Dustin Tebbutt Talks Roasting Coffee, Living in Sweden and Working with Oliver Tank

If it's ethereal indie folk you're after, Dustin Tebbutt is your man. The New England native's music is described by his record label as "the music for your autumns and winters" which, in our opinion, couldn't be more accurate. The haunting isolation that comes through his high echoey vocals and crisp acoustic guitar certainly create feelings of isolation and introspection. Well, it's a good thing he's coming to town as the temperature is starting to drop.

Tebbutt's latest national tour is for his latest EP, Bones, and it's gorgeous. First single 'Bones' is much like what we saw on debut EP The Breach; incredibly entrancing music that has the ability to transport its listeners far away from anyone or anything. If you enjoy the thoughtful sounds of Bon Iver or Sigur Rós, then Dustin Tebbutt is a local boy you definitely shouldn't miss.

The Armidale local had a good ol' chat to Concrete Playground about roasting coffee, living in Sweden and working with Oliver Tank, right smack in the midst of his national tour.

So you're on tour at the moment, and all of your shows are pretty much sold out. How has it all gone so far?

It's been really great. We've got a really good crew and they're all people I know really well, so it's just like hanging out with friends really! The shows have been really nice, it's a big difference selling out shows and knowing there'll be a lot of people there to see you, as opposed to driving halfway across the county and ending up with 20 people in a room. It's been amazing and everyone has been really receptive so far, so it's good.

Is this your first time performing with a band? What has that been like for you?

We did Falls Festival with the band and a festival in March in Sydney with the guys, but they were really just warm up shows to get it all up and running. This is the first tour that we have headlined and the first time we've been on the road together. We've got a chance to do a few shows back to back, which has been really good. It has allowed us to have a closer look at the songs and workshop stuff a bit too.

You have also done some international touring earlier this year, how was the reception to your music overseas?

I was really surprised actually! I've been really lucky here to have the support of triple j and FBi that have allowed me to get in front of a lot of people quite quickly. Overseas that hasn't really been happening, it's just been word of mouth over the internet. The London show sold out and the New York show sold out, and the one in Amsterdam was packed, so it was really surprising to see that. It's kind of weird because it's very passive, going to these far away places and people happen to know about you! It's strange but it's nice.

This tour is showcasing your recently released second EP Bones. Did the songs come together in a different way to your debut EP The Breach?

It was a similar process in a way. Quite a few of the songs on Bones started out in the same place as The Breach, and they were kind of the ones I started writing a bit closer to the end of that period overseas. I wasn't quite finished with them when I got back but they all came from a very similar place — a lot of the themes are pretty similar as well. I think I learned a lot with The Breach EP production-wise and my own writing process, and I think Bones was more of a way to experiment with that and refine it a bit more. In a way I think they are both from the same chapter of my life, we'll have to see what the next one is.

https://youtube.com/watch?v=FzdxNjwsoAI

There is a wonderful remix of The Breach by Oliver Tank on the Bones EP. You two seem like a match made in heaven, how did that collaboration come about?

I had seen him when he was supporting James Blake at the Opera House in Sydney, and when he first put out his EP years ago was when I just got back to Australia and I was listening to it a lot up in Armidale. It just kind of captured me straight away, I just sent him an e-mail just to see if he was interested and we just took it from there. I gave him a lot of creative control and said, "There's no agenda here, I just want you to make something that you're happy with." He took his time with it and when I heard it back for the first time it blew my mind, it was so stunning. I'm really happy that we got the chance to work together.

So let's go back a bit, you moved to Sweden for two years and that is where song from The Breach EP were conceived. What drew you to Sweden and how did living their influence your music?

Originally I was living in Melbourne just before that and I was playing in a few bands and roasting coffee, and my life was very sorted and on a trajectory. I just felt the need to shake it up a little bit. I had a friend who had grown up in Sweden and he was out here as well making music at the time. He told me about the scene over there and how the music is a bit different and I started to get intrigued by that, to the point where I had to go and check it out for myself.

When I got there I didn't have any preconceived notions of what it would be like, so I was a bit of a sponge. Spending a lot of time with a small group of people writing music in winter, we stayed in this little country town an hour south of Stockholm for three months and it was insane. It was like the images you see on the Sigur Rós covers. It was such a beautiful place and to be so far away in a different environment was pretty inspiring.

You came home to produce and record The Breach in your home studio that you built in Armidale. Do you prefer this set up to a fully-equipped professional sound studio?

I really do. I actually did a lot of the drum tracking within a bigger space, which was really good because it's efficient and easy and there's not really anything logistically getting in your way. But the studio that I built was tiny; I could only just fit an office chair in there. But it made you solve problems differently, maybe instead of setting up a new microphone or getting a new guitar, because that would take you eight minutes to change everything over, you didn't. Or you couldn't fit the instrument in the room properly, so you'd play it upside down.

The whole set up made me make all of these interesting choices that contributed to the overall sound of the record. If you go to a big studio where a lot of bands have tracked you risk sounding like every other record that has been made in that room. I didn't want to do that, I wanted to do my own thing and it might not have been the easiest way to do it! But I'm really happy with how it worked out.

Your music is very distinctive; ethereal and complex. Who would you say are your musical influences?

Laura Veirs, a Canadian-born singer-songwriter, she and her husband have made six albums together now and he is one of my favourite producers. She was a geologist and she has this amazing vocabulary for songwriting and she tells the most beautiful stories through geographical metaphors. It's just stunning; she's one of my all time favourites. I guess I listened to a fair bit of Bon Iver when that first record came out, and Jeff Buckley when I was growing up, that's probably where the falsetto comes from.

You've produced two wonderful EP's, any plans on releasing a debut LP album this year?

I'm working really hard to make that happen. At the moment there's not a deadline, I don't want to put anything out that I'm not completely happy with. I'm just writing as many songs as I can and trying to finish them off when they feel ready. It would be really nice to get something out this year, but I'm not making any promises (laughs).

What else has this year got in store for you once you've finished the Bones tour?

We're heading up to Splendour in July, which will be awesome. Going to drop in to Armidale on the way back — I haven't been there for a few months so that will be good to catch up with some people there. In August there will be a festival in Port Hedland so we'll head up there for a few days. Missy Higgins is playing and the Kite String Tangle, and a few other people I'm looking forward to sharing the stage with so that will be nice. A lot of song writing this year I think, it should be a lot of fun.

TOUR DATES:

WED 14 MAY - Northcote Social Club, Melbourne (SOLD OUT)

THU 15 MAY - Northcote Social Club, Melbourne (SOLD OUT)

FRI 16 MAY - Northcote Social Club, Melbourne (SOLD OUT)

TUE 20 MAY - Newtown Social Club, Sydney (SOLD OUT)

WED 21 MAY - Newtown Social Club, Sydney (SOLD OUT)

THUR 22 MAY - Newtown Social Club, Sydney (SOLD OUT)

FRI 23 MAY - Alhambra Lounge, Brisbane

SAT 26 JULY - Splendour in the Grass, Byron Bay