Just when you thought Melbourne's festival calendar couldn't get any more packed, Summersalt springs into town. From January 23 -February 21 next year this monumental outdoor arts festival will be bringing you giant inflatable whales, artsy bouncy castles, roving street theatre, artworks exclusively for dogs and more. With all events taking place around Southbank and most being completely free, it's safe to say, your summer is looking just that little bit more sunny. Summersalt is the baby of all our best cultural institutions. MTC, Malthouse, ACCA, Melbourne Recital Centre, Arts Centre, VCA, Chunky Move, Melbourne Symphony Orchestra, The Australian Ballet and the NGV will all be involved and it's the first kind of Melbourne event that has such high levels of collaboration. The recently announced Sugar Mountain Festival will be run in collaboration with the festival as will next year's White Night. Though the full lineup is yet to be released, what we've seen so far is definitely exciting. If you didn't catch Architects of Air's much-loved EXXOPOLIS at the Glow Winter Arts Festival, it will be back in town after its run at MONA FOMA, or you can opt to get cosy in the belly of a whale or check out the biggest human puppet in the world if you're up for something new (and slightly terrifying). This interest in large-scale, outdoor works is no coincidence — the whole aim of the festival is to draw in new audiences. Come for the giant inflatable whale, stay for the art. Some theatrical favourites from the past year will also be making a welcome return in the form of Malthouse's Blak Cabaret and MTC's Cybec Electric series of cheap play readings. The highly-acclaimed, intimate Cherry Cherry (A Dining Room Tale) will also be back in action as Neda Rahmani invites you over for a BBQ. This theatrical program is looking much stronger than the musical offerings; aside from the glorious Sugar Mountain Festival, not much has been released aside from the always beautiful MSO sessions at Sidney Myer Music Bowl. There are also a couple of odd, miscellaneous works which really stand out from this first round of events. Asking audiences to sleuth through the city and hunt down clues, Sour Times is a wholly interactive work that leads you along secret trails with the help of a special smartphone app. Or, if you'd rather bring along a furry friend, Anastasica Klose will be setting up the Farnsworth Republic for Dogs in the ACCA Forecourt. An off-leash play area of activities and luxury dog beds, the site will complement Menagerie, her new exhibition inside exploring the connection between humans and dogs. Get your calendar out now and start counting down the days. Not only is the start of the year going to be beautiful and sunny, it's going to be full of roving dogs and giant puppets. Bring it on. Summersalt Outdoor Arts Festival will run from January 23 - February 21. Read more at their website.
Ever wanted to work directly with the world's most recognised performance artist? Here's your chance. Kaldor Public Art Projects are looking for project facilitators to lend a hand for their upcoming escapade, Marina Abramovic: In Residence, in which the controversial artist brings new and existing performance works to Pier 2/3 in Walsh Bay. Yep, Marina Abramovic wants you for her Sydney army. Over June 22 June to July 5 (with three full days of personal Abramovic training from June 15 - 17, alongside collaborator Lynsey Peisinger), you'll be part of the Gallery Team, present in Abramovic's installations with the artist herself, helping guests with guided interactions in the works, coordinating visitors amd supporting Abramovic to deliver one kickass exhibition all-round. Keen? Let's see if you've got the goods. According to Kaldor Projects, "Applicants should have an interest in long-durational performance art and be comfortable interacting with the public. Performance experience is not required but is welcomed. The role requires the ability maintain focus for long periods; people with long-durational practices, such as dance, meditation, sports and yoga, are encouraged to apply." You'll also need to be over 18, and experience interacting with an audience and engaging with the public is preferred. Got that CV ready? If you're interested in applying, you'll need to submit a short biography by Monday, April 13 April "detailing your artistic practice, professional experience or interests that relate to the requirements of the role" to project30@kaldorartprojects.org.au. For more info on Abramovic's Sydney project, click here. For more info on the facilitator role, click here.
An exploration of an exiled poet. The Australian premiere of legendary filmmaker Alejandro Jodorowsky's latest feature. An effort that's being called Peru's first bona fide horror movie. They're just three of the films in the freshly unveiled, first-ever Cine Latino Film Festival lineup, as Australia's first national fest dedicated to showcasing the best in Latin American cinema prepares to tour the country in August. While the complete program features more than 30 movies from Mexico, Brazil, Paraguay, Argentina, Cuba, Uruguay, Colombia, Venezuela, Chile, Guatemala and Puerto Rico, there's a reason that the first of the flicks mentioned above, the Pablo Larraín-directed, Gael García Bernal-starring Neruda, has been plucked straight from Cannes to open the festival. The last time the filmmaker and actor worked together, the excellent No was the end result, so expect another insightful look at Chilean politics from their second collaboration. Jodorowsky's Endless Poetry should rank among the festival's just-as-eagerly-anticipated titles, especially by fans of the director's '70s cult classics El Topo and The Holy Mountain and his most recent effort The Dance of Reality — or anyone who marvelled at what could've been when they watched the entertaining documentary Jodorowsky's Dune. And while The Womb doesn't come with quite the same pedigree, it does boast a chilling storyline involving one of the horror genre's favourite topics: motherhood. Elsewhere, a chronicle of the pop star known as the 'Mexican Madonna', an insight into current state of a formerly luxurious Havana hotel, and more than a couple of soccer-themed efforts all feature among the feast of Spanish and Portuguese-language fare, as do Peruvian road movie Solos and Venezuelan beauty queen black comedy 3 Beauties. Just perusing the program is enough to make you want to jump on a plane for Latin America, however for those who can't enjoy an overseas holiday at the moment, immersing yourself in the films of the region really is the next best thing. The Cine Latino Film Festival screens at Sydney's Palace Norton Street and Verona from August 9 to 24, Brisbane's Palace Centro and Barracks from August 11 to 24, and Melbourne's Palace Como and Westgarth from August 17 to 31. For more information, visit the festival website.
In huge art news, the National Gallery of Victoria has announced that a massive exhibition will be hitting our shores in June 2018, coming direct to us from New York's Museum of Modern Art. Over 150 works from some of the most renowned modernist artists, sculptors, photographers, furniture designers, graphic designers and illustrators will be shipped over for the exhibition, named Masterworks from MoMA (literal and direct, we likey), showing exclusively at the NGV. The exhibition will run from June 8 – October 7 2018 and feature pieces from seminal artists, including Paul Cézanne, Salvador Dalí, Marcel Duchamp, Edward Hopper, Jeff Koons, Henri Matisse, Piet Mondrian, Pablo Picasso, Jackson Pollock, Lyubov Popova, Mark Rothko and Vincent van Gogh. It's a big deal for the Australian art scene, as we often miss out on international blockbusters like this due to the logistics and cost of transporting priceless art halfway around the world. But not this time. So which works are coming? In goes without saying MoMA has a world-famous collection of works to select from including Dali's The Persistence of Memory (arguably his most well-known piece), Pollock's infamously divisive drip painting Number 1A, Mondrian's controversial Compositions series and Vincent Van Gogh's outrageously famous The Starry Night. It's not clear exactly which pieces will travel with the exhibition but with this catalogue, expect masterpieces. While 2018 is a distant dream right now, but modernist art lovers can get their fill this winter at the NGV's epic Degas exhibition, which starts on June 24. Masterworks from MoMA will show at the NGV International, ground level, from June 8 - October 7 2018. Image: Salvador Dali, The Persistence of Memory, WikiArt.
Have you ever wanted to be the very best, like no one ever was, a Pokémon master in real life? Stop lying, because the answer is obviously GOTTA CATCH 'EM ALL GET THE HELL OUT OF MY WAY. Well now you can, thanks to Pokémon Go, a new augmented reality mobile game that lets you capture and train virtual Pokémon right here in the real world. Out now in Australia on Android and iOS devices, the game uses your smartphone's camera and sensors to 'detect' when wild Pokémon are near. You'll find different Pokémon depending on where you are — for example, you're more likely to encounter a water-type Pokémon near a body of water. You can join teams, trade Pokémon with other players, and battle for control of gyms. You can also visit notable locations around your city, such as public monuments, where you can stock up on PokéBalls and other necessary items. In addition to the app, Nintendo have also developed the Pokémon Go Plus, a small device that can be worn on your wrist and lets you play the game without having to look at your phone. Which is probably a good idea, since the last thing you want to do when battling a wild Charizard is accidentally walk in front of a bus. Pokémon Go is free to play, although there are in-app purchases available. Of course the most important piece of information is that the game only includes the original 150 Pokémon, making this the perfect time to bust out the following: https://www.youtube.com/watch?v=xMk8wuw7nek
Prancing through fields laced with the charm of provincial France? Casual summer weekendery. Returning for its fifth year, the ever-popular So Frenchy So Chic in the Park is waltzing back to Melbourne's Werribee Park Mansion and Sydney's St John's College for an entire afternoon of French-inspired niceties — think gourmet picnic hampers, tortes and terrines, offensively good wine, furious outdoor chess, casual gypsy beats. So Frenchy hinges around a solid lineup of eclectic artists you may be yet to meet. There's Moroccan-born folk-blues artist Hindi Zahra, who's been described as a North-African Patti Smith and likened to a modern day Billie Holiday, lounge pop '70s-like diva duo Aurélie Saada and Sylvie Hoarau, aka Brigitte, and talented chanteuse Lou Doillon makes her highly anticipated So Frenchy debut. Last, but in no way, shape or form least, Balkan-electro collective Soviet Suprem bring their light punk, Bolshoi gypsy beats, hip hop and OTT iron curtain theatrics to get everyone up off their picnic rugs and dancing the blazes out of that lawn. If you're not the most organised of picnickers, So Frenchy is putting on the works again with their beloved picnic boxes and cheese plates from Bright Young Things and Simmone Logue. Filled with crusty baguettes, salad jardinière and petite four chocolate ganache tarts, the picnic boxes are one to preorder if you don't want to miss out. But So Frenchy won't let you go hungry; there'll be a huge banquet of seafood, crepes, macaroons and ice cream available on the day. And of course, there'll be plenty of Laurent Perrier Champagne, French beer, Provence rosé, Bordeaux reds and whites, and special cocktails at the SFSC vintage caravan. Don your best floral-headband-and-sundress-combo and gear up for un merveilleux après-midi. SO FRENCHY SO CHIC IN THE PARK 2016: Sunday, January 10 — Werribee Park, Melbourne Saturday, January 16 — St John's College, Sydney Tickets via Ticketmaster and SFSC, on sale from 9am, Wednesday, September 23 to Monday, September 28 or until sold out. Earlybird tickets $69, standard $89, on the door $99.
Last February, we lost our collective shit over these adorable little souls. Now, because it's spring and dreams can come true, dumpling monarchs Din Tai Fung have gone ahead and brought back those cute, cute little morsels — the sweet lamb buns are back. Available from throughout Sydney and Melbourne from September 26 – November 30, Din Tai Fung's sweet little buns are limited edition, Instagrammable goodness. Just LOOK AT THEM. They're called 'Baa Buns' because sometimes life just gets it right. Good news, you don't have to connect the dots between the lamb inside and out of the bun — they're desserty little blighters. Baa buns come steamed-to-order with a formidable filling of molten dark chocolate and taro, $3.80 each. The little edible lambies will be available in Sydney at World Square, Central Park, Westfield Chatswood, Westfield Miranda, and in Melbourne at their Emporium chapter. There'll be limited quantities at each venue, available daily. But if you visit on the same day as us, we take no prisoners. Din Tai Fung's limited edition spring sweet lamb buns are available from throughout Sydney and Melbourne from September 26 – November 30 (not available at Din Tai Fung cafe court venues).
A real life Willy Wonka is on his way to Melbourne. Catalan designer Martí Guixé has made a name for himself at the intersection of food, art and design, with works ranging from flavoured postage stamps to breathable cuisine. Now the so-called father of food design will present his first major Australian exhibition at NGV International, in the form of a colourful, custom-designed kitchen designed to teach kids and families about their attitudes to what they eat. Running from mid-June until mid-September, the free interactive exhibition, entitled Fake Food Park: Martí Guixé for Kids, will consist of "hands-on activities and digital design challenges" that encourage visitors to "sprout new ideas for food concepts and flavours" — and create their very own 'Fake Food Park' menu. The exhibition will also feature a selection of Guixé's drawings and illustrations as well as his famous fruit-and-vegetable wallpaper, which has previously been featured in galleries including MoMA, Design Museum London and the National Art Centre Tokyo. "We are delighted to bring the ground-breaking ideas of Martí Guixé to the NGV Kids exhibition space," said NGV director Tony Ellwood. "Guixé is a pioneer in his field; designing, innovating and challenging notions of how we eat in often whimsical and surprising ways... Fake Food Park will ask budding young designers to think about the future of food and reconsider familiar food items, from inventing snacks which can be eaten underwater to drawing novel combinations of everyday ingredients." Find Fake Food Park at NGV International from June 11. For more information visit the NGV website.
While Reykjavik is praised for its "ability to make the most of an inhospitable climate", Auckland for its "unbelievably friendly folk", Budapest for "music... not just concerts, but in the streets, on the radio, and in cafés," and "wonderful pubs filled with laughter", Sydney has taken out the top spot as the friendliest city in the world. Run as a Reader’s Choice award by Condé Nast Traveler and focused on how a visitor feels in each city, the Friendliest and Unfriendliest City in the World poll asks readers to submit reviews of each city with a focus on the overall warm fuzzies generated by their experience. “Everything from location (no one likes an airport city) and political perception (everyone watches the news) to size and basic language barriers can make a destination unattractive to tourists and be a factor in their evaluation of a place’s ‘friendliness’," according to CN. Sydney's been praised for its people skills, regardless of what you might see on George Street any day of the week. "Such friendly people," enthused one voting reader. "So much so that after we met an Australian woman on our flight there, she offered to pick us up at our hotel and spent a whole day showing us her favourite parts of the city." Sydney earned snaps for the Bridgeclimb, the Cruise Like a Local Sydney Harbour boat tour, and Bonza Bike Tours got a big ol' high five as "a great way to see some of the lesser-known sights." Overall, readers found simply "nothing to not like" in Sydney, although importantly, all mentioned experiences are tourist-focused. Last year's friendliest winners were tied: Melbourne and Auckland. Sydney came in at number five; tied with Dublin, who just narrowly missed out on the top spot this year. Of course, Sydney was supremely modest about it. Ha! IN YOUR FACE @dubcitycouncil!! We're the friendliest city in the world! http://t.co/T1WgOPUVu7 via @CNTraveler pic.twitter.com/9rIafVZ59o — City of Sydney (@cityofsydney) August 18, 2015 Australia and New Zealand have done pretty nicely on worldwide city rankings of late — the Great Barrier Reef nabbed #2 on Lonely Planet's Ultimate Travelist and Melbourne ranked #1 Most Liveable City on the Economist Intelligence Unit's (EIU) liveability survey. So Sydney's apparently the friendliest, Melbourne's the most liveable, what do you reckon? CONDE NAST'S 2015 FRIENDLIEST CITIES IN THE WORLD: 10. Reykjavik, Iceland 9. Auckland, New Zealand 8. Budapest, Hungary 7. Kyoto, Japan 6. Edinburgh, Scotland 5. Bruges, Belgium 4. Kraków, Poland 3. Queenstown, New Zealand 2. Dublin, Ireland 1. Sydney, Australia But what of the jerks? The Unfriendliest Cities in the World side of things is a little hairier, with no Australian or New Zealand cities making the cut for another year. Up high. Cannes was dissed for being expensive and "bloated simply by the prestige of its famed film festival," while Jakarta was called "dirty and congested," despite gaining praise for its food.” Moscow got a bad wrap for "dour, unfriendly people" and "deplorable traffic", while Nairobi was flagged as "dangerous and volatile". But Caracas, Venezuela took out the top unfriendly spot as a place of "rampant crime, a scarcity of basic necessities, and a poor quality of life." CONDE NAST'S 2015 UNFRIENDLIEST CITIES IN THE WORLD: 10. Cannes, France 9. Jakarta, Indonesia 8. Moscow, Russia 7. Cairo, Egypt 6. New Delhi, India 5. Nairobi, Kenya 4. Guatemala City, Guatemala 3. Guangzhou, China 2. Casablanca, Morocco 1. Caracas, Venezuela Via Condé Nast Traveler. Image: Watsons Bay Boutique Hotel.
It might be based on a book by New Zealand author Barry Crump; however Hunt for the Wilderpeople is a film only Taika Waititi could've made. If you enjoyed the writer/director's quirky brand of humour in Boy and What We Do in the Shadows, you'll know exactly what you're in for. Here, hiding out in the wild, dreaming about being a gangster and arguing about which Terminator you'd rather be go hand in hand. Indeed, that's Ricky Baker's (Julian Dennison) story — or, it is after the 13-year-old is taken in by the kindly Bella (Rima Te Wiata) and the cranky Hec (Sam Neill). When tragedy strikes, he absconds to the surrounding wilderness to avoid the controlling plans of an over-eager social worker (Rachel House). A national manhunt ensues, as does plenty of mayhem; think nods to '80s classics, over-the-top car chases, plus Rhys Darby popping up as an eccentric conspiracy theorist. Part coming-of-age adventure, part comedic trek through the New Zealand bush, if the end result sounds both hilarious and heartwarming, that's because it is. And, it's also Waititi's last indie effort before he takes on a rather mammoth task: directing Thor: Ragnarok, and bringing his distinctive sensibilities to the superhero realm. [competition]572050[/competition]
He knows if you've been bad or good, so be good for goodness sake. Christmas horror movies aren't a widespread genre, with holidaying folks ditching titles like 2010's Rare Exports (in which a homicidal Santa Claus was unearthed in an archaeological dig) and 1974's Black Christmas (college dorm slasher, set at Christmas) and preferring to pick up Home Alone for the hundredth time or anything starring Tim Allen. But this year, Christmas movies take a turn for the hilariously terrifying. Krampus is your unlikely new Christmas nightmare, directed by Michael Dougherty (who gained a cult following for his 2007 holiday horror film Trick 'r Treat). Set for release December 3, the film stars Adam Scott, Toni Collette and David Koechner as your regular family holed up, snowed in and arguing over shitty turkey at Christmas time. But when they lose their Christmas spirit, a scary-as-shit Christmas spirit, Krampus, decides to pay the family a visit — the ancient hoofed, horned antithesis to jolly ol' Saint Nick. Go on, give it a watch. You'd better watch out, you'd better not cry.
The toastie has really come into its own in the last few years — it's increasingly becoming the star and namesake of countless pop-ups, permanent venues and even drive-throughs. What can we say? Ain't nothin' wrong with bread, cheese and meat. So we're happy to announce that The Bridge Hotel agrees with the toastie life too. So much so that they're launching their own toasted sandwich pop-up that'll serve fat stacks of toasties to satisfy your midday cheese cravings. From Monday, February 27, the Richmond pub will set up Toast'd. The menu will consist of four types of toasties: sticky chicken (with red onion and American cheese), pulled beef (with American cheese), three cheese (the cheese lineup includes parmesan, brie and mozzarella) and veggie patch (in-season veggie mix with goats' cheese). So hope you like cheese. Either way, they'll be served with a side of pickles to cut through the cheese if it's too much for you. The toasties will be available for ten bucks a pop between noon and 3pm, five days a week from the pub's internal laneway. Toast'd will pop-up from February 27 at The Bridge Hotel, 642 Bridge Road, Richmond.
Žalec, Slovenia just jumped right to the top of the list of our must-visit holiday destinations. Located roughly an hour outside of the capital of Ljubljana, the small town of just under 5000 people is known for its natural wonders including an underground waterfall, and historical sites such as an ancient Roman necropolis. And yet we kind of suspect these attractions will be somewhat overshadowed by the local government's latest plans to bring tourists to the area: Europe's first ever public beer fountain. The €340,000 fountain, which currently has no set completion date, will reportedly spout a variety of Slovenian beers. For six euros, visitors will be able to try three 300mL samples, served in a commemorative mug. The project was apparently inspired by a drinkable mineral water fountain in the nearby town of Rogaska Slatina (whose own local government members must be kicking themselves for not having thought of this clear improvement first). The fountain did face some opposition from people who thought that taxpayer money could be put to better use. Thankfully, common sense prevailed, and a motion to cancel the project was defeated in a two-to-one vote last week. Democracy wins again! Via Fox News. Image: Dollar Photo Club.
Time is running out for those of you us who are yet to organise a present for Father's Day. Yes, you could go with socks, but that's kind of a cliché, and frankly he might be getting sick of all those Bunning's Warehouse gift cards. Instead, why not treat your Dad to the kind of classy gift he deserves, in the form of a limited edition ice cream cigar from the team at Gelato Messina. Let's see your stingy siblings do better than that. Available from Monday at select Messina locations, the Juan Hernandez Big Smoke package is named after Messina's head chefs Nelson Hernandez and Juan Camelo. Each box contains four hand rolled ice cream cigars in two extravagant flavours. The Sugar Daddy is full of salted caramel and orange gelato plus whisky cream and maple syrup honeycomb, while Fidel's Fatty consists of chocolate gelato, rum anglaise and coconut biscuit. The 'smokes' are wrapped in chocolate paper, and should make for a truly spectacular Father's Day gift – assuming you can resist devouring them yourself. Of course, you can always tell your Dad the box was only meant to contain three cigars. Not that we'd ever suggest anything so sneaky. Messina has only produced a limited number of these sweetened stogies, and as with everything they make you can expect them to sell out fast – especially if people order multiples which, full disclosure, we might be planning on doing ourselves. Each box of four costs $39 and is available from Messina's Darlinghurst, Miranda, Parramatta and Rosebery stores in Sydney, as well as Fitzroy in Melbourne and Coolangatta in Queensland. You can reserve yours online starting Monday, to ensure that you don't miss out.
The Fat Duck may have migrated back to the UK, but Heston Blumenthal isn't finished with us by a long shot. The celebrity chef and collector of Michelin stars revealed in July that the old Fat Duck site at Melbourne's Crown Casino would be reinvented as Dinner, an offshoot of his London restaurant of the same name. The venue is set to open on October 20, but don't bother marking your calendar just yet. Within hours of priority booking opening on Thursday, the first few weeks of service had already been locked up. According to Good Food, the priority booking option is currently only available to people who unsuccessfully attempted to secure a table at Fat Duck last year. That's about 75,000 potential diners, so don't be surprised if the rest of us are waiting for a table for quite some time. Dinner is yet to confirm when bookings will be open to the general public, although Good Food believes it will be around September 17. Like its English counterpart, the menu at Dinner in Melbourne is supposedly inspired by "the fanciful dramatic dishes of the Royal courts of King Henry VII," offering modern interpretations of historical British cuisine. Dishes may include powdered duck breast with smoked confit fennel, spiced blood pudding and umbles; Earl Grey Tea cured salmon with lemon salad, gentleman’s relish, wood sorrel and smoked roe; as well as Heston's notorious 'meat fruit,' comprised of chicken liver parfait within a mandarin jelly skin. Dinner by Heston Blumenthal opens on October 20 at Crown Melbourne, 8 Whiteman Street, Southbank. Open for lunch Friday and Saturday, and dinner daily. For updated booking information, keep an eye on www.dinnerbyheston.com.au. Via Good Food.
If you're the sort of person who already has a hard time heaving yourself out of bed each morning, best look away now. The aesthetically gifted comfort connoisseurs at luxury lifestyle and homewares label In Bed have today opened the doors to their first bricks-and-mortar store. And, yep, it's the embodiment of those dreamy photos you've swooned over on the brand's online store and journal. The 80-square-metre Paddington flagship store has been imagined with the help of interiors experts We Are Triibe, using natural timbers and warm tones to create a home-like space that's stylish, comfy and downright aspirational. A mix of custom furniture and designs from Made by Morgan and Hay help bring the Sydney-based label's curation to life, including a specially commissioned camphor laurel dining table from Exit Eighty Six, which you'll probably want to take home along with the rest of your haul. In Bed's full range of kitchen, bath, bedding and home textiles products will be on show here, alongside a selection of pieces from brands like Wingnut & Co, Tara Burke, Henry Wilson and Walk in the Park. Keep your eyes peeled for a range of exclusive products and in-store events in the future, too. "We wanted to create a unique retail experience that brings the ideas and personality behind In Bed to life," explained the label's founder and director Pip Vassett. "We're excited to really connect with our customers in person". In Bed's flagship store is now open at 72B Oxford Street, Paddington. For more info, visit inbedstore.com.
Come summer in Melbourne, you won't just see stars on cinema screens — you'll sit beneath them while you're watching a movie. That's what Rooftop Cinema promises each and every year, and the first part of its 2017–18 program certainly delivers. First stop: Ryan Gosling and Harrison Ford in Blade Runner 2049. Kicking off on December 2 and running through until March 2018 (with the second half of the program still to be announced), there's plenty more movie fun where that came from. Haven't had a chance to see one of this year's most hyped films, Baby Driver? Keen to check out comedian Kumail Nanjiani's based-on-real life The Big Sick? Want freak yourself out with Get Out? You'll find them all on the lineup. Don't forget that checking out classics on the big screen is all part of the Rooftop Cinema experience as well, though. This year's retro contingent includes tributes (Labyrinth, The Goonies and Stand By Me), all manner of Christmas hijinks (Love Actually, Home Alone and Elf) and two nights of Matthew Broderick (Ferris Bueller's Day Off and Back to the Future). If there's ever been a reason to spend your evenings outdoors for the next few months, this is it. Rooftop Cinema takes place in the Melbourne CBD, on top of Curtin House, Swanston Street (between Little Bourke and Lonsdale Streets). The bar opens daily between 11am and 1am, with films starting at 9.30pm in December and January. The February and March program will be announced in late January.
Holy. Crap. We thought it was a big ol' publicity farce. No way, man. There ain't no Lexus hoverboard, that's just delicious social media bait for the Young People. But nay, Marty McFly's futuristic skateboard is an actual, physical thing, really made by Lexus and frothed over worldwide. A concept made famous by Robert Zemeckis’s 1989 Back to the Future II, the 'Slide' hoverboard has been realised by the Lexus team. Lexus first put out teasers for the hoverboard back on June 23, making everyone angry they’d even get our hopes up like that. But today, August 5, they've released their model 'publicly' — although you can only skate at their custom-built skate park in Barcelona. Yep, there's the switch. This isn't the first time hoverboards have been bandied about in reality. The Hendo Hoverboard's Kickstarter campaign promised to send out $10,000 hoverboards this spring. How did Lexus make it work? According to CNET, lots and lots of magnets. Well, it’s a little more complicated than that, involving supercooled superconductors, but essentially, magnets. Lexus have built this anti-gravity device into a deck (this was the tricky part, finding a way to cheaply make such a seriously epic device teeny), so you can skim across water without breaking a sweat. So yeah, you can't buy one yet. And when you finally can, you'll only be able to skate at Lexus's custom-built Barcelona skate park. But we're hopeful. Watch pro skateboarder Ross McGouran spin some McFly moves on the Lexus hoverboard here, with all the sexy, sexy liquid nitrogen you could ask for. Via CNET and Quartz.
Grab a cup of coffee and your best highlighter pen because the program for Melbourne Fringe is a doozy this year. From circus and dance to mind-popping installations and everything in-between, this year's festival consists of more than 450 events, brought to life by literally thousands of passionate artists. For punters, it's both a blessing and a curse. On the one hand, there's certainly no shortage of things to see. On the other, it's basically impossible to get to them all. Inspired by the theme 'step into the light', this year's program is bookended by a pair of significant works from acclaimed audio-visual artist Robin Fox. Lighting up the city from September 15 to 18, Sky Light is a city-scale artwork that will connect iconic Melbourne skyscrapers with powerful lasers, invisible from some angles and breathtaking from others. Similarly, from September 29 until October 2, White Beam will pierce the sky above Prahran's Grattan Gardens with a focused beam of shimmering white light. But that's just the tip of a very impressive iceberg. As one of the biggest and most eclectic events on the city's cultural calendar, the Fringe lineup caters to every conceivable taste. There'll be eye-popping cabaret shows from the likes of James Welsby and Yana Alana, alongside a music lineup that covers everything from jazz to orchestral to disco. Comedy is, as per usual, a major focus of the festival, with Sammy J, Bev Kilick and rising star Laura Davis among those slated to perform. The latter, in particular, comes highly recommended. This year also marks the 30th anniversary of the Fringe Furniture exhibition. Showcasing the work of exceptional Melbourne designers, find it at the historic Abbotsford Convent throughout the duration of the fest. And, of course, you'll want to spend plenty of time at the Festival Club in North Melbourne, where you can mingle with like-minded patrons and catch a different show every night. Overwhelmed? Check out our top ten picks of the festival program.
Australia has been responsible for many important inventions. The black box flight recorder. The ultrasound machine. Even the electric drill. Yet one Aussie contraption towers above the rest. We’re talking, of course, about the goon bag. A simple silver sack in a durable cardboard exoskeleton, for decades this unsung alcohol container been a symbol of our fair country’s greatest attributes: innovation, inclusiveness and fiscal responsibility, as well as our overwhelming desire to get pissed as quickly as humanly possible. In celebration of this national icon, The Lord Gladstone Hotel in Chippendale, Sydney is hosting its very own goon bag festival. Boxfest: A Festival of the Goon Bag kicks off at 2pm on Sunday, July 5, and will feature top vintages from such box wine all-stars as Yalumba, Stanley and Berri Estates. There will also be food available throughout the day, including a killer selection of cheese and cabanossi plates. Classic. This being a classy affair, you’ll obviously want to pair your food and drink appropriately. For brie we recommend a nice chardonnay, while sauvignon blanc goes best with a gruyere. And of course we don't have to tell you that, to guarantee that traditional heady sensation, the goon should be consumed straight from the bag. Music will be handled by Money for Nothing DJs, who’ll make sure that you’ve got something fun to stumble around the dance floor to as the afternoon wears on. And before you assume that this whole event is just one big excuse to get sloshed, we should point out that money raised from tasting tokens throughout the day will be donated to charity. So basically the more goon you inhale, the better you are as a person. If that’s not a philosophy to live your life by, then we don’t know what is. Boxfest: A Festival of the Goon Bag kicks off at 2pm on Sunday, July 5 at the Lord Gladstone Hotel, 115 Regent Street, Chippendale. Via The Brag. Image: 8 Tracks.
Scientifically, the only way to watch the entire Academy Awards sober and survive is if you actually win one on the night. For everyone else, there's booze. Presenting our best shot at a Best Original Screenplay: Concrete Playground's 2016 Oscar Drinking Game. Remember to always drink responsibly and don't forget to thank your fellow nominees. One Sip Jack Nicholson wears sunglasses. Harrison Ford wears an earring. Diane Keaton wears gloves. Jennifer Lawrence does something adorably "real". Three drinks if she trips and falls. Leo’s date is his mother. Host Chris Rock makes three or more jokes about the Oscars’ diversity problem. A non-human presents an award. Three drinks if it’s Chewbacca, C-3PO, R2-D2 or BB-8. Winner thanks God or Jesus. Winner pays tribute to their "extraordinary" fellow nominees. Winner is played off by the orchestra. Winner describes their film as "important". Winner describes their film’s director as "a genius" and/or "visionary". Kate Winslet talks on the red carpet about how happy she is for her "best friend" Leo. Two Sips Chris Rock dresses up as the other black storm-trooper. Sylvester Stallone wins for Best Supporting Actor in Creed and delivers his speech using only the ‘A’ and ‘O’ vowels. Chris Rock asks if Meryl Streep wouldn’t mind giving Kanye a few of her Oscars to melt down and pay off some of his debt. Winner describes their film’s director as "a high-functioning sociopath". Travolta jokes that Scientology documentary Going Clear was "the best comedy of the year". Tom Cruise and Will Smith laugh heartily. Paul Haggis does not. Ryan Reynolds arrives dressed as Deadpool, just so no one forgets he’s finally had a hit. Oscar Isaac and Domhnall Gleeson perform a scene from Ex Machina dressed as Poe Dameron and General Hux. You’ve actually heard of one of the nominees for Documentary Short Subject or Foreign Language Film. Three Sips Bryan Cranston wins Best Actor for Trumbo. Pulls face mask off to reveal he’s actually Dalton Trumbo. Chris Rock explains how he thought The Big Short was just a Tom Cruise biopic. Joaquin Phoenix comes dressed as a 19th century blacksmith. Winner thanks Allah or Mohammed. Jennifer Jason Leigh begins her acceptance speech with "REMEMBER ME!?" and then cackles maniacally until she’s forcibly removed from the stage. Kate Winslet’s accent changes markedly throughout her acceptance speech in a nod to her performance in Steve Jobs. Having scored acclaim for his last two roles as a cosmologist with a motor neurone disease and a transgender artist, Eddie Redmayne asks if anyone wants to cast him as an electrician or a plumber. Ridley Scott and/or Harrison Ford offers a plausible reason for making a sequel to Bladerunner that doesn’t include the words "pay cheque". You’ve actually seen one of the nominees for Documentary Short Subject or Foreign Language Film. Finish Your Drink DiCaprio declines to accept his award. God appears and says he can only claim credit for the Best Sound Editing winner. The performance of 'Earned It' from Fifty Shades of Grey features five minutes of graphic S&M on stage. Winner for Spotlight thanks the Catholic Church "for making all of this possible". Peter Jackson announces plans to turn his valet parking receipt into an epic nine hour trilogy. Chris Rock doesn’t mention the Oscars’ diversity problem but performs a song and dance number in white face.
It's been 14 years since Derek Zoolander turned left and saved the Malaysian prime minister. But the ridiculously good looking male model made his comeback on Tuesday at Paris Fashion Week, taking a powerful stroll down the catwalk at the end of the Valentino AW15 show —thus dramatically announcing the long-awaited Zoolander sequel for February 2016. Bringin' that Blue Steel to the Fashion Week stage, Ben Stiller reconnected with his old pal Owen Wilson to send Zoolander and still-hot-right-now Hansel down the catwalk to the Human League's 'Don't You Want Me'. Hansel even dropped his cape. Hansel. So hot right now. Hansel. DOES THIS VALENTINO FINALE MEAN ZOOLANDER 2 IS COMING!?!?!?!?!?!? A video posted by Man Repeller (@manrepeller) on Mar 10, 2015 at 7:05am PDT But why male models? Paramount Pictures confirmed the publicity stunt on Twitter, announcing the release date for Zoolander 2 as February 12, 2016 — that goes for Australia too. Time to throw back an Orange Mocha Frappucino and enjoy this little blast from the past in the meantime. Via TIME.
You'll be simultaneously throwing shapes and ramen in your mouth this spring, as Melbourne's Supernormal prepares to host Melbourne's first ever Ramen Rave with New York’s new-wave ramen guru Ivan Orkin on October 28, as part of this year's Good Food Month, with the 2015 program announced today. Now the world’s largest food festival, GFM will see more than 240 events, masterclasses, tastings and one-off indulgences taking place across the city and regional Victoria from November 1-30, including the highly-anticipated Ramen Rave. For one night only, Orkin will be serving up his signature shio ramen alongside Supernormal's Andrew McConnell, who'll be matching his favourite in-house snacks — including matcha soft serve. There'll be highballs and sake aplenty, karaoke in the basement, while local DJs Andras Fox and Zach PM get the actual rave going. Sweets, lollies, cakes, dessert and all things sugary run the show at this year’s Good Food Month. The toothache begins with Sweetfest, a mini-festival of sugary delights at North Melbourne's Meat Market on November 28-29, featuring Instagram-happy cake monarch Katherine Sabbath, dessert queen Philippa Sibley, confection wizard Pierre Roelofs and more. Plus, during GFM, there are no less than eight hectic high teas to choose from. Hardcore sweet tooths, prepare to meet New York City's Big Gay Ice Cream legends and dulce de leche injectors Douglas Quint and Bryan Petroff, as they launch two new books with an Ice Cream Social and make the ultimate fairy bread ice cream sandwiches with Melbourne food truck My Two Mums at the ever-popular Night Noodle Markets. Due to popular demand, the Birrarung Marr markets have been extended to a whopping 18 nights across November 12-29. Expect old favourites such as Chin Chin, Bao Stop and Hoy Pinoy with newbies. Good Food Month tends to attract some pretty big chef hats, and this year you'll be able to feast on expertly smoked mussels from top chefs David Moyle of Franklin Restaurant and French chef Florent Geradin in Eclade de Moyle. Learn the Peruvian ropes with Diego Muñoz, watch Melbourne's top chefs make their mentors' specialties into Cinema Nova movie snacks, then watch the bigwigs of the culinary industry debate The Future of Food, in a lively panel between editor-in-chief of Lucky Peach Chris Ying, Pulitzer prize-winning LA Times food critic Jonathan Gold and award-winning Attica head chef Ben Shewry. GFM's ever-popular returning event series will be back with plenty of citywide feasting experiences, from Hats Off Dinners to the Eat Art series. Take a culinary tour of the graffiti capitals of the world with Easey's, take an American 'Dude Food' Walking Tour, learn how to make bagels at home with 5 & Dime, see Huxtable take on Ms Collins, see Saint Crispin take on Gelato Messina, then find the very best in food goodness at Australia’s largest charity kitchen in Abbotsford, by FareShare — where you can volunteer. Because GFM knows you can't wait that long for a taste, they've invited king of dessert-for-dinner degustations Pierre Roelofs to hand out 200 free ice creams at a pop-up in Queensbridge Square today from 12-1pm, to launch the program. Get. There. Early. Good Food Month runs November 1-30 across the city and regional Victoria. For more info, head to the website.
Forget about the mouldy old sandwich you’ve got sitting in the communal office fridge. Today only, ride sharing service Uber and food charity OzHarvest have teamed up with some of the best chefs and restaurants in the country, and will be delivering gourmet lunches right to your office door. Starting at noon today, hungry Uber users in the Sydney, Melbourne, Brisbane, Perth, Adelaide and Gold Coast CBDs will be able to log into the app and request a lunch box. The meal will cost you just $12, and will be delivered to you by an Uber driver. Better yet, your money will go straight to OzHarvest in order to help them feed impoverished Australians. Uber has already donated $10,000, which will be used to fund 20,000 meals. So what does your money get you? Sydneysiders will chow down on a corned beef burger from Neil Perry’s Burger Project, while Brisbanites can enjoy a Reuben Sandwich from Matt Moran’s ARIA, and Melburnians get stuck in to a George Calombaris mix plate that includes mini spanakopita from Hellenic Republic, flat bread from Gazi, grain salad with chicken from Mastic and petit fours from The Press Club. Neil Perry pops up again in Perth with a Reuben from his Rockpool Bar & Grill, whereas Adelaide gets a Jock Zonfrillo vegetarian option of fire pit pumpkin with goats curd, spiced macadamias and crispy salt bush. Last but not least, diners on the Gold Coast can choose between slow-braised beef brisket with pearl barley and garden salsa, or roast butternut squash, capsicum, zucchini, pearl barley & sun dried tomato pesto — both courtesy of Dennis Duncanson’s Paradox Coffee Roasters. You’ll have to get in quick though. There are just 200 meals available in Sydney, Melbourne and Brisbane, and even less in Perth, Adelaide and on the Gold Coast. The promotion runs until 2pm, but odds are they’ll sell out long before. To order your lunch, log into your Uber app starting from 12pm today and put in a request. For more info, go here. If you’d like to donate directly to OzHarvest, visit www.ozharvest.org. Image: George Calombaris' Grain Salad.
Aussies are usually hard-pressed persuading overseas visitors to sample anything more than a smidgen of our beloved Vegemite. But that's far from the case with Heston Blumenthal and Dinner by Heston group executive chef Ashley Palmer-Watts, two Brits who are so taken by the iconic yeasty spread that they've made it the star of their latest ambitious dessert, a dinky di-ce cream which will launch this Australia Day. Dinner by Heston's 15-month-old Melbourne outpost has seen the chef duo spending significant time on Australian soil and, with both fascinated by the cult product, a Vegemite dessert was always on the cards. "I had never really eaten Vegemite until I came to Australia," explains Palmer-Watts. "Heston was intrigued by the flavour immediately and pretty insistent for some time that we explore a dessert dish based on the spread." Blumenthal and Palmer-Watts have been in development mode these past six months, exploring the spread's unique (and polarising) flavours and translating them into a sweet concoction that's both worthy of the Dinner by Heston menu and respectful of Vegemite's long heritage. And it seems they've hit the nail on the head, the dessert already passing muster with the brand's Category Manager, Tania Trapla. "To have their innovative take on our famous Australian spread was truly remarkable," she says. "They've managed to take Vegemite to another dimension." While the dessert's being dubbed 'Vegemite Ice Cream', it's not exactly what it sounds like, instead featuring a riot of textures and tastes — teaming sourdough crumble base, verjuice curd, and barley chocolate ganache, with the ice cream element perched right in the middle. There'll even be a drizzle of decadent caramel sauce, poured from a Vegemite jar at the table. Now that's 'Modern Australian' cuisine. The dish will be unveiled as part of Palmer-Watts' special Australia Day lunch on January 26, alongside a raft of other innovative, Australian-inspired bites and cocktails. Read our review of Dinner by Heston.
Heads up, Mother's Day is just around the corner. Yep, you can pucker up on our tootsies later. But there's pressie planning afoot, and we've found quite the showstopper for your dear ol' Mumsie this year thanks to Gelato Messina. Never one to miss an opportunity to experiment with new ways to inhale gelato, Messina have been cooking up quite the delicate novelty dessert for Mum: a Italian-inspired chocolate box of gelato-filled nibbles. These brownie point-winners launched in 2015, and are sure to bring it home again this year. Each box comes with nine handmade chocolate and gelato bon bons; best enjoyed with opera blaring in the background, with a strong, black cup of coffee and a shoulder massage. Go on, your mum put up with you through puberty, you owe her one massage. So which crazy tell-your-friends flavours have Messina come up with for their bitty bon bons? There's five in total, each more decadent than the last. Ready? There's orange custard gelato, Baileys and caramel milk chocolate fudge in a dark chocolate shell with ruby pearl dust. Shut up. There's gianduia gelato with caramelised banana and lime sable in a milk chocolate shell with gold dust and hazelnut praline. Huh? How about blood peach and marsala sorbet with pistachio ganache in a dark chocolate shell rolled in crushed pistachios? NUP. Or cream cheese gelato with blueberry gel, almond crunch in a white chocolate shell and wrapped in gold foil. If you can find us something that says 'perfect Mother's Day gift' better than cream cheese gelato covered in gold, we'll eat this empty bon bon box. The Messina chocolate and gelato bon bon boxes are going for $35 a box, available to order now. They're available for collection from May 5-8 from Rosebery, Darlinghurst, Bondi, Miranda and Parramatta stores in Sydney, as well as the Fitzroy and Windsor stores.
Here at Concrete Playground, we travel a lot. And because we travel a lot, we have a lot of handy little tips that can take going on an aeroplane from a chore to a delightful, exciting experience that you go through before heading off on the holiday of a lifetime. After extensive research, we're proud to say that none of these travel hacks are as simple or obvious as roll your clothes in your suitcase. In partnership with Expedia, here are ten tips to make your travel process easier this summer. We're going on holiday. 1. PICK AN AIRLINE AND STICK WITH IT If you finally find an airline that has comfortable seats, suitable prices and good service — stick with it. Most airlines have their own frequent flyer program, which despite any preconceptions you might have, are actually really easy to join and get rewards from. Flying with the same airline every time makes your flight choice easier, and even when you're booking through online travel agents you can still enter your frequent flyer number. It might cost you a little more to fly Qantas, but the extra money you fork out will end up in your pocket (in the form of business class flights, members only prices and free upgrades). Virgin Australia use Velocity, and Qantas have their own Frequent Flyer program. 2. CLEAR YOUR BROWSER COOKIE HISTORY IF YOU'VE BEEN FLIGHT HUNTING The incognito window is your best friend. Often if you're returning to a website every day to check the price of the same flight, the company knows and can potentially adjust prices accordingly so you hit that 'buy now' button. Maybe you procrastinate on booking and the next day go back to your flight and find it has gone through a significant price rise. At that point you're likely to book before it gets any more expensive. Nice one, corporations. Combat this by opening an incognito window and hiding your cookies. Sometimes cookies can work in your favour (by saving your shopping cart, sending through deals to flights you've searched for), but they can potentially be used for evil too. Best be safe and clear your browser history. 3. FOR THE LOVE OF GOD, THINK AHEAD AND AVOID BAGGAGE FEES For reasons unknown to us and the rest of world, most Australian airlines now have a measly 7kg cabin baggage allowance. That's barely enough for a laptop, phone, charger(s), bottle of water and change of clothes. It's true that airlines don't always weigh your carry on before you get on the plane, but they MIGHT. Which means you could be charged $60 for packing that extra pair of shoes you didn't really need. Be smart and pack light. If you know you have more than 7kg, check in a bag. On most airlines it costs about $20, and it will save you the stress of pleading with airline attendants and crying at the terminal. Virgin and Qantas included checked bags in the ticket price, which in peak times is often worth the extra money. Travel with a duffle bag rather than a suitcase — heavy roller bags will do you no favours. 4. SEAT CHOICE TACTICS When choosing your seat on the plane, don't choose the empty row. Instead, choose the row that has one other person in it, because the next person that comes along won't want to squeeze between the two of you, will they? Another tactic is to wait with your seat selection until the very last minute (before check-in closes), then you'll easily be able to see what's been taken and what's still available. For shorter flights, sitting at the front of the plane means you'll likely get off the plane 10-15 minutes earlier. [caption id="attachment_580107" align="alignnone" width="1280"] Levi Morsy.[/caption] 5. BOOK AT THE RIGHT TIME The best time to book an international flight is four to six months before you fly — that's when the airlines have a better idea of how quickly, or slowly, a flight will start to sell out. For domestic tickets, book between one to two months. Travel on off days and seasons, typically Tuesday, Wednesday and Saturday. Red eyes, the New Year period and flights that leave just after work are a no-go. Keep an eye out for sales — the best ones happen around Boxing Day, January and the mid-year period. 6. AND IN THE RIGHT PLACE Everyone hates booking fees. This unexpected surprise is particularly bad when booking direct through airlines — there's often a booking fee of up to $14.95 just for using your credit card. Avoid this by simply using a debit card instead, or booking through an online travel agent (like Expedia) that doesn't charge booking fees. If you're organised enough, book your flights and accommodation at the same time and you'll often get special deals so you can save yourself a bunch of money. 7. ALL THE REWARDS PROGRAMS It seems like every airline and website is trying to make you sign up to their own loyalty program. As annoying as email spam can be, if you're a frequent traveler (or daydreamer) these programs are often worth it. You'll often get members only flights, VIP hotel bookings, double frequent flyer points and the ability to pay with your rewards points. That means potentially free flights and accommodation, and access to the best deals as soon as they become available. The more you use the same website, the more rewards you'll accumulate. So just like we mentioned above about airlines — stick to the same website. 8. THINK BEFORE YOU BOOK Nothing is more disheartening to a holiday than being slammed by unnecessary airline fees. Changing the time, or name on your ticket can attract a fee up $175 per ticket in Australia. Put more thought into that ticket you're about to buy — are you sure this is exactly when you want to fly? If you're unsure about dates but need to book, look into travel insurance. It's the only thing that will save you in this situation. Put a few dollars aside for a good policy that covers you for change fees and you'll be sort of sorted. 9. DO YOUR RESEARCH AND PRICE MATCH Most airlines, booking websites and online travel agents have some form of price matching function which can often be of great benefit to you and your wallet. Do some hunting around for flights, accomodation and packages on different websites, and then do some hunting around for price match policies. Jetstar use Price Beat Guarantee — they'll beat the price of any flight on the same day within the same time frame by ten per cent. Expedia will price match hotels and packages (flights and hotels booked together), and you'll get a $50 voucher for the trouble. 10. CREDIT CARDS CAN ENABLE YOUR TRAVEL HABITS If you've been brave enough to get yourself a credit card, you may as well get one that really helps you out and saves you some money when it comes time to travel. Most credit cards come with benefits, but some come with travel specific benefits — like travel insurance and special deals that practically pay for the annual fee attached to it. The American Express Explorer card partners with Qantas. It's a little pricier ($395 annual fee), but you get $400 travel credit to spend on the American Express travel website, travel insurance and smart phone screen repair insurance included. Virgin Australia have their own credit card and you get a $129 voucher every year, and the 28 Degrees credit card is particularly good for international travel (no fees on overseas purchases). If you're a regular traveller, the annual fee on a travel credit card pays for itself. Become an Expedia+ member and book your summer holiday in the January sale — you'll have access to prices that others don't see.
Two things we know about Australia: there’s a copious amount of sun on tap and people sure do love a good music festival. Thankfully for us, the freshly announced festival OffTheGrid (OTG) is using both these factors to put together a brand new music festival that’s 100 percent solar powered and waste free. Launched as a party concept just a few years ago, OffTheGrid is the brainchild of Ross Harding of Finding Infinity and Eyal Halamish of OurSay. The pair threw a string of battery bank operated shindigs around the world and now they’re bringing the experience in Melbourne on the December 22. The first lineup has been announced this week and includes Cut Copy DJs, Banoffee, Sui Zhen, Tornado Wallace, Silent Jay and Jace XL, Average Rap Band, Prequel and Wax’o Paradiso (that’s only the first announcement, dayum). OTG also does more than pay lip service to sustainability. The team have a comprehensive plan for ensuring the festival is entirely waste-free and powered only by solar energy. Bryce Lawrence, head of production, says sustainability is the future, not just for music festivals (which reap a huge effect of the environments they occupy) but for all industries and individuals. Power will all come directly from a 7kW solar system on the day, comprised of 28 250 watt PV panels that feed the sun’s energy into a battery pack (and a backup bio-diesel generator which runs off veggie oil). All waste will also be banned and all rubbish that is collected will be made into an art piece. “It’s a day festival in the heart of Melbourne… people shouldn’t be bringing in waste in the first place,” Lawrence notes. They’ve even collaborated with the food and drink vendors to make sure all utensils can be composted offsite and all cups can be reused. And it’s not a newfangled operation either. All technology and systems being used by OTG are readily available, to emphasise the myriad of solutions that have already been dreamed up and practically demonstrate that a) an environmentally friendly way of life isn’t a distant possibility but a choice you can easily opt into and b) even complex events like music festivals can rock just as hard on solar power. Lawrence says “OFFtheGRID is a celebration of what’s possible right now and also what’s possible into the future.” It’s an exercise in education as well as a dope all-day music festival. And the best part? All profits will be invested in a local sustainable project so you can buy your ticket knowing that Captain Planet would be incredibly proud. OffTheGrid is happening December 22 at the ACCA Forecourt. Tickets are available from the festival website. Image: Dollar Photo Club.
Songwriting legend Paul Kelly's Making Gravy tour is becoming a bit of an Aussie Christmas tradition. Back for a third year, the outdoor concert is kind of the perfect opener to the festive season — time to start thinking about getting the tinsel and ugly jumpers out of storage. As in 2018, you can expect to hear a stack of songs from Kelly's four-decade long career. Listen out for all the hits, from 'Dumb Things', from the album Live, May 1992, to 'Love Never Runs On Time' from Wanted Man (1994). Of course, the Christmas classic 'How To Make Gravy', first released in 1996 on an eponymous EP, is on the menu, too. The tour will coincide with the release of Kelly's new greatest hits album Songs From The South (1985–2019), his collaborative avian-inspired album 13 Ways To Look At Birds and a book of poetry he's curated, called Love Is Strong As Death. Kelly won't be hitting the road alone, either — he's inviting a bunch of special guests. He'll be joined by ARIA Award-winning rocker Courtney Barnett, Aussie Eurovison finalist Kate Miller-Heidke and NZ singer Marlon Williams. Image: Cybele Malinowski.
Not sure if you're aware of this, but we're actually in the middle of the Olympic Games. True story. Rio 2016 has been stirring affair so far, full of incredible wins, heartbreaking losses and one incredibly well-lubricated Tongan. https://twitter.com/Deadspin/status/761740659577544704 But in addition to the incredible sporting prowess on display, we're also seen the competitors rocking a whole bunch of wearable tech — on the field, during training and while hanging out around the Olympic village. Below, we've put together a list of our five favourite innovations, to help us all get in shape ahead of Tokyo 2020. SOLOS SMART EYEWEAR Google Glass may have proved a bit of a bust, but the US national cycling team made us of similar technology in the lead-up to this year's games. This lightweight pair of sunnies features a tiny display screen that allows cyclists to keep track of their speed, heart rate and the distance left in the race. They're not actually permitted in races as of yet, but the good news is that the public can preorder a pair of their own. Who knows, this could actually be the things that finally motivates you to leave the car in the garage and try cycling to work instead. INFRARED LIGHT THERAPY Utilised by U.S. athletes to help treat joint and muscle concerns, the LumiWave Infrared Light Therapy Device flat out sounds like something out of science fiction. Made up of eight small pods, each of which contains 200 infrared LEDs, the device can be placed or strapped on a part of the body in order to provide short-term pain relief. Insanity. The device has already been approved by the U.S. Food and Drug Administration, and can be preordered online this very second. HALO SPORTS HEADPHONES Listening to music while working out is pretty common, but in future you might want to swap your iPhone buds for a pair of these. Created by Halo Neuroscience, these headphones send pulses of energy into the wearer's brain in order to stimulate motor neurons. The benefit? According to the designers, accelerated strength and increased skill acquisition. Yes, these headphones actually (supposedly) make you stronger, and Olympians from the US to Sierra Leone have been giving them a go. The headphones are already commercially available, although according to the Halo website they're currently out of stock. Netherlands beach volleyball women playing in full skins-type suits.Way more sun safe&comfy too I'd think. #Rio2016 pic.twitter.com/Nj3M7pYDYa — Bri (@briiilliant) August 10, 2016 UNDER ARMOUR SPACE AGE UNIFORMS Dudebros on the internet chucked a big old tizzy during the women's beach volleyball after the Dutch pair team walked out not in bikinis but in neck-to-ankle bodysuits. Turns out there was a very good reason behind this decision – aside from not wanting to be objectified by random dickheads, of course. The Dutch pair were two of more than 200 athletes at the games this year – in sports from rugby to gymnastics – to be outfitted by Under Armour, in uniforms that use NASA spacesuit technology that help keep body temperature in check. VISA PAYMENT RING While not everyone gets to go home with a medal, at least 300 athletes were sporting sweet new rings. As part of their continued push into wearable payment technology, VISA designed prototype payment rings, which could be used to make purchases on any NFC-enabled payment terminal with the flick of the wrist (or fist bump). VISA also produced payment wristbands and watches, but only the rings let you run around like you're a member of the Planeteers, which is obviously half the fun.
It's no secret that we Melburnians love our good food, so you can only imagine the culinary delights in store for us throughout November, as The Age plates up its annual Good Food Month. From wallet-friendly eats and drinks to illuminating degustation dinners, here's our festival hit list.
You might've missed out on a Splendour in the Grass ticket in yesterday's ticketing tornado, but that doesn't mean the show's over. This morning, ten Splendour artists announced sideshows in cities around Australia. For a start, Sigur Ros will be touring the Australian debut of their show, An Evening with Sigur Ros. There's no support act, which means you're in for two sets, covering material old and new. Catch the Icelandic trio at Sydney's Hordern Pavilion on Tuesday, July 25 and Melbourne's Margaret Court Arena on Thursday, July 27. Meanwhile, Two Door Cinema Club will be hitting Australian capitals with their third studio album, Gameshow, recorded in Kopanga Canyon, California with producer Jacknife Lee. Get a dose of their electro-indie-pop at Metro City, Perth, on Wednesday, July 19; Hordern Pavilion, Sydney, on Friday, July 21; and Festival Hall, Melbourne, on Tuesday, July 25. Supporting them will be triple j favourites Last Dinosaurs and The Creases. To catch HAIM outside of Splendour, you'll have to get yourself to Sydney's Enmore Theatre on Thursday, July 20 — it's the only show they're doing. Sisters Este, Danielle and Alana scored a Grammy nomination for Best New Artist for their 2013 release, Days Are Gone, and have been working on their hotly anticipated follow-up. 23-year-old English singer-songwriter George Ezra is returning to Australia after selling out his 2015 tour here. His debut album, Wanted on Voyage, sold three million copies and, yes, you can expect to hear hits 'Budapest' and 'Blame It On Me'. Ezra will be at Sydney's Enmore Theatre on Tuesday, July 18 and Melbourne's Forum Theatre on Wednesday, July 19. Another songwriter to catch is Sweden's Tove Lo. She's been writing hits — for both herself and others — for more than ten years and inspired one million album sales in the process. Her latest album Lady Wood is best known for single 'Cool Girl'. She's also lent her pen and ear to a bunch of chart toppers, including Flume's 'Say It', Coldplay's 'Fun' and Broods' 'Freak of Nature'. See Tove Lo in Sydney at the Metro Theatre on Wednesday, July 26 and in Melbourne at the Prince Bandroom on Friday, July 28. English blues man Rag 'n' Bone (Rory Graham), who mixes the blues tradition with hip hop and beats, will be making his Aussie debut at Splendour, before setting off for Sydney's Metro Theatre on Friday, July 21 and Melbourne's 170 Russell on Monday, July 24. Meanwhile, Maggie Rogers, discovered by Pharrell Williams at an NYU masterclass last year, will be playing her headline shows at the Corner Hotel, Melbourne, on Sunday, July 23 and the Factory Theatre, Sydney on Tuesday, July 25. Her debut EP, Light is Fading, is out now and its single 'Alaska' has racked up 31 million views on YouTube. LA-based songwriter Bishop Briggs, known for her gritty vocals and unique songwriting, will be at Sydney's Oxford Art Factory on Thursday, July 20 and Melbourne's Howler on Friday, July 21, while rock 'n' roll duo The Lemon Twigs will be landing in Australia after appearances at Coachella and Glastonbury, to play the Oxford Art Factory, Sydney, on Saturday, July 22 and The Curtin, Melbourne, on Tuesday, July 21. Finally, catch LANY from LA, whose track 'ILYSB' won hearts and minds online, at Max Watts, Melbourne on Friday, July 21 and Metro Theatre, Sydney, on Saturday, July 22.
Two of life’s greatest pleasures are joining forces, thanks to the ever-publicity stunt savvy crew at Ben & Jerry’s. Not content with their dominion over the world of iced confectionery, the company have just announced a partnership with New Belgium Brewing Company to develop an ice cream flavoured beer. Continuing the company’s long tradition of absurdly decadent flavours, the name of the brew has been announced as Salted Caramel Brownie Brown Ale. Details are still relatively scarce (and we're still unsure whether this taste sensation will taste of dreams or outright devilry), although we do know that the drink will contain 6.3 percent alcohol and is set to be released in the United States in the latter half of the year. No word yet on whether it’ll make the journey to Australia, although we’re definitely keeping our fingers crossed in weird, weird curiosity. While it may be a while until we get ice cream flavoured beer, take some comfort in the fact that beer flavoured ice cream is already totally a thing. Molecular ice creamery Nitrogenie released a Pale Ale Caramel flavour in time for last year’s Oktoberfest Brisbane, while Gelato Messina previously produced a VB sorbet for Australia Day. And now Young Henrys are making ANZAC biscuit flavoured beer, we can't really complain. According to The Huffington Post, the partnership between Ben & Jerry’s and New Belgium will benefit Protect Our Winters, an environmental organisation committed to combating climate change. A spokesperson for New Belgium said that the collaboration will “raise awareness around issues we are passionate about, and that the results will be delicious.” This isn’t the first time that Ben & Jerry’s have toyed with mind-altering substances, with the company previously floating the idea of a marijuana-infused ice cream flavour in territories where recreational cannabis use is legal. Via The Huffington Post.
The Melbourne International Film Festival has teased some of the highlights of its 2015 program fresh off the hype train from Cannes. With less than six weeks to go until Australia’s oldest and largest film festival gets underway for another year, the programmers have spilled the beans on 26 titles from the Palais des Festivals et des Congrès, including new films by some of the biggest names in international cinema. Standouts include multiple Cannes award-winners. Acclaimed Greek director Yorgos Lanthimos won the Jury Prize for his English language debut, The Lobster, an absurdist rom-com starring Colin Farrell, Rachel Weisz, Ben Whishaw and John C. Reilly about single people under threat of being turned into animals. Low-key medical drama Chronic won Best Screenplay and also earned major plaudits for leading man Tim Roth, while Taiwanese filmmaker Hou Hsiao-hsien took home Best Director for his sumptuous martial arts picture The Assassin. Hou’s film is one of a number of exciting Asian titles in the mix, alongside Jia Zhang-ke’s Chinese migrant drama Mountains May Depart, Takashi Miike’s slapstick gangster/monster movie Yakuza Apocalypse: The Great War of the Underworld and Hirokazu Kore-eda’s low-key domestic drama Our Little Sister, as well as the latest dreamlike rumination from Thai master Apichatpong Weerasethakul entitled Cemetery of Splendour. Other hot tickets include Love, the new film from Irreversible director Gaspar Noe featuring several explicit 3D sex scenes, as well as all three parts of Miguel Gomez’s ambitious Arabian Nights trilogy, a scathing critique of modern-day Portuguese society which, despite missing out on a prize at Cannes, took home the top honours at the Sydney Film Festival this past Sunday. Notable Cannes titles not featured in the MIFF announcement include Jacques Audiard’s Palm d’Or winning Dheepan, Todd Haynes’ widely acclaimed Carol starring Rooney Mara and Cate Blanchett, and the hotly anticipated Macbeth adaptation led by Michael Fassbender and Marion Cotillard. The latter omission is particularly disappointing since director Justin Kurzel is Australian. The good news is that all three films already have domestic distribution deals in place, so hopefully we’ll get to see them before too long. The 26 Cannes titles join a number of films already revealed in a sneak peak last month, including Alex Ross Perry’s psychological drama Queen of Earth, David Foster Wallace biopic The End of the Tour starring Jason Segel, and Sean Baker’s outrageous transgender comedy Tangerine ,shot entirely on an iPhone. The Melbourne International Film Festival runs from July 30 to August 16, with the full program set to drop on July 7. For more information, visit the MIFF website. Image: The Lobster
There's a brand new restaurant in South Melbourne called Meatworks. And yes, it's exactly what it sounds like. The latest venture from hospitality bigwig Lindsay Jones-Evans, the 100-seat eatery boasts a steampunk-inspired design, and promises to be something of a carnivore's cornucopia. We're talking fish, fowl and red meat recipes smoked, braised and roasted. You're welcome. Chef Travis Watson will man the Meatworks kitchen, and has created a menu inspired by both Eastern and Western cuisines. Mains include crusty meat pies, pork belly rolls, smoked duck pancakes and Asian noodles topped with slow-cooked braised beef, lamb, pork or chicken. Despite what you may think, they do also offer some vegetarian dishes — although given the likelihood of a vegetarian visiting a restaurant named Meatworks, we do have to wonder why they even bothered. The dessert options aren't exactly what we'd call healthy either, although they are admittedly less meaty. Choose from smoked custard, rice pudding, Turkish delight, Persian nut slices and a selection of freshly baked fruit pies and tarts. Located just a few minutes' walk from the South Melbourne Market, Meatworks can be found inside what was once a panel beating garage warehouse. Jones-Evans, who is best known for co-founding Sydney eateries Jones the Grocer and The Victoria Room, renovated the space by hand over the past 15 months, and also built the kitchen's 450kg wood smoker. Meatworks is located at 28-30 Ross Street, South Melbourne. They're currently open for lunch Monday through Friday and will be slowly expanding their hours over the next six months. For more information, check them out on Facebook. Image credit: Brook James
Looking for a little bit of renovation inspiration? In that case, you've come to the right place. Bestowed this week by a jury of respected Australian architects and designers, the House Awards celebrate the latest innovations in contemporary architecture. Reckon if we all pooled our money we could buy one of these? The top prize, Australian House of the Year, went to a wood-paneled apartment in Darling Point, Sydney – the very same apartment that took home the Premier Award for Australian Interior Design at the Australian Interior Design Awards just last month. It also won the House Awards' gong for Best Apartment or Unit, with the jury commending the "refined and surprising design" that contrasted "floating American oak and painted white steel joinery." The awards for Best New House Over and Under 200m² went to houses in NSW and Queensland, respectively, while a property on the banks of Melbourne's Yarra won prizes for Sustainability and Best Outdoor Design. Check out the full list of House Award winners, below. AUSTRALIAN HOUSE OF THE YEAR – Darling Point Apartment by Chenchow Little NEW HOUSE UNDER 200m² – Naranga Avenue House by James Russel Architect NEW HOUSE OVER 200m² – Deepwater by Tobias Partners HOUSE ALTERATION AND ADDITION UNDER 200m² – Baffle House by Claire Cousins Architects HOUSE ALTERATION AND ADDITION OVER 200m² – Project Zero by BVN APARTMENT OR UNIT – Darling Point Apartment by Chenchow Little OUTDOOR – Fairfield House by Kennedy Nolan HOUSE IN A HERITAGE CONTEXT – Bayside Fire Station by Owen Architecture SUSTAINABILITY – Fairfield House by Kennedy Nolan EMERGING ARCHITECTURE PRACTICE – Rob Kennon Architects
Nearly 400 films reached cinemas in this part of the world in 2017. That's not going to change in 2018. Whether you're the kind of cinephile that heads to the movies several times a week or you'd rather save your big-screen viewing for the flicks you're most excited for, the result is the same: you're spoiled for choice. Indeed, whether you've worked through all of last year's great movies or you're still playing catch-up on some you might've missed, a new annual calendar means a whole new batch of must-sees. In the twelve months ahead, that includes the usual onslaught of sequels, remakes and ongoing sagas, plus plenty of movies that have been winning awards — including recent Golden Globes recipients The Shape of Water and Lady Bird. And then there's these, our ten picks for 2018. https://www.youtube.com/watch?v=89OP78l9oF0 ANNIHILATION No longer one of the sci-fi big-screen highlights of 2018, the second film from Ex Machina writer/director Alex Garland is heading straight to Netflix in this neck of the woods. And while it's incredibly disappointing that audiences won't get to see this journey through an environmental disaster zone in a cinema as it was meant to be seen, it still looks like it'll be a thrilling, unnerving, immersive treat no matter how you watch it. Based on the novel of the same name, the movie follows a biologist, Lena (Natalie Portman), who goes searching for answers when her soldier husband (Oscar Isaac) returns injured from his own jaunt. Jennifer Jason Leigh, Gina Rodriguez and Thor: Ragnarok scene-stealer Tessa Thompson also feature, and we're guessing Isaac probably won't tear up the dance floor in this. On Netflix in early March. https://www.youtube.com/watch?v=UhZ56rcWwRQ A WRINKLE IN TIME After giving quite the inspirational Golden Globes speech, everyone's talking about Oprah. Expect it to continue come March. She mightn't take acting roles all that frequently, but playing a celestial being in the long-awaited adaptation of 1962 science fantasy novel A Wrinkle in Time seems the perfect part. As directed by Selma's Ava DuVernay, and also featuring Reese Witherspoon, Mindy Kaling, Andre Holland, Zach Galifianakis and Aussie Levi Miller, the film focuses on Meg Murry (Storm Reid), who has to save her astrophysicist father (Chris Pine) from a distant galaxy. Sure, there's another Star Wars movie out this year — but notch this one up as a different type of space story. In cinemas March 22. https://www.youtube.com/watch?v=dt__kig8PVU ISLE OF DOGS Wes Anderson making a stop-motion animated movie about a dystopian future where dogs have been quarantined on their own Japanese island? Shut up and take everyone's money. Four years after The Grand Budapest Hotel, the American filmmaker is back with what might be his cutest flick yet — and given how gorgeous his general aesthetic is, including his previous animated effort Fantastic Mr. Fox, that's saying something. A high-profile roster of Anderson regulars and other famous names voice canines and humans alike, such as Greta Gerwig, Scarlett Johansson, Bill Murray, Jeff Goldblum, Tilda Swinton, Bryan Cranston, Edward Norton and Frances McDormand. And as for Isle of Dogs' story, it centres on a boy who makes his way to the island in search of his beloved pet pooch. We can already hear you saying awwwwwwwwwwwww. In cinemas April 19. https://www.youtube.com/watch?v=JLjLbl4G1wA OCEAN'S 8 Most franchises, as the chapters roll on, aim for bigger and better. Don't mistake Ocean's 8 smaller number for doing the opposite. This all-female heist flick doesn't need 11, 12 or 13 folks to pull off the ultimate job: at the Met Gala. Leading the formidable gang of law-breaking ladies is Sandra Bullock as Debbie Ocean, while Cate Blanchett, Anne Hathaway, Sarah Paulson, Mindy Kaling, Helena Bonham Carter and none other than Rihanna are also among the cast. And, given the setting, expect more than a few high-profile cameos. Given the gender-swapped premise, expect an entertaining new instalment in the series as well, as directed by The Hunger Games' Gary Ross. In cinemas June 28. [caption id="attachment_653695" align="aligncenter" width="1920"] Juno Temple in Vinyl[/caption] UNSANE Steven Soderberg mightn't be sitting in the director's chair for the latest Ocean's effort, but the ever-prolific filmmaker has something else up his sleeves. For part of last year, it was his iPhone — which the Logan Lucky and The Knick director used to shoot his latest flick, a mind-bending psychological horror flick. Called Unsane, it's unsurprisingly set in a mental institution, though that's probably the last part of the movie that'll play to your expectations. As for everything else, it was filmed in secret so much is clouded in mystery, although The Crown's Claire Foy and Vinyl's Juno Temple star, and the narrative revolves around a patient forced to face her greatest fear. Release date TBC. [caption id="attachment_529773" align="aligncenter" width="1280"] Rachel Weisz in Yorgos Lanthimos' The Lobster[/caption] THE FAVOURITE If Yorgos Lanthimos knows just how to press your buttons — and if The Lobster and The Killing of a Sacred Deer managed to do exactly that — then pencil his 2018 release into your diary. With The Favourite, the acclaimed Greek filmmaker appears to be in new territory, though you can bet his biographical drama about Anne, Queen of Britain won't be the usual monarchy-focused effort. Joining him in this exploration of the 17th- and 18th-century sovereign are The Lobster's Rachel Weisz and Olivia Colman, plus Emma Stone and Nicholas Hoult. With Lanthimos proving a director that's continually fascinated with the transactional nature of our society, setting his sights on royalty seems an absolutely natural fit. Release date TBC. [caption id="attachment_629012" align="aligncenter" width="1920"] Robert Pattinson in Good Time[/caption] HIGH LIFE 2018 is shaping up to be a great year for sci-fi fans. Case in point: High Life. It's not what you'd expect from almost everyone involved — other than Robert Pattinson, who has well and truly been filling his post-Twilight resume with interesting and downright excellent choices. He's among a group of criminals sent towards a black hole, all as part of a quest to find an alternative energy source. And, he's starring alongside French great Juliette Binoche, A Cure for Wellness' Mia Goth and Outkast's Andre Benjamin, under the direction of iconic filmmaker Claire Denis (35 Shots of Rum, Bastards, Let the Sunshine In), who is making her first English-language feature. Release date TBC. [caption id="attachment_653679" align="aligncenter" width="1920"] Suspiria (1977)[/caption] SUSPIRIA Horror remakes aren't always met with excitement, particularly when a classic of the genre gets the second go-around. Suspiria, however, shouldn't earn your caution — thanks to Call Me By Your Name's Luca Guadagnino sitting at the helm. The original is the darkest dance-related movie you're likely to see, as well as a wonder of Italian giallo cinema, delving into the sinister secrets behind a prestigious dance academy. Living up to it is quite the task, but the I Am Love and A Bigger Splash director has been on a very impressive streak of late. On-screen, Dakota Johnson, Chloë Grace Moretz and Tilda Swinton are among the stars sashaying (and screaming) their way through the end result. Release date TBC. PSYCHOKINESIS There's no shortage of superhero films due on our screens this year, including Black Panther, Venom, Aquaman, a couple of X-Men-related efforts, Daredevil 2 and more. Yes, the list goes on. And yet, a Korean black comedy about a man who discovers he has superpowers might be the one to beat. Seeing something other than the fiftieth instalment in a cinematic universe is always welcome, and director Yeon Sang-ho already turned his take on one busy genre — zombies — into an engaging thrill ride courtesy of Train to Busan. Fingers crossed Psychokinesis make the big screen on our shores, but if not, look for it to stream on Netflix. Release date TBC. [caption id="attachment_653694" align="aligncenter" width="1920"] The Happytime Murders concept art[/caption] THE HAPPYTIME MURDERS There aren't enough movies about puppet private detectives. Really, there isn't. This adult-centric film comes with quite the pedigree, however, with Bill Henson — son of The Muppets puppeteer Jim Henson — in the director's chair. A comedy and a thriller all in one, it's set in a world where people and puppets live (and kill) side-by-side. Only one can hunt down a serial murderer targeting the cast of a famous '80s TV show, and that'd be ex-cop Phil Phillips (Bill Barretta). Amongst the mountains of felt, Melissa McCarthy stars as his ex-partner, Maya Rudolph as his secretary, Elizabeth Banks as a former flame and Joel McHale as an FBI agent. Release date TBC.
The future of museums is a bit William Gibson. As in, "the future is already here. It’s just not evenly distributed yet." One place with a pretty uneven head start — bringing the future to now — is the Cooper Hewitt Museum in New York City. A branch of the Smithsonian settled in a former mansion of the late magnate and philanthropist Andrew Carnegie. Its head start comes from being closed for renovations for three years. This gave it the chance to completely reinvent a lot of the things it did from scratch. Not least that whole internet, digital thing. For its Sydney-raised director of digital and emerging media, Seb Chan, that was the appeal. Chan had been in a similar role at the Powerhouse Museum (now the Museum of Applied Arts and Sciences) and was very much attracted to "a chance to reboot" a whole museum and think "what could this be?" JUST A PEN The Cooper Hewitt answers this question mostly with some pens. Visitors get handed a special black, rubber pen. Its smartphone-friendly tip lets you draw on interactive tables. The button on the other end lets it save the stuff you like. That's about it. "There's no screen. There's nothing to learn," Chan says. You can click the eraser end against little information cards and use the pen to bring up more info on the tables. When you leave, you look up a web address on your ticket and all the things you looked at are collected for you. 8KB FUN Seb hands me one he has with him. It feels good. "The pen itself is a capacitive stylus, with an NFC antenna and some memory. A small amount of memory: 8KB of memory. It doesn't have to be a lot." It is nicely weighted and well built. "It's a bookmark" he continues, "you're bookmarking the museum. That's all it is." That's not what you notice when you hold it. You want to point with it and you want to click. It feels built to just the right size. The idea is to make the physical and the digital sides to the museum mix effortlessly. "We're at a moment where, just like the internet in your pocket, digital is not something special." The museum is following suit, trying to "embed digital within the fabric of the museum visit [in a way] that normalises it. That naturalises it. And makes it feel like it should be there." By the time people reach the second floor, they've stopped being amazed by the pens, by the interactive tables. They just use them: "That's success." YOUR PUNY SCREENS The pen gets all the attention at the Cooper Hewitt, but its not the only direction that museums are heading in. The smartphone is one of the fundamental shifts museums are just beginning to get their heads around. Why wouldn't people just look things up on their phone at home instead of coming in to see your stuff? Like a cinema's giant screen to your puny big screen, museums are moving on to experiences that you can't get at home. Some of that is tech. Chan tells me about an exhibition he took his daughter to at New York's Museum of the Moving Image, Sensory Stories. The exhibition showcased 12 immersive, 3D documentaries using a virtual reality headset, the Oculus Rift. And then there's room-sized, "remote sensing" setups. These spaces let you explore sites not safe to visit in person. I suggest to Chan that Palmyra might be that sort of site. "Or a world heritage site that's too fragile to visit. Or maybe the international space station. Or maybe the surface of Mars," he says. Some of these not-at-home experiences are social. "That's one of the big shifts, I guess, in museums, is that they're now social venues." Most of these fixes are low-tech, like fixing the quality of coffee in the cafe. And the tech follows along. While the new Cooper Hewitt's interactive tables are 84", 4K high-definition screens, it's also important that they're big: "You can have as many as 12 people gathered around them. And when there are 12 people gathered around, you can bet they're talking." CHEAP JEANS AND CENTRIFUGES Where does this take us over the next ten years? Chan seems excited about the future of virtual reality, but sanguine. "VR is always an interesting piece with museums. And every ten years, there seems to be a new peak around this, and then it drops off again, and comes back again." Then there's the issue of what to collect. Chan wonders. "What should we be collecting from now that's gonna be as important as, you know, the cuneiform tablets?" He's interested in software and code. Maybe financial code, "collecting the algorithms — the quants used — that triggered crashes [from high frequency trading]" or even Stuxnet. How to do Stuxnet: The source code? A copy of the virus? "Ideally, what you would want to collect is one of the Iranian centrifuges that was knocked out by it." He points to Britain's Victoria & Albert Museum, whose experiments in "rapid response collecting" have seen it display a smashed Guardian laptop to talk about Edward Snowden or Primark cargo pants as a response to the Rana Plaza collapse in Bangladesh. YOUR DATA IS HERE, NOW There's also a long game here. Museums have new tools in the shape of analysing visitor movements from new tech like Cooper Hewitt's pens or even just free museum Wi-Fi. How does ten years of that add up? "Ten years of understanding it." Though Chan adds, "The challenge with analytics is that you're often collecting the wrong information. What I would hope is that it's ten years of people realising that we need to be thinking about how people behave and coming up with ways of understanding it." Seb Chan is in Sydney to talk at REMIX Summit, where he'll be giving Wednesday's keynote 'No Boundaries - The Museum of the Future.' Concrete Playground is a partner of REMIX Sydney.
This mind-blowing photograph of an erupting volcano hit by a lightning bolt has just won Mexico's Sergio Tapiro Velasco the distinguished title of 2017 National Geographic Travel Photographer of the Year. Take a moment to just absorb how inconceivable that shot is. His prize-winning photo, titled The power of nature, was taken outside Colima, Mexico. Velasco has been studying and photographing the Volcán de Colima for over a decade, and for good reason — known as the 'Volcano of Fire', it is one of the most active volcanos in Latin America. As the award recipient, Velasco received a envy-inducing ten-day trip for two to the Galápagos Archipelago with National Geographic Expeditions, along with a cool $2500 USD prize. Selected from over 15,000 entries from participants in more than 30 countries, this year's contest recognised photos in three categories — 'Nature', 'People' and 'Cities'. Velasco's photograph was so impressive that it didn't only win the grand prize, but was also awarded top prize in the 'Nature' category. In order to capture the photo, Velasco closely tracked the increase in activity around the volcano for nearly a month. On the night this photograph was shot, Velasco was stationed only 12 kilometres away from the crater. "When I looked on the camera display, all I could do was stare," says Velasco. "What I was watching was impossible to conceive, the image showed those amazing forces of nature interacting on a volcano, while the lightning brightened the whole scene. It's an impossible photograph and my once in a lifetime shot that shows the power of nature." Apart from the grand-prize winner, other top photos were selected in each of the three categories, with first, second and third place winners also awarded sizeable sums of $2500, $750 and $500 USD, respectively. The entries must have been taken in the past two years to be considered. In the 'Cities' category, Hungarian Norbert Fritz was awarded the top prize for his photo titled Levels of reading, and Turkey's F. Dilek Uyar took home the top prize in the 'People' category with his photograph, Worship. Judges for this year's competition included Nat Geo's senior photography editor Molly Roberts, award-winning underwater photographer Benjamin Lowy and award-winning adventure sport and documentary photographer Jody MacDonald, The rest of the winning and honourable mention photographs are included in our photo gallery above, or can viewed on the Nat Geo website. There's some real good'uns in there.
And now, the end is near. And so we face the final curtain... My, what a ride it's been. 22 films, more than a dozen TV series, 80-odd main characters, $4 billion spent and close to $20 billion made. But as Tony Stark, the man whose original Iron Man film kicked this whole crazy thing off, says: "part of the journey is the end". In Avengers: Endgame, we're given an end worthy of that extraordinary journey. In the simplest sense, Endgame is a sequel to 2018's Infinity War, and the 22nd film in the so-called Marvel Cinematic Universe. And yet, there's very little that's simple about this picture, marking as it does the extraordinary culmination of several dozen intricate and intertwined story arcs that extend all the way back to 2008. It's also, if you'll forgive the pun, a stark counterpoint in both style and content to Infinity War, presenting very much like an out-and-out drama instead of the traditional comic book spectacle. Where Infinity War was all bombast, Endgame offers reserve. Where Infinity War wrought intergalactic devastation and destruction, Endgame delivers intimacy and an examination of grief, loss and very private regret. It's comfortably the Marvel film in which the least happens, yet it never for one moment feels dull or lags — even with its 3 hour run time. Despite Disney's best efforts, spoilers are abounding online, so in the interests of preserving secrecy for those who've managed to silo themselves away from revelations, we'll keep any plot discussion to a minimum. The shock of Infinity War's conclusion, in which 50 per cent of all living things in the universe were snapped into dust by Thanos (Josh Brolin), looms large over those left behind. Survivor guilt affects everyone, most notably the remaining superheroes burdened with the additional feelings of failure, blame and empty vengeance. In one of the film's best scenes, Captain America (Chris Evans) sits in an AA-style support group, telling those in attendance it's up to them to move on, rebuild and make something of earth again. It's a beautiful speech and entirely true, but the hollowness behind Cap's eyes betrays his own failure to practice what he preaches. So too the rest of the Avengers. Thanks to the trailers, it's safe to say Ant Man (the ever-appealing Paul Rudd) plays a pivotol role in kick-starting Endgame's plan to rectify the devastation of Thanos's genocide, employing what he playfully terms "a time heist". Directors Anthony and Joe Russo and writers Christopher Markus and Stephen McFeely gleefully unpack some of the persistent myths of that particular device, ripping apart the plotholes of iconic chrono-cinema stories like Back to the Future and The Terminator. In Endgame, there's some impressive backtracking through the MCU's own history, which doubles as the launch pad for most of the film's lighter moments (a discussion about Cap's butt being chief amongst them). The humour, though, doesn't always land, and the main offender in Endgame, we're sad to say, is Chris Hemsworth's Thor. He's taken the failure to prevent Thanos' snap particularly badly, but save for a solid sight gag early on, Hemsworth's performance feels at odds with everything else in the film. Only when he abandons the attempted comedy does he again sizzle on screen, be it in one of the rare moments of action or in a tender moment with a key character from his past. And there are a lot of those, with Endgame drawing its cast list from the entire MCU catalogue. Most appearances are fleeting, but rather than feel like mere fan service, they serve to reinforce the scale of the franchise's achievement. With each new face we're reminded of another moment within another film from somewhere in our own past; an opportunity to engage in some time-travelling of our own as we revisit the experience of watching these films throughout the last decade. When the inevitable culmination arrives at the film's conclusion, it's so much more than a roll call. It's at once a reunion, a rectification, a resurgence and a cathartic, tearful farewell. Yes, tearful. There are deaths here, and having spent so long in the company of these characters, the emotional resonance of their departures isn't easily absorbed. Technically, the upcoming Spider-Man: Far From Home is pegged as the official end to Phase 3 of the MCU, but emotionally there's no question Endgame lives up to its name. When the dust finally (and literally) settles, the payoff is thoroughly earned and the emotions are heartfelt and raw. But goodbye doesn't necessarily mean gone here, and in certain cases a character's departure simply means their baton is passed on to others. A few of these are shown; others, merely hinted at. Phase 4 will mark a significant reset for Marvel, and with the recent acquisition of 20th Century Fox, the path now lies open for drawing in the X-Men franchise to the growing MCU roster. According to Marvel Studios President Kevin Feige, however, it'll be a while before we see the likes of Magneto and Professor X alongside Captain America. Til then, Marvel's challenge will be to build, develop and deliver the same level of complexity and pathos into its next generation of heroes as with those we've just farewelled. https://www.youtube.com/watch?v=hA6hldpSTF8
Billionaire entrepreneur and possible mad scientist Elon Musk is one step closer to making his Futurama-style transportation system a reality. After first proposing the high-speed, compressed air-powered Hyperloop back in 2012, the Tesla, PayPal and Zip2 cofounder has just put down a lease on a warehouse in downtown Los Angeles, establishing the headquarters for Hyperloop Technologies Incorporated. Described by Musk as a "cross between a Concorde and a railgun and an air hockey table," the proposed Hyperloop system would consist of a long route of elevated vacuum-sealed steel tubes, through which pressurised capsules ride cushions of air at speeds of up to 1220km/h. Designed to transport both freight and brave human passengers, Musk’s first proposed route would run from LA to San Francisco, cutting the roughly six and a half-hour drive time to just 35 minutes. If you think that this idea sounds awesome, then you’re right — it's straight-up awesome. There are however still a few small details to work out. Despite Musk’s initial assertions that the project would cost a 'mere' US$6 billion to complete, several economists have put the price tag closer to ten times that, if not more. There’s also the possibility that people might be a little reluctant to seal themselves inside a windowless metal pod travelling at breakneck speeds through the desert — although if the proposed US$20 ticket price holds true, it may be a preferable alternative to flying. For those of you who geek out over science, Gizmag published a pretty comprehensive breakdown of Musk’s 2013 proposal over here. The next step in the system’s development will involve an 8km test track, with Musk identifying Texas as a possible location. Hyperloop Technologies CEO Dirk Ahlborn last year estimated that a commercially operable Hyperloop “can be built within the decade.” Via LA Times.
Those who were mad fans of Bill Cunningham, or watched and loved the 2010 documentary Bill Cunningham: New York (that Venn diagram is probably a single circle), would be unsurprised to hear that the legendary fashion photographer was still shooting less than a month before his death last Saturday. Cunningham's tenacity and single-minded focus, along with his modesty and warmth were just some of the things that made the street style photographer such a joy to watch. As a reporter and historian of fashion he displayed an extraordinary depth of understanding of his subject. It's a little dismaying therefore to discover that finding photos taken by Bill Cunningham is harder than you might expect. Trawl the usual channels (Google, Tumblr, Pinterest) and inevitably nearly every image will contain a telltale flash of blue — the French workman's jacket that Cunningham made his now-iconic uniform. Though I can't blame anyone for wanting to swoon over Cunningham himself, it seems fitting to honour the reluctant celebrity by turning our attention back to his work — if nothing else, there's no doubt that's what he would have preferred. [caption id="attachment_578295" align="alignnone" width="1280"] William J. Cunningham, Facades, Penguin Books, 1978.[/caption] NEW YORK IS ITS OWN STAGE Cunningham's muse, friend and co-star Editta Sherman poses in full Edwardian get-up in this shot from Cunningham's 1978 book Facades. Many of the photographs from the book depict authentic period costumes (which Cunningham himself had collected) placed against a backdrop of iconic New York architecture. The photos are contemplation on a city that, perhaps more than any other, has made progress and modernity into an aesthetic. Though Cunningham is better known for his (generally) unstaged street photography, this photo of the Lady Bracknell-esque Sherman includes elements of the photographer's sense of humour which are familiar. Note the advertisement hanging on the graffitied subway car above Sherman: "A woman of good taste". [caption id="attachment_578296" align="alignnone" width="1280"] Bill Cunningham, Vogue, (Conde Nast, March 1974).[/caption] AMERICAN FASHION "OOZES VITALITY" If you're interested in 20th century fashion history then don't walk, RUN to watch this 2014 interview in which Cunningham describes "the most exciting fashion show" of his life. Cunningham is momentarily reduced to tears as he recalls details of the 1973 'Battle of Versailles' fashion show, in which French and American designers were pitted against one another. The two nations' designers represented two different fashion ideologies, and Cunningham wasn't shy about naming his victor. In the Chicago Tribune, he wrote that the Yanks "devastated" their French counterparts, with their "uncluttered American taste oozing vitality". Halston was among the American contingent who showed at Versailles, and though this 1974 photograph by Cunningham displays the more overt, embellished glam of the coming decade, one can still recognise in the dress' cut the kind of simplicity of design that Cunningham was still championing 40 years later. [caption id="attachment_578297" align="alignnone" width="1280"] Bill Cunningham, 'Make Your Own Art: On the Street', New York Times (OCT. 31, 2014)[/caption] FASHION NEEDS EXPERIMENTATION TO AVOID SIMPLY BEING COMMERCE So here's a fun fact: Bill Cunningham literally invented the application of the word 'deconstructionism' to fashion (Bonnie English, Japanese Fashion Designers: The Work and Influence of Issey Miyake, Yohji Yamamoto and Rei Kawakubo, Berg, 15 Aug. 2013 , p.170). It is a rare thing indeed to encounter someone with so fierce, varied and long-lasting an appetite for fashion. In a 1989 video interview, Cunningham described how he first recognised parallels between the early 1980s designs of Rei Kawakubo, and the clothes worn by New York's homeless women. His tone is not uncritical as he makes this extraordinary observation, but you can also detect his exhilaration as he goes on to make a further link to the proportions of medieval European dress. More recently in his 'On The Street' video series for the New York Times, Cunningham showed his continued fascination with the avant-garde by comparing the red of mainstream fashion to Kawakubo's "blood and roses". He concluded: "Fashion as we know it today is absolutely commerce. Very little artistic expression. Lots of it is very beautiful and women look wonderful in it. There's nothing wrong with that! But you have to have this wild experimentation." [caption id="attachment_578300" align="alignnone" width="1280"] Bill Cunningham, 'Dashing', New York Times (February 24, 2012).[/caption] COLOUR IS POWERFUL AND DEMANDS YOUR RESPECT Many of Cunningham's most enticing collage spreads for the New York Times were based around a colour theme. Cunningham sensitivity to and appreciation of colour was something else. In 1965, the New York Times reported on a presentation given by Cunningham at Carnegie Recital Hall (the same building in which he lived and from which he was evicted in 2010). Cunningham spoke to an audience of fashion designers and students and described the colours he had seen at the recent Paris couture shows. To illustrate the colours he "sliced a pumpkin in half, peeled a banana and held up a raw beefsteak to illustrate the major colours…", documented by Bernadine Morris in her 'Two Views on Fashions: One Scholarly, One Pop' piece. Cunningham never lost his voracious appetite for fashion, and it's hard to imagine that we'll see his like again.
Mona Foma, MONA's wild and weird summer music and arts festival, is back for 2018. And this time around, it's set to eclipse all previous incarnations, with the festival adding a program of Launceston events to its usual Hobart lineup. Further to the announcement of the MONA hotel and the move to Launceston back in July, this beefed-up presence also heralds the festival's biggest, most eclectic program to date, thanks largely to funding from the State Government. Unveiled today, the Mofo 2018 lineup is a cracker, delivering 11 days of thought-provoking art and music to Tasmania's two largest cities and celebrating creativity and personal expression in all forms. Running from January 12 to 14, the Launceston leg will see singer-songwriter Gotye join the Ondioline Orchestra to pay homage to renowned French electronic composer Jean-Jacques Perrey (January 12 and 13), as well as a dance performance by Canada's The Holy Body Tattoo, scored live by post-rockers Godspeed You! Black Emperor (also January 12 and 13). Mofo's northern run will culminate with a huge, free party on January 14. To follow, January 19 to 21 will mark Mofo's final MONA appearance for a while, so it's exiting with a bang. The museum's outdoor stage will feature performances from the likes of punk poet Moor Mother, all-female Argentinian act Fémina and a collaboration between Tassie bassist Nick Haywood and The Hobart Liberation Orchestra. Martin Blackwell will deliver a 24-hour continuous performance soundtracked by an array of global instruments, while the MONA tennis courts play host to a challenging fashion runway courtesy of SAAKA's Hunger for Gluttony. Elsewhere in Hobart, the Violent Femmes will perform with the Tasmanian Symphony Orchestra, a one-day mini-Mofo will pull together local acts like Comrad XERO, Crypt Vapor and Phillipa Stafford, and the festival's official after-party Faux Mo will take over a huge new waterfront space at MAC2. Mona Foma 2018 will take place at venues across Launceston from January 12–14, at MONA from January 19–21 and across Hobart from January 15–22. Tickets are available here from Monday, October 16.
Two fast food staples, both alike in dignity, in fair Hong Kong where we lay our scene. An unlikely pair of greasy star-cross'd lovers have been fused by the world's biggest chicken specialist — KFC has created the unholy union of pizza and fried chicken. Found only in Hong Kong for now, KFC's new Napoli Crispy Pizza Chicken sees the chain's immortal fried chicken breaded with marinara, mozzarella, and cheddar cheese. It's pure, horrifying genius. They've even got some slightly freaky children's choir in on the local ad. We thought things would settle down after KFC decided to replace their buns with chicken, but no. This mighty fast food hybrid proves our suspicions that the global trend toward fusing unlikely food friends is getting more messed up by the day. Just go with it, we guess? Via Gizmodo.
Hey there, lonely freelancers working in cafes, on couches and in front of Netflix worldwide. Want some company? We've got a big ol' warm fuzzy home for you. Well, someone else’s home to be specific. Meet Hoffice, the social site dedicated to connecting you with people who've turned their houses into fun, creative workspaces. Whether you've only just quit your nine-to-fiver or you've been cruising solo for quite some time, chances are you're familiar with the challenges that come with the crazy world of freelancing. On one hand, taking charge of your career gives you loads of freedom — you can work in your pyjamas, clock on and off when you want to, and enjoy strictly virtual relationships with your bosses/clients. On the other hand, it's not all strawberries and cream. Unless you became a freelancer mainly because you hated group work at school (and you’re a misanthrope), you might feel a little lonely every now and again. You're productive, sure. But you probably look as relaxed as this: That's where Hoffice steps in. If you’re a freelancer, simply register and start searching your area for a host, who’s set up their home as a place for you to treat as your office. As far as we can see, this new service only has limited Australian/NZ options but we're sure there'll be a few as Hoffice picks up. While some hosts have an open policy, inviting everyone in, others just accept newbies every now and again. If you’d like to offer up your home, find out how right here. On top of mediating between space owners and freelancers, Hoffice also suggests a schedule. Designed to help you get the most out of your workday, it includes time for meeting and greeting, taking breaks, eating and partying. Of course, you don’t have to stick to it if you'd rather not — or you're between projects. Right now, Hoffice is operating in Europe, the States, Brazil, India, China, Japan, Singapore, New Zealand and Australia (Melbourne). No network in your area? Start one yourself. Via PSFK.
East Brunswick Village is continuously upping its game — getting in a slew of top traders, running block parties, and now putting on a huge Christmas night market. Come Thursday, December 12 (from 5–10pm), the whole development will be taken over by more than 70 shopping stalls, Christmas carollers, and one-off festive dishes made by the local restaurants and bars. When it comes to Christmas shopping, you'll find handmade ceramics, jewellery, artwork, stationery, candles, skincare and plenty more. [caption id="attachment_972178" align="alignnone" width="1920"] Bridge Road Brewers[/caption] The food and drink offerings are also next-level. Bridge Road Brewers will be pouring its limited-edition Xmas Bonus brew (vanilla ice cream ale) and Fat Man Red Suit (red IPA); Rumi will be dishing out its much-loved fruit mince marmool and pavlovas; David Bros will be giving away free samples of pasta, pizza and cheese; Bellboy will be slinging its traditional eggnog and Christmas cold brews; and To be Frank will even be setting up a pop-up stall where they'll be selling their decadent panettones. FoMo Cinema is also joining in on the fun by hosting free animated short films (mostly for the kids), while the Salvation Army is running a raffle and Choice Pharmacy is offering free gift wrapping for anyone who buys a present from the makers market. EBV is setting itself up as a brilliant hub for drinking and dining, entertainment and community gatherings — be sure to check it out for yourself.
UPDATE: MARCH 27, 2019 — If you've been meaning to explore the NGV's mind-bending Escher exhibition, but haven't had a chance yet, you don't have much time left. — it finishes up on Sunday, April 7. Luckily, the gallery is extending its hours its final week . From April 1–7, the exhibition will open at 8am (two hours early) so you can catch a glimpse of it before work. In addition to this, the gallery will stay open until 10pm Thursday through to Sunday with live music and the bar open (including the last NGV Friday Nights for the season). The National Gallery of Victoria has revealed its summer centrepiece: a bold new world premiere exhibition pairing the work of Dutch artist M.C. Escher and Japanese design studio Nendo. Much like the NGV's 2016's Andy Warhol and Ai Weiwei show, Between Two Worlds celebrates two very different creators, bringing them together in an assembly of immersive art and design. More than 150 of Escher's prints and drawings created between 1916 to 1969 have made their way to Melbourne from the Gemeentemuseum in The Hague for the artist's first ever major exhibition in Australia. Optical illusion is what he's best known for — his intricate pieces use patterns and design to warp space and perception. You'll need to take second, third and fourth looks at pieces like Day and night and Drawing hands. To really mess with your mind, Nendo — led by designer Oki Sato — has created an immersive gallery space that's just as trippy. The studio has taken inspiration from Escher to manipulate geometry and space to warp perception, giving you an imagined sense of what it would be like to enter Escher's mind boggling world. Expect lots of mirrors, shrinking corridors and projections that will mess with your brain (in a good way). The exhibition will run until April 2019 alongside a public program of talks, workshops and the NGV's Friday night parties. Images: Eugene Hyland and Sean Fennessy.
Long-time creative collaborators, Virginia Martin of Melbourne fashion label búl and photographer Kate Ballis have done it again. The quintessentially Melburnian team has come together anew, this time tempting us with easy, refined style and otherworldly prints for Autumn/Winter 2017. Ballis is renowned for her ability to transport you to surreal landscapes through her dramatic lighting and moody aesthetic. So, using the photographer's striking prints of mythical Icelandic landscapes, Martin and Ballis have gifted us with a capsule collection of wearable art and travel inspo in the form of five covetable pieces. Ballis' mossy mountains sloping into hazy waters create geometric effects across a simple búl shift. Her icy glaciers evolve into subtle motifs that ripple over a jacket, top and skirt worn all together or separate. The collaboration also yields a cushion capturing búl's understated sophistication and Ballis' ethereal landscapes. As a whole, the minimalist capsule is a dreamy, subdued mix of muted hues, clean lines and pared-back style, and we're ready to whip out our wallets to shop every piece. You may just find us packing our bags to go and become one with the mystical surrounds of Kate Ballis' Iceland like some immaculately dressed ice deity. Or you know, just donning fresh threads around the office like some immaculately dressed writer who's spent her last paycheck well. The búl x Kate Ballis capsule collection drops in store and online on March 17.
