The NGV is pretty practiced in juxtaposing the classical and the contemporary, and the gallery is set to do it again with its summer exhibition celebrating Dutch artist M.C. Escher and Japanese design studio Nendo. And, as is now custom, with a seasonal blockbuster, so comes a brand new season of NGV Friday Nights. The gig series is now a quintessential way to end a steamy summer week in Melbourne. And, thanks to a partnership with Bombay Sapphire, you'll get to enjoy this after-dark art excursion with a suitably quirky cocktail in hand. It'll kick off on December 7 with a set from Andy Bull and run all the way through to a Friday-Saturday finale with infectious duo Confidence Man on April 5 and a Saturday party with San Cisco on April 6. As always, you'll get after-hours access to the gallery as well as the gigs. Rove between the current exhibitions, Between Two Worlds and Julian Opie, and, out in the garden, explore this year's NGV Architecture Commission to the soundtrack of local DJs, who will rotate on a monthly basis. There'll also be an aural installation called Bach x Reimagined, a piece that references the influence that Bach's compositions had on Escher's art, as well as the lots of food and a couple of pop-up bars from Bombay Sapphire. The bars will be slinging Bombay Twists, a summery spritz-like cocktail, for you to sip before you roam the gallery's many goings on — take your pick between a classic gin and tonic, raspberry and basil, lemon and thyme or mint and ginger. NGV FRIDAY NIGHTS SUMMER 2018 LINEUP December 7 — Andy Bull (DJ Set) December 14 — Hoodlem (DJ Set) December 21 — Fantastic Man (DJ Set) December 28 — Nicole Millar (DJ Set) January 4 — Andy Hart January 11 — KLP (DJ Set) January 18 — Film School Collective January 25 — Zuri Akoko February 1 — Chela (DJ Set) February 8 — Harvey Sutherland (DJ Set) February 15 — Alice Ivy (DJ Set) February 22 — OJ KUSH March 1 —Gold Fields (DJ Set) March 8 — Dappled Cities (DJ Set) March 15 (Melbourne Art Book Fair X Design Week Edition) — Jonti (DJ Set) March 22 — Japanese Wallpaper (DJ Set) March 29 — Woodes (DJ Set) April 5 — Confidence Man (DJ Set) April 6 (special Saturday event) — San Cisco (DJ Set)
For Benjamin Law, it all comes back to family. One of five children born to immigrant parents from Hong Kong, Law made a name for himself as a columnist for Frankie, where he frequently wrote about his large, dysfunctional family. It's a habit he'd continue in his best-selling memoir The Family Law, which in turn became the basis for his brand new sitcom on SBS, the first episode of which premiered last week. In an unprecedented move, the network chose to release the first episode on Facebook ahead of its television premiere. Yet perhaps even more significant is the fact that the show puts an Asian-Australian in the spotlight — an all too rare occurrence on Australian TV. In the lead-up to the release of the show's second episode, Law gave us his two cents about the origins of the program, their groundbreaking release strategy and the importance of diversity in entertainment. ON BRINGING PAGE TO SCREEN "The book [The Family Law] came out in 2010. It's about growing up gay and Asian in coastal Queensland in the 1990s as my parents' marriage falls apart. It's a classic Australian story! So that came out, and I kind of fret that no one will really get it, because it seems to me to be such an obscure story. But what happens is that a lot of people relate to it for all the reasons that I just talked about. A lot of Chinese-Australian and Asian-Australian people relate to it, a lot of people who grew up in Queensland relate to it, a lot of people who grew up gay relate to it, and a lot of people whose parents' marriage busted up relate to it. So it kind of exceeded my expectations. "From there it landed in the hands of Tony Ayres, the filmmaker, who has made some of my favourite films of the last few decades. He's just this powerhouse, and as soon as I heard that he was interested I had to stop myself from squealing like a fan-girl. I'd seen his film The Home Song Stories maybe a year before. My whole family did, and we came out of the cinema crying buckets. I was like, if you can make something like that, I'd love to see what you could do with The Family Law. So we signed up with Matchbox Pictures, and Tony curated this incredible production team...[and] we all came together and started working." ON TURNING YOUR FAMILY INTO SITCOM CHARACTERS "I think [my family] are always kind of nervous. Hell, I write the stuff and I'm always nervous about their reaction. But I've been writing about them in columns and in my book, for quite some time, and I kind of know where the boundaries lie. And the good thing about this show is that we weren't writing a documentary. All the characters are based on people in real life, but we wanted to write a comedy with a lot of emotional truth, and in order to do that we had to be wildly promiscuous with what actually happened. "Funnily enough, as time goes on and more and more people see the show, so much of the feedback is, 'Holy crap, that's my family, that's my dad, that's me!' And that's pretty sweet. It's the best reaction you could hope for really." ON THE WHITE FACE OF AUSTRALIAN ENTERTAINMENT "The show isn't about race, or race relations, or racial tensions, or finding your racial identity... but we were completely aware and happy to acknowledge the fact that this was addressing something that has been lacking in Australian TV for a long time. One in ten Australians has a significant Asian background, but we just don't see that diversity on television. And it's not just about Asians either. It's about brown Australians and black Australians, and seeing our actual racial makeup. Why we remain one of the whitest TV environments is just baffling. A 2016 show about a Chinese-Australian family is groundbreaking. And I'm really glad that it's breaking new ground, but it's kind of astounding that it's taken so long. "I think it's more to do with the television landscape and how frighteningly mono-cultural it is. All the commercial breakfast networks are white. The main cast of Home and Away [is] completely white. How many of the panel shows we watch are all white? You start noticing it constantly. "I didn’t grow up watching any show that resembled The Family Law... and the way that it manifests can be pretty toxic, when you don't see your own face reflected in your own media. I've been reading some essays lately that people have written in response to the show, saying 'I sort of grew up a bit self-hating and wanting to be white, because anything else was undesirable. My own face was undesirable and not legitimised by how we reflect ourselves in media and television and the arts.'" IS FACEBOOK THE NEW TV? "SBS proposed it. They'd never done it before, and as soon as they said it, it just made complete sense. Nearly all of us are on [Facebook], it's a part of our daily lives, and it gives the opportunity to click on something and watch a full episode of something that's already in our face. Not only that, but you can share it, you can interact with it, you can tag people and tell them about it. So we put it up there for a really limited amount of time, from Friday afternoon until the end of Sunday. At least two million people saw it, at least 1.1 million people had a good look at it, and thousands and thousands of people watched the episode in its entirety. "It sounds revolutionary, but when you're doing it you're just watching a show on another platform. Television is so many things nowadays ... so I'm really stoked that we went with that. People were wondering if it would affect our ratings, but I suspect that it might have even boosted them, because we far exceeded the expectations of what the show would rate once the TV broadcast went to air." Watch The Family Law on Thursday nights on SBS at 8.30pm.
Whether he's behind or in front of the camera, making his own version of Nosferatu or documentaries about volcanologists, popping up in Parks and Recreation or playing a villain in a Jack Reacher movie, there's no one in the film industry like Werner Herzog. His voice is famous, including get a use in family-friendly animation not once but twice. His work as a director is thoroughly inimitable. He's one of Germany's cinema greats — and Australia's 2024 German Film Festival is recognising him as such. This year's touring event, which has dates with Canberra, Sydney, Brisbane, Melbourne, Adelaide, Perth and Byron Bay between Tuesday, May 7–Wednesday, June 5, boasts a Werner Herzog retrospective on its just-announced full lineup. A documentary about him is on the bill, so get excited to see Werner Herzog: Radical Dreamer on the big screen. Also set to flicker through the projectors: Aguirre, The Wrath of God, about searching for El Dorado; Fitzcarraldo, which focuses on trying to move a steamship over a Peruvian mountain; and Nosferatu the Vampyre, featuring Klaus Kinski, as with the aforementioned two titles, but this time as Dracula. There's also Heart of Glass, which gets experimental in a Bavarian village — and The Enigma of Kaspar Hauser, which celebrates its 50th anniversary in 2024. Clearly, the German Film Festival has the past on its mind with its latest program. That also comes through in a second way, by marking 70 years of German Films, the organisation tasked with promoting the country's movies beyond Germany. As part of that retrospective, the Oscar-nominated Jacob the Liar, Oscar-winning documentary Serengeti Shall Not Die, Rainer Werner Fassbinder's iconic The Marriage of Maria Braun and unforgettable recent standout Toni Erdmann will all play the fest. So will Trace of Stones and Yesterday Girl, both from 1966 — the first from East Germany, the second from West Germany. Looking backwards isn't the only thing on the agenda, however. As it usually does, the event will bring some of the best German and Austrian movies that premiered at this year's Berlin International Film Festival to Australia. 2024's fest spans six such titles, starting with opening night's World War II-set From Hilde, With Love, which follows a young woman in the anti-Nazi resistance movement. From there, centrepiece choice Foreign Language features the always-exceptional Nina Hoss (Tár) in a tale about a friendship playing out through letters, while closing night's Treasure stars Lena Dunham (Sharp Stick) and Stephen Fry (The Morning Show). Plus, Andrea Gets a Divorce brings tragicomedy to the program, Scorched Earth gives the lineup a crime thriller and Every You Every Me is a social-realist drama. Elsewhere, highlights come via One for the Road, complete with a dive into Berlin's nightlife, then a switch to attempting to get sober; the Leipzig-set Dark Satellites, which tells of three love stories; Lubo, the latest must-see starring Franz Rogowski (Passages); Blind at Heart, which takes the leap from the page to the screen; and Not a Word, joining the ranks of recent films — such as Tár — to feature a conductor as a key character. And, as always, the Kino for Kids section returns with movies for younger viewers, making heading to the fest a family affair. A comedy about teen sisters who love skateboarding, an adaptation of the novel The Flying Classroom and Lassie — A New Adventure are all on that part of the bill. German Film Festival 2024 Dates: Tuesday, May 7–Wednesday, May 29 — Palace Electric, Canberra Wednesday, May 8–Wednesday, May 29 — Palace Norton Street, Chauvel Cinema, Palace Central, Palace Moore Park, Sydney Thursday, May 9–Wednesday, May 29 — Palace James St, Palace Barracks, Brisbane Friday, May 10–Wednesday, May 29 — Palace Balwyn, Palace Brighton Bay, Palace Cinema Como, Palace Westgarth, The Kino, The Astor Theatre, Pentridge Cinema and Palace Penny Lane, Melbourne Wednesday, May 15–Wednesday, June 5 — Palace Nova Eastend Cinemas, Palace Nova Prospect Cinemas, Adelaide Thursday, May 16–Wednesday, June 5 — Luna Leederville, Luna on SX & Palace Raine Square, Perth Thursday, May 16–Wednesday, June 5 — Palace Byron Bay, Byron Bay The 2024 German Film Festival tours Australia from throughout May and June. For more information, visit the festival website.
Sydney's multi-faceted arts precinct Carriageworks has released their 2017 program — and, as we've come to expect by now, it's killer. Director Lisa Havilah last night revealed the line-up at the Eveleigh space, saying "the stories we tell through our collaborations and our programs is the story of contemporary life, contemporary urban Sydney of an imagined future driven by always remembering and acknowledging our shared histories". It's a poetic summary of the 2017 program, which is an interesting mix of 67 forward thinking and retrospective pieces. The big ticket item is the inaugural year of the huge citywide The National: New Australian Art, which will launch on March 30. It's the first exhibition of the six-year partnership between Carriageworks, the Art Gallery of NSW and the MCA that was announced earlier this year. Aussie artists included in next year's exhibit include Archie Moore, Justene Williams and Richard Lewer, but about the structure and content of the exhibition, they're remaining tight-lipped. Carriageworks is also collaborating with the City of Sydney to present a show based on the industrial strike in 1917, which happened on the current site of the precinct. With a mix of historical objects and new commissions to be included in the exhibition, artists include are Sarah Contos, Franck Gohier, Will French, Tom Nicholson and Raquel Ormella. They'll also continue their commitment to indigenous projects, bringing back Klub Koori and extending their Solid Ground partnership with Blacktown Arts Centre. For January's Sydney Festival events (of which they are hosting 12), they'll once again bringing the wildly successful Night Market back, this time in collaboration with chef Kylie Kwong. As it will coincide with the Sydney Chinese New Year Festival, this one will be inspired by the streets of Harajuku in Tokyo, Hongdae in Seoul, and AnFu Lu in Shanghai. Other shows include large-scale performance Lady Eats Apple from Back to Back Theatre, a Bangarra triple-bill called Ones Country – the Spine of our Stories, and MDLSX, a show that's part performance art, part DJ set from Italian company Motus. The space will once again host Mercedes Benz Fashion Week and Semi Permanent in May. Music events include Open Frame — curated by Lawrence English and featuring Xiu Xiu Plays the Music of Twin Peaks, Elysia Crampton, Klara Lewis and Alessandro Cortini — and an operatic performance of The Rape of Lucretia by Sydney Chamber Opera under the direction of new artistic director Kip Williams. We could go on. But in the interest of keeping this short, we'll just point you to the full program and let you get excited for 2017. Image: MDLSX, by Diane Ilariascarpa.
You might be familiar with Lululemon from that one time you were convinced to give bikram yoga a go, and its logo on that super fit girl’s yoga pants was in your line of sight while you were swearing this would be the last time you touched a yoga mat, and then you went straight home and had a drink. Next time that happens, take comfort in the fact that your beverage can be Lululemon too. Step out of downward dog for this one: news has dropped that the yoga giant is brewing its own craft beer. In addition to their frequent, high-profile publicity gaffes (like the time its CEO said making yoga pants for plus-sized people was too expensive), Lululemon is well-known for the cult-like devotion of its inner circles and weird in-lingo. (They also do a bunch of wacky brand promotions, which is why this new ‘Lulu goes to the brewery!’ thing might not seem so bizarre to the initiated.) Called Curiosity Lager, the beer is a “crisp, bold session lager” (4.6% ABV), featuring lemon drop hops and chinook hops — but you’ll have to plan a trip to Canada to get a taste. It’s the official beer of SeaWheeze, a half marathon and yoga festival produced by Lulu that happens in Vancouver in August, and just 80,000 cans will be sold in liquor stores around the city. But the question still stands. Why? Speculation is that it’s a move intended to draw in a larger male crowd. But who knows if that will work, as Lululemon doesn’t believe in market research. They’re very future driven, you see, and apparently interviews and focus groups draw too much on the past. Which leaves us wondering, how did they come up with this one? You can almost see the thought process. "Big Manly Men not buy Lulu. Manly men want beer. How get them?" … "Lulu beer!" Good. Via Yogadork.
Foodies, pay attention, because have we got news for you. Chef Rene Redzepi, the man behind Noma and its super expensive, impossible to get into Sydney Harbour spinoff, is organising a day-long symposium featuring some of the biggest names in food. Set to take place at the Sydney Opera House on Sunday, April 3, MAD SYD: Tomorrow's Meals will welcome a number of world renowned chefs and culinary professionals for "a day of talks and ideas exploring the future of food". Confirmed speakers include Redzepi, David Chang (Momofuku), Kylie Kwong (Billy Kwong) and Massimo Bottura (Italy's Osteria Francescana), as well as food activist Chido Govera and social researcher Rebecca Huntley. MAD is heading down under! On April 3rd we will present our first large scale public event at the Sydney Opera House - visit madfeed.co for more info #MADSYD A photo posted by MAD (@themadfeed) on Feb 5, 2016 at 9:40am PST Founded by Redzepi, MAD (the Danish word for 'food') is a non-profit organisation that, according to their website, "works to expand knowledge of food to make every meal a better meal; not just at restaurants, but every meal cooked and served". They've hosted similar symposiums in Copenhagen since 2011, but this is the first time they've held one outside of the Danish capital — and the first one that will be open to the public. "Back when we started MAD in 2011, we found ourselves on a field, in heavy rain, in a tiny circus tent that ultimately collapsed during lunch,” says Redzepi. “MAD has been on an incredible journey since then, but the culmination of our long relationship with Sydney and Australia taking place in one of the world’s most iconic spaces is the greatest privilege. We cannot wait to share this day with everyone - friends and family, old and new." Anyone interested can register for pre-sale tickets through the Sydney Opera House website, and tickets will go on sale to the general public at 9am on Monday, February 22. We can only hope they don't sell out as fast as bookings to Noma Australia did. MAD SYD is happening on Sunday, April 3 — one day after the last service of Noma Australia. Register for tickets here, and keep your eyes on MAD's Facebook and Instagram for additional info. Updated: Monday, February 9. Image: Daniel Boud
The process of making sourdough is a complex one, and the Swedes talk it as seriously as they take their creamy meatballs and minimalist furniture design. If you're doing it by the book, creating one loaf is a very long and complicated task, and like the art of making whiskey, ramen, craft beer, cold drip and growing a beard, it has amassed a devoted niche following. But in an adorable move, Sweden has opened its own 24-hour hotel, just for sourdough. You'll find this adorable land of loaves in the Arlanda airport in Stockholm, run by the RC Chocolat bakery. You can check in your sourdough any time of day, 24/7, for about 100 Swedish krona [about $17] a week. They'll keep your sourdough, care for it, feed it with an organic flour of your choice and massage water into the dough, then hand it back, all ready for baking. But why the need for a hotel? The process of making sourdough involves ‘refreshing’ or massaging the dough and, depending on a host of factors, may need to happen every 24 hours for two weeks. So if you’re a hip Swede, living in an airy loft apartment in Stockholm, cultivating a batch of pungent sourdoughs but you need to travel to a typography convention, what do you do? Before, you had to stay home with the loaves and tend to them lovingly, like they were your children, and then eat them with jam while sad-drunk because you’ve spent your youth raising loaves of fashionable bread instead of a family. But now you can check your dough-children into a hotel while you jet around the world and know they’re receiving top-class care and attention. Charlotta Soor, the owner of RC Chocolat, told Munchies that the Scandinavian love of food with an acid component (such as sour milk and yoghurt) might explain the nationwide obsession with sourdough. She also added, “One has to remember that a sourdough can live for generations as long as you take good care of it, which is pretty amazing.” You’re not wrong, Charlotta, this is all pretty amazing. Well there you have it folks, a hotel for bread. Now back to the studio. Via Munchies. Image: Dollar Photo Club.
Prepare to cancel all your Wednesday night plans (i.e. laundry and Netflix) because we've got something much, much better. The Queen Victoria Market is bringing back its Summer Night Market for a 19th season of balmy tomfoolery. This means that after a day of toiling in the diamond mines or hosiery department (whatever your poison) you can cool off with a free evening of international street food, vintage fashion and handcrafted homewares. As if that wasn't exciting enough, this year they are theming the nights so that each week offers up something a little different. They'll kick off the 2016/17 season on November 16 with a 'disco funk' theme. That means free tunes from the tropical jungle-inspired Tek Tek Ensemble, funk and soul band The Gold Street Band as well as The Everymen and James Kenyon, who tells Australian stories through his music. And don't even think about eating at home because they've got food vendors to suit every whim, including pizza pockets from 400 Gradi team, gooey cheese breads from Toasta, Greek doughnuts from Taki's Balls and Moroccan food from MJR TOM. And if a face full of pizza isn't enough to take the edge off, there'll be a Pimm's Garden for, well, Pimm's jugs and, come December 7, as well as a frozen cider bar by Cheeky Rascal and a frosé bar too. There has never been a more appropriate time to exclaim 'Yassss Queeeeenn'. The Summer Night Market will run every Wednesday night from November 16 to March 8 (excluding December 28) from 5-10pm at the Queen Victoria Market, Melbourne. For more info, visit thenightmarket.com.au.
Asylum seekers, drone warfare, women's rights and the environment are just a few of the issues under the microscope at this year's Human Rights Arts and Film Festival. With its main arm returning to ACMI in Melbourne, along with condensed programs for cities including Sydney and Brisbane, the latest edition of this socially conscious festival is sure to get audiences all fired up. The festival begins with the Australian premier of Chasing Asylum, a confronting and extremely timely look at mandatory detention from Oscar-winning filmmaker Eva Orner. Other highlights include Sundance prize winner The Bad Kids, about at risk high school kids in the Mojave desert, and Prison Songs, Australia's first ever musical documentary about the inmates of the Northern Territory's notorious Berrimah prison. Audiences in Melbourne will also get the chance to catch a whole heap of special screenings, ranging from a selection of African heritage cinema curated by the Melbourne Cinematheque, to a special screening of The Pearl Button with a live original score by Dirty Three guitarist Mick Turner. For those of you having a tough time narrowing down what to see, here are five standout titles you can't afford to miss. https://www.youtube.com/watch?v=So7iA9xFrB4 CHASING ASYLUM This year's opening night film tears back the curtain on Australia's brutal immigration policies. Directed by Eva Orner, the Oscar-winning producer of Taxi to the Darkside, this confronting documentary explores the human cost of mandatory detention, combining interviews with whistleblowers — who risked jail to speak out — and sickening hidden camera footage from inside detention centres on Manus and Nauru. With Australia having been repeatedly condemned for its inhumane treatment of asylum seekers, Chasing Asylum could hardly be a better opening film, or more vital viewing in the lead-up the federal election. Opening night has already sold out, but there are multiple encore screenings scheduled with tickets still available. https://www.youtube.com/watch?v=EJSkQa3Ieps THEY WILL HAVE TO KILL US FIRST: MALIAN MUSIC IN EXILE When Islamic extremists took control of Northern Mali in 2012, they introduced a law banning all forms of music. This documentary — which has been selected as the spotlight film at HRAFF — tells the story of the people who refused to fall into line. Featuring a number of Mali musicians including international breakouts Songhoy Blues, as well as Brian Eno and Nick Zinner of the Yeah Yeah Yeahs, They Will Have to Kill Us First explores music both as a form of cultural expression and a powerful weapon of resistance. And of course, the soundtrack is sure to be great. https://www.youtube.com/watch?v=AXbq-VpFbxc DRONE Winner of the Amnesty International Award at the San Sebastian Human Rights Film Festival, this English-language doco from Norwegian director Tonje Hessen Schei examines one of the murkiest issues in the arena of modern warfare. From the floors of video game conventions, where the U.S. military hunts for new recruits, to the streets of Pakistan, where the impact of drone strikes is felt first hand, Drone explores the morality of combat technology that allows us to snatch someone's life from halfway around the world. https://www.youtube.com/watch?v=2o5wO664P4A HOOLIGAN SPARROW Anyone who caught the recent Ai Weiwei exhibition at the NGV should make a concerted effort to see this covert doco about his fellow dissident, Chinese human rights activist Ye Haiyan, aka Hooligan Sparrow. Shot guerrilla style over three months by first time filmmaker Nanfu Wang, the film follows Sparrow as she campaigns for justice on behalf of six elementary school girls who were sexually abused by their principal. Rather than aid them, the government labelled the activists enemies of the state. So intense was the attention of the authorities that the footage had to be smuggled out of the country. Nanfu Wang will appear via Skype for a post-film Q&A. https://www.youtube.com/watch?v=ZnjGKyEJTBw THE STANFORD PRISON EXPERIMENT A rare narrative film on the documentary-heavy lineup, this dramatisation of the notorious psychological experiment won the Best Screenplay award at the Sundance Film Festival last year. Featuring the likes of Ezra Miller, Tye Sheridan, Thomas Mann and Billy Crudup, The Stanford Prison Experiment concerns the attempts of Stanford University researchers to examine the causes of violence within the prison system. In order to do so, they recruited two dozen student volunteers, placed them in a makeshift jail, and randomly assigned them roles as either prisoners or guards. The results live in infamy even to this day. Want more film? Check out our guide to what's in cinemas this month.
The people who've brought you nearly 400 concerts over the past 15 years with A Day on the Green have just announced their latest venture — a weekend of concerts in Melbourne's picturesque Royal Botanic Gardens next March. A Weekend in the Gardens will run over the March Labour Day long weekend, with three days of all-Aussie music acts for punters of both the old and new. On Friday, March 10, you'll be able to relive the best bits about living in Australia in the '80s: John Farnham and Daryl Braithwaite. Yes, both of them, together, on the same bill. They'll be joined by Ross Wilson of Daddy Cool and legendary tune 'Eagle Rock'. And you'll be able to celebrate 40 years of Icehouse on Sunday, March 12. The hugely influential band will be joined by James Reyne and Clare Bowditch. Get your mum a chair, will you? If you're looking for something more contemporary, head to the gardens on Saturday, March 11 for Boy & Bear and San Cisco. Boy & Bear are just finishing up a second Australian tour for their 2015 album Limit of Love, while San Cisco just dropped the single 'SloMo' from their third album, which is set to be released in its entirety early next year. They're both joined by Amy Shark, an up-and-coming Gold Coast artist who recently featured on triple j Unearthed. While the other two nights are BYO deck chairs and picnic rugs, it seems like the organisers don't expect the audience to be sitting down for this one. A Weekend in the Gardens looks set to emphasise garden picnic vibes with the music as well. They'll be setting up The Eatery, an adjacent area featuring food from Melbourne Italian Ladro, smoked food experts Burn City Smokers, Brighton burger experts The Royale Brothers and a sweet setup from Pommery Champagne & Oyster Bar. And if you're willing to add more than $100 to your ticket, you can also snack on three hours of Vietnamese canapés and a cocktail from restaurant Jardin Tan in an exclusive VIP area. Sounds like a great gift for your parents for Christmas — just throw in some sneaky tickets for yourself while you're at it. A Weekend in the Gardens will take place at Melbourne's Royal Botanic Gardens from March 10-12. Tickets go on sale here at 10am on Friday, December 9, with prices starting at $89.90 + BF. For more information, head to aweekend.com.au.
The Great Australasian Beer SpecTAPular returns to Melbourne for its sixth year in 2016. After humble beginnings, it's now expanded to cover three cities; it's going to Sydney for the second time this year, and is making its first appearance in Auckland. Melbourne continues to distinguish itself, though. This year, the Australian Beer Co. and Yenda have joined forces with do-gooders Brewmanity to construct a giant Ferris wheel, with proceeds going to motor neurone disease research. This mouthful of a festival — which is now considered one of the best beer festivals in the world — doesn't just bring you the best in craft beer anymore, either. Creators Steve Jeffares and Guy Greenstone (The Local Taphouse, Stomping Ground Brewing Co.) are now representing cider and food at this behemoth as well. GABS is best known for its 120 'festival beers': specialty brews created just for the event. It gives attendees the rare chance to try brand spanking new beers while meeting the teams behind them. Really loving one brew or brewer? The People's Choice Awards allow you to have a say. In previous years, this segment has been known to launch some of the best and brightest into the craft beer scene.
It's happening, you guys — we've arrived. We're living in the golden era of music festivals. In the same week as Meredith, Beyond the Valley and MoVement Sydney have revealed their jam-packed programs, Lost Paradise has just released their 2016 lineup for the three-day New Year's festival. We've been dealt such a glut of quality acts it's definitely going to spoil us. But resolutions can wait. In an effort to make you NYE not the shittiest, most over-hyped night of the year, LP are bringing you a slam dunk of a headliners Sticky Fingers, Flight Facilities, Gang of Youths and Fat Freddy's Drop to ring in a most auspicious 2017. The rest of the lineup is equally impressive, a great mix of local and imported talent. This is Lost Paradise's third year and while that's quite young in festival years, they keep proving they mean business. Their ethos extends past music too and the festival — held in Glenworth Valley (just an hour north of Sydney) — is built around a mix of art, yoga, performance and food. Because there's nothing like a little yoga to dust off a festival hangover. Anyway, we know what we're here for. Check it out. LOST PARADISE 2016 LINEUP Gang of Youths Hot Chip (DJ Set) Hudson Mohawke Eats Everything Big Scary Kölsch (DJ Set) Skream Harts Montaigne, Mark Pritchard Methyl Ethel Motez Lunice Doorly Bad//Dreems Heidi Optimo Young Franco Leon Vynehall Dro Carey The Belligerents Ocean Alley Harvey Sutherland & Bermuda No Zu KLLO Set Mo Luke Million Mossy Mosquito Coast Human Movement Goodwill Wild Honey Lost Paradise will take place from December 29-31 in Glenworth Valley, NSW. Tickets go on sale at 9am on Tuesday, August 16 through their website.
While Melbourne's enjoying cat-flanked cappuccinos at Australia's first cat cafe, and Brisbane's waiting patiently for any glimmer of a cat cafe rumour, an official campaign to bring yet another Sydney cat cafe (the first, Catmosphere, has apparently been funded) to fruition is under way and guess what? There's an adorable-beyond-all-reason pop-up kitten cafe coming to Sydney to mark the occasion. We'll say it again, just in case you closed your eyes for maximum squealidge. There's going to be a pop-up kitten cafe in Paddington. Next week. Road trip? In association with Maggie's Rescue, Sydney Cat Cafe is hosting a pop-up cafe from May 14-17 at William Street Gallery. Sydneysiders can book cuddle sessions with fluffy little kittens handpicked by the Maggie's Rescue team, with the opportunity to pledge funds towards turning the Sydney Cat Cafe concept into a permanent fixture. Only 15 people can clamber into the pop-up at a time, booked on a half-hourly basis for $5 per person. And no little ones, for safety and tail-pulling reasons, this pop-up is restricted to cat lovers above the age of 8. While you're there, snuggling and nuzzling your new whiskered BFF, you can also think about pledging funds to towards the Sydney Cat Cafe Kickstarter crowdfunding campaign; hoping to raise $15,000 to cover part of the seed funds needed to realise the café. Alright, alright, donating, donating, how do we pat the kitties? Enquire after availability by emailing info@sydneycatcafe.com.au — and spots are already filling up, so get on it. KITTIES. The Sydney Cat Cafe and Maggie's Rescue pop-up kitten cafe is open at William St Gallery, 14 William Street, Paddington, running May 14 -17. The cafe is open 9am to 7pm Monday to Saturday, 10am to 6pm on Sunday.
We thought Pikachu-themed pop-ups were the pop culture pinnacle for Japan. But once again, the country's beating us all at the cool, novelty shit game. This one truly levels things up, with a new pop-up inspired by Super Mario Bros.. To celebrate the 30th anniversary of the immortal video game, Tokyo is getting an adorable Mario-themed pop-up restaurant. Running June 22 to July 5 and run by Tower Records, the pop-up will serve up a menu inspired by our plumbing video game hero and his crew (yep, even that dastardly Bowser). Punters can chow down on Peach Panna Cotta, a Piranha Plant Soda, Bowser Castle Drink or Ground Stage Waffle, all of which are guaranteed to double your size and allow you to jump on Goomba heads like a boss. But no giant mushrooms to eat? Come on guys. Anyway, let's peruse the menu shall we? First, pick up your Super Star Omelette (and run madly around the pop-up for ten seconds): Slam a cap with Mario latte art: Give it back to the Koopa Troopas with whatever comes out of this Question Block Tiramisu: You could battle it out with Bowser Taco Rice: And finish things up by rescuing the Peach Panna Cotta from going uneaten. The Mario-themed pop-up restaurant runs June 22 to July 5 in Tokyo. Via Grub Street and Rocket News24. Images: Tower Records.
Meg Mac has been busy. In this year alone she's performed at SXSW, toured the U.S. with D'Angelo, made appearances at Splendour and Groovin The Moo, and was signed to New York label 300 Entertainment. She also scored two ARIA nominations, had three songs in the Hottest 100 and is in the middle of writing her new album, a follow-up to her debut EP MEGMAC. And she only won Triple J's Unearthed Artist of the Year twelve months ago. Arguably her most successful single to date, 'Never Be' debuted at number one on the AIR charts. On the back of this, Meg Mac (or, Megan McInerney) has embarked on an east coast co-headline tour with fellow Aussie Jarryd James. What a way to cap off the year. Everyone needs a little holiday, even if you’re road tripping around the country’s venues. And touring artists can’t help but love paying a visit to their hometowns on the way, dropping into all their old haunts and stocking up on solid family and friends time. So ahead of her huge gig at The Forum tomorrow night, we asked Meg Mac what she'll be doing when she gets to the city she calls home: this little ol' place called Melbourne. FITZROY GARDENS "My house doesn’t have a garden or any outdoor area, so I love to walk here. You can always find somewhere to be by yourself — you could walk through the park for hours. This is where I like to go." East Melbourne VINTAGE GARAGE "Every time I go into this store — and usually on the exact same rack — I will find an outfit for Meg Mac. This is where I bought my first black cape and jumpsuit." 318 Smith Street, Collingwood CINEMA NOVA "It is just a cinema, but if you go on a Monday night, it's $9. I only go on Mondays." 380 Lygon Street, Carlton ADMIRAL CHENG HO "I can walk here and have a hot chocolate made with hazelnut milk — it tastes like liquid Nutella." 325 Johnston Street, Abbotsford ABBOTSFORD CONVENT "It's like entering another world, an old convent with amazing old buildings, grounds, cows, sheep and horses. There are markets, art spaces, food, everything. My little village close to home." 1-16 St Heliers, Street, Abbotsford JARRYD JAMES AND MEG MAC’S EAST COST TOUR DATES: December 4 — Enmore Theatre, Sydney December 10 — The Tivoli, Brisbane December 14 — The Fourm, Melbourne Fitzroy Gardens image: Rexness via Flickr.
May 5 isn't just May 5 — it's Cinco de Mayo. That's when the spotlight shines on Mexico; however, despite beliefs to the contrary, it isn't the country's Independence Day. Instead, the celebration marks the nation's 1862 victory against French forces in the Battle of Puebla. Back then, the day was declared a holiday. These days, the occasion is actually a bigger deal in the US. That said, it's still a great chance to appreciate Mexico's culture and heritage. There are plenty of ways to do this, although we suggest taking the traditional path: a party. So just how do you throw your own Cinco de Mayo gathering? What should you eat, drink and listen to? Follow our guide, and you'll be having a fiesta in no time. AVOID STEREOTYPES Starting on a serious note, Cinco de Mayo should celebrate Mexican culture, not stereotype it. Avoid the easy route when it comes to theming — so that means no sombreros, no fake moustaches and no Day of the Dead (which actually happens in October, so the timing doesn't work anyway). In fact, just discourage people from dressing up altogether. You'll be more likely to avoid accidental cultural appropriation. Focusing on the colours of the Mexican flag is one good option, with splashes of green, white and red certain to look festive. Or, you could champion the country's creative talents. Frida Kahlo deserves many parties in her honour, with her paintings considered iconic for good reason. Mexican cinema is among the world's best (think: Del Toro, Inarritu, Cuaron, Rodriguez), so if you have screens or projections going, look to these guys. Or just bring a splash of summer to your bash — grey, late-autumn Australia will thank you. FIND YOUR HERO FOOD This might be the easiest part of the party-planning process, but you don't just want the food to be good — you also want it to be authentic. That means tacos made with corn tortillas, chorizo, guacamole, salsa, onions and coriander, and quesadillas filled with stringy Oaxaca cheese. Put your focus into the central component of the dish and no one will notice if you go with store-bought stuff for the rest. A good option is always to take your cue from Neil Perry — his chicken (or pork) adobo for tacos sings with chipotle, honey and vinegar. You might also have time to try making your own churros for dessert. Yum. You can also get your guests in on the action (and take the heat off yourself) by asking them to bring their own homemade guacamole or salsa. Add a competitive element, and call it a guac off. The chef behind the best wins bragging rights, and everyone else wins by getting to eat it. Just stock up on corn chips beforehand, because there's going to be plenty of dipping to do. THREE DRINKS TO COVER ALL BASES When it comes to Mexican beer, it's an easy choice. Chill some Coronas in as big a bucket as you can find, and make sure you have plenty of extra lime slices lying around for people to pop in the tops. If you want something stronger, it wouldn't be Cinco de Mayo without margaritas making an appearance. Just combine 2 parts tequila to 1 part Cointreau (or another triple sec) and 1 part freshly squeezed lime juice. Choose a silver tequila, and look for the words '100% agave' on the label. That means it's the real stuff. Pour over or blend with ice, but don't forget the glass rimmed with salt. For a non-alcoholic option, agua fresca is your beverage of choice. It couldn't be easier to make or tastier to drink. Watermelon is a popular flavour, and all you need to do is blend cubes of the fruit then mix it with the juice of four limes, three quarters of a cup of castor sugar and a cup of mint leaves. Stir, stand for an hour, strain and top up with sparkling water. GO TO CONTEMPORARY MEXICO WITH YOUR PLAYLIST A party isn't a party without a soundtrack to match the occasion. Here you have multiple options, but we're only going to recommend two. Acoustic guitar fans need look no further than Rodrigo y Gabriela (fans of nuevo flamenco, rock and heavy metal too). The duo's sound is certainly diverse, which isn't surprising given that they mix traditional Mexican music with European influences over their five studio albums and three live records. For a more unpredictable playlist, there's always Spotify. Any one of their hundreds of Mexican playlists will spit you out a party-ready concoction of mariachi music, contemporary Latin songs and questionable Ricky Martin numbers. HIT THINGS WITH STICKS There's one party staple that never gets old, even as you get older. That'd be the piñata, something that the Spanish brought to Mexico, and also links in with Mayan culture. You know how it works: you wear a blindfold, swing a stick and try to break open a suspended, decorated container filled with goodies. That's the fun part — but making your own is just as fun, too. Papier mache away using newspaper scraps and a paste made from equal parts flour and water, plus a tablespoon of salt. Balloons work well as a sturdy base, as you might remember from primary school. Once everything has dried, decorate it with paint and crepe paper, and then stuff it full of goodies. Lollies are fine, but you might want something a bit more age-appropriate. We were thinking mini bottles of tequila or hot sauce, individually packaged T2 teabags, discs of pour-over hot chocolate, playing cards or obscure Mexican lollies — or a combination of the lot. Top image: Dollar Photo Club.
Your everyday wine drinker probably knows popular Victorian wine regions like the Yarra Valley, Mornington Peninsula and Rutherglen — but what about Beechworth? Few folks know that this part of the state has a stack of stellar wine producers, and the crew at Bridge Road Brewers is keen to change that by holding a massive one-off wine tasting at its brewery bar in Brunswick East. From 2–5pm on Saturday, November 30, vignerons from across the region will spend the afternoon pouring tastings of their own drops to curious wine lovers. Who's going to be there? You can expect to find a selection of wines from A.Rodda, Baarmutha, Castagna, Fighting Gully Road, Granjoux, Indigo Vineyard, Juliard, Little Frances, Sentiõ, Schmölzer & Brown, and Willem Kur. It's a truly stacked lineup of Beechworth winemakers, many of which don't have their own cellar door. That means this is your only chance to sample drops from a bunch of these folks. Tickets to spring Tasting in the City are going for $65 per person, and include all your tastings as well as a bunch of snacks. And if you rock up the night before, on Friday, November 29, you can join the team's Beechworth Wine Pairing Dinner — $150 for six shared dishes and six paired wines. Both of these events offer up a brilliant opportunity to explore a lesser-known Victorian wine region without leaving Melbourne.
One of the most buzzed about titles of this year’s Cannes Film Festival has just dropped its first official trailer. Adapted from Shakespeare’s seminal play, with Michael Fassbender in the title role and Marion Cotillard as his ambitious wife, Macbeth has been described in early reviews as “towering,” “haunting” and “intensely compelling.” If this first glimpse of footage is anything to go by, the critics appear to be right on the money. https://www.youtube.com/watch?v=RgH_OnrYlCk Turns out when you take two of the greatest actors in the world and give them one of the best scripts ever written, the results tend to look pretty impressive. Getting a definite Game of Thrones vibe from this one, although to be fair, when it comes to sword and sorcery scheming, William S. pipped George R. R. Martin by a margin of about 400 years. Still, what’s perhaps most impressive about this trailer are the visuals. Australian director (represent!) Justin Kurzel has made just one feature film prior to this — in the form of 2011’s highly disturbing true crime thriller Snowtown — but his work here looks extraordinarily polished. Directors that have previously tackled the Scottish play include Roman Polanski and Orson Welles. Talk about big shoes to fill. Macbeth is yet to receive an Australian release date, but should hopefully be in cinemas by the end of the year.
The glitz! The glamour! The millionaires patting each other on the back! Yes dear friends, the Academy Awards are getting closer by the day. This year's nominations range from big, populist blockbusters to itsy bitsy indie films, once again celebrating the very best that Hollywood has to offer. As long as what it has to offer was...y'know...white. The #OscarsSoWhite problem has become one of a number of talking points in the wake of the recent nominations, along with the dodgy shut-out of critical darling Carol and the hype around Leonardo DiCaprio. He's finally going to win you guys! While a few of the nominees, including Room and Steve Jobs, are yet to reach our shores, we've otherwise managed to see just about everything in contention. And after running them all through our Oscar predicting super computer, here's how we think Hollywood's night of nights is going to pan out. BEST PICTURE The Nominees The Big Short, Bridge of Spies, Brooklyn, Mad Max: Fury Road, The Martian, The Revenant, Room, Spotlight. What Will Win This is going to be a close one. Although it won't be released in Australia until the end of January, journalism drama Spotlight was thought to be leading the race, until The Revenant swooped in and nabbed the top prize at the Golden Globes. And with the most nominations out of this year's Oscar contenders, we reckon momentum is only going to build. The Revenant by a nose. What Should Win Putting aside our national bias, it's pretty obvious that Mad Max: Fury Road should take home the big banana. It's thrilling, inventive and phenomenally made, and was a hit with critics and audiences alike. Not only that, but the film's strong feminist overtones and kickass female characters are exactly the kind of thing that Hollywood needs to reward. The Snubs The biggest snub of the bunch is undoubtedly Carol. Todd Haynes' lesbian romance set in 1950s New York has been rightfully adored by critics, and its surprising omission here is seen as a sign by many that Oscar voters still aren't ready to embrace queer stories. So much for liberal Hollywood. It's also disappointing not to see Creed or Straight Outta Compton nominated, as two of the best reviewed and most popular films of the year about people of colour. Hell, even a Star Wars nom would have been something. BEST DIRECTOR The Nominees Lenny Abrahamson (Room), Alejandro G. Inarritu (The Revenant), Tom McCarthy (Spotlight), Adam McKay (The Big Short), George Miller (Mad Max: Fury Road). Who Will Win This race will likely come down to George Miller for Mad Max and Alejandro G. Inarritu for The Revenant. Both men made ambitious, visually spectacular films, something the Academy increasingly tends to reward. The fact that Inarritu won last year for Birdman might make some voters want to look elsewhere, but we're still tipping him to go back-to-back. Who Should Win George Miller. He's a veteran of the industry, and unlike Inarritu, there's more to his movie that just style for the sake of style. Here's hoping George can become the first Australian ever to win Best Director. Celebratory Mad Max screening at our place if he does! The Snubs Most people assumed Ridley Scott would get a nomination for his rock solid work on The Martian. Todd Haynes for Carol is likewise a very disappointing omission, as is Ryan Coogler for Creed. The fact that the category is entirely male is more a condemnation of the wider film industry than it is of Oscar voters... although it's certainly depressing none the less. BEST ACTRESS The Nominees Cate Blanchett (Carol), Brie Larson (Room), Jennifer Lawrence (Joy), Charlotte Rampling (45 Years), Saoirse Ronan (Brooklyn). Who Will Win While Cate Blanchett seemed like an early favourite for her sublime work in Carol, the scales appear to be tipping in favour of Brie Larson in Room. She's coming fresh off a win at the Golden Globes, and the film obviously resonated with Academy voters given its unexpected nomination for Best Director as well as Best Picture. Who Should Win The good thing about this category is that there really is no bad option. For our money Blanchett is still the strongest contender, but we'd be just as happy seeing it go to any one of them. The Snubs There's a strong argument that both Alicia Vikander and Rooney Mara should be here, for their work in The Danish Girl and Carol, but their respective studios successfully campaigned to have them nominated for Best Supporting Actress instead. And let's face it, it just wouldn't be the Oscars without a little bit of category fraud. BEST ACTOR The Nominees Bryan Cranston (Trumbo), Matt Damon (The Martian), Leonardo DiCaprio (The Revenant), Michael Fassbender (Steve Jobs), Eddie Redmayne (The Danish Girl). Who Will Win Leonardo DiCaprio, although it would be kind of funny if he didn't. His turn in The Revenant is far from his best work, but it's exactly the kind of big, committed performance that the Academy tends to favour. Subtlety be damned! Honestly, the field is pretty weak this year. Michael Fassbender is reportedly great in Steve Jobs, but the buzz around the film is basically non-existent. Who Should Win Honestly, anyone aside from Eddie Redmayne for his insipid work in the regressive, cliché-riddled transgender weepie The Danish Girl. How anyone thinks that's a good performance is just totally beyond us. Just give it to Leo. Think of how happy it'll make him. The Snubs Steve Jobs isn't out in Australia until February, but it's hard to imagine Fassbender gives a better performance as the Apple co-founder than he does as Macbeth in Justin Kurzel's phenomenal Shakespeare adaptation. Michael B. Jordan is terrific in Creed, and there's been a lot of good said about Will Smith in the NFL medical drama Concussion as well. BEST SUPPORTING ACTRESS The Nominees Jennifer Jason Leigh (The Hateful Eight), Rooney Mara (Carol), Rachel McAdams (Spotlight), Alicia Vikander (The Danish Girl), Kate Winslet (Steve Jobs). Who Will Win Putting aside the dodgy Oscar politics that sees Mara and Vikander nominated in the wrong category, we suspect this award will go to the actress from Carol. That said, it's entirely conceivable that Vikander or Winslet could swoop in for the steal. Who Should Win Rooney Mara is wonderful in Carol, and a very deserving recipient. If you're looking for something a little bolder, we'd go with Jennifer Jason Leigh, who steals The Hateful Eight from her seven male co-stars. The Snubs It was always a long shot, but we'd have been thrilled to see transgender actress Mya Taylor score a nomination for her remarkable turn in Sean Baker's Tangerine. The other disappointing omission is Kristen Stewart. You may scoff, but her work in Clouds of Sils Maria is a total revelation. BEST SUPPORTING ACTOR The Nominees Christian Bale (The Big Short), Tom Hardy (The Revenant), Mark Ruffalo (Spotlight), Mark Rylance (Bridge of Spies), Sylvester Stallone (Creed). Who Will Win Unless The Revenant makes a clean sweep and thus the award goes to Tom Hardy, we expect to see this trophy in the hands of Sylvester Stallone. Everybody in Hollywood loves him, and he's genuinely terrific in Creed. Besides, his acceptance speech at the Golden Globes was absolutely adorable. Who wouldn't want to see more of that? Who Should Win Seriously, did you see that acceptance speech!? https://www.youtube.com/watch?v=Bs3aqt4O4ng The Snubs The most notable absence is Idris Elba, who was widely expected to be nominated for his chilling turn in Netflix's Beasts of No Nation. Are you noticing a theme here? It's also a little surprising that Michael Keaton missed out for his work in Spotlight, and we'd have loved to see Benicio Del Toro, for Sicario, and Michael Shannon, for 99 Homes, make the cut as well. BEST ORIGINAL SCREENPLAY The Nominees Bridge of Spies, Ex Machina, Inside Out, Spotlight, Straight Outta Compton. What Will Win Spotlight seems like an easy pick here. The story, about a newspaper investigation into sexual abuse in the Catholic Church, is just the right mix of worthy and compelling, plus the screenplay categories are often the place where the Academy gives its consolation prize to the film that missed out on Best Picture. What Should Win As much as we liked Spotlight, for us this award deserves to go to the folks behind Inside Out. Once again, Pixar have demonstrated that children's films don't need to talk down to their intended audience, and that it's possible to craft jokes that both kids and adults will enjoy. Inside Out is one of the funniest films of the year, while at the same time dealing with concepts of grief and loss with a level of maturity that puts most grownup movies to shame. We also really liked Ex Machina, but this should go to Pixar, not close. The Snubs Although it's divided critics and may be too controversial for some, Quentin Tarantino's savage, racially-charged western The Hateful Eight deserved to at least get a nomination. We'd have loved to see absurdist black comedy The Lobster get some attention too, but honestly that was never particularly likely. BEST ADAPTED SCREENPLAY The Nominees The Big Short, Brooklyn, Carol, The Martian, Room. What Will Win Adam McKay's financial crisis comedy The Big Short is the frontrunner in this category. It's smart, funny and has just the right amount of righteous indignation, which Oscar voters tend to love. The Martian and Room also seem like reasonable possibilities. What Should Win The more we think about it, the more we like The Martian in this category. It's funny, it's thrilling, it's wonderfully optimistic, and in an age of increasing anti-intellectualism, it actually makes science seem cool. The Snubs Aaron Sorkin seemed like a lock for his work on Steve Jobs, but as mentioned above the movie just didn't seem to resonate with viewers. We'll also give one final plug to Macbeth, for stripping Shakespeare down to its raw, grim essentials. The winners of the 88th Academy Awards will be revealed on February 28.
Charging your smartphone will soon be as foolproof as placing it on your coffee table. Taking already existing technology and fusing it into your own home, Swedish retail giants and regular media-baiting happening creators Ikea have jumped on wireless power capabilities to release built-in wireless charging furniture. According to the Wall Street Journal, this will be the first time built-in wireless chargers are available to consumers from a mass-market furniture retailer. Ikea made the big announcement on Sunday at Barcelona's Mobile World Congress. They've recruited the likes of Qi for the collection, a wireless power standard from the Wireless Power Consortium (WPC). Alongside two other standards, this is one of the companies responsible for the wireless charging technology you would have already seen in airports, cafes and hotels and generally lost your shit over a few years ago. But until now, major furniture stores haven't taken advantage of the downright convenience of the technology, or the logic in embedding the charging capability in surfaces you already rest your smartphone on during charge times. So how does it work? Qi does away with all those dastardly cables and the annoyance of choosing between model connections, as the furniture itself is the one plugged in. When switched on, the lamp base, coffee table or side table's energy or bookshelf transfers to your smartphone or tablet (yep, maaaaagic), depending whether or not it supports Qi charging — there's 81 Qi-compatible types of smartphone, but iPhones aren't one of them, sorry Apple fans. Apparently the wireless charging-capable furniture will cost a mere $22 more than regular furniture from Ikea, proving the Swedish homeware giants truly have money to burn and credibility to gain. If all goes well with the embedded furniture line, you could be able to buy a wireless charging kit to fit to your existing, beloved dining table soon for about $34, which is a lot cheaper than replacing all those lost, broken chargers of yours. The wireless-charging furniture collection will hit Ikea shelves in Europe and the US on April, 15, followed by a global roll-out, so keep 'em crossed. Via Wall Street Journal.
Entries have now closed. Fair is foul and foul is fair, and both descriptors very much apply to the harrowing new adaptation of William Shakespeare's Macbeth. Foul in that Australian director Justin Kurzel, who burst onto the scene with the unforgettable Snowtown, evokes the bleakness and epic sense of tragedy in the Bard's play. And fair in that Kurzel's hypnotic style, along with the incredible work of his cast, make this one of the single most compelling movies of the year. Michael Fassbender gives a thunderous performance as the eponymous Scottish thane, a good man brought low by his own overleaping ambition. Alongside him, Marion Cotillard has likewise rarely been better, disappearing into the role of Lady Macbeth. A supporting cast of UK heavyweights including David Thewlis, Paddy Considine and Sean Harris is nothing to turn your nose up at, either. But Kurzel doesn't rest on the laurels of his cast or the pedigree of the material. His visceral direction, including some absolutely mesmerising uses of colour and slow motion, makes Macbeth one of 2015's must-sees. Macbeth is in cinemas on October 1. To celebrate the film's impending release, we've teamed up with Transmission Films to host an exclusive preview on Tuesday, September 29, 6.30pm, at Cinema Nova, Carlton. To score tickets, click here.
What is it? Can I sit on it? Do I put my coffee on it? Mindbending origami furniture that confuses us all is by no means a new idea, but this designer has put a stunning modern spin on a tried and true design tactic. UAE-based designer Aljoud Lootah has created a brand new furniture collection called the 'Oru Series', which both fascinates and terrifies us with its perplexing angularity. But yes, you can put your books, coffee and butt on all of them. Designed for Dubai's Design Days 2015 event, Lootah's series debuted this just week. Taking cues from the ancient Japanese art of paper folding, the bite-sized 'Oru' series is made up of a chair, table lamp, mirror and cabinet; all created from copper, felt and the glorious, glorious badassery that is teak wood. "The name 'Oru' originates from the Japanese words 'to fold', and the idea behind the designs is to show that folding a flat, two-dimensional sheet can create aesthetically appealing functional three-dimensional forms," says Lootah on her website. "The products, with their faceted design looking like complex folds but with sophisticated simplicity, are a modern interpretation of an ancient form of art." Oru collection Oru cabinet Oru lamp Oru chair Oru mirror Via Design Boom. Images: Aljoud Lootah.
The Wheeler Centre is renowned for their innovative programming, but the project they're cooking up now is a doozy. Named after that most endearing punctuation mark, The Interrobang: A Festival of Questions is a festival that is calling on you to decide the topics of conversation. The idea behind the festival is a democratic one: using crowdsourcing techniques, the program is being written around questions submitted by the public and presented to a Brains Trust of writers and thinkers over the two-day festival in Melbourne on November 27-28. Emily Sexton, the head of programming at The Wheeler Centre, says that as well as creating a festival made from publicly sourced questions, she also wants us to question the question. What makes a good question? Can the right question change the landscape of discussion for the better? As well as submitting questions, the public are invited to vote for the best questions. “The way we imagine it is a combination of very potent, political, urgent questions of our time, like 'what is the future of European democracy and what will happen to organisations like the UN or the EU that were founded on a collective idea? Is that still relevant for contemporary life?' But also really inconsequential, playful questions like 'where are all the baby pigeons? Why don’t we ever see them?' I hope there’s a really great mix of personal or political questions,” she says. “There’s no question too big or too small.” There’ll be no shortage of answers either. The Interrobang has assembled a Brains Trust of 25 artists, thinkers, writers and doers from around the world to tackle the questions posed. Included is Wild writer and 'Dear Sugar' advice columnist Cheryl Strayed, cult sci-fi author and tech activist Cory Doctorow, Australia’s sweetheart Benjamin Law, the former Greek Minister of Finance Yanis Varoufakis, playwright and Twitter hero Nakkiah Lui, journalist Geraldine Brooks, broadcaster Mark Colvin and chef and presenter Adam Liaw. The prerequisite for all the panellists was the need for pluralism and enthusiasm about a range of topics. Don’t expect any sales pitches or pre-made answers here; with such a diverse panel, the aim is to explore the topics from every angle. Emily promises that every question, big or small, will be used in some way in the program. “It’s a significant democratic exercise in a way of handing over control and exploring what people really want to know,” she says. We, for one, are intrigued and would very much like to know where the baby pigeons are. We’ll have to wait until November to find out. Submit your question to The Interrobang via the event website. Tickets for the festival go on sale October 12.
Bedroom producers are the self-publishers of the music world, DIY crusaders making music on their own steam and striving to be the next Flume, Grimes or James Blake. It's a pervasive assumption that home production is a stop-gap for struggling musicians before they manage to get themselves into a professional studio. In practice, electronic music in particular lends itself beautifully to MacGyvered production methods, not just as a way to keep costs down but for the gritty imperfections that come innately from making music in a home studio. For Melbourne's phreshest electronic duo Kllo (Simon Lam and Chloe Kaul), recording in their own home bungalow was as DIY as it gets. "We used a doona as the vocal booth," laughs Chloe, explaining that DIY production helps to soften the polished and artificial sheen that stigmatises so much electronic music. "We want a homely, organic sound, so we use analogue synths and home-made sounds like beating pots and pans. We didn't want it to be too clean." Kllo are having one hell of a year. They've got two singles under their collective belt, both well received, just nailed their appearance at Splendour in the Grass (for the second time), DJed at the official Splendour pre-party, and played a killer party set at Concrete Playground and Sonos's Beach Break with Good Manners labelmate Banoffee. This August, they'll be releasing their album Well Worn and touring nationally. They're proving exactly what a couple of DIY musos with drive can do when they put their minds to it. We sat down with Kllo to mine some of their best working-from-home advice. EVEN BEDROOM PRODUCERS DON'T SLEEP WHERE THEY WORK The first thing any work-from-homer will tell you is that you should never work in bed (and not just because you will get crumbies in the sheets). In fact, this was Simon's first suggestion and a tested truism. "You've gotta separate your living and working space. It's so important, even if you've only got one room to work out of, just draw a line down it," he suggests. "I've worked out of bedrooms for a long time and when it kind of all bleeds together, it becomes unhealthy. It's nice to shut the door at the end of the day and feel like you've left work". Separating work and play is universally acknowledged as a crucial part of not completely losing your mind while working from home. To this end, Kllo work out of two spaces, the bungalow (a room off Simon's house in the 'burbs) and a studio in the CBD. "The energies are different," says Simon. "It's good to be able to walk through the city and come [to the studio] and maintain that high-paced energy. Whereas at the bungalow, it's really isolated, we can work a whole day without talking to anyone but ourselves… you can really get into your own head." TREAT YOUR CREATIVE JOB LIKE A REAL JOB Like so many things in life, a big part of a creative career is turning up. Not turning up at the clurb but physically (and mentally) turning up to your work space and grinding away even when there's no-one but yourself to report to. Throw the sporadic nature of creativity into play and the isolation of working from home and you've got yourself a bit of a quagmire. "Sometimes you can be so disciplined, but then you go to make music in your scheduled time and nothing happens," says Simon. "You can't prepare for when blocks come on." "Times like those are when it's good to do other things and then come back to it," Chloe adds. IF YOU HAVE TO PROCRASTINATE, DO IT WITH A SIT-DOWN MEAL "When we're having a mental block, we eat. We congregate in the kitchen, kettle on, lots of food and coffees. Or treats if we're really down," Chloe says "Then we try to fill ourselves with a lot of carbs and then sugar." "We tend to just have full meals," Simon adds. "A lot of breakfast foods." "We'll have a sit down meal of eggs, avocado, toast," says Chloe. "I also like a Kit Kat Chunky, Sim got me into them. I love that first bite, when it's all chocolate — so good. I've got to stop talking about this, I want one now." MAKE SURE YOU'RE COMFORTABLE IN YOUR SPACE On screen, crispy, white, Tumblr-esque minimalism is king, but in real life it's unnatural, not to mention impractical. This rings especially true for electronic musicians. "Some studios are just so sterile, a vacuum for sound and creativity," says Simon. "I think being comfortable is more important, to make sure you're comfortable and not being put off by anything." Kllo's studio in the CBD is a collaborative space where they're currently working on their album. It's a busy space, littered with knick knacks, beer cans sprouting fluffy cacti, slick high-tech gadgetry including Sonos's smart speaker system, oddments of furniture, shelves clustered with figurines and piles of gear, hedged with endless bundles of cords. In the well-walked studio space of pre-tour musicians, in the midst of promoting an upcoming album, there's no room for impractical minimalism. "But plants are good. Plants are helpful, they bring some life amongst all the metal," Chloe says. "And for us, it's important to play a lot of music at home and in the studio to get inspired and feel at home. You've gotta have a good sound system set up, for sure." DON'T BE AFRAID TO DREAM A LITTLE BIGGER What does Kllo's ideal studio look like? "I reckon it's all wood, with a nice spa," Chloe says. "Big windows and a lot of forest around it." Simon's on board with the window game. "For me it's definitely big windows and when you look out of the window there's a huge garden but then it's actually somewhere really central," he says. And an in-house chef? "Oh, of course. That would be our main thing," Chloe says "if there was an in-house chef I'd just ask him to make me cocktails all day." "I think I'd like a private Coles or Safeway downstairs too," Simon adds. We couldn't agree more. And now for a little music. Here's what Kllo are listening to right now, crank it up. Want to have studio-level sound in your own home? We're teaming up with Sonos to giveaway one of their coveted PLAY:1 speakers, valued at $299. ENTER HERE. Images: Jam on Your Collar, Alexandra Anderson.
Whenever an exciting tour announcement arrives, it usually heralds two pieces of good news. Firstly, someone ace is coming our way. Secondly, they probably have something new — an album or a book — to spruik. That's firmly the case with the latest revelation for 2023: David Sedaris' next Australia tour. This time, the author, comedian and NPR humorist has just dropped New York Times best seller Happy-Go-Lucky, and he's heading to Hobart, Perth, Adelaide, Canberra, Melbourne, Sydney and Brisbane to talk about it. Known for his snappy wit, as well as his discerning and astute ability to observe life's moments — both trivial and extraordinary — in both an observational and unique way, Sedaris is making his sixth trip Down Under to chat about the book, which focuses on the pandemic. If you haven't seen Sedaris live before, his shows are part of the reason that he's built up such a following. Onstage, he regularly weaves in new and unpublished material, too, so — and the satirist will throw it over to the crowd for a Q&A as well, and sign copies of his book. Sedaris is celebrated for his constant This American Life appearances, must-read pieces in The New Yorker and his past unputdownable books such as Naked, Me Talk Pretty One Day, Dress Your Family in Corduroy and Denim, When You Are Engulfed in Flames, Let's Explore Diabetes With Owls and Theft By Finding: Diaries (1977-2002). If you've been searching for a supportive environment to use the phrase "how very droll," this is it. His live evenings always sell out quickly — all of his Aussie tours have so far — so you'll want to jump on tickets ASAP when they go on sale on Wednesday, August 3. [caption id="attachment_862851" align="alignnone" width="1920"] Prudence Upton[/caption] AN EVENING WITH DAVID SEDARIS 2023 TOUR DATES: Wednesday, February 1 — Theatre Royal, Hobart Friday, February 3 — Regal Theatre, Perth Saturday, February 4 — Adelaide Festival Centre Sunday, February 5 — Canberra Theatre Centre Monday, February 6–Tuesday, February 7 — Hamer Hall, Arts Centre Melbourne Wednesday, February 8 — Brisbane Powerhouse Thursday, February 9 — Sydney Opera House David Sedaris tours Australia in February 2023. For more information, or to sign up for ticket pre-sales — which start on Tuesday, August 2, with general sales from 9am on Wednesday, August 3 — head to the tour website. Image: Anne Fishbein.
It's absolutely true and absolutely about time. There's an official Hello Kitty diner coming to Sydney. Yep, it's not quite another kitten cafe, but we'll take it. Whether the establishment will be pop-up or permanent, the crew haven't revealed much at all yet, with a single Instagram post saying: The diner's Facebook page indicates the diner's cuisine will be primarily American, with hot dogs and burgers flagged; so it looks like it won't be the Hello Kitty yum cha style Hong Kong can look forward to at the world's first official Hello Kitty restaurant. This isn't the first Hello Kitty establishment for Australia — Sanrio's first licensed Australian Hello Kitty Cafe is in Adelaide, selling simply adorable cakes and baked goods. If you can't wait a few months until the Sydney diner reveals an opening date, just book a trip on the Hello Kitty airplane, regularly running from Paris to Taipei in all its Kitty glory. Watch this space for more info as it comes out, we're sure there's going to be adorable images of Hello Kitty-shaped burgs coming your way soon. Image: Hello Kitty pancake by Ellie, Kawaii Kakkoii Sugoi. Not part of the upcoming menu but adorable anyway.
The one and only Marina Abramovic will be settling down in Sydney this week. Her 12-day-long Kaldor residency will begin on June 24, transforming Walsh Bay’s Pier 2/3 into a public art laboratory. Abramovic is the undisputed “grandmother of performance art”. She gained notoriety in art circles for her daring and death-defying performances from the ‘70s onward; however, it was her 2010 retrospective, The Artist Is Present at MoMA which catapulted her into the cultural mainstream. Following high-profile collaborations with the likes of Lady Gaga and Jay Z, Abramovic has reached rock-star levels of popularity herself. If it feels like Abramovic sprung out of obscurity around five years ago, you might wonder how she came to be the world’s most famous performance artist. Let's journey back. PERFORMANCE ART AS (DANGEROUS) EMPOWERMENT As a bright-eyed Serbian student, Abramovic took the leap over to Western Europe during the '70s and became a key player in the genesis of performance art. One of her earliest and most significant achievements has been reconfiguring the relationship between artist and audience. These were the first steps into participatory artworks, upending the standard passivity of the spectator. Her self-objectifying performance Rhythm 0 (1974) gave power to a particularly masochistic swarm of gallery-goers. Abramovic lay naked on a table next to a whole range of objects, including perfume, a rose, a feather, scissors, a scalpel and a gun loaded with one bullet. From decorative to sinister, these objects were used at the whim of participants who were compelled to decide whether to act or prevent an action. The situation escalated when Abramovic was cut with razor blades, the gun was held to her head, and rose thorns were pressed into her stomach. She is not being melodramatic when she claims that art is a matter of life and death. Over a period of decades, she has subjected herself to demanding physical conditions, cultivating an ability to push through pain barriers and enter a trance like state during performances. This has allowed her to build a strong sense of power and resilience. Image: Marina Abramovic, Rhythm 0 (1974) PERFORMANCE ART AS TRUST AND ENDURANCE Abramovic began performing with artist and former life partner Ulay (Uwe Laysiepen) in 1976. They became the power couple of the ‘80s art world, united by a compulsion to examine consciousness. They also shared the strength-through-pain ethos that Abramovic had been working on as a solo artist. Many of their works come across as if they are trying to fuse themselves together or create a combined self. In one performance, Relation in Space (1976), they ran at each other repeatedly, violently knocking bodies. After 12 years of artistic and personal companionship, Abramovic and Ulay parted ways in an epic gesture of farewell. Beginning their journey from opposite ends of the Great Wall of China — Abramovic from the Yellow Sea and Ulay from the Gobi Desert — they travelled for 90 days before officially ending their relationship. PERFORMANCE ART AS ARTEFACT As Abramovic stepped up as a solo artist for the second time, she became passionate about preserving the craft of performance art, experimenting with alternative methods of documentation. At one point, she stated that there are to be no repetitions of this kind of art — you cannot have a substitute for the real experience. However, the artist broke this rule when staging the spectacular series Seven Easy Pieces (2003), which paid homage to the pioneers of performance art. Piecing together fragmented records, Abramovic recreated ephemeral performances by Bruce Nauman, Vito Acconci, Valie Export, Gina Pane and Joseph Beuys, putting her own individual spin on them. The re-enactments took place over seven days at the Guggenheim Museum. Of course, the relationship between art and the archive can be tricky business, particularly with regard to preserving the spontaneity and integrity of the original event. In any case, Abramovic’s pedagogical project is ongoing. The Abramovic Institute was a Kickstarter-funded initiative which took off in 2013, dedicated to durational performance and interdisciplinary research. Image: Marina Abramovic performing Gina Pane's The Conditioning in Seven Easy Pieces (2003). PERFORMANCE ART AS MINDFULNESS From 2010 onward, Abramovic seems to have a newfound subtlety and quietness. More recently there have been fewer clanging bodies and life-threatening situations. Unlike her earlier performances, she is expending energy in a different way, deeply influenced by Eastern spirituality and mindfulness. A good example of this would be the massively hyped retrospective at MoMA drew in approximately 750,000 people. Spread across six floors of the gallery, the 2010 exhibition was unprecedented in scale. The centrepiece of the show, The Artist Is Present, showcased the shamanistic Abramovic, silently projecting energy into her sitters for eight hours a day, every day. Surely, there is an element of narcissism here. While Abramovic has built a solid legacy of groundbreaking performances, she may be coasting on charisma these days, inviting the public to bathe in her superstar status. Regardless of this cynical thought, there is something compelling about The Artist Is Present. It is testament to Abramovic that a piece which could have easily lapsed into tacky sensationalism turned out to be profoundly moving. Image: Marina Abramovic, The Artist Is Present (2010) PREFORMANCE ART AS A BRAND Today, Abramovic has become a brand in and of herself. However, contrary to her popularity, performance art isn’t the most lucrative trade. Her works don’t actually fetch much — a mere fraction of the kind of money thrown at Jeff Koons and Damien Hirst. While criticism levelled at Abramovic may strike the occasional chord of truth (mainly in regard to her potential narcissism and theatricality), some of it seems like the product of stuffy art world insiders who see celebrity collaborations as tainting the intellectual heritage of performance art. They're quick to denounce 'sell-outs', but that very term seems to imply a big divide between high art and popular culture. Abramovic is responsible for pioneering some of the most significant aspects of performance art — arguably she has a degree of ownership over them. So why shouldn't she be able to use these techniques however she sees fit? Why not use Lady Gaga as the face of The Abramovic Method? If Marina Abramovic has made performance art more accessible for a new generation, that’s a good thing. Marina Abramovic: In Residence is on at Pier 2/3 in Sydney June 24 to July 5. It's free to attend, but be prepared to queue.
After yesterday's Oscar snub, Richard Linklater could be looking at another go at Boyhood. Maybe. According to a probably-too-hopeful Flavorwire, the director has tossed up the epic idea of creating a sequel to the Best Picture nominee 12-years-in-the-making. In a recent podcast interview with Jeff Goldsmith, Linklater was asked about a potential sequel; an idea he had blatantly discarded until recently. But there could be a glimmer of possibility for the already Academy Award-winning director. "To be honest… this film first met its audience exactly a year ago and for the first six months of the year, my answer to that was absolutely not. This was 12 years, it was first grade through 12th grade; it was about getting out of high school. I had no idea about another story, there’s nothing to say. It hadn’t crossed my mind. "But I don’t know if it’s been a combination of finally feeling that this is over or being asked a similar question a bunch over the last year, that I thought, well, I wake up in the morning thinking, 'the 20s are pretty formative, you know?' That's where you really become who you’re going to be. It’s one thing to grow up and go to college, but it’s another thing to… So, I will admit my mind has drifted towards [a sequel]." Sure, this isn't a confirmation, but we can dream. Could we see another Before trilogy set-up happening with Boyhood? Poor Ellar Coltrane thought he was out of the water. Via Flavorwire.
Whatever you're doing between 4pm and 5pm this afternoon, we suggest you cancel it. You now have more pressing concerns. Two words: free doughnuts. Rest assured, we would never joke about something this delicious. For one hour only, the legends at Doughnut Time really will be handing out their mouthwatering morsels, free of charge, at their Topshop pop-up stores. And we thought we couldn't love the folks that brought us burger-doughnut hybrids, vegan doughnuts and doughnut delivery any more than we already do. Those with a hankering for doughy goodness — which includes you, let's be honest — just need to head on down to Topshop in the Sydney, Melbourne or Brisbane CBD once the clock strikes four. We recommend arriving early, because if there's one thing everyone loves, it's devouring sweet treats without having to pay for the privilege. Students keen on doing some shopping can also nab 10 percent off their Topshop purchases, in case you needed any more incentive to rush along. Basically, Monday just got a whole lot brighter and tastier. Free doughnuts will do that. For more information, visit the Doughnut Time Facebook page.
The story of a young man staring down the barrel of an arranged marriage even as he finds himself falling head over heels for someone else, Ali's Wedding has been billed as Australia's first Muslim rom-com. It's an intriguing tag that could prove either a hook or a hindrance when it comes to attracting a mainstream audience. The good news? The film is fantastic. Director Jeffrey Walker and writer/star Osamah Sami (on whose life the story is closely based), have crafted a hilarious, heartwarming film about love, community and living up to the expectations of your family; a film that both embraces difference and celebrates the things that make us the same. And yet with the film due to hit cinemas on August 31, the question still remains: will local audiences be willing to embrace a story about a Muslim immigrant, in which there is hardly a white character in sight? "We're right on the edge of finding out," says Walker. "The way that I view it is: we've had thousands and thousands of people come and view the film, from small communities to big cities to festivals, and the feeling is the same. I think people go in, particularly if they're of a conservative background or whatever, already a little bit dubious. They go in, perhaps, with a preconceived notion. But the one comment we've had throughout all of the screenings is that by the end of the film there's a great deal of love and appreciation… and the sense is that once people have seen it, [they realise that] the things that we all have in common far outweigh the differences." https://www.youtube.com/watch?v=JEMeZDmvYhs ON REPRESENTING A (SLIGHTLY) DIFFERENT WORLD TO YOUR OWN "In the journey of this film, I came in quite late," says Walker. "But it's relative, because [it took] about seven years to bring all the pieces together. Osamah originally told Tony Ayres of Matchbox Pictures a story about his life, and that spurred on Tony to go and chat to [co-screenwriter] Andrew Knight." "They spent a long time writing it, they spent a long time financing it, they spent a long time bringing it all together," says Walker. "I was fortunate in some regards in that I joined it at the point that it was fully financed." Walker does admit to having a sense of hesitation in attaching himself to a project set in a world he knew so little about. "I loved the story, but there was an intimidating edge to it, because I also felt like I didn't want to do the community any injustice," he says. "But rereading it I almost just discounted all that, and went really to what I thought was the heart of the film, and the story, and the characters. From there I saw what the universal things and qualities were, and I felt like I could work with that." WORKING WITH OSAMAH According to Walker, one of the keys to the film's success was his collaborative relationship with Sami — both on screen and off. "I think the very first time we met he was going to take me out to visit a couple of mosques in Melbourne, and basically begin our journey working out how we were going to approach this film," Walker recalls. "So I met him much more as a writer, and in his capacity as an associate producer, than I did as the leading actor of the film. We struck up a great friendship, and making him feel proud and happy of this film has been a great motivator for me throughout the entire journey." "He made me feel extremely comfortable, and he was so open, and tolerated all my ridiculous and stupid questions," Walker continues. "Even when I think about asking them now, it's a bit like the ABC series You Can't Ask That. I just had to go there. But then I had a greater understanding of who he was, of who his family is, and of his world and his community. He gave me the confidence to be able to tell this story." ARE AUSTRALIANS READY FOR THIS FILM? As our interview with Walker comes to a close, our conversation returns to how audiences are likely to react to the film. "My desperate hope for the film is that while you might initially be trying to play catch-up on what it is to be in a mosque, or what's unique about being in a Muslim household, eventually that all washes away as you see that, ultimately, the [things] that young people go through in their twenties in the Muslim community is a version of exactly what someone with a Western background goes through," he says. As for any Australians who might be clinging to anti-immigrant views, Walker's message is simple. "We're a very young country. For anyone to stand with any sense of entitlement to Australia whose family history only goes back four or five generations is an odd standpoint from my point of view… the only people in Australia who deserve any entitlement are the Indigenous people, and the rest of us all just need to get along. We all travelled an immigrant's path to be here." Ali's Wedding screens at the Melbourne International Film Festival on August 10, and releases in cinemas on August 31.
Peanut butter and blueberry jam. Vanilla creme and chocolate ganache. Lime curd with toasted meringue. These are just a few of the diabetes-inducing flavours that have earned Doughboys a reputation as one of the best doughnut outfits in town. For the past couple of years, Will McKenzie and his team of dough-fiends have popped-up in shared spaces, coffee shops and markets around Melbourne, spreading joy and tooth decay wherever they go. Now, in a piece of news that has us drooling over our keyboard, they've finally cut the ribbon on their first official store. Located towards the Southern Cross end of Bourke Street in the CBD, Doughboys HQ has been a long time in the making, with McKenzie teasing plans for a permanent storefront all the way back in May. Still, we have a suspicion that it'll all be worth the wait. Following a successful trial run on Christmas Eve, they'll be open for realsies on January 4. We might start camping out now though, to make sure we're first through the door. Designed by Studio Esteta, the store boasts tiled floors, high ceilings and ample display cases, so sugar-obsessed doughnut-lovers can press their noses against the glass. Small Batch Roasting Co. will be providing the coffee, and hopefully they'll keep up their partnership with Gelato Messina as well. Because if there's one thing better than a doughnut, it's a doughnut stuffed with chocolate fudge brownie ice cream. Doughboys Donuts is located at 535 Bourke Street, Melbourne and will be open for business from Monday January 4. For more information visit them on Facebook or at their website. Via Good Food.
Having said au revoir to the French Film Festival, it's now time to slip over the border into Spain. Returning to Palace Cinemas around the country, this year's Spanish Film Festival will once again showcase some of the biggest and most critically acclaimed Spanish and Latin American films from the past 12 months. How's that for a cinematic siesta? The festival — which will feature at The Astor, Chapel Street's Cinema Como, Northcote's Palace Westgarth and Kino in the CBD — begins with the highest grossing film at last year's Spanish box office: rom-com sequel Spanish Affair 2. Other comic standouts include espionage spoof Spy Time, madcap ensemble My Big Night, and dark domestic comedy Happy 140. Of course, not everything on the program is quite so light and breezy. Critically acclaimed drama Much Ado About Nothing confronts legal and political corruption in modern day Chile, while Ma Ma stars Penelope Cruz in one of her most nuanced roles to date, as a put-upon single mother diagnosed with breast cancer. Below, we've put together a list of the five films on the lineup that have caught our eye. For the full program, go here. https://youtu.be/K_NMyRjL8dM THE THIN YELLOW LINE This comedy-drama hybrid, directed by first time writer-director Celso Garcia, is a road movie, but not in the way you'd expect. The Thin Yellow Line follows a misfit group of five cash-strapped men tasked with painting the dashed yellow line along more than 200 kilometres of Mexican highway. You only need to take a brief look at the trailer to appreciate the film's gorgeous cinematography and bittersweet tone. If that's not enough to convince you, consider the fact that it's executive produced by Pan's Labyrinth, Pacific Rim and Crimson Peak director Guillermo del Toro. https://vimeo.com/131531005 THE CLAN Based on a chilling true story, this Argentinean thriller tells the story of the Puccios, a seemingly normal family living in Buenos Aires in the 1980s who made their living kidnapping people and holding them to ransom. The film broke box office records in Argentina, screened in competition at the prestigious Venice International Film Festival, and has scored plenty of positive critical buzz, with Variety comparing it to the movies of John Carpenter, Brian De Palma and Martin Scorsese. Consider our expectations set very, very high. https://vimeo.com/153227513 MUCH ADO ABOUT NOTHING Another true story from Latin America, Much Ado About Nothing is a far cry from the light-hearted Shakespearean comedy with which it shares a title. Instead, Alejandro Fernandez Almendras' film takes place in present day Chile, and follows a young man who finds himself framed for a fatal hit-and-run committed by the son of a powerful politician. A grim indictment of corruption in the upper echelon of Chilean society, the film received strong reviews and a Grand Jury Prize nomination at Sundance earlier this year. https://youtu.be/I8TiFAdvqLM EMBRACE OF THE SERPENT This year's closing night film floored audiences at Cannes and scored a 2016 Oscar nomination for Best Foreign Language Film. Inspired by the journals of two separate Western explorers who travelled to the Amazon decades apart, Embrace of the Serpent is described in the festival program as "a breathtaking cinematic odyssey". With startling, unsettling imagery shot in hypnotic black and white, and dialogue spoken in over ten different languages, the film promises to be like nothing else you'll see at the festival — or indeed, the movies — this year. https://youtu.be/XIwPPoWPlmo NOTHING IN RETURN In Daniel Guzmán's Nothing in Return, 16-year-old Dario finds himself on the search for a surrogate family in the wake of his parents' divorce. Enter his best friend Luismi, a car mechanic named Caralimpia and a sweet little old lady named Antonia. At first glance the film looks like a fairly standard coming-of-age tale, but the fact that it scored a pair of gongs — for Best New Actor and Best New Director at Spain's most recent Goya Awards — has us curious to check it out. And as an added bonus, Guzmán is a guest of the festival this year, and will be on hand at screenings in Sydney and Melbourne for a post-film Q&A. The Spanish Film Festival will run from April 13 until May 1. For more information, visit the festival website.
Australia's creative industry is about to get pretty damn employed — the new Alien and Thor movies will be filmed in Australia. Announced by the Federal Government in a press conference broadcast on ABC News 24 today, the films will start filming in 2016. The Australian government is fronting $47 million so the two films can be made in the country. "What it means is 3000 direct jobs for Australians," said senator Mitch Fifield. "This helps develop skills, skills that couldn't be developed on smaller budget productions." When briefing the cabinet, Senator Fifield apparently got pretty excited about the fact that Prometheus had a character called Fifield, until ol' mate industry and innovation minister Christopher Pyne piped up, "He died." Sir Ridley Scott's new Alien film and Marvel's new Thor film will start filming in 2016. We're pretty sure the casts of both movies will be advised to leave their dogs at home. Via SMH.
Japanese tea rooms, erotic dance numbers and duets performed via Skype. These are just a few of the events you'll find on the program at Melbourne's second ever Festival of Live Art. Hosted by Arts House, Theatre Works, and Footscray Community Arts Centre, this two-week marathon of exciting and experimental art is perfect for people who have no interest in wandering aimlessly around a gallery. So from March 1-13, expect the unexpected. Blurring the lines between a litany of disciplines including dance, theatre, music, film, sculpture and even knitting, this year's lineup includes more than 50 different works produced by artists from all around the country and the world. Sydney artist David Capra — creator of the wet sausage dog scent — will be in town with his pet pooch to present his playful installation Teena's Bathtime, while Tamara Saulwick and Peter Knight have created an audio-visual piece titled Alter, made up of 16 carefully positioned iPads. And that's just the tip of the iceberg. So here's five events you definitely want to experience during the festival. With so many performances on the program though, we suggest you use this as a starting point from which to go forth into the wacky, wonderful world of live art. Top image: Hotel Obscura, Triage Live Art Collective, shot by Alexander Coggin
Your days of stealing liberating those tiny IKEA pencils may soon be coming to an end. According to reports, the Australian arm of the Swedish furniture giant will launch its online store by the end of 2016, ahead of a global e-commerce platform in the next two years. About damn time. Now here's hoping it's less stressful to navigate than their actual physical locations. Due to go live in the next six months, the online store will let shoppers order IKEA's unpronounceable furniture from the comfort of their MALM bed frames. The company plans to trial various pick-up methods, including smaller physical stores that double as pick-up points, as well as the use of third party depots. IKEA Australia hopes the web initiative will help boost profits, which, as it stands, are expected to pass the $1 billion mark for the first time later this year. Their online store in the UK is the most popular IKEA outlet in the country, presumably because you don't need to pack a week's worth of provisions to make it to the checkout. Speaking of provisions, it is currently unclear whether you'll be able to use the online store to order IKEA's meatballs. Fingers crossed though. Via The Sydney Morning Herald.
Good Food Month is set to hit Melbourne for yet another chock-a-block November. This year's hot ticket lineup pulls together a host of local, interstate and international culinary wizards, with events both big and small promising to send those tastebuds of yours to foodie heaven. The al fresco feast that is the Night Noodle Markets will return to Birrarung Marr, bringing with it the usual smorgasbord of live entertainment, chef appearances and well-loved food stalls, as well as a few tasty treats not seen before. New additions to Melbourne's Good Food Month calendar include a couple of buzz-worthy parties, like the Spring Social — a croquet and Pimms-infused picnic on the grounds of Rippon Lea Estate, featuring bites from the likes of Fergus Henderson (author of The Whole Beast: Nose to Tail Eating), Pope Joan's Matt Wilkinson, and Tivoli Road Bakery's dessert masters. Those keen to get their hands a bit messier can get stuck into a fried chicken feast at the Belles Hot Chicken Party, while ping pong fiends can grab tickets to a table tennis party of epic proportions at Supernormal. Aptly named Beer Pong, May Chow of Hong Kong's Little Bao, will be heading up the snack menu, and a couple of Australia's table tennis titleholders will be bringing their A game. Meanwhile, Mike Patrick, Duncan Welgemoed and Belles' Morgan McGlone will christen the new Fancy Hank's rooftop bar Good Heavens with their Southern Sunday Sesh, complete with a DJ, Coopers brews and some clever cocktails to wash down all those glorious Southern-style snacks. As usual, the Good Food Month program also boasts sit-down feasts aplenty, including Oter's five-course Young Chefs lunch, a pop-up from Brisbane's Gerard's Bistro at MoVida Aqui, and From The Vault — a Yalumba-matched dinner featuring dishes from six of Melbourne's most influential food legends. For the full program, visit goodfoodmonth.com.
For many moons, there’s been a secret passed around the ranks of students and young adults: Aldi sells $5 wine that’s actually not awful. In fact, those who’ve sampled it would know that ‘not awful’ isn’t strong enough. Now an official ruling body has declared what we young bohemians have known for a while now: Aldi’s $5 wine is objectively good wine. The Sydney International Wine Competition has announced its winning wine list for 2015, judging the top 100 wines from an entry pool of nearly 2000 and Aldi’s $5 bottle of 2014 South Point Estate rose has picked up a Blue Gold award in its blend category (just FYI the Blue Gold award is official proof that Aldi wine drinkers actually have good taste and aren’t just peasants). Aldi also won awards for their $12.99 bottle of Tudor Central Victorian shiraz and a $14.99 Blackstone Paddock “The Player” Barossa. So ner. So what do the judges look for in a good wine? Well firstly, the competition acknowledges that not all wines are created equal so they divide the plonk into categories according to palate weight – lighter, medium, fuller bodied dry whites (lol at wine terminology sounding like a sick burn) and dry reds. The wines are judged solo, then judged against other wines in each category. Then they pair each category with appropriate food and score on how well each variation complement the flavours of the meal. Then, and only then, do they aggregate the scores and hand out awards in each category. Check out the website to scope out the rest of the results and figure out the best and cheapest wine for your taste. But how do Aldi manage to sell an award winning wine for only $5? Aldi’s buying director told The Huffington Post that the secret is in the low overheads, a simplified range to cut distribution costs and understanding the young consumer. Oh Aldi, you do understand us. All we want in this life of sin is a $5 bottle of award-winning wine. We're just gonna leave this link to Aldi Liqueur online here, along with the fact that they deliver a case of 12 wines to metro areas for only $7. Merry Christmas, ya filthy animals. Via The New Daily. Image: Dollar Photo Club.
It's that time of year where you should probably start getting your New Year's Eve plans in order. To help you out, Beyond the Valley has a killer lineup for their celebrated four-day festival in Lardner, Victoria and it's pretty.bloody.good. Just two years old, the Victorian festival is fresh on the New Year's circuit, starting out in 2014. Despite this, they've managed to secure a rather colossal lineup featuring Hudson Mohawke, Phantogram and ZHU among plenty of others. The lineup has some solid Australian flavours, including festival favourites Sticky Fingers, Safia, Dune Rats and Alex Lahey, who absolutely killed it when she opened up Splendour in the Grass earlier this year. BEYOND THE VALLEY 2016 LINEUP: Alex Lahey Bag Raiders Bakermat Chance The Rapper Dena Amy DUNE RATS DZ Deathrays Eats Everything Emma Louise Giraffage GoldLink Harts Hermitude Highasakite Hot Chip Hudson Mohawke Japanese Wallpaper Jarryd James Jme Kllo Kölsch Ladyhawke Lastlings LUNICE Montaigne Motez MSTRKRFT Oliver Huntemann Paces Pachanga Boys Hippie Dance Phantogram Running Touch Ryan Hemsworth Safia Skream Slumberjack Sonny Fodera Sticky Fingers Thundamentals TOKiMONSTA Total Giovanni Vera Blue Wafia What So Not ZHU
"The things you own end up owning you." With that one memorable line, Fight Club's Tyler Durden became an unexpected forebear to the current trend for minimalism. But we've got news for you, declutterers and ascetics: even with all that absence of stuff in your life, the experts can still tell a lot about you as a person. Meet Sam Gosling, professor of psychology at the University of Texas and self-styled 'snoopologist' (good word, you have to hand it to him). He's the author of Snoop: What Your Stuff Says About You, a book that explores how we project our personality in the spaces we create, and also how the spaces we inhabit influence our inner lives. He literally spends his life poking around bedrooms, offices, wardrobes, cars — anything you think is private is Gosling's lab. Ahead of his talk at Wired for Wonder in Sydney, we spoke with Sam about interior decorators, capitalism and our definitely awesome book collections. Can you give me a quick rundown of what you’ll be discussing at Wired for Wonder? I’ll be discussing how people affect space and how spaces affect people — both deliberately and inadvertently. There are things we can do — obvious things — to try and signal something to someone, but there are also things we’re less self-aware of. It’s these things that I pick up on and use to reveal things about the person who lives or works or socialises in that space. Based on what you see in someone’s house, can you tell what someone’s political leaning might be? We did some research in the US a few years ago which produced some surprising results. I think most people think that people interested in the arts tend to be closer to the left. But we found art and books about art have no relation to political orientation. However, we did find that someone who has sports-related decor in their space is likely to be more conservative, politically speaking. That said, it’s not so much what someone's interested in, as the number of things they're interested in. On average, if you have a narrow scope of interests, you’re more likely to be politically conservative. What do you think about professionally designed interiors? They can work ... but only if the client is genuinely able to convey what it is that they really want. Most people are actually pretty clueless about what will make them happy. When it comes to interior design people see things in magazines or on Pinterest and go, “There! That’s exactly what I want!” But the problem with this kind of wish-list making is that it’s impersonal. I work with the architect Christopher Travis – he’s amazing, a real visionary. He doesn’t ask his clients to describe their dream house. He starts by asking things like, “Tell me about a time in your life when you felt protected, loved. Now tell me about the physical space you were in.” And people will say things like, “My best memories are weekends away at my grandparents’ house when I was a kid learning to ride my bike on the gravel side road.” He’ll then somehow incorporate gravel into the design. Then again, trying to replicate an interior someone found on Pinterest might be important to them because they want their space to be on trend. So Christopher will ask other questions like, “What is it you want the space to say to your friends? Who do you want to be to these people?” I saw In the Basement at Sydney Film Festival. It’s an Austrian documentary about what some people get up to in their basements. There was an older, childless woman who kept a collection of dolls in shoes boxes. They were those dolls that looked incredibly life-like. She nursed them like real babies. I felt sad that these people had to hide away their passions, that their home wasn’t really a place they could express themselves. The thing is, the home has both public and private spaces. People put very different things in the living room than in their bedroom or the guest bedroom. That’s obvious enough. People may hide things away in a basement because those things are shameful — they may not be ashamed, but they think others will judge them. The other reason is because most of us want a space of our own even if we live with other people. The garden shed is at the back of the garden because it’s full of clutter, but it’s also out of the way because people go there to disconnect physically and psychically from the people they live with. Book collections can be revealing. Of course, what you own doesn’t always represent what you’ve actually read. I'm always a bit suspect when I see a whole shelf of those orange-covered, new-release Penguin Classics. Right. Apparently there are more Ramones T-shirts in circulation than there are Ramones records! That is, if you signal that you like The Ramones people will think you like a fleet of other stuff and have certain values. Our music and reading materials are increasingly being digitised. What are literary types turning to to flaunt their cultural cred? It might be harder for literary types to flaunt their hard copy libraries, but for researchers, the switch to soft copies of everything makes it much easier to gather data. I don’t just look at homes and workplaces; I’m very interested in how people display themselves on social media, too. Of course, on social media you can signal to your community what you’ve bought or what you’re listening to. In an article about the rise of minimalist living in this month’s New Philosopher, Oliver Burkeman writes, “Minimalism might be little more than the purging phase of consumer capitalism’s cycle of binge and purge.” Do you think it’s a genuine revolt or just a trend? Trend. Sam Gosling is the author of Snoop: What Your Stuff Says About You. He will be speaking at Wired for Wonder, which is on in Sydney on August 26–27 at the NIDA Parade Theatre and Melbourne on August 28 at Central Pier Shed 14. Top image: Dollar Photo Club.
When you picture a summer cocktail, you'll often picture a big, colourful jug filled to the brim with summer fruit and citrus. But more often than not, this grand idea doesn't become a reality. It's hot in summer. Who can be bothered to devote time to complex cocktails? You want something simple — something light and refreshing, in a cold glass with condensation rolling down the sides. At Grey Goose's Boulangerie Bleue waterside mansion party this summer, one of the summery drinks served was the Le Grand Fizz — a refreshing combination of vodka with soda water, elderflower liqueur and lime. We asked Grey Goose's lively global ambassador Joe McCanta to show us how to make this variation on the classic vodka soda combination we know and love — so we can whip it up the next time a cocktail craving strikes us on a summer afternoon. It's simple to make. Just pop some ice into a glass, then add vodka and sweetness (in the form of St Germain elderflower liqueur). Top the drink with two wedges of fresh lime, and stir with freshly opened, fizzy soda water. The result is an easy, refreshing cocktail with citrus and floral flavours. If you've never used elderflower in a cocktail before, St Germain has a bouquet of soft, sherbet lemon notes, with pear and passionfruit. It's a floral liqueur that easily spices up a simple drink. Follow Joe, and learn to recreate the Le Grand Fizz for yourself this summer. LE GRAND FIZZ 45ml Grey Goose Vodka 20ml St Germain Elderflower Liqueur 3 lime wedges 3 wedges of fresh lime chilled soda water Build in an oversized cabernet wine glass with lots of ice. Add Grey Goose Vodka and St Germain. Squeeze two of the fresh lime wedges into the drink and discard. Top with chilled soda water. Stir and garnish with fresh lime wedge. Grey Goose Vodka's 'discover' function will tell you what cocktail you're perfectly suited for — answer four simple questions and start stirring. Dive into the luxury that your city has to offer — check out our Luxe Guide to Sydney and Melbourne. Food, spas, glamorous hotels and extraordinary experiences are waiting. Image: Steve Woodburn.
As the major galleries across Melbourne and Victoria continue to offer some of the very best in local and international art exhibitions, we're riding the wave underground for a peek into the local spaces pushing creative boundaries and celebrating art for art's sake. While Melbourne maintains a stellar cultural reputation that goes toe-to-toe with the likes of London, New York and Tokyo, it's the local art spaces presenting works from newcomers, emerging and celebrated artists alike, that spur on our city's love for art and culture. Here, we've chosen ten of the best free contemporary art spaces where you can see what keeps Melbourne's art world ticking. TINNING STREET PRESENTS Since Tinning Street Presents' beginnings in 2009, the gallery's focus on emerging and early-career artists has made it a hotspot for progressive, contemporary art. Throughout the year, Tinning Street Presents hosts a varied line-up of artists across visual mediums ranging from painting, photography, sculpture to film and performance. Brunswick's Tinning Street is lined end-to-end with likeminded galleries, workshops and cafes with Tinning Street Presents central to the creative beat embraced by the area. Now showing: Frances Cannon – Niceties until Sunday June 4. Coming soon: Noah Spivak – Eigengrau from Thursday June 8 to Sunday June 25. JUNIOR SPACE Having opened in May 2016, Junior Space is the newest gallery on our list. The dynamic space houses a retail area where you can pick your way through handcrafted ceramics, magazines, zines and prints from local artists and publishers, while the upstairs gallery space sees a constantly evolving selection of leading local artists. In celebration of their first year, Junior Space is currently hosting One — a group show exhibiting works from many of the gallery's favourite artists, such as Peter Tarasiuk and Nicholas Wilkins — until Wednesday, June 7. WEST SPACE West Space provides an important opportunity for contemporary artists to develop experimental works within a bold environment. An artist-led, not-for-profit organisation, their exhibition program sees a mix of open-call applications and curated projects. Despite growing in size over the years, West Space maintains its ethos of assisting budding artists by offering a rent-free space and, as of this year, paying fees to all artists in its program. See the program for current and upcoming exhibitions. BUS PROJECTS Bus Projects is another prominent artist-run initiative and has been dedicated to supporting interdisciplinary art practices for the past 15 years. Previously located in the CBD, Bus Projects moved into a Collingwood space designed by leading architecture practice John Wardle Architects in 2013. Their primary focus is on spatial art practices – bringing the gallery to life through immersive sound, installation and video exhibitions. Multiple exhibitions are currently on display, so head to the Bus Projects website to what's taking place now and in the near future. BLINDSIDE GALLERY Located on the seventh level of Swanston Street's historic Nicholas Building, Blindside Gallery features great sights both inside and out — containing outstanding contemporary art as well as some amazing views of Federation Square and Flinders Street. Blindside describe themselves as a place to "expect the unexpected", which is reflected through their carefully curated program of dynamic sculpture, performance and new media exhibitions. Arts writing is also a key component of Blindside's efforts, with each exhibition accompanied by texts contextualising works for visitors. Now showing: No Woman is an Island (group exhibition) until Saturday May 27. Coming soon: James Parkinson – Now You've Done It from Wednesday May 31 until Saturday June 17. C3 CONTEMPORARY ART SPACE Housed in the iconic Abbotsford Convent — a series of heritage buildings converted into major cultural and creative hub — c3 Contemporary Art Space features three large dynamic areas comprising six smaller rooms. Built nearly ten years ago by donated labour on a shoestring budget, c3 has emerged as a leading contemporary art space that features work by artists pushing boundaries in art, architecture, design, fashion, web-based art and more. Head to the c3 Contemporary Art Space website to see the current and upcoming exhibition program. CHAPTER HOUSE LANE Chapter House Lane is distinctly different to any other art space on our list. The space is situated next to St. Paul's Cathedral, with the art of emerging and mid-career artists being freely presented inside several large street-facing windows. The gallery chooses the work of artists that respond to the unique and creative space — in both its limitations and possibilities — resulting in numerous unconventional exhibitions and events. Now showing: Kate Robertson – Recording the medicinal plants of Siwai, Bougainville until Friday June 30 MARS GALLERY MARS Gallery, aka Melbourne Art Rooms, is an extensive three-level space that has promoted contemporary works by hundreds of local and international artists. Originally based in a former dairy factory in Port Melbourne, the gallery relocated a couple of years ago to a purpose-designed building in Windsor. MARS offers a massive diversity of arts programs and services, regularly participating in art fairs and commissioning public art projects. Now showing: As Long as the Night Is Dark, curated by Simon Pericich, until Saturday June 3 THE SUBSTATION The largest multipurpose arts centre in Melbourne's western suburbs, Newport's The Substation inhabits a 100-year-old electrical substation. Maintaining a raw aesthetic, its high-arched windows and towering ceilings make this gallery one of the most visually impressive sites on this list. The gallery aims to connect new audiences to the work of new artists, who respond to the unique setting, often through performance mediums like music, comedy and theatre. Now showing: Brooke Andrew – The Cell from Friday May 26 until Saturday June 10 METRO GALLERY Metro Gallery has long built its reputation on supporting new and established contemporary Australian artists. One of the first commercial venues in Melbourne to bring street art into a formal gallery space, Metro continues to evolve by working with artists across numerous mediums and from varied stages in their careers. Located in the trendy heart of High Street, Armadale, Metro Gallery has featured the likes of John Olsen, Michael Johnson, Adnate, Alexander Hoda, Tommy Watson and many more. Now showing: Lani Mitchell – Kind from Friday May 26 until Saturday June 10.
October. It's the month where the weather starts to warm up (well, fingers crossed), spring fashion sweeps through the city and we finally get that glorious hour of sunlight to fuel our after-work adventures. So what better time to start splorin' the CBD? Melbourne Festival is on and is taking over the city with a cavalcade of art and red webbing, there's a bunch of exhibitions (showing everything from Banksy's work to that of designers Viktor&Rolf) and a festival dedicated entirely to our preferred drink for this time of year: the G&T. Get amongst it.
Get your hands on some high quality art, craft and furniture, via a new online auction service that donates all of its proceeds to charity. Created with Care is the result of a partnership between maker community marketplace Handkrafted and artist-to-buyer platform Bluethumb. Launching earlier this month, the online auction room has recruited a select number of Australian artists and furniture makers, who are auctioning off unique, handmade pieces for charities of their choice. Visitors to Created with Care can currently place bids on five different items, including a 3D artwork by Erin Nicholls and Lars Laug, and a hand painted wooden bowl by Stephen Ziguras and Anne Ellison. A number of additional pieces will come up for auction in the coming weeks, with bidding on all items closing at 5pm on Friday, June 10. Nominated charities range from bushfire relief to animal rescue to asylum seeker aid. Current bid only $525... Furniture maker Ben Percy @benpercydesigns and artist Salleigh Olsen @salleigholsenart collaborated to produce this beautiful work of art - with all proceeds of it's sale to be donated to StreetWork, a charity helping young troubled teenagers turn their lives around. You can place your bid and explore more of the #CreatedWithCare16 collaborations we have curated together with @bluethumbart at www.createdwithcare.com.au Made by re-sawing solid American Hickory (donated by @britton_timbers) and as the seat and backrest are separately supported, the laminated legs 'flex' as individuals sit down. A photo posted by Handkrafted (@handkraftedco) on Apr 25, 2016 at 12:49am PDT "Every day I look at incredible art, yet these pieces are beyond my greatest expectations," said Bluethumb co-founder Edward Hartley. "They have set the bar for future artists and crafters." To see what's up for auction and to place a bid, visit www.createdwithcare.com.au.
The splish-splash of water isn't something you'd usually expect to find much of inside the walls of a gallery, but that's all set to change as NGV Australia pays homage to one of our great Australian icons: the swimming pool. Opening on August 18, The Pool: Architecture, Culture and Identity will explore this cultural symbol in all its glory, with the help of a multi-sensory, 11-metre pool installation, set up within the gallery's Design Studio. The free interactive exhibition will play with water, sound, light and scent to highlight the connection between culture, landscape and architecture. It'll look the real deal, too, complete with wooden decking and sun lounges — and visitors will even be allowed to dip their feet in for a refreshing paddle. This is the first time the installation has come to Australia after showing at the 2016 Venice Architecture Biennale. Further emphasising the swimming pool's link to our national identity, eight pool 'lanes' will each feature an audio excerpt from a high-profile Aussie figure, sharing their own nostalgia-tinged, pool-inspired stories. This will include The Slap and Barracuda (good pre-exhibition pool-related reading, by the way) author Christos Tsiolkas and Aussie rock god Paul Kelly, through to Olympic gold medalists Shane Gould and Ian Thorpe. The Pool: Architecture, Culture and Identity will show at The Ian Potter Centre: NGV Australia from August 18 until February 2018. For more information, visit ngv.vic.gov.au.
Confetti cannons up, we've got something bloody huge to celebrate. Announced this morning, Concrete Playground has been nominated for a 2016 Webby Award, in the category of General Website - Cultural Blog/Website. Look, we're not pulling your leg, here we are, with fellow nominees VICE, Nowness, Jazz at Lincoln Centre and Polygraph. So we're drinking prosecco for morning tea, what of it? Celebrating their 20th year, The Webbys have seen the International Academy of Digital Arts and Sciences handing out top tier awards since 1996, celebrating "excellence on the internet including websites, interactive advertising, online film and video and mobile content." Along with our mates and website designers Canvas Group, Concrete Playground is now celebrating our first ever Webby nomination. Concrete Playground founder and director Rich Fogarty was understandably excited. "FUUUUUUUUUCK!" he said in a statement this morning. Fellow Australian/NZ nominees include triple j's Hottest 100 site for Music (they're up against Beyonce's official site, kudos), and Trusted Housesitters — based in Australia as well as globally — for the Community category. Best part of the Webbys? Once the nominations have been announced, the winners are internet-voted. So you can give us a hand! Used CP to find your never-fail date spot (with BYO)? Chase more waterfalls nowadays? Look, we told you what nap desks are, so show us some love and vote for us. How about some ol' fashioned incentive? We're giving readers the chance to win a cheeky $1000 from your good mates at CP. To enter, all you have to do is vote for us on the Webby's website, email us a screenshot of the vote confirmation screen to cpftw@concreteplayground.com. That's it. Get on it. VOTE FOR CONCRETE PLAYGROUND HERE
A killer cast play cops and robbers in a down and dirty crime thriller set on the mean streets of LA. Triple 9 — a film whose script once earned a spot on the legendary Black List of the best unproduced screenplays in Hollywood — stars Casey Affleck, Chiwetel Ejiofor, Anthony Mackie and Norman Reedus as a group of crooked cops trapped in the web of the Russian mob. Throw in Woody Harrelson as an embittered detective and Academy Award winner Kate Winslet as a ruthless crim, and you can see why we've been looking forward to it for a while. Australian director John Hillcoat is no slouch either, having demonstrated his gift for adapting grim, compelling subject matter in earlier films like The Proposition and The Road. Just don't expect many laughs. [competition]560811[/competition]
Fact: having great camping gear automatically makes you good at camping. Or, it at least makes you look like you know what you're doing when you're outside of the city. Whether you're a seasoned camper, just a beginner, or just someone who hits up music festivals occasionally and wants to be that friend with a quality tent — everyone could do with a little camping gear. Thanks to Teva, we've got a whole bunch of it to give away. Whether you're hitting up a music festival this summer, or just planning on a weekend away, getting your hands on this camping gear will make your life a whole lot easier. There are two pairs of Teva's classic Arrowood Boots, a water bottle, two camping mugs, a beanie, a hat, a tent, a sleeping bag and a National Parks pass. That's a lot of really handy stuff. Enter your details below, say yes to the terms and conditions and you're in the running to win. Entries close on Sunday, December 4. Go go go. [competition]595510[/competition]
Film festival season is well and truly upon us, with the Scandinavian Film Festival the latest to unveil their 2017 lineup. Taking place across July and August, the Nordic-focused movie showcase will bring 20 new features to Palace Cinema screens around the country. Heading to the festival after its Australian premiere in Sydney Film Festival's official competition, The Other Side of Hope will kick off the Scandi cinema fun with a big-hearted look at one refugee's attempt to start a new life in Finland. Directed by Aki Kaurismäki (winner of the Silver Bear for best director at this year's Berlinale), it's an amusing yet insightful look at an important topic — as well as an enjoyable way to get the Scandinavian Film Festival underway for its fourth outing. With the 2017 selection also boasting titles from Sweden, Norway, Denmark and Iceland, other highlights include World War II drama The King's Choice, which was shortlisted for this year's best foreign-language film category at the Academy Awards; biopic Tom of Finland, about one of the country's unorthodox international heroes; and closing night's A Hustler's Diary, which follows a petty criminal in the suburbs of Stockholm. Bittersweet romance One-Two-Three-Go!, Copenhagen-set arts scene satire The Man, stunningly shot coming-of-age effort Heartstone, and a theatrical version of popular Danish TV show 1864 also feature, as does Sami Blood, which explores the cultural oppression of Sweden's Sami people. Of course, because Nordic noir is everyone's insatiable genre pick since The Girl with the Dragon Tattoo became such a literary and film hit, the festival will also delve into darker territory. Audiences can get their brooding mystery fix with crime action-thriller Darkland, which has been compared to the films of Nicolas Winding Refn; black comedy Small Town Killers; and A Conspiracy of Faith, the third feature in the Department Q book-to-screen adaptations following The Keeper of Lost Causes and The Absent One. The Scandinavian Film Festival tours the country between July 11 and August 6, screening at Sydney's Palace Norton Street and Palace Verona from July 11 to August 2, Melbourne's Palace Cinema Como, Palace Brighton Bay and Palace Westgarth from July 13 to August 2, and Brisbane's Palace Barracks from July 20 to August 6. For the full program, visit the festival website.
