"They're hard and they're brutal and they're specific, but I know how to do it." So says Carmy (Jeremy Allen White, The Iron Claw) to his brother Michael (Jon Bernthal, Origin) in the flashback that opens the full trailer for The Bear season three. How true that claim will prove is the focus of this new batch of episodes — and, based on this latest sneak peek, it's going to be anything but an easy journey. What happens when a sandwich diner levels up in a big way, becoming a fine-diner that's angling for a spot among Chicago's very best restaurants, chasing perfection and a Michelin star? Fans of The Bear will soon find out. As not only the just-dropped new glimpse shows, but also two earlier teaser trailers, culinary chaos remains on the menu alongside the rotating array of dishes that Carmy keeps conjuring up in the name of kitchen creativity. Whether Sydney (Ayo Edebiri, Bottoms) is advising that "this is a dysfunctional kitchen" or Carmy and Richie (Ebon Moss-Bachrach, No Hard Feelings) are asking her to "show me a functional one" in response, the three trailers are teeming with the hustle and bustle of the trio, and their colleagues, friends and family, working through the reality of having made their hospitality dreams come true. In season three, The Bear's namesake restaurant is now open, after Carmy, Sydney, Richie and the team transformed their beef-slinging eatery (where season one's action took place) into an upscale restaurant (with that process fuelling season two). But staying operational is still a struggle, especially with such higher stakes after the revamp and rebrand. [caption id="attachment_954671" align="alignnone" width="1920"] Chuck Hodes/FX[/caption] How that pans out will be revealed on Thursday, June 27 both in the US and Down Under. In the past, there's always been a wait for Aussie and NZ viewers — season one hit in June in America, then in August in Australia; with season two, US viewers still had a June date, while Aussies and New Zealanders had to wait till July — but thankfully that isn't the case this time. Comfort food and winter do go hand in hand, after all — and since 2022, so has this dramedy and the frostiest time of the year Down Under. It was two years back that The Bear debuted to become one of the best new shows on television. In 2023, it then became one of the best returning shows on TV that year. The Bear was renewed for season three in November 2023 to the surprise of no one, but to the joyous shouts of "yes chef!" from everyone. Also, even though that third season hasn't yet dropped, it looks as if the show has been renewed for its fourth season already as well. If you've missed The Bear so far, its first season jumped into the mayhem when Carmy took over the diner after his brother's death. Before returning home, the chef's resume featured Noma and The French Laundry, as well as awards and acclaim. Then, in season two, Carmy worked towards turning the space into an upscale addition to his hometown's dining scene, with help from the restaurant's trusty team — including a roster of talent also spans Abby Elliott (Indebted) as Carmy's sister Natalie, aka Sugar, plus Lionel Boyce (Hap and Leonard), Liza Colón-Zayas (In Treatment), Edwin Lee Gibson (Fargo) and IRL chef Matty Matheson among the other staff. Check out the full trailer for The Bear season three below: The Bear streams via Disney+ in Australia and New Zealand, with season three arriving on Thursday, June 27. Read our review of season one and review of season two.
There are many, many excellent and very familiar things to do in New South Wales — from climbing the Sydney Harbour Bridge to watching the sunset from the Cape Byron Lighthouse. But there are loads of other, more unusual possibilities, too. And some of them might never have crossed your mind. How about snorkelling with fur seals in the wild? Riding a camel along a beach? Crawling through an 1880s mine shaft? Get ready to throw out your old adventure playbook and re-write it. Here are seven things you didn't know you could do in Australia's most populated state. RIDE A CAMEL ON THE BEACH You might be aware that Australia has the biggest herd of wild camels in the world — there are over one million roaming around out there. But, did you know that, in New South Wales, you can ride one of the mighty humped beasts with waves crashing at your feet? This wondrous adventure is less than three hours away from Sydney. In Port Stephens, Oakfield Ranch leads camel rides along sweeping Stockton Beach. Should you be contemplating further escapades in the area, check out our weekender's guide to the area. SAND BOARD THE BIGGEST MOVING SAND DUNES IN THE SOUTHERN HEMISPHERE Just behind Stockton Beach are the Stockton Sand Dunes, the biggest moving sand dunes in the Southern Hemisphere. Once you're immersed, you'll feel as though you're in some far-off desert. That's one of the reasons why the first Mad Max film was shot here. Hands-down, the most fun way to experience them is with a sand board under your arm. After climbing your way to the top, slide back down head first (or, if your balance is good, standing) at epic speeds. You'll need to book with a local operator — or, to avoid enormous tour groups, go with the small, family-owned Sand Dune Safaris. SNORKEL WITH FUR SEALS IN THE WILD Around five hours south of Sydney is the coastal town of Narooma and, nine kilometres offshore, lies Barunguba (otherwise known as Montague Island). This pristine nature reserve is home to around 90 bird species, 12,000 little penguins and the biggest fur seal colony in New South Wales, which attracts 2500 seasonal residents — some of which you can snorkel with. Several tour operators are available and it's possible to add time exploring Montague Island. If you're keen to spend more time on the Far South Coast, our road tripper's guide might come in handy. GO HOT AIR BALLOONING ABOVE A 23 MILLION-YEAR-OLD VOLCANIC CRATER North and west of Byron Bay is the Tweed hinterland, a land of ancient rainforest, wild rivers and rugged mountain peaks. Twenty-three million years ago, a volcano erupted here, creating a caldera 40 kilometres wide and 1000 metres deep. To see it in all its lush beauty, wake up before sunrise and ride a hot air balloon with Byron Bay Ballooning. This dreamy escapade takes you way up into the air for an hour or so and, on landing, treats you to a champagne breakfast. EAT DOUBLE-HATTED FARE OVERLOOKING THE TASMAN SEA There's no shortage of delicious fare wherever you go in New South Wales, but there aren't many spots where you can feast on two-hatted dishes while gazing at the Tasman Sea. Paper Daisy Restaurant, within Halcyon House, near Cabarita Beach on the Tweed Coast, is one of them. Here, Executive Chef Jason Barratt (ex-Circa, The Prince, Attica) is in the kitchen whipping up ocean-inspired combinations. Start with lobster, white radish and granny smith apple, before moving onto kingfish baked in local kelp, sweet corn, smoked onion and dried prawn. Then, for dessert, pear with spiced date, almond and roasted fennel ice cream. CRAWL THROUGH AN 1880s COAL MINE On the road between Broken Hill and Silverton — around 1200 kilometres west of Sydney — lies Day Dream, one of Australia's first coal mines. Built in the 1880s, it's now a tourist attraction, where you can experience a day-in-the-life of a 19th century miner. Prepare for darkness, dust and lots of squeezing through teeny-tiny spaces — all 30 metres underground. Mining is still a dangerous business, but was way more terrifying back then. In fact, workers did it so tough that their bosses handed out opium to ease the pain. When that wore off, horehound beer, which caused temporary blindness, was the next refuge. You'll hear these and other tales on a 1.5-hour tour. Find more tips for exploring Broken Hill over here. VISIT THE (HUGE) TELESCOPE THAT HELPED BROADCAST MAN'S FIRST WALK ON THE MOON You might recognise this one from The Dish, the 2000 indie comedy by Australian writer-director Rob Sitch, who's also responsible for The Castle. Located around 360 kilometres west of Sydney near Parkes, the 64-metre-wide telescope helped broadcast man's first moonwalk and has since found more than half of the 2000 known pulsars. When you're finished marvelling at its architecture, feast on a beef and red wine pie in the on-site cafe and check out the memorabilia in the gift shop. Should you be travelling by vehicle, our road tripper's guide to Central NSW might help. Discover more adventures around NSW at visitnsw.com. All images: Destination NSW
David Attenborough may have turned 94 in 2020; however the acclaimed broadcaster and natural historian isn't slowing down anytime soon. Fresh from narrating and presenting two new TV series in 2019 (Our Planet and Seven Worlds, One Planet), appearing at Glastonbury and recently joining Instagram, he's now bringing his latest movie-length documentary to your screen. Called David Attenborough: A Life On Our Planet, the film sees Attenborough look back on his more than nine decades on earth, the sights he has seen and the changes he has witnessed. Specifically, he reflects upon humanity's enormous and damaging impact on the natural world — and, when it hits Netflix on Sunday, October 4, it servers up quite the powerful viewing experience. Since the early 50s, Attenborough's stunningly shot documentaries have been awash with revelatory sights and detailed insights from across the planet, sharing the kind of wonders that eager audiences would be unlikely to see or discover themselves otherwise. Now, after becoming a constant, respected and beloved presence in the field, his passionate and vibrant work has earned its place in history several times over. But it might also become a record of a world, and of natural history, that's lost due to climate change. It's this possibility that's behind A Life On Our Planet — that, and the great broadcaster's efforts to motivate a response to combat both global warming and the catastrophic loss of biodiversity blighting the environment. On offer here is an urgent and far-ranging exploration of how our pale blue dot evolved to its current state, what might be in store if we continue down this path, and how and why things could and should change. Determined in his tone, Attenborough calls the documentary his witness statement several times within its frames, and it's as potent and devastating as intended. Bookended by scenes in Chernobyl that are initially designed to illustrate what can happen ecologically when bad planning and human error combine — a situation that, Attenborough posits, applies to climate change as well — A Life On Our Planet is both broad and intricate, and personal and political too. Cycling through the earth's life to-date to provide a snapshot of the planet's predicament, it delivers a comprehensive overview, a raft of telling facts and figures, and a plethora of reflections from its central figure. It also features the now-requisite array of eye-catching footage that Attenborough's hefty body of work has long become known for, served up here to not only revel in its glory and showcase his exceptional career, but to demonstrate what's fading away due to humanity's impact upon the globe. Accordingly, it's impossible not to be moved by the film. If viewers won't listen to Attenborough on this topic, and as he explains what he's seen and where he sees things heading, then they probably won't listen to anyone. In the documentary's latter third, A Life On Our Planet follows in the footsteps of Australian doco 2040, too, by pondering how the world might adapt for the better. Produced by wildlife filmmakers Silverback Films and global environmental organisation WWF, A Life On Our Planet was originally slated to play in cinemas in April — but, due to the COVID-19 pandemic, its release was postponed. It's currently showing on the big screen Down Under now (except Victoria), with the film paired with an exclusive cinema-only conversation between Attenborough and Michael Palin, if you'd rather see its vivid and impassioned sights in a larger format. Check out the trailer below: https://www.youtube.com/watch?v=64R2MYUt394 David Attenborough: A Life On Our Planet hits Netflix on Sunday, October 4, at 5pm AEST / 6pm ADST. It's also currently screening in Australian and New Zealand cinemas.
As if the hit Chinese dating show If You Are the One hasn't already brought enough glee into our dreary little lives, it's about to bring even more. And noodles. In almost inexplicable news, cheeky host Meng Fei is opening his own Chinese noodle restaurant in Melbourne, aptly named Mr Meng. Although we know Grandpa Meng as a television host who asks tough questions ("The question is, whether the girls can tolerate your shortcomings?"), he's actually a Kim K level celeb in China thanks to his shenanigans on the cult dating show, which has been airing in Australia on SBS 2 (now SBS VICELAND) since 2013. He's teamed up with Guo Degang, a popular Chinese comedian and actor, to open the noodle restaurant, quite out of nowhere. Why? Literally dunno. His team were tight lipped on motivations — but stay tuned for a report on the opening. In the meantime, get excited for some no-nonsense Chinese food and Chongqing-style noodle dishes. Mr Meng's is opening soon on Elizabeth Street and serving up 'delicious noodles for lunch and dinner, loved by everyone'. We only hope Meng's noodles are as spicy as his insults. In other relevant and exciting news, after eight seasons of humiliating Chinese men on air, the show is undergoing a seismic shift and reboot. A brand new 'boys special' will air on SBS VICELAND on July 2, which will be a taste of things to come before the new series relaunches in December. Mr Meng will open on Monday, May 22 at 382-384 Elizabeth Street. We'll report back on the opening.
If you're in the midst of a mid-life crisis, you might want to skip over this news: it's been 20 years since Placebo released their debut album. Yep, 'Nancy Boy' has been around since 1996. The album Without You I'm Nothing (which included 'Every Me and Every You') was released in 1998, and even 'Running Up That Hill' is almost 15 years old now. It's been so long since these songs were released that fans band of the UK band probably never expected to hear them live again. But this morning Placebo has announced they will bring their 20 Years of Placebo tour to Australia this September. And yes, they'll be playing old stuff. The worldwide tour kicked off this late last year — the band is currently touring Mexico and will head to Europe before coming to Australia in September. As well as Melbourne, Sydney and Brisbane, they'll make stops in Perth, Adelaide, Newcastle and Canberra too. It will be their first Australian appearance since Soundwave in 2014. 20 years is a long time and the band has a huge discography (seven albums) to pull bangers from — and they've promised to play all those songs you listened to on repeat as a teenager. "Let's just say there will be songs in the set that I've sworn never to play again," said frontman Brian Molko. "I think it's time that we purposefully acknowledged what a lot of Placebo fans really want to hear. They've been very patient with us since we rarely play our most commercially successful material. A 20 year anniversary tour seems like the right time to do so. That's our intention. This tour is very much for the fans and a chance for us to revisit a lot of our early material." Tickets will go on sale at noon on Monday, May 29 through Ticketek. Or, if you're a Telstra customer, they have a pre-sale happening this week. 20 YEARS OF PLACEBO TOUR DATES Monday, September 4 — Perth Arena Wednesday, September 6 — Adelaide Entertainment Centre Theatre Friday, September 8 — Margaret Court Arena, Melbourne Saturday, September 9 — Qudos Bank Arena, Sydney Monday, September 11 — Brisbane Convention Centre Tuesday, September 12 — Newcastle Entertainment Centre Thursday, September 14 — AIS Arena, Canberra
After months of speculation and a soft launch that turned out to be a bust, Amazon's hotly anticipated Australian website is finally up and running. And the offering is huge. It's been a couple of weeks since the online retail giant kicked off an 'internal testing phase' here in Australia, on November 23, though customers weren't actually able to get their hands on any products. Now, the site's gone properly live, filled with a hefty array of goods in time for that hectic, pre-Christmas retail rush. This online shopping wonderland spells trouble for your credit card, boasting everything from books, electronics and homewares, through to fashion, beauty products and even power tools. According to Senior Industry Analyst for IBISWorld Kim Do, Amazon's arrival in Australia is set to give the local retail industry a solid shake-up. "The company intends to challenge domestic retail prices by offering items for 30 percent less than domestic retailers," she explained, adding that technology products are expected to be Amazon's highest selling category. Let the retail therapy begin!
Since 2010, Sydney has been home to the Korean Film Festival in Australia. While 2025's main fest hits the Harbour City in August, you can also join in without leaving Victoria. Your destination: Benalla Cinema across Saturday, September 13–Sunday, September 14. One pivotal difference between the regular festival and the regional KOFFIA Touring Program, other than the fact that it's making the trip down south: head to the latter and everything that you see from its four-title lineup is free. Catch About Family, a dramedy about a chef discovering that he might have grandchildren — and The Noisy Mansion focusing on a tenant and her neighbours trying to discover why their building is plagued by strange sounds. Benalla audiences can also watch Forbidden Fairytale, about a children's book author who starts ghostwriting online erotica. Plus, Hear Me: Our Summer is one of the highlights, with the romantic drama co-starring former Iz*One member Kim Minju, remaking Taiwan's Hear Me and seeing a love story blossom via Korean Sign Language.
When the first John Wick film burst into cinemas with a finessed flurry of fantastic action scenes and all-round Keanu Reeves awesomeness, it let its star utter a particularly memorable and telling line. "Yeah, I'm thinking I'm back," the inimitable actor announced — but while the highly enjoyable movie helped remind audiences of his excellence, Reeves himself hadn't really gone anywhere. A staple on screens for decades, Keanu boasts quite the resume, spanning cult comedies, poignant takes on Shakespeare, ace sci-fi franchises, demon-hunting and sappy romances. There's also his dalliance with the ultimate vampire, the time that he tried to save a bus that couldn't slow down, and his stellar stint as a surfing FBI agent. All of the above are on the lineup at the Lido Cinemas event that every Reeves fan will want to head to: a nine-week Keanu Reeves-A-Thon. Every Friday night at 9pm between October 18 and December 13, the Hawthorn theatre will work through a selection of the star's hit flicks in chronological order. Start with Bill and Ted's Excellent Adventure, take a trip through My Own Private Idaho, hit the waves with Point Break and dance with the undead thanks to Bram Stoker's Dracula. Then get fast and furious with Speed, enter The Matrix, go to hell with Constantine, visit The Lake House and say hello to John Wick.
The Standard Store on Gertrude Street is anything but standard. From eccentric pins made by graphic designer Georgia Perry to uber-trendy tops from Commune de Paris and bright, geometric dresses by Henrik Vibskov, owners Orlando and Nicola Reindorf know how to create a store filled with the kind of items that make you feel unique. There's no fast fashion to be found. Instead, the pair make bi-annual overseas trips to ensure that anything they source from over the pond is of the same quality as the homegrown brands they consistently back. Image: Caitlin Morahan.
Over the last decade — since it was established in 2009 by renowned art collector and philanthropist Judith Neilson — Sydney's White Rabbit Gallery has become the world's largest private collection of contemporary Chinese artwork. To celebrate the renowned gallery's tenth birthday, the gallery is bringing a few of its most epic pieces down to Melbourne for a major exhibition in partnership with the National Gallery of Victoria. Open now and running until October 6, A Fairy Tale in Red Times: Works from the White Rabbit Collection showcases 26 of the most distinguished and exciting contemporary Chinese artists working today. Across installation, painting, photography and more, there are also five landmark works that have never previously been exhibited on Australian shores. More than just an awe-inspiring art collection, White Rabbit documents the post-Mao generation of artists and explores the changing social and cultural landscape of modern-day China. Below, we've picked out five of the most outstanding artworks that provide the perfect introduction to this striking exhibition. Entry is free, so lock in an afternoon to visit ASAP. ZHANG XIAOGANG 张晓刚: BATHTUB (2017) Spanning almost three-metres in length, Bathtub is the newest artwork to be added to White Rabbit Gallery's 2500-strong collection. It's the latest painting in Zhang Xiaogang's ong-running Bloodline series, which is one of the most iconic in contemporary Chinese art. It's also one of the most highly valued; the works have fetched some fairly outrageous prices around the world — one sold for 94.2 million HKD (around 17 million AUD) in 2014. The large-scale oil painting considers memory and imagination, while drawing inspiration from both European surrealists and the family portraits that are symbolic of China's era of Cultural Revolution. SHI YONG 施勇: A BUNCH OF HAPPY FANTASIES (2009) Presented in a hazy red gloom, Shi Yong's A Bunch of Happy Fantasies simultaneously explores illusion, poetry and installation. Spread across the artwork are virtually indecipherable Chinese poems that appear upside down and cryptic, having been written by a friend of the artist in an opium-induced daze. Forming seemingly random sentences and ideas – like 'roses made from water' – Shi Yong took this calligraphy and created an installation that ponders the idea that fantasy is inseparable from reality. Featured in its own dedicated space at the NGV, this work alone makes visiting A Fairy Tale in Red Times well worth it. ZHU JINSHI 朱金石: THE SHIP OF TIME (2018) Undoubtedly one of the most intricate works on display throughout A Fairy Tale in Red Times, Zhu Jinshi's The Ship of Time is hard to miss as it fills a cavernous space hanging from above. Delicately produced, its massive cylinder form was created from 14,000 sheets of xuan paper, 1800 pieces of fine bamboo and 2000 cotton threads. Appearing for the first time in Australia, the work represents a journey into the past with the fireproof xuan paper being collected from ancient villages dotted across the Yellow Mountains. Meanwhile, the work also references the prominent Chinese philosopher Zhuangzi, whose parable, The Empty Boat, encourages people to discard their ego and anxiety. SU MENG-HUNG 蘇孟鴻: THE ALBUM OF IMMORTAL BLOSSOMS IN AN EVERLASTING SPRING BY GUISEPPE CASTIGLIONE (2012) You likely haven't heard of the 17th century Italian Jesuit missionary and painter Giuseppe Castiglione, but his work had a profound effect on artist Su Meng-Hung. Having worked within the imperial courts of three Chinese emperors, Castiglione was one of the early artists to combine both western and Chinese painting techniques to great success, while also contributing European architectural styling to a variety of Chinese royal palaces and gardens. Bringing new life to Castiglione's art, Meng-Hung borrows the ancient artist's creative lexicon and fuses it with his own interest in life and death, empires, and the nature of art in a globalised world. ZHAO ZHAO 赵赵: CONSTELLATIONS (2017) Training under the guise of China's most provocative artist Ai Weiwei, fellow conceptual artist Zhao Zhao follows closely in his mentor's footsteps with his Constellations series. Having observed photographs of bullet holes found in the aftermath of the Tiananmen Square protests in 1989, Zhao decided to delve into to the concepts of violence and the endless passage of time. To create his ongoing work, he fired a gun into sheets of glass and painted over the resulting damage. Zhao later decided to team up with his mother to replicate these spidery splinters — but, this time, across a massive three-metre work of silk embroidery. A Fairy Tale in Red Times: works from the White Rabbit Collection is on now and free to attend at NGV International, St Kilda Road, Melbourne until October 6, 2019. Images: Tom Ross for NGV.
Remember when your mum told you that being popular wasn't everything? There are many situations where that advice holds true. Take watching movies, for example. Sure, superhero flicks look great on the big screen — but for every blockbuster you head along to, there's probably a heap of smaller films you're missing out on. They're the small players in a world that focuses on big hits, and the ones that pop up at fewer cinemas, run for shorter spans, and don't break attendance records. But just because they don't get as much love, doesn't mean they're not worth viewing. Indeed, among the ranks of the under-seen lurk some of the year's best efforts. Take these ten, which — by way of a limited screening season or lacklustre local box office performance — you may have missed, but we think you really should take the time to see. A MOST VIOLENT YEAR It has been a good year for Oscar Isaac. He's about to feature in one of the year's biggest films (that is, Star Wars: Episode VII: The Force Awakens), he made an unnerving impact in the best artificial intelligence movie of 2015 (Ex Machina), and he starred in a heartbreaking HBO TV series made by The Wire's David Simon (Show Me A Hero). But before all three, he teamed up with always exceptional Jessica Chastain in A Most Violent Year, a moody, '80s mob thriller from All Is Lost writer-director J. C. Chandor. The tale of an honest man corrupted as he follows his ambitions might seem familiar, but there's nothing that's routine — and plenty that's riveting — about this devastating dissection of the American dream. Read our full review. THE TRIBE Writer-director Miroslav Slaboshpitsky's first feature was always going to be a hard sell. The film runs for more than two hours without a word of dialogue, a hint of music or even any subtitles, with its characters — a group of classmates at a Ukrainian boarding school for the hearing impaired — communicating only through sign language. And it's not just a difficult concept; in an effort that becomes both violent and haunting — all the more so because it demands audiences pay the utmost attention to what they can see — it's also difficult to watch. Reports of fainting are widespread, but those who can stomach its brutal sights will find a movie completely unlike anything else they've ever seen before. Read our full review. LONDON ROAD When the National Theatre turned the real life 'Suffolk Strangler' case into a stage production, it probably wasn't expected. Adapting the play into a film shouldn't have been quite as surprising, but the results certainly are astonishing. Filmmaker Rufus Norris (Broken) teamed up once again with writer Alecky Blythe to bring the theatre work to the screen — not only telling the tale of the murders of five prostitutes that rocked England's Ipswich in 2006, but charting the media frenzy that followed and the reactions throughout the community. What makes London Road stand out isn't its narrative, though, but its approach. The words uttered by actual residents of the area, reporters covering the case and sex workers become a musical sung in stuttered bursts and choreographed in a highly stylised fashion. It also features a memorable performance by Olivia Colman, as well as appearance by Tom Hardy as a taxi driver. TANNA Two youths fall in love, but external forces — i.e. the wishes of their families — complicate matters. With that description, you're likely thinking about Romeo and Juliet — however, there's more to the first feature shot entirely in Vanuatu than simply following in William Shakespeare's footsteps. In fact, the film actually stems from a local tribal tragedy, uncovered by writer-director-producer duo Martin Butler and Bentley Dean after spending seven months living with the indigenous Yakel community, and then working with them to make the movie. Calling Tanna authentic is underselling its heartfelt account of the story, its impassioned performances and its arresting images — the latter of which makes the most of the South Pacific archipelago nation's lush greenery and ash-spewing volcanoes. GIRLHOOD With Girlhood, the third time is the charm for filmmaker Céline Sciamma — although, with the likes of Water Lilies and Tomboy also on her cinematic resume, the first and second times were pretty up there too. Her film might sound like a female version of Richard Linklater's 2014 hit, but even though it also serves up a coming-of-age narrative, that couldn't be further from the truth. Charting the tough times faced by 16-year-old Marieme (Karidja Touré) on the outskirts of Paris, the movie tackles maturity on the margins with a raw, realistic and intimate approach — and with stunning performances from the largely untrained cast, too. Plus, it ensures viewers will always feel fondly about Rihanna's 'Diamonds', which provides the soundtrack for the film's most striking scene. Read our full review. PARTISAN Trust a film about a charismatic figure that lures single mothers and their children into his cult-like enclave to have the same mesmerising impact upon its viewers. In relating the experience of the oldest boy in the commune, Alexander (Jeremy Chabriel), when he's deemed mature enough to complete special tasks, Ariel Kleiman's debut feature is the kind of movie you can't look away from — even if you want to. Partisan might be inspired by actual accounts of child assassins, but this is an atmospheric take on allegiance and rebellion, rather than an action flick. It's also the latest effort to feature a hypnotic performance by Vincent Cassel, who's no stranger to playing menacing men, but is rarely given a role so simultaneously threatening and understated. Read our full review. '71 The complexities and contradictions of war are thrust onto the screen in '71, and so is rising star Jack O'Connell. If both seem frenetic and anxious, that's understandable — the film recounts the terrors of The Troubles in Northern Ireland, as seen through the perspective of a rookie British solider left in unsympathetic territory by his squadron, after all. Director Yann Demange splices the two together with skill, his first-time helming efforts as intense as the movie's lead portrayal. If you thought O'Connell was good in TV's Skins, or in previous big-screen offerings Starred Up and Unbroken, prepare to see him blow those performances out of the water. Read our full review. LIFE If ever there was a match made in cinema heaven, it's the combination of Anton Corbijn and James Dean. Add actor Dane DeHaan to the equation, and you've got a movie that smoulders as much as its subject, all while peering behind the tragic star's mystique. Everyone knows that Dean was killed in a car accident at the age of 24 with just three films to his name — and while other features have attempted to give him the biopic treatment, capturing his allure is a much more difficult feat. With the same precision he demonstrated in his last account of a fallen idol, the Joy Division-centric Control, Corbijn achieves just that as he focuses on Dean's connection with Life magazine photographer Dennis Stock (Robert Pattinson). Read our full review. THE SALT OF THE EARTH If a picture is worth a thousand words, then Sebastião Salgado's efforts are worth several multi-volume encyclopaedias. Yes, his images are that intricate and informative — as they should be. The Brazilian social documentary photographer and photojournalist has travelled the world for more than 40 years, snapping the people and places few ever see. Thankfully, the film that charts his life, work and impact is just as engaging and illuminating, as directed by veteran filmmaker Wim Wenders alongside Sebastião’s son Juliano Ribeiro Salgado. Don't take the younger Salgado's involvement as a sign of the documentary's sentimentality, however. Instead, he helps craft a textured portrait of a man who has dedicated more than just his career to taking textured portraits. Read our full review. ZERO MOTIVATION One of the year's funniest and most thoughtful movies sprang from an unlikely place: within the human resources unit of an Israeli army administration office. There, two pencil-pushing women (Nelly Tagar and Dana Ivgy) dream of something more — however, they're never unaware of their status, nor of the military side of their employment. You're probably thinking that Talya Lavie’s feature sounds like it wouldn't be out of place alongside other amusing yet perceptive looks at bureaucracy and war, and you'd be right. Blackly comic as well constantly subversive, Zero Motivation is a slacker comedy and a contemplative consideration of combat, all in one package.
What do you do with a slab of unused space in the middle of the CBD? You plant a barley crop and open a brewery, of course. As part of Street Works, a landscape design competition hosted by the Australian Institute of Landscape Architects (AILA), the Beerline project will see Quay Street transformed into Haymarket's very own self-sustained brewery. Following its installation amongst traffic lights and tram tracks, the public harvesting of the barley crop last week marked the first step in the three-month process that takes the crop from barley to bottle. Throughout December, the barley will undergo the process of malting, brewing, and fermenting, ready to be bottled and served to the public in the January Beer Festival. Brewing will take place on site from start to finish, aiming to promote awareness and appreciation of the value of our food, more than just a 'vacuum sealed container on a supermarket shelf'. But the social initiative doesn't stop there. The crop will produce around 500 beers, all available for online 'adoption' through a pledged donation to Oz Harvest. Once you've adopted a beer, you can attend regular brewing events to keep an eye on your little tike as it grows up from grass, to make its social debut as an icy cold bevvy. The visionaries behind Beerline are a pair of bright young architects who go by the name of the Bean Factory. The Beerline is the first in a series of small ideas they intend to release into our city, in the hope that they grow (quite literally, in this case) into something bigger. The four other projects featured in the Street Works initiative will grace our city streets until the end of January. Check them out at www.streetworks.org.au
Eight months after Australian same-sex couples could first formally and legally tie the knot, Brisbane Festival is celebrating the occasion in an appropriate fashion — by throwing a free wedding for eight LGBTIQ pairs. While Sydney Festival put together a huge reception earlier in the year, Brisbane's equivalent is going one better by hosting the actual nuptials. And, if you're a LGBTIQ couple looking to get hitched, you might just be able to take part. Called Qweens on King, the Saturday, September 8 event is one of the three-week-long fest's opening celebrations for 2018, turning Bowen Hills' King Street precinct into a garden party filled with merriment and real-life matrimony. Entries are now open for all interested parties, with winners saying 'I do' on stage before a celebrant named Gai Lemon, scoring a wedding party filled with Brisbane's queer performers, nabbing free wedding bands and receiving a $500 voucher towards holding their reception at adjacent food truck hangout Welcome to Bowen Hills. Everything from the music to the flowers to the photographer has been arranged, with couples simply needing to register, make sure they're available on the date and pick their own outfits. Of course, if that sounds like your ideal way to spend your big day, you'll also need to be willing to share your happy moment with a considerable crowd. "I'm hoping that the eight couples we find will represent a broad spectrum of personal experiences, from those who have been through the Bjelke-Petersen time when homosexual acts were still illegal, to newcomers and the multitude of various cultures within all those letters: L-G-B-T-I-Q-plus," says Brisbane Festival artistic director David Berthold. The ceremony will also launch the 29th annual Brisbane Pride Festival, with Brisbane Pride vice president Michael James dubbing the event "a gathering of rainbow sophistication and flair". Entries close at midnight on Sunday, July 22, with Qweens on King taking place on Saturday, September 8. To register, or for more information, check out the online application
Even under normal circumstances, heading to the UK to see a theatre show isn't in most folks' budgets — which is why, for years now, Britain's National Theatre has beamed its performances into cinemas around the world via a series called NT Live. At the moment, with venues closed across the globe, the latter is obviously on hiatus. Enter a new initiative: National Theatre at Home. As the name makes plain, National Theatre is making its previously recorded productions available to viewers at home — so you can now get cosy on your lounge, put your feet up and pretend you're at the theatre. Shows will stream for free via NT's YouTube channel, with a different performance available each week. Each production will launch on a Friday morning, Australian and New Zealand time, then be available to stream for seven days. It all kicks off with Richard Bean's One Man, Two Guvnors starring James Corden, who won a Tony Award for his performance in the production's 2012 Broadway run. Catch it from 5am AEST on Friday, April 3 (7pm UK time on Thursday, April 2). Then, head back on April 10 for Sally Cookson's stage adaptation of Charlotte Brontë's Jane Eyre, journey to Bryony Lavery's version of Robert Louis Stevenson's Treasure Island on April 17 and enjoy William Shakespeare's Twelfth Night on April 24. On May 1, one of National Theatre's biggest and best shows will drop: its stripped-back version of Mary Shelley's Frankenstein, as directed by Trainspotting and Yesterday's Danny Boyle, and starring Benedict Cumberbatch and Jonny Lee Miller. When the production was performed live back in 2011, Cumberbatch and Miller swapped roles each night, alternating between playing Victor Frankenstein and his revived creation — and both versions are hitting the NT's YouTube Channel. After that, on May 7, comes more Shakespeare: Antony & Cleopatra, featuring Ralph Fiennes and Sophie Okonedo as the fated titular couple. Then, when May 14 rolls around, viewers can check out a never-bef0re-seen archival recording of Inua Ellam's Barber Shop Chronicles. Fans of classic American plays and fantastic actors can look forward to A Streetcar Named Desire from May 21 — with none other than Gillian Anderson as Blanche DuBois, alongside Ben Foster and Vanessa Kirby. On May 28, James Graham's This House will hit YouTube, while June 4 sees Tom Hiddleston join forces with the Bard for a performance of Coriolanus. Keep an eye on the National Theatre at Home website, too, because more productions are likely to be added afterwards. https://www.youtube.com/watch?v=Uh9_EdHDsV4 Top images: A Streetcar Named Desire, Johan Persson. Frankenstein, 2011, photo by Catherine Ashmore. Jane Eyre, 2015, Manuel Harlan. One Man, Two Guvnors by Bean, Author - Richard Bean, Director - Nicholas Hytner, Designer - Mark Thompson, Lighting - Mark Henderson, The National Theatre, 2011, Credit: Johan Persson. Updated May 9.
When bushfires raged across Australia over the spring of 2019 and the summer of 2019–20, the Hunter Valley's wine community was among the areas affected. Due to smoke from the blazes, huge hordes of grapes can no longer be used for their original winemaking purpose — so distillery Archie Rose is getting experimental and salvaging more than 50 tonnes as part of a new spirit range. The first of the series' three products is eau de vie Hunter Valley Shiraz Spirit, which is made from smoke-tainted Hunter Valley 2020 shiraz and cabernet sauvignon grapes. Clear, colourless and fruity, it's described by the company as having "notes of shortbread, icing sugar and vine leaves" — as well as hints of pineapple, guava and honeydew. Expect to taste mango, raspberry jam, crème fraîche and wafers, too, plus a slight suggestion of campfire. When you're sipping a glass, you'll be aiding Archie Rose's efforts to help Hunter Valley producers and growers, especially those with team members and and families affected by crop and income write-offs due to the fires. As well as receiving support themselves, Tulloch Wines and First Creek Wines worked with the folks at Archie Rose to identify eight smaller growers in need of assistance — particularly in the Pokolbin, Broke Fordwich and Upper Hunter sub-regions. On sale from Monday, May 25 from the Archie Rose Bar in Rosebery, Sydney, bottle shops and the company's website, 1000 bottles of the Hunter Valley Shiraz Spirit are available — in 700-millilitre sizes, for $99. Archie Rose has also suggested a range of cocktail recipes using the Hunter Valley Shiraz Spirit, so prepare to pair it with oat milk in the 'Milk & Honey' and with grapefruit in 'The Pokolbin'. Also in the works is a Hunter Valley Shiraz Brandy, using the salvaged smoke-tainted grapes — however, given that the spirit will need to be aged, it'll be available in future years. Archie Rose's Hunter Valley Shiraz Spirit goes on sale on Monday, May 25 from the Archie Rose Bar in Rosebery, Sydney, bottle shops and the company's website, with pre-orders currently available online.
No matter who's starring in them, when and where they're set, and whether they're showing on the big or small screen, romantic comedies love telling tales about trying to hold onto a good thing. Two people meet, fall for each other — whether immediately or eventually — and do whatever it takes to enjoy their romantic bliss: that's it, that's the familiar rom-com formula. It's a setup that TV series Starstruck has been both adhering to and unpacking over the past two years, too, thanks to its glorious first season in 2021 and just-as-wonderful second run in 2022. And, because HBO knows that it should also hold onto a good thing, the Rose Matafeo-starring show has just been renewed for a third season. Instantly one of the best of new shows of last year — and already one of the best returning series of this year — Starstruck will continue its take on a trusty rom-com storyline over a third batch of episodes. That premise: falling for a stranger who happens to be a famous actor, then trying to make that fairy tale relationship work. And yes, Matafeo — who stars, writes and created the series — well and truly knows that Notting Hill got there first. She plays Jessie, a New Zealander in her lates twenties who's living in London and, when the show begins, is splitting her time between working in a cinema and nannying. Jessie (Matafeo, Baby Done) also isn't expecting much when her best friend and roommate Kate (Emma Sidi, Pls Like) drags her out to a bar on New Year's Eve. For most of the evening, that lack of enthusiasm proves accurate — but then she meets Tom (Nikesh Patel, Four Weddings and a Funeral). That night, she ends up back at his sprawling flat, only to realise the next morning that he's one of the world's biggest movie stars. In what's proven a wonderful showcase for Matafeo — and a savvily smart exploration of rom-com tropes as well, embracing and subverting them as needed — both Starstruck's first and second seasons have followed what happens next for Jessie and Tom. Obviously, their attempts to hold onto a good thing haven't flowed smoothly. Nodding to romantic comedies such as The Graduate, Love Actually and Bridget Jones' Diary has also come with the territory, amusingly, affectionately and astutely so. Announcing the renewal, Matafeo said "a third? Sure. Fine. I'm truly thrilled to bring this incredibly talented cast back for a third instalment, and equally excited to clamber into the director's seat alongside my nice friend Alice Snedden, who I cannot seem to get rid of." Matafeo co-writes Starstruck with fellow comedians Alice Snedden and Nic Sampson — and, yes, Matafeo and Snedden will also direct the third season. Exactly when the new episodes will arrive hasn't yet been revealed, but the turnaround between season one and two was quick. When they do drop, expect to see them Down Under via ABC iView in Australia and TVNZ OnDemand in New Zealand. In the interim, check out the trailer for Starstruck's second season below: Starstruck will return for a third season, with a release date yet to be announced. Starstruck's first and second seasons are available to stream in Australia via ABC iView and in New Zealand via TVNZ OnDemand. Read our full review of Starstruck's first season — and our full review of its second season, too. Images: Mark Johnson/HBO Max.
For the inner bookworm in all of us, French designer and inventor Oscar Lhermitte has come up with a way to make torn, dog-eared pages a thing of the past. By rethinking the traditional bookmark, the Albatros is a simple yet functional product which will help keep your novel in pristine condition. Made from polyester and long lasting adhesive, the nifty structure and shape of Lhermitte’s invention follows your reading without the hassle of fumbling around with pages. The days of frustratingly forgetting your page number in a novel may be over. Currently available on IndieGoGo, you can pre-order a set of 6 for $10.
When Zach Braff announced he was making a follow-up to Garden State, there were mixed reactions. While the 2004 film was a landmark for quirky coming of age stories, the manic pixie dream girl and alternative tweens "finding themselves", time has not been kind to it. Yelling into the infinite abyss inevitably seems a bit more heavy-handed than meaningful these days, and yes, Natalie Portman, everyone has heard of The Shins now. Regardless, the (sort of) sequel is happening and its first inevitably twee trailer is here. Wish I Was Here tells the tale of a struggling thirtysomething actor who homeschools his two children out of financial necessity. You won't squeeze more plot than that out of the trailer, but what we can conclude is that the film will feature meaningful slow motion frontal shots, people looking impossibly magical underwater, another infinite abyss and more music from The Shins. Braff has constantly pointed out that the film isn't a direct sequel to Garden State, but more a continuation in theme and tone — a fact made pretty evident from the cringeworthy first line: "You can pick whatever [wig] you want. Just as long as it's unique and amazing... like you." The trailer comes just under a year after the controversial Kickstarter campaign that funded the film. Instead of teaming up with willing production companies, Braff opted to try his hand at crowdfunding. Though the project was wildly successful — garnering over $3 million — the filmmaker came under harsh scrutiny for taking advantage of his loyal fans. Despite the backlash, Braff claimed it was a necessary measure to retain creative control over his sophomore endeavour. Time will tell if those millions were worth it. Reviews from Wish I Was Here's Sundance premiere were less than kind, but the film won't see a general release in the US until July 18. At the very least, Braff will enjoy a ticket sale from each ex-Garden State devotee. Myself included.
Jumpers for Goalposts is a romantic comedy set in a queer community sports league in Hull. The theatre at Red Stitch has been done up as a suitably dingy graffitied locker room. The cast have cracked out their best Yorkshire accents. Pink soccer jerseys have been made. Coach Viv (Red Stitch regular Kate Cole), having parted from her former team the Lesbian Rovers, is trying to prove herself with a new gang of misfits called Barely Athletic. There's dumpster diving silly hat wearing busker Beardy (Ray Chong Nee), nervous aspiring coach Danny (Johnathan Peck), the even more nervous and totally un-sporty boy from the library who's only been invited because Danny wants to hook up with him (Rory Kelly), and Joe (Paul Denny), Viv's depressed straight brother-in-law, who she's roped in to get him out of the house. Following the familiar lines of both the rom com and the underdog sports drama, the play doesn't offer too many surprises. The team has its ups and downs, and so does their love in the locker room. The central romance is sweet and well-written and there are bittersweet moments aplenty in a show about celebrating small victories. In case you hadn't already picked it up from the same-sex romances, Red Stitch goes to great pains to establish that this is a queer show — from blasting you with 'Karma Chameleon' as you take your seats, to serenading you with 'I Am What I Am' as you walk out. The script, by quickly rising young British playwright Tom Wells, however generally avoids cliché and plays for slice-of-life realism. As a sports drama it seems well observed. Leastways, the sense of excessive drama and stress over nothing lines up with how your Concrete Playground correspondent remembers sport being. As a queer theatre piece, it hits some goals and misses others. While the league is described as being an LGBTI league, the focus of the play is firmly on the letter G. Viv, the only female character, while strongly acted by Cole, is mostly defined by her relentless bossiness. References to the other teams in the league, such as the lesbian team or "Tranny United" are most often used as punchlines. Maybe it's just because men of whatever sexuality playing sport are such a heavily travelled dramatic ground but these other teams often seemed more intriguing than the one on stage. As a romantic comedy though, Jumpers for Goalposts succeeds, being both funny and affecting. Its depiction of relationships is honest, both in showing their emotive and problematic aspects and in demonstrating how hurdles to love can be overcome with communication and respect. As such, it is ahead of many works in this genre, in that it offers something meaningful to say about how to make relationships work.
Over the course of seven episodes, during one of the most-watched Netflix series of 2020, Beth Harmon (Anya Taylor-Joy) did many things. As a child (as played by Isla Johnston), she discovered an affinity for chess. As a teenager, she savvily turned that talent into a career, hopped around America and the world showing off her skills in fierce tournaments, exceeded everyone's expectations in a male-dominated arena, and battled with her personal struggles along the way. As Beth moved pawns, studied strategies and enjoyed more than a few drinks, she didn't sing about her feelings, though. Soon, in theatres, that'll change. Yes, following in the footsteps of everything from Heathers and Moulin Rouge! to Charlie and the Chocolate Factory and Shrek, The Queen's Gambit is set to make the leap from the screen to the stage. Just announced by US production company Level Forward, The Queen's Gambit musical is slated to become a reality, with the organisation obtaining the rights to turn the novel behind the show — as penned by Walter Tevis and first printed in 1983 — into a theatre performance. It'll join the Alanis Morissette-inspired Jagged Little Pill and the 2019 Broadway revival of Oklahoma! on Level Forward's resume; however, specific details about what the chess-fuelled song-and-dance show will entail remain scarce at this early stage. https://twitter.com/queensgambitbwy/status/1369014644560588806 So, just who'll star in the musical, which creatives will be behind it, how closely it'll resemble the Golden Globe-winning streaming series, which songs will feature, and when and where it'll premiere are all yet to be revealed. So is any news on whether it'll make the trip Down Under — although folks in Melbourne, Brisbane, Perth and Adelaide can look forward to the 2021 season of completely unrelated Chess the Musical in the interim. In a statement, Level Forward CEO Adrienne Becker and producer Julia Dunetz said "it is a privilege for Level Forward to lead the charge of bringing The Queen's Gambit to the stage through the beloved and enduring craft of musical theatre," reports Variety. "Told through a brave and fresh point of view, audiences are already sharing in the friendship and fortitude of the story's inspiring women who energise and sustain Beth Harmon's journey and ultimate triumph. The story is a siren call amidst our contemporary struggles for gender and racial equity, and we're looking forward to moving the project forward." Obviously, a musical version of The Queen's Gambit will need to include singing and dancing chess pieces moving around on the ceiling. That just goes with the territory. If you need a reminder why — or, if you haven't seen the series, a few clues about why the program has become such a hit — check out the Netflix miniseries trailer below: https://www.youtube.com/watch?v=CDrieqwSdgI The Queen's Gambit musical doesn't yet have a premiere date — we'll update you with further details when they're announced. Via Variety. Top image: Netflix.
Based on acclaimed author Jo Nesbo's novel, and from the producers of The Girl With The Dragon Tattoo, Headhunters tells the story of Roger Brown (Askel Henni), a charming villain whose life is turned upside down through greed. Introduced as Norway's most successful headhunter, Roger seems to have it all, married to gorgeous gallery owner Diana (Synnøve Macody Lund) and living lavishly. However, his penchant for art theft leaves him in a dangerous position. At a gallery opening Roger is introduced to Dutchman Clas Greve (Nikolaj Coster-Waldau), a former mercenary who is in possession of one of the most sought-after paintings in modern art history. As Roger starts planning his biggest hit ever in order to become financially independent, he uncovers a secret which which takes him on a whirlwind series of events from society's financial and industrial elite to an underworld of contract killers and swindlers. Summit recently obtained the rights to make a US version of Headhunters, and Mark Wahlberg recently gave the film a huge tick of approval on internet site ShortList. We recommend you watch this Norwegian original before it falls in the hands of Hollywood. To win one of ten double passes to see Headhunters, just make sure you are subscribed to Concrete Playground then email your name and postal address through to hello@concreteplayground.com.au
Unofficial Bridgerton balls have already popped up in Australia, but now it's time for the real thing: The Queen's Ball: A Bridgerton Experience, which comes with the backing of Netflix and Shondaland. After bringing regency-era vibes to Los Angeles, Washington DC, Chicago, Atlanta, Minneapolis, Denver and New York in the US, and also to Toronto and Montreal in Canada, the event is finally letting Down Under fans unleash their inner duke and duchess. For a month between Friday, May 24–Sunday, June 23, Melbourne will be doubling for London high society in the early 1800s, in The Queen's Ball: A Bridgerton Experience's exclusive Aussie stop. Step inside Fever Exhibitions Hall on Dawson Street in Brunswick and you'll feel like you're stepping back in time — or into the huge Netflix hit series, at least. Lady Whistledown aficionados will be able to head along every Friday, Saturday and Sunday evening to promenade around an immersive setup where a string quartet will be playing live tunes inspired by the show, dancers will accompany the music and live theatrical performances will keep you entertained. You'll also go for a spin in the ballroom yourself at the afterparty. Before then, you'll also hit up Madame Delacroix's modiste and an underground painting studio, then visit with the queen. Actors in period costumes will be wandering around, helping to set the mood — and yes, if you'd like to dress to fit the occasion, and the series, that's obviously heartily encouraged. The drinks list, including cocktails, will be Bridgerton-themed. While your sips aren't included in your ticket, a full bar will be available, as will snacks such as chips and lollies to purchase. Tickets for The Queen's Ball: A Bridgerton Experience will be available via presales from 6pm AEST on Monday, April 29 and general sales from 6pm AEST on Tuesday, April 30. The event unleashes its lavishness just after the show's third season arrives, with the first four episodes dropping on Thursday, May 16, then the next four on Thursday, June 13.
If you've ever found yourself slumped in front of your laptop on a weeknight, neutralising an endless stream of utility bills, a steaming plate of veggies in your lap and making a mental note to take the bins out, you know you're officially an adult. You also know that it officially sucks. While adults deal with climate change, busy trains, body odour and junk mail, kids get all the good stuff. They get velcro shoes, officially sanctioned daytime naps, Saturday morning cartoons and sugary cereal you just can't stomach as well with a mature digestive system. Sure, adulthood has its perks (like espresso martinis and personal liberty) but sometimes you just want to get away from it all and fall down the rabbit hole into a simpler time. Thankfully there are ways to relive the glory days of our youth and be overwhelmed with childlike wonder again. We've teamed up with American Express to help you with those moments when you've officially had it with the whole adult thing. Let's journey through Melbourne's best outlets for tapping into that uninhibited glee of childhood (with the benefit of an American Express® Card and some hard-earned adult privileges). Got yourself in another dining situation and need some guidance? Whatever it is, we know a place. Visit The Shortlist and we'll sort you out.
Goodbye traffic, hello impressive views while zooming around Brisbane: within the next decade, that might become a reality. Yes, it sounds like something out of a futuristic movie. Yes, it'd help you ditch the dreaded peak-hour crawl. And yes, there is indeed a plan to bring self-flying taxis to the Queensland city's skies — and within the next decade. As every Brisbanite knows and won't be able to forget in their lifetimes, Brissie is hosting the 2032 Olympic Games — news that was announced exactly a year ago, in fact. As a result, the city is set to get a whole lot busier, and there'll be plenty of people trying to get from point A to point B during the huge event itself. One potential solution: those automated aerial taxis. Back in June, southeast Queensland's Council of Mayors signed a Memorandum of Understanding with Wisk Aero, which has been developing all-electric self-flying air taxis in the US. It's now setting up an Australian base, and working with SEQ's Council of Mayors with a hope to introducing "safe, sustainable and scalable autonomous air taxi services" to the region. Exactly where those taxis could fly from and to, how often and what it'd cost haven't been finalised or revealed yet, obviously, with the arrangement still in the planning phase. Brisbane Lord Mayor Adrian Schrinner said that the world expects "to see the emergence of advanced air technology in places like Singapore, Paris and Los Angeles, and by 2032, I'd love to see it supporting new and innovative experiences for tourism and travel right here in southeast Queensland." "While there's still plenty of work to do around regulation and safety, the prospect of having autonomous air taxis operating throughout our region and between venues during the Brisbane 2032 Games is really exciting," Schrinner continued. Wisk Aero was created in 2019 as a joint venture between aviation companies Boeing and Kitty Hawk — and the latter has been exploring the self-flying air taxi space since 2010. In 2017, it tested and successfully flew an autonomous aircraft designed for passenger use in America. Kitty Hawk, which is supported by Google co-founder Larry Page, also did some testing in New Zealand in 2017 and 2018. Uber was also flirting with the same space via Uber Elevate, with plans to test flying taxis in Melbourne in 2020; however, the company was sold to Joby Aviation that year. In southeast Queensland, KFC has been trialling delivering chicken by drones — so people taking to the air to get around town was always the likely next step. For more information about Wisk Aero and the plans to bring self-flying taxis to southeast Queensland, head to the Wisk Aero and Council of Mayors websites.
They're taking the hobbits to Isengard at The Astor Theatre this winter, with one movie marathon to rule them all. Round up the Fellowship, stock up on lembas bread for sustenance and hide your finest pipe-weed from the Southfarthing for one sitting of all three of Peter Jackson's beloved OG Tolkien film adaptations. Kicking off with The Fellowship of the Ring and ending with The Return of the King (with The Two Towers in the middle, of course), this cave troll of a marathon clocks in at over nine hours plus intermissions — with the journey starting at 1pm on Saturday, July 23. If you make it through breakfast and second breakfast to the final handful of endings, you can pat yourself on the back and smash a ringwraith screech at the nearest person on your way home (note: do not actually screech at people). Tickets are the precious and come in at $35 for the whole ordeal. And, you'll be watching all three films in remastered 4K versions of their original cuts — so expect to see Middle Earth in more detail than you've seen in before. https://www.youtube.com/watch?v=z_WZxJpHzEE
No one likes leaving their pet at home when they go on holiday. No one loves moving interstate with them flying in the cargo hold, either. A solution might be on the way, however, with Virgin Australia announcing its intention to allow small dogs and cats in the cabins of its aircraft — as long as it gets the regulatory tick of approval to do so. At present, all pets except authorised service and assistance dogs can't join humans while they're soaring through the skies. Instead, they fly underneath amid the luggage. But everyone who shares their life with a pooch or mouser knows that they want to do everything that people can do. In fact, they think they're people. Here's one way they'll be able to, ideally within 12 months. If it is signed off by the aviation powers that be, this will be the first time that an airline in Australia has allowed pets in its cabins. There will be rules, of course, including the fact that only small dogs and cats will be permitted, that the option will only be available on selected domestic routes and that pets will have to stay in a Virgin Australia-approved pet carrier under the seat in front of you for the whole flight. There'll also be designated rows for folks travelling with pets — which mightn't suit your cat if it isn't fond of dogs, or vice versa. And, if you're dreaming of your pupper or feline sitting on your lap or walking around the cabin, that obviously won't be allowed either. On the ground before you hop on the plane, then once you disembark, your pet will need to stay in its carrier as well, other than at the relief areas that will be part of Virgin's terminals. There's no word yet which routes will soon allow four-legged friends for company, or how much bringing them onboard might cost — but there will be a fee. The current arrangement with service and assistance animals will continue, so they'll still be permitted to travel in the cabin without an extra cost. Virgin Australia also will still transport pets in the cargo hold. "We expect the pets in cabin concept will prove a popular offering and we look forward to working with Virgin Australia to make it a reality," said Melbourne Airport CEO Lorie Argus. Tell your pet to pack their suitcase — and start asking them about their dream interstate holiday. Virgin Australia hopes to allow small dogs and cats in its cabins on select domestic flights within the next 12 months. We'll update you when more details are announced. For more information about Virgin Australia's current pet policies in the interim, head to the airline's website. Images: Alex Coppel.
Inside a revitalised 1907 heritage bank, Fargo and Co has established itself as a go-to inner-city spot for a quick drink after work or a leisurely weekend wind-down session. Thankfully, you won't have to overdraw your account to enjoy a good time here, as the Richmond venue is known for opening up the vault and offering some killer deals. Every Saturday and Sunday, you can enjoy a windfall of bellini during Fargo's beloved bottomless brunch for $65 a head. With bagel towers, a build-your-own bellini bar and music all brunch long, it's hard to go wrong with a mid-morning meal at Fargo. Should brunch not be on your radar, the bar also hosts Luxe Thursdays, where evening diners on the penultimate weeknight can tuck into freshly shucked oysters for just two bucks each, plus $8 prosecco and roving caviar bumps. If the weather is less than ideal, nab a spot indoors beside the sleek art deco-style bar. But when the sun is shining, you'll want to soak it up on the rooftop terrace. Appears in: The Best Bottomless Brunches in Melbourne for 2023
Queen Victoria Market's sheds weren't able to host their famed soirees for much of 2020, with Melbourne's lockdowns hitting pause on the usual roster of weekly night markets and food festivals. But, after a four-week return during the festive season, the historic site is gearing up to deliver its next post-pandemic nighttime outing. Melbourne, get set for the multicultural delights of Food Truck Stop once again. Kicking off on February 3, and running across five Wednesday nights, the pop-up promises to fill your belly while sating a few of those international travel cravings. A rotation of the city's best-loved food trucks will be slinging their wares — think, goat curry and smashed samosas from Two Fat Indians; Nem N' Nem Viet signatures like noodle bowls and bao buns; and finger-lickin' wings and short ribs cooked low and slow by Bigger Than Texas BBQ. Most of the lineup has been to QVM before, but there will be a first-timer, so get ready to feast on lobster rolls, salt and pepper calamari and tempura-battered fish and chips from Twisted Fisherman, too. In true QVM style, the globe-trotting eats will be backed by a great lineup of libations, with The Beer Garden pouring an all-Victorian menu featuring Melbourne Gin Company cocktails, beers by Brick Lane Brewing, Coldstream ciders and a range of vino courtesy of Mitchelton Wines. Head on by from 5–10pm, with Food Truck Stop happening until Wednesday, March 3.
Australians, if a trip across the ditch ranks high on your wish list, the New Zealand Government has delivered some great news: across the first half of 2022, the country will start reopening its borders to international travellers. Earlier in 2021, Aotearoa and Australia had a brief international travel bubble, which allowed Aussies and Kiwis to fly back and forth between the two countries without quarantine. It was then put in pause in July after COVID-19 outbreaks in Australia — and that suspension was extended following outbreaks in New Zealand. But, in a press conference on Wednesday, November 24, NZ COVID-19 Response Minister Chris Hipkins announced that the country's international travel restrictions are set to lift in January — beginning with vaccinated New Zealanders and those who hold NZ visas early next year. From Monday, January 17 NZ time, folks who fall into those categories will be able to re-enter NZ without quarantining in NZ's managed isolation and quarantine (MIQ) facilities — although a seven-day stint in self-isolation will be required. That move will then be extended to vaccinated travellers from other countries, including Australia, across a three-step process. Here's how it's going to work: STEP ONE From Monday, January 17 next year, double-vaccinated New Zealanders and other eligible travellers (such as visa holders) will be able to return to New Zealand from Australia, without a two week stay in MIQ facilities. This means Kiwis can travel to Australia, however briefly, and avoid MIQ on their return. However, they'll need to self-isolate for seven days after returning to Aotearoa, and must provide a final negative test before entering the community. STEP TWO From Monday, February 14 next year, double-vaccinated New Zealanders and other eligible travellers (such as visa holders) will be able to return to New Zealand from all other countries — not just Australia — and also avoid an MIQ stay, except after travelling to countries deemed "very high risk". The same safety precautions as above will need to be taken: they'll need to self-isolate for seven days and must provide a final negative test before entering the community. STEP THREE From Saturday, April 30, all other double-vaccinated international travellers will able to enter the country, without an MIQ stay. This might be staggered on visa levels, Hipkins added during his press conference. The requirement to self-isolate and provide testing upon return will be assessed during this period, but it's expected this will be probably be in place throughout May. So, it isn't time to go packing your suitcases for a NZ getaway just yet, but it will be soon — and just in time for ski season (if you're already thinking about your winter plans). Since the beginning of November, double-vaxxed Australians have been permitted to leave our shores for overseas holidays; however, exactly where you can head obviously depends on travel restrictions in other countries. More information about NZ's international travel three-step plan and Hipkins' full statement can be found on the New Zealand Government website. To find out more about the status of COVID-19 in Australia, head to the Australian Government Department of Health's website.
Director Takashi Miike transports us back in time — not only into the cruelly executed hierarchy of the 17th century samurai but also into Japanese cinema's Golden Age. His expressive tale of solitary heroism moves with an arthouse patience and poise, and the violence is deeply affecting, rather than for effect. In this respect, Hara-Kiri: Death of a Samurai represents a departure from the spectacularly bloody epics for which Miike is known, such as 13 Assassins and Audition. This should come as no surprise, though, for those intimately acquainted with the prolific Japanese director's work, which includes at least 70 productions. His filmmaking has never been confined to creativity-crunching limitations — he's dabbled with comedy, children's films and period drama. A story-within-a-story structure propels the narrative. Hanshiro (Ebizo Ichikawa), an out-of-work samurai, seeks permission from the House of Li to commit seppuku (honourable self-disembowelment). Suspicious that Hanshiro might be another in a line of poverty-stricken warriors who have been attempting "suicide bluffs" for financial gain, the feudal lord, Kageyu (Koji Yakusho) regales him with the tale of Motome (Eita). A young man who came seeking a few coins to save his dying family, Motome was forced to self-disembowel on a bamboo sword, having already sold his own. What Kageyu does not realise is that Motome and Hanshiro knew each other well. Hanshiro is on a mission to avenge Li's lack of humanity and expose the lie beneath the front of "honour", which enables the condemnation of the lower classes to unemployment, sickness and death. Miike does not hold back in his critique of sadism. Putting aside broad-brush depictions of bloodletting, he reaches his viewers through specific experiences and emotional investment in character. Motome's horrendously slow suicide is depicted so viscerally, it's not easy to keep your eyes on the screen. As his increasing physical and mental agony is mirrored by the gradual snapping of his pathetic bamboo sword into impossibly blunt pieces, the feudal authorities seem to have no limits on their capacity for brutality. Cinematographically, Hara-Kiri inhabits a shadowy world. Symmetrically positioned characters and 17th-century architecture frame the drama. Contrast is subtle, rather than extreme, achieved through the natural rhythms of day and night and the passing of the seasons — bursts of spring sunshine, fiery autumn leaves and silent snow showers — intensified by Ryuichi Sakamoto's restrained yet haunting score. Hara-Kiri: Death of a Samurai is one of Miike's finest, saddest and most important films. It's a brave depiction of a brutal world whose romantic mythology has often curtained a pitiless and unjust reality. https://youtube.com/watch?v=R-sp6Xw0jJU
Vivid Sydney is no stranger to lights. In each year's program — including with 2023's set-to-dazzle lineup, complete with Lightscape in the Royal Botanic Garden Sydney — filling the Harbour City with luminous installations is one of the citywide arts festival's main aims. Whether you're a local or a visitor, a wander around town in June involves stunning radiant sights awaiting at every turn. And this year, that glow will extend down to Wynyard's unused railway tunnels for the first time ever. This is the first time ever that the subterranean spot will be opened to the public, in fact — and turned into a light show beneath the streets. Meet Dark Spectrum, the ticketed installation that's world premiering at Vivid Sydney as a just-announced addition to the 2023 program. We hope you like lasers, secret passageways, bright colours and a one-of-a-kind experience, all on offer from Friday, May 26–Sunday, July 16. A collaboration between Vivid Sydney, Sony Music, Mandylights and Culture Creative, this underground spectacle features eight rooms, all heroing a different hue, with the entire setup inspired by raves and their dance floors. They're each meant to mimic the human experience through life, too, as helped by robotics, visual technology and a pulsating electronic dance music soundtrack. Accordingly, Dark Spectrum will take attendees through rooms themed around separation, constriction, pressure and the unseen, then spaces that are all about reflection, the unfamiliar and connection. The last one? It serves up an end with a revelation — which will obviously need to be experienced rather than explained. Vivid Sydney has given a few hints about what's in store, though. In Construction, 150 LED pipes will hang from the roof, while Pressure will feature 50 archways covered in lights and mirrors — and make Wynyard's tunnels look like a never-ending tunnel. Or, there's Interaction, a sea of hanging string lights and illuminated plants that respond to movement, which takes its cues from Avatar. "We're thrilled to announce this world-first experience for Vivid Sydney 2023. Dark Spectrum is a perfect fit for this year's festival theme, exploring the intersection between human emotions, our natural environment and the urban landscape and relics of Sydney's industrial past," said Vivid Sydney Festival Director Gill Minervini. "Diving beneath the surface of what is now one of the city's busiest railway lines, Dark Spectrum is a truly mesmerising and engaging experience for visitors to explore Sydney in a whole new way. I am excited we get to shine a light on unknown spaces across the city". After its Sydney debut, Dark Spectrum will tour the world — so for folks outside of the Harbour City who can't make it along during Vivid, cross your fingers that it next comes your way. Vivid Sydney 2023 will run from Friday, May 26–Saturday, June 17. For further information and tickets — including to Dark Spectrum from Friday, May 26–Sunday, July 16 — head to the event's website.
Christian Thompson is one of the most celebrated contemporary Indigenous artists working today, and Ritual Intimacy represents the first major survey of the artist's extensive and diverse works. Through photography, video, sculpture, performance and sound, he explores notions of identity, race and history, often placing these themes against the backdrop of the Australian environment. Thompson's prodigious talents were recognised from an early age with his early career spent at the side of world-renowned artist Marina Abramovic, who became his mentor. Later, Thompson was accepted into Oxford University, making him one of the first Indigenous Australians to study at the institution in its 900-year history. Taking place at Monash University Museum of Art (MUMA), Ritual Intimacy features a never-before-seen major commission, while also highlighting Thompson's continued exploration of musical works centred around Indigenous language. The exhibition will be on display until July 8. Image: Christian Thompson: Ritual Intimacy installation at Monash University Museum of Art, shot by Andrew Curtis.
Admit it: you spend a lot of time thinking about doughnuts these days. Of course, whether you like doughnuts is entirely beside the point — this fair city makes sure that no matter where you are and what you're doing, you have some sort of deep-fried dough-based dumpling of sweet, sweet sugar in and around your mouth (and thoughts) at all times. However, this over-saturation of the hot, sugar-crumbed dough ring market has reared some hefty competition in the d-nut economy. Ask any self respecting corporate strategist and they'll tell you, "when things donut go as planned, diversify, diversify, diversify!". This is where Juanita Peaches comes into the picture. From the regal bunch that reign over the vast food truck pride lands of Melbourne and the dough lovers that thought up All Day Donuts, comes ALL NIGHT CHICKEN. Except it's called Juanita Peaches and they only serve chicken for a set amount of time at night on a select few days a week. Juanita is certainly not your standard lass, with a logo that resembles the sort of tattoo you might acquire from a trip you don't remember to Surfer's Paradise. But all in all, she's got the goods, and she's worth trying. With a small menu on offer, the fried chicken — crispy on the outside and juicy in the middle — definitely tops the list of things to order at this establishment. The burros were a little on the dry side but still tasty, and with a lick of hot sauce, all ills are remedied. All the usual sides are at the party too, including chips and a zingy slaw to cut through that chicken grease. Raph Rashid, the man behind it all, makes sure that Juanita still has a few doughnuts set aside to satiate those that come for the savoury delights, but still have a sweet tooth. The drinks on offer, while minimal, complement the fried bird and burros perfectly. So, jump on the 19 tram and head to Brunswick. You'll find Juanita Peaches just off the well-beaten path of Sydney Road, emitting a radiant glow that only comes from searingly hot vats of oil. Images: Julia Sansone
Greek, Italian, Spanish — if you've got a soft spot for Mediterranean eats, chances are you're an olive oil tragic. The folks at That's Amore sure are, and they're putting on a full-blown olive oil festival to celebrate the first of the new-season oil. Head along to the cheese producer's Thomastown digs from 10am–3pm on Sunday, May 2, and you can pay homage to this globally adored ingredient. On the bill: a day of olive oil tastings, live production demos and, of course, a whole lotta eating. The kitchen will be dishing up a special menu starring That's Amore cheese and Kyneton Olive Oil, including the cult-favourite four formaggi gnocchi which comes tossed in a 40-kilogram wheel of cheese. You'll browse market stalls from the likes of Imbue Distillery and Lello Pasta, sip cocktails and listen to Siesta Cartel's smooth Italian sounds. And, you'll hit the Cannoleria cart for dessert, of course. There are a couple of different ticket prices, so you have options. The $10 general admission will get you entry and your choice of menu item, while a $40 ticket also includes a feast of gnocchi, pasta e fagioli, Italian sausage, focaccia and a cheeky cannolo.
If you're looking to bring some Danish-inspired design into your home, look no further than Curious Grace. With Scandi furniture pieces from designers like Henrik Pederson, Jakob Berg and Normann Copenhagen, you're bound to find a chair, cushion or cup that'll bring more hygge to your home. You'll obviously need to try before you buy, and the Clifton Hill showroom is the perfect place to sample all the cosy offerings. Spend the morning surrounded by soft throws and velvet fringed cushions before taking your new furniture home to continue your new life of hygge. Curious Grace also stocks a range of beautiful lamps, perfect to create a cosy ambience in your living room.
Keeping your coffee at a drinkable temperature — in between keeping your boss off your back, doing chores and checking Facebook — can be a challenge. One minute, the stuff's suitably hot, straight out of the office coffee machine or your barista's hands; the next, it's a lukewarm milky soup. You're not the the only person in the world who experiences this problem. That's why Ember, which describes itself as a "design-led temperature control brand", has come up with a mug that keeps your beverage at the optimum temperature (70 degrees celsius) from first sip to last. Simply called the Ember Ceramic Mug, the vessel achieves this morning miracle via a convection current. Within the mug are elements with the power to both heat and cool. When hot liquid rises to the top, it is cooled until it starts to fall, causing warmer liquid to then rise and be cooled in turn. Once the tech was worked out, Ember joined forces with Ammunition, a design company based in San Francisco, to make sure the result looked good. Together, they came up with a classic-looking white mug — the only visibly techy thing about it is a small LED light. A charging coaster and an app are included. The latter allows you set the temperature remotely, preset temperatures for various drinks and swap between celsius and fahrenheit. At the moment Ember isn't shipping to Australia, although we have seen a few floating around on eBay.
Residents of Melbourne, Brisbane, Perth and Adelaide, if you were looking forward to watching a Channing Tatum-starring movie about male strippers jump into real life right in front of your eyes, we have bad news. After the pandemic delayed Magic Mike Live's Sydney season, then interrupted its Melbourne run, the stage show has completely scrapped the rest of its Australian tour — so, if you haven't already, you won't be seeing it IRL anytime soon. In 2012, when the world discovered all things Magic Mike — and that it was based on Tatum's own experiences working in the field — everyone was a little sceptical. But the film boasts a great director in Steven Soderbergh, and a cast that also includes Matthew Bomer, Joe Manganiello, Olivia Munn, Riley Keough and peak McConnaissance-era Matthew McConaughey. Also, it's great. Alongside 2015 sequel Magic Mike XXL, the franchise takes a smart and sensitive look at men chasing the American Dream by taking off their clothes, with Tatum successfully turning what could've been a forgettable chapter of his pre-fame life into a hit big-screen series, and — unsurprisingly — then bringing it back to the stage. Yes, Magic Mike was always going to return to where it all began. As seen in Las Vegas, London and Berlin, Magic Mike Live sees real-life male dancers strip up a storm for eager audiences. And, in Australia, it has been doing so in a 600-seat spiegeltent called The Arcadia — but the struggles of dealing with the pandemic has seen the show's organisers call it quits on the Aussie tour. "Everyone at Magic Mike Live is heartbroken to have to make this decision but we have been left with no choice," said Executive Producer Vincent Marini in a statement. "After enduring four lockdowns and millions of dollars in refunds and cancellations, we simply can't sustain a tour that has no opportunity to perform. Our performers, crew, management team and local industry partners in Australia have constantly amazed us with their talent, dedication, and resiliency. Their hard work combined with the truly heart-warming reception we received from audiences in Sydney and Melbourne, make us hopeful that we can someday return to Australia and finish what we started." Accordingly, the remainder of the show's Melbourne season will no longer go ahead when the city gets out of its sixth lockdown — and stints in Brisbane, Perth and Adelaide have been totally scrapped. Magic Mike Live was due to head to Brisbane in November, then move on to Perth and Adelaide throughout 2022. Fingers crossed that the show will eventually plan another Aussie run, with the cancellation seeing it join a lengthy list of live productions affected by the pandemic so far. Hamilton's long-awaited Australian premiere season is currently on hiatus in Sydney due to the NSW capital's ongoing lockdown, and Jagged Little Pill the Musical has postponed its planned 2021 Australian debut until yet-to-be-announced new dates, for instance. Also, Tony-winning musical The Phantom of the Opera has pushed back its Aussie seasons until 2022 and Moulin Rouge! The Musical didn't make its local bow in mid-August as slated — although the latter will hopefully hit the stage in Melbourne after lockdown lifts. Magic Mike Live will no longer be resuming its Melbourne season, or heading to Brisbane, Perth or Adelaide. For more information, visit the show's website. Images: Peter Brew-Bevan.
There's only one way to escape — and we mean really escape — in today's continuously connected world, and that's travelling far beyond the reach of text messages, emails, Facebook notifications and the stresses of modern life. The good news is, you don't have to go all the way to the depths of the Simpson Desert to do it. Right here in Victoria — within a couple hours' drive of Melbourne — you can find calming cabins, picturesque glamping spots and rustic farmhouses that are entirely off the grid. We've put our heads together and curated a list of the very best weekend escapes in regional Victoria. Next time you want to unplug and disconnect for the weekend, head along to one of these beauties. From pristine beaches and bountiful wine regions to alpine hideaways and bustling country towns, Australia has a wealth of places to explore at any time of year. We've partnered with Tourism Australia to help you plan your road trips, weekend detours and summer getaways so that when you're ready to hit the road you can Holiday Here This Year. While regional holidays within Victoria will be allowed from May 31, some of the places mentioned below may still be closed due to COVID-19 restrictions. Please check websites before making any plans. SHELTERED GLAMPING CO., PHILLIP ISLAND If your ideal getaway involves sun, sand and surf, then make tracks to the Sheltered Glamping Co. on Phillip Island. Here, you can choose from one of seven tents, all fitted with spacious beds, handcrafted furniture, cosy blankets, comfy seating and Bluetooth speakers, among other decadent touches. To stay within walking distance of an unspoilt beach and next to a solar tree — way more photogenic than a normal tree — book Gentoo or Adelie. Alternatively, to gaze at ocean vistas from your bed, sleepover in Fiordland or dive into extra space and ultimate luxury in Emperor Safari. UNYOKED, VARIOUS LOCATIONS Founded by twins Cam and Chris Grant back in early 2017, Unyoked's tiny houses have been in high demand since the outset. Each is in a secret location in the Victorian wilderness, a long way from any human interference. Expect to be surrounded by exquisite scenery, walking trails and wildlife. But, that doesn't mean you'll be going without your creature comforts. Specifically designed for Unyoked, each solar-powered, sustainably built house comes with a snug bed, hot shower, kitchen appliances, firewood, coffee, milk, granola and towels. And the best news? Since there are six within two hours' drive of the Melbourne CBD, escaping has never been easier. SHACKY, VICTORIAN HIGH COUNTRY AND YARRA VALLEY Shacky are pint-sized, solar-powered dwellings situated on picturesque private properties, surrounded by stunning countryside and absolutely no mobile reception. In other words, stay at one of these and you'll have no choice but to switch off. That way, you can focus on what matters — lazing about in a queen-sized bed, finding total relaxation under a high-pressure shower and, on cold nights, snuggling up next to a pot-bellied stove. Should you feel peckish, your hosts — who live on the property, but well out of sight — will organise a feast of local produce. There are just three properties so far; one on an olive grove in the Victorian High Country, another on a cattle farm in the Yarra Valley, and one located in 100 acres of bushland in the Grampians. YARRANUNGARA YURT RETREAT, KING VALLEY Take a journey to Mongolia without leaving Victoria at Yarranungara Yurt Retreat. Set among 100 acres of red gum forest, bordering the King River with sweeping views of Brangie Dam, this eco-friendly handcrafted Mongolian yurt is a secluded getaway in the heart of the High Country. The yurt is equipped with all the creature comforts — including plush bedding, an ensuite equipped with luxe toiletries, a red gum breakfast bar, fridge and gas flatplate barbecue — so you don't have to go without. Spend time stargazing beside the chiminea on the deck or reading a book as you gently swing in a hammock, totally isolated, not a building or other guest in sight. If you're keen to get out and about, you can bushwalk to nearby waterfalls, rivers and swimming holes or take a short drive and sample the gourmet food and wine of the King Valley region. Lovingly referred to as Little Italy by some, this area is renowned for producing high-calibre Italian-style wines, including prosecco, nebbiolo, sangiovese and pinot grigio — take a bottle back to the yurt to savour as the sun sets. BLUETONGUE BERRIES, SEYMOUR Keen to retreat but still need a little human contact? Book yourself a stay at Bluetongue Berries. This 20-acre organic blueberry farm near Seymour is a 90-minute drive north of Melbourne and a self-sufficient paradise, powered by a hybrid wind and solar system. You'll be sleeping in one of two buildings: The Hacienda, a strawbale dwelling designed to cool and heat passively, or The Casita, the farm's original weatherboard house that looks directly over the blueberry orchard. There's also an on-site cantina, where you can tuck into hearty fare and catch live music sessions on Sundays. Whether you're planning to travel for a couple of nights or a couple of weeks, Holiday Here This Year and you'll be supporting Australian businesses while you explore the best of our country's diverse landscapes and attractions. Top image: Unyoked by Luisa Brimble.
Feeling flush? For the first time ever, cashed-up travellers can now book out an entire hotel through Airbnb, for the tidy sum of $15,000. That hotel being the newly opened Little Albion Guest House — a luxurious 35-room operation in the heart of Surry Hills. Launching officially this week, the one-of-a-kind guest house is out to shake-up the luxury travel game, pitched as a fusion of hotel and home. The idea here is to team the comfort of a hotel, with the familiarity and laidback nature of an Airbnb stay. It's the first hotel in the world that can be booked out in its entirety via the app. If you don't have the expendable cash to book out the whole thing, you can also rent out individual rooms in the hotel, which start at around $150 per night. The Little Albion Guest House is the work of boutique accommodation group 8Hotels and talented designer Connie Alessi, and it has designer interiors, a covetable art collection, a rooftop garden complete with an outdoor shower and panoramic city views, and an honour-system bar, where guests can help themselves to high-end nibbles and drinks. There'll also be a team of hosts — headed by Surry Hills local Wendy Morris — on hand at all hours to help out with everything from charging cables to local gym recommendations. It's the latest boutique hotel to join Surry Hills' ever-growing collection, which also includes the newly open Paramount House Hotel. Find Little Albion Guest House at 21 Little Albion Street, Surry Hills
In typical style of owner, bartender and artist Matt Bax, Bar Americano is doing things a little differently. This Negroni Week, the cocktail bar has been working on a special fermented Negroni Sbagliato in anticipation for the 100 year Negroni celebration. It has been aged for months and uses Champagne in addition to gin, so will be served as a typical Champagne cocktail. The rare drop will be available for a limited time, and a portion of the profits will go to OzHarvest. In addition to the special fermented Negroni Sbagiato you can still get your hands on the bar's range of batched negroni (in 200ml and 500ml bottles) which will still make a contribution to the charity donation. Campari has also donated some Negroni pins for the event, with all the proceeds going directly to Oz Harvest. Bar Americano's stand only venue has limited space, so get in early so you don't miss out.
It's the moment that many a price-conscious Australian fashionista has been hoping for — the opening of our very own H&M. Yes, right here, Down Under, we'll soon be able to indulge in the highly trendy yet easy-on-the-budget range that shoppers across five continents have been enjoying for seasons. The store, to be launched during the first few months of 2014, will be occupying a space in Melbourne's illustrious 150-year-old GPO building. With 5,000 square metres of area and three floors, it will be a full concept flagship number, as well as one of the most expansive H&M shops to be found anywhere on the planet. What's that sound I hear? Your bank account heaving an enormous sigh? "We are very excited to announce that we will be opening the first H&M store in Melbourne, Australia during 2014," commented Hans Andersson, country manager for H&M Australia. "We look forward to bringing fashion and quality at the best price to Australian customers." Watch this space for more launch news.
It's only been a few months since Polyester Records closed their CBD store, but we're already feeling the withdrawls. Where else are we supposed to go while killing time before a coffee date? As Flinders Lane makes its final transformation into a Bonsoy latte and Pieface dispensary, where can we turn for quality vinyl, books and CDs? Luckily Polyester Records still has its smaller Fitzroy store, but now they need your help to make it great. Polyester have long been champions of the local music scene. Hosting a series of live in-store gigs, their CBD store was always buzzing with the latest talent. Now they want to replicate that energy in their Brunswick Street abode. Though the store's been standing for 30 years now, it's always been too small to accommodate such events and they've launched a Pozible campaign to help crowdfund the renovation. As you can see, the store's already a tight fit — you'd be hard-pressed to fit a drum kit beside the bulky vinyl shelves let alone a whole band and audience. So, with a target set at $12,000, co-owners Simon Karis and Nathan Nott are planning to build new compact racks for the LPs, create a smaller sales counter and move it to the front of the store, then set up an appropriate performance space down the back. "Times have been really tough for us — and all record stores," Karis recently told Tone Deaf. "We definitely don’t just want to come off us as ‘hey, poor us’ and ‘give us money’. We want turn the money into something we can all share." As always, pledgers to the Pozible campaign will get a few perks of their own. Mid-range rewards include Polyester Records' t-shirts, vouchers and CD prize packs. Some big spenders have already snapped up the iconic neon smoking man sign and original screen-printed posters, but if you spend more than $1,000 you can commission your very own oil painting from Melbourne artist Tracy Ellerton! That being said, the main prize will be what you're getting back from the store. Think of your donation as a down-payment on those free gigs you'll be getting. This is a store who got Best Coast to perform an all-ages, in-store gig. They're pretty unlikely to let you down. The Pozible campaign ends Monday, July 21. Head over here to read more and make your pledge.
Opening a bar six weeks before a global pandemic forces the mass closure of the country's hospitality venues isn't ideal. But, The Thornbury Fromagerie did just that — and, thanks to the generosity of locals, it's managing to survive. A first-time venue for husband-and-wife team Tassos Dermetzoglou and Olivia Ientile, The Thornbury Fromagerie launched as a dine-in cheese and wine bar, but it quickly had to adapt when COVID-19 hit. "Closing our dine-in experience meant we had to accelerate the launch of our online store," Ientile said in a statement. The shop now offers same-day delivery to the surrounding suburbs every weekday, and, according to the owners, it's been a hit. "What is really touching are the personal messages customers are leaving not only for the gift recipients but also for us," Ientile said. "Words of encouragement, thanking us for providing this service and promising to be the first in line when we can reopen safely." The cheese menu, created in collaboration with Matt Steele of Cornelius Cheese, is conveniently split into goat, white mould, washed rind, semi-hard and hard, and blue. There's lemon myrtle-spiked goat milk chèvre from the Adelaide Hills, a creamy washed-rind number from Époisses in Burgundy, an Oregon blue cheese that's been smoked over hazelnut shells and even cheese made with whiskey. On the wine side of things, French-born sommelier Christian Maier has pulled together a list of drops from across Australia, Italy and France, including a pét-nat from Victoria and a WA skin-contact pinot grigio. Also on the drinks lineup: StrangeLove's sodas. We'd highly recommend grabbing a four-pack of the yuzu flavour. The Thornbury Fromagerie is located at 666 High Street, Thornbury. It's currently offering same-day delivery to Thornbury, Northcote, Fairfield, Preston and surrounding suburbs from Monday–Friday. Images: Kali & Ko
It's not everyday that you hear the words 1000 litre pool, inner-city backyard and theatrical garments uttered in the same sentence. Yet this is exactly what artist Meg Cowell does. Inspired by the forgotten pieces of clothing strewn about the footpath from somebody’s big night, she set about recreating these pieces of women's clothing (with the addition of couture). She did this through the use of a pool of water to allow buoyancy and an unusual method of display. They end up as illuminated pieces of fabric, which exist in blackness, with only a hint of the water that they are floating within remaining. The result is ghost-like, and the viewer is left with a tactile and emotive image. The pieces of fabric end up looking as if they are “inhabited” by bodies, with movement being created by carefully arranging the clothing with balloons, and being sewn into place. The yellow bustle Girclee print Lens Mist in particular took a few days to position before it was able to be photographed with such a long exposure. While shooting this series, Cowell, who graduated with honours in photography from the University of Tasmania in 2007, had to overcome the difficulties of photographing fabrics in water in her small inner-city backyard. She says this is because the “water adds its own organic force and shifts the fabric in ways that are impossible to control. Because of this, each shot takes about a week to make.” She was “constantly up and down the scaffolding manipulating a collar or adjusting a piece of lace to be "just so". There was “also a certain aspect of mischief in my productions as many of the hired garments are 'dry clean only'," says Cowell cheekily. This added an “element of drama to my process, especially as the owners took my credit card details as bond against damage. My methods for getting around this involve a hair dryer, tissue paper and a pair of straitening irons.” Which are hardly the usual concerns for the average photographer. But luckily it paid off and no bonds were lost. See more of Meg Cowell's photography on her website. Her exhibition, To the Surface, opens at Sydney's Dickerson Gallery opens on July 24 and runs to August 15.
Was The Queen's Gambit on repeat in your Netflix queue? Were you engrossed in the chess scandals of 2022? Well, get ready to immerse yourself in a world of monochromatism at the Blanc Noir festival, coming to Chadstone – The Fashion Capital. Adding to Chadstone's retail, dining and entertainment offerings — including its new precinct The Social Quarter — Blanc Noir presents yet another reason to visit the shopping mecca. Running for a limited time only, Blanc Noir will feature cabaret acts, magic, street theatre and interactive performances. Take a stroll through the black and white precinct to partake in a game of giant chess — and be in with a chance to win a Chadstone gift card — or attend the interactive shows created exclusively for Chadstone. Two after-dark performances will be hosted on Fridays and Saturdays: The Curious Game and Chess Cabaret. The Curious Game promises an imaginative and humorous production where the world of fairy tales and chess collide. You'll find The Curious Game at 4.30pm and 6.30pm on Fridays and Saturdays. Chess Cabaret will showcase dynamic physical theatre, magic and circus acts that will keep you on the edge of your seat. It has showings at 3.30pm, 5.30pm and 7.30pm on Fridays and Saturdays. Keen to keep your kids entertained during the school holidays? Chadstone is hosting a free school holiday program called Chess Mates as part of Blanc Noir. It features chess-inspired arts and crafts, whimsical performances, games and dance. There are sessions at 10am, 12pm and 2pm daily with an extra class at 4.00pm on Thursdays and Sundays. So whether you're looking for something different, something for your kids during the school holidays or an energetic and exciting circus act, put Blanc Noir in your diaries. Blanc Noir at Chadstone – The Fashion Capital runs from Saturday, April 8 until Sunday, April 23. For further details on the events in the schedule, head to the Chadstone website.
In a couple of months, when it's time to see how 101 Dalmatians' Cruella De Vil came to be such a villain, moviegoers will have two choices. When the end of May hits, you'll be able to see the Emma Stone-starring Cruella on the big screen — or you'll be able to sit on your couch, jump onto Disney+, pay an extra fee and check it out from home. More of a Marvel kind of film fan? Been looking forward to Black Widow, which was originally supposed to release in cinemas last April but has been delayed several times due to the pandemic? You'll have the same pair of options when that flick releases in July, too — a couple of months later than was last slated, but still in the very near future. Disney has announced that the two big movies will go the same route as Raya and the Last Dragon, which made its way to cinemas and Disney+ at the same time at the beginning of this month. The news is hardly surprising, given that theatres in different parts of the world are at different stages of reopening — or, in some cases, still closed. Indeed, after over a year of holding off from making move with Black Widow, the Mouse House just might be setting the template for its releases moving forward. So, you can expect to see Cruella in cinemas on Thursday, May 27 and on Disney+ the next day, on Friday, May 28. As for Black Widow, it'll hit the silver screen on Thursday, July 8 and then become available to stream on Friday, July 9. Because neither film will be included in your regular Disney+ subscription, just how much extra you'll pay to watch them at home hasn't been revealed — but Raya and the Last Dragon costs $34.99 on top of your monthly or annual fee, so that's a good guide. https://www.youtube.com/watch?v=gmRKv7n2If8 If you'd been looking forward to Pixar's next flick, the Italian-set Luca, you'll also be able to watch that at home from Friday, June 18. In this case, though, it's completely bypassing cinemas, and it won't cost you anything extra to see on Disney+. The animation studio's last movie, the gorgeous and moving Soul, did the same last Christmas — so again, this isn't unexpected in the slightest. Last year, Disney moved Pixar's Onward to streaming when cinemas started closing, then did the same with the terrible Artemis Fowl, the phenomenal filmed version of Hamilton and the visually impressive live-action Mulan, too — so yes, this is becoming a trend. Recognising that viewers want choice when it comes to watching big-name new-release movies was always bound to happen, of course, but the pandemic has certainly sped up the process. https://www.youtube.com/watch?v=YdAIBlPVe9s Cruella will release in cinemas Down Under on Thursday, May 27 and on Disney+ on Friday, May 28. Black Widow will hit the big screen on Thursday, July 8 and then become available to stream on Friday, July 9. And Luca will hit Disney+ on Friday, June 18. Top images: Black Widow, photo by Jay Maidment. © Marvel Studios 2021. All Rights Reserved / Cruella, photo by Laurie Sparham. © 2021 Disney Enterprises Inc. All Rights Reserved.
Been spending the first few months of 2022 pondering the future? That's only natural whenever a new year hits, especially a couple of years into a pandemic. Over the coming weeks, however, you might want to look to the skies as well — and feast your eyes on the night sky. Across the second half of April each year, the Lyrids Meteor Shower sets the sky ablaze. This year, it's doing just that from April 14–30. It might not be as famous as Halley's Comet, but it's still very impressive. Plus, rather than only being visible every 75 years (the next Halley's Comet sighting is in 2061), you can catch the Lyrids annually. In 2022, the Lyrids will be at its most spectacular over Friday, April 22 and Saturday, April 23. For folks located Down Under, you'll want to peer upwards early on the Saturday morning. Here's how to catch a glimpse from your backyard. [caption id="attachment_767783" align="alignnone" width="1920"] jpstanley via Flickr.[/caption] WHAT IS IT The Lyrids Meteor Shower is named after constellation Lyra, which is where the meteor shower appears to come from near star Vega, and is created by debris from comet Thatcher. While the comet, which takes about 415 years to orbit around the sun, won't be visible from Earth again until 2276, the Lyrids can be seen every autumn between around April 14–30. So, you can even pencil it in for next year. It's also the oldest recorded meteor shower, so there's that, too. On average, you can see up to 18 meteors per hour, but the Lyrids are also known to have outbursts of nearly 100 meteors per hour. So, while no outburst is predicted for 2022, you could get lucky. WHEN TO SEE IT In Australia, the shower will reach a peak in the early morning of Saturday, April 23 according to Time and Date, but will still able to be seen either side of those dates between Thursday, April 14–Saturday, April 30. The best time to catch an eyeful is just before dawn after the moon has set, so around 4am. At that time, you'll be in the running to see meteors moving at about 177,000 kilometres per hour, shining extraordinarily brightly and leaving a long wake. The shower's cause is, essentially, the Earth getting in the comet's way, causing stardust to fry up in the atmosphere. HOW TO SEE IT When a meteor shower lights up the sky, getting as far away from light pollution as possible is the best way to get a prime view. If you can't do that, you can still take a gander from your backyard or balcony. To help locate the Lyrids, we recommend downloading the Sky Map app — it's the easiest way to navigate the night sky (and is a lot of fun to use even on a non-meteor shower night). If you're more into specifics, Time and Date also have a table that shows the direction and altitude of the Lyrids. The site updates these details daily. The one caveat: the weather. If showers or cloud pop up, they could present problems in terms of visibility. So, keep an eye on the forecast if you're making plans to head to a prime viewing location. Top image: Mike Lewinski via Flickr.
It’s no secret that Melbourne’s street art scene is becoming one of the most prominent in the world. This top five collection is a shout out to the ladies whose work is whimsical, eye catching, and utterly awesome. Miso One of Australia’s leading ladies in street art, Miso made a name for herself with her distinct style of imagery. Her drawn works have been displayed on the streets and in art galleries around the world, and she shares a studio with her partner and fellow street artist Ghostpatrol. Her work often depicts pensive women and cityscapes. Miso also often uses a subdued colour palette with intricate patterns or cut-out details. She is about to have an exhibition in October at Blackwoods Gallery, which you can check out here. Vexta Vexta is another big name in street art, who is also displaying her insane talent on streets and galleries all over the globe. Often her work will include neon-coloured diamonds and triangles that often depict motion (a trail of colourful sparks behind flying people) or emotion (tears descending from a skulls empty eye sockets). Recurrent imagery includes mutated creatures, flying nymphlike people, skulls, and skeletons making out with each other. Ultimately it is the vibrancy of her work that is her trademark. Chase the neon rainbow to her current exhibition — a group show at MARS Gallery called Psychedelic Daze. Baby Guerilla If you’ve seen paste-ups of people flying around the Brunswick/Footscray area, chances are you have come across a piece by Baby Guerilla. These black and white illustrations are soaring all over Melbourne, with images of people either holding onto each others arms or ankles as they float above passers by. Baby Guerilla’s work is reminiscent of the children in Peter Pan who fly off to Neverland, giving the viewer a sense of adventure and whimsy. We had a chat to Baby Guerilla a while ago if you’re keen to know more. Kaff-eine If you like your street art vibrant, a bit child like, but also slightly morbid at the same time, then Kaff-eine is your girl. One of Kaff-eine’s most reoccurring images is of semi or completely naked women with dear skulls as heads and hoofs for feet. Also keep an eye out for her drawings and paintings of bunny kids, horses/deers/unicorns, and other mythical creatures. You can find Kaff-eine’s work anywhere from abandoned buildings to children’s books, and she is currently preparing to embark on her first international painting trip. Be Free Be Free’s images of young girls captures an innocence that makes her work instantly recognisable around Melbourne. The girls are often playing with, or surrounded by, playing cards either stuck to the walls or the ground around them. Sometimes they are adorned with colourful paint splatters, other times a red scarf or red stripy socks add a splash of colour. Either way they’re cute, feminine, liberating and lovely to stumble upon. Honorable mentions This list is barely scratching the surface of talented female street artists Melbourne has to offer. We recommend checking out the work of Klara, Suki, Precious Little, Doctor, Fresh Chop, and Shi Buffalo if you want to see more!
