — a recent Tin&Ed installation that drew crowds to the Melbourne festival. There are also risographic prints which continue the HOLY-GRAMS theme of cultural and societal icons and symbols. I'm not going to pretend I didn't have to google 'risograph'. Don't worry — I'll save you the trouble — it's a simplified, rustic photocopier that applies ink to a hot roller which is set on the paper that passes through. Im told it delivers a more authentic result than most traditional mass-produced prints.

Hours were spent labouring over the handmade cut-outs that will feature in United Eye. Each cut-out represents one or more recognisable icons that have featured in society's exploration of spirituality, culture and existence. There is a flawless, simplistic flow to them which represents so many ideas but maintains the uniformity of a neatly constructed font set. Looking at the risographs and cut-out silhouettes, I can't help but think of Keith Haring. In my opinion United Eye is an example of what Haring might have achieved if he didn't restrict his subject matter to social causes.

Tin&Ed should need no introduction with a condensed CV that is intimidating to say the least (AMEX, Nike, MTV, Vice, MYER to name a few clients). It's little wonder you need to RSVP to opening night.

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