Truth Or Dare

We dare you to turn your back on this limp sponge of a horror film.
Kat Hayes
April 12, 2018

Overview

If there's one thing we grew up hearing from our mothers, it's "don't follow strange men you've just met in Mexico into abandoned churches in the middle of nowhere". Or something like that. In any case, you'll be shaking your head just like your mum within the first half hour of Truth or Dare, as you follow the sordid activities of a group of teenagers on spring break as they become embroiled in a ~deadly~ game.

Regardless of how your mother phrased her advice, we're sure it was much more sensible and well-intended than this waste of time of a film. Somehow earning the stripe of being from Jason Blum's Blumhouse Productions team (who brought you Get Out, Insidious and Whiplash), we have a feeling this is one movie Blum deigns to forget pretty quickly – as will most people who watch it.

The film follows a group of teenagers on spring break (ugh) who, after the standard montage of tequila and bars and hook-ups (uuugh), find themselves playing a game of truth or dare with a stranger who soon gets weird and jumps ship. That leaves Olivia (Lucy Hale) and a bunch of her friends to finish the game, only to realise that the game isn't finished with them. Yeah, that's right – another movie where pretty young people are killed off one by one. This time it would seem a demon curse is the culprit.

Unsurprisingly, Truth or Dare is extraordinarily silly, from the setup all the way down to the ridiculous facial effects that look as though they're the result of too many pingers and one of those carnival fun mirrors. It's meant to be scary, and to indicate how dark and terrifying a demon it is we're dealing with here (spoiler alert: not very). More disturbing is how little the characters seem to care when their mates start kicking the bucket. Teens these days, huh?

The only semi-interesting story element relates to one character's struggle with how to come out to his strict father. Unfortunately, most everyone is dead before it can really develop into anything worthwhile. Thin in plot, thick in bad acting and dialogue, we dare you to turn your back on this limp sponge of a film.

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