"I find that it takes a while for people to return to themselves after the film." For anyone who's seen The Stranger, writer/director Thomas M Wright's observations might sound like an understatement. For those who haven't yet watched the actor-turned-filmmaker's second feature behind the lens, after 2018's Adam Cullen biopic Acute Misfortune, it may come across the same way. In Australia in particular, the fact that the Joel Edgerton- (Thirteen Lives) and Sean Harris (Spencer)-starring crime-thriller is based on the 2003 abduction and murder of Queensland schoolboy Daniel Morcombe has garnered attention. The Stranger takes its cues from that monstrous real-life case, adapting Kate Kyriacou's non-fiction book The Sting: The Undercover Operation That Caught Daniel Morcombe's Killer; however, it doesn't recreate the crime. It also doesn't depict the victim, or refer to him by name. Everyone has been fictionalised, and there's no violence in the film. Instead, it tracks the enormous police effort to capture a culprit using a criminal gang as a ruse, in what's known as the 'Mr Big' technique. Edgerton plays the incognito cop tasked with befriending the suspect, while Harris is relentlessly perturbing in the latter part. It was Edgerton, also The Stranger's producer, who optioned Kyriacou's text, saw Acute Misfortune and proposed the feature to Wright. The director was initially reluctant, but sticking to the above stipulations was the only way that he could approach the picture, and was willing to. "Those decisions about a complete unwillingness to represent any violence, to represent the victim, to represent those that cared for them — and to centre the film on a fictionalised version of a police operation like the one used in that particular case — those aren't thin acknowledgements," Wright explains. "They're deeply layered considerations that've been placed at the centre of the entire film." In every second, The Stranger feels as carefully and meticulously constructed as Wright's framework suggests — and, by design, dictates. It also feels not just tense but tough, as it should given the story it's interrogating. Debuting at the 2022 Cannes Film Festival, the feature received a seven-minute standing ovation. Now, it plays Aussie cinemas from October 6 before reaching audiences globally via Netflix on October 19. "It's an undeniably different experience," Wright notes of watching The Stranger at home versus on the big screen. "It's an intensely discomforting and very powerful film to invite into your home. For the two hours that the film lasts, I think it will take people into a completely different mindset, into a different psychological realm," he continues, while chatting us through making a movie that's both unshakeably potent and personal. ON WORKING OUT THE BEST APPROACH TO A HORRIFIC REAL-LIFE CASE "Kate Kyriacou's book The Sting, which Joel had optioned, is a non-fiction work of investigative journalism about that specific case. It goes into personal details about the victim, those affected, the other suspects — and I felt that I had no right to represent the victim, that any attempt to represent them would only diminish them and all of their infinite possibilities, and that I couldn't presume to know anything about what that family and those who cared for him went through. So early on, the initial terms for me were: there'll be no representation of the victim of any sort, there'll be no representation of the people who cared for them, there'll be no violence whatsoever in this film. There's an unconscionable way of making this film. There's a morally unforgivable way of making this film. It would not be difficult to create tension in a film about the physical vulnerability of a child, and I wasn't interested to use that space, which is sacred to those real people, for the ease of making a film. So I began to think about these strangers, and that stranger of the title could refer to the perpetrator and that archetypal fear of the stranger in our society — but actually we are a society of strangers. It could also refer to the victim, to their family. Or, to that central figure and all those undercover operatives in the film whose real names we never learn. Or, to all those nameless people, the detectives and searchers at the end of the film who provide resolution for those strangers for them, that family and the victims who've they've never met. It clearly became to me this idea of connection as a society, and of empathy, as the gravity that is going to bind film together. At the time that I was writing it, I live in the inner north in Melbourne, it's where I grew up, it's where my family lives, and there were a whole series of murders of women by strangers, by people they've never met. And it shook the entire foundation of the society — and every state and territory has their own version of these cases that totally shift our perception of safety and of the social contract. They make it feel like a lie or something weak, and it had such an effect on the community down there. It was an outpouring of empathy. And these are just the cases also that have created headlines and achieved large police commitments, and where there has been public recognition. There are so many people out there, and so many crimes that take place, where there is none of that. We still have a woman a week dying of incidences of domestic violence in Australia, and many of those victims go unacknowledged. Of course, I'm not setting out to make a public service announcement in this film, but there are individuals who have to be the first person there, and who give years of their lives, and their mental and physical health, to trying to resolve those incidences of violence." ON FINDING PERSONAL REASONS TO MAKE THE FILM "When we began work on the film, I told everybody that I worked with that I wanted them to find their own reason for making this film — and I wanted them to find a personal reason to make this film. I do think it was a very personal film for all of us who worked on it. Joel said the other day that it was the quietest set he has ever worked on. It was a very tense set because of the seriousness of the material that we're dealing with, and the moral responsibility we felt, and the focus it required of us. For me, it absorbed every waking and dreaming moment of my life for three years, and I felt a tremendous moral responsibility to get it right and make something that we could all stand behind — and that didn't let any of my collaborators down. I'm not talking about the Academy Award-winning producers. I'm talking about the sound recordist and production designer and assistant editors, and everyone with whom you make a film. And also because of the presence my son in the film, because I wrote it for my son to portray Joel's son in the film. In the process of filming, Joel found out that he was going to be a father. That made it intensely personal and emotional for him also, and I watched it change him and shift his entire being. Both Joel and Sean were transformed by the process of making this film. Sean's wife actually saw the film after we'd finished and said that there was nothing of him left in that character, that he was completely absent. She didn't recognise him, and I think she found that really overwhelming and very powerful. I can attest to that as the person that was there beside them the entire time — this was a tense, difficult film to make that just took those central cast, and I include here Jada Alberts in particular, into a place where they really weren't their selves anymore." ON MAKING THE FILM PERSONAL FOR AUDIENCES "Cinema has always been a collective experience, and when films really work, we're simultaneously aware that they're a shared experience but they're also deeply personal. This film, for people who respond to it — obviously not for everybody — gets itself into a very personal place. I think it does that by making itself physical and physically felt. That's why breath was such a key part of the film to me. I wanted to begin with something that made an audience active, even in the most subtle, underlying way, because every part of the film asks that the audience be active in that physical, subjective experience of what Mark [Joel Edgerton's character] is going through. You're trying to tune people to the frequency of the film, to the psyche of the people working on this kind of case. There's a hyper-alertness. It's a film partly about trauma more generally — a film about the fact that those of us who reach adulthood, we come into the world and at some point in time we become aware of the darkness and the unknowable things within it. We have to find a way to be able to reconcile that and continue to move forward and find meaning, because the thing about violence is that it threatens to strip things of their meaning. It renders things meaningless. So you're dealing with a hyper-alert psychology. It's certainly something that we were actively trying to encourage in the audience. When you set out to make a film, you are trying to show people something they haven't seen before, to get them to feel something they haven't seen before — and, to relate to the film in a different way while understanding it's part of an impossibly deep lineage of stories, and these kinds of modalities of storytelling that are well-established now in cinema." ON AUSTRALIA'S OBSESSION WITH CRIME STORIES — AND STANDING OUT "Even though the film is part of a strong lineage of Australian crime cinema, I just think it sits outside a lot of that work in its intentions. A lot of these kind of films are more realist depictions of people, and head toward a kind of final emphatic act of violence, which often takes place off-screen. That's certainly the case in Snowtown. It's the case in Nitram. It's the case in a film like The Boys. Even though the reason for The Stranger is violence, it's not its subject… It begins in the aftermath of that violence. It's an attempt to make meaning and to reconcile the after-effects of violence on individuals and by extension on society. I think there's a reason that that this genre and these ideas are so prevalent in Australian thinking. It's certainly not limited to Australian film. When you look at our most prominent authors — Richard Flanagan, Chloe Hooper, Helen Garner, Tim Winton, Patrick White — this is a subject that has been grappled with. And in our visual art, and in our music. We return to it over and over again. I think that has to do with an unreconciled relationship to violence in this country, a landscape that has been marked by violence, and that we know that. We can intuit it, but for the main, we don't have a way to unpack that — and it remains there, unresolved." The Stranger releases in Australian cinemas on October 6, then streams via Netflix from October 19. Read our full review.
With winter on our doorstep, you've likely got a few hearty cook-ups and comfort food sessions in mind. And some fresh kitchen gear wouldn't go astray, right? Well, local cooking whizzes are in luck, because famed French cookware label Le Creuset is hosting a huge Melbourne warehouse sale this weekend. Taking over Melbourne Showgrounds' Agricultural Hall on Saturday, June 1, it'll feature a whole heap of bargains, with up to 70 percent off across a sprawling range of high-quality stoneware, stainless steel pots, toughened non-stick pans, cast iron cookware and wine accessories. Le Creuset's colourful pieces don't usually come cheap — but they do last a lifetime — so this is an opportunity not to miss. The sale only lasts for one day, kicking off at 9am, so if you want to score some kitchen bargains, you might want to forego that Saturday sleep-in. It's also a cash-free event, so be sure to bring your plastic. Le Creuset Melbourne Warehouse Sale runs from 9am–5pm.
Brisbane's hyped-up and Island-signed foursome The Cairos are about to embark on a national tour that you cannot afford to miss but certainly can afford to attend. Immediately following a national support slot for Sydney big timers The Holidays, the triple j Unearthed-winning newbies to Island Records are taking their celebrated sound across the country with their own headliner tour. The Brissy lads are keeping the motor running off the back of releasing their brand new debut album Dream of Reason. Tracks 'Desire' and 'We All Buy Stars' just scream "hear me live" and if the feedback coming out of their recent Asia tour is anything to go by, this is going to be one of the most justified sub $30 spends this year (now you can't even use budget-related gripes as an excuse to not go). Plus they just got a new keyboard. Now you're really obliged to head along. Make sure to get there early as Chinese psych band Nova Heart kicks things off. Seems Beijing psychedelia proves a perfect support pairing ahead of the Brisbane up-and-comers, so pop in early for a crispy Ding Dong bevvy and a fully-fledged bliss out. https://youtube.com/watch?v=LAsjO3UIUsY
Awareness of one's surroundings is paramount while bike riding or jogging. With Chilli Technology's new headphones, you can maintain this awareness while simultaneously listening to music. Conventional headphones project sound directly into the ear by creating air pressure waves, but these "bone conduction" headphones use the cheekbone to transfer auditory signals to the ear. Thus, the ear is left uncovered and susceptible to passing sound. Even amidst traffic, music is still audible. The controls, which contain a volume button as well as an of-and-off button, can be clipped onto clothes. The speakers may be placed over the ears when not riding or running, although the original design does allow for ear comfort and less impact on ear drums. You no longer have to sacrifice your music for safety's sake. https://youtube.com/watch?v=MHkqyGLmhAk [via PSFK]
Your next Australian streaming obsession is on its way — and it's set to tell a story so wild that it can only be true. The tale of Australian cult The Family always falls into that category, as seen in the excellent and supremely creepy 2016 documentary that shares the cult's name, plus the 2019 series The Cult of the Family, both by filmmaker Rosie Jones. Now, the sinister Aussie sect is also providing inspiration for Disney+'s new eight-part series The Clearing, which will hit the service globally in May. First announced in 2022, this new show is a drama and based on a novel — but The Family is clearly an influence. If you're new to these details, then strap yourself in for quite the story. The Family was very real, forming in the 1960s around Melbourne, with charismatic yoga teacher Anne Hamilton-Byrne at its head. A cult run by a woman is already extremely rare, but this tale also includes adopting kids who looked identical, dressing them in matching clothing, claiming that Hamilton-Byrne was a living god and, because that's not enough, a lot of LSD. Police raided the sect's Lake Eildon compound back in 1987, all those children were removed from the property, and Hamilton-Byrne and her husband fled Australia, but were arrested in the US in 1993. There's more to this story, which inspired JP Pomare's book In the Clearing alongside other cults around the world — and that's what The Clearing adapts. The show steps into the fictionalised but still chaotic details by following a woman who starts to confront her nightmarish past to stop a secret cult that's gathering up children to serve its master plan. Unsurprisingly, the mood is tense in the psychological thriller's just-dropped first teaser trailer, which arrives ahead of the series premiering its first two episodes on Wednesday, May 24. Cast-wise, almost every famous Aussie acting name possible is involved, or so it seems, including Teresa Palmer (Ride Like a Girl), Miranda Otto (Wellmania) and Guy Pearce (Mare of Easttown), as well as Claudia Karvan (Bump) and Mark Coles-Smith (Mystery Road: Origin). Also set to appear on-screen: Hazem Shammas (The Twelve), Kate Mulvany (Hunters), Xavier Samuel (Elvis), Anna Lise Phillips (Fires), Harry Greenwood (Wakefield) Erroll Shand (The Justice of Bunny King), Doris Younane (Five Bedrooms), Miah Madden (Dive Club), Julia Savage (Blaze), Gary Sweet (Wentworth), Alicia Gardiner (Offspring), Matt Okine (The Other Guy) and Jeremy Blewitt (The Lost Flowers of Alice Hart), plus Lily La Torre (Run Rabbit Run) and Ras-Samuel Welda'abzgi (Neighbours). We told you it was a hefty list. Behind the lens, Jeffrey Walker (Lambs of God) and Gracie Otto (Seriously Red) are on directing duties, with Elise McCredie (Stateless) and Matt Cameron (Jack Irish) creating and writing The Clearing — with help from co-writer Osamah Sami (Ali's Wedding). And if all of the above information doesn't have you ready to watch ASAP, the trailer will — complete with blonde-haired kids everywhere, Otto at her most unnerving, Palmer looking frantic and a police investigation heating up. Check out the first teaser trailer for The Clearing below: The Clearing will stream via Disney+ from Wednesday, May 24.
Something delightful has been happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=COrqRKMZ2KM&feature=emb_logo EMA Before 2021 comes to an end, Pablo Larraín will have given the world Spencer, a new biopic about Princess Diana featuring Kristen Stewart as the royal figure. Also on his hit list this year: Lisey's Story, a Julianne Moore-starring TV adaptation of a Stephen King book that has been scripted for the screen by the author himself. But with the release of Ema in Australian cinemas, he's already gifting viewers something exceptional. A new project by Larraín is always cause for excitement, and this drama about a reggaeton dancer's crumbling marriage, personal and professional curiosities, and determined quest to become a mother rewards that enthusiasm spectacularly. In fact, it's a stunning piece of cinema, and one that stands out even among the Chilean director's already impressive resume. He's the filmmaker behind stirring political drama No, exacting religious interrogation The Club, poetic biopic Neruda and the astonishing, Natalie Portman-starring Jackie — to name just a few of his movies — so that's no minor feat. For the first time in his career, Larraín peers at life in his homeland today, rather than in the past. And, with his now six-time cinematographer Sergio Armstrong (Tony Manero, Post Mortem), he gazes as intently as he can. Faces and bodies fill Ema's frames, a comment that's true of most movies; however, in both the probing patience it directs its protagonist's way and the kinetic fluidity of its dance sequences, this feature equally stares and surveys. Here, Larraín hones in on the dancer (Mariana Di Girólamo, Much Ado About Nothing) who gives the feature its name. After adopting a child with her choreographer partner Gastón (Gael García Bernal, Mozart in the Jungle), something other than domestic bliss has followed. Following a traumatic incident, and the just as stressful decision to relinquish their boy back to the state's custody, Ema is not only trying but struggling to cope in the aftermath. This isn't a situation she's simply willing to accept, though. Ema, the movie, is many things — and, most potently, it's a portrait of a woman who is willing to make whatever move she needs to, both on the dance floor and in life, to rally against an unforgiving world, grasp her idea of freedom and seize exactly what she wants. Di Girólamo is magnetic, whether she's dancing against a vivid backdrop, staring pensively at the camera or being soaked in neon light. Bernal, one of the director's regulars, perfects a thorny role that ties into the film's interrogation of Chile's class and cultural divides. And Larraín's skill as both a visual- and emotion-driven filmmaker is never in doubt. Indeed, this film's imagery isn't easily forgotten, and neither is its mood, ideas, inimitable protagonist, or stirring exploration of trauma, shock and their impact. Ema opens in Sydney and Melbourne cinemas on May 13, and in Brisbane on May 20. Read our full review. https://www.youtube.com/watch?v=sV6VNNjBkcE THOSE WHO WISH ME DEAD A smokejumper stationed to a Montana watchtower, plagued by past traumas and forced to help a teenage boy evade hired killers, Those Who Wish Me Dead's Hannah Faber actually first debuted on the page. Watching Angelina Jolie bring the whisky-swilling, no-nonsense, one of the boys-type figure to the screen, it's easy to assume otherwise. The part doesn't quite feel as if it was written specifically for the smouldering movie star, though. Rather, it seems like the kind of role that might've been penned with Liam Neeson or Denzel Washington in mind — see: this year's The Marksman for the former, and 2004's Man on Fire for the latter — then flipped, gender-wise, to gift Jolie a new star vehicle. On the one hand, let's be thankful that that's not how this character came about. Kudos to author Michael Koryta, who also co-writes the screenplay here based on his 2016 novel, for conjuring up Hannah to begin with. But on the other hand, it's never a great sign when a female protagonist plays like a grab bag of stock-standard macho hero traits, just dressed up in a shapelier guise. It has been six years since Jolie has stepped into a mere mortal's shoes — since 2015's By the Sea, which she wrote and directed — and she leaves no doubt that Hannah is flesh and blood. There's still an iciness to the firefighter, and she still has the actor's cheekbones and pout, but Maleficent, she isn't. She's bruised, internally, by a fire that got away and left a body count. After hanging out with her colleagues, parachuting out of cars and brooding in her tower, she's soon physically in harm's way as well. As Those Who Wish Me Dead's plot gets her to this juncture, it also cuts back and forth between forensic accountant Owen Casserly (Jake Weber, Midway) and his son Connor (Finn Little, Angel of Mine), plus assassins Patrick and Jack (The Great's Nicholas Hoult and Game of Thrones' Aiden Gillen). Thanks to a treasure trove of incriminating evidence against important people that no one was ever supposed to find, these two duos are on a collision course. When they do cross paths — while Owen is trying to take Connor to stay with Ethan (Jon Bernthal, The Peanut Butter Falcon), his brother-in-law, a sheriff's deputy and one of Hannah's colleagues — it also nudges the boy into the smokejumper's orbit. Read our full review. https://www.youtube.com/watch?v=nuINvoFAnng&t=3s SPIRAL: FROM THE BOOK OF SAW With Spiral: From the Book of Saw, what came first: the decision to call its protagonist Ezekiel, or the casting of Samuel L Jackson as said character's father? Either way, the film's creative team must've felt mighty pleased with themselves; getting the Pulp Fiction actor to utter the name that's been synonymous with his bible-quoting, Quentin Tarantino-penned monologue for more than a quarter-century doesn't happen by accident. What now four-time franchise director Darren Lynn Bousman (Saw II, Saw III and Saw IV) and Jigsaw screenwriters Josh Stolberg and Pete Goldfinger mightn't have realised, though, is just how clumsily this choice comes across. The Saw series has made almost a billion dollars at the worldwide box office, but now it's resorting to winking and nodding to one of its latest stars' past movies. Perhaps Bousman and company didn't notice because almost everything about Spiral feels that forced, awkward, clunky and badly thought-out. Jackson and Chris Rock might gift the long-running franchise a couple of high-profile new faces; however, this ostensible reboot is exactly as derivative as you'd expect of the ninth instalment in a 17-year-old shock- and gore-driven saga. Focusing on a wisecracking, gung-ho, about-to-be-divorced police detective known for exposing his dirty colleagues, Spiral tries to coil the series in a different direction, at least superficially — and pretends to have meaty matters on its mind. Ezekiel 'Zeke' Banks (Rock, The Witches) has been crusading for honesty, integrity, fairness and honour in law enforcement for years. Starting back when his now-retired dad Marcus (Jackson, Death to 2020) was the precinct's chief, he's been vilified by his peers for his efforts. When a killer appears to be targeting rotten cops, too, Zeke is desperate to lead the case. Initially, he just wants to avenge the death of the first victim, one of the only co-workers he called a friend, but he's soon trying to track down a murderer that seems to be following in franchise villain Jigsaw's footsteps. A lone wolf-type not by choice but necessity, Banks also happens to be saddled with a rookie partner (Max Minghella, The Handmaid's Tale) as he attempts to stop the bodies from piling up. Read our full review. https://www.youtube.com/watch?v=sBFvpz_Tlrs&feature=youtu.be THE MAN IN THE HAT Throughout his four-decade-plus career, Ciarán Hinds has appeared in everything from Excalibur and The Phantom of the Opera to There Will Be Blood and Harry Potter and the Deathly Hallows: Part 2 — and in Game of Thrones and First Man as well. But his expressive face never been put to as a great use as it is in The Man in the Hat, which tasks the Irish actor with staying silent for its duration, save for a rare word here and there. As the titular figure, he potters around France in a small Fiat 500. What might've been a leisurely journey just because (its purpose is never explained) becomes somewhat frantic when a car filled with five bald men starts following his every move. The headwear-donning protagonist witnesses them up to no good, drives off quickly and attempts to take the scenic route, but wherever he goes, his pursuers cross his path eventually. That doesn't stop either the eponymous man from whiling away the time on his travels, whether dropping into cafes, helping the people he meets along the way, seeing the sights, having a swim or flirting with a red dress-wearing, bike-riding woman (Sasha Hails, Quiz). Often, the man in the hat simply listens to his short-term companions, including a fellow lonely soul (Stephen Dillane, Mary Shelley) initially spending his time under a bridge and a biker (Maïwenn, DNA) at a makeshift campsite. Written and directed by Oscar-winning Shakespeare in Love composer Stephen Warbeck with TV travelogue veteran John-Paul Davidson (Stephen Fry in America, Brazil with Michael Palin), The Man in the Hat is undeniably slight. It's also doused in the same type of Gallic whimsy that made Amelie a delight to some and an utter chore for others. And, with its jaunty score, episodic antics, smatterings of slapstick, and gorgeous small-town and countryside backdrop, it can play like a fever dream you might have after eating too much cheese, pairing it with a few healthy glasses of wine, making European holiday plans and falling asleep watching great silent comedians from decades ago. None of the above is a bad thing, however, if you're on the film's wavelength. Indeed, surrendering to The Man in the Hat's charms — and appreciating its exacting staging and choreography — happens both quickly and easily. It wouldn't be the same feature without Hinds, though, who adds an enchanting wordless performance that owes a clear debt to Charlie Chaplin, Buster Keaton, Marcel Marceau and Jacques Tati, but is never an act of miming mimicry. https://www.youtube.com/watch?v=O-d92kJUisU CARMILLA Premiering at the Edinburgh International Film Festival back in 2019, Carmilla first reached the screen shortly after Portrait of a Lady on Fire made its maiden appearance at Cannes. It debuted more than 14 months before Ammonite, the other big lesbian period romance of the past two years. But this gothic novella adaptation will always be seen as the lesser of the three recent films. Inspired by Sheridan Le Fanu's 1872 text, Carmilla is indeed another tale of love, lust, repression and the roles that have been enforced upon women for far too long. It takes the restraint that its characters are tasked with displaying a little too firmly to heart, though. While handsomely shot with a keen eye for vivid detail, moody in tone from start to finish, and eagerly savaging society's judgement of female sexual awakening and of sapphic desire, its often feels stilted rather than filled with yearning — and frequently seems as if it's holding a little too much back. Also, although its source material is one of the first works of vampire fiction, hitting the page nearly three decades before Bram Stoker's Dracula, first-time solo writer/director Emily Harris doesn't heartily sink its teeth into that genre, either. There's absolutely nothing wrong with eschewing the supernatural, of course, but a few especially striking images aside, Carmilla's pulse rarely quickens. What this story of passion, seduction, persecution and flouting strict norms does unshakeably possess, however, is memorable and committed performances by its key female cast members — all of whom do their utmost at every turn. Hannah Rae (Fighting with My Family) plays Lara, the cooped-up, constantly lonely daughter of the distant Mr Bauer (Greg Wise, The Crown). When the film commences, she's giddy with excitement about the impending arrival of a fellow teen from a neighbouring town, who's set to join their household for a prolonged sojourn. It'll give her a much-needed reprieve from her stern governess, Miss Fontaine (Jessica Raine, Patrick Melrose), who usually dictates every aspect of her daily routine. The tutor is even determined to train her left-handed pupil to favour her other appendage, all in the name of curing her of her sins. But, when their planned visitor doesn't make the trip, mysterious newcomer Carmilla (Devrim Lingnau, Immortality) earns everyone's attention instead. A victim of a carriage accident with no memory of who she is or why she's in the area, she's like a beacon in the night to the curious and isolated Lara, even as Miss Fontaine endeavours to maintain a close watch. https://www.youtube.com/watch?v=-uiCkL26zfQ FINDING YOU When aspiring violinist Finley Sinclair (Rose Reid, The World We Make) meets acting superstar Beckett Rush (Jedidiah Goodacre, Chilling Adventures of Sabrina) by falling asleep on his shoulder during a flight from New York to Ireland, she definitely isn't just a girl standing in front of a boy asking him to love her. The college exchange student thinks the cinema world's biggest current heartthrob is arrogant, in fact, and likely wouldn't have given him another thought if they didn't end up staying at the same small-town bed and breakfast thanks to pure rom-com logic. No, Finding You doesn't try to hide its Notting Hill-esque concept. Based on the young adult novel There You'll Find Me, it's quite eager to nod in its fellow romantic comedy's direction — and towards as many of the genre's other cliches and tropes as it can find. Even its setting sticks to recent convention; however, it's never as grating and inane as the Scotland-set Then Came You, and doesn't feature a twist as ridiculous as Wild Mountain Thyme. Everything about Finley and Beckett's will-they, won't-they romance plays out as expected, though, other than one key factor. Writer/director Brian Baugh (I'm Not Ashamed) hasn't met a pointless plot development he doesn't need to work into his movie, it seems, so the path to true love here definitely doesn't run smooth. Finley heads to Ireland seeking a change of scenery and a new source of inspiration after failing a big audition, while Beckett makes the trip to shoot the latest instalment of a big blockbuster franchise he's no longer that interested in being in. As they work out their individual issues and inch closer together, the script also tasks her with becoming his acting coach, and sightseeing with him in an attempt to track down a cross sketched by her brother. She also learns a few musical tricks from the boozy town expert (Patrick Bergin, The South Westerlies), and gets caught up in a decades-long scandal surrounding an elderly and cantankerous woman (Vanessa Redgrave, Mrs Lowry and Son) she's assigned to visit for class — while Beckett battles with his manager dad (Tom Everett Scott, 13 Reasons Why) about his future, the tabloid attention and the fake love affair he's supposed to be in with his co-star (Katherine McNamara, The Stand). When Finding You lets its two leads simply spend time together, it benefits from their warm rapport. When it bundles in every complication it can think of, it veers from being blandly predictable to needlessly contrived and convoluted. For whatever misguided reason, Baugh favours the latter over the former, all served up with a soundtrack that couldn't be more stereotypical if it just repeated the word "Ireland" over and over again. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on January 1, January 7, January 14, January 21 and January 28; February 4, February 11, February 18 and February 25; March 4, March 11, March 18 and March 25; and April 1, April 8, April 15, April 22 and April 29; and May 6. You can also read our full reviews of a heap of recent movies, such as Nomadland, Pieces of a Woman, The Dry, Promising Young Woman, Summerland, Ammonite, The Dig, The White Tiger, Only the Animals, Malcolm & Marie, News of the World, High Ground, Earwig and the Witch, The Nest, Assassins, Synchronic, Another Round, Minari, Firestarter — The Story of Bangarra, The Truffle Hunters, The Little Things, Chaos Walking, Raya and the Last Dragon, Max Richter's Sleep, Judas and the Black Messiah, Girls Can't Surf, French Exit, Saint Maud, Godzilla vs Kong, The Painter and the Thief, Nobody, The Father, Willy's Wonderland, Collective, Voyagers, Gunda, Supernova, The Dissident, The United States vs Billie Holiday, First Cow, Wrath of Man, Locked Down and The Perfect Candidate.
If you're hunting down some top-notch plant-based eats this weekend, you'll find a culinary oasis awaiting you at Abbots Yard. From Saturday, August 20–Sunday, August 21 the Abbotsford precinct is set to host its inaugural micro vegan fest, dubbed Wntr Hrvst. Organisers have lined up a tantalising array of plant-based street food vendors, including Future Sushi with their uramaki and nigiri, smoothies and sweet treats by Little Mylkbar, along with conscious comfort food courtesy of Dolly Bus. Glou will be making an appearance on the Sunday, slinging goodies like a roasted cauliflower, fennel and dukkah focaccia, and there'll be a lineup of vegan market stalls to browse, too. Over on the stage, you'll catch a diverse spread of musicians lending their magic to the weekend's soundtrack; from folk-rocker Maddy Petch, to blues act Caisha Sprout, to the electronic-infused sounds of indie folk artist Ere Lo. Meanwhile, the precinct's cutting-edge shipping container cinema will be screening the travelogue TV series from plant-based production company Eating Plants, exploring the benefits of a vegan diet as told by experts from across the globe. Entry is free, though you'll want to RSVP online for either the Saturday or the Sunday. Top Image: Dolly Bus Food Truck.
We've all been there: watching our favourite Studio Ghibli movies, seeing how closely they combine wondrous fantasies and reality, and finding ourselves wondering what things would be like if life actually was that darn magical. Let this cute little clip help satisfy your imagination. Made by Kojer, aka a director in South Korea, it takes all of the Ghibli characters that you know and love, and places them in real-life settings. Think Spirited Away's Chihiro and No-Face on an actual train, My Neighbour Totoro's cute creature in the greenery of a real park, the abode that gives Howl's Moving Castle its name flying above cities, and the titular character from Kiki's Delivery Service floating through non-animated clouds. And yes, it really is as delightful as it sounds. In the absence of any new Studio Ghibli films on the horizon any time soon (although we're still crossing our fingers that their TV show will make it to Australia), it's just the dose of animated enchantment everyone needs. Plus, those keen on seeing just how it was done can also watch two behind-the-scenes videos, one stepping through the techniques used, and the other detailing the actual locations.
When it comes to street art, names don't get any bigger than Banksy. And when it comes to street art exhibitions, a new showcase of the artist's work that's about to make its way around Australia is going huge. This major display of the enigmatic talent's pieces will feature more than 150 artworks — including infinity rooms and simulations that play with some of Banksy's most famous creations. The Art of Banksy: Without Limits will debut in Brisbane from May; however, that's just its first stop. If you're already excited and can't head to the Sunshine State, the exhibition will make future stops in Sydney, Perth, Adelaide and Melbourne, with details still to be announced. A massive collection of pieces by the art world's chief enigma — including the darkly satirical, overtly political work that has turned the stencil-loving artist into such an infamous icon — The Art of Banksy: Without Limits' 150 artworks will include Banksy's certified art, prints on a heap of different materials, plus photos and sculptures as well. For an immersive experience, there'll be installations — physical and digital — as well as murals and mapping shows. One such installation: a simulation of Dismaland Bemusement Park. Another: that mirrored infinity room. Banksy's recent murals in Ukraine will also get a nod, and one space is devoted to the MV Louise Michel, the 30-metre-long high-speed lifeboat funded by Banksy that patrols the Mediterranean to rescue refugees. There will be reproductions of Banksy's works, too, made exclusively for this exhibition. They'll recreate some of the artist's pieces as made with — of course — stencils. The full list of exactly which works will feature hasn't yet been officially revealed either, if you're looking forward to potentially seeing the well-known likes of Flower Thrower, Rude Copper and Girl with Balloon (a version of which was shredded after sale in a highly publicised prank in 2018) — but images of the show's recent stop in Bangkok provide plenty of clues. Everywhere it sets up shop, The Art of Banksy: Without Limits will run daily and take between 45–60 minutes to wander through. And yes, you can snap away for the 'gram while you're there. You can probably exit through the gift shop, or a simulation of one, as well. The Art of Banksy: Without Limits debuts in Brisbane from early May — and we'll update you with details of further city stops when they're announced.
When summer holidays seem like a depressingly distant memory, nothing recharges the soul quite like a couple of days spent exploring the very best of a city — especially when that city is considered the world's most liveable city at that. So, we've teamed up with the folks at DoubleTree by Hilton to curate your ultimate Melbourne weekend getaway. Boasting a top-notch Flinders Street location, right in the heart of all the action, the Melbourne hotel is primed for that hard-earned city escape you've been planning — plus, they'll always welcome you back with a nice, warm 'welcome cookie'. Lose yourself down laneways, feast your way through the city's many multicultural offerings and shop till you're ready to drop, knowing you've got a comfortable home away from home to land yourself at the end of the day — with a spot for a nightcap, if you should feel so inclined, at the hotel's Platform 270. Here's our guide to a cracking Melbourne weekend. START THE DAY AT HIGHER GROUND, CBD As much a feast for the eyes as for the belly, CBD cafe Higher Ground makes its home within a gorgeous, lofty space that once housed the Little Bourke Street power station. Here, award-winning designer touches and exposed brick walls create an elegant backdrop for the kitchen's forward-thinking, artfully designed fare. Pop in for breakfast and a specialty coffee to kick-start a big day of exploring, or swing by after dark to road-test the chic dinner menu on offer Thursday through Sunday. GET YOUR ART FIX AT ROSE STREET MARKETS, FITZROY Each weekend, Fitzroy's Rose Street becomes a shopping hot-spot, playing host to two vibrant weekly markets. On Saturdays and Sundays, hit the Rose Street Artists' Market to find a stellar lineup of local makers showcasing an array of art, fashion, homewares, jewellery and photography, plus an onsite cafe primed for caffeine pit-stops and brunch feeds. Just a few metres down the street there's yet more shopping goodness in store for you at Saturday's Fitzroy Mills Market. This one's got a health and wellness focus, sourcing top produce from local makers and growers — expect treats like quality fruit and veg, desserts, artisan bread, vegan eats and even fare for your four-legged friends. GO FULL MELBOURNE AT WHITEHART, CBD Tucked down a laneway, surrounded by lively street art and crafted from a couple of upcycled shipping containers, Whitehart is unmistakably Melbourne. The industrial-inspired bar slings a top-notch booze lineup of clever cocktails, boutique wines and craft brews, while food comes courtesy of a rotation of visiting food trucks. Also impressive is the soundtrack, as the decks play host to a dance-worthy mix of resident DJs and guest artists from across the world. Swing by for a sunny afternoon session, or after dark to soak up those late-night Melbourne vibes. WANDER THE NICHOLAS BUILDING, CBD A veritable treasure trove of fashion and design, art deco stunner The Nicholas Building is home to a diverse mix of studios, boutiques and galleries. Drool over beautiful heritage features like the leadlight dome above the arcade while you get some retail therapy. Highlights include a huge selection of pre-loved threads at Australia's largest vintage store Retrostar, perfume from The Powder Room, Kimono House's Japanese crafts and textiles, jewellery designs from Victoria Mason and women's fashion from the likes of Obus and Kuwaii. DIG INTO SUPERNORMAL, CBD At the sleek Asian-accented Supernormal, acclaimed Melbourne chef Andrew McConnell delivers some very memorable eats, drawing on a range of influences and serving it all with a healthy side of fun. Here, classic flavours from across Korea, Japan, Hong Kong and China are reworked into a menu of modern delights and matched with a contemporary drinks offering of sake, local wines and intriguing cocktails. Just remember, McConnell's cult classic lobster roll is a must and, when opting for the banquet menu, it pays to be within rolling distance of where you're staying. [caption id="attachment_659089" align="alignnone" width="1920"] John Gollings.[/caption] EXPLORE THE AUSTRALIAN CENTRE FOR CONTEMPORARY ART, SOUTHBANK Delivering a diverse program of bold exhibitions, performances, talks and events, the Australian Centre For Contemporary Art is a hotbed of creativity and a must for any visiting art aficionado. Boasting an award-winning building set among the arty offerings of Southbank, it features thought-provoking works from big-name artists the world over, in addition to commissioned pieces designed to change the way the world sees contemporary art. Cruise the current exhibitions at your own pace, or jump on one of the free public tours, held each Sunday during exhibition periods. CATCH SOME VIEWS AT ROOFTOP BAR, CBD An astro-turfed, open-air space perched at the very top of Swanston Street's Curtin House, Melbourne's original rooftop bar is a year-round favourite, thanks to its laidback feel and those sprawling city skyline vistas. Venture up for brews with a view and eats from The Rooftop Burger Shack, while getting acquainted with one of Melbourne's most iconic drinking spots. During the warmer months, you can even catch a flick on the outdoor big screen for the legendary Rooftop Cinema. PICNIC IN THE SUN AT ABBOTSFORD CONVENT, ABBOTSFORD Set among picturesque grounds in Melbourne's inner north, multi-arts precinct the Abbotsford Convent has a little something for everyone. Once operating as a convent and one of Australia's largest Catholic complexes, the heritage-listed, 16-acre site now boasts a colourful assortment of galleries, studios and green space — not to mention a stack of architectural gems to marvel at. Lose a day happily exploring the current offerings, from exhibitions and talks to markets and performances. Social history tours are run every Sunday afternoon, and there's a plethora of great onsite eateries to choose from come lunchtime. [caption id="attachment_649405" align="alignnone" width="1920"] Jamie Durrant.[/caption] EAT TAPAS AND MONTADITOS AT BAR TINI, CBD Having won hearts across the country with his stable of MoVida restaurants, Frank Camorra's latest project is another Spanish-inspired charmer — this time, a cosy laneway haunt called Bar Tini. With its warm red accents and cheery decor, this one's a nod to the bodegas of Spain, its menu a cracking lineup of imported tinned seafood, flavour-packed tapas and montaditos, and open sandwiches. Snack your way through, while sipping vermouth on tap and revamped classic cocktails. Pop in for a daytime visit and you'll even be able to check out the iconic street art of Hosier Lane outside the front door. [caption id="attachment_658995" align="alignnone" width="1920"] Stano Murin.[/caption] LAUGH IT OUT AT THE BUTTERFLY CLUB, CBD If a culture fix is on the cards, you can bank on finding a ripper program of happenings at The Butterfly Club. The laneway theatre hosts a diverse lineup of over 1100 performances each year, from cabaret acts to side-splitting stand-up shows. You'll also find a solid mix of regular events, including Tuesday night's burlesque life drawing sessions and Friday's long-running improv comedy show, The Big Hoo Haa. The Butterfly Club's two bars make for charming pit-stops in themselves, decked out with lots of kitsch touches and slinging an oft-changing lineup of themed cocktails. Spend your weekend exploring some of the very best things around Melbourne, and when you need a place to recoup, find your home away from home at DoubleTree by Hilton on Flinders Street.
If you visited a supermarket on the weekend, you would've encountered mayhem: long lines, empty shelves, people battling over the last packets of beans. Many Australians are panic-buying in case they need to self-isolate because of COVID-19, and it's causing chaos at shops across the country. To help some of society's more vulnerable groups get the groceries and essentials they need, Woolworths has launched a dedicated shopping hour for the elderly and people with disability. Running from 7–8am from Tuesday, March 17 to at least Friday, March 20, stores nationwide will open exclusively to concession card-carrying people in these communities. The Woolworths stores will then open to the general public from 8am. https://twitter.com/woolworths/status/1239273390382276610 Woolworths says the decision was made after many elderly customers failed to purchase the items they needed. "While we'll continue to do our very best to restock our stores during this period of unprecedented demand, we know many of our elderly customers have been missing out on essential items when they shop," Woolworths Supermarkets Managing Director Claire Peters said in a statement. "This temporary measure will give them, and those with a disability, the opportunity to shop before our stores officially open - helping them obtain the essential items they need most in a less crowded environment." For now, the dedicated hour is only in place until this Friday, but Woolworths says it will "review opening arrangements" at this point. If you're unable to leave your house, Deliveroo has just added kitchen and household products to its remit and has implemented a 'no-contact' drop-off service, too. For more information about Woolworths' dedicated hour for elderly and people with disability, head to the Woolworths website. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
UPDATE, June 10, 2022: Hustlers is available to stream via Stan, Netflix, Google Play, YouTube Movies, Prime Video and iTunes. Kudos to the bright minds behind Hustlers' many needle drops. When the film's trailer hit, it used Cardi B's 'Money' as its soundtrack — not only nodding to the rapper's co-starring status, but capturing the movie's materialistic vibe with its sultry lyrics about diamonds, jets and oh-so-much cash. In the picture itself, Janet Jackson's 'Control' initially does a similar job, opening the feature with a statement that really couldn't sum up its characters better. While they're literally rolling around in moolah until the global financial crisis hits, Hustlers' resourceful strippers are always at the mercy of their banker clientele. Forced to get creative when times get tough, they turn the tables on the guys usually throwing notes their way, hatching quite the entrepreneurial scheme to reclaim their bodies, lives and independence. The pesky little fact that, by drugging well-off men, running up huge charges on their credit cards and pocketing the profits, these gals are as shady as their Wall Street marks — well, Hustlers has a music cue for that also. It might seem obvious to introduce Jennifer Lopez's Ramona, the mastermind of the group, to the sounds of Fiona Apple's 'Criminal'; however, her eye-catching entrance shows that her allure is as seductive as the song's beat. Elsewhere, the film lets its characters scream in delight to Britney's 'Gimme More' and serenade Usher (as himself) to his own 'Love in the Club'. It uses Lorde's 'Royals' to telling effect, too. These are knowing, savvy music choices in a picture that's always coolly calculating. To truly unpack this real-life tale of bling-coveting erotic dancers scamming the financiers who just fleeced a nation, it needs to be. Experienced at disrobing on the job, but nervous when she moves to a new New York strip joint in 2007, Dorothy (Crazy Rich Asians' Constance Wu) hardly follows the film's lead — at first. Known as Destiny on stage, she's barely getting by until she becomes as bewitched by Ramona as all the guys around her. Standing out among the other dancers (including not just Cardi B, but Lizzo), their double-act lights plenty of clients' fires and keeps the duo flush with cash. Then, post-GFC, the dollar bills stop raining from the sky. Fast forward to 2014, and Dorothy is relaying the details to Elizabeth (Julia Stiles), who's writing about the strippers' escapades. More than just a framing device, the pair's chats have a basis in actual events, with writer/director Lorene Scafaria (The Meddler) adapting Hustlers from a 2015 New York magazine article. It's not the heady, dancing heyday that Elizabeth is most interested in, however, and nor is the piece that Hustlers is inspired by. Rather, it's the hijinks that follow when Ramona concocts her pilfering plan. Aided by two other pals (Keke Palmer and Lili Reinhart), Dorothy and Ramona start living their wildest dreams — enjoying a level of wealth, excess, comfort, security and, yes, control that they've never experienced before. "I kept thinking there was some magic number," Dorothy notes as she tries to explain what the women got up to, how and why, although the film does a perceptive job of making that plain beyond her words. Playing out like a gender-flipped Magic Mike meets The Wolf of Wall Street, the movie doesn't turn its characters into heroes by any means. But, it saves its deepest savagery for another target: the money-hungry American dream that today's brand of corporation-favouring capitalism gleefully encourages and endorses. It's a delicate balancing act, thoughtfully interrogating Dorothy and company's story without glorifying their actions — and it's one that Hustlers nails. Like many a great heist and gangster flick before it, this upbeat crime drama eschews the simplicity of black-and-white morality. Aptly, given that it's constantly bathed in neon-lit hues, it avoids mere shades of grey, too. Here, all that glitters seems gold and silver, but it's really laden with chrome and encrusted with diamantes. Scafaria styles her whole picture in the same fashion, with its shining frames welcoming viewers in, then exposing the stark, seedy reality. The twist that makes Hustlers exceptionally astute as well as engaging and entertaining? While Dorothy and Ramona desperately want to gain control, they're still firmly steeped in a flimsy, male-defined world. Accordingly, their rise to the top was always going to prove fleeting and superficial — so the bonds they make and break along the way shape their story more than the cash, jewels and designer clothes. Hustlers never shies away from this fundamental truth, or from a warts-and-all depiction of its wily protagonists as well. It can't, and it's all the better for it. Of course, if Wu and the especially fantastic Lopez didn't ground this larger-than-life true story in fleshed-out characters, it'd all mean next to nothing. Thankfully, from its spicy narrative to its potent themes to its stellar performances, Hustlers both works the pole and packs an almighty punch.
Even woken up after a big night out, with vague memories of an inner-city jungle oasis? Ladies and gentlemen, you've been to the Carlton Club. This urban stalwart has been welcoming thirsty revellers for many moons, and its dedicated crowd is thoroughly addicted. The main drinking area is named the Hasti Bala bar, with lush indoor foliage, plenty of green velvet and a life-size elephant head — it's fake, don't worry. Turn the corner, and you might spy some other four-legged friends, with Gerald the Giraffe and Wally the Ostrich keeping a watchful eye over the proceedings. Upstairs you will find the aptly-named Palmz Deck, bordered with tropical greenery, and dazzling pink flowers. The food menu is similarly impressive, with Asian-fusion entrees and pub classic mains. Our pick is the jamon-crusted eye fillet, with seared scallops and pea puree ($28) — just trust us on this one. The real kicker is the opening hours, with a 24-hour liquor license allowing for some very extended revelry. Images: Giulia Morlando.
Metropolitan Melbourne and Mitchell Shire are just one week into their second lockdown, after the Victorian Government introduced a new round of Stay at Home Directions for the regions, coming into effect from 11.59pm on Wednesday, July 8. The move came in response to the state's recent spike in COVID-19 cases — it recorded its highest ever new case totals for two consecutive days on July 6 (127) and 7 (191), with daily totals now regularly passing the 200 mark. But, despite the high numbers and the threat of even tougher restrictions if they're not contained, plenty of locals have been flouting the lockdown directives. In a press conference today, Victoria Police Assistant Commissioner Rick Nugent revealed Victoria Police has issued a whopping 546 fines since these most recent Stage 3 restrictions were introduced last week. Sixty-three of these were handed out in the past 24 hours, as over 5000 spot checks were conducted across the state. Individuals caught breaking the rules restrictions face on-the-spot fines of $1652, while businesses could be fined $9913. Most of the rule-breakers, according to Nugent, are those ignoring lockdown directives to go see family or hang out with mates. A few choice examples of the infringements being handed out including two friends who where driving around playing Pokemon Go, a house party at a short-term rental property in the CBD where 34 fines were issued, and one man who refused to leave a KFC restaurant. Of course, there's also last week's infamous KFC party incident, where an extra large order of fried chicken tipped off police to a birthday gathering at a home in Dandenong. Sixteen guests were caught and $26,000 worth of fines were dished out. "A particular concern for us is the ongoing parties and gatherings, people playing poker, people holding parties," said Nugent. "We're finding people in cupboards, we're finding people in garages — please stop." Victorian Premier Daniel Andrews has urged people to adhere to the restrictions, citing the very real possibility of even tougher lockdown measures. "If, however, people do not do the right thing then we will have to move to additional restrictions being put in place and potentially prolong the period where those restrictions are in place," he warned. "Nobody wants that … because of the choices of a few." Stay-at-home orders are currently in place for all of metropolitan Melbourne and Mitchell Shire. For more information, head to the Department of Health and Human Services website.
Victoria's strict rules surrounding social distancing and public gatherings have been extended until at least midnight on Monday, May 11, Premier Daniel Andrews announced this morning, Sunday, April 12. The Premier has prolonged Victoria's COVID-19 State of Emergency declaration, which was first made in March and was due to expire at midnight on Monday, April 13. With the new extension, current restrictions are now in place for another four weeks. The State of Emergency declaration allows the state's authorised officers to "act to eliminate or reduce a serious risk to public health" as directed by Victoria's Chief Health Officer. That means restricting movement, preventing entry to premises and venues and detaining people — measures that have been in place over the past month as the state responds to the coronavirus. Announcing the extension, the Premier noted that the continued restrictions are needed to continue to keep slowing the spread of COVID-19. "There are positive signs our efforts are working — but if we relax now, our hard-won gains will evaporate and people will die," he explained. "This is an unprecedented crisis — we need to extend the State of Emergency to help slow the spread of the virus, protect our health system and save lives." [caption id="attachment_651722" align="aligncenter" width="1920"] St Kilda Beach, Josie Withers, Visit Victoria[/caption] At present, there are only four allowable reasons for Victorians to leave their homes: to obtain food and supplies, to receive medical care or provide care yourself, for exercise while adhering to social-distancing requirements, and to attend work or education if you cannot do so from home. Fines are being handed out to folks who breach the restrictions, with Victoria Police issuing more than 900 since Saturday, March 28. The state's financial penalties span up to $1652 for individuals and up to $9913 for businesses. Under the State of Emergency, people who refuse to comply can also be taken to court, where the fine imposed could reach up to $20,000 for individuals and $100,000 for companies. As of 3pm on Saturday, April 11, 1265 Victorians have tested positive for COVID-19. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: Federation Square, Robert Blackburn, Visit Victoria
The Makers and Shakers Market will visit Melbourne again this April, bringing with it the whole kit and caboodle of bespoke ceramics, homewares and jewellery (as well as tasty food to rejuvenate you when you get the oh-no-I-just-spent-all-my-money sweats). Kick things off at 10am on Sunday, April 7 with a coffee, spend a few hours browsing, and then chow down on a toastie or perhaps a gluten-free vegan doughnut from Nutie. The market gives space to local makers to sell their handmade wares, with everything from ceramic keep cups to floral tote bags to be found. Stallholders this time round include bright art by Laura Blythman, flowers from Mittoo Blooms, designer soaps by Fazeek, whimsical lamps from Upswitch and jars of sticky caramel from Misty's Salted Caramel. And that's just the crust of the pie — there are many more to choose from when you take a full bite. Images: Alana Dimou.
Saving your pennies is all very well when it comes to having five-minute showers, riding your bike to work, and nabbing the Manager's Specials at your local IGA, but it's a different kettle of fish when it comes to sandwiches. We here at CP take them very seriously, and budget accordingly. An $8.80 Myki full fare trip? No thanks, we'll walk. But a $28 luxe wagyu sandwich at Saint Dreux? We'll invest in that. Sometimes you realise life is short, wagyu beef sandos are delicious, and you gotta roll with the punches when it comes to spending money on tasty things. But, still, it got us thinking: what else can you eat in the city for $28? Well, it turns out, quite a lot. Cough up a lobster and some coins, and you'll find you can snag yourself 21 fried pumpkin cakes, or a dozen sushi rolls, or lots of baked cheese tarts. So, here are ten ways to get the biggest bang from you 28 bucks in Melbourne. Choose wisely. WAGYU SANDWICH, SAINT DREUX Saint Dreux, the CBD's new katsu sandwich and coffee bar, is a minimalist, white bread affair. The new offering from the Slater Street Bench crew concentrates on doing a couple of things, and doing them well: katsu sandwiches and Japanese-style castella cakes. The star of the show — and what will have you happily queuing up, or finding you've missed the boat if you got there too late — is the wagyu beef katsu sando. Medium-rare in the middle and fried on the outside, the marbled beef sando will have you forgetting all about the concept of wholemeal bread and willingly spending almost your monthly phone bill on a single lunch. [caption id="attachment_684479" align="alignnone" width="1920"] Jesse Jaco[/caption] CHEESE FONDUE, SWISS CLUB RESTAURANT The Swiss Club Restaurant is one of those bastions of the Melbourne hospitality scene – founded in 1899, it has long been an epicentre for the Swiss community in Melbourne. It also serves up Swiss food, drink and entertainment on any given night of the week, including a not-for-the-fainthearted fondue. Tthe big ol' pot of cheese is made of Gruyère and Emmental cheese, melted with garlic and white wine, and served with bread and pear. You'll need to go with at least one mate and, at $26 per person, is enough to have you putting off your vague veganism plans for another year, because cheese. A ROTI FEAST, MAMAK Mamak is the indisputable home of roti in Melbourne, with its cheerful Lonsdale Street digs serving up huge, steaming plates for both lunch and dinner every day of the week. The Malaysian restaurant has a couple of branches in Sydney, too, so the roti love obviously stretches around the country: hot, buttery and flaky, it's high time to get it in your gob if you haven't already. You can get a roti canai (the OG choice, served with two curry dips and a spicy sambal), an egg roti (also a must-try) as well as a dessert roti — roti kaya, filled with pandan and coconut — for $27.50. Mamak's roti is crispy on the outside and fluffy on the inside and filled with happiness all over. [caption id="attachment_673756" align="alignnone" width="1920"] Giulia Morlando[/caption] TWO PEZZO AND A CANNOLI, PEZZO Pezzo is an Italian pita pocket-like street food you'll eat once and want every day forever more — so don't say we didn't warn you. These little pockets of Italy are made of 48-hour fermented pizza dough, baked into bun shape, cut apart with scissors and then stuffed full of delicious Italian ingredients. Think meatballs and cheese, veal schnitz and pickles, or calamari and white sauce. Grab two savoury pezzo and a cannoli, too, all for around $28. THREE PIZZA SLICES AND A PINT, HEARTBREAKER Heartbreaker already has you sorted when it comes to spending winter nights sipping whisky and listening to tunes on their jukebox. It's the sort of dive bar you slide into, late at night, feeling like you just want to hear that one Bruce Springsteen song that reminds you of your ex — then, against your better judgement, chuck it on. Deal with the ensuing feels by grabbing a pint and a couple of slices of pizza: hole-in-the-wall Connie's Pizza runs out of the back, open late night for your carbs and comfort need. However you're feeling, you'll also be well fed and watered — you can get three slices for $18, so add a beer on and you can still be within the $28 limit. SEVEN BAO, WONDERBAO Wonderbao is a pretty apt name for this restaurant, which serves basically only bao and hot soy milk drinks. It churns out scores of wonderful little delicious steamed Chinese buns every day. White, starchy, and just the right amount of filling vs bun, Wonderbao has got its formula down pat. Standard bao go for $2.70 (try the char siu barbecue pork — the OG and perhaps the best) to $4 (filled with egg, shiitake mushroom and Chinese sausage). The more open sandwich-type, the gua bao, are priced at $5.20. You can either get a full variety pack of your choosing, mixing and matching, or just call it a day and order ten char siu BBQ pork bao for $27. Don't' worry, you'll have room: they're wonderfully light and fluffy. SEVEN CHEESE TARTS, HOKKAIDO BAKED CHEESE TART Malaysian-born chain Hokkaido Baked Cheese Tart does one thing really well: unsurprisingly, baked cheese tarts. Melbourne can't get enough of these lil cheesy babies. With four locations across Melbourne, there are two in the CBD: at QV and Melbourne Central. Prepare to contend with lines but for good reason – the tiny cheese tarts, which are made with Hokkaido-style dairy products, are full of rich savoury-yet-sweet flavour, good eaten either cold or warm. While other flavours exist now such as blueberry, the original are still the place to start: at $3.90 each, you can take home seven of them for under $28 for your whole household to try, or just one for every day of your week if you don't like sharing. TWELVE SUSHI ROLLS, TOKUI SUSHI Lonsdale Street's Tokui Sushi may be the best value sushi in the CBD. And even though its infamously low prices of $2 per roll have recently risen to $2.20, there hasn't exactly been riots in the streets. It's still miles cheaper than any other sushi place around. Every single roll is the same price, so you can live your chicken teriyaki and smoked salmon dreams on a budget. You can get 12 rolls for $26.40, so really that's all you need to know about that. FOURTEEN OYSTERS, PHILIPPE Sure, oysters are generally a bit of an indulgence, but they're fairly accessible at Collins Street's Philippe. The French restaurant was opened by chef Philippe Mouchel in 2016 — and while it's not particularly light on the wallet, there are some bargains to be had. While the a la carte menu is a ritzy affair of foie gras and duck, you can also nab oysters at $2 a pop here. Available all day Monday to Friday (and from 5pm on Saturdays) in the bar, you can get 14 of the tasty sea molluscs and feel like you're living your very best life. [caption id="attachment_622463" align="alignnone" width="1920"] Brook James[/caption] TWENTY-ONE FRIED PUMPKIN CAKES, SHANGHAI VILLAGE DUMPLING We've got a very fond spot for cheap and cheerful, and Shanghai Village Dumpling most certainly takes the cake for the title — well, the 21 cakes to be exact. While its large, steaming hot plates of dumplings are obviously what you'll go for, you'll find yourself staying for (perhaps surprisingly) dessert. The crispy pumpkin pastries are the stuff of deep-fried dreams; moreish and that exact cross between sweet and savoury, we're serious when we say to not fill up on fried pork dumplings before you get to these fellas. You can get three pieces for $4, so looks like it's over 20 for $28. Go on, then.
Remember how in 2008 everyone still had a Myspace, wore unnecessary denim vests and listened to Panic! At The Disco? Yeah...neither do we *shifty eyes*. There were, however, good things about the bygone era and a throwback party on at CBD club Brown Alley is ready to confirm that for you. Buy a ticket and celebrate the ten-year reunion of 2008 by entering three different rooms of tunes from a decade ago: bangers and electro, house and techno, and indie/pop/R&B throwbacks. And all ready to make you yell "omg do you remember this song?" at your mate. The fact that 'Low' by Flo Rida was the top song in Australia that year should tell you everything. Armand Van Helden, Calvin Harris, David Guetta, Hot Chip, Kings of Leon, Bloody Beetroots, Crystal Castles, Kid Cudi and that one song by The Ting Tings will definitely feature, but perhaps the best throwback of the night will be low drink prices of times gone by. Head along for $5 Jagerbombs all night and embrace your once-in-a-decade hangover the next day.
The Makers and Shakers Market will visit Melbourne again this November, bringing with it the whole kit and caboodle of bespoke ceramics, homewares and jewellery (as well as tasty food to rejuvenate you when you get the oh-no-I-just-spent-all-my-money sweats). Kick things off at 10am with a coffee, spend a few hours browsing, and then chow down on a toastie a custard-filled Italian doughnut. The market gives space to local makers to sell their handmade wares, with everything from resin rings to tomato chutney to be found. Stallholders this time round include hand-dyed resin wares by Ellis, granola from Humble Homies, dreamy pastel ceramics from Leah Jackson and wooden homewares from TURNER + TURNER. And that's just the crust of the pie — there are many more to choose from when you take a full bite. Images: Alana Dimou.
Coburg will be a flurry of colour when Fitzroy's Mukka throws a party in honour of Holi on Sunday, May 5. To celebrate the festival of colours, the eatery will bring a warehouse in Coburg to life as part of a raucous party. You'll start off with a cup of chai and some Indian sweets while you listen to music from classical Indian instruments, such as the sitar and the tabla. When everyone's warmed up, the party starts. To fully partake in Holi, you have to get messy. Grab gulal (that is, the herbal powder in a range of bright colours) and go crazy. Expect to see pinks and blues and yellows flying through the air that will, in turn, paint the space, you and everyone else. To top it off, Mukka will be serving its samosas and dosas throughout the afternoon. The party is a way for Mukka's owners, Prateek and Aditya Dhawan, to celebrate their culture and the holiday in Australia. It's a great way to get involved in Holi, whether you've grown up celebrating it or have never had the chance to.
A singles party, you say? Sounds like something your well-meaning friend drags you along to, that always goes awfully and ends in you getting Lord of the Fries on your own. However, Punch, Drunk, Love is a singles party with an integral twist: it's a ladies-only affair with the intention of meeting new mates, rather than dates. Hosted by event curators The Lonely Hearts Club, the event will run on the afternoon of the AFL Grand Final public holiday. Things will kick off with a 45-minute boxing class, closely followed by boozy times, a cheese platter picnic and talks on Love and Life. It's the ultimate you-day, combining exercise, relaxation, inspiration and a few new gal pals. Speakers will be love expert Emily Chadbourne, life and relationship coach Megan Luscombe and wellness/lifestyle/meditation guru Sam Tallent. It'll be a day of advice, stories, and like-minded ladies for you to find your chillest self with while knocking back some vinos. You (single ladies) will be putting your hands up as high as you can.
Home, sweet tiny home. James Galletly (known locally as The Upcyclist) and the Bower Reuse and Repair Centre have teamed up to support the Tiny Houses Australia momentous architectural movement. The concept is simple: small, eco-friendly and sustainable living spaces that challenge the way you think of home. It's "guilt free living", as James puts it. The Bower, a Co-Op in the Addison Road Community Centre, has a commitment to waste reduction that is in line with the carpenter's background in Environmental Science and the project mantra: "less house, more living". Part backyard retreat, part child's dream home, The Upcyclist made this project "it's own tiny goal". He re-envisioned a 6 x 8 box trailer into a one-bedroom abode using 95 percent salvaged, recycled and donated materials. The structure is 100% waterproof and insulated for outdoor use. Galletly and his team of volunteers built all fold-up furniture, including a wooden table, crate chairs and a single, hand-painted bed, which allows the room to act as both a sitting area and bedroom. With the solar powered electrical system and gorgeously restored red cedar, double glass windows and doors, the room offers comfort even as a miniature. The size is charming to adults and children alike, and has been the interest of both architects and artists as a creative space. With this project, Galletly hopes to "re-empower people to shelter themselves", and to open minds to alternative living options that don't include "constantly maintaining your house". While it is technically a house on wheels, it is not a replacement caravan, but is a statement piece for the dangers of consumerism. "I want to ensure The Tiny will not become another consumable item and instead be the answer to a problem". This converted space will act as a prototype for the tiny house business Galletly will fund with the auction proceeds, with his future endeavors to include a kitchen and bathroom. 'The Tiny' will be auctioned off on Saturday, September 20, as part of the Bower's 15th Anniversary Event. Don't worry if you're not prepared to offer the starting bid of $10,000–$15,000, the full-day celebration is open to all and will include a BBQ, artisanal market and demonstration workshops within the Community Centre. The tiny houses concept originated in the USA but has been gaining traction in Australia and become a movement that is championed by architects, designers and engineers. The idea is broad enough to include a small, community project like 'The Tiny' as well as larger, million-dollar project such as one featured on Grand Designs Australia. Environmental and minimalist minds unite for this cause, proving that good things really do come in small packages. 'The Tiny' House Auction is on Saturday, September 20, from 12pm-1pm at The Bower Reuse and Repair Centre, Addison Road Community Centre; 34/142 Addison Rd, Marrickville. For more info on the project, head here. Images: Alicia Fox.
A person walking into a bar. The words "sent from my iPhone". A comedian pouring their experiences into a one-performer play. A twisty true-crime tale making the leap to the screen. All four either feature in, inspired or describe Baby Reindeer. All four are inescapably familiar, too, but the same can't be said about this seven-part Netflix series. Streaming since Thursday, April 11, written by and starring Scottish comedian Richard Gadd, and also based on his real-life experiences, this is a gripping, bleak, brave, revelatory, devastating and unforgettable psychological thriller. It does indeed begin with someone stepping inside a pub — and while Gadd plays a comedian on-screen as well, don't go waiting for a punchline. When Martha (Jessica Gunning, The Outlaws) enters The Heart in Camden, London in 2015, Donny Dunn (Gadd, Wedding Season) is behind the counter. "I felt sorry for her. That's the first feeling I felt. It's a patronising, arrogant feeling, feeling sorry for someone you've only just laid eyes on, but I did," the latter explains via voiceover. Perched awkwardly on a stool at the bar, her teary eyes downcast, Martha is whimpering to herself. She says that she can't afford to buy a drink, even a cup of tea. Donny takes pity, offering her one for free — and her face instantly lights up. That's the fateful moment, one of sorrow met with kindness, that ignites Baby Reindeer's narrative and changes Donny's life. After that warm beverage, The Heart instantly has a new regular. Sipping Diet Cokes from then on (still on the house), Martha is full of stories about all of the high-profile people that she knows and her high-flying lawyer job. But despite insisting that she's constantly busy, she's also always at the bar when Donny is at work, sticking around for his whole shifts. She chats incessantly about herself, folks that he doesn't know and while directing compliments Donny's way. He's in his twenties, she's in her early forties — and he can see that she's smitten, letting her flirt. He notices her laugh. He likes the attention, not to mention getting his ego stroked. While he doesn't reciprocate her feelings, he's friendly. She isn't just an infatuated fantasist, however; she's chillingly obsessed to an unstable degree. She finds his email address, then starts messaging him non-stop when she's not nattering at his workplace. (IRL, Gadd received more than 40,000 emails.) Two early details in Baby Reindeer speak to the level of revealing specificity that Gadd has layered into the script; names are changed, clearly, but there's no doubting that this is a personal work that's adapted carefully and probingly from reality. Firstly, Donny spies that "sent from my iPhone" text at the bottom of Martha's endless array of emails, which'd be innocuous in almost every other situation — but he also knows that she doesn't have an iPhone. Secondly, he still accepts her Facebook friend request as his inbox overflows with her often-incoherent thoughts sporting that fake iPhone claim (which is sometimes misspelled, too), Martha's behaviour towards him can't be mistaken for anything but that of a stalker and he finally types her name into Google to discover that she has a history. Martha's harassment spans years, expanding to impact Donny's ex-girlfriend Keeley (Shalom Brune-Franklin, Love Me); her mother Liz (Nina Sosanya, Good Omens), who Donny lives with; therapist and trans woman Teri (Nava Mau, Generation), who he's been dating; and his parents (The Way's Mark Lewis Jones and The Sixth Commandment's Amanda Root) in Fife. About six months in, when he initially reports it to the police in an anxious state — the scene that opens the Netflix show — he hardly receives a helpful response, as part of Baby Reindeer's digging into expectations around masculinity. Donny's own actions, his missteps included, are as much under the microscope as Martha's. So is trauma, dating back long before the show's title was constantly uttered and emailed his way as his unwanted admirer's pet name for him. It was in 2019 that Gadd premiered the stage version of Baby Reindeer at the Edinburgh Fringe Festival, a setting that's also pivotal to the TV iteration. Six years prior, Phoebe Waller-Bridge (Indiana Jones and the Dial of Destiny) did the same with Fleabag, which wrapped up its television run mere months before Baby Reindeer's stage debut. Gleaning that shared path can't prepare audiences for Gadd's tale, though, which reaches further than the mental illness of his indefatigable pursuer, and into abuse, shame and self-loathing. Accordingly, it's worth recalling that I May Destroy You also charted the path from Edinburgh to television, as inspired by a lecture that Michaela Coel (Mr & Mrs Smith) gave at the city's television festival that touched upon her own experiences. Also telling: the fact that Baby Reindeer is shot like it's a horror film (and paced as such). From off-kilter angles and vantages to unnerving closeness, directors Weronika Tofilska (His Dark Materials, and also the co-writer of Love Lies Bleeding) and Josephine Bornebusch (Bad Sisters), plus cinematographers Krzysztof Trojnar (Foresight) and Annika Summerson (Censor), don't let viewers get comfortable for a second. Watching is compelling — compulsive, in fact — but never easy, as befits the story that's being relayed. Unlike most scary movies, this isn't a clearcut tale of an attacker and a victim, at least when it comes to Martha and Donny. Gadd is unsparing in unpacking what motivates Donny's reactions, heart-wrenchingly so, and his regrets. When he asks "why did I freeze?" and "why did I just let it happen?" about a specific incident with Martha, he's also posing questions that beat at the heart of the entire miniseries. As he reckons with himself, doing so with vulnerability and nuance but never holding back, Gadd turns in a remarkably raw performance that feels as emotionally uncomfortable for him, understandably, as it is for the audience to witness. Baby Reindeer's candour extends in all directions, Donny's flailing early comedy shows — anti-humour and props are his thing — and the shattering time spent with an older mentor (Tom Goodman-Hill, Anne) among them, with Gadd brilliant at every turn. Gunning is equally outstanding. The sheer depth of the intricacies to Martha, some sparking terror, others sympathy and more still eliciting everything in-between, are stunningly drawn both in the writing and in Gunning's portrayal. Pressing play on Baby Reindeer means not being able to stop thinking about Gadd, Gunning, Donny and Martha from that second onwards, or about this profoundly and piercingly honest show. Check out the trailer for Baby Reindeer below: Baby Reindeer streams via Netflix.
The April holidays are nearly upon us. And with the Easter long weekend and ANZAC Day landing on consecutive weeks this year, there's no better time to book a trip out of town. Might we suggest you land on Sydney? The city has so much going on this autumn, including highly lauded markets, blockbuster performances, massive new exhibitions and brand new venues to discover, plus all of the Easter treats and ANZAC Day specials in between. Here's our guide on how to make the most of your holidays this season in Sydney. [caption id="attachment_698137" align="alignnone" width="1920"] The Grounds of Alexandria.[/caption] HUNT FOR EXCELLENT EASTER TREATS Throughout the month of April, Sydney's best chocolatiers turn out some delectable, hard-to-pass-up Easter treats. These include a larger-than-life Easter egg at The Grounds of Alexandria, which annually constructs a three-metre-tall egg stuffed with over 500 kilograms of chocolate. The 'community cracking' takes place on Easter Sunday — and there are no bookings, pre-orders or payments necessary to participate. There's also a sweets-filled family high tea and a free Easter egg hunt on the Saturday. For some over-the-top treats, head to Gelato Messina for a very indulgent Easter dessert. This year, expect the Hot Cross Bun Egg — that's hot cross bun gelato mixed with toasted hot cross bun pieces and an oozing dulce de leche 'yolk', all with a milk chocolate coating. The Messina concoctions sell out each year, so sign up here to be the first to order. Darlinghurst's Kakawa is across Easter, too, offering more hot cross bun-flavoured chocolates, chocolate-filled eggs and bunny pops. Other sweets to hunt down include the raw vegan choc eggs at Alexandria's Pana Chocolate and the range of luxe Easter treats at Haigh's in the CBD. [caption id="attachment_708768" align="alignnone" width="1920"] Eliza Food and Wine.[/caption] VISIT ONE OF SYDNEY'S NEWEST VENUES While you're in town for a visit, be sure to check out a few of Sydney's newest openings. For a top-notch bar, head to the city's first dedicated mezcal bar, Cantina OK. The 20-person venue can be found hidden down a laneway in the heart of the CBD. But if Sydney's sunny skies are calling you outdoors, it's Chippendale's new rooftop Spritz Bar you should consider. It offers a whole menu of spritzes, along with Sicilian-style bar snacks and Mediterranean vibes. And for a real locals' haunt, make tracks to Newton to sip Scandinavian aquavit cocktails in the courtyard at the Danish-influenced Tandem Bar. For eats, check out RaRa Ramen, Redfern's new izakaya-style joint that's slinging some seriously authentic bowls of ramen, including a regularly sold-out vegan version. Finer fare can be found at Darlinghurst's Eliza Food and Wine, an eatery focused on local produce and brought to you by Michelin-trained chef Jeremy Bentley. And for a bit of both, don't look past the drinks and eats at Pyrmont's new natural wine bar and European-style eatery Bar Clementine — it's slinging funky drops, aperitif-style cocktails and European share plates to boot. [caption id="attachment_664206" align="alignnone" width="1920"] Australian Heritage Hotel.[/caption] GO FOR $5 ON HEADS AT A GAME OF TWO-UP If you're in Sydney over ANZAC Day, it's a given to take advantage of this beloved 'sport' — especially if you've never played before (we're looking at you Melbourne). What is it? A betting game of heads or tails that was played by the ANZACs during WWI. How should you prep? Take some cash out so you have notes (you'll want some fivers unless you're planning to play hard) and find a good pub where you can watch those sacred two-up coins fall. While there are many venues to choose from, hitting up one of Sydney's best pubs ensures a spirited crowd — and often discounted brews. Our go-to is The Bank in Newtown, where the sunken beer garden is transformed for the occasion with stadium seating, a tinny bar and pub grub — and it's all hosted by legendary local drag queen Tora Hymen. More wild two-up rings pop-up nearby in the leafy beer garden at The Courthouse and in the massive dining room at Darlinghurst's Dolphin Hotel. We also dig the Australiana-vibes at Paddington's The Unicorn and the historic feels at The Rocks' Australian Heritage Hotel. [caption id="attachment_712879" align="alignnone" width="1920"] Lu Yang: Electromagnetic Brainology.[/caption] HOP THROUGH THESE NEW ART EXHIBITIONS Sydney has a lot of must-see exhibitions on during April. There's the massive The National 2019, a huge exhibition that features work from 65 contemporary Australian artists and spans the Art Gallery NSW, the Museum of Contemporary Art and Carriageworks. Also showing at the MCA is Janet Lawrence: After Nature — the first exhibition chronicling the Sydney-based artist's 30-year career. It explores 'the link between all living creatures' and includes environmentally charged sculpture, installation, photography and video. Another show-stopping exhibition on at the moment is Hot Blood at Chippendale's free White Rabbit gallery. Expect a showcase of emerging, post-'Great Firewall' Chinese artists who are out to disable our idea of traditional Chinese art. And if you are after traditional Chinese art, then kick on post-The National viewing at AGNSW for Heaven and Earth in Chinese Art. The exhibition features treasures from Taipei's National Palace Museum on display in the southern hemisphere for the first time. It features 87 masterworks, including a jasper stone that resembles a juicy piece of pork belly. VISIT SOME OF THE CITY'S FAVOURITE MARKETS If you're looking to hit the market scene, you can't go past one of Sydney's most lauded farmer's market, which takes place every Saturday within Carriageworks. Over 70 stallholders join forces to offer some of the city's best produce, and it's all curated by acclaimed chef Mike McEnearney. Located on the other side of Sydney's inner west is Tramsheds, a former tram depot-turned-shopping precinct, which holds a Growers Market every Sunday from 8am–2pm, including on Easter Sunday. Expect sustainably grown produce alongside workshops, masterclasses and live entertainment. Plus, heaps of the precinct's eateries will be open throughout the Easter long weekend and on ANZAC Day — including Spanish-style tapas bar Bodega 1904, fresh pasta spot Flour Eggs Water and Egyptian diner Bekya. If you're in town earlier in April, catch the monthly Brewery Markets at Yulli's Brews vegan taproom on Sunday, April 14. There'll be indoor plants, eco-friendly clothing and jarred preserves up for grabs, along with craft brews and restaurant signatures. [caption id="attachment_714401" align="alignnone" width="1920"] Handa Opera: West Side Story. Photo by Hamilton Lund.[/caption] CATCH A LIVE SHOW From Broadway hits and Opera House exclusives to local gigs and free jazz, Sydney has it all. One of the most impressive shows on at the moment is West Side Story, which is performed on a floating stage on Sydney Harbour and backdropped by some of the city's most impressive views. Within the Opera House, you'll find Basement Jaxx Vs The Metropolitan Orchestra, which will see the famed British electronic music duo perform with a live orchestra. And for something more specific to the Easter theme, there's the musical production of Charlie and the Chocolate Factory on at the Capitol Theatre till Sunday, April 14. And for more local (and budget-friendly) options, you can catch multi-instrumentalist singer-songwriter Little Green's jazz, folk and blues for just $15 on Friday, April 26 at 107 Projects. And, for a real bargain, there's free jazz at legendary Venue 505 every Monday through Wednesday. Plus, you can catch Drag and Dine at Priscillas any night of the week from 7.30pm. Forgo the tourist traps and traverse the great City of Sydney like a local instead. Discover more around the city here.
Print is dead, or so we've been told for the past few years. Newspaper sales are down, Borders and Angus & Robertson stores are closing their doors and our attention shifts more and more to computer monitors. But is it a full stop or just another stage in the cycle? The nature of books is changing. They are moving online but aren't remaining stagnant in their form. A more discerning palette for information is leading readers to different forms of consumption. The same person might skim through the paper online, read a Kindle Single (a digital book a seventh the size of a regular book) during their lunch-break, flick through a broadsheet on the train home and indulge in a traditional hardcover before bed. The prophecies that people aren't reading anymore are unfounded. Readers are just diversifying their source. With traditional bookstores feeling the backlash from this new plethora of information outlets, unconventional ventures could prove the way forward. Ed's Martian Book is the creation of author Andrew Kessler, and sells over three thousand books. Well three thousand copies of the one book. His book. Although not the most financially sound move, Kessler freely admitting "I'm not a very good businessperson." He has sold a few hundred copies but at least his book is getting some attention in this store. Instead of ruthlessly vying for the attention of customers with displays and discounts, in his store he is guaranteed an audience. The current state of affairs in publishing has been reached through the advance of technology but it wasn't a march towards an ideal, but rather a winding road of adaptation. Visual Loop recently teamed up with Brazilian designer, Flavia Marinho, to cover the history of printing. What it reveals is the rise of the book, the rise of the newspaper, the fall of the book, the rise of the novel, the collapse of newspapers, the rise of the magazine, the resurrection of the newspaper and so on. Overall it shows a trend of peaks and troughs, it has happened before, it is happening now and it is going to happen again. Whether tablet PCs will destroy print media is yet to be seen, but there's something to be said about the smell of a new book, the feel of paper between your fingers and the satisfaction from a finished book on the nightstand that can't be mimicked by a computer. Well not yet at least.
Lewis Hamilton has called F1 "the most-authentic racing film you will ever experience in a cinema". "Audiences around the globe are going to feel like they're on the track and in the driver's seat," the superstar driver — who is one of the film's producers — has also advised. Director Joseph Kosinski, who knows a thing or two about making immersive high-octane movies thanks to 2022 smash Top Gun: Maverick, has talked about his determination "to make it authentic" and to represent the sport "in the absolute best way we could", including via collaborating with Hamilton and other Formula 1 insiders. F1 shot on real Formula 1 race weekends. Stars Brad Pitt (Wolfs) and Damson Idris (Snowfall) do their own driving, too. The world will discover how the end result turns out in cinemas Down Under from Thursday, June 26, 2025 — but if you'd like a taste of the flick's commitment to authenticity and immersion in advance, Apple's new haptic trailer will do the trick. Across the past few months, F1 has dropped multiple trailers, but its latest sneak peek is different — because it isn't just about watching. If you have an iPhone, Apple wants you to feel this glimpse at the film. It means that literally. That's where the haptics come in, with your iPhone vibrating as engines rev and roar throughout the trailer. Why Apple? Because, although F1 definitely has a date with cinemas and has been made for the big screen, the technology company's Apple Original Films is behind it. Accordingly, eventually it'll join Apple TV+'s catalogue — but long after it speeds into cinemas. This Formula 1 racing thriller tasks Pitt with feeling the need for speed as a former driver who returns to the track. Fictional team APXGP is at its centre, with Pitt as Sonny Hayes and Idris as his colleague Joshua Pearce — and reaching the sport's heights is their aim. Also featuring on-screen: Kerry Condon (Skeleton Crew) and Javier Bardem (Dune: Part Two), giving the movie a recent Oscar-nominee (for The Banshees of Inisherin), plus another winner (for No Country for Old Men) alongside Pitt. Tobias Menzies (Manhunt), Sarah Niles (Fallen), Kim Bodnia (Nefarious) and Samson Kayo (House of the Dragon) co-star as well. Hamilton's involvement comes courtesy of his Dawn Apollo Films production company. The feature is also being badged as a collaboration with the Formula 1 community, spanning its teams, drivers and promoters. Check out the regular trailers for F1 below — and hit up Apple's website via an iPhone for the haptic trailer. F1 releases in cinemas Down Under on Thursday, June 26, 2025. Check out the haptic trailer via Apple — and read what Joseph Kosinski and Lewis Hamilton told us about the film.
The 2019 Sydney Gay and Lesbian Mardi Gras parade is fast approaching, with Darlinghurst's Oxford Street set to erupt in a colourful celebration of LGBTQI+ culture and communities, as it has for more than four decades. But Australia is home to more than one Oxford Street — and, this year, seven other roadways with the same moniker are getting into the Mardi Gras spirit, all thanks to a series of glorious rainbow sculptures. In the New South Wales town of Mittagong, Deep Lead in Victoria, Rockhampton in Queensland, East Bunbury in Western Australia, Port Pirie in South Australia, Berry Springs in the Northern Territory and East Launceston in Tasmania, eye-catching new Oxford Street signs have popped up. Each bears the street's name, of course; however the designs vary otherwise. A rainbow branching out of a puddle, a giant heart pierced by an arrow, a pink-frosted cupcake, twin flamingos, a unicorn and a giant stiletto all feature across the bespoke signs, as does a cockatoo and akubra-adorned clothes line named 'I'm Spinning Around' after the Kylie Minogue song you now have stuck in your head. The overall exhibition has been dubbed Signs of Love, and it's spearheaded by ANZ as part of their ongoing association with Mardi Gras. For those who'd like to take a gander at the installations but won't find themselves in their vicinity, they'll also be available to view on Google Street View from Wednesday, February 27. While only seven Oxford Streets around the country have had a makeover, an eighth sculpture is also on display at Bondi Beach in Sydney. And while it isn't as brightly coloured as its counterparts, it points to 123 Oxford Streets across the nation. Oxford Street sign titles and locations: New South Wales – 'Signs of Love', Bondi Park, Campbell Parade, Bondi. New South Wales – 'Eternal Flame', Oxford Street (corner Bourne Close), Mittagong. Victoria – 'Coming Out', Oxford Street (corner Battery Rd), Deep Lead. Queensland – 'Pink FlaminGo-Go', Oxford Street (corner Talford Street), Rockhampton. Tasmania – 'Love is Love', Oxford Street (corner Abbott Street), East Launceston. Western Australia – 'I'm Spinning Around', Oxford Street (Austral Parade), East Bunbury. South Australia – 'Turn the Party', Port Pirie Regional Tourism and Arts Centre. Northern Territory – 'We're Not in Sydney Toto', Oxford Road (corner Cox Peninsula Road), Berry Springs. The Sydney Gay and Lesbian Mardi Gras parade takes place on Saturday, March 2 in Oxford Street and surrounding areas, Darlinghurst.
UPDATE Thursday, June 17: Under current COVID-19 restrictions in Australia, there are various interstate border restrictions in place. Check out the latest information regarding travel to Tasmania over at the Tasmanian Government's website. Melbourne's current 25-kilometre travel cap lifts at 11.59pm tonight, June 17. Victorians can find information on local restrictions over on the Victorian Department of Health and Human Services website. Of course, even border closures don't mean you can't start dreaming — bookmark this for when you can explore freely once again. Winter is an area where Tasmania truly excels. While the rest of the country might shiver through a mild chill or a few rainy, foggy months, the island has the full snow-and-frost experience, the kind you can properly bundle up for in your thickest of woollen socks and jumpers. Enjoy the clear, sharp bite of winter on your skin during a brisk walk with soul-stirring views then thaw by a crackling fireplace with a dram of whisky in hand — Tassie is the perfect spot for getting toasty. So, we've compiled a guide for making your southern winter jaunt a heart-warming and cosy one. There's something for everyone — from the irrepressibly outdoorsy to the decidedly indoorsy folks who crave the convivial warmth of a great big gathering. Whether you prefer to get rosy-cheeked by getting your blood pumping or rely on good old fashioned firewater to do the job, Tasmania is an island of winter-warming opportunities. [caption id="attachment_721394" align="alignnone" width="1920"] Eagles Nest Retreat and Summer Rain Photography.[/caption] STAY SOMEWHERE WITH AN OUTDOOR HOT TUB Stripping down to your birthday suit in the great outdoors may not sound like an ideal way to get warm, but hear us out. You can luxuriate comfortably in an openair spa bath at your own private retreat while immersing yourself in the sights and sounds of nature. A steaming, saltwater timber hot tub on the wilderness deck at Aerie Retreat offers a secluded view over Bruny Island and Storm Bay — perfect for eagle-spotting — plus, sauna and a firepit. Those looking for a little luxury (and seclusion) will find it at Thalia Haven, which has outdoor bathtubs overlooking Great Oyster Bay. If you yearn for mountain vistas instead, book one of the 'nests' at Eagles Nest Retreat near Cradle Mountain or head to Pumphouse Point, an adults-only wilderness retreat nearby. (Re)treat yourself this winter and make your hot-tubbing a little wilder. [caption id="attachment_619649" align="alignnone" width="1920"] Dark Mofo festival.[/caption] PARTY AT A WINTER FESTIVAL Nothing's warmer than the collective heat of an enthusiastic crowd, so get yourself to one of Tasmania's great winter festivals. First up is Dark Mofo (June 16–22), the annual revelry of fire, feasting, music and challenging new art that takes over MONA and the city of Hobart is making its triumphant post-pandemic return. Catch world-class performers and avante garde acts or brave the naked solstice swim. The Festival of Voices (June 30–July 11) in Hobart is Australia's most significant choral festival, complete with performances, workshops and a huge bonfire sing-along in Salamanca. Plus in July, there's the Huon Valley Mid-Winter Fest, celebrating the depths of winter with costumes, warm apple cider and plenty of convivial gatherings. And finally, for lovers of firewater, Tasmanian Whisky Week (August 9–15) gives you a behind-the-scenes look, with distilleries opening their doors for tours and events, sharing their stories and offering exclusive tastings. [caption id="attachment_719392" align="alignnone" width="1920"] Rocky Cape Circuit Track, Rocky Cape National Park by Jess Bonde.[/caption] HIKE YOUR WAY WARM IN THE GREAT OUTDOORS If you can't sit still inside and need to sweat out the cabin fever, there are winter-appropriate walking routes throughout Tasmania. The Three Capes Track is a three-day journey with well-appointed, insulated shared cabins along the way, so you don't have to haul along all your camping gear. Guided track walks can also take in the Port Arthur Historic Site, while Rocky Cape National Park has a number of short walks with varying levels of difficulty, taking you along the majestic, sweeping coastline overlooking Bass Strait. For Hobart daytrippers, it's worth heading to the Hastings Caves State Reserve to experience the misty winter forest, bathe in natural thermal springs and explore dolomite caves for a different adventure out of the weather. Because of the pandemic, some of the tracks require bookings, so check the website before you head out. HEAD INDOORS FOR A COCKTAIL OR WINE One of the special joys of winter is getting properly toasty, cosy and rugged up and popping into bars for a soul-warming cocktail or wine. And, happily, Tasmania has plenty of them. In Hobart, you can pop into Tom McHugo's for fun things (like confit albacore and zucchini) on toast and a locally made beer, to Dier Makr or sibling bar Lucinda for minimal intervention wines and to Sonny for a bowl of prawn paccheri and acoustic entertainment in the form of spinning vinyls. Just out of the city in New Norfolk, you'll find some of the country's best potato cakes (or scallops, if that's your preferred name for them) and a menu of other delicious locally grown produce, plus plenty of wine, at The Agrarian Kitchen. Over in Launceston, we suggest you head straight for Geromino and order a plate of cacio e pepe croquettes and a warming cherry-tinted manhattan. [caption id="attachment_719391" align="alignnone" width="1920"] Shene Estate and Distillery's roadside stall by Samuel Shelley.[/caption] STOP BY A DISTILLERY FOR A TIPPLE TO SIP LATER Nothing puts a fire in your belly quite like a dram, and when it comes to spirituous liquors, Tasmania has some of the finest. The historic Shene Estate may channel old-world aristocracy with neo-gothic architecture and polo games, but it also welcomes visitors for tours and tastings of its award-winning spirits — including Poltergeist gin and Mackey single malt whisky. Southern Wild Distillery produces Dasher + Fisher gin from the snowmelt rivers that pass by to create their Mountain, Meadow and Ocean varieties with uniquely local flavours. For some country-style cooking to go with your whisky, head to Old Kempton Distillery for a cellar door experience in a heritage 19th-century coaching inn. Top image: Dark Mofo's Winter Feast, shot by Rémi Chauvin.
It's been 14 years since Iron Man first soared onto cinema screens, started a huge film and TV franchise, and sparked popular culture's biggest current behemoth — and, 29 movies, a heap of streaming shows and oh-so-much success later, is there any realm that the Marvel Cinematic Universe hasn't conquered? It's the main reason that plenty of people go to the movies. It keeps pumping out new Disney+ shows every few months, too. All things Marvel were already a hit on the page, obviously, before the comic book company's wares became box-office catnip. And Marvel-themed events, including exhibitions, keep popping up as well. Back in Brisbane in 2017, the Gallery of Modern Art played host to a huge showcase of Marvel costumes and props, in fact — and while that was a one-city, once-off affair, Marvel fans can now take a gander at a new batch of MCU paraphernalia. Fancy getting a close look at mjolnir, stormbreaker, the necrosword, Zeus' lightning bolt, and Valkyrie's dagger and sword? Then you've clearly seen Thor: Love and Thunder, and you'll now want to make a date with the Australian Centre for the Moving Image (ACMI) in Melbourne. The Federation Square venue has welcomed in a selection of items from the fourth Thor flick, including all of the aforementioned weaponry — which plays a significant part in the Taika Waititi (Jojo Rabbit)-directed feature. Also on display: outfits by costume designer Mayes Rubeo (an Emmy-winner for WandaVision and Oscar-nominee for Jojo Rabbit), including those worn by Chris Hemsworth (Spiderhead) as Thor and Natalie Portman (Vox Lux) as Jane/The Mighty Thor. ACMI's new Thor: Love and Thunder showcase includes pieces donned by Christian Bale (Ford v Ferrari) as galactic killer Gorr the God Butcher as well, and by Tessa Thompson (Passing) as King Valkyrie. And yes, clothing that decked out Russell Crowe (Unhinged) as a tutu-wearing, lightning bolt-flinging Zeus is also now in the museum's range. The Marvel costumes and props have joined the centre's centrepiece exhibition, The Story of the Moving Image, which is free to view — but they'll only be on display until July 28, 2023. And no, there are no screaming goats on offer, sadly — but if you've seen the movie, you probably still have that sound stuck in your head. The Thor: Love and Thunder costumes and props are on display at the Australian Centre for the Moving Image, Federation Square, Melbourne, as part of free centrepiece exhibition The Story of the Moving Image, until July 28, 2023. Read our full Thor: Love and Thunder review. Thor: Love and Thunder image: Jasin Boland. ©Marvel Studios 2022. All Rights Reserved. Exhibition images: courtesy Marvel Studios, Peter Tarasiuk Photography.
Earlier this year, Scoopy Milk Bar popped up at Melbourne's hawker-style market, HWKR. It left — as is the case with all venues at the always-rotating market — but now the frozen dessert palace is back. It's setting up shop inside Guildford Lane's Brick Lane for two months. While the cafe and bakery will remain business as usual during the day, come 4.30pm, it'll transform into a dessert bar dedicated to bingsu: a colourful Korean shaved ice dessert. To celebrate its return, Scoopy Milk Bar is giving away free bingsu to the first 50 customers through its doors today, Thursday, September 19, at 4.30pm. Knock off work a little early and get ready to dig into one of six shaved ice flavours: Royal Taro, Mai Thai Times, Matcha Bonsai, Milky Brew, Berry Peak and Dusky Dream. They come topped with the likes of fresh fruit, tapioca pearls, biscuits and shaved coconut, too. If you miss out on the giveaway, don't stress too much. The pop-up will be serving up bingsu till 9.30pm — and all the way through till Sunday, November 3, when the it ends. Scoopy Milk Bar giveaway runs from 4.30–9.30pm or until sold out.
This year, due to Australia's efforts to contain the spread of COVID-19, Sydneysiders won't be heading to the now-cancelled Sydney Royal Easter Show. Brisbanites won't be heading to the Ekka, either, or Melburnians to the Royal Melbourne Show, with both of those events cancelled, too. But no matter where in Australia you're located, you can now order showbags online and get them delivered to your home. After the Sydney show's scrapping for 2020, showbag company Chicane Showbags is moving most of its range into a web store that's fittingly called Showbag Shop. Whether you can't get enough Bertie Beetles, have a hankering for a bag filled with KitKats, or would prefer pop culture-themed merchandise (think: The Simpsons, Star Wars and The Beatles), you'll find bags filled with your favourite items here. At the time of writing, only a small variety of bags are available; however Chicane Showbags is aiming to have the majority of its bags in its online store in the coming weeks. We mentioned Bertie Beetles first, of course, because they've become such a show favourite — and to reflect that fact, there are ten different options available. These self-isolating, stay-at-home, generally restricted times might go smoother with a big stash of insect-themed chocolates, after all, with three showbags available for $8, a huge 80-Bertie Beetle bag on offer for $29 and a box of 350 Bertie Beetles (with your choice of a Bertie Beetle mug or a Bertie Beetle plush toy) costing $99. [caption id="attachment_765741" align="aligncenter" width="1920"] Chicane Showbags[/caption] Other items currently available include Smarties, Wonka and Snakes Alive bags stuff with lollies; Captain America and Black Panther bags filled with Marvel merchandise; Stella Athletic bags with sporty fashion items and Coast to Coast Skincare bags featuring the obvious. Bags ship Australia-wide, arriving in Sydney, Melbourne and Brisbane within one to three business days — and in Perth in around five to seven. There is a weight limit on each purchase, though, if you're currently thinking of filling your cupboards with showbags, with only 40 kilograms available per order. Chicane Showbags is now selling showbags online via the Showbag Shop — visit the store's website for further details. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
More than a quarter-century ago, a TV sitcom about six New Yorkers made audiences a promise: that it'd be there for us. And, as well as making stars out of Jennifer Aniston, Courteney Cox, Matthew Perry, Matt LeBlanc, Lisa Kudrow and David Schwimmer, the hit series has done just that. Sure, Friends wrapped up its ten-season run in 2004, but the show has lived on — on streaming platforms, by sending an orange couch around Australia, by screening anniversary marathons in cinemas and in upcoming boozy brunch parties. In news that was bound to happen someday — no pop culture entity truly comes to an end in these reboot, remake, revival and spinoff-heavy times — Friends is going to live on in a much more literal sense, too. First hinted at last year, and now officially confirmed, the show is coming back for a reunion special on HBO's new streaming platform HBO Max. Naturally, all of the gang will be involved. Yep, it's 'The One Where They Got Back Together', although it doesn't actually have a title as yet. And it's worth noting that the special will be unscripted, which does mean that Aniston and company aren't literally stepping back into Rachel, Monica, Chandler, Joey, Phoebe and Ross's shoes. Instead, the actors behind the characters will chat about their experiences on the show — all on the same soundstage where Friends was originally shot. And, let's face it, the fact that they'll all be on-screen at the same time in the same place celebrating the series that so many folks love is probably enough for fans. Friends creators David Crane and Marta Kauffman are also slated to join the reunion special. And if you're wondering when it's happening, the special is due to arrive in May. That's when HBO Max launches in the US — and it's clearly aiming to kick things off in a big way. For folks Down Under, there doesn't seem to be a current plan to bring the streaming platform to our shores. Instead, the company appears to be continuing to focus on its existing arrangements with local channels and streamers for the time being. HBO Max's Friends reunion special will be available to stream in the US at a yet-to-be-revealed date in May. It doesn't currently have an air date or streaming date Down Under — we'll update you if and when one is announced.
Digital art is taking over the Australian Centre for the Moving Image in a huge way in 2024. The Melbourne venue might be known for its cinemas, as well as past exhibitions about Martin Scorsese, David Bowie, Disney animation and women in Hollywood, but it doesn't just celebrate movies and television. If it can grace screens, it can feature here — including at the Marshmallow Laser Feast: Works of Nature showcase that displayed until April, and then at fellow world-premiere Beings from Wednesday, May 22–Sunday, September 29. Interactive pieces using innovative technology firmly fit ACMI's remit, which is exactly what its big winter exhibition is about. The playful event explores the work of art and design collective Universal Everything, featuring 13 pieces from its 20-year career. And the experience that you have while walking through Beings won't be the same as anyone else's. This new reason to head to ACMI wants attendees to not merely look at, but also move and dance in front of its large-scale screens and projected artworks. Beings' pieces respond differently to each visitor, using evolving algorithms and generative technology. That makes you part of the art as well. [caption id="attachment_944198" align="alignnone" width="1920"] 'Into the Sun' by Universal Everything, installation view, Lifeforms exhibition, 180 Studios, photo by Jack Hems.[/caption] Founded in 2004, Universal Everything began in a garden studio in Sheffield, England, which is where Creative Director Matt Pyke initially set up shop. Now, the collective — which includes animators, architects, cinematographers, designers, developers, engineers and musicians — works globally. Its creations display around the world, too, with stints in London, Seoul, Paris, Istanbul and New York before its upcoming Melbourne exhibition. Beings' pieces — four of which will be brand-new world-premiere artworks themselves — frequently use the kind of tech that Hollywood studios and video-game makers deploy. Expect to peer at and play with an assortment of characters, and to feel like you've stepped into a movie or a game as well. The exhibition unravels Universal Everything's creative process, including via hand-drawn sketches that'll be seen by the public for the first time. Top image: Future You' by Universal Everything, installation view, Digital Impact, Barcelona, Spain, photo by Eva Caraso.
Glen Waverley might not be Melbourne's biggest food hub, but Trei Cafe's opening on Blackburn Road has got has foodies running southeast. Boasting a clean eating menu options and playful pastel features, order yourself a Snickers smoothie bowl and prepare for the healthiest bowl of chocolate ever. Made with almond mylk, cacao, peanut butter, banana, rice malt syrup and salted peanuts, it's almost certainly the best (and nuttiest) start to the day. It's also running a cracker of a special this year, offering all vegan dishes for only $13. Yep, for less than a lobster you can enjoy cookies and cream hotcakes, mushroom burgers, veggie bowls, curried lentils, sushi bowls and the aforementioned acai bowls. If you're an animal-loving coeliac, you'll be looked after, too. With five gluten-free vegan dishes also on offer for only $13 dollarydoos. If you stopped reading at cookies and cream hotcakes and are organising in a trip already we hardly blame you – however, there's no rush. The vegan menu special will be running through to the end of the year, plenty of time to get yourself there an enough times to try everything.
Put down your Kit Kat, for we've discovered a break that's even better than snappable chocolate-covered wafers: smashing stuff. To be more specific, we mean smashing stuff with a baseball bat — and it's a legitimate, all above-board activity at new Collingwood venue The Break Room. Currently housed in the Collingwood Mastercraft warehouse after an initial pop-up at Brunswick's Kines, an appointment at The Break Room is a five-minute, sweaty task that puts you behind thick, plastic walls, wields you with a pink baseball bat and some protective headgear and lets you go to town on some very satisfyingly smashable items. For the moment, they're using plates and glasses as collateral. But if anyone can produce it, our 'ultimate smashable' would be a ceramic Matryoshka filled with glitter. The Break Room was born in a moment of frustration (and through the efficacy of podcasts) by founder Ed Hunter, after he realised that everybody wants to blow off steam in their own way. And while some might prefer to hit the gym, Hunter is inviting you to hit some crockery off a stool instead. Speaking of the stools, notches of pink residue from the so-coloured bats have been passionately left on them; reminders that other members of the baseball bat cathartic club (do I hear badges?) have bashed their way to sanity before you. For anyone studying their swatch patterns, the pink is Baker-Miller, and has been used in correctional facilities across America to help calm violent inmates. Yet Hunter heeds that The Break Room's goal isn't violence, but rather to reduce stress and harness those destructive tendencies in a controlled and fun way. At $50 to smash your way to calmness for five minutes, this emotional outlet may seem a bit on the spenny side, but the beauty is in the fact that you're not breaking your own stuff — and some other guy will be picking up the pieces after you. These pieces are, in fact, added to the pile that hides further out back, where both shattered crockery and snapped pink swords from liberated brethren lay, which is a good indicator that the allocated time is probably ample. So wait until the shutters go down, don your best Joaquin Phoenix impersonation and swing away at those inner aliens of yours by taking your aggression out in some organised chaos.
One of the world's top chefs is opening a new restaurant in Sydney later this year. But unlike the many (many) upscale restaurants coming and going in our city, this latest project by Massimo Bottura — the culinary powerhouse and chef behind the world's best restaurant, Osteria Francescana — is not for those with big budgets, but rather for the less affluent. The restaurant, which will be run in collaboration with Australian food rescue charity OzHarvest, was announced at an on-stage conversation Bottura held at the State Theatre last night. The event was largely a platform to promote the chef's charitable Food for Soul project which, akin to Sydney-based not-for-profit OzHarvest, seeks to promote awareness about food wastage and hunger. And it won't be the first time Bottura has worked with OzHarvest and its Founder Ronni Kahn, either. The pair partnered up for a one-off charitable dinner back in 2017, raising money for both OzHarvest and Food for Soul. Kahn says the restaurant — or refettorio, a communal kitchens for socially vulnerable groups — came as a natural progression of this. "I first met Massimo in 2016 — it was like meeting a kindred spirit that I had known all my life," said Kahn in a statement. "We share the same passion, values and vision to create a better world…I'm excited and privileged to be able to bring his refettorio to life in Australia." [caption id="attachment_715651" align="alignnone" width="1920"] Massimo Bottura, Ronni Kahn and the team behind 2017's Cooking with a Conscience dinner. Image: Nikki To[/caption] The restaurant will be Bottura's fifth refettorio with the other venues located in Milan, Rio de Janeiro, London and Paris. At all of his kitchens, Bottura uses rescued food to create the meals — and often teams up with the city's best chefs to do so — for homeless communities and those living in poverty. Currently scoping out potential locations, Kahn and Bottura are hopeful the restaurant will open sometime this year. It will be run by both chefs and volunteers — expect to see some of the faces above in the kitchen — and might expand beyond the current refettorio model of serving vulnerable people to offer meals for the whole community. So, by the end of the year, you might be eating Bottura's food right here in Sydney. The Sydney refettorio is slated to open by the end of the year. We'll update you as soon as we know more.
Melbourne's renowned wining and dining scene copped some big hits over the last two years, and lockdowns left us punters all well out of practice. But now, one new initiative is encouraging us to get right back on that horse and spread some love for the city we call home. From Chris Lucas, the name behind Chin Chin, Baby Pizza, Yakimono and co, comes Lucas Loves Melbourne — a four-week offering of specials, dollar-saving deals, music and masterclasses designed to reignite our passion for Melbourne's hospitality scene. From Tuesday, February 15 to Tuesday, March 15, each Lucas Group venue is serving up its own slew of goodies. For example, nab a sweet 30-percent rebate voucher when you dine at any of the restaurants between 11am–5pm Monday to Thursday, and enjoy free parking as a customer on tickets up to $18. From 4–6pm daily, a multi-venue happy hour deal will see you quaffing $11 Piper-Heidsieck champagne, $11 Yakimono cocktails, $6.50 spritzes at Baby and $16 signature sips from the Society bar, amongst others. Also on the program are special Kisume Chef's Table masterclasses, cook-along sessions with Chin Chin's Benjamin Cooper, and a curated weekend DJ program at Hawker Hall, Chin Chin and Lillian Terrace. A stack of prizes are up for grabs, too. [caption id="attachment_843533" align="alignnone" width="1920"] Champagne at Lillian Terrace[/caption] Updated: Tuesday, March 29
Some like it hot. Other milder folk prefer not to flirt with such danger. But whichever category you fall into, your tastebuds will find plenty to love when the Yarra Valley's Herb and Chilli Festival returns to spice up your weekend. Descending on founders Clive and Di Larkman's Wandin herb farm from Saturday, March 15–Sunday, March 16, the flavour fest is set to once again deliver a fiery mix of food, entertainment and more. A hefty lineup of stallholders will be slinging everything from chilli plants and fresh herbs to flavour-packed pantry goods. Visit the international food court for a ready-to-eat spice hit from the likes of The Smoke Pit, Tornado Spuds and Wun Hung Lo Dumpling Company, and sample feisty booze products like hot chilli wine and Logan's signature Thai Venom Vodka. Easier-drinking sips will be on offer from labels including Hop Hen Brewery, Burnley Brewing, and Morgan's Winery and Distillery. As you can imagine, you'll find a tastebud-tingling array of hot sauce varieties to try and buy on Hot Sauce Alley, while the live cooking stage will play host to both chef demos and a stack of fiery eating competitions. Are you game to try the Stinger Wing Challenge? Reckon you could reign supreme in the famed chilli-scoffing contest? Luckily, you can keep your cool between chillies with a program of live tunes — with the six-piece band Harmaniax taking centre place. There'll even be a Chilli Express bus service carting people to and from Lilydale Station — helping folks drink the day away without worrying about driving or having to get expensive cabs.
When it was announced back in 2016 that Moulin Rouge! was being turned into a stage musical, fans around the world thought the same thing in unison: the show must go on. Since then, the lavish production premiered in the US in 2018, then hit Broadway in 2019, and also announced that it'd head Down Under in 2021 — and if you're an Aussie wondering when the latter would actually happen after all the chaos of the past two years, the same mantra thankfully applies to its upcoming Melbourne season. Originally set to debut in August — a date that was obviously delayed due to lockdown — Moulin Rouge! The Musical will now make its Australian debut at Melbourne's revamped Regent Theatre on Friday, November 12. It'll do so as a newly minted Tony-winner, too, after picking up ten awards earlier in October, and also becoming the first-ever Aussie-produced show to win the Tony for Best Musical. Based on Baz Luhrmann's award-winning, Nicole Kidman and Ewan McGregor-starring movie — which celebrates its 20th anniversary this year — the stage musical brings to life the famed Belle Époque tale of young composer Christian and his heady romance with Satine, actress and star of the legendary Moulin Rouge cabaret. Set in the Montmartre Quarter of Paris, the film is known for its soundtrack, celebrating iconic tunes from across the past five decades. The stage version carries on the legacy, backing those favourites with even more hit songs that have been released in the two decades since the movie premiered. The musical is heading to Melbourne in the hands of production company Global Creatures, along with the Victorian Government. The Government is also a big player behind the Regent's upgrade works, having dropped a cool $14.5 million towards the $19.4 million project. It co-owns the site, along with the City of Melbourne. Moulin Rouge! The Musical's spectacular spectacular Melbourne season is set to stick around for a while, with tickets currently on sale until April 29. https://www.youtube.com/watch?v=ihH1VttqMzc&feature=emb_logo Updated October 26, 2021. Moulin Rouge! The Musical image: Matthew Murphy.
Four days after Victorian authorities identified the first cases in Melbourne's new COVID-19 cluster, much has already changed throughout the state. First came restrictions and an indoor mask mandate, and now a seven-day lockdown will start at 11.59pm today, Thursday, May 27. One of the reasons cited for shutting everything down for a week: the enormous number of primary and secondary contacts already linked to the 34 current active cases. This morning, Acting Premier James Merlino announnced that more than 10,000 people fit into those two categories so far. That huge crowd of contacts stems from the growing list of exposure sites, which sat at two on Monday afternoon and had gone up to 43 by Wednesday morning. Now, at the time of writing, it comes in at a whopping 83 locations. Plenty of big venues have been named already — including Highpoint Shopping Centre, one of the first places identified, and the MCG, during last weekend's Collingwood versus Port Adelaide match. And they're just two of the places on the list. Also included: Barkly Square in Brunswick between 1.15–2.30pm on Saturday, May 22. It is listed as a Tier 2 site — specific to Priceline, Kmart, Woolworths and OPSM — which means that anyone who attended those shops in that window of time must get tested immediately and self-isolate until they receive a negative result. https://twitter.com/VicGovDH/status/1397752015191642116 A positive case also attended the North Melbourne versus Essendon game at Marvel Stadium on Sunday, May 23. Certain sections of the stadium — Level 1 Aisles 5–28 and Level 3 Aisles 6–29 — have been deemed Tier 2 sites. The rest of the venue is listed as Tier 3, which requires monitoring for symptoms. Building 56 at RMIT has also been named in Tier 2, covering 8–10.30am on Friday, May 21 — and both IGA Coburg and Ritchie's IGA Pentridge fall into the same tier, the former from 2.30–2.50pm on Saturday, May 22 and the latter from 6.45–7.25pm on Monday, May 24. Betty's Burgers in Westfield Doncaster has been deemed Tier 1 (from 7.40–9.30pm on Sunday, May 23), which requires getting tested immediately and self-isolating for 14 days regardless of the result. The Local in Port Melbourne (from 1.30–3.30pm on Friday, May 21), The Palace Hotel in South Melbourne (from 5.45–6.45pm on Friday, May 21), Somewhere Bar in Prahran (from 10.30pm on Saturday, May 22–1am on Sunday, May 23), Circus Bar in South Yarra (from 1.30–4.15am on Sunday, May 23) and Criniti's Southbank (from 6–9pm on Sunday, May 23) are all on the Tier 1 list as well. So is Three Monkeys in Prahran, which pops up twice (from 9.10–11pm on Saturday, May 22 and 12.30–2am on Sunday, May 23). Melburnians can keep an eye on the local list of exposure sites at the Department of Health website — as usual, it will change as more sites are identified. For those looking to get tested, you can find a list of testing sites including regularly updated waiting times also on the Department of Health website. And, has remained the case throughout the pandemic, Melburnians should be looking out for coughs, fever, sore or scratchy throat, shortness of breath, or loss of smell or taste, symptoms-wise. For further details on the latest exposure sites and updated public health advice, see the Department of Health website. Top image: Google Maps.
Whether you're travelling for work, leisure or something in-between, if you're a Sydneysider who has been in Victoria lately — and will still be there after 4pm today, Thursday, May 27 — you've probably been happy to venture further than your own city. But, with the southern state currently experiencing its second lockdown for 2021, the New South Wales Government will require anyone who has visited Victoria from this afternoon to also abide by the same stay-at-home conditions. Yes, you should be feeling a bit of deja vu. Exactly the same thing happened when Brisbane went into lockdown twice earlier in 2021. NSW isn't closing its border to Victoria, but it has put a new isolation requirement in place for anyone in NSW who has been to the state and then enters NSW after the above time. As announced in a NSW Health public health alert released today, if you fall into that category, you're required to isolate under the same conditions that will be in place if you were to stay in Victoria. The rules are the same as during NSW's March 2020 lockdown, which means that you're only allowed to leave the house for select reasons. So, you can only head out for work or education if you can't do that at home, for essential shopping, for exercise in your local area, and for health care or to provide support for a vulnerable person. Victoria's lockdown will come into effect at 11.59pm tonight and run through until the same time on Thursday, June 3. https://twitter.com/NSWHealth/status/1397752475097042945 The one exception to NSW's stay-at-home requirement for folks who've been in Victoria: residents in border communities. You'll only need to stay home if you head outside the border region in Victoria after 4pm today — as per the map that's been used for previous bubbles. NSW Health is also advising people in the state against non-essential travel to the Greater Melbourne area at present. If you do travel and then come back to NSW while Victoria is in lockdown, you'll be subject to the above stay-at-home conditions upon your return. Victorian residents are advised not to travel to NSW after lockdown begins, unless they're permitted to do so. As always, the usual general advice regarding hygiene and social distancing applies in NSW, as it has throughout the pandemic. To find out more about the status of COVID-19 in NSW, head to the NSW Health website. For further details about the status of COVID-19 in Victoria, check out the Victorian Department of Health website.
Another day, another reason to peer upwards. If it feels like the heavens are putting on a show more often than not at the moment, well, they are. On Thursday, August 11, staring upwards meant looking at the supermoon. Over Friday, August 12–Saturday, August 13, it means catching the Perseids meteor shower at its peak, too. It's been a busy few weeks, with three other meteor showers — the Southern Delta Aquariids, Alpha Capricornids and Piscis Austrinids — also peaking in late July. The entire trio are also still visible right now, in fact. Yes, if you have a telescope at hand, it's clearly a great time to put it to use. Back to the Perseids — aka the spectacular sight brightening up your Friday and Saturday night, and also sticking around until Wednesday, August 24. If you're eager to catch a glimpse, even from just your backyard or balcony, here's how. [caption id="attachment_864940" align="alignnone" width="1920"] Brocken Inaglory via Wikimedia Commons[/caption] WHAT IS IT The Perseids meteor shower is actually a stream of debris called the Perseid cloud — and it's found in the orbit of the Swift–Tuttle comet. The latter was discovered in July 1862 by two separate people, spotting it independently from each other, hence the name, and then made a return appearance in 1992. The comet has a 133-year orbital period — but the Perseids are visible every year. So, from July 17–August 24, you might spot it if you are indeed peering up and towards the north. This one is generally best seen in the northern hemisphere, but that doesn't mean you can't spot it in the southern hemisphere. And, it's considered particularly impressive, with up to 100 meteors per hour. [caption id="attachment_864942" align="alignnone" width="1920"] John Flannery via Wikimedia Commons[/caption] WHEN TO SEE IT The shower will reach a peak overnight between Friday, August 12–Saturday, August 13, but will still be able to be seen until Wednesday, August 24. The best time to catch an eyeful is around 5am AEST, although the end of the supermoon might affect conditions during its peak. Still, you'll be in the running to see meteors moving at about 58 kilometres per second, and shining brightly. NASA has called the Perseids "one of the most vivid annual meteor showers visible in Earth's night sky" — but also notes that this year's full moon will likely reduce the peak "to 10–20 per hour at best". [caption id="attachment_864941" align="alignnone" width="1920"] NASA/Bill Ingalls via Wikimedia Commons[/caption] HOW TO SEE IT Whenever a meteor shower lights up the sky, a trusty piece of advice applies to city-dwellers: get as far away from light pollution as possible to get the best view. If you can't venture out of town, you can still take a gander from your backyard or balcony. To help locate the shower, we recommend downloading the Sky Map app — it's the easiest way to navigate the night sky (and is a lot of fun to use even on a non-meteor shower night). If you're more into specifics, Time and Date also has a table that shows the direction and altitude of the Perseids. It has been updating this daily. The weather might get in the way of your viewing, though, depending on where you live. On Friday, August 12, Sydney is set for rain at times, Melbourne for a few showers, Brisbane for possible showers and Adelaide for showers. In Perth, however, sunny conditions await. Top images: NASA/Bill Ingalls via Wikimedia Commons.
When the middle of any and every year approaches, we all yearn for a holiday. Summer feels forever ago, for starters. Months of life's chaos always spark getaway cravings. A change of scenery starts calling, too. With May more than halfway through and winter almost upon us for 2024, cue the ideal timing for Virgin's midyear sale on international flights. Return fares are a focus in this excuse to pack your suitcase — so whether you're keen on a trip to Tokyo, Bali, Fiji, Samoa, Vanuatu or Queenstown, you'll get discounts on the legs both there and back. And while the sale includes fares from Saturday, June 1, 2024, you can plan a trip as far away as autumn 2025, with Friday, April 11, 2025 the last date covered. Return flights start at $315, which'll get you from Melbourne to Queenstown and back. Sydneysiders will pay $365 and Brisbanites $425. If Fiji awaits you, return fares begin at $449 from Sydney. Bali flights start at $499 from the Gold Coast, while Vanuatu flights kick off at $579 and Samoa trips from $599, both out of Brisbane. And Tokyo fares come in at $675 to begin, which is out of Cairns. If you're only looking to make the trip to Queenstown without heading back, that's the only destination where you can choose between a one-way and a return option. The sale prices are for economy light fares — and, as usual when it comes to flight sales, you'll need to get in quick. Virgin's discounted fares are now on offer until midnight on Friday, May 24 or sold out, whichever arrives first. Some legs do have the pick of a choice fare as well, at a more expensive — but still on sale — price. Virgin's 2024 midyear international sale runs until midnight AEST on Friday, May 24 — or until sold out. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
You've listened your way through multiple seasons of Serial. You've tuned your ears to plenty of other similar podcasts, too. And, when you've been sat on your couch, you've watched your way through the seemingly non-stop array of shows about real-life cases as well — whether you're more interested in lurid stories such as Tiger King, or shows with a more personal focus like I'll Be Gone in the Dark. If all of the above applies to you, you're clearly a fan of true-crime tales. It's a great time to be interested in the subject, because more and more cases gone by keep getting the podcast or small-screen treatment. Dropping on Stan on Sunday, November 29, After the Night is the latest. And, if you feel like you've already seen and heard every story there is — especially regarding US crimes — this one focuses on an Australian serial killer. Known as 'The Night Caller', Eric Edgar Cooke terrorised Perth in the early 1960s. He's known to have murdered eight people, and he also assaulted and tried to kill many more, but local police took their time in connecting him to his horrendous acts. As created and directed by Perth-born filmmaker Thomas Meadmore (The Spy Who Fell to Earth), After The Night explores the details across a four-part series — spanning Meadmore's own return to Perth and also featuring interviews, including with two men wrongly convicted of Cooke's crimes. Viewers can expect a true-crime investigation with plenty of twists and turns — which is exactly what the genre always promises, of course. Here, though, you'll also watch your way through a series that ponders not only Cooke's heinous deeds, but the quest for justice they inspired and the impact the whole ordeal has left on the local community. Check out the trailer below: https://www.youtube.com/watch?v=TqQSfltwvuk&feature=youtu.be After the Night will be available to stream via Stan from Sunday, November 29.
A drama released in 1989 that saw its premiere cut short because of the fall of the Berlin Wall. A tale of corruption in the sporting arena. A documentary about perhaps the greatest German director that ever lived. A lengthy father-daughter comedy that no one can stop talking about (us included). Yes, they're all part of the 2016 German Film Fest's 36-title lineup, which roams around Australia this month. In a nutshell, it's a great year to get your fix of the country's cinematic offerings. In fact, there's so much packed into the festival's heaving program that the aforementioned movies aren't even the only titles on our must-see list — though they provide a great indication of the wealth of choices available. Check some of them out when the festival comes to Melbourne's Cinema Como, Palace Westgarth and Kino Cinemas between November 17 and 30.
If there’s one thing we take seriously in Melbourne, it’s our music, man. Now in its second year, Melbourne Music Week celebrates our city’s commitment to the grand tradition of the live gig, with around two hundred acts playing a stack of venues around town. The old Argus Building, temporarily renamed the Where?House, is being used as the Festival Hub, pumping out tunes day and night, while a slew of local bands will be playing everywhere from popular venues like the Toff, Bennett's Lane and Cherry Bar to more offbeat settings such as Melbourne University's underground car park. You can have indie pop for breakfast and punk for lunch, or even rock out on a tram. The “week” runs for nine days, there’s so much on, and peaks on the 22nd, when ten venues are putting on free gigs for the Live Music Safari. It will most certainly rock.
The laughs started with an opening monologue that had Jimmy Kimmel exclaim "Ryan, you're so hot. Let's go camping together and not tell our wives". The cheers began with Messi, the Palm Dog-winning pooch from Anatomy of a Fall, being spotted sitting in the audience. And the tears commenced not with Da'Vine Joy Randolph's Best Supporting Actress speech — where she said that she really didn't think that she was supposed to be doing this as a career, which did indeed inspire waterworks — but before that, with Lupita Nyong'o's introductory tribute to The Holdovers' actor. That's how the 96th Oscars kicked off — already five minutes over, as Kimmel noted, because Hollywood's night of nights doesn't quite believe in time — on Monday, March 11, Down Under. From there, the highlights kept coming. The Boy and the Heron winning Best Animated Feature was another big standout. So were Mstyslav Chernov wishing that he'd never had to make Best Documentary-winner 20 Days in Mariupol, which nabbed Ukraine's first Oscar; Godzilla Minus One taking out Best Visual Effects for a team who went up on the stage holding Godzilla figurines; American Fiction writer/director Cord Jefferson's plea for more support for films that don't cost $200 million when he won Best Adapted Screenplay; and Poor Things' stunning look and lead performance getting so much love. The awards' big winner: Oppenheimer as predicted, picking up seven awards. But it took until almost 90 minutes in for Christopher Nolan's J Robert Oppenheimer biopic to collect any gongs, ensuring that other movies earned recognition, too. When it was the film's time to shine, it resulted in a dedication to the peacemakers everywhere from Cillian Murphy and Robert Downey Jr thanking his terrible childhood. Yes, Barbie won best song, for 'What Was I Made For?'. Yes, Gosling's performance of 'I'm Just Ken' was a showstopper, complete with Greta Gerwig, Margot Robbie and America Ferrara singing along from the audience. And yes, everything from Wes Anderson nabbing his first-ever Oscar for The Wonderful Story of Henry Sugar to starting the In Memoriam tribute with footage from Navalny also happened. Kimmel calling out the fact that Gerwig wasn't nominated, Kate McKinnon thinking that the Jurassic Park movies are documentaries, The Fall Guy's Gosling and Emily Blunt bickering while paying tribute to stunt performers, John Cena appearing almost naked, and Twins and Junior co-stars (and past Batman villains) Danny DeVito and Arnold Schwarzenegger co-presenting: that all occurred as well. That's how the ceremony panned out — with much to celebrate, plenty of banter and, as always among the films that go home empty-handed, disappointments as well. Killers of the Flower Moon, Past Lives and Perfect Days are all still excellent pictures, for instance, and can always call themselves Oscar-nominees. (It's always worth remembering that a plethora of stellar films don't even get nominations, which doesn't make them any lesser flicks, either.) Now that the Academy Awards are all done and dusted for 2024, here's the full rundown: who won and what else was in the running, that is. You can also check out what we predicted would and should win, nine winners that you can and should watch right now in Australia and New Zealand, and our full lists of where most of this year's contenders are screening or streaming in both Australia and New Zealand. Oscar Winners and Nominees 2024: Best Motion Picture American Fiction Anatomy of a Fall Barbie The Holdovers Killers of the Flower Moon Maestro Oppenheimer — WINNER Past Lives Poor Things The Zone of Interest Best Director Justine Triet, Anatomy of a Fall Martin Scorsese, Killers of the Flower Moon Christopher Nolan, Oppenheimer — WINNER Yorgos Lanthimos, Poor Things Jonathan Glazer, The Zone of Interest Best Performance by an Actress in a Leading Role Annette Bening, Nyad Lily Gladstone, Killers of the Flower Moon Sandra Hüller, Anatomy of a Fall Carey Mulligan, Maestro Emma Stone, Poor Things — WINNER Best Performance by an Actor in a Leading Role Bradley Cooper, Maestro Colman Domingo, Rustin Paul Giamatti, The Holdovers Cillian Murphy, Oppenheimer — WINNER Jeffrey Wright, American Fiction Best Performance by an Actress in a Supporting Role Emily Blunt, Oppenheimer Danielle Brooks, The Color Purple America Ferrera, Barbie Jodie Foster, Nyad Da'Vine Joy Randolph, The Holdovers — WINNER Best Performance by an Actor in a Supporting Role Sterling K Brown, American Fiction Robert De Niro, Killers of the Flower Moon Robert Downey Jr, Oppenheimer — WINNER Ryan Gosling, Barbie Mark Ruffalo, Poor Things Best Original Screenplay Anatomy of a Fall, Justine Triet and Arthur Harari — WINNER The Holdovers, David Hemingson Maestro, Bradley Cooper and Josh Singer May December, Samy Burch and Alex Mechanik Past Lives, Celine Song Best Adapted Screenplay American Fiction, Cord Jefferson — WINNER Barbie, Greta Gerwig and Noah Baumbach Oppenheimer, Christopher Nolan Poor Things, Tony McNamara The Zone of Interest, Jonathan Glazer Best International Feature Film Io Capitano, Italy Perfect Days, Japan Society of the Snow, Spain The Teachers' Lounge, Germany The Zone of Interest, United Kingdom — WINNER Best Animated Feature The Boy and the Heron — WINNER Elemental Nimona Robot Dreams Spider-Man: Across the Spider-Verse Best Documentary Feature Bobi Wine: The People's President The Eternal Memory Four Daughters To Kill a Tiger 20 Days in Mariupol — WINNER Best Original Score American Fiction, Laura Karpman Indiana Jones and the Dial of Destiny, John Williams Killers of the Flower Moon, Robbie Robertson Oppenheimer, Ludwig Göransson — WINNER Poor Things, Jerskin Fendrix Best Original Song 'The Fire Inside', Flamin' Hot, Diane Warren 'I'm Just Ken', Barbie, Mark Ronson and Andrew Wyatt 'It Never Went Away', American Symphony, Jon Batiste and Dan Wilson 'Wahzhazhe (A Song For My People)', Killers of the Flower Moon, Scott George 'What Was I Made For?', Barbie, Billie Eilish and Finneas O'Connell — WINNER Best Cinematography El Conde, Edward Lachman Killers of the Flower Moon, Rodrigo Prieto Maestro, Matthew Libatique Oppenheimer, Hoyte van Hoytema — WINNER Poor Things, Robbie Ryan Best Film Editing Anatomy of a Fall, Laurent Sénéchal The Holdovers, Kevin Tent Killers of the Flower Moon, Thelma Schoonmaker Oppenheimer, Jennifer Lame — WINNER Poor Things, Yorgos Mavropsaridis Best Production Design Barbie Killers of the Flower Moon Napoleon Oppenheimer Poor Things — WINNER Best Visual Effects The Creator Godzilla Minus One — WINNER Guardians of the Galaxy Vol. 3 Mission: Impossible — Dead Reckoning Part One Napoleon Best Costume Design Barbie, Jacqueline Durran Killers of the Flower Moon, Jacqueline West Napoleon, Janty Yates and Dave Crossman Oppenheimer, Ellen Mirojnick Poor Things, Holly Waddington — WINNER Best Makeup and Hairstyling Golda Maestro Oppenheimer Poor Things — WINNER Society of the Snow Best Sound The Creator Maestro Mission: Impossible — Dead Reckoning Part One Oppenheimer The Zone of Interest — WINNER Best Documentary Short Subject The ABCs of Book Banning The Barber of Little Rock Island in Between The Last Repair Shop — WINNER Nǎi Nai & Wài Pó Best Animated Short Film Letter to a Pig Ninety-Five Senses Our Uniform Pachyderme WAR IS OVER! Inspired by the Music of John & Yoko — WINNER Best Live-Action Short Film The After Invincible Knight of Fortune Red, White and Blue The Wonderful Story of Henry Sugar — WINNER The 2024 Oscars will be announced on Monday, March 11, Australian and New Zealand time. For further details, head to the awards' website.
"Remember, the force will be with you. Always." Back in 1977, in a little movie called Star Wars — now known as Star Wars: Episode IV — A New Hope — Obi-Wan Kenobi uttered these words to Luke Skywalker. They were meant as encouragement and reassurance, but they've also proven true for fans of the George Lucas-created franchise. This space-opera series has been with us ever since, including through prequels, sequels, spinoffs, theme parks and more, and it shows absolutely no signs of going anywhere soon. In this very time, in this very galaxy, someone is usually on a screen somewhere talking about the force, in fact — and expect it to get more than a few mentions in the latest Star Wars streaming series that's headed our way. This one's a big one, and exactly why is all there in the title. Help us Obi-Wan Kenobi, you're our only hope for a new step into the Star Wars realm come Wednesday, May 25 on Disney+. Ewan McGregor (Halston) once again dons the iconic Jedi master's robes, in a six-episode series that's set ten years after Star Wars: Episode III — Revenge of the Sith. Bridging the gap in Obi-Wan's story between the prequels and the OG Star Wars flicks, it follows the fallout after Anakin Skywalker's (Hayden Christensen, The Last Man) turn to the dark side and reinvention as Sith Lord Darth Vader. And yes, Christensen is back as well as the villainous figure. [caption id="attachment_845698" align="alignnone" width="1920"] © 2022 Lucasfilm Ltd. & ™. All Rights Reserved.[/caption] While Obi-Wan Kenobi won't hit your streaming queue for just over two months, Disney+ has just dropped the next best thing: the show's first teaser trailer. A word of warning: for a show that splashes Obi-Wan Kenobi's name across its moniker, its first sneak peek is a little light on Obi-Wan himself, but it does set the scene for the showdown between the Jedi and his former padawan that's obviously coming. The sandy expanse of Tatooine earns some attention, with Obi-Wan keeping an eye on the young Luke Skywalker. Across the rest of the galaxy, the hunt to find where Kenobi is hiding is well and truly on. Coming to Disney+ following fellow Star Wars dramas The Mandalorian and The Book of Boba Fett, Obi-Wan Kenobi sees Joel Edgerton (The Green Knight) and Bonnie Piesse return as Owen and Beru Lars, too — and also stars Moses Ingram (The Queen's Gambit), Kumail Nanjiani (Eternals), Indira Varma (This Way Up), Rupert Friend (The French Dispatch), O'Shea Jackson Jr (Just Mercy), Sung Kang (Fast and Furious 9), Simone Kessell (1%) and Benny Safdie (Licorice Pizza). Check out the trailer for Obi-Wan Kenobi below: Obi-Wan Kenobi starts streaming via Disney+ on Wednesday, May 25.
What does Brisbane have in common with music superstars Beyoncé, Björk, Lady Gaga and Rihanna, and also Oscar-winners Cate Blanchett and Tilda Swinton? An appreciation for fashion designer Iris van Herpen. The avant-garde Dutch talent has dressed them all, including creating the breathtaking Heliosphere dress that proved a showstopper on Beyoncé's Renaissance tour. The latter gigs haven't made it Down Under, but the Australian-exclusive Sculpting the Senses exhibition at the Queensland capital's Gallery of Modern Art will take you into the world of the haute couture figure who played a part in it. Fashion lovers have until Monday, October 7, 2024 to explore one of GOMA's big showcases for 2024, which continues to plunge the South Brisbane site into an enchanting and ethereal realm after Fairy Tales, its huge summer exhibition, did the same. Pieces by van Herpen can't be mistaken for designs by anyone else, sitting at the intersection of couture, art and design, while also exploring technological advancements such as 3D printing. In that field, she's widely considered the first to make a garment this way. From gowns to accessories, a massive 130 of van Herpen's pieces are now on display in the River City. Across nine chapters — some nodding to the dreamlike sheen that accompanies the designer's pieces, others focusing on skeletal structures, inspirations, and how the sea and the cosmos are an influence — Iris van Herpen: Sculpting the Senses steps through the work of a creative who boasts stints alongside Alexander McQueen and Claudy Jongstra on her resume. It was almost two decades back, in 2007, that the Maison Iris van Herpen came to life in Amsterdam. Evoking her studio, complete with a cabinet of curiosities, is also part of GOMA's celebration. In this section of the exhibition, attendees will also see a space dedicated to fashion shows and unpack the various development stages of a dress. [caption id="attachment_966403" align="alignnone" width="1917"] Installation view of 'Iris van Herpen: Sculpting the Senses'. Iris van Herpen / Netherlands b.1984 / Daniel Widrig (Collaborator) / United Kingdom b.1977 / Materialise (Collaborator) / Belguim est.1990 / Crystallization top and skirt, from the 'Capriole' collection 2011 / 3D-printed polyamide using selective laser sintering, eco-leather, cotton, nylon thread / Purchased thanks to the patronage of Doctor and Madam Léon Crivain, 2018 / Collection: Musée des Arts Décoratifs, Paris. Courtney Mattison / United States b.1985 / Malum Geminos 2019 / Glazed stoneware and porcelain / Courtesy: The artist. Iris van Herpen / Netherlands b.1984 / Nicholas Koscinski (Collaborator)/ United States b.1992 / Futurama gown, from the 'Meta Morphism' collection 2022 / 3D-printed Bluesint (upcycled polyamide) using selective laser sintering, silver, silk, organza, tulle / Courtesy: Iris van Herpen atelier. © The artists / Photograph: C Callistemon © QAGOMA.[/caption] Hitting Brisbane after a run in Paris, co-organised by the Musée des Arts Décoratifs, and boasting the organisation's Dr Cloé Pitiot and Louise Curtis on curatorial duties alongside QAGOMA's Nina Miall and Jacinta Giles, Iris van Herpen: Sculpting the Senses takes its name seriously. This is a feast for the eyes, clearly, but also comes paired with a soundscape by Dutch sound artist Salvador Breed — not just a collaborator of van Herpen's, but her partner — to enhance the experience. Among the specific fashion gems featured, the exhibition draws from 2010's water-themed 'Crystallization' collection, which took its cues from water being splashed at models; 2020's 'Sensory Seas', with hydrozoa such as the bluebottle an influence; and 2012's 'Micro' and 'Hybrid Holism', each teeming with microscopic detail that mimics the natural world — just for starters. Elsewhere, van Herpen's designs use X-rays, MRIs, neuroscience, mythology, alchemy, biotech, NASA's James Webb space telescope and more as guides. Visitors will equally spy a range of complementary pieces surrounding van Herpen's designs, weaving in Yayoi Kusama, Cai Guo-Qiang, Japanese art collective Mé and Kohei Nawa, for instance. Megan Cope, Philip Beesley, Anne Noble, Damien Jalet, Casey Curran, Rogan Brown, Ren Ri and Courtney Mattison also have works in Iris van Herpen: Sculpting the Senses, as does the Living Architecture Systems Group. Natural history objects add yet another layer. The dramatic staging, especially when van Herpen's work is set against a black background, achieves the same. Similarly featuring: installations, videos and photographs. [caption id="attachment_966407" align="alignnone" width="1917"] Installation view of 'Iris van Herpen: Sculpting the Senses'. (l) Iris van Herpen / Netherlands b.1984 / Water dress, special project 2010 / Heat-moulded PETG / Collection: Groninger Museum, Netherlands / © Iris van Herpen. (r) David Spriggs / Canada b.1978 / Origins 2018 / PET film, acrylic Plexiglas, LED, acrylic paint, metal / Collection: Dr Pierre Miron / © David Spriggs. Photograph: C Callistemon © QAGOMA.[/caption] Top images: Installation view of 'Iris van Herpen: Sculpting the Senses' including (front l-r) Symbiotic asymmetric dress, from the 'Shift Souls' collection 2019 by Iris van Herpen; Fractal Flows dress, from the 'Sensory Seas' collection 2020 by Iris van Herpen with collaborator Perry Hall; and Cosmica gown, from the 'Shift Souls' collection 2019 by Iris van Herpen with collaborator Kim Keever / © Iris van Herpen / Photograph: C Callistemon © QAGOMA. Installation view of the Cabinet of Curiosities in 'Iris van Herpen: Sculpting the Senses', Gallery of Modern Art, Brisbane / © Iris van Herpen / Photograph: J Ruckli © QAGOMA. Iris van Herpen: Runway films 2017-23 (installation view, 'Iris van Herpen: Sculpting the Senses') / Video, colour, sound, 57:51 minutes (total, looped) / Editor: Simona Gol / Music selection: Salvador Breed / Courtesy: Iris van Herpen Atelier / © Iris van Herpen / Photograph: C Callistemon © QAGOMA.
"Fan art" comes in a bizarre array of forms. Couch-dwelling admirers of films and television series have brought us such timeless works of art as Elvis murals made from burnt toast, life-size stormtrooper costumes and the burgeoning industry of "fan fiction". While this sort of fandom, at times bordering on obsession, tends to be fairly laughable, Spanish artist Iñaki Aliste Lizarralde has transformed her TV fixation into something truly fascinating, creating hand-drawn, blueprints of some of television's most beloved apartments. With these intricate aerial views fans can now take a virtual tour through the apartments of Sex and the City, The Big Bang Theory and Friends, while forever wondering how a bunch of characters that seem to divide their time fairly evenly between coffee houses and trendy bars manage to afford these fab pads. Friends - Chandler & Joey and Monica & Rachel's Apartments The Big Bang Theory - Sheldon & Leonard and Penny's Apartments Frasier - Frasier Crane's Apartment Sex and the City - Carrie Bradshaw's Apartment Original Batman TV series - Wayne Manor
