Titanique
Set sail with Céline at the Australian debut of this outrageously funny homage to James Cameron's cinematic masterpiece and Canada's greatest musical export.
Overview
Even after 112 years, creating a musical comedy about a disaster that claimed more than 2200 lives could feel tone deaf. So it's important to note that Titanique is not about a historic tragedy. Not really.
This raucous and rib-tickling show began its life as an in-joke between three Broadway luminaries — performers Marla Mindelle and Constantine Rousouli and director Tye Blue — who wanted to pose the question: what if the true hero of James Cameron's Titanic was, in fact, Canada's greatest icon, Céline Dion? The result is 90 minutes of pure joy, underpinned by the belting power ballads of Québec's most famous daughter and a shade of outrageous humour bluer than the Heart of the Ocean.
Much like its humble off-Broadway origins, the Australian premiere of Titanique has been staged in one of Sydney's smaller theatres, The Grand Electric in Redfern. While packing a larger auditorium would have been an easy task for such a feel-good show, producers Michael Cassel and Eva Price's decision to place this production in such an intimate space is a master stroke. In these close quarters, where the performers are within touching distance, there are even more opportunities to bulldoze the fourth wall and amp up the camp extremes of the show's bawdy zingers.
But Titanique doesn't just deliver laughs. While the bizarre plot — a fever dream retelling of Cameron's cinematic epic from the perspective of Céline Dion, via the songs of Céline Dion — offers comedy of the silliest kind, the singing prowess on display is no joke. Marney McQueen delivers a forensically detailed impression of Dion, backed up with astonishing vocals all but indistinguishable from the real thing.
Indeed, the entire cast wow with their voices, which only acts to make the narrative absurdities even more hilarious — it's a truly unique experience to hear McQueen, Abigail Dixon as the "unsinkable" Molly Brown and Georgina Hopson as Rose, flawlessly nailing the chorus of 'Tell Him' while suggestively rubbing an eggplant.
Much like The Book of Mormon (which is returning to Sydney next year), Titanique taps a rare yet potent duality: the guilty pleasure of gutter humour and the soaring thrill of a virtuosic performance. Through this double-dose of serotonin, peppered with crude one-liners, pop culture references (with some fresh Australian content added for local benefit) and a generous drenching of fabulosity, this is a show that will leave your heart full and your sides split.
Images: Daniel Boud
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