Five Must-See Films at the 2016 Scandinavian Film Festival
Catch an Icelandic rom-com, see a Finnish post-war drama and get into Nordic Noir.
Sick of the winter weather? Then escape from the chill to a warm, dark cinema, where you can watch movies from places even colder than here. Returning to Palace Cinemas in Sydney, Melbourne and Brisbane, the Volvo Scandinavian Film Festival will once again showcase the best of Swedish, Danish, Finnish, Norwegian and Icelandic cinema, from award-winning dramas to esoteric comedies and the very best of Nordic Noir.
One of the big highlights on this year's program is the Golden Globe-nominated The Fencer, a Finnish-German-Estonian co-production — dubbed by Finland Today as "the best Finnish film in a decade" — about a fencing instructor hiding from Soviet forces in Estonia in the years after the war. It's one of a number of critically-acclaimed titles in the program this year, alongside oddball Icelandic rom-com The Together Project which took home a screenplay prize at Cannes, and the excruciatingly tense Danish drama Land of Mine, which played in competition at the Sydney Film Festival earlier this year.
Check out our list of the five must-see films at this year's Scandinavian Film Festival, below.
WELCOME TO NORWAY
The opening night film at this year's festival is the fittingly titled Welcome to Norway, a jet black comedy about the current European migrant crisis and the attempts of one intrepid businessman to cash in. Anders Baasmo Christiansen plays a casually racist Norwegian hotel owner who, due to mounting debt, is forced to turn his establishment into refugee housing. With a supporting cast made up of actual Syrian refugees, director Rune Denstad Langlo has created a timely piece of social satire that promises to be both funny and outrageous.
THE FENCER
One of two post-war dramas to feature on this list, The Fencer first caught our attention at the Golden Globes earlier this year, when it competed as Finland's nominee for Best Foreign Language Film. Directed by Klaus Härö, the film tells the story of a world class swordsman turned reluctant German soldier, who in the years following WWII finds himself hiding from the Soviets in a small Estonian village, where he finds work as a school P.E. teacher and fencing instructor. Critically acclaimed in Finland, The Fencer was described by one media outlet as "the best Finnish film in a decade". Good luck finding a more glowing recommendation than that.
https://www.youtube.com/watch?v=-CLtk5NewrM
LAND OF MINE
In the aftermath of WWII, German POWs under the command of Allied forces were put to work clearing Denmark's western coast of more than two million German landmines. This gripping Danish drama follows one such group of prisoners, with director Martin Zandvliet drawing on historical events to craft a film that combines the stomach-churning tension of The Hurt Locker with the anti-war sentiment of Joyeux Noel. With the lives and limbs of frightened young soldiers hanging in the balance for much of its running time, Land of Mine is certainly not for the faint of heart. For anyone who can handle the anxiety, however, the film is an absolute must-see.
THE TOGETHER PROJECT
In a desperate attempt to get closer to a beautiful swimming instructor (Florence Loiret-Caille), a lonely crane driver (Samir Guesmi) signs up for lessons with her at the local pool — despite the fact he already knows how to swim. A sure-fire charmer, The Together Project is the final film from French-Icelandic filmmaker Sólveig Anspach, who passed away last year after a battle with cancer. The breezy, off-beat rom-com premiered posthumously at Cannes, where it scored strong reviews from critics and won the Directors' Fortnight SACD Prize for Best Screenplay.
THE PUSHER TRILOGY
Long before anyone in the English-speaking world had heard of him, director Nicolas Winding Refn broke onto the scene in Denmark with this violent, kinetic crime saga set on the mean streets of Copenhagen. Crisscrossing the lives of various unseemly characters, the Pusher films, with their stylish aesthetic and searing central performances, are unmistakably the work of the same auteur who would go on to direct Ryan Gosling in Drive and Only God Forgives. Each film in the trilogy will screen just once over the course of the festival, in late night time slots befitting their underground status. Special discounted ticket prices are available to patrons who decide to see all three.
The Scandinavian Film Festival runs July 5-27 in Sydney, July 6-27 in Melbourne and July 13-27 in Brisbane. For the full program, visit scandinavianfilmfestival.com.
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