Autumn might be in full swing across Australia — whatever autumn looks like in your part of the country — but an endless summer now awaits. Fancy spending a year flying around the country, and the world, to various beach spots? Win Jetstar's latest giveaway and that's on your agenda. The Aussie airline is handing out a golden ticket — and, because it isn't Willy Wonka, there's no free chocolate involved. Instead, the carrier is gifting the lucky recipient a year's worth of free flights, although there is a limit to how much you can get soaring over a 12-month period. One person will receive up to $24,000 in Jetstar flights, which'll come in the form of 12 return flights to any beach within Australia, plus six international return flights — both for two people. So, if you win, your other half / bestie / sibling is going to want to start making holiday plans, too. Before you can go in the running for the contest, which is only open to over 18s, you need to start how Jetstar wants you to continue: by hitting up a local beach. Until Thursday, March 16, the airline is asking for your snaps — but where you'll need to head, when and what you'll need to do for your picture varies. On Saturday, March 11 in Melbourne, for instance, you'll need to head to Catani Gardens Beach in St Kilda between 10am–12pm. On Sunday, March 12 in Sydney, the same applies at Bondi Surf Bathers Life Saving Club from 10am–12pm, too. At both spots, folks will find a pair of 14-karat gold trunks. And yes, that's what you'll need to take a photo of — a selfie, in fact — then upload it to Instagram Stories while tagging @JetstarAustralia #TheGoldenTicketTogs. Those shimmering swimmers won't be heading elsewhere, but residents of Canberra will still want to hit up Lake Burley Griffin from 9am–5pm on Monday, March 13 — and Adelaide inhabitants should make their way to Adelaide Oval from 9am–5pm on Tuesday, March 14. In Perth, you're going to City Beach from 9am–5pm on Wednesday, March 15. And southeast Queenslanders, including Brisbanites, have a date with the Pelican Beach boat ramp on the Gold Coast in their future from 9am–5pm on Thursday, March 16. Visit those togs-free spots in the ACT, SA, WA and Queensland, and you'll be looking for Golden Ticket Togs posters and billboards. Again, you'll need to take a pic, then upload to Instagram Stories while tagging @JetstarAustralia #TheGoldenTicketTogs. Jetstar advises that the most creative golden snap will win, so interpret that however you like. It'll then pick one per state/territory, and open up the ultimate winner to a public vote. View this post on Instagram A post shared by Jetstar Australia (@jetstaraustralia) Jetstar's Golden Ticket Togs promotion runs on different dates in different states, closing with its Queensland leg on Thursday, March 16. Head to Jetstar's Instagram for further details, and the airline's website for terms and conditions. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Seduced and Abandoned opens with a quote by the late great Orson Welles: "I look back on my life and it’s 95 percent running around trying to raise money to make movies and 5 percent actually making them. It's no way to live." It doesn't matter if you're a Hollywood heartthrob or have an Oscar on the mantlepiece. When it comes to movie business, everybody answers to the accountants. Enter Alec Baldwin and writer-director James Toback (Bugsy). Both veterans of the Hollywood meatgrinder, the pair decide to join forces in order to expose what makes the industry tick. Their plan: fly to the glamorous Cannes Film Festival and pitch a screenplay to cinema's elite. The result of their collaboration is an amusing and, at times, genuinely revealing doco — albeit one with distinctively niche appeal, and cloaked in an air of unmistakable self-satisfaction. Baldwin leverages his celebrity status into some seriously impressive interviews, from A-list actors like Jessica Chastain and Ryan Gosling, to celebrated directors including Martin Scorsese, Roman Polanski and Francis Ford Coppola. The latter group proves especially interesting — or at least will to the movies buffs at whom the film is squarely aimed. To think that no one wanted to fund Apocalypse Now despite Coppala having just completed the Godfather movies' is nothing short of staggering. The conversations with filmmakers are actually a lot more satisfying than Baldwin and Toback's phoney business meetings. The 'film' they're pitching is a reimagining of Bernado Bertolluci's sexually explicit drama Last Tango in Paris, summarised by Baldwin thusly: "a government operative and a lefty journalist meet in Iraq during the war… It’s like, 'the world is ending, let’s fuck'. We'll call the movie Last Tango in Tikrit." Of course, there is no movie. The pitch is designed to fail, thus proving Baldwin and Toback's conceit that it's virtually impossible to get a 'worthy' film project off the ground. While the deception is intended as tongue-in-check, the delivery still comes across as disingenuous — and more than a little on the smug side. The same descriptors could be applied to Baldwin himself, whose charm slips into pomposity on more than one occasion. Not to mention that, at the end of the day, being unable to raise $25 million to roll around in the nude with a beautiful actress kind of seems like a first-world problem. Then again, that's the shallow world in which the film takes place. Sure, we probably didn't need Toback and Baldwin to tell us the biz is a fickle mistress. But the way they relay the message is certainly entertaining.
Over the past few years, Qantas has launched 17-hour non-stop flights from Perth to London, and trialled even lengthier trips direct from the east coast to the UK and US. The Australian airline introduced biofuel into its jaunts from Melbourne to Los Angeles, and committed to phasing out single-use plastics and paper boarding passes. And, since 2014, it has also begun each year in an impressive way: by being named the safest airline to travel on. Earning the highly sought-after accolade again in 2020, the Aussie carrier has now topped AirlineRatings.com's list for seven years in a row. Entering its 100th year of operation, the airline emerged victorious from a pool of 405 carriers from around the world, with Virgin Australia and Air New Zealand also making the site's top 20. The other 17 airlines span EVA Air, Etihad, Qatar Airways, Singapore Airlines, Emirates, Alaska Airlines, Cathay Pacific Airways, Hawaiian Airlines, Virgin Atlantic Airlines, TAP Portugal, SAS, Royal Jordanian, Swiss, Finnair, Lufthansa, Aer Lingus and KLM. If you're a budget-conscious flyer, the website also outlined the ten safest low-cost airlines. While Jetstar made the list last year, it didn't repeat the feat for 2020 — with Air Arabia, Flybe, Frontier, HK Express, IndiGo, Jetblue, Volaris, Vueling, Westjet and Wizz doing the honours instead. Factors that influence a carrier's placement on the two lists include crash and incident records, safety initiatives, fleet age, profitability, and audits by aviation governing bodies, industry bodies and governments. Via AirlineRatings.com.
It’s called Dracula Untold — a curious title in light of the fact that an IMDB search shows it’s already been told over 200 times. But perhaps there’s something new here? Nope. Did you know Dracula was originally Vlad the Impaler? Yep. Did you know his dastardly turn to darkness was a result of the death of his beloved Mina? Yep. Did you know he ‘vonts to sarrrrk your blaaaard’? Of course you did. Here’s the critical thing: a guy whose nickname includes the words “the Impaler” is not a nice guy. He’s an impaler. He impales people. Yet Dracula Untold sets out with the task of humanising a monster for the purposes of... what, exactly? There isn’t an ‘evil bias’ that needs to be redressed for the sake of balance. Nobody's crying out for Pol Pot to get a heartwarming movie of the week to ensure ‘his side of the story’ is told. Some people are simply savage wretches and wretches they will remain. In short: let villains be villains. Here, the villain isn’t Dracula, but instead the Turkish sultan ‘Mehmed', determined to claim 1000 young Transylvanian boys for his army. Sultan ‘Meh’ would be far more appropriate. He, like the rest of the film, is bland and unthreatening, afforded only a smattering of flavourless lines to occasionally remind us he’s a cold and unfeeling dictator. In response, Vlad opts to become a cold and unfeeling vampire to stop him and save Transylvania’s people. He’s a 19th-century Batman in that he’s a night-time vigilante capable of literally morphing into bats when he needs to get anywhere. The special effects are good, but who cares? This is a film that — lame pun absolutely intended — sucks.
Dust off your petticoat and get your doublets out of the attic — because London's historic Globe Theatre is heading online. You can't currently visit the site itself, which was originally built by Shakespeare's playing company and housed his greatest works; however you can watch six of the Bard's plays performed on its stages thanks to Shakespeare's Globe On Screen. History buffs and Shakespeare enthusiasts alike now have the opportunity to soak in productions on the venue's YouTube channel, with a different pre-recorded performance made available every fortnight. And, checking out these acclaimed works won't cost you a cent, with the six plays streaming for free. https://www.youtube.com/watch?v=8TuR24xhtYg Until Sunday, April 19, ponder whether to be or not to be with a 2018 production of Hamlet. Then, between Monday, April 20–Sunday, May 3, revisit the star-cross'd romance of Romeo and Juliet, as performed in 2009. The fortnight spanning Monday, May 4–Sunday, May 17 will be all about a 2013 version of A Midsummer Night's Dream, with The Two Noble Kinsmen (from 2018; streaming from Monday, May 18–Sunday May 31), The Winter's Tale (from 2018; streaming from Monday, June 1–Sunday, June 14) and The Merry Wives of Windsor (from 2019; streaming from Monday, June 15–Sunday, June 28) all following. Top images: John Wildgoose / Shakespeare's Globe.
2025 is going to be the year when Australia gets to see Oasis live again. And, after already announcing two Down Under shows on their reunion tour now that Liam and Noel Gallagher are happy to take to the stage together once more, the Manchester-born band has doubled their upcoming Aussie gigs. They're still only playing two cities, however, doing a couple of shows apiece in Sydney and Melbourne. Next year marks 20 years since Oasis last toured Australia, but that's where the lengthy gap between the band's Down Under shows is ending. There's comeback tours and then there's Britain's most-famous feuding siblings reuniting to bring one of the country's iconic groups back together live — aka the biggest story in music touring of 2024 since Liam and Noel announced in August that they were reforming the band, and also burying the hatchet. [caption id="attachment_975202" align="alignnone" width="1920"] Simon Emmett[/caption] Initially, Oasis locked in a run of shows in the UK and Ireland. Since then, they've been expanding their tour dates, also confirming visits to Canada and the US. From London, Manchester and Dublin to Toronto, Los Angeles and Mexico City, the entire tour so far is sold out. That's the story, morning glory — and expect Australian tickets to get snapped up swiftly for Oasis' four announced concerts. The Aussie tour starts on Halloween 2025 at Marvel Stadium in the Victorian capital, and now will also return to the same venue on Saturday, November 1. It's Sydney's turn in the Harbour City a week later, at Accor Stadium across Friday, November 7–Saturday, November 8 . [caption id="attachment_975205" align="alignnone" width="1920"] Oasis Knebworth 1996, Photo by Roberta Parkin/Redferns[/caption] Oasis broke up in 2009, four years after their last Australian tour, and following seven albums from 1994's Definitely Maybe through to 2008's Dig Your Soul — and after drawing massive crowds to their live gigs along the way (see: documentary Oasis Knebworth 1996). If you're feeling supersonic about the group's reunion, you can likely expect to hear that track, plus everything from 'Live Forever', 'Cigarettes & Alcohol', 'Morning Glory' and 'Some Might Say' through to 'Wonderwall', 'Don't Look Back in Anger' and 'Champagne Supernova' when they hit Australia. Oasis Live '25 Australian Dates Friday, October 31–Saturday, November 1 — Marvel Stadium, Melbourne Friday, November 7–Saturday, November 8 — Accor Stadium, Sydney Oasis are touring Australia in October and November 2025, with Melbourne tickets on sale from 10am AEDT and Sydney tickets from 12pm AEDT on Tuesday, October 15. Head to the tour website for more details. Top image: Batiste Safont via Wikimedia Commons.
Collingwood gallery Lamington Drive has been busy installing its latest exhibition, Lucky Dip. Created by Melbourne design brand Dowel Jones, the interactive exhibition draws its inspiration from $2 shops and childhood lucky dips. Concealed within a sea of brown boxes, are objects designed specifically for the show — as well as some classic Dowel Jones pieces and collaborations — that you can actually take home. Pay either $20 or $50, write your name on a sticker, bang it on a box of your choosing, and you could the proud new owner of a kitchen table — or a teaspoon. For those participating, be warned: the size of the box doesn't automatically correspond to the size of the object within. If you'd like to get first pick of the lucky dip, head along to the opening reception, which will be held from 6–9pm on Wednesday, August 22. The draw will then be called when the exhibition wraps up on Saturday, September 15, upon when you can return to claim your lucky dip prize.
If you're not the heiress of a Russian billionaire or a Victoria's Secret model, then it's probably unlikely that you have the spare cash to buy yourself a private island or hold your 21st birthday on one. Despair not. Do what you can to rustle up $1500 and you'll have the option of spending the night on a man-made island: Africa's first underwater hotel room. Opened as the Manta Resort's newest attraction on November 1, 2013, the subaquatic accommodation floats in a circular blue hole in the coral reef near Pemba Island, off the East Coast of Tanzania. The top floor — above sea-level — features an open-air deck where guests can relax, take in the idyllic Indian Ocean surroundings and soak up some sun or gaze at the stars. The bottom floor, submerged to the depth of four metres, is a bedroom, walled entirely in glass and affording dreamy views of passing sea-life. The nocturnal scenes, illuminated by spotlights, have been described as rather surreal. The vacation innovation was designed by Swedish installation artist and sculptor Mikael Genberg. He's the brains behind the Utter Inn, an underwater room built in a lake near Stockholm, and is currently contemplating putting a Swedish-style cottage on the moon. Funding was achieved via a newly formed company registered in Zanzibar, Genberg Art UW Limited, which represents a collaboration between several Swedish and Tanzanian investors, including Genberg Underwater Hotels, Christer and Jacky Abrahamsson, Hans Elis Johansson and Michael Wild. Via PSFK.
Whether it's a first or fiftieth, there's one element of a birthday that never gets old: the party. And cake. Okay, that's two, but cake is delicious. Saturday, September 1 marks a very special birthday indeed. Sophisticated all-day bar Cliveden Bar and Dining is celebrating one year since it opened as part of Pullman Melbourne on the Park's $6 million makeover. Sitting pretty opposite the MCG, The Cliveden was once the fine-diner The Cliveden Room, an A-list celeb haunt in the 80s and 90s. It's now throwing a party to rival those it used to have back in its previous life. To celebrate, The Cliveden will host a gin-infused high tea with gin drinks and eats. Think gin-cured salmon, scones with negroni jam and gin-infused lemon tarts, in a very spirit-soaked twist on a traditional high tea. Gin cocktails will be on the go all day with a Violet Maiden (gin, violet liqueur, egg white), Bloody Aussie Negroni (Four Pillar's Bloody Shiraz gin, sweet vermouth, Okar) and Vintage Cliveden (Cliveden gin, Peychaud's Bitters) all part of the mix. There'll be prizes up for grabs, and tickets are $60 (or $50 if you're an AccorPlus member). And, if you really want to go all out — which you probably do, because it's a birthday party and the first day of spring, too — you can add bottomless sparkling wine for just another $12. You certainly won't be leaving thirsty. To secure your spot, tickets can be purchased here.
A few years back, Casey Jenkins spent 28 days sitting in an art gallery in Darwin, knitting using wool loomed from her vagina. The video of the performance (NSFW, by the way) went viral online, generating thousands of horrified reactions. In Programmed to Reproduce for the Festival of Live Art 2016, the Melbourne-based artist responds to her attackers, creating a brand new knitted work, using wool soaked in her menstrual blood that reflects how people — and particularly women — are treated on the web. Audiences will also be invited to share their own experiences with online harassment, as Jenkins unravels complex notions of identity and judgement in the modern age.
When we watched The Fifth Element almost 20 years ago (yes, it's been almost 20 whole years), we didn't dare imagine that we could have Bruce Willis' flying car with autopilot mode. Thankfully, we're not quite at the flying car stage in history, but self-driving cars are most definitely a thing. Still can't imagine getting in a car without a driver? You better get used to the fact — and fast. US ridesharing company Lyft (a major competitor to Uber in the States) is teaming up with General Motors to test out self-driving cabs. On real life customers. The trial doesn't have a confirmed location yet, but it will be offered as an option to punters in one of the cities Lyft services sometime in 2017. According to The Wall Street Journal, customers will have the opportunity to choose a self-driving or human-driving car when ordering one from the Lyft app. The app will also allow passengers to contact customer support if something goes wrong, and to tell the car when to go and when it can leave after they've reached their destination. The partnership comes after GM invested a cool $500 million in Lyft a few months ago, and it signals the entry of driverless cars into the mainstream. They'll be testing out their self-driving Chevrolet Bolt electric taxis in the trial — the first time they'll be placed on public roads. Watch out, world. Via The Wall Street Journal.
Abbotsford is about to gain a major addition to its beer scene when Bodriggy Brewing Co opens next month. The brewpub and bottle shop will sit in a converted mechanics warehouse along Johnston Street. It'll fit 400 all up and feature an impressive 64 tap bar, along with Latin American eats by an ex-Vue de Monde chef. The new venue is the work of the owners of Dr Morse (which is located just across the street), Jon Costello, Anthony Daniels and Peter Walsh, who have been brewing under the Bodriggy brand for two years now. Head Brewer Tristan Barlow is creating seven new beers for the venue's launch, including a New England IPA called Cosmic Microwave. The brewery's existing pale ale and lactose sour brews will also be included on the whopping 64 tap list — as well as wine and cocktails. In the kitchen, Chef John Dominguez (Vue de Monde, Dinner by Heston) will be serving up pulled pork tacos, whole grilled cauliflower with chimichurri and fried jalapeño tacos with smoked fish, pickled onions and cabbage. Plenty of tequila and mezcal will be on offer to complement the food, too — those are courtesy of the bar team: Mikey Braun (Black Pearl) and Max Hart (Boilermaker House). [caption id="attachment_731932" align="alignnone" width="1920"] Jon Costello, Anthony Daniels and Peter Walsh[/caption] The warehouse reno has been led by builder, designer and co-owner Daniels, whose past projects have included The Aviary and Plug Nickel. Expect an airy space that uses organic and salvaged materials — old balustrades from the Melbourne Cricket Grounds have been used to frame the toilets, for example, and the dining lamps were recovered from the Palais Theatre. A large planter box also sits central in the space. And, if that isn't already enough, live music and DJs will play regularly at the brewpub, too. We'll see you there. Bodriggy Brewing Co will open this August at 245 Johnston Street, Abbotsford. Keep an eye on this space for exact opening date.
It's been a heck of a long time coming, but retail giant Amazon will this week open the doors to the first of its automated grocery stores in Seattle, USA. As reported by CNBC, the Amazon Go concept is out to shake up the retail industry, by doing away with the queues, checkouts and registers of traditional grocery stores. Instead, customers scan their Amazon Go app upon walking into the store, cameras and sensors are used to track which products are taken from the shelves and make their way into a virtual shopping cart, and shoppers are charged accordingly and emailed their receipt after leaving. But while it all sounds pretty nifty, there's always a swag of hype surrounding Amazon's new technologies and launches, and lately the company seems to have had some issues bringing them to fruition. The Seattle store was scheduled to open to the public back in early 2017, but was delayed for testing nearly a year due to kinks in the automated check-out technology. There has been speculation that Amazon is aiming to open bricks-and-mortar stores in Australia as well, namely its grocery service Amazon Fresh. But given the long-overdue launach of Amazon's Australian online retail service late last year, we won't hold our breath waiting for the Amazon Go concept to arrive Down Under for a little while. Via CNBC.
Fast cars, pulse-pounding action and plot holes bigger than the veins in Dwayne Johnson’s biceps: the seventh entry in the Fast and/or Furious franchise delivers everything fans have come to expect. And yes, to be clear, we mean that as a compliment. In an age where most Hollywood blockbusters do everything they can to seem dark and gritty, this souped-up seven-part soap opera drives straight in the other direction, delivering delightfully silly, self-aware thrills at every possible turn. The most over-the-top film in the franchise so far, Fast & Furious 7 doesn’t just jump the shark; it sails over the shark’s head at 245mph, in a $3.5 million Lykan Hypersport, in slow motion, while half a dozen strippers dance to a Wiz Khalifa song playing in the background. The 'plot' of the film sees Dominic Toretto (Vin Diesel) and his hetero life partner Brian O’Connor (Paul Walker) back on the streets of Los Angeles after earning a pardon for six movies’ worth of crimes. Unfortunately for them, their newfound tranquillity is short-lived, as Deckard Shaw (Jason Statham playing the same character he always does, only evil) shows up to avenge his brother Luke, aka the bad guy from Fast & Furious 6. Dom and Brian’s only option is to team up with Agent Frank Petty (franchise newbie Kurt Russell), who promises to help them deal with Shaw in exchange for rescuing a computer hacker (Nathalie Emmanuel) from a group of international terrorists. Of course, in order to manage such a mission, they’ll need their regular crew, including Letty (Michelle Rodriguez), Roman (Tyrese Gibson) and Tej (Chris ‘Ludacris’ Bridges). Think of them as being kind of like the Avengers, only more racially diverse, and marginally less bound by the laws of physics or common sense. If they’ve got time, they might even be able to solve the mystery of who keeps stealing the sleeves off Vin Diesel’s shirts. Australian director James Wan takes over from four-time franchise helmsman Justin Lin, and manages to capture the film’s many, many action scenes with similarly explosive aplomb. Silliness aside, one of the great things about this series is how it opts for actual stunt-work and stunt driving instead of just relying on digital effects. That said, we kind of suspect the scene in which a car is driven out the side of a skyscraper and through the side of another probably benefited from a little bit of computer-generated magic. To say that that sequence isn’t even the most ridiculous thing about Fast & Furious 7 should really drive home just how absurd this movie is. To their credit though, the cast still play it 100% straight, and in doing so have managed to get this franchise to that sweet spot where even its legitimately terrible moments — including maybe the most blatant moment of product placement in the history of modern cinema — still manage to be kind of entertaining. Well, almost. We’ve gotta say that Wan’s use of the Michael Bay ass-cam on any and all female extras gets creepy pretty fast. It doesn’t help that the once gender-balanced cast of heroes has basically been reduced to a bunch of bros plus Michelle Rodriguez. Definitely something they should correct in Fast & Furious 8. Apparently Helen Mirren has already put her hand up to play the villain. Now that would be amazing.
Every last trilby-wearing tween celebrity, former President's daughter and your smug, smug US-based friends will be rubbing their paws together after this afternoon's Coachella festival lineup announcement. Running over two weekends from April 10–19, the Californian festival has delivered its usual jaw-dropper of a lineup. Leading the charge on both Saturday nights will be Travis Scott — who was set to perform in Australia this summer at the cancelled Sandtunes festival — while Frank Ocean will be doing the honours on Sundays. Fridays, however, will be led by the recently reunited 90s rock icons Rage Against the Machine. Elsewhere, a bonafide metric fucktonne of squealworthy acts fill out the rest of the bill — Lana Del Rey, Flume, Calvin Harris, FKA Twigs, Run the Jewels, Charli XCX and Fatboy Slim to name a few. Anyway, let's be honest, you haven't truly read any of those words — you'll be wanting this: https://www.instagram.com/p/B613-zinSA0/ Weekend one is already sold out, but presale tickets for weekend two are available from 7am AEDT, Tuesday, January 7. You can signup for access over at the website. Coachella runs from April 10–12 and 17–19 at the Empire Polo Club in Indio, California. Find out more info and register for tickets at coachella.com.
Get ready to swoon. Nick Cave has just announced a tour of Australia and New Zealand in November and December this year, and unencumbered by new releases, he'll be playing a wide selection of classics that stretch right back into his 30-year catalogue. Unlike Cave's 2013 Push the Sky Away tour with featured his much-loved band The Bad Seeds, this will be a rare solo outing. Prepare yourself now — you're probably going to cry when he plays 'Into My Arms'. News of this tour comes fresh after the premiere of 20,000 Days on Earth — a fictional documentary (just go with it) about this legendary musician. We enjoyed this 90 minutes of one-on-one time with the artist so much we even named the film one the best at this year's Sydney Film Festival. Now we get to make this alone time a reality; just like in the cinema, this tour will be you and Nick Cave (and a bunch of strangers) in the dark. Beginning in late November, Cave will be hitting up Perth, Adelaide, Brisbane, Auckland, Wellington, Sydney and Melbourne. And, though the venues are large, the tickets will be snapped up quick. Hopefully these latter mid-December dates spell further good news for Melbourne fans though. Nick Cave at the Meredith Supernatural Amphitheatre, anyone? Oh god, please say it's so. Tour dates: Thursday, November 27 & Friday, November 28 - Fremantle Arts Centre, Perth Sunday, November 30 - Festival Theatre, Adelaide Wednesday, December 3 - Brisbane Convention Centre, Brisbane Thursday, December 4 - Gold Coast Convention & Exhibition Centre, Gold Coast Saturday, December 6 & Sunday, December 7 - Civic Theatre, Auckland Monday, December 8 & Tuesday, December 9 - St James Theatre, Wellington Thursday, December 11 & Friday, December 12 - State Theatre, Sydney Tuesday, December 16 - Melbourne Convention & Exhibition Centre, Melbourne Tickets go on sale Thursday, July 3.
If you're one of millions of people worldwide watching American TV series Breaking Bad religiously and needing to avoid spoilers — or perhaps you're just sick of hearing friends rave about the show on social media — then your (#firstworld) problems can now be put to ease. Popular internet streaming website Netflix has debuted a new app that can block Breaking Bad spoilers from social media feeds. Spoiler Foiler is programmed to black out "danger" words (namely, words related to plot) from your Twitter feed, maintaining the mystery and suspense of plot developments for the wildly popular television series. Once fans have caught up with the episode, they can then safely return to their regular feed with the ability to read everything people had to say. Sure, this isn’t the first solution we’ve seen to the issue of social media killjoys. But at the moment it is certainly the most effective. Browser/hashtag-filtering is time consuming and not always foolproof. And abstinence from social media? Well that's just way too extreme. The Netflix app can be easily activated by logging into the Spoiler Foiler website using your Twitter account. Surely it'll just be a matter of time before this concept is extended to other popular series. Until then, rant away! We just won’t be listening. Via PSFK.
Australia's favourite fuddy duddy film critic is back in town. Returning to Cinema Nova for the second year in a row, the Great Britain Retro Film Festival will feature a selection of classic British films, each of which has been specifically chosen by the great David Stratton. So yeah, don't expect to see any handheld camerawork in these. Running from May 12 to 25, this year's festival features 15 iconic films with not a single dud in sight. Highlights include David Lean's A Passage to India and Stanley Kubrick's Dr. Strangelove, as well two films by acclaimed directing duo Michael Powell and Emeric Pressburger: A Matter of Life and Death and The Life and Death of Colonel Blimp. Tick a few unseen titles of your watch list, or catch them for the umpteenth time. Even if you were normally on Team Margaret, you'll find plenty on the program to enjoy.
Forget The Big Bang Theory — in The Flight Attendant, Kaley Cuoco well and truly leaves her long-running stint in the popular (and just-finished) sitcom behind. Exactly what her character does for work won't come as a surprise given the mini-series' title, but the fact that she wakes up in a Bangkok hotel room next to a dead body and then finds FBI agents on her trail when she returns to New York sparks a mighty big mystery. If it sounds familiar, perhaps you've read Chris Bohjalian's 2018 novel of the same name. Before it even hit bookstores, Cuoco's production company snapped up the rights to turn it into a thrilling TV show. Accordingly, it's clearly a passion project for the actor and executive producer, and promises to treat audiences to an array of twists and turns.
From continually churning out top professional surfers to scoring a mention in the best surfing heist film ever made, aka Point Break, Australia's surfing prowess is well recognised around the world. Now our island continent has another wave-riding feather in our cap, with a stretch of Sunshine Coast coastline being named the latest World Surfing Reserve. Spanning a four-kilometre area at Noosa — including the beaches and five surf breaks between Sunshine Beach and the Noosa River — it's only the tenth spot on the planet to earn such honours. And, as a land girt by sea (as our anthem reminds us), it's Australia's third entry on the list. Sydney's Manly beach was selected in 2010, while the Gold Coast joined the swell in 2016. World Surfing Reserve status is awarded by the Save The Waves Coalition, with partners National Surfing Reserves Australia and the International Surfing Association, after launching the initiative in 2009. As well as aiming to preserving wave breaks and their surrounding areas, the scheme recognises and works to protect the surfing reserves on an environmental, cultural, economic and community level. It was Noosa's "beautiful pointbreaks and visionary coastal conservation," that got it over the line, according to the WSR announcement made at the dedication ceremony for the ninth reserve in Punta de Lobos, Chile. If heading to the popular Queensland spot wasn't already on your summer itinerary, you now have another reason to channel your inner Johnny Utah and head north for a splash in the sun. Via the ABC. Image: Yun Huang Yong via Flickr
Take a moment to centre yourself for the day and welcome a calming energy into your week with an early morning yoga session amid the greenery of Queen Victoria Gardens. As part of the 2019–20 MPavilion season, senior teachers from Happy Melon studios are leading a series of gentle yoga flow classes at the new minimalist, white structure, surrounded by lush lawns and gardens. Across six Tuesdays, from December 3 until January 28, you're invited to enjoy this relaxed environment, no matter your ability or yogic skill level. Plus, if you have ever forked out more cash than you can afford for yoga class passes that you never got around to using, you can rejoice at the opportunity for some completely free sessions. Classes run from 7.30–8.30am, leaving you time to grab coffee and treats from the on-site kiosk before heading to work with an extra spring in your step. Image: John Gollings.
Nothing makes us feel so alive as to see others die. This starkly confronting line comes from Leo Carax's new surrealistic film, Holy Motors, and is resemblant of the tone and style of the whole story. Carax's first feature film in 13 years, Holy Motors is an abstract expression of a heightened reality. It follows the life of Monsieur Oscar, a roving assassin played expertly by Denis Lavant, who meanders between varying identities and lives - whether that be a family man, a monster or a captain of industry. The film is set between dawn and dusk, yet follows no clear linear progression, instead exploring the irrational nature of the human subconscious. Peter Bradshaw of The Guardian awarded the film a whopping five stars and described it as "wayward, kaleidoscopic, black comic and bizarre; there is in it a batsqueak of genius, dishevelment and derangement; it is captivating and compelling". It first appeared at this year's Cannes Film Festival and although it has received some mixed reviews, it has largely been received as a cinematic delight and created a mass of critical excitement. Other notable performances in the film include the slender blonde chauffeur, Celine, played by Edith Scob, the sultry Eva Mendez as Kay M, and Kylie Minogue, whose character is believed to represent the struggles in the protagonist's career. The most important thing to note in Holy Motors is to not look for one simple meaning - although we can safely say that it is at least in part about the significance of human role-playing as we journey through life. Concrete Playground has ten double passes to giveaway to see Holy Motors. To go in the running, subscribe to Concrete Playground (if you haven't already) then email your name and postal address to us at hello@concreteplayground.com.au
Young dudes on their way to find a steady job. Frustrated teachers between classes. Older sisters taking their younger brothers to football training. You've met so many story-filled faces on the streets of NYC through Brandon Stanton's insanely popular site Humans of New York. Now the neighbourhood's getting a little more global, with HONY heading out of the five burroughs. Street photography can often stand on its own wordless feet, but photographer Stanton uses just one quote to give a skerrick of insight into lives you had no comprehension of. Strolling through the streets of New York City, Stanton takes unbelievably poignant shots of strangers paired with one excerpt from a conversation he's had with them on the spot. The result is heartwrencher after heartwrencher of wonderfully joyous, sad, excited, in love, grieving, human stories. Now, with a number one New York Times best-selling book, over 1.5 million Instagram followers and nine million Facebook fans behind him, Stanton has left the streets of Brooklyn, Manhattan, the Bronx, Staten Island and Queens behind for a more worldwide neighbourhood. Sponsored by the UN, Stanton is taking a 50-day world tour of war zones and areas in conflict. The UN hopes to raise awareness of the Millennium Development Goals, which aim for "human dignity, equality, and equity". Iraq, Jordan and the Democratic Republic of Congo have been visited so far, next for Stanton are Haiti, Ukraine and South Sudan. "Those are the places that have the most extreme headlines coming out," Mr. Stanton told the New York Times from Jerusalem. "Those are the places most skewed in people’s heads. The work has a very humanising effect in places that are misunderstood or feared." "It's always been my dream to have a successful business. I'd like one day to open more stores, and maybe even expand into the provinces. But the conditions are very difficult to start a business. Taxes are very high and services are very limited. The electricity was out for eleven days last month, but I still had to pay for thirty days. And when I try to use a generator, the costs are so high that the customers stop coming. It's very difficult." (Kinshasa, Democratic Republic of Congo) "She said she'd let me take her photo if I bought some peanuts from her. Afterward, I asked if she could remember the saddest moment of her life. She laughed, and said: 'You're going to need to buy some more peanuts.'"(Kasangulu, Democratic Republic of Congo) "I get way too sensitive when I get attached to someone. I can detect the slightest change in the tone of their voice, and suddenly I'm spending all day trying to figure out what I did wrong." (Amman, Jordan) "He runs to me every time I come home. It makes me very happy, and it reminds me of the times when I used to run to my father." (Al-Salt, Jordan) "Back in Syria, I sold antiques and Orientals. I had all sorts of things in my shop: glass vases, old stamps, coins from the Roman and Ottoman empire, valuable laces, antique furniture. But they beat me with rifles and knocked out my teeth. Then they burned my store to the ground." (Zaatari Refugee Camp, Jordan) "I want to discover the cure for Ebola." (Kinshasa, Democratic Republic of Congo) "We told her to sit with us so we could share her sadness." (Dohuk, Iraq) "I'm studying law. My dream is to be a judge one day. Too many people in this country are only in prison because they were too poor to defend themselves. When I'm a judge, I'll look only at the facts, and not at the person." (Kinshasa, Democratic Republic of Congo) "We're trying to get to Grandma's." (Zaatari Refugee Camp, Jordan) Check out the whole series at Humans of New York, on Instagram or Facebook. Via New York Times and Fast Company. All images Brandon Stanton.
St Kilda's lavish beach spot Captain Baxter is teaming up with French vodka distiller Grey Goose to bring a bit of the French Riviera to Melbourne's foreshore. Running from Friday, December 20 until Monday, March 9, 2020, the pop-up is the perfect way for you to embrace summer. The rooftop space will be decked out with Riviera-inspired decor, creating a chic Euro-summer vibes — think cabanas, a petanque green and picnic tables. Plus, you'll have panoramic views over St Kilda Beach, Port Phillip Bay and the city. So, be sure to head here for a sunset cocktail. Drinks-wise, you'll be sipping a range of speciality vodka cocktails. And, as Grey Goose is such a versatile spirit, you can bet the bartenders will be mixing up a range of drinks. So, whether you're into the classic vodka, lime and soda, an orange-flavoured espresso martini, a Le Grand Fizz or a zesty Pear Gimlet, the pop-up will be sure to quench your thirst. If you want to take things up a notch, round up the crew and book one of the six picnic tables which are available for bookings of eight people for $160 and include free vodka cocktails on arrival. There'll be a full calendar of events and summer parties, too. So, be sure to check Captain Baxter's website and Facebook for the latest details.
A tense, make-your-stomach-drop drama from director Benedict Andrews, Una is not an easy watch. You'll find your skin crawling, and your legs and arms crossed, physically recoiling from the modern-day version of Lolita too realistic for comfort unfolding on screen. You might even forget all about the big crush you have on your fave Aussie dad figure Ben Mendelsohn. The effect of Una is just that jarring. The film tells the story of Una (Rooney Mara), a woman whose sudden reappearance threatens to destroy the life of Ray (Mendelsohn), a man who at first glance it seems she was once intimately involved with. But we soon pick up on the fact that "involved with" here means "sexually abused by". Una was 13 when Ray began a sexual relationship with her. Years later, she arrives at his workplace, come to confront him about the past. In brief, disjointed moments of flashback we meet Una as a child, and Ray as a younger man who becomes obsessed with his neighbour's daughter, sexually abusing her through the guise of them "being in love". Back then, it all ended in a plan to run away to Europe, a single motel bed, abandonment, and a jail sentence. Years later, Ray (now "Peter") has rebuilt his life with a new job, a new wife, a new house, and a whole new identity. Una? Not so. Still dealing with what was done to her as a child, she lives in the same house where it all happened, with a mother she's still failing to communicate with. The last time we see Una as a child, she's pleading with Ray via live video feed in a courtroom, asking him to come back, to make contact, and to tell her why he left her. The first time we meet her as an adult, she's having sex with a faceless man at a club and wandering home in the early morning, stuck in her anger and her past. The film was adapted from Blackbird, a play by David Harrower, and its origins on the stage are clear to see. Una's musings to Ray, mostly within the confines of the lunchroom at his workplace, are delivered like monologues. Mara chews up and spits out the dialogue the way her character must have practised hundreds of times in the years since her abuse. The film succeeds in what it sets out to do in part through its handling of the aspects of Una and Ray's past that, obviously, it can't actually show. A chill runs down your spine with each horrible moment left unseen; a close-up of two hands holding each other, or a long shot of a huge tree that obscures our view. Our imaginations run cold along with our blood. Mendelsohn is convincingly charismatic while bringing the requisite darkness to his role. Mara struggles a little in her attempts to pull off a British accent, but aside from that her performance is exceptional. The chemistry between the two is patently present, enough to make you shudder. Una is one of those films that you can't stop watching, no matter how much you might want to; a tense, confined study of a paedophile that dares you to look away. Is Ray rehabilitated, trying to move on from the unforgivable actions of his past? Or is he still as sick and manipulative as ever? The film, and Mendelsohn, will leave you guessing. https://www.youtube.com/watch?v=QSpZBmnamhg
Last month, we saw star chef Peter Gunn dip his toes in the bar game, opening the drinks-focused March in the space next door to his Collingwood restaurant IDES. Now, another renowned chef-owner is having a similar crack, with Shane Delia revealing plans to launch a standalone bar adjacent to his famed modern Middle Eastern eatery Maha. Named Jayda, after Delia's 13-year-old daughter, the new CBD venue is slated to open its doors in November. We're told you can expect a similar edge of sophistication and polish to that of its long-standing sibling, though envisioned in a whole new way. While details remain scarce for now, Delia is describing the Bond Street newcomer as "Maha's thirsty neighbour", with plans to focus the offering on seasonal cocktails, wine and bar snacks. As with the rest of the chef's stable, such as Maha Bar and Maha East, we're anticipating plenty of familiar Middle Eastern flavours and refined techniques to star throughout. Maha opened in 2008, with Delia taking over full ownership of the restaurant in 2013. [caption id="attachment_668825" align="alignnone" width="1920"] Maha, by Brook James[/caption] Jayda will open at 19 Bond Street, CBD, from November. We'll share more details as they come.
"I've had an incredible life," says David Bowie in Moonage Daydream. "I'd love to do it again." Alas, even for a music icon who always seemed beamed in from the future, another world or both — his casting in 1976 sci-fi masterpiece The Man Who Fell to Earth was perfection, as was the movie's title — that isn't possible. For viewers, however, reliving that spellbinding, shapeshifting, stratosphere-blasting existence is as easy as watching Brett Morgen's documentary. The Cobain: Montage of Heck filmmaker calls it "an experience", and that's exactly what the mind-blowingly immersive and spectacular blend of sound and vision delivers. It doesn't sound difficult, making a movie about someone as visionary as Bowie. There's so much to his life, so many decades of music and live performances to draw upon, and such a wealth of other touchstones — his acting, art, reinventions, alter egos ("I collect personalities," Bowie notes in the film) — to layer in. But Moonage Daydream isn't a Bowie biopic and was never going to be. That simply isn't Morgen's style; instead, he's all about digging into what makes his subjects tick, delight and surprise, then conveying that in a manner that so deeply captures their essence it feels like no other picture about them could've existed. In Moonage Daydream, that means using Bowie himself as the kaleidoscopic feature's narrator via soundbites and interviews from across his entire career. It means not only weaving archival materials spanning half a century-plus into an ever-twisting and spinning collage, but recutting famous footage, such as revered concert film Ziggy Stardust and the Spiders from Mars, from the original camera reels to unveil something new. It also means being driven by a playlist that covers Bowie's whole discography, and speaks to doco's exploration of chaos, fragmentation and transience, plus their constant relevance to his work. It truly does mean a big-screen spectacular, as the man recently voted the most influential British artist of the last 50 years deserves. "I don't know why they stopped at 50 years. Who's topping him, and why not century?" says Morgen, in Australia for this year's Melbourne International Film Festival back in August, chatting to Concrete Playground the morning after Bowie topped that British arts industry poll. "I would go a little further and say perhaps the greatest artist globally of the past 50 years," Morgen advises, before stepping through why Bowie remains such an enduring cultural presence, how Moonage Daydream came together, getting approval to make the first authorised film after Bowie's death and what he learned from living the Bowie dream. ON BOWIE'S EVERLASTING INFLUENCE "I think to reframe that question is: why does he continue to have so much influence and resonance? Because David meant something in 72 when Ziggy [Stardust, the seminal album] came out that was specific to that moment in time — and until the internet came about in the early 90s, as there were less sources for media and to find subcultures and tribes, Bowie united a lot of likeminded individuals and nurtured them. Moving forward, what's amazing is that each generation seems to discover and embrace Bowie, and they seem to discover him on their own. Sometimes you hear 'oh my dad played him' or whatever, but most of the time, talking to fans, they all arrive at Bowie on their own around the time they're sort of entering puberty. He becomes a kind of rite of passage — this sounds a bit cliched and we have other sources now to reference, but perhaps musically he captured that sense of alienation and confusion, and some of those feelings that we all experience at 12, 13 or 14 as we're all trying to feel our way throughout this world. Bowie, one of the reasons that he is one of the few artists of that era to continue to resonate with young audiences has to do with the fact that Bowie was so far ahead of his time that we might now just be entering the age of Bowie. David used to say in 1971 that he was writing for the 21st century in the 1970s. David's stock and trade was chaos and fragmentation — those were, as he would say, the throughline for his art. If we think of it, the world has only become more fragmented and more chaotic, and Bowie was writing the soundtrack for that world. Great artists have an ability to hear and see what is happening all around us but most of us can't see or hear yet, and Bowie had that gift for several decades. I had shown the film to Bono, who sent me an email the day after he saw it saying that he saw a lot of similarity in my style with Moonage and [U2's] Zoo TV. I went back and looked at Zoo TV, their 91 tour, and at the time the Zoo TV tour was presented as something futuristic and sci-fi — the internet, I don't even think it had started yet, but when you look at Zoo TV, it looks like something you would do when you were doing a tour today. And what I said to Bono was that 'I think like David, you weren't a futurist; you weren't writing about the future, you were writing about the present, just none of the rest of us were able to access it yet'. I think that has a lot to do with why certain artists are able to resonate across time, and David had that gift." ON HOW THE FIRST AUTHORISED BOWIE FILM AFTER HIS DEATH CAME TOGETHER "I had been doing theatrical documentaries for 23 years, and so the way I was able to get approval was most likely my previous endeavours, Cobain: Montage of Heck and The Kid Stays in the Picture, resonated with the estate. Where do you start a film or how do you construct a film that's designed to be an experience? It wasn't easy. It was slightly torturous. I made a decision from the get-go that I had no interest in producing a biography — that my interest was purely in sound and vision, and that I had no interest in trying to define or explain Bowie. That, I thought would be a fool's interest. So I just kind of embraced that, and it was a bit like trying to find your way out of a maze in the dark. I stumbled, I ran into walls, I cried, I felt Jack Torrence in The Shining: all work and no play make Jack a dull boy. [caption id="attachment_869789" align="alignnone" width="1920"] Liam Arthur[/caption] There was a point — I didn't have a producer, I didn't have a staff, I was making a David Bowie film for IMAX by myself, it was like an arts and crafts project. And it was weird, it was not a traditional approach. I don't mean in terms of the methodology — I just mean the actual genre that I was trying to explore is not a genre that exists. So about six months into the cutting, no one had seen a frame, I didn't even have an assistant editor in the building, and I needed a change of scenery. I was going to take my media to a place I had rented out of town, and before I left I called my wife who's my executive producer, partner and brilliant filmmaker Debra Eisenstadt, and said, 'listen I need you to come and look at what I have'. She said, 'do you want me to take notes?'. And I go, 'no no, I don't want notes, I just want you to tell me if it's a film'. She goes, 'what do you mean, if it's going to work?'. And I go, 'no no, I mean like does it actually make sense shot to shot? Am I insane, you know? Like, literally is it in English or have I lost my fucking mind?'. She came into my office. I pressed play, and I was sitting behind her. She couldn't see me — I was shaking, I was so uncomfortable because I thought I was about to get exposed, and I thought when she would turn to me and with deep concern in her eyes going 'what have you done?'. And she looked at the film and turned back and said 'it's a diamond in the raw — a diamond in the raw'. She goes, 'keep going', and that was wildly important in the genesis of the film. So it really wasn't until the film was at rough cut stage that anybody including the financiers saw a frame it. ON STARTING MOONAGE DAYDREAM AS A CASUAL FAN, BUT ENDING IT A DEVOTEE "I was a casual fan at best. I think that when I was 12 or 13, Hunky Dory was one of my favourite albums. I probably stopped listening on an active basis when I got to college. I liked Bowie, but I never read a book about him, never did any sort of deep dive, but had obvious tremendous respect and admiration. Rediscovering him at 47 was as illuminating and inspiring as discovering him at 12 or 13. Most people gravitate towards Bowie's 70s catalogue — and for those who are well-versed in the 70s catalogue, I am thrilled to report that his later period work beginning with Outside, to me, is as revelatory and inspiring as any of his earlier endeavours. He's just one of a kind. Oh my god, if I ended the project a casual fan — I am, I believe, as hardcore as it gets right now. After spending years living and breathing David Bowie, you would think I'd had enough. But yesterday I was driving around Melbourne with my 14-year-old son, and he's like, 'dad, really, we're going to listen to Bowie? You haven't had enough?'. And I was like, 'no, I haven't.' I'm very blessed that I didn't enter the film from this vantage point because it would've, I think, felt too much of a burden given my reverence and appreciation I currently hold for David." [caption id="attachment_869788" align="alignnone" width="1920"] Olivier Borde[/caption] ON LEARNING FROM BOWIE TO APPRECIATE EVERY MOMENT "Everything that's embedded into the film was revelatory for me, and it has to do with his philosophy and approach to his day-to-day living. His appreciation for life and for challenging oneself to make the most out of each and every moment — that was something that I did not anticipate unearthing in my journey with David Bowie." Moonage Daydream screens in cinemas Down Under from September 15. Read our full review.
Felt butter. Felt SPAM. Felt condoms. Snuggle up to your groceries in this new, adorable installation from London artist Lisa Sparrow. Taking over a Bethnal Green cornerstore, Sparrow has stitched, stuffed and hand-priced hundreds of Coke cans, milk bottles and Men's Health magazines to stock the shelves with her latest artwork. Partly crowdfunded by Kickstarter, the Cornershop project took eight months to put together, realising the contents of an entire Bethnal Green shop in felt (with a tiny bit of lycra and plastic detailing). Crafting canned goods, confectionery, alcohol, toiletries, frozen food, cigarettes, ice cream, chewing gum, newspapers and magazines, Sparrow posted up the full inventory on her blog. While by no means an entirely never-done-before idea, it's pretty damn cute. The store will stick around for the month of August at 19 Wellington Row, then move to Brighton in October. Channeling artists like Sarah Lucas, Tracey Emin and Michael Landy with their embracing of the humble store, Sparrow's obvious penchant for nostalgia shines through felt Extra gum packets and felt Fanta. "[The corner shop] is something that's disappearing with the growth of supermarkets, and the loss of the corner shop has adversely impacted our high streets and communities," said Sparrow. "I hoped that this project would remind people just how much the corner shop cemented life in local communities." But the Cornershop Project isn't merely a vessel for shining a light on consumerism; Sparrow's work often makes a big statement on art audiences (and their undeniable hierarchy). "The Cornershop is a tactile project and I felt it was important to create some art for communities that normally find themselves excluded from mainstream art," Sparrow told Dezeen. Opening doors to all art enthusiasts, the Cornershop Project includes sewing workshops for children and people with neurological disabilities. "I chose felt because it's a naive, almost childlike material that everyone comes into contact with at a young age when first they start to sew," Sparrow explains. "It's a very forgiving fabric that's approachable and is available in a huge range of colours. It was just the right material to give the pieces saturation, stroke-ability and a uniform appearance." Sparrow introduces the often underapplauded realms of craft to the more recognised world of contemporary art. Mainly working with felt and wool to tackle the politics of consumerism, Sparrow has crafted food many times before — a movement she's called 'feltism' and 'craftivism' — crafting everything from felt cigarettes to oversized giant felt burgers. Alongside reams of huge group shows — over 35 including the annual 'Modern Panic' exhibition in London and Nottingham's City Art Institute of Mental Health Exhibition —the London artist was notably shown alongside Banksy in the Victoria and Albert Museum's touring street art exhibition 'Urban Take-Over' in 2013. So whip out that cuddly credit card, let's go shopping. The Felt Cornershop will be open until 31 August in Bethnal Green, London before moving to Brighton in October. Via Dezeen.
Arcade Fire already established themselves long ago as pioneers in the realm of music video interactivity: 'We Used to Wait' used HTML5 and Google Maps to feature the viewer's own home in the video, and a flock of new windows popped open all over your screen as the song progressed, birds flying in each of them. 'Neon Bible' similarly tapped new technology to create a fresh way of experiencing the band's sounds. Now the band has shown it has the finger on the pulse once again, with a dazzling interactive video (one of two videos, actually) for their song 'Reflektor'. Between its groovy beat and whisperings in French, 'Reflektor' is already uber cool. But the video Just A Reflektor, filmed in Haiti, is next level: a short film whose visuals you can affect, just so long as you have three basics of the modern tech era: Google Chrome, a computer webcam and a tablet or smartphone. That's when the real magic begins. Director Vincent Morisset takes us on a journey with a beautiful young woman who switches between her world and ours. Dancers in motion-tracking costumes, gyroscopes and mixed video assets add to the technological melee. Depending on how close you wield your handheld device to the screen, and its tilt, you can watch the action unfold from a variety of viewpoints and both conceal and reveal what you're seeing via whacky kaleidoscopic tunnel vision. Presto: the theme of reflection is seamlessly woven into the multimedia experience, with light effects swimming over the screen at your command in ways that are totally mesmeric and super fun to play with. The team consciously aimed for a strong visual metaphor that would chime with the song's lyrics, as you can see in the behind the scenes video below. They've even made it possible for computer geeks to mess around with the code, which is downloadable from the Just A Reflektor Technology page. Via PSFK
When cinemas around the globe started temporarily shutting down in March 2020 due to the COVID-19 pandemic, horror sequel A Quiet Place Part II was only weeks away from opening. The film's release was quickly moved to September 2020, when it was hoped that life might've returned normal — and, when that didn't end up panning out, to April 2021. Now, the film has just shifted its release date again, this time staking out mid-September as the new time that cinephiles will be able to see the John Krasinski-directed, Emily-Blunt-starring follow-up to 2018 hit A Quiet Place. Cinemas Down Under are currently up and running, and have been for months (although Melbourne's reopened, then closed down again during the city's second lockdown in the latter half of 2020, then relaunched once more). But with COVID-19 numbers still enormously high in places such as the US and UK — with many cinemas closed in America and all of them presently shut in Britain — Hollywood studios aren't willing to release their big movies on the silver screen and risk low box office returns. Over the past week, the companies behind a heap of high-profile films that had already been delayed at least once over the past year announced that they'd be postponing them yet again. That includes No Time to Die, the latest Bond flick and the last that's set to star Daniel Craig. It was actually the first big movie to reschedule its 2020 release, moving from April to November, then to April 2021. It's now set to reach screens on October 8 this year. https://twitter.com/007/status/1352416833815633922 If you were looking forward to more Ghostbusters, you'll need to wait longer for that as well, with the Paul Rudd-starring Ghostbusters: Afterlife making its latest shift to November. The Spider-Man-related Morbius, featuring Jared Leto, moved from October 2021 to January 2022, while The King's Man — the next instalment in the Kingsman franchise — postponed its release from March to August this year. At the moment, both Black Widow and Fast and Furious 9 are still set to release in the first half of 2021 — on April 29 and May 27 Down Under — but don't be surprised if they move back as well. Actually, as has proven the case for almost a year now, constantly moving release dates is just a regular of pandemic life for the time being. Some flicks that shouldn't be changing their release plans in Australia and New Zealand: Dune, Godzilla vs Kong, The Suicide Squad, The Matrix 4, In the Heights and the latest Conjuring film. All of the above were produced by Warner Bros, who announced in 2020 that it'd launch movies in cinemas were they could and on streaming platform HBO Max at the same time where the latter is available, enabling it to keep to a schedule and not have to continually push releases back. New movies are still hitting in cinemas Down Under each week at the moment, of course, and will continue to do so; however, you can probably expect the next few months to be light on big-name flicks — and possibly even longer depending on how the pandemic continues to play out. And, as for whether any of the above repeatedly delayed movies will shift to streaming platforms as Mulan, Soul and Hamilton did in 2020, it doesn't seem overly likely while studios are willing to just keep pushing their dates for them back instead. To check out the new releases screening in Australian cinemas from this week, check out our weekly rundown and reviews. Top image: Jonny Cournoyer. © 2019 Paramount Pictures. All Rights Reserved
Haunting strains of bluegrass music flow through Belgium's tear-jerking entry to last year's Academy Awards. Such mournful melodies are a fitting accompaniment to the story, about two musicians whose marriage begins to crumble after their daughter succumbs to terminal cancer. Despite the miserable subject matter, writer-director Felix Van Groeningen manages to mostly strike the right chord, eschewing unchecked histrionics for honest, bittersweet emotion. Actors Johan Heldenbergh and Veerle Baetens have devastating chemistry as shell-shocked parents Didier and Elise. A banjo-playing cowboy and a music-loving tattoo-artist respectively, they're a free-spirited pair brought crashing down to earth by six-year-old Maybelle's unexpected diagnosis. In the film's opening scene, we seem them stranded helplessly by her hospital bed. We don't need the doctor to tell us the prognosis is grim. From there, Van Groeningen flashes back seven years, to Elise and Didier's first meeting. After bonding over Didier's love of American culture, the pair embarks on a whirlwind romance — only for Van Groeningen to abruptly bring us back to their heartrending present. Backwards and forwards we're torn, through courtship, pregnancy, marriage, parenthood, the onset of Maybelle's illness and the unimaginable pain of her passing. The non-linear structure only heightens the emotional maelstrom, as scenes of tenderness and love clash against anger, grief and resentment. A dying child is a tricky narrative device. Do it wrong and it seems cheap and exploitative. Do it right and you've still got a movie way too depressing for most people to want to watch. Where Broken Circle Breakdown succeeds is in focusing on Elise and Didier's relationship. Heldenbergh and Baetens are both phenomenally good, turning in performances that are both natural and on occasion frighteningly raw. Van Groeningen does overdo the melodrama at times, particularly towards the end of the film when viewers may begin to feel fatigued. To his credit, however, it never feels insincere or calculated. The same is true for some rather on-the-nose political commentary about stem-cell research and religion. It's preachy, sure, but the film's heart is in the right place. Ultimately, the earnestness with which it's delivered makes it a whole lot easier to swallow. But the best moments in the movie are undoubtedly the songs; a mix of classics and original compositions performed in key scenes by Didier, Elise and their band. In these moments in particular, Van Groeningen finds his harmony between beauty, sorrow and joy. https://youtube.com/watch?v=raaHRyBtIEo
This winter, online vintage treasure trove Hawkeye Vintage will let you into its covetable closet with a huge curated sale on clothing and accessories. You'll be able to get a feel of a Dior coat and fight over Chanel bags as a cavalcade of items take pride of place in a Fitzroy Warehouse on Friday, August 9 and Saturday, August 10. The pieces on offer will run from the affordable right up to the super expensive, but all will be going at a reduced price. Given some of the brands on offer — including Louis Vuitton, Gucci, Chanel, Hermes, YSL, Celine, Max Mara and Fendi — you'll be able to pick up some bargains, or opt for a few investment pieces. Covering fashion from the 90s onwards, the range will focus on handbags, gloves, scarves, hats, belts and coats, as befitting the season. Entry to the massive sale is free, but you will need to reserve a spot. We also suggest getting there early to snag the good stuff. The Hawkeye Vintage Super Sale will run from 10am–5pm.
Mandatory across all of Victoria (from tonight) and encouraged elsewhere when you cannot maintain social distancing (on public transport and at supermarkets, for example), face masks have become a part of everyday life for many Australians. There are plenty of shops across the country selling them now, but if you want to make yours a touch more unique, Petflair is here to help. The company is selling custom face masks with your pet's adorable fluffy (or not-so-fluffy) face on them. Whether you have an iguana, schnoodle or misanthropic cat, you can get their face emblazoned on a mask for all your fellow grocery shoppers to see. The masks are made to Department of Health and Human Services guidelines with three layers — a 100 percent polyester outside layer and 100 percent cotton face and filter-pocket layers — and come in ten different colours, including pastel pink, yellow, red, blue and black. They'll set you back $39.95 each — or two for $70 — with free shipping across Australia. Because of high demand, Petflair is only taking orders until 4pm on Wednesday, August 5 and shipping may take three-to-four weeks. So, you may need to get another couple of masks in the meantime (we've got some suggestions here). As an added bonus, the company is giving a portion of profits to charity Pound Paws, which helps pounds and rescue centres rehome animals across Australia. If you're set for masks, Petflair also makes towels and bathers with your pet's face on it. You'll be more than ready for a summer of social distancing on the beach if you get a set of these with Fido on them. Petflair is selling its custom print pet masks for $39.95. Orders must be submitted by 4pm on Wednesday, August 5. Top image: @dobiejax
After announcing they'll be playing sets at six European festivals this summer — their first live shows since 2012 — Radiohead have added a string of headline shows to their year, carving out a very neat 2016 world tour. So neat in fact, that's it's a little on the sparse side. That is to say that there are no Australian or New Zealand dates listed on their 2016 schedule as of yet (even after we checked and refreshed the page nine times). Instead, the band will do a series of May dates in Amsterdam, Paris and London, before heading to Barcelona's Primavera Sound, Iceland's Secret Solstice, Switzerland's Openair St Gallen and Lisbon's Nos Alive festivals. They'll then move onto New York, LA, Japan, Berlin for Lollapalooza and Mexico City. And although their website says these are "all the headline shows that the band will play in 2016", we're not taking that as an absolute, and will continue to cross our hopeful little fingers that a Australasian date or two gets added to the list. Not to be too forthcoming, but November would be perfect. No pressure. Radiohead have yet to announce a new album, but you can view all their 2016 tour dates at their website, W.A.S.T.E.
Marvel fans, it's time to get witchy. Agatha Harkness is back and she has a quest in her sights, plus a new posse of pals helping the MCU's latest small-screen series get spooky. A spinoff from WandaVision, Agatha All Along was announced back in 2021, then locked in its exact September 2024 release date earlier this year — and now Disney+ has conjured up the first teaser trailer for the eagerly awaited show. Kathryn Hahn (Tiny Beautiful Things) is also back as the series' namesake, starting the just-dropped sneak peek without her powers; however, that situation doesn't last long. First, Aubrey Plaza (Scott Pilgrim Takes Off) is on hand for a Parks and Recreation reunion, and to point out the bind that Agatha is in. Then, there's a goth teen, a magical gauntlet of trials and the promise of rewards — with the assistance from a coven of chaos. Joining Hahn and Plaza in the series: Joe Locke (Heartstopper), Patti LuPone (Beau Is Afraid), Sasheer Zamata (Unfrosted), Emma Caulfield Ford (a Buffy the Vampire Slayer alum) and Debra Jo Rupp (That '90s Show). Behind the scenes, Jac Schaeffer (Black Widow) returns from bringing WandaVision to the screen to run the show and direct the pilot instalment. For fans, this series really has been Agatha All Along thanks to the Emmy-winning tune that everyone who saw the character's first on-screen appearance has had stuck in their heads ever since — and again now — but the program has gone through a few monikers. House of Harkness, Coven of Chaos and Darkhold Diaries, this won't be, though, when it hits streaming queues from Thursday, September 19, 2024. If nothing else joins the Marvel television slate between now and then, that'll make Agatha All Along just the second Marvel Cinematic Universe TV series of the year, after Echo (by design, with the Mouse House noting several times that it wants to better space out its releases). When the MCU made the leap to Disney+ back in 2021, WandaVision was the first program to arrive. It also finally made everyone take notice of the always-great Hahn, who stole every scene she was in each and every time that she popped up — hence Agatha All Along getting the green light. Obviously, WandaVision was about Wanda and Vision, with Avengers: Endgame's Elizabeth Olsen (Love & Death) and Paul Bettany (A Very British Scandal) reprising their roles. But Hahn played a significant part as neighbour-slash-witch Agatha, even nabbing an Emmy nomination for her efforts. So, because she was such a fan favourite, Disney magicked her up her own show. Check out the first trailer for Agatha All Along below: Agatha All Along will stream via Disney+ from Thursday, September 19, 2024. Read our review of WandaVision. Images: courtesy of Marvel Television. © 2024 MARVEL.
A Month of Sundays tells a familiar tale of middle-aged unhappiness. Think family struggles, work troubles, regrets and attempts at redemption. Yet there's an undercurrent of dry Australian comedy apparent in the latest feature from writer-director Matthew Saville (Noise, Felony). In the same way that other recent local releases The Dressmaker and Looking for Grace traversed darker territory with a wry smile, A Month of Sundays doesn't quite try to look on the bright side of life, but it does understand the way laughter can disarm bleak, tense and even routine situations. Here, amusement lurks quietly, always present in Anthony LaPaglia's lead performance. As Adelaide real estate agent Frank Mollard, the actor is rarely without a look of bemused resignation on his face or a droll tone in his voice. Frank is surrounded by the misery of a fresh separation from his actress wife (Justine Clarke), a strained relationship with his teenage son (Indiana Crowther) and a strong feeling of professional dissatisfaction. Perhaps that's why Frank believes he's talking to his deceased mother when a stranger dials a wrong number, and why he then forges a bond with the woman, retired librarian Sarah (Julia Blake), on the other end of the phone. It's the kind of situation that could only occur in a movie, though courtesy of the film's blend of empathy and comedy, it's never as far-fetched as it sounds. That's the film all over: slightly too convenient in its story, but still realistic in its emotions. More often than not, Saville finds the balance between the two, courtesy of a lighthearted touch and warm sense of humour. Indeed, as thoughtful as the movie's treatment of its gloomier themes proves, A Month of Sundays is at its best when it's cultivating chuckles. In fact, the entire film could've easily been set around Frank, his boss Phillip Lang (John Clarke), and their shared scenes. Their one-liners, about selling houses and installing Flash to view the company website, not only raise a few giggles, but also reveal plenty about their characters. The old adage, that every joke contains a grain of truth, clearly hasn't been lost on Saville. Neither has the need for a slow and patient approach in letting both the amusing and moving sides of every exchange play out. That it all builds slowly and subtly might feel a tad anticlimactic, but that's the point. Just as life creeps up on Frank Mollard, so to does this modest Aussie film creep up on all who watch it.
Richard Mosse’s The Enclave was on display in 2014 at COFA in Sydney, and now it’s visiting the National Gallery of Victoria. The video installation explores the invisible war in the Democratic Republic of Congo which has claimed the lives of 5.4 million people since it begun in 1998. Mosse and his team spent years filming the rebel militants with 16mm infrared film, a process which turns the Congo’s green jungles into a surreal, startling pink bubblegum landscape. The hallucinogenic installation spans six screens and was initially inspired by Joseph Conrad’s melancholic literary work Heart of Darkness. It aims to shine a light on the conflict that receives so little media attention. The installation was commissioned for the Irish representation at the 55th Venice Bienniale in 2013, and wraps up at the NGV on February 28 — so get in quick before it’s gone. And best of all, you can catch the exhibition for free.
If you've been dreaming of a frosty cold winter — a reprieve not only from a record-breaking summer, but a hotter-than-usual autumn, too — it's time to recalibrate your expectations. As it does every quarter, the Bureau of Meteorology has released its climate outlook for the June to August period, and the forecast favours two words that Australians are all too used to: warm and dry. Just like last season, if you call mainland Australia home, there's a very good chance that you'll experience winter temperatures that are a whole lot warmer than the median. Apart from the far north of Queensland, as well as isolated spots in Western Australia and the Northern Territory, the whole country is tipped to endure maximums at least 60 percent higher than normal. For the east and west coasts, that figure goes up to 80 percent. Nights are also likely to be toastier than average, especially for WA, the northern NT, parts of Queensland, eastern New South Wales, and most of Victoria and Tasmania. If you're wondering exactly what's in store, then it's worth keeping the usual daily temps across the period in mind — and remembering that they'll be exceeded. In Sydney, that means the mercury will soar above a 17-degree maximum in June, a 16.4 top in July and a 17.9 max in August, while Melbourne can expect temps above 15.4, 15.7 and 16.3 in the same months. In Brisbane, the standard tops range between 22–23.3, and in Perth it spans 18.4–19.4. Once again, farmers are in for not-so-great news. The three months are set to be drier than average for much of Queensland, NSW, Victoria, southeast South Australia, northern Tasmania, the NT, and northern and far southwest WA — and, for everywhere else, the chances of either being wetter or drier are roughly equal. If you're wondering what's behind this forecast, El Niño–like warmth has been having an impact in the central tropical Pacific Ocean, and a drying effect on Australia as a result. That's actually expected to reduce slightly over winter, but the Indian Ocean Dipole (IOD), or Indian Niño, will spark its own dryness. Combined with higher atmospheric pressures, it all makes for a lack of rain and a spike in warmth. It's becoming a familiar story. Let's not forget that in 2018, overall, Australia copped its third-warmest year ever. If this year's winter is set to favour hotter than usual temps, and less rain than usual as well, things aren't shaping up well for spring and summer.
It sure is no secret that Sydney's a pretty exxy place to call home. But here's some news to make you really start plotting that move interstate: a recent report on the cost of living has stuck it right up at number 10, above both New York and London. That's right, all your mates battling those killer Hackney rent prices now, apparently, have it better than you. As The Guardian reported this week, the Economist Intelligence Unit's 2018 study pushed our harbour city up four spots higher than in the same list last year, seeing it crack the top ten for the first time ever. This comes after another pice aggregation website Numbeo saw Sydney and Melbourne move up on its list too. The study compared prices across more than 150 products and services, looking at things like food, transport, utilities, clothing and rent in all the major cities. Singapore has again claimed the title of the world's most expensive city, followed by Paris, which jumped five points, and Zurich, which climbed one position. New York swapped last year's number nine ranking for a spot in 13th, while at number 30, London scored its lowest position in two decades — a fall the report's authors say has a lot to do with a little thing called Brexit. Via The Guardian.
In repentance for all the times you've ordered take away and slumped on the couch feeling like the worst, you can now do the exact same thing while feeling like the best. On Friday, July 15 Uber is teaming up with OzHarvest and a horde of celebrity chefs to design and deliver a range of gourmet ice creams for a good cause (sorry Gelato Messina, you're out of the gang). The guys at OzHarvest hope to deliver 100,000 meals for vulnerable Aussies to help them get through the harsh winter season. The profits from a $15 half-litre tub of ice cream will provide five square meals to struggling Aussies — and one indulgent meal to yourself. George Calombaris, Matt Moran and Neil Perry have all signed up, and each has designed a custom ice cream flavour. There are no prizes for guessing that George's has an amazing Greek twist — it's called Caramel and Walnut Baklava Smash. Matt Moran has wisely gone with the deliciousness of banana with his Banoffee Crunch and Neil Perry will be scooping Spiced Cookie and Caramel Swirl. They all sound bonkers, which is a good thing because distribution is randomised. All you have to do is jump on the app between 11am and 5pm on Friday and press the ice cream button for ice cream delivered straight to your door. If only all things in life were that simple. Check out their service areas on their website. Like all of Uber's extracurricular pursuits, demand will be high. But if you miss out, just buy an ice cream and donate to OzHarvest directly over here.
Surfing and gig-going have always been two of Australia's best-loved pastimes, and last year we scored a festival celebrating the best of both worlds. And, now, it's back for its second round of autumnal beachside festivals. Returning this March and April, The Drop festival will cruise around the country as it follows the Aussie leg of the World Surf League (WSL) Championship Tour and it's bringing a banging little lineup of musical gold along for the ride. Surfing the festival wave for 2019 are brother-sister folk band Angus and Julia Stone, the perennially pastel indie pop duo Client Liaison and NSW surf rock band Hockey Dad, along with other local legends The Jungle Giants and Alex the Astronaut. Held on the first weekend of each area's surfing event, The Drop is set to grace some of the Australia's most iconic surf spots, each outing featuring a locally focused offering of food, drink and culture, to match the tunes. As well as heading to the official WSL events in Torquay, Margaret River and Coolangatta, this year, the festival will also kick off Surfest Newcastle and Vissla Sydney Surf Pro in Manly — both WSL Qualifying Series events. THE DROP FESTIVAL 2019 LINEUP Angus and Julia Stone Client Liaison Hockey Dad The Jungle Giants* Alex the Astronaut * Ball Park Music will replace The Jungle Giants in Newcastle THE DROP FESTIVAL 2019 DATES Newcastle, NSW — King Edward Park, Saturday, March 16 Manly, NSW — Keirle Park, Saturday, March 23 Coolangatta, Qld — Queen Elizabeth Park, Saturday, April 6 Torquay, Vic — Torquay Common, Saturday, April 20 Margaret River, WA — Barnard Park, Busselton, Saturday, June 1 The Drop tickets are currently on sale for $95. For more info, visit thedropfestival.com.au. Images: Miranda Stokkel.
Facebook might have spawned its fair share of hook-ups over the years, but now the site's taking the whole matchmaking thing to the next level. As announced by CEO Mark Zuckerberg at the company's annual F8 developer conference, a new Facebook feature for dating and relationships is just around the corner. According to Facebook's blog post about its latest technology announcements, the dating service is designed to improve the experience of meeting new people. You'll be able to use it to create a dating profile (separate to your regular one, thankfully), which will then throw you potential love matches, based on information about your mutual friends, preferences and things you might have in common. Users will also be able to scout out compatible matches through Facebook's 'Groups' and 'Events' features. The service is being built as we speak, with testing slated to kick off later this year. Other nifty new Facebook services announced at the F8 conference include a blood donations registrations feature for communities in India, Pakistan and Bangladesh, and new ways of sharing to your 'Stories'. Also in development is a 'Clear History' feature, which will show you what websites and apps send Facebook your information, and enable you to switch off the process going forward. It's a feature that might make users feel more secure after the Cambridge Analytica privacy breach.
The Royal Exhibition Building is set to be overrun with pooches of every shape and size. Returning for its sixth year, the Melbourne Dog Lovers Show will welcome around 250 exhibitors and upwards of 30,000 visitors. Whether you're in the market for a new family pet or are just looking for a bit of a cuddle, you won't find a more adorable event in Melbourne. Obviously, cat people need not apply. This year's show includes a number of special events for guests on two legs and four. For the first time the event will include the Common Woof Games, which will see chows and poodles come together as one species to jump over mini hurdles, play basketball (with their snouts!) and somehow throw a discus. There'll also be a doggy pool for belly flops and celebrity vets such as Dr. Katrina Warren and Dr Harry will run seminars on canine health. Several of Victoria's dog shelters will be there, with no shortage of rescued animals looking for permanent homes. Oh, and in case that doesn't make your heart melt, they've also got a dedicated puppy patting zone.
In Melbourne, the long winter can really take a toll. As spring rolls around and you realise that you've barely left the house for six months, it's time for some excitement. But don't reach for your passport just yet. Consider this, you probably haven't explored every intriguing corner of Melbourne. And, even if you have, new corners pop up every other day. It's time to make better friends with the city you live in. When you're surrounded by so much vibrancy every damn day, you can unintentionally take it for granted. But as the days get longer and warmer, you might find yourself venturing out with adventure on your mind. To help you out, we've teamed up with Mitsubishi in celebration of the new Eclipse Cross and curated a list of experiences to shake up your week. Try something new every day this week and get reacquainted with our great city. MONDAY, OCTOBER 8: ART TO START Begin the week with a wander through some stunning architecture. Get out of the office, and head to MPavilion in the Queen Victoria Gardens, just across from the National Gallery of Victoria. Today, the commissioned work by Barcelona-based architect Carme Pinos will be unveiled. For those of you who don't know, the MPavilion is a public design space that shows the works of prominent designers and architects. It's always a delight to wander through the exhibitions, and this year, it's particularly special. To contextualise just how special, Pinos is a renowned European architect, with her work spanning public architecture, social housing, urban refurbishment, furniture and object design. She's also won prizes for her work on gender advancement in the architectural field. Pinos' structure will be displayed from today until February 3, 2019. TUESDAY, OCTOBER 9: QUEER TALK Celebrate the launch of Queer History month and attend a free panel discussion. Head to the Wheeler Centre on Swanston Street, and get ready for a history lesson they (sadly) don't teach in school. To celebrate the launch of Queer History month, the Wheeler Centre is hosting a free panel discussion, Past, Present and Future Queer Australia. The panel consists of academics, writers, and performers including Daniel Marshall, Dennis Altman, Laniyuk Garcon and Sally Goldner, who will discuss the contributions of Australians that have helped shape queer communities. It's a great way to show support for the LGBTQI+ movement and learn a thing or two at the same time. The event is free, but make sure you book your tickets to save a spot. WEDNESDAY, OCTOBER 10: BACKSTAGE BALLET Tour the Australian Ballet's production centre to see props and sets from the past 50 years. Try something a little different this Wednesday. Book a tour of the Australian Ballet Production Centre. Located in Southbank, the centre is bursting with costumes, lace and colour. It contains stage pieces from 50 years worth of productions and is a veritable treasure trove of fancy things that will make you gush "oh" and "ah". A town car will pick you up and take you to the centre for the intimate tour. Groups are capped at 12 so you won't be shoulder to shoulder and can take it all in. THURSDAY, OCTOBER 11: LUNCHTIME NGV Check out the International 50th Anniversary exhibition at the NGV. Break free of your lunchtime routine and head to the NGV for a quiet stroll through the exhibitions, cleverly avoiding the hordes of weekenders. On display at the moment: a show that documents the life of the NGV gallery itself. The building was completed in 1968 and has since had some major embellishments added by artists and architects alike. Peruse relics from the first ever NGV exhibition, a gorgeous — now quite retro — exhibition named The Field. The exhibition was all about colour field painting and abstract sculpture and was considered hyper-contemporary and rather controversial at the time. How things change, huh? FRIDAY, OCTOBER 12: THE ORIGINAL BLADE RUNNER Welcome the weekend with baby-faced Harrison Ford. If Blade Runner 2049 left you yearning for the original, treat yourself to a night at the Astor. Tonight, the cinema is going back to the 80s and playing the original Blade Runner, complete with a young Harrison Ford and kick-ass soundtrack. The viewing starts at 7.30pm, and you better strap in because it's the final cut. In 2007, for the 25th anniversary of the original release, Ridley Scott edited and released another cut of the film that he had complete artistic license over. The resulting masterpiece is right at home in the regal confines of the Astor. Once it's over, head to Chapel Street for a bite to ponder the question that will puzzle us forever: was Deckard a replicant? SATURDAY, OCTOBER 13: CANNOLI FEAST Start with a walk, then treat yourself to some magical Sicilian desserts. Kick your Saturday off right with a walk around the Maribyrnong. There are plenty of walking paths to suit whatever mood you're in, from a lazy Saturday stroll (try the Cruickshank Park loop at just 1.1 kilometres) to something more vigorous (the Chifley Drive and rowing club loop at 4.2 kilometres). Once you've worked up a light sweat, it's time to reward yourself with ridiculous treats. Head to the Cannoli Bar in Avondale Heights. Yes, that's right. It's an entire venue dedicated to the delicious cannoli. You can't really go wrong with ordering here, just ask the staff to keep 'em coming and relish every guilt-free mouthful. SUNDAY, OCTOBER 14: MARKET FINDS Snag a Sunday bargain at the Round She Goes markets. Melbourne has so many incredible markets that permanently reside or pop-up around the place, it's hard to keep track. Some are ideal for a long morning of foraging, but if you want a market where it's all gold, head to Round She Goes in Coburg. It's been running in Melbourne for about a decade and features 60 stalls of incredible, curated vintage fashion. There's no need to forage here, every table is weighed down with gems at reasonable prices. Entry is $2 (so bring your spare change) and if you're already yearning, check out the website for an online store that sells the same great pieces 24/7. Where to next? Make the most of every week with Mitsubishi Eclipse Cross and navigate to your next destination here. Top image: Julia Sansone.
When you're watching The Room, or reading behind-the-scenes memoir The Disaster Artist, or seeing the star-studded film the latter spawned as well, one big fact is always glaringly apparent. It's inescapable. It's as obvious as Tommy Wiseau's lanky hair and awkward demeanour. It's as plain as the spoons scattered throughout The Room. Yes, Greg Sestero went through one helluva experience. Of course, if it wasn't for The Room, Sestero mightn't have enjoyed his current fame. When you're in a movie that's so bad it's bad but also someone great to watch — but definitely not great itself by any standards — that's a particular kind of success. So, Sestero has made the most of it. He penned The Disaster Artist. He popped up in the flick based on it. He reteamed on-screen with Wiseau for the two-part Best F(r)iends. And he heads to screenings, doing Q&As to chat about all things The Room, too. It's been five years since Sestero last came to Australia to indulge the nation's The Room fixation, but for a week in February, he's back. His timing is perfect given that Wiseau's disasterpiece notches up 20 years in 2023. Spoons at the ready at Cinema Nova on Saturday, February 18, clearly. Sestero is doing two things: getting talking about The Room as part of 20th-anniversary sessions, and also showing his new horror film Miracle Valley. This one is a horror movie on purpose, rather than accidentally like The Room, and also marks Sestero's feature directorial debut. For newcomers to The Room — with your pristine minds currently untainted by its wonders, and your vocabulary free from constantly saying "oh hi Mark" — it tells the tale of a banker, his adulterous fiancée, his conflicted best friend, a local teen caught up in a drug deal, a mother with cancer, a particularly tense party, a bunch of guys playing football in tuxedos and the worst apartment decorating scheme you've ever seen. Wondering how all of these things come together? Even the wildest combination you can come up has nothing on The Room. As for Miracle Valley, it's about an obsessive photographer and his girlfriend, who head off on a desert getaway but get threatened by sinister forces. No — disappointingly or welcomely, depending on how you feel about The Room — Wiseau is not among the credited cast.
Niche eateries are the culinary trend no one seems to be able to get enough of, just like the food items they're devoted to. Add New York's upcoming cream cheese cafe to a list that already includes cereal, avocados, mayonnaise, cookie dough, peanut butter on toast and marshmallows. Sugary treats and spreadables — when it comes to dedicated restaurants, they seem to hit the sweet spot. Indeed, when it sets up shop in NYC's East Village over the American summer, Becky's Bites will offer both. Given that cream cheese is quite the versatile — and delicious — substance, the new venture will serve desserts and savoury snacks. Start off with a bagel filled with the good stuff, then move on to cream cheese parfaits, cream cheese tarts, cream cheese cookie sandwiches and even cream cheese-filled chocolates. A cream cheese-topped hot chocolate might also make an appearance. https://www.instagram.com/p/BVncD3cHEDo/?taken-by=beckysbitesnyc The store, which will be the bricks-and-mortar digs for the existing catering company of the same name, will also offer up cream cheese in more flavours than you might expect. Vanilla, strawberry, peanut butter and cookies n' cream might all sound standard, but apple pie, cappuccino and bacon and egg definitely aren't. For other creative concoctions, there'll also be a cream cheese flavour of the month. Via Gothamist.
Writer-director Sarah Polley's follow-up to the much-loved drama Away From Her, Take This Waltz follows the story of a freelance writer Margot (Michelle Williams) as she meets a rickshaw driver from Toronto, Daniel (Luke Kirby). Margot shares with him an uncontrollable sexual chemistry, and when they realise they live just across the street from each other, the bombshell is dropped: Margot is happily married to sweetheart husband Lou (Seth Rogen), a gentle and caring cookbook writer. Margot finds herself in a complex and conflicting situation, not knowing whether her comfortable routine with her husband, whom she still loves, is enough in the face of the fiery desire of her alluring neighbour. She finds herself frequently trying to bump into the young man and testing the limits of her resolve by having late night pool dips and sipping margaritas with him, yet not actually acting on the attraction. Far from being a shallow display of trivial conflicting desires, the movie poignantly illustrates the internal dilemma of whether familiarity and comfort will suffice when they come up against the temptation of exotic sex, romance and art. Williams gives a heartwarming and evocative performance, making audiences sympathise and identify with her plight. Similarly moving displays from Rogen and Kirby work to make this film a heartwarming and complex production, which is a must-see for romantics and cynics alike. Concrete Playground has five double passes to giveaway. To go in the running to win tickets to Take This Waltz, make sure you're subscribed to Concrete Playground then email your name and postal address to us at hello@concreteplayground.com.au
What's the secret behind a great chair? Why does one design fail and another one flourish? Can you tell a replica from the real thing? How does architecture impact upon the success of high-density living? They're just some of the questions that Melbourne Design Week looks to answer in its first-ever program, which will take over the city from March 16 to 26. In fact, the entire just-announced lineup seeks to pose and respond to a provocation: 'what does design value, and what do we value in design?'. With that in mind, expect everything from talks to exhibitions and tours to panels and industry during the ten-day event at NGV International and other venues throughout Melbourne. For anyone who likes to not only get comfy when they're sitting, but park themselves on an impressive piece of furniture, Creating the Contemporary Chair is a must-see, showcasing 35 pieces including a stool coated in volcanic rock from Chile's Villarrica volcanos and a suspended chair that resembles a killer whale. Elsewhere, 26 Original Fakes asks Aussie designers to make their own version of a famous Jasper Morrison creation, innovative local efforts spanning everything from wifi to bionic ears will be on display, and discussions will cover thrones (not games of them, though), Indigenous-led design, the history of objects, and more. Both shopping and wandering are also on the agenda, the former courtesy of the 2017 Melbourne Art Book Fair and the presentation of South Korean jewellery makers Galley O's pieces in the NGV Design Store, and the latter including a guided tour through the Melbourne studios and galleries that craft shiny bling, as well as open houses at 15 businesses and institutions. Basically, if you're a design-lover, you'll be spoiled for choice — and overflowing with sources of inspiration. Melbourne Design Week takes place from March 16 to 26, 2017. For more information, visit: www.ngv.vic.gov.au/melbourne-design-week-2/ Image: Jacopo Foggini, designer, Italian, born 1966. Edra, Pisa, manufacturer, Italy est. 1987. Alice armchair, 2011 {designed}, 2016 {manufactured}, polycarbonate, LEDs, electrical components, 80 x 114 x 98cm. National Gallery of Victoria, Melbourne. Purchased with funds donated by Gordon Moffatt AM, 2017.
